Podcasts about cartwright

Recently crowned 2x Champ Ben Kelley joins us to talk about his championship and SX Pro Josh Cartwright calls in to talk about his first GNCC since 2011. Also, Craig Oberholzer joins us to chat about this past weekends racing action. https://www.rockymountainatvmc.com/?ref=1090&utm_source=youtube&utm_medium=onthepipepodcast&utm_campaign=influencer https://linktr.ee/onthepipepodcast Also give us a follow to stay up to date! Instagram- https://www.instagram.com/onthepipepodcast/ Facebook- https://www.facebook.com/On-The-Pipe-Podcast-1474683515925676/?ref=bookmarks TikTok- @onthepipepodcast Apple Podcast- https://podcasts.apple.com/gb/podcast/on-the-pipe-podcast/id1295853841

Laura Veltz is a four-time GRAMMY-nominated songwriter and artist originally from New York City. Her credits include hit songs for Maren Morris (“The Bones,” “I Could Use a Love Song”), Dan + Shay (“Speechless”), Lady A (“What If I Never Get Over You”), and Demi Lovato (“29”). In 2023, she was nominated for Songwriter of the Year, Non-Classical at the GRAMMY Awards. She is currently published by Big Machine Music.In this episode of Ten Year Town, we talk about Laura's journey through Nashville, her creative process, the evolution of modern country songwriting, and the stories behind some of her biggest songs.--------------------------------------------------This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.---------------------------------------------------Troy Cartwright is a Nashville-based artist and songwriter originally from Dallas, Texas. His songs have collectively garnered hundreds of millions of streams, and he is currently signed to Big Machine Music for publishing. Cartwright has written songs recorded by Cody Johnson, Nickelback, Ryan Hurd, Josh Abbott Band, and has upcoming cuts with several A-list artists.New Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.

Deborah Cartwright obtained a BA Honours degree in Modern Continental Philosophy andPhenomenology and studied esoteric psychology through the Theosophical Society. Becoming apublished author on self-development and esoteric psychology in 1999, with her non-fiction bookThe Inward Revolution, published by Warner, Little Brown and co-authored with popular novelistStorm Constantine. The book stands as a unique perspective of alternative psychology, self-help and modern existentialism.She is best known in the UK for her research with authors Andrew Collins, Graham Phillips and Paul Weston, and her work has directly contributed to many of their books on the genre of earthmysteries, forbidden archaeology and historical investigation. A key figure in the alternativearchaeology community since the 1990's, Debbie provided inspiration and foundational ideas forAndrew's books The Circlemakers, The Second Coming and From the Ashes of Angels. Thiscollaborative research into the prehistoric origins of civilisation continued with her involvement inhis books, Denisovan Origins in 2019, and Origins of the Gods in 2022, co-authored with Dr GregLittle.Debbie is also known for her extensive work on the Rosslyn Chapel Project between 1992 to 2003 on the subject of the mystical beliefs and practices of the Knights Templar and the Sinclair family for key figures of the project. They included Niven Sinclair, author Stephen Prior, historian Robert Brydon and the then curator of the chapel, Judith Fiskin.As an exponent of the ‘Questing' movement since 1990, Debbie defines it as the unique practice ofinteracting with ancient sites and the natural landscape to retrieve lost historical knowledge, solvemysteries, or effect change in the landscape and within the self. Using esoteric techniques such asmeditation and mental visualisation, ‘questing' is a physical pursuit encompassing many differentspiritual, esoteric and occult disciplines to obtain knowledge of the past.Debbie's current work focuses on research into animism and the philosophy behind prehistoricshamanism, offering a unique perspective on the question of ‘what the ancients were up to'.Become a supporter of this podcast: https://www.spreaker.com/podcast/earth-ancients--2790919/support.

Christian College Sex Comedy: Part 15 Chancellor Gets Boned In 30 parts, By FinalStand. Listen to the podcast at Explicit Novels.             The pursuit of power is pointless unless you know how to use it    The look the Chancellor gave me was filled with hate alright, but it was awash in a desperate sexual hunger too. "You goddamn bastard," she huffed through clenched teeth. My response was to switch finger slamming her, instead rolling her rather large clit between my forefinger and thumb gently. "Gak," she choked out. "You can get on top and ride me," I promised her softly. "You an even tie my hands up with the sash of my robe." "On your back, damn you," Melrose snarled ferociously. As I fell back, she ripped my bathrobe sash off so fast it yanked me off the bed. My ass had no sooner hit the bed again when Bazz pulled my robe open and straddled me. She pulled my arms together and bound my wrists with frightening proficiency. "Not your first time at the rodeo?" I joked. She slapped me across the face; not so hard to break my skin but enough to make me have to rework my jaw to get it set again. "Shut up, Braxton," she gloated over me, "I'm going to treat you like the piece of trash that you are. You are going to regret ever thinking you belonged here." Mel rose up on her knees, maneuvered her hand onto my cock, and aimed it at her cunt lips. "Oh," she gasped as her sex blossomed and let my cockhead in. She slowly began shifting down my cock with ecstatic pleasure written all over her face. "It feels pretty good," I started to say. I was going to finish with 'doesn't it?' but she cut me off. "Shut up!" she seethed. "You exist solely for my pleasure. I don't need to hear your juvenile stumbling at sexual banter." This wasn't the time to start a fight; that would come later. Doctor Bazz kept wiggling her ass down my shaft. She was so lost in her own fulfillment that she almost forgot about me. I grunted when she planted herself down particularly hard as she was humping me. Melrose looked down at me. With one hand she struck snake-like at my throat, squeezing my windpipe shut. "You are just a child," she taunted me wickedly, but then her whole tone changed to a creepy, appreciative voice, "a pretty, pretty child." Okay, I want a psychopath. I want a selfish bitch with no issues beyond insensitivity. I do not want a woman in her forties telling me I'm "a pretty, pretty child." That's just wrong, and that's coming from a guy who screws just about anything that moves. "Is this how you screw those sluts?" she moaned. "Is this how you pack Heaven's tight little ass? Does she scream for you?" Wait; did she call Heaven a 'she'? That's progress! I choked out a non-response. I was getting enough air to breath but not enough vocal freedom to talk, and I had a feeling this was on purpose. "You don't need to answer that," she chuckled eerily. "I've heard reports of their sad little cries as they squirted all over you. You love it when you break their wills to you and this, oh, God, big cock, don't you?" The Chancellor leaned forward, her bra-covered breasts dangling tantalizingly close to my mouth, and rolled her hips so that her clit rubbed against my cock. "You hammer them, hammer them, and hammer them some more until their tight little bodies can't even crawl out of your bed. And you wanted to hammer me with this huge cock of yours; you wanted to make me sweat, make me cry out your name, you wanted to wreck me," she sneered. I reached up with my bound hands and lifted her grip off my throat. "Actually, I'm done. I want you out of my room," I growled back. Melrose's breast heaved and she glared down at me, angry but uncertain. "I was hoping there would be something intriguing about you but seriously, you are just, mediocre. Hell, Heaven is more of a woman than you are and that's kind of pathetic. I wasn't denigrating Heaven, who I cared about, but was using Doctor Bazz's prejudice against the bitch. "How dare you?" she muttered. She hadn't stopped humping me yet. "Get some plastic, a broom handle, I don't care, but get the hell off of me, you evil witch," I insisted. As a counterpoint to that, I began to thrust my cock deeper into her womb. "Ugh, ugh, no," she gasped. "You don't, tell me what, to do." Mel had now positioned her clit so that it received maximum impact with my pelvic bone. I flipped us over; even with her resistance, I was too strong for her. I pushed my bound hands down on her sternum, the fear of sexual frustration written large over her face and burning forth from her eyes. "I want Heaven back," I demanded. "Never," she growled. I began to withdraw my cock from her cunt. She whimpered and tried to hold me to her body by grabbing my shoulders in each hand. "Get off me," I insisted. "Get off of me. If you want some piece of meat between your thighs, go to an over-forties bar and pick up some Momma's Boy who will pop in less than fifteen seconds, then grovel at your feet for an hour like a worm. "It would be better than an immature punk like you," she struggled to insult me and my performance. I took three long strokes inside her, flexing my cock when it was at its deepest, thumping her G-spot each time. I could see tears of pleasure in her eyes. I tried to pull out the fourth time but she hooked her legs behind me and held my shoulders tight. "No," she persisted. "I am going to use you until I'm satisfied." Instead of wrestling with her, I pulled her up so that my hands cupped her ass, her arms remained around my shoulders, letting her kiss me, and her thighs and calves were wrapped around my waist. I bounced her up and down quickly, quickening her passion as each drop onto the fullness of my rod brought her closer to orgasm. "What?" she gasped, "Where are we, " "Outside, so that your security can see us," I explained evilly. "No!" she squeaked. "Heaven," I stated. She shook her head so I took two more steps to the cutback exit in the screens. "No, no," she insisted then as I took the next step. "Fine," she said in defeat, but hating me for it. "You can have her back for the short time she's still here," she seethed. "The Board will support my decision and that will be it for her, and probably the rest of you too." "Don't be bitter, Mel," I teased. "You've been good to me so I'm going to be good to you. How do you want it?" She glared at me so I continued talking as I walked us back to the bed. "You want to be slammed from behind, don't you? It is hard to get those girls you break down to do a convincing job of it, yet you miss being treated like a slut," I verbally prodded her. She'd gone over too fast to face down and ass sticking out for someone who didn't crave it. I gently lowered us down to the bed while keeping eye contact. "Take off your bra, then roll over on your hands and knees right here on the edge of the bed. She was torn; she had hold of me at the moment, but she really wanted to give me my grudge fuck. As she opened her shirt, I dove into her cleavage, kissing and licking. She purred hungrily even as she worked her shirt off and then her bra. While keeping up my torture of her breasts, I hooked her thighs with my hand and hiked up her legs until I had her splayed out, her knees pushed halfway to her breasts. I dove down to her muff and ravaged her clitoris and lips. Doctor Bazz squealed with surprise and pleasure. Right as my vaginal attention got to be too much for her, I yanked her ass over the edge, bent her farther over, and returned to chewing on her nipples. If she was upset that I wasn't immediately fucking her, she was doing a good job of hiding it. The next time I dove on her cunt, I kept my fingers on her engorged nipples, teasing to the point pleasure and pain collided. I tore up her cunt with a total disregard to patience and sensitivity. The Chancellor squealed, squirmed, and thrust against me without inhibition until she growled loud enough to bring any guards, had they been close enough. She hit her second spasm when I rushed one hand down to her twat and began to jackhammer two fingers inside her cunt, unrelentingly driving her eruption from crest to crest. When her eyes rolled back in her head, I released her, but only to move to my next stage. I'd promised her a good hard fucking after all. I took Melrose's hips and repositioned her so that she was face down, her knees on the edge of the bed and her legs dangling over. I knelt between her thighs and began licking her from clit to anus. A few passes into it, I sucked several of my fingers on one hand until they were really slick while working her cunt over with my other hand. I think she was a bit surprised when I pressed my first finger against her anus. As her sphincter gave way, Doctor Bazz finally spoke up. "Don't you dare," she moaned sensually. "Don't do this?" I teased her, as I sunk another half-inch into her rectum. "Oh, God, yes," she groaned like a wanton whore. I wiggled in a little farther; Melrose gasped and shook her big ass in my face. I pulled the finger, she whimpered in need, and I went back to assaulting her cunt with my tongue and teeth. "Put it back," she panted. "If I put it back, I'll have to use two fingers," I informed her. Mel coughed in response. I obliged her quiet acquiescence by teasing her anus once more. "Ugh, bastard," she grunted. It started out angry but transformed to sexual in mid-vocalization. I worked my two fingers in slowly, I didn't want her to scream and I'm basically not a sadist. I also ameliorated the pain by slipping my cock back into her cunt seconds later. I developed a slow rhythm, picking up the pace incrementally until she was really taken aback the moment I bottomed out in her womb, tickled her cervix, and twisted my two fingers 180 degrees in her anus. "Oh, God," she moaned. I began fishing through a list of affections until I found the one that bit - 'Gorgeous'. That word bit into her psyche and I decided to use it. "Oh, fuck, Gorgeous, you are so damn sexy," I whispered to her. Melrose coughed, then growled. I took the moment to lean on her back and cruelly grab a breast and begin to aggressively maul it. "Oh, God, yes!" she exulted heavily. "You are a filthy-minded, little, huge damn delinquent." "And you finally got me to ream you good, didn't you?" I responded. "Play, play all you like," she groaned, "but I know how to break you, now." 'Yes', I thought back, 'but I know you want something too.' About this time I was pretty sure there was no possible way I was getting away with this. I had fucking silk screen walls, for pity's sake. Chancellor Bazz was equally sobbing and cursing into my sheets. One second she was encouraging me to pound her harder, I obliged, and the next second she was telling me how good it felt. I will give her this much; the old bird had a lot of sexual frustration to work out and I was her instrument. Having this game go on and on certainly wasn't going to work so I had to figure out what I could do that I wasn't already doing and what would turn her on. I didn't like my answer. I reached down and took Melrose by the back of her head and pushed her face deeper into the bed. First she moaned louder and then her body started to tremble as she thrust back harder. When the suffocation set in, she struggled to rise but I was too strong and pressing her down with too much force. The Chancellor reached back from her vulnerable position and tried to push me off and remove my hand holding her head down. She became more and more frantic, undoubtedly fuelled by her own sense of rage upon the world and mirroring my own hatred of her as my motivation. Her last explosion of air was a scream into the bed. A fear-fueled orgasm overwhelmed her with her whole body going rigid, then lurching about. Now that I'd gotten her off, I let go of her neck, going so far as to grabbing her shoulder and pull her up for a desperate breath. I withdrew my fingers from her ass and my cock from her flooded cunt. Melrose lay boneless on the bed, dazed and incoherent. I put my fists on either side of her shoulders and leaned over my tormentor and victim. "You damn near killed me, you bastard," she moaned heatedly. "Was the orgasm worth it, knowing this might be the last thing you feel in this life?" I whispered to her. "Don't answer because your body told the story already. As much as you hate me, you loved putting everything on the line like that." "Shut up," she wheezed. "You know nothing, Child." "I know you are lying face-first, mostly naked, on my bed, freshly fucked, covered in sweat, my cock resting on your open, inviting ass with your legs spread wide for me, Doctor Bazz. I know I said that the next time we met I was going to fuck you like I owned you, and I think I've done that." "I am, going to, break, all of your girl, friends," Melrose ground out. "We will see who owns who when this is over, Mr. Braxton," she gasped once she'd finally calmed down and she could take an unlabored breath. As I slowly got off of her, she gave out one last sigh. "Remember your promise, Chancellor," I cautioned her. "I remember all kinds of things," she snapped back. Doctor Bazz resumed a standing position but was polite enough not to kick me when I helped her get her panties back on. "Let's not do this again," I cautioned the Chancellor. "If we do, I'm going to have to tie you up and abuse all three of your holes all weekend long." "The only 'next time' will be my last time using you," she growled. "You didn't let me finish, Mel. Next time, after I've got you warmed up, I'm handing you over to Rio who, trust me, will be a lot less compassionate than I am. Like you, she's got some anger issues to work through," I grinned. "Thank you for putting her back on my radar," she sneered back sweetly. "I'm not too worried, Mel," I replied. "You are a pretty smart woman. You know that with Rio, the pain and risk of permanent harm isn't just play. She'll be looking forward to making you beg for your life." The expectant smile she shot my way chilled the soul. God, can't you give me some not-so-crazy women to deal with? For once, he gave me a reply by way of a sudden insight: try not to solve every problem with my cock and appreciate the sane women who do spend time with me. Doctor Bazz moved past me so I gently stroked her ass. "Done?" she snarled while looking straight ahead. Her anger was betrayed by her hardening nipples. "Yes. And I apologize, Chancellor. I was only thinking about your arms bound behind your back while I pounded your cunt at the same time as Rio slammed you from behind," I said softly. She rotated her gaze to me, lust and hate warring across her countenance. "Every time we are alone together, Melrose," I breathed into the side of her face as I rubbed a hand down from her stomach to her crotch, "I am going to have to check out how wet you are." Her hand flashed down and stopped my progress. "Or would you rather I check you from behind?" I added as I ran a hand down her rump. "Fuck you," she sighed. "Is that an invitation?" I teased. This was killing me inside. "Just remember that next time, you are getting that dildo rammed up your ass." "Damn you," she seethed once more. "I have to go before security suspects something." Like they didn't all know precisely what had been going on? How dumb did she think they were? Without another word she strode out of my bedroom into the main area. "What have you found?" she questioned the guards. Of course they had found nothing damning. They had to be suspicious of all the TVs and computer stations without internet hook-ups but no one mentioned a thing. "This was a colossal waste of time," Melrose said in an exaggerated display. "Let's go." Doctor Bazz led the way down the stairs but stumbled on the first step. The last guard in line smirked at me. "Do you miss Dana much?" I inquired quietly. "And how," she rolled her eyes. "Tonight was a total bust. Anyone with half a brain knew you expected a raid tonight and would have everything stashed somewhere else. All this overtime is good for my paycheck but I'd kill for a good night's sleep." "Oh, you are preaching to the choir, ma'am," I chuckled, "preaching to the choir." I went back to my room and lay down. Sleep did not come easy. I knew that the Science Club's cameras had recorded the events of the past half hour; I just had to figure out what to do with them, besides get Heaven back. Rolling Off the Bottom I had grabbed a shower around 2:00 so I wasn't really surprised that a dozen feet came running up my steps at 6:15. I was barely able to prop myself up in the bed when Rio came storming in. "What's up, dude?" she said as she plopped down. "Planning to forgo cleanliness?" "I showered earlier," I told them. Valerie, Iona, Opal, Brandi and Barbie Lynn all came in and sat around me. Barbie Lynn was the first to clue in that something was off. "What's wrong, Honey?" she asked with concern. "My room was raided last night," I answered. It wasn't the total truth but I wasn't sure how I felt about my actions with the Chancellor the night before, much less how my friends would take it. "Well, you are still here so they didn't find anything, so what is it?" Opal prodded. "Ladies, can I keep this plan to myself?" I requested. "Of course," Iona responded. Sadly, she seemed to be the only one who appeared ready to let the situation lie. "Don't make us get all CSI on your ass," Rio teased. "You know we'll eventually figure it out so you might as well tell us." I studied her for a few seconds. "I ass-raped the Chancellor in order to get Heaven back," I told her in a dead-even tone. It was an empty joy to see that most of them realized too late they really didn't want to know after all. "What did she say?" Barbie Lynn came to my rescue. "Are we getting Heaven back?" "She promised me, and I have reason to believe she'll actually honor it," I replied. "Well, Rio finally kicked in, "How was she?" "Why do you think I took a shower earlier?" I pointed out. "I've never used sex that way and I pray it never happens again." "Don't beat yourself up over this," Brandi consoled me. "You did say that being young means you get to do stupid shit?" I don't recall using those exact words but still, "I think we can agree to not talk about this outside of this room," Opal added. "So do you know of any Thai Sexual Cleansing ritual that will help you get over last night?" Brandi grinned mischievously. I chuckled. "We'd love to help," Barbie Lynn chimed in. "Thank you, ladies," I smiled, "but I think I need to get my head on straight before diving back into the pleasurable side of this school. I need to know if I did the right thing or not." On that cheery note we all began to move toward the stairs and out into the world. In the stairwell Valerie cornered me, put a hand on my chest to impede my progress, and motioned to me that she had something to say. "From the discussion in the Chancellor's office Monday I get the feeling that Heaven is a girl-guy, shemale, what have you; right?" she started off. I nodded. "You clearly like girls but you are real close to Heaven; right?" Val continued. "Yes," I replied. "So you risked something you love, namely, the pleasure you derive from sex, to save her; right?" she prodded. "Yes," I sounded curious. "Then you did the right thing," she concluded. "Zane, I'd kill for the people I love and I imagine you would too. What's death compared to a little rough sex with an evil controlling bitch to get her to release someone as close to you as Heaven appears to be?" "Thanks, Valerie," I grinned. "My heart knows you are right but it is going to take my mind a while to accept that. I guess I'm over-thinking things." "Happens to the best of us," Valerie joked, then punched me in the arm. "Let's catch up with the others before Rio does something stupid, okay, does something more stupid than normal." We were halfway through breakfast when I noted a diminishing of noise from the south entrance of the hall. Being taller than the average female student, I was able to make out the cause of the disturbance. I catapulted out of my seat and raced for the lady at the door; I had the vague impression I wasn't alone. I rushed up within a few feet of Heaven, who had dropped her bags and looked at me with fear and expectation. I didn't want to overwhelm or embarrass her so I pulled up short to make sure the moment was special. I'm an idiot!! Rio slipped past me, grabbed Heaven's cheeks, and planted a deep kiss full of longing on MY GIRL's lips!! "Oh, Babycakes, I've missed you so much," Rio panted passionately to Heaven. "Ah, thanks, Rio," Heaven said, "but if you don't let go of me right now, I'm going to strangle you with your own intestines." Heaven untangled herself from Rio, shot a look my way, then rushed into Christina's arms. Rio smirked at me. The rest of Christina's crew swarmed around Heaven and rejoiced at her return. I took a step back to give them some room. I did note Chancellor Bazz glaring at me from the head table. I looked back to catch sight of Dana Gorman giving me a lopsided grin from the door Heaven had come through, a McDonald's bag in hand. I missed Heaven's arm slipping through her knot of friends and pulling me in. She pressed her body against me and looked up into my eyes. "I want you inside of me so bad," she whispered. Why can't a woman look at me and say "I've missed gazing into your eyes" or something romantic like that? "How about we get Heaven squared away in our room before Assembly?" Christina suggested. "We'll get her bags," Hope volunteered. "I'll come too," I joined in, but Chastity quickly put a hand up. "No, you don't," she smiled. "We'd like Heaven to actually get to Assembly." "There is no Assembly today," Iona pointed out. "Great, I can go straight to Zane's room," Heaven beamed. "I don't think we'll mind the company," Paige announced. I was suddenly left trying to figure out how she'd appeared next to me in this crowd, as well as how my arm ended up around her waist. "Holy Hell, Paige," I hissed. "You are going to give me a heart attack if you keep that up." "It isn't worth it unless you pay the price," she teased me. What the hell did that mean, 'pay the price'? Heaven balled up her fists and I was sure blood was about to be spilled. "Paige, we need to figure out what you are wearing to the party this weekend," Valerie intervened. "Party?" Paige sounded intrigued. Valerie edged Paige away and the situation defused. "Heaven, unpack," I began. "Iona, round up the Coach and get her to our place." "Barbie Lynn, could you and Alice watch over the door to make sure we aren't overwhelmed by non-freshmen?" Alice had been standing on the periphery and was clearly stunned that I was addressing her in this manner, but still rapidly nodded and looked to Barbie Lynn to gauge her perception of the request. Barbie Lynn gave her 'replacement' a smile and motioned Alice away from the group as well. "Alright, everyone," Doctor Larson spoke up, "finish breakfast and then back to your rooms. We are still under twenty-four hours of restricted travel so I do not expect to see any of you again until lunch. Please get about your business. Lastly, I expect some of you will be called before the Board of Directors to give testimony or receive a verdict on your status here; make yourself ready and presentable." "Mr. Braxton," Doctor Topaz Larson fixed me with a deadly eye, "that will require you to remain fully clothed most of the time. Do you understand?" "Of course, Doctor Larson; I'll do my best," I swore. "Sweet! That means I get to run around naked!" Rio exalted. "Ms. Talon, are you taking your anti-psychotic drugs?" Doctor Larson said deadpan. "Nope; I've been slipping them into the Chancellor's tea," Rio grinned all crazy-like. "Do you think anyone has noticed?" "If you want to take credit for the past two weeks, by all means do so," Topaz allowed. "I was looking for a cheap and sleazy way to be despised by everybody, she began, but I headed her off. "She'll stay in clothes and we'll make sure that all her pills are changed to suppositories. I know she won't miss any of those," I taunted my friend. "That may be for the best," Doctor Larson snorted disdainfully, but ruined it with a grin. She turned and strode back to the table. I wasn't sure which one of us the Chancellor hated more; Doctor Larson for keeping order or the rest of us for obeying. "Okay, I'm going to the bathroom. Heaven, can I hope to see you once you are squared away in your room?" I asked as I hugged her once more and headed away. I knew the questions would come soon enough. One aspect of a women's college that guys might not appreciate is that there are only stalls in girl's bathrooms, and since FFU has a grand total of two men's rooms on the entire campus (Administration and Athletics), I was always using a female facility. I was about to finish business, the standing-up kind, when my door rattled as someone tried to get in. "Excuse me?" I inquired. "Let me in," hissed my visitor. Since I clearly knew the voice, I zipped up and unlatched the door. She pushed in and latched the door behind her before pushing me down and straddling my lap. "You did, Heaven kissed me ", something." Kiss, kiss. "Christina says it had to be you who got me back." She went back to kissing me. "You are my girlfriend, Heaven. I don't know what I wouldn't do for you, Babe," I told her. She nestled into my lap and wrapped her arms around my neck. "You make me feel so alive, Zane," Heaven related in a soft vulnerable tone. "Don't get all romantic on me," I teased her between light kisses on her lips. "I've got a whole bottle of Viagra showing up at noon and I need someone to work all that sexual energy out on,  and, okay, I missed you." She wiggled into a more snug fit in my lap. "Did you miss me more than Barbie Lynn, or Paige?" she teased. "They aren't you," I countered. I ran my right hand between us, worked up her skirt, and began rubbing her package, which was clearly straining against the strap-down. Heaven began moaning, then slowly rolling her body against mine. "Come on," she panted, "let's have a quickie." "Can't happen," I whispered. To prove my dedication to my statement, I ran my left hand around her hip, under her skirt, and to her covered ass. I pressed a finger between her ass cheeks until I pressed against her anus. Now I was massaging her front and back. "Oh, God, you bastard," she sobbed while she rocked back and forth. "We really need to get going, though," I sighed. "Bazz will send someone after us soon enough." "I, Gurr, I owe you, Zane," Heaven groaned. "You stood by me. Damn, you fought Gorman by yourself for me and somehow you got me back. I know I can be a horrible person but you've always looked past that and saw who I could be." "I could continue being a jack-ass and say that I looked past your horrible personality to that luscious ass but I think I'd rather remind you that I chose you to be my lover and no one else," I smiled at Heaven. "Your lover, she murmured happily. "And you are my bitch," she tacked on that bit from our sexual encounter in the Kappa Sigma closet hardly one week back. We still managed to stand up and get the door open before Ms. Marlowe came in quietly. She frowned at us while we grinned at her, cleaned our hands, and walked past her back to the Dining Hall. Restructuring We sat outside in the hall opposite the main Administrative conference room. There weren't a ton of us; the individual class presidents plus Heaven, Rio and myself. Christina and Rhaine shared the Senior Class spot. "Drink run," I volunteered. "Who wants what?" "Zane, if they call for you and you're gone, it will be big trouble," Christina pointed out. "If I stay here one more minute, I'll strip off my clothes, paint myself blue, and streak across campus," I grinned piratically. "Sprite," Heaven spoke up. A series of orders followed and I hurried off. Upon my return, I handed Rhaine (last in line) a Doctor Pepper, which caused her to give me an odd look. "I didn't ask for, she began muttering. "Nah, but I always see you drinking the stuff so I figured you could use one," I told her. "Ah, thank you," she responded with a cautious smile. "If it makes you horny then it was my idea too, Rhaine," Rio leaned forward so Rhaine could see her and smiled. "Is she hormonal, dropped on the head as a child, or what?" Simone Brady asked the group of us. She was the Junior Class President and nominally a Rhaine supporter. She'd asked for and received a Sunkist. "Tie me up in your room and we'll find out," Rio licked her lips at Simone. "Isn't that supposed to be the other way around?" Heaven quizzed Rio. "No; Simone looks like a slow learner and I don't want to scare her off on our first date," Rio leered. "Now you know what I went through," Rhaine explained to Simone, who sniffed in derision. "Hey, I don't know this crazy woman at all but even I can tell she's playing with you two," Hannah Cartwright, Sophomore Class President, rolled her eyes. "How about we all try to remember we are all here to save our school?" Christina interrupted. The conversation had died down to nothing when Rio nudged me. "There's this old guy coming down the hallway and he looks like he knows you," she whispered. I looked up and my heart nearly stopped. I'd fucked up even worse than I thought. "Uncle Josh," I said weakly, as I stood and faced him. "Dude, I thought you said your family was dead," Rio continued. "Technically, that would be true," the old man rumbled, "and you would be Rio Talon. I'm Joshua Coppersmith, old family acquaintance and the Braxton family executor." "The last time I saw you I was being placed on a plane to Thailand," I stated somewhat bitterly. "It was part of your father's will, Zane. He was my boss and the son of a friend so I owed it to him to trust his judgment concerning his only child," Uncle Josh explained. "I recall wanting to stay with you," I reminded him. I recalled crying a river of tears, hoping to stay. I actually knew who Josh was, where Tim and Jill were virtual unknowns. "A normal life is not allowed for everyone," Christina spoke up; "Past battles and all." I hate being beaten with my own words. "That was one of your father's favorite sayings," Uncle Josh said. "I am glad to see you living by it. Thank you, Ms. Buchanan." She nodded politely. "Who is this old geezer again?" Rio interjected. "He was a close personal friend of my grandfather. They turned the company from a tired little mining concern to something a bit more. He mentored my father and they worked side-by-side when granddad died. Now he sort of runs thing until I inherit," I outlined. "That is somewhat correct but not why I'm here. I could hardly miss the past week's activities here at Freedom Fellowship University. As the child of Victor and Jenna Braxton, I owed it to them both to let Zane sink or swim on his own. As the future head of the corporation I work for, I need to make sure he doesn't end up in prison," Josh clarified. "Dude," Rio scoffed, then came to my side, "your boy went to jail last week. Where were you then?" "Ms. Talon, I do not have spies watching his every move. By the time I became aware of the matter, it had been resolved," my pseudo-Uncle responded. "I seriously suggest you get a 'minder' for Zane," Hannah Cartwright weighed in. "He's a real nutjob." That assessment would have angered me more had I not seen everyone nod in agreement. Instead, I went for the redirect. "You've been in contact with Aunt Jill?" As far as I knew, Jill despised every aspect of my Dad's life. "Zane, Jill has never handled more than two hundred dollars her entire life; of course I'm keeping an eye on her, and you," Josh stared at me. "I carefully monitor both yours and her finances." "Seriously?" Christina asked skeptically. "He bought a warehouse full of furniture and that didn't appear to you to be frivolous?" "Frivolous would be renting a private jet and a penthouse for a weekend in Las Vegas. Since Zane can't use eight sofas, I made the educated guess he was buying them to help out his dorm mates," Josh countered. "It is a pleasure to meet you, sir. I'm Rhaine Ritchie, Senior Class President," Rhaine jumped in. "I am curious as to your purpose here. Are you here to take Zane away or are you going to help him stay here?" "President Presumptive," Heaven growled. "That's good to know," Josh nodded, "and I'm here to represent the corporation's interests, in this case, avoiding embarrassment to the company's executive branch." "If you want an embarrassment, you don't need to go any further than Heaven," Rhaine insinuated. "She's my transgender girlfriend and we have rocking sex," I blurted out to preempt Rhaine. Heaven's eyes flew open; Joshua looked totally nonplussed. "Did you buy her in a Manila slum?" Josh asked me dryly. "Ahh, no?" I stammered. "Oh, that's alright, then," Uncle Josh mused. "I mean, once I had to fly a fourteen-year-old Tanzanian princess back to her home and explain to her parents why she and Victor weren't really married." He looked at Heaven, "Besides, she's clearly an adult and we could do far worse with photo opportunities." "His father dated his share of actresses and models before he settled down and I have every reason to believe Zane will be just as much trouble before some woman steals his heart and reins him in," Uncle Joshua related. "Too late," Rio snickered, but I cut her off with a painful elbow to the ribs. "Ow!" "That would be me," Christina stood and declared proudly. Josh looked her over. "Little lady, I hope you have patience, iron resolve, and the will to exert them both in equal measure," he informed her. "I am not sure I want him yet," Christina retorted. "Ah, then you are intelligent as well," Josh smiled. "Please make sure that if you do marry, you don't murder him until you have a child. Otherwise, the inheritance will be a bear. I like Jill but she comes from a family of nitwits," Josh continued. "That won't be a problem," Rio grinned evilly. "Zane's adopted a daughter since coming to FFU." "Iona is not my daughter," I snarled at Rio, "but I could do worse than making her my heir." Instead of being shocked, Josh rolled his shoulders. "I'll get the paperwork to you next week." "Are you sure you want to do that to Ms. Beckett?" Christina asked me. "Who else would be saint enough to deal with Rio if I was gone?" I explained. "Just for that, you get to wear the ball-gag and restraints next time," Rio warned me. "Mr. Coppersmith?" an attendant from the Board meeting asked when she poked her head out of the conference room. Her eyes flitted from me to my 'Uncle', locking on him. He nodded and followed her into the room. "Umm, he looks like my first husband," Rio mused. "I'm sure his wife, children, and grandchildren will take to that without protest," I joked. "Fine; I'll settle for being his mistress," Rio sulked. The Inquisition "Okay, I am missing something," Rhaine spoke up. "What is going on, Zane? Now that you know Heaven is a guy, how can the two of you still be going out together? You are not gay." "Rhaine, I already knew about Heaven before we actually had intercourse, though I admit to being attracted to her before then," I responded. "But, he's a guy. What do you do?" Rhaine wondered out loud with a quizzical look on her face. "Rhaine," Christina chimed in, "what kind of sex do you think Zane has been having with all the women he takes to bed? He's not taking their virginity, after all." "Oh, that's sick!" Simone declared. "Simone, have you ever had anal sex?" Rio grumbled. "God, no, that's gross," Simone said indignantly. "So what was it like when you walked the Dolorosa?" Rio queried. I was pretty stunned Rio even knew what the path that Jesus took to Golgotha was called. "What? I've never been to Israel," Simone answered. "I bet you'd like to go and I'd bet you think you'd like it," Rio grinned. "Yes, I would want to go, and I know it would be spiritual, but this has nothing to do with homosexuality being wrong," Simone struck back. "Listen, you stuck up bitch," Rio kept grinning, "Jesus was a pretty smart Son of God so we would assume if something was really important to him, he'd have brought it up before the Romans gakked him. Seriously, how long does it take to say 'homosexuality is wrong; no more butt-sex'?" Rio beamed vile unpleasantness at Simone. "You are an immoral soul," Rhaine jumped in. "If that is how you want to describe someone who is honest, fearless, and who thinks for themselves, then I guess Rio and I are both immoral souls," I defended my best buddy. "Count me in," Christina raised her hand. "Me, too," Hannah and Heaven joined in our little heresy. "Hannah, how can you go down the same way they are?" Rhaine complained. "Heaven is gay and Christina has lied for her since the beginning; Rio is a criminal; and Zane is, a boy." "Listen, Rhaine, I don't claim to understand what is going on with Heaven and Zane but I figure if God is pissed, he'll let them know," Hannah stated. "In the past two weeks, short of dodging you and your enforcers, I haven't known Rio to do anything wrong. She's served her time so we should forgive her and give her a chance. St Paul started out persecuting early Christians before he saw the light. What would have happened if Jesus hadn't given him a second chance?" Hannah sighed. "How could I do less?" "And Zane, face it, he's eye-candy, and I've got a list of ten different things I want to do with him when my time to have him for Handmaiden's Duty comes up," she finished with a grin. "Just once I'd like to have a girl here tell me I'm smart, or funny, or that I have a nice personality," I griped. "But No, it is always 'he's got a fifteen inch cock as thick as his forearm; he can screw for two hours straight; or that I have a prehensile tongue that can tickle the ovaries and bring a girl to multiple orgasms." Simone and Hannah's eyes grew larger as my gross exaggerations persisted. "It's not fifteen inches long," countered Rhaine decisively. Simone missed it. "How do you know how big it is?" Hannah clearly didn't. "I, Rhaine choked. "I was coming out of the shower when Rhaine, Joy Jefferson, and Mercy Chaplain intercepted me. My towel accidently fell off and she got a brief view," I volunteered. Rhaine's look of surprise became one of veiled thanks. "Because it wasn't like Rhaine wanted that massive piece of meat rubbing between her legs until she cried out in ecstasy or anything like that," Rio teased. "That's enough," I cautioned Rio, and put an arm around her waist to pull her in. That calmed things down until we were all called into the meeting. Uncle Josh was sitting against the near wall. Against the North wall sat Ms. Lane and a dark-haired fortyish woman with reading glasses I didn't recognize. They both were taking notes. On the South Wall sat a different woman, early thirties with short black hair and what I could best describe as a casual lethality. Both new women looked over us newcomers but lingered on Christina, Heaven, and myself. Looking at the eight men on the Board of Directors was rather anticlimactic comparatively. "Ms. Ritchie and Buchanan, we have decided to uphold Chancellor Bazz's decision to annul the last election of Senior Class President. The matter will be decided during Freshman elections in October. We find both of your behavior to date this semester to be deplorable and a sad example to your fellow seniors. Do you have any comments? Ms. Buchanan?" "Directors, what do we do if the Chancellor once again annuls the elections?" Christina asked. "You appeal the action to the new Vice-Chancellor, Doctor Victoria Scarlett," the head of the board directed our attention to the woman sitting with Ms. Lane. As if my life wasn't hell already. "Oh, you would so do her," Rio whispered to me with her insane grin. I was so busy praying that no one heard her that I missed Simone being read the riot act next. She'd be facing re-election in a few weeks too, a fact she was distinctly upset by. Hannah was given the same news but her reaction was to flick her hair over one shoulder and give a bored sigh. "What was that, Ms. Cartwright?" the Head Director grilled her. "Reverence, Purity, Integrity, this is what our school supposedly stands for," Hannah faced the man down. "I can vote and fight for my country but you are treating us like children, Sir. The Chancellor was wrong and we fought back against her tyranny because that was the only choice our Christian moral code left us." "It is hardly Christian to physically attack your fellow students, Ms. Cartwright," he shot back. "I didn't tell any of my class to attack anyone but I admit that I punched two girls who I knew attacked other students," she admitted. "I figured it was time for a little Old Testament 'Wrath of the Israelites' kind of thing." "Your intransience is not encouraging," a different man on the board stated. "I apologize, Sir. I was hoping my love of justice would not be misunderstood," she sighed. "Hannah, I'm voting for you as my class president," Rio leaned forward and addressed Hannah. "You can't, Rio; you are a freshman and I'm a sophomore," Hannah grinned back at her. As far as I could tell, this was the most either had ever said to the other. "Obviously you've never heard of gerrymandering and ballot box stuffing," Rio snickered. "This is neither the time to joke nor a subject to joke about, Ms. Talon," the Chairman said crossly. "Sorry, Sir," Rio beamed. "I wasn't trying to be frivolous; elections are a good thing. I'm all for seeing more of the girls here, to see them get excited and come together for their mutual enjoyment, I swear I do." While that seemed to satisfy the Board, Hannah had to look down at her lap and Heaven developed a sudden coughing fit. "Um, um, Vickers, umm, you represent quite a quandary. We suspect you lied on your application to this school three years ago and you absolutely understood you would not have been admitted if you had been honest with us," the Chairman of the Board declared. Heaven shivered so I took one of her hands while Christina took the other. Our motions were noted but I doubt the three of us cared. "Now, Vickers, we could deal with this matter if you would submit to a medical examination," he continued. "Why?" Christina replied. "Is every other applicant to this school required to do the same?" "No other student has their gender called into question," a third board member informed us. "She is not going to go along with this blatantly discriminatory policy," Christina retorted. "If I may," Doctor Scarlett raised her hand. After a moment the Chairman nodded. "Mr. Braxton, as a man and someone with a confessed familiarity with Heaven Vickers, would you assert that said person is a woman?" "She's more than woman enough for me," I quickly answered. "Since it is clear that I have the lowest moral threshold in this room, it isn't going to make anyone think less of me if I attest that I've seen Heaven naked and she's got all the girlie parts I like," Rio threw her soul into the struggle. Heaven virtually froze up at that declaration. "Are, are you saying that you've seen Umm, Vickers naked?" the second director stuttered. "Dude," Rio scoffed, "we have communal showers here. Seeing a girl naked is hardly a rare occurrence. Since you seem like a kindred kinky soul, I'll let you know that I've seen Heaven under the sheets and I can give that body my pseudo-lesbian seal of approval." "Have you had homosexual relations?" the Chairman gasped. "With Heaven, definitely not," Rio swore with an upraised hand. "As for anyone else, what does it matter?" she joked. "You already think I'm a whore." "You should watch your language," the third director warned Rio. I put my hand on her stomach to hold her back from saying something that would only make it worse for her. "To the bitter end," she winked at me. "To the bitter end," I smirked back. She was taking one for the team; drawing off the discussion about Heaven by shocking the Board. Unfortunately, I wasn't alone in seeing that. "Mr. Chairman," Doctor Scarlett addressed the Head of the Board, "perhaps we could return to the agenda if you want to stay on schedule." "Very well," the man allowed. "Umm, Vickers, this matter isn't over but since we do not have conclusive proof about your gender, your application will remain under review." "Thank you," Heaven replied softly. "Don't thank us," the man spat. "Your deviancy will reveal itself soon enough. Evil can never hide from God's Truth." "God is with us," I glowered back. I wasn't winning any friends on the far side of the table. "Your time is coming, Mr. Braxton," the Chairman retorted. "Ms. Talon, we find it miraculous that you haven't racked up more infractions in your short time here. Now, your parents and this board agreed, upon your admittance, that you would live with the strictest discipline and you've attempted every trick in the book to circumvent those intentions." "They did this to me on purpose," Rio moaned over the revelation of her parents' role in events. They'd given the Chancellor and Dana Gorman carte blanche in dealing with Rio. "Nothing has changed," I whispered to Rio. She turned and looked at me with tear-brimmed eyes. She nodded once in understanding. "A special guardian will be assigned to see to your physical and spiritual security," he continued. "Who?" Rio questioned quietly. "Administration will decide on who is most appropriate," he responded snidely. "Now for Mr. Braxton." "I would like to say how much we appreciate you ladies and gentlemen taking time out of your busy schedules to deal with matters here today," I interrupted. I earned several glares for my effort. "Mr. Braxton, you are an unfortunate aberration that should never have been allowed to happen. All disruptions that have happened in the past few weeks can be laid at your feet," he opened with. I raised my hand. The man opened his mouth to continue but seemed annoyed with my gesture. "Yes, Mr. Braxton?" "Sir, how did you come to this conclusion? I'm one guy, and a freshman at that," I countered. "You are the man, of course," the Chairman snorted. "It is only natural that the women of this campus would follow your masculine authority no matter how unfounded and perverse." Wait, did he just call every woman in this room mindless sheep? "Still, we are caught in the same quandary that left you here in the first place. Since we have already isolated you in a Solarium, you will also be assigned a guardian," he grumbled. "Oh, okay," I shrugged. "What happens to Dana Gorman?" "Ms. Gorman has been terminated," he shrugged back. "But it wasn't her fault. I'm no fan; she did knock me out during a practice session once after all," I pointed out. "She is good for this school, though." "We have a new Head of Security and the Athletics Department is being suspended for the rest of the semester," the Chairman informed us. "That would be the neo-fascist in black at the end of the table," I directed my attention to the lone woman on the south end of the table. "Ending our sports programs would be a serious mistake for the morale of the school. Ms. Gorman has done a bang-up job and it would show real concern for the students at this school if you would keep her on as Athletics Dean." "Ask around to any of the hundreds of students who participate; ask Rhaine, she's worked closely with the Coach before," I begged. I had no idea which way Rhaine would jump but she was the only trump I had to play. The big guy didn't seem inclined to listen to Rhaine but that didn't stop her. "Coach Gorman gives every girl an active outlet for our energy," Rhaine volunteered. "She also allowed the reliable elements of the student body to aid with security. It was a shame that Zane's masculinity unbalanced the school populace; the student body does not blame her for what Zane and Christina did." "She should hardly be rewarded for such a catastrophic loss of control," the second director stated. "Reinstating Coach Gorman as Athletics Dean would save us the need for creating new creative programs to provide for the physical well-being of the girls," Doctor Scarlett suggested. "This is a matter for the Board to discuss," the Chairman announced. "You students are released to return to your dorms. Thank you for your attendance. Mr. Braxton and Ms. Talon, you will be assigned your guardians before you arrive at breakfast tomorrow." We took that as our clue to leave. We made it out of the room and almost out of the building. "A moment, Mr. Braxton, Ms. Buchanan," the short-haired woman called out. I turned and met her while the rest of the group slowed down behind me as we started to exit the building. "I'm Gabrielle Black, your new Head of Campus Security. I thought it was important to meet you before classes formally resume." She stepped up and shook Christina's and my hand while we studied her. "You may call me Zane," I offered. "I hope this means we are getting off on the right foot despite that whole neo-fascist thing." "I don't see any panty lines 'Gestapo' Black," Rio interjected herself. "Have you gone commando today?" "I usually make someone earn the right to find out, Ms. Talon," she gave Rio a shark-like grin. "I really don't see how that is relevant and I really don't want to know," Hannah spoke up. "Come on, Zane," Rio persisted, "give it a shot." "Hannah doesn't want to go there so why don't we say good-bye to the nice lady and go," I responded. "What exactly is Ms. Talon asking for?" Ms. Black inquired. "Apparently Zane has a thing for figuring out women and woman's lingerie," Christina said with a degree of caution. "I hope Ms. Cartwright will forgive me but I'd like to test this little trick," Gabrielle requested. "If Hannah doesn't mind," I asked the sophomore class President (sort of). She nodded so I looked to Gabrielle. "Give me a second," I requested. "What's wrong, Zane?" Rio wondered when I didn't immediately start reeling off the facts. "She's good at lying," I informed the group, "but, " "But?" Gabrielle smirked. "Lycra, form-fitting, probably a custom job, dull black, and I guess, with some sort of synthetic weave," I stumbled along. "I've never seen anything precisely like it." "I have," Simone muttered. "A woman in the Presidential Detail for the Secret Service talked about having o

Adam Wright is a two-time GRAMMY-nominated songwriter, artist, and musician originally from Newnan, Georgia. His songwriting and musicianship have led to collaborations with some of Nashville's most respected artists, including Alan Jackson, Lee Ann Womack, Trisha Yearwood, Garth Brooks, John Legend, Brandy Clark, Robert Earl Keen, and many others.In this episode of Ten Year Town, we dive into the stories behind his songs “Billy Get Your Bicycle” and “Yellow Bird” from his new record Nature of Necessity, as well as his creative process, book recommendations, and more.--------------------------------------------------This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.---------------------------------------------------Troy Cartwright is a Nashville-based artist and songwriter originally from Dallas, Texas. His songs have collectively garnered hundreds of millions of streams, and he is currently signed to Big Machine Music for publishing. Cartwright has written songs recorded by Cody Johnson, Nickelback, Ryan Hurd, Josh Abbott Band, and has upcoming cuts with several A-list artists.New Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.

Mom Curious is a weekly podcast produced by Hoff Studios in New York City, hosted by storyteller, actress, and cultural voice Daniella Rabbani. Each episode dives into candid, thought-provoking conversations about motherhood, womanhood, and the messy, magical spaces in between. With humor, honesty, and curiosity, Daniella sits down with women of all stripes to talk about what it really means to raise children—and ourselves—in today's world.About the HostDaniella Rabbani (@DaniellaRabbani on Instagram) is a Brooklyn-based storyteller, actress, singer, and podcast host. On screen, she's appeared in HBO's Scenes from a Marriage, Amazon's The Better Sister, FX's The Americans, and films like Ocean's 8. On stage, she's headlined concerts worldwide, from Jazz at Lincoln Center to the State Jewish Theater in Warsaw. She is also the voice behind national campaigns for Colgate, Starbucks, and Noom.Through her podcast Mom Curious, Daniella blends her creative spirit and lived experience as a mother of two to spark conversations that are raw, hilarious, and deeply relatable. Her mission: to create a community where mothers (and those curious about motherhood) feel seen, supported, and inspired.This week's guest:Tina Cartwright (@rebrandingmotherhood) isn't just rebranding motherhood — she's rewriting the rules of how brands show up for moms. As the founder of Rebranding Motherhood, Tina leads the go-to agency for companies looking to build authentic, unfiltered, and powerfully resonant connections with modern mothers.A powerhouse marketer and former Fortune 50 sales leader, Tina spent over 16 years at Procter & Gamble shaping billion-dollar brands like Pampers©, Olay©, and Gillette©. Today, she brings that same global rigor to the maternal space — blending corporate strategy with culture-shifting storytelling.In just six months, she scaled Rebranding Motherhood from a passion project to a 70,000-strong global movement. Now, she advises startups, legacy brands, and healthcare leaders on how to show up for the motherhood economy with relevance, respect, and realness.Through bold campaigns, culturally fluent messaging, and a community-first mindset, Tina is building a new standard for what maternal marketing should be: inclusive, informed, and radically honest. She's not just amplifying voices — she's changing the conversation entirely.Tina says, “Brands don't need to talk at moms — they need to build with them. That's what we do.”Stay Connected with Daniella @daniellarabbani on Instagram and Tina @rebrandingmotherhood and let us know what you thought of the episode! Learn more about your ad choices. Visit megaphone.fm/adchoices

Corporatism vs. Capitalism: Analyzing Rent-Seeking and Regulatory Capture. Julia Cartwright discusses how younger generations often confuse corporatism (entangled government and business) with true capitalism. Rent-seeking involves businesses investing in politics for favors, like healthcare industry lobbying for subsidies. Rent extraction is when politicians threaten costly action to force business compliance (e.g., CAFE standards or tariffs). Solutions include sunsetting subsidies and banning sole-source government procurement. 1870

Corporatism vs. Capitalism: Analyzing Rent-Seeking and Regulatory Capture. Julia Cartwright discusses how younger generations often confuse corporatism (entangled government and business) with true capitalism. Rent-seeking involves businesses investing in politics for favors, like healthcare industry lobbying for subsidies. Rent extraction is when politicians threaten costly action to force business compliance (e.g., CAFE standards or tariffs). Solutions include sunsetting subsidies and banning sole-source government procurement. 1883 NYC

Corporatism, Rent-Seeking, and the Suffering Consumer Julia Cartwright Julia Cartwright discusses how younger consumers view capitalism negatively due to suffering from corporate practices, distinguishing between capitalism (fine) and corporatism (not fine). Corporatism is the entanglement of government and business, often through rent-seeking (investing in politics for favors, like lobbying). Examples include healthcare lobbying, increased airline flights for officials, and regulatory capture (like the CHIPS and Science Act favoring big tech). 1920 LIMOUSINE

Ben Johnson is a GRAMMY-nominated songwriter, producer, and artist originally from Meridian, Mississippi. He has earned 11 No. 1 songs, including “Truck Bed” recorded by HARDY and “One of Them Girls” recorded by Lee Brice. His songs have also been recorded by Morgan Wallen, Justin Timberlake, Charlie Puth, Jelly Roll, John Legend, Thomas Rhett, Kane Brown, and many others. In this episode, we discuss Ben's journey from Mississippi to Nashville, his approach to writing across genres, the stories behind some of his biggest hits, and many other stops along the way.--------------------------------------------------This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.---------------------------------------------------Troy Cartwright is a Nashville-based artist and songwriter originally from Dallas, Texas. His songs have collectively garnered hundreds of millions of streams, and he is currently signed to Big Machine Music for publishing. Cartwright has written songs recorded by Cody Johnson, Nickelback, Ryan Hurd, Josh Abbott Band, and has upcoming cuts with several A-list artists.New Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.

The Old Orange Rockers are back with two big shows at the Orange Ex Services CLub in November. See omnystudio.com/listener for privacy information.

All the people, so many people. And they all go hand in hand, hand in hand through there…CARTWRIGHT! John and Ross are here (a bit later than normal) to look back at the 1-1 draw with Rangers but was it one point gained or two points dropped? They are discussing the game in the company of Vicki Low, in what was a great team performance. Plus the first guest for Falkirk Daft Live is revealed, birthday corner and TV appearances. Expect the Unexpected! GET YOUR TICKETS TO FALKIRK DAFT VI https://www.eventbrite.co.uk/e/falkirk-daft-live-vi-the-christmas-party-tickets-1759251642019?aff=oddtdtcreator Behind the Wall – Behind the Bairns since 1985 Falkirk's best selection of fine wines lagers, craft and cask ales, fantastic value food and great service. Check out what's on www.behindthewall.co.uk Join the FFIT T8s https://www.facebook.com/groups/1803421196843918 Get the new Falkirk Daft t-shirt's: https://pintsnprints.co.uk/collections/falkirk-collection And Remember sign up for our Discord and Social Media:  Discord - https://discord.com/invite/sVYbRzzusK  Twitter/Insta/Facebook - @Falkirkdaft  Get Merch: merch.falkirkdaft.co.uk For any sponsorship enquiries email sales@falkirkdaft.co.uk Subscribe to our YouTube channel and remember to leave a review where you get your podcasts. youtube.com/@falkirkdaft

Brent Cobb is a Grammy-nominated singer, songwriter, and musician originally from Ellaville, Georgia. He's released several critically acclaimed albums, including Shine On A Rainy Day, Keep ‘Em on They Toes, and his most recent endeavor, Ain't Rocked In A While. In addition to his success as an artist, Cobb is also an accomplished songwriter, with songs recorded by Luke Combs, Keith Urban, Kenny Chesney, Miranda Lambert, Riley Green, and many more. His song “Snakebite” was recently featured in the Paramount+ series Landman.In this episode, we discuss his unorthodox journey to Nashville, making a rock record, working with Dave Cobb, his mentors, and many other stops along the way.--------------------------------------------------This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.---------------------------------------------------Troy Cartwright is a Nashville-based artist and songwriter originally from Dallas, Texas. His songs have collectively garnered hundreds of millions of streams, and he is currently signed to Big Machine Music for publishing. Cartwright has written songs recorded by Cody Johnson, Nickelback, Ryan Hurd, Josh Abbott Band, and has upcoming cuts with several A-list artists.New Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.

MMALOTN is back to give you breakdowns and predictions for PFL Champions Series 2: Nurmagomedov vs Hughes 2.

Julie Cartwright, President of Pvolve, is a fitness industry leader reshaping how women move. With a career spanning partnerships with icons like Jillian Michaels, she now leads a global, science-led brand empowering women through sustainable workouts and franchise ownership. Connect With Julie: Website: pvolve.com Instagram: @_juliecartwright LinkedIn: Julie Cartwright Pvolve Instagram: @pvolve YouTube: Pvolve

Matthew Ramsey is an artist and songwriter originally from Buchanan, Virginia. As a founding member and lead vocalist of Old Dominion, Ramsey has contributed to the band's string of chart-topping hits including “Break Up With Him,” “Written in the Sand,” “Hotel Key,” “One Man Band,” and “I Was On A Boat That Day.” The band has won the Academy of Country Music Award for Group of the Year a record breaking eight consecutive times. In addition to his success in Old Dominion, Ramsey has co-written songs recorded by Kenny Chesney, Sam Hunt, Keith Urban, Blake Shelton, Dierks Bentley, Kelsea Ballerini, Craig Morgan, Luke Bryan, and The Band Perry.In this episode, we discuss Matt's journey from small-town Virginia to the top of the country charts, how Old Dominion first came together, his approach to songwriting—both for the band and for other artists—and many other stops along the way.--------------------------------------------------This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.---------------------------------------------------Troy Cartwright is a Nashville-based artist and songwriter originally from Dallas, Texas. His songs have collectively garnered hundreds of millions of streams, and he is currently signed to Big Machine Music for publishing. Cartwright has written songs recorded by Cody Johnson, Nickelback, Ryan Hurd, Josh Abbott Band, and has upcoming cuts with several A-list artists.New Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.

On today's show, we pause to remember a day that forever changed our nation – September 11, 2001. We dedicate this show to the nearly 3,000 innocent lives lost, the unwavering bravery of our first responders, the strength of our armed forces, and the countless acts of courage and compassion that rose from the ashes of tragedy that day. Today, we are honored to welcome Ms. Heather Cartwright, retired Director of the Federal Crimes Victims Division at the U.S. Department of Justice. On that fateful morning, she was on the front lines in Washington, D.C., coordinating critical support for victims and their families in the immediate aftermath of the attacks. Ms. Cartwright will share an extraordinary, behind-the-scenes account of how our nation responded, not just with force, but with humanity. Her powerful story offers a rare and moving glimpse into the heart of our government's efforts during one of the darkest days in American history and the relationships cultivated in the face of devastation that continue to live on today. This is more than a presentation. It's a tribute to resilience, a reflection on sacrifice, and a reminder that even in our darkest hour, the light of unity and service shines through. Won't you join us for this unforgettable moment of remembrance and reflection.

Small Cap Breaking News You Can't Miss!Here's a quick rundown of the latest updates from standout small-cap companies making big moves today.ESGold (CSE: ESAU; OTCQB: ESAUF)Fully funded to finish construction at the Montauban Gold-Silver Project, with building on track for mid–Q4 2025 and production targeted for 2026. The plan aims to transition from development to cash flow while keeping exploration upside alive in Quebec and a JV opportunity in Colombia. Near-term catalysts include concentrate test results from both projects.Abcourt Mines (TSXV: ABI; OTCQB: ABMBF)At the Flordin Project in Québec, surface work extended gold mineralization 650+ meters west of the Cartwright area and outlined new parallel zones. A standout channel sample hit 9.5 g/t gold over 7.0 m, including 112.7 g/t over 0.5 m. Next up: drill targeting these newly exposed zones. Abcourt will present the update at the Munich Mining Conference, Oct. 3–4, 2025.American Eagle Gold (TSXV: AE)At the NAK copper-gold project (B.C.), the company intersected 73 m of 0.89% copper-equivalent within 277 m of 0.40% from surface—the first high-grade surface result in the North Zone. A new near-surface target inside the central stock also shows strong visible mineralization (assays pending). Three rigs turning, 20+ holes to go, and a cash balance of $36M supported by Teck and South32.Scottie Resources (TSXV: SCOT; OTCQB: SCTSF; FSE: SR80)More strong hits from the Blueberry Contact Zone, including 7.43 g/t gold over 18.75 m and 37.0 g/t over 2.85 m. The 25,000-m drill program is fully funded with

John Strohm is a musician, songwriter, lawyer, and music industry executive originally from Bloomington, Indiana. He began his career as a drummer in Indiana's punk scene before co-founding the indie rock band Blake Babies. He also played guitar and drums in The Lemonheads and has released several solo records, including his most recent in 2023.Strohm became a prominent entertainment attorney in Nashville, representing artists like Bon Iver, The Civil Wars, and Alabama Shakes. He later served as President of Rounder Records from 2017 to 2022. Currently, he is a partner at the law firm Frost Brown Todd. He also has a Substack called Ready For Nothing. In this episode, we talk about John's journey from musician to attorney, how he found his first big client, his thoughts on AI, what he's looking for in an artist, and many other stops along the way.--------------------------------------------------This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.---------------------------------------------------Troy Cartwright is a Nashville-based artist and songwriter originally from Dallas, Texas. His songs have collectively garnered hundreds of millions of streams, and he is currently signed to Big Machine Music for publishing. Cartwright has written songs recorded by Cody Johnson, Nickelback, Ryan Hurd, Josh Abbott Band, and has upcoming cuts with several A-list artists.New Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.

Hello, media consumers! Bryan and David examine the ways in which information about Charlie Kirk's killing has come out to the public (0:20), before they share some audio from the weekend in football, including Pat McAfee's rousing 'College GameDay' monologue, some instant replay insight from Clemson–Georgia Tech, the tush push getting on everyone's nerves again, and more (14:17). Finally, Bryan and David are joined by the founder of Breaker, Lachlan Cartwright, to discuss a slew of media topics, including Puck's expected acquisition of Air Mail, concerns from people at CBS News about Bari Weiss's new role, Lachlan Murdoch retaining control of Fox and News Corp, and more (30:25). Plus, the Overworked Twitter Joke of the Week, and David Shoemaker Guesses the Strained-Pun Headline! Hosts: Bryan Curtis and David Shoemaker Guest: Lachlan Cartwright Producer: Kyle Crichton Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode of Reza Rifts, Veronica Cartwright shares her experiences in the entertainment industry, discussing her roles in various films and television shows, including 'Man on the Inside' and 'Alien.' She reflects on the evolution of humor in film, her memorable experiences with iconic actors, and the challenges of working in a changing industry. Cartwright also offers insights into directing styles, the impact of awards shows, and the importance of perseverance in pursuing one's passion for acting. Chapters 00:00 Introduction and Guest Introduction 02:52 Veronica Cartwright's Career Highlights 06:08 The Evolution of Humor in Film 08:45 Working on Spoofs and Comedic Roles 11:57 Insights from Iconic Films 14:47 Directing Styles and Collaborations 17:40 Challenges on Set and Behind the Scenes 20:32 Reflections on Wisdom and Early Career Experiences 24:04 Oscars and Award Shows: A Personal Perspective 26:48 Working with Jack Nicholson: Generosity and Influence 31:10 The Evolution of Film and Television: Breaking Stigmas 35:35 Memorable Roles and Experiences in Acting 38:38 Reflections on Career and Influences My IG and Facebook have not yet been reinstated!!

The RAF were at the Helix as Falkirk were hoping to fly past St Mirren but unfortunately it was a crash landing as the Bairns lost at the Falkirk stadium. The Maverick and Goose, of Falkirk FC podcasting, John and Ross are here to look at at the 2-1 defeat to the Buddies in the company of guest pundit Craig Schofield. Also looking at all the latest club news, recommending music and admiring Henry Cartwright's arse! Expect the Unexpected! Behind the Wall – Behind the Bairns since 1985 Falkirk's best selection of fine wines lagers, craft and cask ales, fantastic value food and great service. Check out what's on www.behindthewall.co.uk Join the FFIT T8s https://www.facebook.com/groups/1803421196843918 Get the new Falkirk Daft t-shirt's: https://pintsnprints.co.uk/collections/falkirk-collection And Remember sign up for our Discord and Social Media:  Discord - https://discord.com/invite/sVYbRzzusK Twitter/Insta/Facebook - @Falkirkdaft  Get Merch: merch.falkirkdaft.co.uk For any sponsorship enquiries email sales@falkirkdaft.co.uk Subscribe to our YouTube channel and remember to leave a review where you get your podcasts. youtube.com/@falkirkdaft

Bear Rinehart is a GRAMMY-nominated singer, songwriter, and multi-instrumentalist originally from Greenville, South Carolina. He is the frontman and co-founder of the band NEEDTOBREATHE, and in 2019, he launched a solo project under the name Wilder Woods. Over the course of his career, he has released multiple charting albums and toured extensively across the U.S. and beyond.In this episode, we talk about Bear's journey through the music industry, how he balances solo work with band life, his best advice, and many other stops along the way.--------------------------------------------------This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.---------------------------------------------------Troy Cartwright is a Nashville-based artist and songwriter originally from Dallas, Texas. His songs have collectively garnered hundreds of millions of streams, and he is currently signed to Big Machine Music for publishing. Cartwright has written songs recorded by Cody Johnson, Nickelback, Ryan Hurd, Josh Abbott Band, and has upcoming cuts with several A-list artists.New Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.

Send us a textBoost your biology as we get under the skin of Screaming Mad George's power armor body horror creature feature, The Guyver. Greg Zaworski joins friends of the pod, Ronnie Lee Cartwright and Nick Cartwright, to help us peel back the skin on this Mark Hamill Manga Masterpiece.Music and sound effects are provided by zapslat.com and bensound.com, and the theme song is "Graveyard Shift" by Kevin MacLeod. https://creativecommons.org/licenses/by/4.0/ 

• Guest Name: Julia Cartwright • Affiliation: Senior Research Fellow in Law and Economics at the American Institute for Economic Research • Summary: The conversation examines the California Environmental Quality Act (CEQA) as a major impediment to housing development, particularly for rebuilding after wildfires. Julia Cartwright details how CEQA, along with restrictive building and zoning codes, creates costly delays, making California the most expensive state for construction. This bureaucracy disproportionately impacts affordable housing and is exacerbated by entities like the California Coastal Commission. 1940

CONTINUED. • Guest Name: Julia Cartwright • Affiliation: Senior Research Fellow in Law and Economics at the American Institute for Economic Research • Summary: The conversation examines the California Environmental Quality Act (CEQA) as a major impediment to housing development, particularly for rebuilding after wildfires. Julia Cartwright details how CEQA, along with restrictive building and zoning codes, creates costly delays, making California the most expensive state for construction. This bureaucracy disproportionately impacts affordable housing and is exacerbated by entities like the California Coastal Commission. 1885 CA

PREVIEW: PACIFIC PALISADES: Julia Cartwright of American Institute for Economic Research comments on the explanation why the neighborhood has not been rebuilt better than ever.  1926, ORANGE COUNTY NEWPORT BEACH

I am absolutely thrilled to share my conversation with the remarkable Vanessa Cartwright, a powerhouse in the marketing and agency world who has navigated multiple countries, career pivots, and life transitions while building lasting wealth. In this candid conversation, Vanessa takes us through her incredible journey from rural England to London, Vancouver, and New York, revealing how she's created financial security through strategic property investments, calculated career moves, and most recently, her bold transition from C-suite executive to independent consultant. Vanessa gets incredibly honest about the realities of divorce, single motherhood, and the financial pressures of planning for children's education in the US. She also shares her creative approach to wealth building through remote Airbnb property management and her current life chapter of choosing autonomy over traditional corporate security. This conversation is packed with insights for anyone considering major life transitions or looking to build wealth across borders. Key Topics: Moving countries without a job lined up Building wealth through international property investments Managing finances through divorce as the primary earner Running an Airbnb remotely while climbing the corporate ladder Walking away from C-suite security to choose freedom The hidden isolation of senior leadership roles Selling your primary home to buy back your options   Connect with Vanessa Cartwright: LinkedIn: https://www.linkedin.com/in/vanessajgcartwright/ https://www.alandoconsulting.com/   Find more from Syama Bunten: Instagram: @syama.co, @gettingrichpod Website: https://syamabunten.com/ Download Syama's Guide to Getting Rich: www.syamabunten.com Big Delta Capital: www.bigdeltacapital.com

Ruston Kelly is a critically acclaimed singer-songwriter originally from Georgetown, South Carolina. His catalog includes songs like “Mockingbird,” “The Weakness,” and “Rubber,” as well as his cover projects Dirt Emo Vol. 1 and Vol. 2. His fourth studio album, Pale Through The Window, is set to release on September 12, 2025.In this episode, we talk about Ruston's journey through Nashville, his creative process, his upbringing, and many other stops along the way.--------------------------------------------------This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.---------------------------------------------------Troy Cartwright is a Nashville-based artist and songwriter originally from Dallas, Texas. His songs have collectively garnered hundreds of millions of streams, and he is currently signed to Big Machine Music for publishing. Cartwright has written songs recorded by Cody Johnson, Nickelback, Ryan Hurd, Josh Abbott Band, and has upcoming cuts with several A-list artists.New Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.

My full interview w/ the author of wrestling's most highly anticipated novel, 'The Abi Cartwright Chronicles' ABI CARWRIGHT is now available. We discuss her novel, training, debut, Nina Samuels, reading, dream guests, PlayFight London, Bozilla, Cara Noir, Session Moth Martina, her long-time feud with Nightshade & much more!Video link: https://youtu.be/EFZQ6ng3sDUYou can follow Abi Cartwright on Instagram @abicartwright_pw and also visit her store via abicartwright.bigcartel.comYouTube: youtube.com/c/GeorgeBukaWDYCIPodcastSpotify: open.spotify.com/show/5z2U45OagymjgUsQE2JbrwInstagram: whatdoyoucallitpodcast

Liz Rose is a GRAMMY-winning songwriter originally from Dallas, Texas, and raised in nearby Irving. Her songs have been recorded by artists including Carrie Underwood, Gary Allan, Eli Young Band, Taylor Swift, Little Big Town, and many others. She is the co-writer behind some of Taylor Swift's biggest hits, including “You Belong With Me,” “Teardrops on My Guitar,” and “All Too Well.” Her song “Girl Crush,” recorded by Little Big Town, won both the CMA and GRAMMY Award for Best Country Song.In this episode, we talk about Liz's unconventional path into the music business, how she approaches co-writing, what inspires her, and many other stops along the way.--------------------------------------------------This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.---------------------------------------------------Troy Cartwright is a Nashville-based artist and songwriter originally from Dallas, Texas. His songs have collectively garnered hundreds of millions of streams, and he is currently signed to Big Machine Music for publishing. Cartwright has written songs recorded by Cody Johnson, Nickelback, Ryan Hurd, Josh Abbott Band, and has upcoming cuts with several A-list artists.New Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.

In this episode of Leadership Bites, Guy Bloom interviews Rod Cartwright, a crisis management expert, who shares insights on the importance of crisis preparedness, the role of human systems, and the impact of social media on crises. Rod discusses his background in public relations, the significance of leadership in crisis situations, and the need for organizations to focus on character and culture. He also highlights the importance of crisis simulations and training, and the findings from his recent Reputation Risk and Resilience Report.TakeawaysCrisis management involves preparing for major moments that threaten reputation.Organizations often seek help too late, when crises occur.Crisis preparedness should be embedded in organizational culture.Human systems are crucial for effective crisis management.Crisis simulations help organizations prepare for real-life scenarios.Character and culture are as important as operational capability.Social media can amplify crises beyond control.Crisis training should create a safe space for learning.Organizations must focus on relationships, not just reputation.Crisis management requires a long-term perspective. Chapters00:00 Introduction to Crisis Management02:54 Rod's Background and Experience06:11 Understanding Crisis Preparedness08:44 The Importance of Human Systems in Crisis11:47 Case Study: Coldplay CEO Crisis14:45 Character vs. Capability in Crisis Management17:44 Crisis Simulations and Training20:41 The Role of Leadership in Crisis23:48 The Future of Crisis Management26:42 The Impact of Social Media on Crises29:26 The 2025 Reputation Risk and Resilience Report32:25 Long-term vs. Short-term Thinking in Organizations35:14 Conclusion and Future DirectionsTo find out more about Guy Bloom and his award winning work in Team Coaching, Leadership Development and Executive Coaching click below.The link to everything CLICK HEREUK: 07827 953814Email: guybloom@livingbrave.com Web: www.livingbrave.com

Since we have been all immersed in vino Italiano this season, I thought it would be fun to revisit this episode while I'm , let's just say, out of the cellar this month: Getting Our Grappa On (S10E3) A deep dive into grappa—the bold Italian spirit made from pomace, with anecdotes on its enduring appeal across centuries . As summer transitions to harvest season, grappa's rustic, artisanal character resonates with end-of-season flavors. Originally Released: June 10, 2022 Grappa: Not just for breakfast (you laugh)! This pomace brandy, like many spirits, has ancient roots. With over 130 producers in Italy, some dating back hundreds of years, what is it about this drink made from, oh, I don't know, chunky winemaking leftovers, that is so enchanting and beloved amongst connoisseurs?  Resources from this episode: Books: Society of Wine Educators: Certified Specialist of Spirits (CSS) Study Guide, Nickles, J. (2020) The Oxford Companion to Spirits and Cocktails [Kindle Edition], Wondrich, D & Rothbaum, N., (2022) Websites: Difford's Guide: Grappa's Origins and History, Difford, S., (nd) https://www.diffordsguide.com/encyclopedia/979/bws/grappas-origins-and-history EUR-Lex (Access to European Union Law): Regulation (EC) 787/2019  (Definition, designation, presentation, and labeling of spirit drinks in the presentation and in the labeling of other food products, as well as the protection of geographical indications for spirit drinks and the use of ethyl alcohol and distillates of agricultural origins)  https://eur-lex.europa.eu/legal-content/EN/TXT/HTML/?uri=CELEX:32019R0787&from=IT Istituto Nazionale Grappa: http://www.istitutograppa.org/ Italian Tribune: Italian Grappa's History and Cocktails to Drink it In (9 June 2021) https://italiantribune.com/italian-grappas-history-and-cocktails-to-drink-it-in/ National Institutes of Health - Pub Med: The “Scola Medica Salernitana”: The Forerunner of the Modern University Medical Schools, De Divitiis, E., Cappabianca, P., & De Divitiis, O. (October 2004) https://pubmed.ncbi.nlm.nih.gov/15458581/ Poli Museo Della Grappa: La Produzione della Grappa https://www.grappa.com/eng/index.php World History Encyclopedia: Feudalism, Cartwright, M. (22 November 2018), https://www.worldhistory.org/Feudalism/  Glass in Session® Episodes Mentioned in this Session: S5E5: Grape Brandy Escape https://glassinsession.libsyn.com/s5e5-grape-brandy-escape S3E4: Wine from Dried Grapes https://glassinsession.libsyn.com/s3e4-wine-from-dried-grapes S1E3: Rosato - Wading into the (Italian) Pink https://glassinsession.libsyn.com/s1e3-rosato-wading-into-the-italian-pink Glass in Session® is a registered trademark of Vino With Val, LLC. Music: “Write Your Story” by Joystock (Jamendo.com cc_Standard License, Jamendo S.A.)

Welcome back to your two favorite girlies! Today we covered LOTS of pop! But of course we had to recap on our previous guest which if you did not listen to that episode, you need to ASAP!   Find Ali here on  instagram:https://www.instagram.com/theantioverwhelmcoach?igsh=OHAyZ3lwcXBoY3c3    Find Maddy here on instagram: https://www.instagram.com/maddymartinez.coaching?igsh=M3djYWY5YWltYzE%3D&utm_source=qr   Make sure to subscribe so you don't miss an episode and send us your health / relationship / life / just need advice on, submit your questions here: https://bit.ly/KHKH-ask-my-question Find us on all streaming platforms here, including the full video experience on our YouTube channel

Jordyn Shellhart is a singer and songwriter originally from Wheatland, Wyoming, and was raised in Santa Rosa, California. She signed her first publishing deal at just 14 years old with Sea Gayle Music and has since earned cuts by Little Big Town, Kelsea Ballerini, Cody Johnson, and Don Williams. She released her debut album Primrose in 2023.In this episode, we discuss Jordyn's journey through Nashville, her new song “Strange Thought,” finding her voice as a songwriter, and many other stops along the way.--------------------------------------------------This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.---------------------------------------------------Troy Cartwright is a Nashville-based artist and songwriter originally from Dallas, Texas. His songs have collectively garnered hundreds of millions of streams, and he is currently signed to Big Machine Music for publishing. Cartwright has written songs recorded by Cody Johnson, Nickelback, Ryan Hurd, Josh Abbott Band, and has upcoming cuts with several A-list artists.New Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.

Blake Pendergrass is a songwriter originally from Raleigh, North Carolina. A graduate of Belmont University, Blake landed his first major label cut with “865” on Morgan Wallen's Dangerous. Since then, he has written several more songs for Wallen, including “Dying Man,” “Ain't That Some,” and “Just In Case” — which became his first #1 as a songwriter. He also has had cuts on albums by Chase Rice, Kenny Chesney, Luke Bryan, Chris Lane, Nate Smith and more. He is currently published by Back Blocks Music. In this episode, we talk about Blake's path from Raleigh to Nashville, how he keeps track of ideas, his first #1 hit, his songwriting process, and many other stops along the way.--------------------------------------------------This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.---------------------------------------------------Troy Cartwright is a Nashville-based artist and songwriter originally from Dallas, Texas. His songs have collectively garnered hundreds of millions of streams, and he is currently signed to Big Machine Music for publishing. Cartwright has written songs recorded by Cody Johnson, Nickelback, Ryan Hurd, Josh Abbott Band, and has upcoming cuts with several A-list artists.New Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.

Live Recorded Set from VirtualDJ Radio ClubZone

Chris DuBois is a hit songwriter and  award-winning publisher from Nashville. He has written numerous #1 songs, including “You Should Probably Leave” by Chris Stapleton, “Mud on The Tires” by Brad Paisley, and is a two-time recipient of the CMA Triple Play Award (three #1 songs in one year). In 1999, Chris co-founded Sea Gayle Music which went on to win the ASCAP Country Publisher of the Year award in 2010 and 2011. Additionally, Chris is adjunct instructor at Belmont University where he teaches a class on songwriting.---------------------------------------------------This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.---------------------------------------------------Troy Cartwright is a Nashville-based artist and songwriter originally from Dallas, Texas. His songs have collectively garnered hundreds of millions of streams, and he is currently signed to Big Machine Music for publishing. Cartwright has written songs recorded by Cody Johnson, Nickelback, Ryan Hurd, Josh Abbott Band, and has upcoming cuts with several A-list artists.New Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.

On this episode of Some Future Day, we crack open the playbook for financial freedom with one of America's most prolific entrepreneurs, Andrew Cartwright. From being cut off by his father at just 12 years old, to building 32 companies across 17 industries and managing 86 streams of income, Andrew's journey is anything but ordinary! He has flipped businesses, invested in blockchain, put gold on the blockchain ledger, and even built a personal brand that empowers millions online. But here's the kicker: he's not selling hype. Andrew is showing you how to buy your first business using SBA loans, how to generate passive income through print-on-demand stores, and how to build a white label supplement brand in under 10 minutes.From margin and manufacturing to personal branding and Web3, Andrew Cartwright drops tactical advice you can act on today. If you've ever felt like financial freedom was out of reach, if you've been looking for a roadmap, a mentor, or just a spark, this episode is your blueprint! This isn't about a get-rich-quick scheme. It's about real tools, real talk, and really taking action. Because on Some Future Day, wealth doesn't just happen. It's built. And that future can start right now.Episode Links:Website: https://andrewcartwright.com/Youtube: https://www.youtube.com/@andrewcartwrightInVideo: https://invideo.io/Print On Demand: https://www.printful.com/Supplement White-labeling: https://supliful.com/Order Marc's new book, "Some Future Day: How AI Is Going to Change Everything"Sign up for the Some Future Day Newsletter here: https://marcbeckman.substack.com/To join the conversation, follow Marc Beckman here: YoutubeLinkedInTwitterInstagramTikTok

Live Recorded Set from VirtualDJ Radio ClubZone

Dave Barnes is a GRAMMY-nominated artist and songwriter originally from Knoxville, Tennessee. He's written songs for artists including Blake Shelton, Carrie Underwood, and Thomas Rhett, but is equally known for his own work as a recording artist. His song “God Gave Me You” became a massive hit for Blake Shelton, earning Barnes a GRAMMY nomination for Best Country Song.In this episode, we talk about what it's like to balance being a successful songwriter and artist, the making of his latest record Featherbrained Wealth Motel, how his creative process has evolved, and many other stops along the way.---------------------------------------------------This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.---------------------------------------------------Troy Cartwright is a Nashville-based artist and songwriter originally from Dallas, Texas. His songs have collectively garnered hundreds of millions of streams, and he is currently signed to Big Machine Music for publishing. Cartwright has written songs recorded by Cody Johnson, Nickelback, Ryan Hurd, Josh Abbott Band, and has upcoming cuts with several A-list artists.New Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.

This Missions Sunday is packed with passion, vision, and a call to action. Youth Minister Cameron Cooper introduces two guest speakers who share powerful, firsthand testimonies of what God is doing through missions—locally and globally. First, Terry Douglas speaks with boldness about reaching the lost and the urgency of evangelism in our daily lives. Then, Shane Cartwright challenges us to step out of comfort and into obedience, reminding us that God uses ordinary people to do extraordinary things when they simply say yes.

Can altered states shift our collective future?   In this week's episode, we share a powerful moment recorded at Breaking Convention, where Amisha brings together Rose Cartwright, Moudou Baqui, Iyad El-Baghdadi, Shannon Dames, Dr Simon Ruffel and Akua Ofosuhene. Each bringing their own lived experience, they explore what becomes possible when psychedelic experiences meet social change and the deep remembering of older, wiser ways of being. There is a profound bravery and deep vulnerability in this conversation that lingers long after the listening ends. Speaking of grief and revelation, darkness and rebirth, community and disconnection, they reflect on what it means to be a host for new realities, to clear the landing pad for the future and to walk with integrity as stewards of both ancient and emerging ways of knowing. We explore: :: What becomes possible when psychedelic experiences meet social change and ancestral remembering :: How extraordinary gifts are returning to people :: What it means to host new realities and prepare the landing pad for beneficial energies :: How Indigenous and Western sciences can learn from one another through mutual listening and respect :: Why we may be at the end of many paradigms and the beginning of something entirely new :: How remembering the body can be a gateway to reconciling with each other and the earth :: What happens when people stop holding back and speak from the depth of lived experience :: How the healing of community lives deep in our bones :: Why you can be hopeful even when you're pessimistic :: How psychedelics can loosen the rigidity we carry and reconnect us to what is real We hope that this episode invites you to understand differently your own healing journey and the role that psychedelics can play for all of us. Visit www.allthatweare.org for links to everything and more.

Neil Medley is a songwriter originally from Louisville, Kentucky. He's written songs for some of the biggest names in country music, including Jake Owen, Cody Johnson, Luke Bryan, Hudson Westbrook, and many others. His song "Country Song Came On" is the current single for Luke Bryan. He is signed to Riser House.In this episode, we discuss his journey from Kentucky to Nashville, his first #1 song with Jake Owen, the ups and downs of being a working songwriter on Music Row, and many other stops along the way.---------------------------------------------------This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.---------------------------------------------------Troy Cartwright is a Nashville-based artist and songwriter originally from Dallas, Texas. His songs have collectively garnered hundreds of millions of streams, and he is currently signed to Big Machine Music for publishing. Cartwright has written songs recorded by Cody Johnson, Nickelback, Ryan Hurd, Josh Abbott Band, and has upcoming cuts with several A-list artists.New Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.

In this episode, Eric Malzone sits down with Julie Cartwright, President of Pvolve, to dive into the brand's rapid growth and evolution. Julie shares how Pvolve is redefining fitness through its unique combination of functional movement and resistance-based training. They discuss the company's expanding franchise footprint, the surge in digital subscriptions, and how the brand stays focused on serving a specific audience. From leadership challenges to the power of community, this conversation offers a behind-the-scenes look at Pvolve's innovative business model and commitment to a holistic fitness experience. https://goteamup.com/ https://podcastcollective.io/  https://egym.com/int 

At this year's Conservative Political Action Conference, the GOP continued its complete and total embrace of Donald J. Trump. Mea Culpa travels down the MAGA rabbit hole to deliver an analysis from Orlando to find out who's saying what and why. Next we speak to Daily Beast Senior Reporter Lachlan Cartwright about the Manhattan DA's growing investigation of the former president and the likelihood of future indictments. For cool Mea Culpa gear, check out www.meaculpapodcast.com/merch To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices At this year's Conservative Political Action Conference, the GOP continued its complete and total embrace of Donald J. Trump. Mea Culpa travels down the MAGA rabbit hole to deliver an analysis from Orlando to find out who's saying what and why. Next we speak to Daily Beast Senior Reporter Lachlan Cartwright about the Manhattan DA's growing investigation of the former president and the likelihood of future indictments. For cool Mea Culpa gear, check out www.meaculpapodcast.com/merch To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Send us a textWe often limit ourselves by age, thinking our best contributions are behind us, but life offers multiple opportunities for reinvention regardless of your current age or stage.• Different versions of ourselves emerge throughout life's journey – from career phases to parenthood to retirement• Finding your "why" creates the foundation for discipline when motivation inevitably fades• Consistency matters more than intensity when building new habits or pursuing new paths• The transition from high-adrenaline careers requires having a clear purpose ready for the next chapter• Shifting from "I have to" to "I get to" transforms obligations into opportunities• Physical fitness serves as both literal and metaphorical preparation for life's challenges• Taking care of others provides powerful motivation beyond personal achievement• Preparation before major life transitions prevents destructive mindsets and behaviors• Success in one area often indicates how you'll approach challenges in completely different domains• The discipline to show up, especially on days you don't want to, separates those who thrive from those who merely surviveWhatever season of life you're in, remember that your story isn't over – it's just entering a new chapter that requires the right mindset and consistent action.Support the showMake sure to check out Jason on IG @drjasonpiccolo

Join Kanika Chadda-Gupta on That's Total Mom's Sense for a dynamic panel discussion on Moms, Media, and Marketers in 2025: Redefining Parenthood in the Digital Era. Hear from Meredith Steele, Gabrielle Blair, Tina Cartwright, and Shannon Doherty as they explore the future of parenting content, digital community-building, the role of AI, and the evolving landscape of parenting media. Tune in for an insightful conversation on what's shaping the future of parenting content! MEET MY GUEST: MEREDITH STEELE TINA CARTWRIGHT SHANNON DOHERTY GABRIELLE BLAIR⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

In October 2001, the dismembered remains of seventy-one-year-old Morris Black were found floating in Galveston Bay. A few days later, Black's neighbor, Robert Durst, was arrested on suspicion of murder and released on $250,000 bail. After posting bail, Durst jumped bail and disappeared for six weeks, before being arrested by Pennsylvania authorities at the end of November.In the years that followed, investigators and prosecutors began combing through Durst's life, discovering disturbing connections between the excentric millionaire and the mysterious disappearances and deaths of several people who were once close to Durst. Robert Durst had been a suspect in the murder of Morris Black, but was it possible he was in fact a multiple murderer who'd evaded detection for decades?Thank you to the Incredible Dave White of Bring Me the Axe Podcast for research and Writing support!ReferencesAssociated Press. 2001. "Fugitive is arrested in Galveston man's death." Fort Worth Star-Telegram, December 1: 26.Babineck, Mark. 2001. "A mysterious trail left in Galveston." Austin American-Statesman, October 20: 25.Bagli, Charles. 2020. "4 decades of Durst's past are traced as trial begins." New York Times, March 11.—. 2021. "Durst faces new charge for murder of his wife." New York Times, October 23.—. 2021. "Durst is convicted of murder after 2 decades of suspicion." New York Times, September 18.—. 2021. "Durst is sentenced to life in prison for 2000 murder of friend." New York Times, October 15.—. 2020. "Real estate scion admits he wrote note in case profiled in 'The Jinx'." New York Times, January 1.—. 2014. "Stranger than fiction? Try fact." New York Times, December 2.Bagli, Charles V., and Kevin Flynn. 2001. "A two-decade spiral into suspicion." New York Times, October 21: A33.Bagli, Charles, and Kevin Flynn. 2001. "On the run with a fugitive: tales of aliases and disguises." New York Times, December 7: D1.Bagli, Charles, and Vivian Yee. 2015. "Straight from TV to jail: Durt is charged in killing." New York Times, March 16.Cartwright, Gary. 2002. "Durst case scenarios." Texas Monthly, February: 87-112.Collins, Marion. 2002. Without a Trace: Inside the Robert Durst Case. New York, NY: St. Martin's Press.Forbes. 2020. Durst family. December December. Accessed March 28, 2025. https://www.forbes.com/profile/durst/.Gerber, Marisa. 2021. "The Hollywood ‘Mafia princess' was Robert Durst's best friend. Did loyalty lead to murder?" Los Angeles Times, May 21.Hale, Mike. 2024. "Conversations on murder." New York Times, April 24.2015. The Jinx: The Life and Deaths of Robert Durst. Directed by Andrew Jarecki. Performed by Andrew Jarecki.Lozano, Juan. 2003. "Juey to see Galveston case evidence." Austin American-Statesman, August 14: 21.—. 2003. "Officer testifies there's no direct evidence against heir." Austin American-Statesman, October 21: 17.—. 2003. "Murder trial gets under way for multimillionaire Robert Durst." Fort Worth Star-Telegram, September 23: 21.Miller, Julie. 2015. "Robert Durst may have had a Mission Impossible-style plan to flee the country." Vanity Fair, March 18.Palmer, Alex. 2015. The Creepiest Things Robert Durst Says in His All Good Things DVD Commentary. April 15. Accessed April 1, 2025. https://www.vulture.com/2015/04/robert-dursts-all-good-things-dvd-commentary.html.Reporter-Dispatch. 1950. "Durst death in Scarsdale ruled an accident." Reporter-Dispatch (New York, NY), November 10: 9.Stewart, Richard, and Kevin Moran. 2003. "Millionaire is acquitted of murder." Fort Worth Star-Telegram, Nevember 12: 1.Streeter, Kurt. 2001. "N.Y. police had sought to quiz slain author." Los Angeles Times, January 9: 28.Zeman, Ned. 2020. "He also decided to kill her." Vanity Fair, April 23.—. 2015. "The fugitive heir." Vanity Fair, March 16.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In October 2001, the dismembered remains of seventy-one-year-old Morris Black were found floating in Galveston Bay. A few days later, Black's neighbor, Robert Durst, was arrested on suspicion of murder and released on $250,000 bail. After posting bail, Durst jumped bail and disappeared for six weeks, before being arrested by Pennsylvania authorities at the end of November.In the years that followed, investigators and prosecutors began combing through Durst's life, discovering disturbing connections between the excentric millionaire and the mysterious disappearances and deaths of several people who were once close to Durst. Robert Durst had been a suspect in the murder of Morris Black, but was it possible he was in fact a multiple murderer who'd evaded detection for decades?Thank you to the Incredible Dave White of Bring Me the Axe Podcast for research and Writing support!ReferencesAssociated Press. 2001. "Fugitive is arrested in Galveston man's death." Fort Worth Star-Telegram, December 1: 26.Babineck, Mark. 2001. "A mysterious trail left in Galveston." Austin American-Statesman, October 20: 25.Bagli, Charles. 2020. "4 decades of Durst's past are traced as trial begins." New York Times, March 11.—. 2021. "Durst faces new charge for murder of his wife." New York Times, October 23.—. 2021. "Durst is convicted of murder after 2 decades of suspicion." New York Times, September 18.—. 2021. "Durst is sentenced to life in prison for 2000 murder of friend." New York Times, October 15.—. 2020. "Real estate scion admits he wrote note in case profiled in 'The Jinx'." New York Times, January 1.—. 2014. "Stranger than fiction? Try fact." New York Times, December 2.Bagli, Charles V., and Kevin Flynn. 2001. "A two-decade spiral into suspicion." New York Times, October 21: A33.Bagli, Charles, and Kevin Flynn. 2001. "On the run with a fugitive: tales of aliases and disguises." New York Times, December 7: D1.Bagli, Charles, and Vivian Yee. 2015. "Straight from TV to jail: Durt is charged in killing." New York Times, March 16.Cartwright, Gary. 2002. "Durst case scenarios." Texas Monthly, February: 87-112.Collins, Marion. 2002. Without a Trace: Inside the Robert Durst Case. New York, NY: St. Martin's Press.Forbes. 2020. Durst family. December December. Accessed March 28, 2025. https://www.forbes.com/profile/durst/.Gerber, Marisa. 2021. "The Hollywood ‘Mafia princess' was Robert Durst's best friend. Did loyalty lead to murder?" Los Angeles Times, May 21.Hale, Mike. 2024. "Conversations on murder." New York Times, April 24.2015. The Jinx: The Life and Deaths of Robert Durst. Directed by Andrew Jarecki. Performed by Andrew Jarecki.Lozano, Juan. 2003. "Juey to see Galveston case evidence." Austin American-Statesman, August 14: 21.—. 2003. "Officer testifies there's no direct evidence against heir." Austin American-Statesman, October 21: 17.—. 2003. "Murder trial gets under way for multimillionaire Robert Durst." Fort Worth Star-Telegram, September 23: 21.Miller, Julie. 2015. "Robert Durst may have had a Mission Impossible-style plan to flee the country." Vanity Fair, March 18.Palmer, Alex. 2015. The Creepiest Things Robert Durst Says in His All Good Things DVD Commentary. April 15. Accessed April 1, 2025. https://www.vulture.com/2015/04/robert-dursts-all-good-things-dvd-commentary.html.Reporter-Dispatch. 1950. "Durst death in Scarsdale ruled an accident." Reporter-Dispatch (New York, NY), November 10: 9.Stewart, Richard, and Kevin Moran. 2003. "Millionaire is acquitted of murder." Fort Worth Star-Telegram, Nevember 12: 1.Streeter, Kurt. 2001. "N.Y. police had sought to quiz slain author." Los Angeles Times, January 9: 28.Zeman, Ned. 2020. "He also decided to kill her." Vanity Fair, April 23.—. 2015. "The fugitive heir." Vanity Fair, March 16.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.