Podcasts about kneehigh theatre

In this episode, Kensa Broadhurst speaks with Ed Rowe, actor, writer, director and Cornish-speaker, about the Cornish and Cornwall in film and television and the importance of telling authentic stories about Cornwall and its people. Host: Kensa Broadhurst Guest: Ed Rowe Language: Cornish and English Links to people and productions mentioned in the episode: Ed is on Twitter: @Kernow_King The website https://paloresproductions.co.uk/ gives information about the short film ‘Mab Hudel' and the ‘Cornish Caretakers' production for schools. The Radio 4 Comedy Programme ‘Wosson Cornwall' was broadcast earlier in 2023. Actors included Ed and Dawn French. It was produced by Simon Nicholls. Episodes available at: https://www.bbc.co.uk/programmes/m001l982/episodes/player Four short films in Cornish are available on BBC iPlayer here: https://www.bbc.co.uk/iplayer/episodes/p0dv4crx/cornish-shorts Mark Jenkin's feature films are ‘Bait' and ‘Enys Men'. Mark is on Twitter @Mark_Jenkin ‘Long Way Back' (2022) was written and directed by Brett Harvey. His brother Simon is Artistic Director of o-region, an Associate Artist at Hall for Cornwall and had a long association with Kneehigh Theatre. In 2022 his show ‘Pride and Prejudice Sort of' was the recipient of the Oliver Award for Best New Comedy. Emma Rice was artistic director of Kneehigh Theatre, before becoming artistic director of Shakespeare's Globe between 2016 – 18, before founding her own theatre company: Wise Children. Tom Jackson Greaves is a choreographer from Cornwall. More information on his work can be found here: https://www.tom-jackson-greaves.com/bio/index.php We would be grateful if you could share your feedback with us on your experience of the Association, the Celtic Students Conference, the Blog and/or the Podcast by clicking the following link: bit.ly/3VHaCFp Music: “Kesh Jig, Leitrim Fancy”, Sláinte, CC BY-SA 3.0 US (https://creativecommons.org/licenses/by-sa/3.0/us/), freemusicarchive.org --- Send in a voice message: https://podcasters.spotify.com/pod/show/celticstudents/message

International focus is on Mary as she takes the lead in Mark Jenkin's highly anticipated follow-up to Bait – Enys Men. She's appeared in countless theatre productions across Cornwall and was a core member of Kneehigh Theatre in the 90s. And she's been seen on our small screens in everything from Eastenders to Poldark. Mary talks about the challenge of taking on the intense role, the responsibility of being a leading lady in her 50s, the nightmare of her first day on EastEnders and scooping the naughtiest line of the series in Poldark.  

Photo: Steve Tanner Emma Rice, whose latest production, an adaptation of Emily Bronte's “Wuthering Heights” plays at Berkeley Rep's Roda Theatre November 18th through January 1st, in conversation with host Richard Wolinsky. Emma Rice was formerly the Artistic Director of Kneehigh Theatre, which brought several shows to Berkeley Rep, including Brief Encounter, and The Wild Bride, along with 946 (The Story of Adolpho Tips). Her new company, Wise Children, as formed in 2017 following a short stint as Artistic Director of Shakespeare's Globe, produced several live video productions during the pandemic shutdown, including Wuthering Heights, which now airs on Sky Arts. The production of Wuthering Heights focuses not on the romance angle of previous adaptations, but on how it's actually a story of abuse, revenge and passion, told with a Greek Chorus and some irreverence. Wise Children website. The post Emma Rice, playwright/director, “Wuthering Heights,” at Berkeley Rep appeared first on KPFA.

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Artwaves Photo: Steve Tanner Emma Rice, whose latest production, an adaptation of Emily Bronte's “Wuthering Heights” plays at Berkeley Rep's Roda Theatre November 18th through January 1st, in conversation with host Richard Wolinsky. Emma Rice was formerly the Artistic Director of Kneehigh Theatre, which brought several shows to Berkeley Rep, including Brief Encounter, and The Wild Bride, along with 946 (The Story of Adolpho Tips). Her new company, Wise Children, as formed in 2017 following a short stint as Artistic Director of Shakespeare's Globe, produced several live video productions during the pandemic shutdown, including Wuthering Heights, which now airs on Sky Arts. The production of Wuthering Heights focuses not on the romance angle of previous adaptations, but on how it's actually a story of abuse, revenge and passion, told with a Greek Chorus and some irreverence. Wise Children website.  Headshot: Suki Dhanda.   Bookwaves Photo: Kelly Campbell (Little Brown) Julie Powell (1973-2022) was the best-selling author of  “Julie & Julia,” which was based on her blog posts in which she duplicated all of Julia Child's recipes in the classic Mastering the Art of French Cooking. She was interviewed by Richard Wolinsky on December 16, 2009 while she was on tour for her second (and it turned out, her last) book, Cleaving: A Story of Marriage, Meat and Obsession. Julie Powell died of cardiac arrest on October 26, 2022 at the age of 49. Shortly before her death, she began writing a series of articles about food for Salon. Julie & Julia became a hit Nora Ephron film with Meryl Streep and Amy Adams. Cleaving is the story of how she learned to be a butcher, intertwined with the story of the challenges in her marriage.   Review of “Colonialism is Terrible but Pho is Delicious” at Aurora Theatre through December 4, 2022.   Book Interview/Events and Theatre Links Note: Most in-person events still require proof of full vaccination for all audience members over 12 and masks. Many venues will require proof of boosters. Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination status requirements before arrival. Dates are in-theater performances unless otherwise noted. All times Pacific Standard Time. Book Stores Bay Area Book Festival  Highlights from this year's Festival, May 7-8, 2022 and upcoming calendar. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.   Monthly Calendar. On-line events only. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actor's Reading Collective (ARC).  See website for past streams. Alter Theatre. Upcoming: Snag by Tara Moses, Pueblo Revolt by Dillon Chitto American Conservatory Theatre  A Christmas Carol, November 30 – December 24, Toni Rembe Theater. Aurora Theatre Colonialism is Terrible, but Pho is Delicious by Dustin Chinn, November 4 – December 4, in theatre. Streaming: December 3-4. Awesome Theatre Company. Check website for upcoming live shows and streaming. Berkeley Rep Jerrod Charmichael: Ari Told Me I Lack Focus, November 8-13, Peets Theatre. Wuthering Heights, adapted and directed by Emma Rice, November 18 – January 1, Roda Theatre. Boxcar Theatre. See website for event. Brava Theatre Center: See website for events. BroadwaySF: Ain't Too Proud November 9 – December 6, 2022, Golden Gate. Hadestown returns September 12-17, 2023 at the Orpheum. Broadway San Jose: The Book of Mormon, Nov. 22-27, 2022 California Shakespeare Theatre (Cal Shakes). 2023 Season to be announced. Center Rep: Clue based on the screenplay, Lesher Center, Walnut Creek, October 29 – November 20, 2022. Central Works The Museum Annex by Mildred Inez Lewis, now through Nov. 20, 2022. Cinnabar Theatre. Daddy Long Legs,  January 6 – 22, 2023. Contra Costa Civic Theatre To Master the Art by William Brown and Doug Frew, April 21 – May 21, 2023. Curran Theater: Kiki and Herb, December 9, 2022. Custom Made Theatre. Shoshana in December. November 18 – December 18, Phoenix Theatrre, 414 Mason St., San Francisco. 42nd Street Moon. Anything Goes, February 23 – March 12, Gateway Theatre. Golden Thread  See website for upcoming productions. Landmark Musical Theater. The Addams Family, now through November 20, 2022. Lorraine Hansberry Theatre. Halie! The Mahalia Jackson Musical, world premiere. December 2 – 24, at the Magic. Magic Theatre. The Travelers by Luis Alfaro, February 15 – March 5, 2023. See website for other theatre events at the Magic. Marin Theatre Company Two Trains Running by August Wilson, November 25 – December 18, 2022. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC) A Picture of Two Boys by Nick Malakhow now through November 27, 2022. Oy Vey in a Manger, by the Kinsey Sicks, December 7 – 31, 2022. Oakland Theater Project. Book of Sand: A Fairy Tale by Lisa Ramirez, November 11 – December 4, livestream/on demand November 26. The Oakland Theatre at FLAX. Pear Theater. Frankie and Johnny at the Claire de Lune by Terrence McNally, December 1- 18, 2022. PianoFight. Calendar of shows. PlayGround. See website for upcoming shows. Presidio Theatre. Sleeping Beauty: Panto at the Presidio, December 1 – 30, 2022. Ray of Light: See website for upcoming productions. San Francisco Playhouse.  As You Like It, a musical adaptation of the play by William Shakespeare, November 17, 2022 – January 14, 2023. SFBATCO See website for upcoming streaming and in- theater shows. San Jose Stage Company: Meet John Doe, a stage adaptation of the Frank Capra film, November 23 – December 18, 2023. Shotgun Players. Natasha, Pierre & the Great Comet of 1812 by Dave Malloy. November 5 – December 30, Streaming November 17, December 1. South Bay Musical Theatre: The Spitfire Grill, January 28-February 18, 2023. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Rhino  A Slice of Life, world premiere by John Fisher, November 5-27. At Theatre Rhino (formerly Spark Arts). Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley. Little Shop of Horrors, November 30 – December 24, Lucie Stern Theater, Palo Alto. Word for Word. See schedule for live and streaming works. Misc. Listings: BAM/PFA: On View calendar for BAM/PFA. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2023 Season, starting February. Dance Mission Theatre. On stage events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Playbill List of Streaming Theatre: Updated weekly, this is probably the best list you'll find of national and international streaming plays and musicals. Each week has its own webpage, so scroll down. National Theatrical Streaming: Upcoming plays from around the country. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org       The post Bookwaves/Artwaves – November 17, 2022: Emma Rice – Julie Powell appeared first on KPFA.

The final episode of The Reason Why asks what it means to have a 'sense of place' and how to be truly local?Seamas Carey investigates the social impact that Kneehigh Theatre had on Cornwall during the 1990's and how their work was shaped by the unique circumstances of a rural place. Then, after they achieved world wide fame (thanks to Emma Rice) Seamas wonders if people got left behind in the wake of ambition?He also looks at the work of Cornish playwright and lobster fisherman Nick Darke - a good example of someone who was passionately local and universal. 

This season, and this year, are brought to an end with a conversation between Annamaria Murphy and Polly Roberts - writers and members of The Writers' Block team. Anna is Artistic Director to The Writers' Block and The Story Republic and was a huge part in the creation of our unique space. Next year we will be opening a new Writers' Block, to inspire, transform and nurture writers of all ages. In this episode we celebrate the artistic journey taken to get here, and hear of Anna's curious writing process as well as her work writing plays for Kneehigh Theatre and BBC Radio 4.

When I was in grad school, I brought the guest director from England to see a Moliere piece made by Theatre de la Jeune Lune, on tour from Minneapolis. I'd seen Jeune Lune's work in their home when I was on tour and fell in love with their production of The Kitchen. If you saw this production you'll know why. (Plates!) So I knew this visiting director would find something of interest in their Moliere piece. She was very impressed and we talked about that production a lot, even later that year, when I came to assist her on a production in London. Not long after that, Jeune Lune, after thirty years of innovative work, had to close. Word on the street was that financial troubles had sunk them and they had to disband. Every time I saw this director I'd brought to the show after that, she'd ask me, “Darling, how could this happen? How could they let this wonderful company die? What is wrong in your country that they don't know they need to take care of extraordinary artists like that?” She was greatly troubled by the loss. I was too – though a lot less surprised, as I've come to expect a terrible survival-of-the-financially-fittest in the arts in this country. It's not the best art that survives – just the stuff that generates the most financially stable footprint. To keep reading Here Comes the Wave, visit the Songs for the Struggling Artist blog. This is Episode 262 Song: Tori Amos' Amber Waves Image of Kneehigh Theatre's production of Brief Encounter, a show that featured quite a lot of waves. To support this podcast: Give it 5 stars in Apple Podcasts. Write a nice review! Rate it wherever you listen or via: https://ratethispodcast.com/strugglingartist Join my mailing list: www.emilyrainbowdavis.com/ Like the blog/show on Facebook: https://www.facebook.com/SongsfortheStrugglingArtist/ Support me on Patreon: www.patreon.com/emilyrdavis Or buy me a coffee on Kofi: http://ko-fi.com/emilyrainbowdavis or PayPal me: https://www.paypal.me/strugglingartist Follow me on Twitter @erainbowd Instagram and Pinterest Tell a friend! Listen to The Dragoning here (it's my audio drama) and support via Ko-fi here: https://ko-fi.com/messengertheatrecompany As ever, I am yours, Emily Rainbow Davis

It's time for some children's theatre! In this delightful, dark, funny, fantastic, terrifying tale for all ages, Kneehigh theatre does what they do best with collaborative and innovative re-telling of a classic story. Discussion includes collaboration in art, the power of children's theatre, and the joy of little chicken puppets.Have some feedback? A play you'd like us to cover?Visit the official podcast twitter @playgroundpoddyChat to host Nancy @N_NetherwoodChat to host Sam in person if you happen to recognise him

Back with more new episodes for 2021, Nottingham Playhouse’s Amplify Producer Craig Gilbert chats to more artists of national and international renown in our Amplify Podcast series. These conversations cover career and process, as well as offering a few ideas to explore from home during this time of social distancing. This week Craig is chatting to Tom Jackson Greaves.Tom trained at Laban and London Contemporary Dance School.Recent choreographic work includes: So Here We Are (Manchester Royal Exchange and Hightide Festival), Juicy and Delicious (Nuffield Theatre Southampton), When We Were Women (The Orange Tree), The Crocodile (Manchester International Festival), Teddy (Southwark Playhouse), Defect The Musical (Arts Educational School), Shadowthief (Barnsley Civic), Kerry Ellis at the Palladium (London Palladium), LIFT (Soho Theatre), Harvest Fire (YMT The Lemon Tree Aberdeen), The Seventh Muse (YMT Barbican Plymouth), short creations at ArtsEd, The MTA, CPA Studios and Dance Academy Russia and music videos for C.Duncan, Boy George and Clare Maguire.Tom’s also makes his own dance-theatre creations include: Seven Deadly Sins (UK Tour) and Vanity Fowl (Sadlers Wells). He is currently working on an original creation with Kneehigh Theatre as Director/Choreographer that will premier in Spring 2016.Tom was a winner of the New Adventures Choreographer Award in 2012.Tom has also worked extensively as a performer touring regularly with ‘Matthew Bourne’s New Adventures’. Other highlights include; Tristan And Yseult (Kneehigh Theatre) and Kes (Sheffield Crucible).

On Galway Culture this evening, Vinny talks to Carl Grose of Kneehigh Theatre about their upcoming Arts Festival Show "The Dog in The Suitcase (and other Songs) . He Chats to Steve Wall about his portrayal of Jazz trumpeter Chet Baker in the new Film "My Foolish Heart" which comes to the Galway Film Fleadh Wednesday 10th July at 10 pm in the THT and he talks to Dr. Tony Carroll about "Bluebells for Love" Patrick Kavanagh's Legacy and the Women who influenced his Life" which takes place in the Harbour Hotel on Friday 26th July at 7.30pm.

Two quirky and quite bonkers pieces of theatre to review in episode 36 of Theatre Club. Amour, a whimsical Micahel Legrand musical at The Charing Cross Theatre, and then Kneehigh Theatre's twisted take on The Begger's Opera; Dead Dog In A Suitcase (and other love stories), which is currently touring the UK. We also discuss two exciting new musicals coming to London later this year, Falsettos and Big The Musical! - Opening/Closing Music: Little Lily Swing by Tri-Tachyonis: licensed under a CC Attribution License

We review our recent trips to see Kneehigh Theatre’s Brief Encounter, The Plough and the Stars at The Lyric Hammersmith, Network at The National, and the Kathy Burke directed Lady Windermere’s Fan. - Opening/Closing Music: Little Lily Swing by Tri-Tachyonis: licensed under a CC Attribution License

Private Adolphus Tips has arrived in Manchester. Thinking of coming to see Kneehigh Theatre's colorful sing-along show? Listen to our audience reactions of 946: The Amazing Story of Adolphus Tips is find out what you're in for... 946: The Amazing Story of Adolphus Tips runs from Tue 25 - Sat 29 Oct. Find out more and book tickets here http://bit.ly/29DYCOj Brought to you in association with Virgin Media Business http://www.virginmediabusiness.co.uk

This week Rosie goes underground to chat with Alexander Parsonage about: Finger in the Pie; Quitting Art School; Conceptual, Philosophical, Political; The Bollocks Myth of the Lone Genius; Hooked on Directing; KneeHigh Theatre and Magic; Bleed the University Dry; Post-University Company in Crisis; The Great Tragedy of English Theatre Education; Unhealthy Actor Lifestyle; External Revenue Source; Space and Time is Precious; Overnight Success in Cabaret; Good Direction Versus Terrible Direction; Theatre of Cold Backstage Brutality; Backing a Good Horse; Overnight Success to Overnight Flop; Threats of Litigation Lead to Breakthroughs; Publication Confusion; Cabaret =/= Theatre or Standup; The Bubble Hasn't Burst; Big Cabaret Umbrella; How Do We Survive??; European Models, Money and Barriers; International Embarrassment and Value; Low Pay No Pay and How Do We Celebrate Good Collaboration?; The Myth of the Producer; Theatre Makers = Entrepreneurs; Day Job Stigma; English Theatre is the Best in the World; Not Interested in Politics; Effective Political Voice for the Arts; Theatre About Emotion; Concurrent Realities; What Makes it All Worth It.About Alexander:Alexander is an award winning theatre director and co-founder of Finger in the Pie. He has worked extensively in clown, mime, visual theatre, puppetry and cabaret. His clown production – Sweeney Todd: His Life, Times and Execution! was shortlisted for a Total Theatre Award in 2009 and his follow up production Waiting for Stanley was listed in the top 10 best reviewed shows of Edinburgh 2012. He is currently working on the Mimetic Festival 2014. Alexander trained in theatre creation at the London International School of Performing Arts (LISPA) a Lecoq based pedagogy in London. Website: http://www.fingerinthepie.com/Facebook: https://www.facebook.com/fingerinthepieTwitter:https://twitter.com/fingerinthepieMimetic: http://mimeticfest.com/http://ia902605.us.archive.org/19/items/RKVB17AlexanderParsonage/RKVB 17 - Alexander Parsonage.mp3

In the second of five essays, the theatre director Emma Rice explores the role of the director as storyteller, and elaborates on the undertaking that transforms a text into a fully-fledged production.Emma Rice is the Joint Artistic Director of Kneehigh Theatre. For Kneehigh, she has directed for The Red Shoes (2002 Theatrical Management Association [TMA] Theatre Award for Best Director); The Wooden Frock (2004 TMA Theatre Award nomination for Best Touring Production); The Bacchae (2005 TMA Theatre Award for Best Touring Production); Tristan & Yseult (2006 TMA Theatre Award nomination for Best Touring Production); Cymbeline (in association with the Royal Shakespeare Company for The Complete Works festival); A Matter of Life and Death (Royal National Theatre production in association with Kneehigh Theatre); Rapunzel (in association with Battersea Arts Centre); Brief Encounter (tour and West End; Studio 54, Broadway); and Don John (in association with the Royal Shakespeare Company and Bristol Old Vic). She was nominated for the 2009 Olivier Award for Best Director for Brief Encounter.Emma's latest work includes Oedipussy for Spymonkey; Steptoe & Son; the West End production of Umbrellas of Cherbourg; Wah! Wah! Girls for World Stages in association with Sadler's Wells and Theatre Royal Stratford East; and, in spring 2013, The Empress at the RSC.The series is produced by Sasha Yevtushenko.First broadcast in February 2012.

In this episode of Sound Design Live I talk with Andy Graham about working with Kneehigh Theatre on it's original production, The Wild Bride. We discuss working in the West End, the unique creation process with Kneehigh, and their new theatre called Asylum. http://sounddesignlive.com/designing-without-script/ Support Sound Design Live on Patreon for as little as $1: https://www.patreon.com/sounddesignlive