Podcasts about jabu

Assistimos e comentamos o icônico Episódio 61 ("Renda-se ou Morrerá!"). Além do clímax do combate de Hyoga de Cisne e Milo de Escorpião, nós mergulhamos nas técnicas de produção artística e revelamos curiosidades incríveis sobre a dublagem clássica! Neste vídeo, você vai conferir: O Cosmo dos Anos 80: Com o olhar clínico de nossa convidada Isa (animadora e desenhista), tentamos desvendar o segredo artesanal por trás do efeito do cosmo queimando! Debatemos o uso de sobreposição de células (cels), jogos de luzes, fogueiras filmadas com filtros e até a teoria do uso de lâmpadas de lava para criar o clássico efeito tremulante, longe de qualquer computação gráfica. Curiosidade da Dublagem Clássica: Você sabia que quase todos os Cavaleiros de Bronze menores (Jabu, Ichi, Geki, Ban) dividem seus dubladores com grandes Cavaleiros de Ouro em outras sagas? Detalhamos quem faz a voz de quem (do Mu ao Shaka!), com exceção apenas do Nachi de Lobo! O Milo "Matraca": O Milo de Escorpião realmente fala demais? Discutimos a famosa piada do fandom sobre o Milo ser um "falador compulsivo" e "cafajeste de escorpião", contrastando isso com as regras de anúncio de golpes herdadas do clássico teatro japonês Kabuki. Combate Corrido Demais? Fazemos uma crítica ao ritmo "corrido" da luta na Casa de Escorpião. Diferente da fama de que Saint Seiya é um anime lento, concordamos que o Milo foi rápido demais para as suas 15 agulhadas e o golpe fatal Antares, sem dar o tempo necessário para o sofrimento e o medo respirarem. O que você achava do efeito do cosmo queimando quando assistia? Deixe seu comentário e vamos debater! ACESSE Blog: http://podcastsaintseiya.blogspot.com.brSimpleCast: http://simplecast.com/PodcastSaintSeiyaFeed: http://feeds.feedburner.com/podcastsaintseiyaDiscord: https://discordapp.com/invite/T9JVaWS

HOT TOPIC Topic: Transnet Port Terminals steps up fight against corrupt suppliers Guest: Jabu Mdaki: Chief executive, Transnet Port Terminals

We have experimental songs tonight, underground hip-hop & grime, and quite a lot of jungle & drum’n’bass mixed up with more experimental electronics & noise, sound-art meets contemporary classical, music for Palestine, Lebanon, Iran, Sudan and Congo, and more! LISTEN AGAIN to find the hope in the world; stream on demand at fbi.radio, podcast here. Aphir – Photokeratitis [Bird’s Robe Records/Bandcamp] Naarm’s Becki Whitton is many things: having been a guiding force behind sort-of record label Provenance Collective and mastermind of alternative top 100 for leftfield Australian music, The Wettest 100, professionally she’s a talented sound engineer, mixing & mastering many local pop & indie legends; and of course above all she’s a wonderful songwriter, producer, singer & improviser under the name Aphir. It’s been some time since the last Aphir album of songs with beats & stuff – for some time she’s been creating incredible ambient choral works with live looping & processing, some of which was released on The Halo is Shapeless in 2023. That album was released on Art As Catharsis – a very eclectic label, but best known for postrock & metal. Now Aphir’s new album Avarena is coming in September, and another Eora/Sydney postrock powerhouse, Bird’s Robe Records, is releasing it. I’ve had the pleasure of hearing it already, and it’s full of the kind of experimental electronic pop songs we’ve come to expect from Becki Whitton. Brian Ennals & Blockhead – Let it Burn (like Usher) [Phantom Limb/Bandcamp] Last time I had the pleasure of playing Baltimore rapper Brian Ennals, it was as part of a frankly astonishing opus in collaboration with Infinity Knives last year called A City Drowned in God’s Black Tears, mixing hip-hop with guitars’ acoustic strums & electric riffs, and a male gospel choir. NYC producer Blockhead is known – apart from the endless memes on his Instagram – for his extensive production work with Aesop Rock and more recently billy woods, two genius figures in rap – plus scads of solo work. Ennals more than easily stands in those shoes on *ahem* Boatshoes, the first single of which takes in in jazz loops and weird synths, with often-melodic rapping from Ennals. Keep an eye on this album, due out on July 17th. Basic Rhythm & NyNy – Vibez [Sneaker Social Club/Bandcamp] Basic Rhythm – No Future [Sneaker Social Club/Bandcamp] Anthoney Hart’s Basic Rhythm is generally his take on drum’n’bass, albeit always a little off-centre, rhythms shifted in some way. But his latest for the great bass label Sneaker Social Club is titled 8 Bar Techno. So is it techno? Well… kinda? It definitely starts that way, the title track sporting gun reloads & shots accenting its 4/4 thump. It’s definitely bass music though, and half of it I would suggest is grime – a highlight is NyNy‘s collaboration, “Vibez”, with more of those gun cocks. And then “No Future” has the 4/4 pulse and techno tempo, and that syncopated bassline… With Eklipse the mix empties out for a dubstep/grime feel, and sword slices replacing the guns. Only when the album closes on “Ice Cold” do we get hints at drum’n’bass, and even then what it really is a kind of grime-techno-electro stomp. Excellent. Sourdure – Le Pebre (feat. Lisà Langlois) [Murailles Music/Bandcamp] Ernest Bergez, of experimental electronic duo Kaumwald and various bands in various genres, continues his Sourdure project this year with a new album, Outredore, coming in September. With Sourdure, arcane pagan themes are modernised with electronic processing and synths, with lyrics in the Auvergnat dialect of the regional French language Occitan – which is closer to Catalan than French, and was the traditional language of many troubadors in ages past. As much as it draws on the folk music of central France, there are Arabic melodies flowing through these songs, and electronic pulses and tones. The first single features additional vocals from Lisà Langlois of the band Bòsc and collective La Crue, based also in the Massif Central of France. Jesse Draxler – Traap Number 9 ft. Lord Spikeheart & Hybrid Intuition [RIP ID] LA-based visual artist, filmmaker & musician Jesse Draxler released the first single from his upcoming album/project Tongue of Angels a few weeks ago, featuring hardcore punk/hip-hop duo Ho99o9. Here’s the second one now, with two big names from the Kenyan underground: Martin Kanja aka Lord Spikeheart, who works with heavy electronics and was half of grindcore band Duma, and guitarist/producer/futurist Hybrid Intuition. Draxler is primarily a visual artist as far as I know, but whether this is his music or more curation, it’s good stuff! Artilect – Flames (Featuring Miss Ria) [Weaponist/Bandcamp] One of the most consistently exciting drum’n’bass/jungle producers of the last while is Dylan Blythin aka Artilect, who’s often been associated with the Samurai folks but has always tended to have a junglist’s sense of rhythmic complexity shot through the d’n’b cyberpunk battering ram. And that neon, rain-soaked darkness is present on Reptile, his latest EP on Homemade Weapons‘ Weaponist label – to my ears there’s a lot of Dom & Roland here (high praise). dgoHn – Waiting For [Planet µ/Bandcamp] Here are two tastes that sure go well together – the first release by drumfunk genius dgoHn (aka John Cunnane) on Planet µ! Tessares really is vintage dgoHn, with the melodic focus of label boss µ-Ziq – and dgoHn did have an album with Macc on Aphex Twin’s Rephlex label (digital available here), so IDM isn’t exactly foreign to his style of drum’n’bass. But the beats are impeccable & inventive too, of course. Highly recommended. Mantra, Decibella & Tim Reaper – Force 32 [RuptureLDN/Bandcamp] Force 32 is the third collaboration between three huge forces for the jungle revival in the UK: (DJ) Mantra, who co-founded RuptureLDN with her husband Double O, as club nights and a label (who released this EP); Decibella, herself a busy jungle & drum’n’bass DJ, and Ed Alloh aka Tim Reaper, the hardest working guy in jungle, albeit now on a break from his collaborative releases on Future Retro London. The previous installments can be found on Tim Reaper’s label and on FABRICLIVE, and this may be the best of the lot – just really good jungle as it should be done. Shhau – Bedrock [SFX/Bandcamp] Fresh on Zoë Mc Pherson‘s SFX is an album from Armenian musician & bass music producer Shhau. This is music that moves comfortably between bass music genres and tribal, percussive techno – as such it would be perfectly suited to the YUKU label, but very much fits with Mc Pherson’s aesthetic too. I love the way this is a really solid drum’n’bass tune until it pummels its way into something more techno-y. Bios Contrast & Nilotpal Das – Iron Age Fantasies [Bios Contrast Bandcamp/Universal Broadcast] Bios Contrast & Nilotpal Das, Seraphim, Susu Laroche, BROOD – Escape [Bios Contrast Bandcamp/Universal Broadcast] Bios Contrast & Nilotpal Das is the usual way that Nilotpal Das refers to his music-making, although there are many more variations! He’s an incredibly prolific producer, with new tracks going up on Bandcamp more than weekly – and there’s Bios Contrast and Brahmancore at least to follow. These two tracks are from an honest-to-goodness album that’s even released in a limited CD edition from US distributor Universal Broadcast (with impossibly expensive shipping, natch). Sounds from the S.P.E.A.K.E.R System also extends Das’s love of collaboration, with a whole host of artist joining in. On the second track here we have vocals from French-Egyptian cross-media artist Susu Laroche, and additional production from Seraphim and BROOD. We’re talking crazy glitchy beats, sometimes edging into breakcore or speedcore territory. Brahmancore. KK NULL – Quantum Pulsation X_000005 [KK Null Bandcamp] Kazuyuki Kishino, usually known as KK NULL or Null, is one of the most recognized, long-lasting noise & experimental musicians in Japan. Since the early 1980s he’s made noise rock, hardcore punk and industrial, and collaborated with scads of artists from across the spectrum, but for decades as well he’s made mind-melting electronic music. Even if there are elements of dub, techno or other genres, his music remains sui generis. On his Bandcamp you’ll find a host of different series, albums grouped around particular concepts, this particular recent one being Quantum Pulsation X – and it’s not actually the tenth Quantum Pulsation, but rather an extended riff on an earlier work I guess. The complexity of rhythm and noise reflects the complexity of thought that Null puts into everything he does. A fascinating assault on the senses. Architectural – Psychedelic Dancefloor Visions [Delsin Records/Bandcamp] Better known as Reeko, Spain’s Juan Rico has made thumping minimal techno for many years, and in the last few years branched out into drum’n’bass and 170BPM beats, mainly for Samurai Music. His long-established Architectural alias turned up a couple of years back on R&S Records, and has continued as an outlet for the lighter stuff. Here we have some blissfully head-noddy deep techno. Kirk Barley – Ecstatic [Marionette/Bandcamp] We’ve heard Kirk Barley a lot on this show under his own name and as the Church Andrews half of Church Andrews & Matt Davies. In that pairing, Barley’s sinuous yet precise modular synthesis interacts with Davies’ complex (and precise!) drumming patterns, and it’s interesting hearing on forthcoming album Arc that Barley’s solo synth work retains a lot of that rhythmic quirkiness – although to be fair, Matt Davies appears on a number of tracks, including this one. The oddly-tuned synths and hard-to-pin-down rhythms make for a beautifully strange listening experience. dprk – Blutsuppe [Studio Fabrik/Bandcamp] dprk – Aksak-Turm [Studio Fabrik/Bandcamp] I continue to appreciate the super-weird work of Eora/Sydney experimental trio dprk, made up of Richard Fielding (Loop Orchestra, early Severed Heads), Nick Dan (of noise obscurists xNoBBQx) and Juke Wyat (also recently of Loop Orchestra). Gnomes of Zürich is their ostensibly krautrock excursion, although a lot of the aesthetics of that loose genre have inhabited their mix of psych, noise and synth oddness. The two short vignettes here have a strange affinity with the more de-genred aspects of Mike Paradinas’ µ-Ziq and his one-off collaboration with Jochen Paap aka Speedy J, Slag Boom Van Loon. Lord Tusk – Opposites Attract [do you have peace?/Bandcamp] Dawuna – Anything [do you have peace?/Bandcamp] From do you have peace?, the label run by Bristol minimalist bass/trip-hop mavericks Jabu, a highly recommended compilation raising money for on-the-ground organisations in Lebanon, Congo, Palestine, Iran & Sudan. And this is a seriously stacked compilation, ranging from the more ambient side of this scene’s productions to the dub-influenced weirdness of, for instance, Lord Tusk and the minimalist, obscured r’n’b digi-funk of Ian Mugerwa’s Dawuna, who I loved in his early incarnation as Ot to, not to. Helen Svoboda – If [Room40/Bandcamp] Helen Svoboda – Evening Hepuli (feat. Selma Savolainen) [Room40/Bandcamp] Naarm-based Finnish-Australian double bassist is an artist who truly defies categorisation, as you may have noted if you’ve been listening to this show for a while. Adept as a jazz double-bassist, she has also developed many extended techniques on her instrument, and is a master at the melodic use of stopped harmonics (heard in last year’s debut from the TL;DR quartet and 2024’s Anatomical Heart collaboration). Svoboda’s last solo album, 2023’s The Odd River, is a collection of assorted songs, on which Svoboda is joined by many brilliant Australian jazz players, but the music covers folk and classical – and in fact the album is one part of a film work Svoboda made with Angus Kirby (I’m not sure there’s any way to watch it online though). Now the follow-up, Headwater, has been released by the great Room40, showcasing songs & compositions mostly created from Svoboda’s double bass & voice, and co-produced by Tilman Robinson, whose electronics also wrap around many of the works. There are a few collaborators, and notably the voice of acclaimed Finnish singer Selma Savolainen can be found throughout. It’s a stunner. Kalia Vandever – Tough Play [International Anthem/Bandcamp] New York-based trombonist Kalia Vandever plays an instrument that’s a little unusual in jazz as a lead instrument, but is also a talented ensemble player and a great composer & songwriter. Their last solo album, last year’s Another View, was made with a guitar/bass/drums backing band featuring the brilliant Mary Halvorson, but follow-up Mana is entirely performed by themself. There are electronic textures blending with the sound of multi-tracked trombones, and there are also songs, bearing the influence of Vandever’s Hawaiian heritage. There’s something homely about “Tough Play”, with simple piano chords, trombone lurking underneath and Vandever’s clear voice. Just beautiful. Mara – Air Leak feat. Benjamin Woods [Pure Space/Bandcamp] fbi.radio broadcaster, curator, violist, composer, sound-artist Mara Schwerdtfeger returns to the also-fbi-affiliated Pure Space with a two track release. At the time of broadcast the first track was available, based around the single note playable on her great-grandfather’s flute, with additional flautation from Naarm’s Benjamin Woods. The very breathy tones are warming but slightly unsettling, joined at intervals by sub bass pings. Seabuckthorn – Mumbo Jumbo [Lost Tribe Sound/Bandcamp] When we first heard Andy Cartwright’s Seabuckthorn, the project was a showcase for his incredible fingerstyle guitar picking, a brilliant take on American Primitive from an artist based in the UK. There were hints even then of other tendencies bubbling under – shoegazey bowed guitars, field recordings. In the meantime, both under his own name and as Seabuckthorn, Cartwright has taken his art in many different directions, including sound-collage and electronic elements. On this track, we have an arrhythmic collage of percussive sounds which eventually coalesces into a cyclic rhythm, with string drones and a few select notes from Phil Cassel’s double bass (he’s one of two guests on the album, along with Lost Tribe Sound regular William Ryan Fritch). Ben Shemie – I See You Too [Beacon Sound/Bandcamp] Bint Mbareh – one’s own third harmonic on a rusted sewage pipe [Beacon Sound/Bandcamp] Following January’s brilliant compilation Gaza Is The Moral Compass (and it still is), Portland, OR label Beacon Sound offer Flowers Not Bombs, once again featuring artists associated with Montréal’s Constellation label such as cellist Rebecca Foon, Ben Shemie of SUUNS, as well as Lost Tribe Sound’s William Ryan Fritch, cellist/sound-artist Nick Storring, International Anthem & WeJazz-associated percussionist Booker Stardrum – plus Lebanese composer Youmna Saba, Palestinian sound-artist Bint Mbareh, Iranian composer & sound-artist Rouzbeh Shadpey and many more. Shemie’s piece features his high, vocoded voice with beautifully orchestrated strings, while Mbareh’s echoey piano gradually succumbs to sound manipulation, stretching and reversing until its brief piano coda. All profits of this beautiful compilation go to two very worthy on-the-ground organisations: Arab Group for the Protection of Nature and Palestinian Teacher Creativity Center. Félicia Atkinson – Les Yeux IV [VIERNULVIER Records/Bandcamp] Félicia Atkinson – Sans Visage V [VIERNULVIER Records/Bandcamp] I was lucky to perform at the brilliant dunk!festival last year with my band Black Aleph, a festival in Europe’s best-kept secret, the lovely northern-Belgium city of Ghent. Specifically, the festival occurs in a few theatres and venues around an arts centre / platform / community called VIERNULVIER (404), which itself has a phenomenally-curated boutique record label. Having discovered the excellent Antwerp-based musician Youniss through the label earlier this year, I was pleased to see a familiar name in Félicia Atkinson appearing on the label. This album, Sans Visage, was a commissioned by VIERNULVIER for their Videodroom series. It’s spooky music, not particularly redolent of evil but very atmospheric, and simply as sound-art, the maniupated piano and guitar, the organ and voicelike drones and the quite avant-garde harmonies are beautiful, and evoke a soundtrack from years ago, glitchily transmitted from a long-lost archive. Listen again — ~210MB

Nosipho Radebe is in conversation with Jabu Mdaki, Chief Executive at Transnet Port Terminals See omnystudio.com/listener for privacy information.

Ep 284 BBEdit 16 Searches for Text in Images, Adds Shortcuts Actions, and More JSON: 25 years Google Chrome Is Silently Downloading a 4GB AI Model! Here's the FIX! His entire Google account got permanently banned. Not just Drive. Gmail. YouTube. Every single service. Jabučnjak - David Pogue: Da mogu promijeniti povijest, izliječio bih Stevea Jobsa | Interview OS 26.5 Adds Encrypted RCS Messaging, Fixes Bugs Apple unveils new accessibility features, and updates with Apple Intelligence Recognition - Community - Apple Developer Apple Design Awards - 2026 finalists The App Store stopped over $2.2 billion in fraudulent transactions in 2025 Radu Dutzan: f u c k A p p l e ‘ s A p p R e v i e w -- This Is The Best Local Model Runner For Apple Silicon (oMLX) Indexing a year of video locally on a 5-year-old M1 Max with Gemma 4 31B AI didn't kill your junior pipeline. You did. | Andrew Murphy Turn on a Mac mini, Mac Studio, or iMac without pressing its power button - Apple Support No, Bambu Lab. You're Not Apple. You're MUCH Worse. Apple has open-sourced corecrypto, the foundational cryptographic library in Apple operating systems Apple in the Enterprise: A 2026 report card How did Apple make this work?? Zahvalnice Snimano 29.5.2026. Uvodna muzika by Vladimir Tošić, stari sajt je ovde. Logotip by Aleksandra Ilić. Artwork epizode by Saša Montiljo, njegov kutak na Devianartu

Shirin 'Muhallinka Rayuwarka na wannan makon, ya tattauna ne da masu ruwa da tsaki kan sha'anin Noma, a kan matsalar yawaitar taki da kuma magungunan ƙwari na jabu, matsalar da ta zamewa manoman Najeriya ƙalubale babba a shekarar bana.

Olá, jovens que aqui chegaram! Sejam muito bem-vindos a mais um Chega de Sentimentalismo, o podcast que tem medo do Miro…Seja nosso apoiador: ⁠⁠⁠⁠⁠⁠https://apoia.se/superamiches⁠A surra na casa de escor… AHEM… digo… a LUTA na casa de Escorpião continua com Milo atirando em tudo quanto é orificio e criando novos! Porém Hyoga, o cavaleiro de Kibom Sorvane, chega e diz que vai bater no Escorpiãoa até ele descobrir se no céu tem pão! Enquanto isso, os soldados merda do Santuário resolvem fazer o serviço que uma flecha cravada no coração não fez a Saori, que é matar essa burguesa filha de uma ronca e fuça! Porém, Tatsumi, o terror das criancinhas, decie intervir e bater em todos como se eles fossem crianças de 7 anos amarradas e penduradas de cabeça pra baixo totalmente indefesas (sim, careca do satanás, o Norte e o Ikki se lembram…).Porém, quando a coisa parecia que iria desandar para o calvo podre e imundo, eis que surgem eles, os cavaleiros de bronze da série C! Lembram deles? Não? Eles estavam nos primeiros episódios da série! Tinha o… ooo.. o carinha de cavalinho chifrudo, o maluco de 38 anos que abraçava ursões e… pera…isso soou um pouco errado… ENFIM!Conseguirá Hyoga se manter em pé por mais de 5 minutos sem estar sustentando por um blocão de gelo? Conseguirão Seiya e Shiryu subir um simples lance de escadas em menos de 40 minutos? Conseguirá alguém eplicar a cara e o cabelo escroto do Hidra? Conseguirá Marcelo Campos fingir que não dubla o Mu e o Jabu no mesmo episódio? Una-se a Hellbolha, Evandro, Godoka e Kassius Klay e descubra!

In this episode, Edem and Jabu welcome Michael Payne back to the podcast for a comprehensive discussion about his new book 'Fast Tracks and Dark Deals: How Sport Became Business and Business Became Sport'. The conversation explores Payne's upbringing, his experiences with the IOC during its crisis, the intricacies of Olympic bidding wars, and his transition to Formula One. They delve into the future of sports, the impact of technology, and the evolving landscape of leadership within sports organisations.To purchase a copy of Fast Tracks & Dark Deals: How Sport Became Business and Business Became Sport, visit www.amazon.com/Fast-Tracks-Dark-Deals-Business/dp/1916556752-------------------

How do you build a sustainable sport investment portfolio in a market where commercial structures are still emerging?In this episode, Edem and Jabu are joined by MRM Sport Capital Co-founders Ian Briggs and Mokgatle Mokgatle to explore the rise of private equity in African sport. The conversation covers the story behind MRM Sport Capital, the rationale for a dedicated sport investment firm, and the structure of its portfolio. The episode also dives into KickID's rollout, product development approach, and how MRM identifies and acquires sport assets. The discussion closes with reflections on the future of sports finance and what will shape Africa's sport investment landscape in the years ahead.-------------------

Clement Manyathela hosts Jabu Hlongwane who is a pastor, gospel artist and the co-founder of Joyous Celebration as he celebrates 30 years in the industry. They reflect on his career and success over the years. The Clement Manyathela Show is broadcast on 702, a Johannesburg based talk radio station, weekdays from 09:00 to 12:00 (SA Time). Clement Manyathela starts his show each weekday on 702 at 9 am taking your calls and voice notes on his Open Line. In the second hour of his show, he unpacks, explains, and makes sense of the news of the day. Clement has several features in his third hour from 11 am that provide you with information to help and guide you through your daily life. As your morning friend, he tackles the serious as well as the light-hearted, on your behalf. Thank you for listening to a podcast from The Clement Manyathela Show. Listen live on Primedia+ weekdays from 09:00 and 12:00 (SA Time) to The Clement Manyathela Show broadcast on 702 https://buff.ly/gk3y0Kj For more from the show go to https://buff.ly/XijPLtJ or find all the catch-up podcasts here https://buff.ly/p0gWuPE Subscribe to the 702 Daily and Weekly Newsletters https://buff.ly/v5mfetc Follow us on social media: 702 on Facebook https://www.facebook.com/TalkRadio702 702 on TikTok https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/Radio702 702 on YouTube: https://www.youtube.com/@radio702 See omnystudio.com/listener for privacy information.

What does it take to turn sport into a movement for youth leadership and empowerment across Africa? How can young people shape the future of the continent through sport?In this episode, Edem and Jabu sit down with Champs for Change (C4C) co-founders Memuna Williams, Randy Soumahoro, and Clarisse Machanguana to explore how C4C is redefining youth empowerment through sport. They discuss the organisation's collaboration with We Will Lead Africa, the story behind their contribution to the new book launch, and how sport is being used as a platform to build leaders, careers, and communities. The conversation also dives deep into C4C's vision for youth employment in sport and what the next generation of African sport leaders will look like by 2030 and beyond.-------------------⭐ The best way to support the podcast is to subscribe, share and leave us a 5-star rating on Apple Podcasts or Spotify. ⁠⁠⁠⁠⁠⁠⁠⁠

As women's football continues to gain global momentum, Africa stands at a pivotal moment to redefine how brands, leagues, and communities invest in the women's game. How can African women's football unlock its full sponsorship potential?In this episode, Edem and Jabu are joined by sport marketing expert Shafeeqah Isaacs to unpack her journey into the sports industry, South Africa's football sponsorship landscape, explore what makes impactful brand partnerships in sport, and discuss how African women's football can drive long-term sponsorship deals that sustain its continued growth.-------------------⭐ The best way to support the podcast is to subscribe, share and leave us a 5-star rating on Apple Podcasts or Spotify. ⁠⁠⁠⁠⁠⁠⁠⁠

Relebogile Mabotja speaks to Jabu Stone the Founder of Jabu Stone Hair Care Products about his journey as a pioneer in natural hair care, promoting braids and African locks and the lessons he has learned from failure. 702 Afternoons with Relebogile Mabotja is broadcast live on Johannesburg based talk radio station 702 every weekday afternoon. Relebogile brings a lighter touch to some of the issues of the day as well as a mix of lifestyle topics and a peak into the worlds of entertainment and leisure. Thank you for listening to a 702 Afternoons with Relebogile Mabotja podcast. Listen live on Primedia+ weekdays from 13:00 to 15:00 (SA Time) to Afternoons with Relebogile Mabotja broadcast on 702 https://buff.ly/gk3y0Kj For more from the show go to https://buff.ly/2qKsEfu or find all the catch-up podcasts here https://buff.ly/DTykncj Subscribe to the 702 Daily and Weekly Newsletters https://buff.ly/v5mfetc Follow us on social media: 702 on Facebook https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/Radio702 702 on YouTube: https://www.youtube.com/@radio702 See omnystudio.com/listener for privacy information.

What would it take for Cape Town to become the first African city to host the Olympic Games? In this episode of the Africa Business of Sport Podcast, Edem and Jabu sit down with Rashiq Fataar, urban strategist and co-lead of the Cape Town 2040 think tank, to explore the city's long-term vision, the risks and opportunities of hosting the Olympics, and how mega-events can drive urban transformation. The trio unpack lessons from other host cities such as Paris 2024, the role of innovation and sustainability, and what it would mean for Cape Town to position itself as Africa's next global city.Cape Town 2040 Reports:Sports Venue Assessment From Paris to Cape Town: Insights and ideas from the Cape Town 2040 learning mission to the Paris 2024 Olympic GamesPreliminary Assessment of Accommodation for a Future Olympic Games in Cape Town, South Africa-------------------⭐ The best way to support the podcast is to subscribe, share and leave us a 5-star rating on Apple Podcasts or Spotify. ⁠⁠⁠⁠⁠⁠⁠⁠

In this episode, Edem and Jabu sit down with Jonathan Miseory, Co-Founder and Chief Strategy Officer of Hadaf Global, to have a timely conversation about sport and international diplomacy. They trace the roots of sport diplomacy, examine how events like AFCON 2025 and the Dakar 2026 Youth Olympics reflect Africa's increasing use of sport to expand its soft power, and explore how upcoming sporting mega-events like the 2026 FIFA World could shape a new era of sport diplomacy under a Trump administration.---------------

In this special episode, originally aired on PowerFM, Jabu shares the inspiration behind founding Ithuba Lethu Sports Hub and how the IOC Young Leaders Programme has shaped his journey. From humble beginnings to building a grassroots initiative with continental impact, Jabu reflects on the role of sport as a powerful tool for youth empowerment and community upliftment in Africa.-------------------

In this episode, Jabu is joined by tax lawyer Louis Botha and Director of Cash n Sport Research, Nqobile Ndlovu, for a comprehensive discussion the firesale of Royal AM amid tax debts incurred by its owner, Shawn Mkhize. Jabu, Louis, and Nqobile break down the legal, financial, and sporting implications of the case, analysing how it fits into the broader context of South African football.Topics covered include Shawn Mkhize's longstanding tax dispute with SARS, the extensive powers that the curator bonis Jacob Venter has over Royal AM, the unsuccessful bid by Roy Moodley for Royal AM, what happens if the curator does not receive satisfactory bids for the club, and what the Royal AM case reflects about the PSL clubs' corporate governance and financial sustainability.---------------

In this episode, Edem and Jabu react to the announcement that Zimbabwe's Minister of Sport and IOC Member, Kirsty Coventry, has been elected as the 10th President of the International Olympic Committe. They discuss the historic development as Coventry becomes the first female president of the IOC and the first African president of the organisation, and outline her plans to reimagine The Olympic Partner (TOP) Programme and Olympic broadcasting.---------------

Sigh

Alison Weihe is a founder and award-winning entrepreneur in the construction industry in South Africa over the past 25 years. The Creative Stone Company has built a reputation as an ethical design-driven company of excellence and service. In the past six years she transitioned into the coaching, speaking and writing space where she won further awards – Speaker Factor Winner 2021 of the Professional Speakers Association of South Africa (PSASA) and a Global Coaching award from the Coach Foundation and is a nominee in Women of Stature Awards in South Africa 2025 in the Coaching and Mentoring Category. As a serial entrepreneur passionate about making a difference, Alison became an Executive Partner in the Mindset Development Institute, alongside her business partner, Jabu Zwane and their growing team, recently winning a further award as one of the top empowerment companies in South Africa. Both Alison and Jabu have a deep commitment to do legacy work, build entrepreneurship education and tell the untold stories of hope and healing in South Africa. Alison has an interesting background as an entrepreneur. She was a political activist for almost 20 years in different shapes and forms, as a journalist and a trade unionist under COSATU. Alison was part of COSATU's launching Congress in 1985 and worked directly under President Cyril Ramaphosa and many other remarkable leaders of that time. What sets Alison apart is her vulnerable tone as a profound storyteller. She is known as a Soul Speaker. She believes it is her mission to use her voice as one of reconciliation, hope and healing at a seminal time in our country's history. Alison's message: Own your story, live with grace, step into the power of who you were truly meant to be. That is how we heal some of the anguish in the world, one conversation at a time. Alison joins us from Johannesburg, South Africa. Learn more: Website:  https://alisonweihe.com/ Book: Belonging – Finding Tribes of Meaning, by Alison Jessica Weihe Purchase from Amazon: https://a.co/d/6Xezlll Facebook: www.facebook.com/alison.weihe Instagram: www.instagram.com/alison_weihe/ LinkedIn: www.linkedin.com/in/alison-weihe/

In this episode, Edem and Jabu are joined by Dr. Layckan Van Gensen, sports law expert and Junior Lecturer at Stellenbosch University, to discuss how professional athletes in South Africa protect and commercialise their image, the key challenges plaintiffs face when claiming compensation for unauthorised use of their image under the common law of delict, the vulnerabilities South African athletes face in the digital age and the legal safeguards they can implement, the key provisions necessary in a potential Image Rights Act, and global best practices from jurisdictions like the United States that could inform South Africa's future image rights legislation.---------------

In this episode, Jabu and Edem return to review the recently-concluded third season of BetwaySA20, South Africa's premier T20 cricket league. The duo detail the business of the SA20, the league's innovative fan engagement strategy, the commercial partnership portfolio that powers the league and the SA20's significance given the upcoming 2027 ICC Cricket World Cup and cricket's introduction as an Olympic sport at the LA28 Olympic Games. ---------------

Du blues burkinabè de Soba à l'afro-latin tropical d'Ayom. (Rediffusion) Nos 1ers invités : le trio Soba pour la sortie du 1er album FimanFormé par le chanteur-guitariste Moussa Koita, l'harmoniciste Vincent Bucher et le batteur Émile Biayenda, Soba renoue les liens entre la chanson mandingue et le blues du Mississippi. Soit un afro-blues aussi rustique que lumineux, au moyen duquel le trio explore les recoins de l'âme humaine. Pour remonter aux racines du blues, il faut rejoindre le Mississippi depuis Chicago, naviguer vers le Sud jusqu'à la Nouvelle-Orléans via Memphis, puis embarquer pour les Caraïbes et finalement traverser l'Atlantique jusqu'aux rivages d'Afrique de l'Ouest depuis lesquels le rhizome se ramifie via les fleuves Niger et Congo. On peut lire Le pays où naquit le blues, d'Alan Lomax, ou regarder «Du Mali au Mississippi : Feel Like Going Home», de Martin Scorsese. On peut se plonger dans les enregistrements historiques, du pionnier américain W. C. Handy jusqu'au maître malien Ali Farka Touré. Pour tout comprendre des voyages qui forment l'éternelle jeunesse du blues, on peut enfin écouter un album lumineux grâce auquel tout s'éclaire : Fiman, du trio franco-burkinabè Soba. Soba désigne «la grande maison» en dioula, le parler mandingue notamment pratiqué au Burkina Faso. Foyer des retrouvailles amicales et des complicités musicales, Soba est le toit sous lequel se rencontrent Moussa Koita, Vincent Bucher et Émile Biayenda. La formation s'est échafaudée au fil des six dernières années, depuis que ses membres ont fait connaissance dans les projets des autres, jusqu'à vouloir ériger leur groupe sur les fondations du blues qu'ils ont en commun.Entre Moussa Koita et Vincent Bucher, la collaboration s'est ainsi nouée dans le groupe d'Abou Diarra, le maître malien du kamele n'goni qui creuse la source du blues mandingue. L'intuition s'est vite confirmée qu'ils étaient faits pour jouer ensemble. Guitariste et chanteur burkinabè, né dans une famille de griots de Bobo-Dioulasso, Moussa Koita a écumé l'underground parisien où sa réputation est élogieuse dans les domaines des musiques traditionnelles ouest-africaines, du reggae et de la soul, en plus de travailler avec le groupe Rivière noire et la chanteuse Kady Diarra. De vingt-deux ans son aîné, l'harmoniciste Vincent Bucher s'est d'abord passionné pour le blues originel. Immergé dans la « sono mondiale » parisienne du début des années 1980, puis complice de CharlElie Couture, Bill Deraime, Patrick Verbecke et du Heritage Blues Orchestra nommé aux Grammy Awards en 2013, il a noué des compagnonnages fructueux avec le polyinstrumentiste franco-malgache Tao Ravao et l'éminent guitariste malien Boubacar Traoré. À l'époque où les deux musiciens épaulent Abou Diarra, Moussa Koita développe déjà, avec une créativité prolixe, ses propres projets de chanson mandingue contemporaine sur lesquels Vincent Bucher pose parfois des parties d'harmonica. L'idée germe bientôt de jeter un pont avec le blues mississippien, dans son essence la plus rustique. Le duo vérifie rapidement que la connexion fonctionne. Pour bien faire, il ne manque plus qu'un batteur-percussionniste qui indiquerait la rythmique inhérente au genre. Musicien parmi les plus prisés de la diaspora subsaharienne, explorateur des hybridations entre le jazz et les rituels ancestraux, au point de s'immerger pendant six mois avec les pygmées Mbenga, Émile Biayenda est tout indiqué. Après avoir côtoyé Vincent Bucher avec Tao Ravao et les Tambours de Brazza, il a fait la connaissance de Moussa Koita dans le groupe de Sam Mangwana, légende de la rumba congolaise. Moussa, Vincent, Émile : les astres sont alignés. Le trio est né.Titres interprétés au grand studio- Fiman Live RFI- Horonke, extrait de l'album- Tounga Live RFILine Up : Moussa Koita (chant, guitare), Vincent Bucher (harmonica) et Emile Biayenda (batterie, cajon).Son : Mathias Taylor, Benoît Letirant et Camille Roch► Album Fiman (MDC/Pias Integral 2024)YouTube - facebook - instagramPuis nous recevons le groupe Ayom pour la sortie de l'album SaLiVa.Ayom est un groupe de 6 voyageurs : Jabu, une Brésilienne ; Alberto, un Italien résidant en Espagne ; Timoteo, d'origine grecque et italienne ; Francesco, également Italien, Ricardo et Walter, tous deux Angolais. Ils se sont réunis autour d'une passion commune pour la musique de la diaspora africaine et lusophone en particulier (Brésil, Angola, Cap-Vert), et trouvé à Lisbonne, une sorte de patrie.Après avoir joué avec le Black Atlantic Tour dans le monde entier, Ayom sort l'album Sa.Li.Va, un acronyme représentant 3 impulsions : « SA-grado » (sacralité), « LI-berdade » (liberté et amour) et « VA-lentia » (courage).L'album est une trilogie, avec 3 titres reliés au Sacré, 3 autres qui célèbrent la liberté, l'amour et la vie, et les 3 dernières qui abordent les thèmes de lutte contre les injustices, le racisme, la machisme et la colonisation. Sur cet album, on chante en italien, en portugais ou en yoruba.Titres interprétés au grand studio- Filhos da Seca Live RFI- Vestido de Fogo, extrait de l'album- Eu Me Quero Mais Live RFILine Up : Jabu Morales (chant, percussions), Timoteo Grignani (percussions), Alberto Becucci (accordéon) et Ricardo Quinteira (guitare électrique)Son : Mathias Taylor, Benoît Letirant et Camille Roch► Album Sa Li Va (Ayom music, l'Autre Dist. 2024)Site - facebook - YouTubeÀ lire dans The GuardianRéalisation : Donatien Cahu

Du blues burkinabè de Soba à l'afro-latin tropical d'Ayom. (Rediffusion) Nos 1ers invités : le trio Soba pour la sortie du 1er album FimanFormé par le chanteur-guitariste Moussa Koita, l'harmoniciste Vincent Bucher et le batteur Émile Biayenda, Soba renoue les liens entre la chanson mandingue et le blues du Mississippi. Soit un afro-blues aussi rustique que lumineux, au moyen duquel le trio explore les recoins de l'âme humaine. Pour remonter aux racines du blues, il faut rejoindre le Mississippi depuis Chicago, naviguer vers le Sud jusqu'à la Nouvelle-Orléans via Memphis, puis embarquer pour les Caraïbes et finalement traverser l'Atlantique jusqu'aux rivages d'Afrique de l'Ouest depuis lesquels le rhizome se ramifie via les fleuves Niger et Congo. On peut lire Le pays où naquit le blues, d'Alan Lomax, ou regarder «Du Mali au Mississippi : Feel Like Going Home», de Martin Scorsese. On peut se plonger dans les enregistrements historiques, du pionnier américain W. C. Handy jusqu'au maître malien Ali Farka Touré. Pour tout comprendre des voyages qui forment l'éternelle jeunesse du blues, on peut enfin écouter un album lumineux grâce auquel tout s'éclaire : Fiman, du trio franco-burkinabè Soba. Soba désigne «la grande maison» en dioula, le parler mandingue notamment pratiqué au Burkina Faso. Foyer des retrouvailles amicales et des complicités musicales, Soba est le toit sous lequel se rencontrent Moussa Koita, Vincent Bucher et Émile Biayenda. La formation s'est échafaudée au fil des six dernières années, depuis que ses membres ont fait connaissance dans les projets des autres, jusqu'à vouloir ériger leur groupe sur les fondations du blues qu'ils ont en commun.Entre Moussa Koita et Vincent Bucher, la collaboration s'est ainsi nouée dans le groupe d'Abou Diarra, le maître malien du kamele n'goni qui creuse la source du blues mandingue. L'intuition s'est vite confirmée qu'ils étaient faits pour jouer ensemble. Guitariste et chanteur burkinabè, né dans une famille de griots de Bobo-Dioulasso, Moussa Koita a écumé l'underground parisien où sa réputation est élogieuse dans les domaines des musiques traditionnelles ouest-africaines, du reggae et de la soul, en plus de travailler avec le groupe Rivière noire et la chanteuse Kady Diarra. De vingt-deux ans son aîné, l'harmoniciste Vincent Bucher s'est d'abord passionné pour le blues originel. Immergé dans la « sono mondiale » parisienne du début des années 1980, puis complice de CharlElie Couture, Bill Deraime, Patrick Verbecke et du Heritage Blues Orchestra nommé aux Grammy Awards en 2013, il a noué des compagnonnages fructueux avec le polyinstrumentiste franco-malgache Tao Ravao et l'éminent guitariste malien Boubacar Traoré. À l'époque où les deux musiciens épaulent Abou Diarra, Moussa Koita développe déjà, avec une créativité prolixe, ses propres projets de chanson mandingue contemporaine sur lesquels Vincent Bucher pose parfois des parties d'harmonica. L'idée germe bientôt de jeter un pont avec le blues mississippien, dans son essence la plus rustique. Le duo vérifie rapidement que la connexion fonctionne. Pour bien faire, il ne manque plus qu'un batteur-percussionniste qui indiquerait la rythmique inhérente au genre. Musicien parmi les plus prisés de la diaspora subsaharienne, explorateur des hybridations entre le jazz et les rituels ancestraux, au point de s'immerger pendant six mois avec les pygmées Mbenga, Émile Biayenda est tout indiqué. Après avoir côtoyé Vincent Bucher avec Tao Ravao et les Tambours de Brazza, il a fait la connaissance de Moussa Koita dans le groupe de Sam Mangwana, légende de la rumba congolaise. Moussa, Vincent, Émile : les astres sont alignés. Le trio est né.Titres interprétés au grand studio- Fiman Live RFI- Horonke, extrait de l'album- Tounga Live RFILine Up : Moussa Koita (chant, guitare), Vincent Bucher (harmonica) et Emile Biayenda (batterie, cajon).Son : Mathias Taylor, Benoît Letirant et Camille Roch► Album Fiman (MDC/Pias Integral 2024)YouTube - facebook - instagramPuis nous recevons le groupe Ayom pour la sortie de l'album SaLiVa.Ayom est un groupe de 6 voyageurs : Jabu, une Brésilienne ; Alberto, un Italien résidant en Espagne ; Timoteo, d'origine grecque et italienne ; Francesco, également Italien, Ricardo et Walter, tous deux Angolais. Ils se sont réunis autour d'une passion commune pour la musique de la diaspora africaine et lusophone en particulier (Brésil, Angola, Cap-Vert), et trouvé à Lisbonne, une sorte de patrie.Après avoir joué avec le Black Atlantic Tour dans le monde entier, Ayom sort l'album Sa.Li.Va, un acronyme représentant 3 impulsions : « SA-grado » (sacralité), « LI-berdade » (liberté et amour) et « VA-lentia » (courage).L'album est une trilogie, avec 3 titres reliés au Sacré, 3 autres qui célèbrent la liberté, l'amour et la vie, et les 3 dernières qui abordent les thèmes de lutte contre les injustices, le racisme, la machisme et la colonisation. Sur cet album, on chante en italien, en portugais ou en yoruba.Titres interprétés au grand studio- Filhos da Seca Live RFI- Vestido de Fogo, extrait de l'album- Eu Me Quero Mais Live RFILine Up : Jabu Morales (chant, percussions), Timoteo Grignani (percussions), Alberto Becucci (accordéon) et Ricardo Quinteira (guitare électrique)Son : Mathias Taylor, Benoît Letirant et Camille Roch► Album Sa Li Va (Ayom music, l'Autre Dist. 2024)Site - facebook - YouTubeÀ lire dans The GuardianRéalisation : Donatien Cahu

In the final episode of this year, Edem and Jabu mark the one-year mark until AFCON 2025 Morocco by having a conversation with African sport business expert, Reda Laraichi. Reda evaluates Morocco's readiness to host AFCON 2025 and the 2030 FIFA World Cup by considering how Morocco is boosting tourism revenues through hosting different sporting competitions, AFCON 2025's commercial landscape and how it will be boosted by the robust cross-collaboration between the public and private sector within the Moroccan economy and how hosting sporting events is fueling the local economy and sports infrastructure development including the 115 000-seater Grand Stade Hassan II. ---------------

In this episode, Edem and Jabu reflect on FIFA's unusual unopposed bidding process in awarding the 2030 and 2034 World Cups, Morocco co-hosting the 2030 World Cup with Spain and Portugal, the African Development Bank issuing a €650m loan to Morocco for World Cup transportation infrastructure development, and Saudi Arabia's successful 2034 World Cup bid with 15 new stadiums planned across four cities. ---------------

Unser London-Korrespondent Hanspeter «Düsi» Künzler bringt bei seinem letzten Besuch dieses Jahr standesgemäss persönliche Highlights, Bestenlisten und 'last second' Entdeckungen anno '24 - mit Beth Gibbons, The Cure, W.H. Lung, Nadine Shah, Laurie Anderson und Man/Woman/Chainsaw. +++PLAYLIST+++ · 22:56 - APOLOGIZE von YES I'M VERY TIRED NOW/NATASHA WATERS · 22:51 - BANDWAGONING von COILGUNS · 22:47 - NO SURPRISE von WARHAUS · 22:43- SHE CLEANS UP von FATHER JOHN MISTY · 22:39 - COAST von KIM DEAL · 22:36 - BOTANICAL GARDEN von ANNA ERHARD · 22:31 - PLANT von EFTERKLANG FEAT. MABE FRATTI · 22:28 - BETTER HATE von JESSICA PRATT · 22:23 - HIGHJACK von A$AP ROCKY FEAT. JESSICA PRATT · 22:20 - CONTEMPLATE von OLIVE BLACK · 22:18 - AFRIKAN DI ALIEN von PA SALIEU FEAT. BLACK SHERIF · 22:13 - REBEL SOUL von MICHAEL KIWANUKA · 22:10 - LOSING YOU von EVERYTHING IS RECORDED FEAT. SAMPHA/LAURA GROVES/JAH WOBBLE/YAZZ AHMED · 21:56 - STARKREGEN von TEHO TEARDO/BLIXA BARGELD · 21:53 - TAMARINDO von TARTA RELENA · 21:46 - WHO ARE THE PRETTY NEW DUCKS IN THE POND von PAINTING · 21:43 - THE RETURN von FELL · 21:37 - INDIA & ON DOWN TO AUSTRALIA von LAURIE ANDERSON/BRNO PHILHARMONIC ORCHESTRA/ANOHNI · 21:34 - TRUTH von ELLA RONEN · 21:27 - TOPLESS MOTHER von NADINE SHAH · 21:24 - ISOLATION von THE ROUTES · 21:20 - ISOLATION von JOY DIVISION · 21:16 - CLOSER von UMARELLS · 21:10 - SPORTS DAY von MAN/WOMAN/CHAINSAW · 21:06 - DOG DRIBBLE von GETDOWN SERVICES · 20:56 - A FRAGILE THING von THE CURE · 20:54 - BLODYN GWYRDD von TRISTWCH Y FENYWOD · 20:49 - DYN DOETH O'R DWYRAIN von PYS MELYN · 20:46 - LONG DARK NIGHT von NICK CAVE & THE BAD SEEDS · 20:37 - BEYOND THE SUN von BETH GIBBONS · 20:29 - FEVER DREAM von ISHMAEL ENSEMBLE · 20:26 - OCEANSIDE SPIDER HOUSE von JABU · 20:23 - FLOWERS IN THE RAIN von THE MOVE · 20:18 - FLOWERS IN THE RAIN von W. H. LUNG · 20:14 - ANKH von TEMPLES · 20:05 - FRIDAY I'M IN LOVE von THE CURE

In this episode, Edem and Jabu are joined by Visiting Professor at Georgetown University in Qatar, Dr. Danyel Reiche, to reflect on Qatar's journey post-FIFA World Cup 2022, critically examining how the tournament has shaped the nation's sports policy and geopolitical. Danyel, who co-authored "Qatar and the World Cup: Politics, Controversy and Change", extensively interrogates the World Cup's impact on Qatar's foreign policy, Saudi Arabia's rapid rise in world sport after the World Cup, and Qatar Investment Authority's investment outlook after 2022, and the country's long-term vision for its deployment of sports diplomacy to enhance its standing in international relations. ---------------

Episode 722: November 14, 2024 playlist: James Blackshaw, "Dexter" (Unraveling In Your Hands) 2024 [self-released] FACS, "Wish Defense" (Wish Defense) 2025 Trouble In Mind Laibach, "Strange Fruit" (Strange Fruit) 2024 Mute La Securite, "Detour" (Detour) 2024 Bella Union Good Sad Happy Bad, "Find My Way" (All Kinds of Days) 2024 Textile Eramus Hall, "Determination" (Lost and Found) 2024 Westbound Nonconnah, "You're Too Old To Be Killing Rabbits, Beatrice" (Nonconnah vs. the Spring of Deception) 2024 Absolutely Kosher The Rollies, "Disco" (Ayo Ke Disco: Boogie, Pop and Funk from the South China Sea (1974-88)) 2024 Soundway Jabu, "Ashes Over Shute Shelve ft. Daniela Dyson and memotone" (A Soft and Gatherable Star) 2024 Do You Have Peace? Freckle, "Taraval" (Freckle) 2025 Drag City Evan Chapman, "Reveries" (Reveries) 2024 Better Company diane barbe, "les marecageuses" (musiques tourbes) 2024 forms of minutiae Tuxedomoon, "Lowlands Tone Poem" (Ship of Fools) 1986 Crammed Discs / Restless Mark McGuire, "And Away We Go" (Anhedonia) 2024 [self-released] Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

In this episode, Jabu is joined by Dr. Kamilla Swart-Arries, Program Director of the Masters of Sports & Entertainment Management and Associate Professor at Hamad Bin Khalifa University, to discuss the potential return of Formula 1 to Africa. Dr. Swart-Arries explores the history of F1 on the continent, from the 1958 Moroccan Grand Prix to the last race held in South Africa in 1993. She also examines the prospects of Rwanda and South Africa as frontrunners to host the next African Grand Prix, highlighting the efforts of South African Sports Minister Gayton McKenzie in advocating for Kyalami's return to the F1 circuit. Together, they discuss the strategic and financial commitments needed for an African circuit to successfully host F1, considering the high costs and FIA circuit accreditation requirements involved. ---------------

In this episode, Jabu is joined by leading international sports lawyer, Evert de Bruyn, a key figure behind The Business of Football Conference (BFC), South Africa's first football business summit. Evert discusses the BFC's context within the wider football business ecosystem in South Africa, the brands organising and sponsoring the event and the importance of creating forums for football stakeholders to exchange ideas. He also shares exclusive details about BFC's thematic agenda and line-up of speakers. ---------------

In this episode, Edem and Jabu sit down with the Founder & Chairman of the Professional Fighters League (PFL), Donn Davis, to discuss the highly anticipated launch of PFL Africa. In an exclusive interview, Donn extensively explains the key drivers behind the PFL's strategic expansion to Africa, the significant role played by PFL Africa Chairman Francis Ngannou in the formation of the new PFL regional league, and PFL Africa's unprecedented ticketing and broadcasting model. Donn also touches on the PFL's unique sports-season format, the $100m minority stake investment from SURJ Sports Investments, and the PFL's proven international expansion model following the success of PFL Europe and PFL Middle East. ---------------

In 2024, Yvette toured South Africa. During that time, she spoked with many South Africans about their legacy. This episode is a prior interview before Yvette's opportunity to visit South Africa. Yvette explores the legacy of apartheid in South African with a white South African, Nico de Klerk, and a black South African, Jabu Zwane, who have had a friendship spanning decades. Nico has written a book, No Fit: My 1700 Mile Walk from Apartheid, and Jabu is the founder of the Mindset Development Institute and serves as a global speaker and coach.  

In this episode, Founder and CEO of The Football Foundation for Africa (FFA), Brian Wesaala, joins Edem and Jabu to preview the third edition of FFA's flagship event, Africa Football Business Summit. Brian recounts the key lessons he and his team have accumulated over the previous editions of the summit and also discusses the purpose and meaning behind this year's summit theme “Unlocking Africa's Youth Potential: Sports & Social Innovation At Play”, what differentiates the Africa Football Business Summit from other sports conferences in Africa, and what delegates can expect at this year's summit. ---------------

In this episode, former Manager: Sponsorship, Marketing & PR at MultiChoice, Nstiki Msuthu, joins Edem and Jabu to consider the outlook for Betway and the Premier Soccer League (PSL) following the recent conclusion of the deal. Ntsika, who is now Director of Sponsorship and Partnership at Rugby Afrique, discusses African sport's reliance on betting companies, the opportunity for Betway to activate their sponsorship through content creation and digital engagement, why South Africans spent a total of R420bn in placing sports bets, and the unique challenges facing Rugby Afrique's sponsorship strategy. ---------------

In this episode, CEO of Omniaudio, Kevin Fine – for the first time since launching Omniaudio – joins Edem and Jabu to provide extensive, behind-the-scene insight into the launch of Omniaudio. Kevin discusses the issues facing advertising on traditional radio, how the platform seeks to address long-standing challenges for content creators such as discoverability and monetisation of content, and more details behind Omniaudio's collaboration with MTN. Africa Business of Sport Podcast is available to listen data-free on Omniaudio via MTN Play. ---------------

In this episode, President of Enhanced Games, Dr. Aron D'Souza, joins Edem and Jabu to discuss the Enhanced Games, primarily the medical safety and ethical considerations of allowing athletes to use performance-enhancing drugs. Dr. D'Souza also addresses whether the Enhanced Games' commercial revenue is affected by their association with the use of performance boosters, the mixed reception that the concept has been received from the global sports community, why he believes senior officials at the International Olympic Committee are seeking job opportunities with Enhanced, and the level of interest from media companies to broadcast the inaugural edition of the Enhanced Games in 2025. ----------------

This is an episode of "The Business of the Olympics", a series focused on the sport business aspects of the Paris 2024 Olympic & Paralympic Games featuring senior executives from the International Olympic Committee (IOC), IOC TOP Partners and world-leading sports marketing consultants and professors. In this episode, Olympic Marketing expert, Rob Prazmark, joins Edem and Jabu to discuss his assessment of the overall success of Olympic marketing brand activations at Paris 2024, how LVMH leveraged its Paris 2024 official partner rights to maximise its brand visibility, the make up of the LA28 Local Organising Committee team, why LA28 is primied to be a fusion of sport, pop culture and entertainment, and whether an African country should host the 2036 Olympic Games. ----------------

This is an episode of "The Business of the Olympics", a series focused on the sport business aspects of the Paris 2024 Olympic & Paralympic Games featuring senior executives from the International Olympic Committee (IOC), IOC TOP Partners and world-leading sports marketing consultants and professors. In this episode, Paris 2024 Olympic & Paralympic Games Director at VISA, Nicolas Mace, joins Edem and Jabu to discuss how VISA approaches the management of its sport sponsorship portfolio, the history of VISA's longstanding involvement in The Olympic Partner (TOP) Programme, VISA's brand activation objectives at Paris 2024, how the brand is supporting athletes through Team VISA at the Games, and how the present sponsorship activation rollout will inform their Olympic marketing strategy for LA28 and Brisbane 2032. ----------------

This is an episode of "The Business of the Olympics", a series focused on the sport business aspects of the Paris 2024 Olympic & Paralympic Games featuring senior executives from the International Olympic Committee (IOC), IOC TOP Partners and world-leading sports marketing consultants and professors. In this episode, Head of Olympic & Paralympic Division at Toyota Motors Europe, Cedric Borremans, joins Edem and Jabu to discuss the evolution of Toyota's association with The Olympic Partner (TOP) Programme since 2013, the strategy Toyota implemented to mitigate the challenging nature of the Tokyo 2020 Olympic Games, the overarching campaign and brand activation approach for the Paris 2024 Olympic Games, and Toyota's post-Paris 2024 sports sponsorship outlook. ----------------

This is an episode of "The Business of the Olympics", a series focused on the sport business aspects of the Paris 2024 Olympic & Paralympic Games featuring senior executives from the International Olympic Committee (IOC), IOC TOP Partners and world-leading sports marketing consultants and professors. In this episode, Chairman & CEO of T. Burns Sports Group LLC, Terrence Burns, joins Edem and Jabu to examine the unique value of the Olympic Games as a leading global sports marketing platform, the importance of authenticity and purpose in Olympic brand advertising, the crucial role which strong relationships have in Olympic sponsorship management and whether the IOC will renew a number of expiring TOP partner contracts. ----------------

This is an episode of "The Business of the Olympics", a series focused on the sport business aspects of the Paris 2024 Olympic & Paralympic Games featuring senior executives from the International Olympic Committee (IOC), IOC TOP Partners and world-leading sports marketing consultants and professors. In this episode, CEO of Olympic Broadcasting Services (OBS), Yiannis Exarchos, joins Edem and Jabu to discuss the history of the global broadcasting of the Olympic Games, the strategic motives underlying the formation of OBS by the International Olympic Committee in 2001, the financial importance of Olympic broadcasting and media rights for the IOC, an extensive explanation of the complex television and audiovisual infrastructure required to broadcasting the Paris 2024 Olympic Games globally and the innovative ways that OBS will be deploying technology and artificial intelligence to broadcast the Paris 2024 Olympic Games. ----------------

This is an episode of "The Business of the Olympics", a series focused on the sport business aspects of the Paris 2024 Olympic & Paralympic Games featuring senior executives from the International Olympic Committee (IOC), IOC TOP Partners and world-leading sports marketing consultants and professors. In this episode, Chairman & CEO of Payne Sports Media Strategies and former IOC Marketing Director Michael Payne, joins Edem and Jabu to discuss the evolution of Olympic sponsorship and marketing since 1990s, the crossroads facing the IOC in relation to the future of TOP Programme, the outlook for the IOC's future global broadcasting model and the importance of a successful Paris 2024 Olympic Games for the IOC's immediate commercial future. ----------------

This is an episode of "The Business of the Olympics", a series focused on the sport business aspects of the Paris 2024 Olympic & Paralympic Games featuring senior executives from the International Olympic Committee (IOC), IOC TOP Partners and world-leading sports marketing consultants and professors. In this episode, SKEMA Business Schools' Professor of Sport & Geopolitical Economy, Professor Simon Chadwick, joins Edem and Jabu to discuss the impact of the snap French election on France's ability to stage the Paris 2024 Olympic Games, the context of Emmanuel Macron's dual image in politics and sport, whether security concerns amid political instability in France and abroad ahead of Paris 2024 are justified, the role of sports diplomacy and soft power at the Olympic Games and the importance of France hosting a peaceful and successful Olympic Games. ----------------

This is an episode of "The Business of the Olympics", a series focused on the sport business aspects of the Paris 2024 Olympic & Paralympic Games featuring senior executives from the International Olympic Committee (IOC), IOC TOP Partners and world-leading sports marketing consultants and professors. In this episode, Managing Director of IOC Television & Marketing Services - Anne-Sophie Voumard joins Edem and Jabu to discuss how TOP partners ensured the delivery of Tokyo 2020, the IOC's ticketing and hospitality plans for Paris 2024, the innovative strategy underpinning the IOC's licensing and merchandising programme for the Games, and the IOC's outlook for the LA28 Olympic Games. ----------------

In this episode, Edem and Jabu examine the drivers behind MultiChoice's $225m (R4.1bn) after-tax loss, how the cost-of-living crisis and currency fluctuations across its core markets influenced the results, and what this all means for the ongoing merger negotiation with Canal+. ----------------

In this episode, Jabu is joined by Executive Chairman of African Sports & Creative Institute, Will Mbiakop, to conduct a book review of "Africa Sports Industry: Understanding the Game" including a brief discussion on the ongoing book tour, what led to Will deciding to write and publish a book about the African sports industry, and the major themes covered in the book. Jabu and Will also touch on the Africa CEO Forum, the top five investment opportunities in the sports industry in Africa, and how Morocco is gearing up to host the 2025 AFCON and co-host the 2030 FIFA World Cup. To purchase a copy of Africa Sports Industry: Understanding the Game, visit africansci.com ----------------

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