Podcasts about The Bacchae

Synopsis What exactly is authority? Where does it come from? How do you get it? Can you move authority from St. Paul, MN to the south side of Chicago? Join Em and Jesse for a wide-ranging chat on the subject. Notes 1/ Of course, many people in addition to women have a hard time getting others (i.e. non-group members) to pay attention to their authority. For example, trans and nonbinary people have a hard time getting anyone to listen to them speaking about their own lived experiences. 2/ I’ve published four novels and a novella since this was recorded, and people actually do think I’m an authority on some topics for some reason. 3/ The story about Aristotle’s phony translators comes from here, I think: https://historyofphilosophy.net/translation-movement Pseudopigrapha: from pseudo, false, and epigraphe, name or inscription. A falsely attributed text. U of Michigan’s Galileo text: “After an internal investigation of the findings of Nick Wilding, professor of history at Georgia State University, the library has concluded that its “Galileo manuscript” is in fact a 20th-century forgery. We’re grateful to Professor Wilding for sharing his findings, and are now working to reconsider the manuscript’s role in our collection.” Also, “Wilding concluded that our Galileo manuscript is a 20th-century fake executed by the well-known forger Tobia Nicotra.” (The quotes are from the linked website.) 4/ According to the Virginia Woolf society, the actual quote is: “I would venture to guess that Anon, who wrote so many poems without signing them, was often a woman.” (From ch 3 of A Room of One’s Own.) Pseudo-Dionysius the Areopagite (5th/6th century CE)) Pseudo-Pseduo-Dionysius is anyone once thought to be Pseudo-Dionysius but now recognized (by modern scholars) to be someone other than Pseudo-Dionysius. Confused? 5/ Pseudo-Bonaventure (14th century CE) wrote Meditations on the Life of Christ. 6/ I’ve become a bit more familiar with copyright law in the three years(!) since we recorded this, since I’ve published three going on four books of my own since then. A really good example of a point I think past Em is trying to make is Sherlock Holmes, who has recently passed into public domain. He’s a neat character and everyone wanted to play with him (look at the adaptations of recent memory: the Robert Downey Jr. films, the BBC’s Sherlock, the American Elementary). But because of copyright law, this was fairly difficult and confusing until very recently, despite the character’s creator having been dead since 1930. These cases raise many questions of authorship vs ownership and how long someone should really be able to make money on an idea. (Patent Law is, if anything, worse, from what I understand.) 7/ It was a photograph of Prince! Since we recorded this, the Supreme Court sided against Andy Warhol’s estate: https://www.npr.org/2023/05/18/1176881182/supreme-court-sides-against-andy-warhol-foundation-in-copyright-infringement-cas Girl Talk is awesome: https://www.youtube.com/watch?v=kSoTN8suQ1o I mention him because there was a really good documentary about copyright called RiP! A Remix Manifesto that discussed his work (including a discussion of it with the head of the copyright office of the Library of Congress). 8/ Just to clarify, “fair use” is kind of a complicated issue. When you are a non-commercial educational podcast (ahem), you can use things (like samples of YouTube performances) without having to pay licensing fees. You can also fairly quote sections of things for criticism, news reporting, and research. You can therefore quote lines from songs or poems in textbooks, but not in novels because they aren’t considered teaching. Parody (hello, Weird Al!) can be a weird gray area, because a parody obviously has to be somewhat transformative but still retain enough of a likeness that people will know what you’re parodying, and on this question hangs a lot of lawsuits. (Not toward Weird Al though, as far as I know. But Margaret Mitchell’s estate did try to sue to block the publication of The Wind Done Gone.) See also: Why does Ulysses (in Em’s novels) wear so many band T-shirts and occasionally mention songs and artists, but there are zero song lyrics in the books? Because you can’t copyright band names or album/song titles. Steamboat Willie has actually entered public domain since we recorded this! [So amazing!–Jesse] Peter Pan actually first appeared in 1902! Also, sorry, “Peter Pan is a psychopomp” is somehow not a sentence I had on my bingo card. I guess it has lost a bit in its translation to the screen… On the plus side, SIDS rates have dropped dramatically since 1902? “I can rewrite Macbeth if I want to.” Or a really complex riff on The Bacchae? Em of 2022 did not know what was coming, lol. 9/ Notably, Spivak also quotes primarily women. The episode on Hrotsvit: Episode 22 10/ For more on Juliana of Cornillion and the Feast of Corpus Christi, see Episode 6. 11/ Wife of Bath’s Prologue and Tale are HERE. (Also, Chaucer was not, as far as we know, toxic like Joss Whedon!) 12/ Incidentally, violent, in-the-moment reactions to mistreatment by another person are called reactive abuse, and they’re often used by abusers to shift the blame onto their victims. If you are being abused or wondering if you are and want to talk to someone, check out the National Domestic Violence Hotline (https://www.thehotline.org/), or look for local programs. Here in Madison, for instance, we have Domestic Abuse Intervention Services (https://abuseintervention.org/).

Mergulhamos na complexa e fascinante figura de Dioniso, o deus do vinho, do êxtase e da transformação. "Acto XXXIV Dioniso" explora os mitos, simbolismos e as diversas interpretações que cercam essa divindade enigmática da mitologia grega. Prepare-se para uma jornada repleta de drama, rituais antigos e revelações surpreendentes que desafiam a realidade e convidam à reflexão sobre a natureza humana, a loucura criativa e o poder da celebração. Descubra como Dioniso influencia não só os mitos, mas também a cultura, a arte e a espiritualidade ao longo dos séculos.

This week Amanda and Victoria discuss the god Dionysus and the play The Bacchae by Euripides.

My links:My Ko-fi: https://ko-fi.com/rhetoricrevolutionSend me a voice message!: https://podcasters.spotify.com/pod/show/liam-connerlyTikTok: ⁠https://www.tiktok.com/@mrconnerly?is_from_webapp=1&sender_device=pc⁠Email: ⁠rhetoricrevolution@gmail.com⁠Instagram: https://www.instagram.com/connerlyliam/Podcast | Latin in Layman's - A Rhetoric Revolution https://open.spotify.com/show/0EjiYFx1K4lwfykjf5jApM?si=b871da6367d74d92YouTube: https://www.youtube.com/@MrConnerly 

Simon Startin is a Visually impaired Actor, Playwright, Director and Activist who has been playing The Blind Profit Tireseus in a thrilling new version of Euripides' timeless tragedy Bacchae at the National Theatre. RNIB Connect Radio's Toby Davey caught up with Simon during the run of Bacchae at the National Theatre and not long after attending one of the audio described performances of the production to firstly find out why Simon wanted to study theatre at the Royal Welsh Academy of Music and Drama, how he found it during the rehearsal process and preparing to play Tireseus on the National Theatre's Olivier stage, what help he needs when performing as a visually impaired actor and whether it was the right casting for him to be playing the blind profit in Bacchae. To find out more about access at the national Theatre including details of audio described performances of NT productions do visit - https://www.nationaltheatre.org.uk/your-visit/access/ (Image shows the RNIB Connect Radio logo. On a white background ‘RNIB' written in bold black capital letters and underlined with a bold pink line. Underneath the line: ‘Connect Radio' is written in black in a smaller font)

Who was Dionysus, the son of Zeus, and Greek god of ecstasy, revelry and madness? Why was he so central to the ancient Greeks? What is the story of the Bacchae, the play in which a young man is ripped apart by the handmaidens of the goddess Artemis? What did it mean to be a Bacchae, one of the followers of Dionysus, and what shocking acts did it entail? Why were female cults like this believed to be integral to the survival of Athens? How did Dionysus' cult subvert all the conventions of Ancient Greek society? What hedonistic revels occurred at his festivals every year? And, what hidden secrets about his historical origins have been unlocked by subsequent archaeological discoveries…? Join Tom and Dominic as they discuss one of the most exotic and erotic of the Greek gods: Dionysus, and the origins of The Bacchae, the tragedy that immortalised his story, but also transformed Greek drama, and thereby the world, forever… Try Adobe Express for free now at https://www.adobe.com/uk/express/spotlight/designwithexpress?sdid=HM85WZZV&mv=display&mv2=ctv or by searching in the app store. Learn more at https://www.uber.com/onourway Join The Rest Is History Club: Unlock the full experience of the show – with exclusive bonus episodes, ad-free listening, early access to every series and live show tickets, a members-only newsletter, discounted books from the show, and access to our private Discord chatroom. Sign up directly at therestishistory.com For more Goalhanger Podcasts, head to www.goalhanger.com _______ Twitter: @TheRestHistory @holland_tom @dcsandbrook Producer: Theo Young-Smith Assistant Producer: Tabby Syrett + Aaliyah Akude  Video Producer: Bruno Di Castri + Jack Meek Social Producer: Harry Balden Executive Producers: Jack Davenport + Tony Pastor Learn more about your ad choices. Visit podcastchoices.com/adchoices

Send us a textAfter graduating from RADA, James McArdle became a darling of the National Theatre appearing in landmark productions of Platonov, James I and Angels in America, all in a relatively short span of time. Since then, James McArdle has established himself as one of the most compelling actors on stage and screen. Now, he returns to the Olivier stage for the first time since 2019 for newly appointed Artistic Director Indhu Rubasingham's inaugural show: a new adaptation of Euripides' Bacchae by Nima Taleghani. In the show, James takes on the role of Pentheus in a show which has been radically revamped for modern audiences. Taleghani's version includes rap verses and a thumping beat which helps build the tension of the piece that leads viscerally into the ultimate tragedy of the piece.In this brand new interview, James McArdle reflects on his numerous successes at the National Theatre and why it feels so fitting returning to the Olivier stage after a few years away. Indeed his last National Theatre project saw him taking on the title role in Peter Gynt, a thrilling update on Ibsen's original text where audiences saw James lead a 4 hour show with immense energy. Throughout our conversation, he also pays homage to Jonathan Kent who he describes as mentor who has helped shape him into the actor he is today. In our interview, we also touched on his critically acclaimed performances in Angels in America, Platonov and The Tragedy of Macbeth at the Almeida where he shares insights into his working relationship with Saoirse Ronan and also fight director Kate Waters who he reunited with on Bacchae. It's a fascinating conversation with one of the most exciting actors on stage and screen working today and it seems there's still more that we can look forward to.Bacchae runs in the Olivier Theatre, National Theatre until Saturday 1st November 2025.Support the show

Nima Taleghani is best known as Mr Farouk in Netflix's Heartstopper. Now his first play - an adaptation of Euripides' Bacchae - has become the first debut play in the Olivier theatre. And it opens his director Indhu Rubasingham's first season as artistic director of the National Theatre. They talk to Sarah about making classics contemporary, rhyming verse and why theatre - like life - is best when it's a little bit cheeky and a little bit risky Hosted on Acast. See acast.com/privacy for more information.

As the nights draw in, Sarah and Alex discuss some of their favourite shows about to hit the stage in the next couple of months including a stage version of The Hunger Games, the return of the Conor McPherson classic The Weir and appearances from Joe Alwyn, Nicola Walker, Letitia Wright, Susan Sarandon and many more Hosted on Acast. See acast.com/privacy for more information.

In this conversation, we're joined by Professor Courtney Friesen, who is Professor of Classics and the Director of Graduate Studies in Classics at the University of Arizona and the author of Reading Dionysus: Euripides' Bacchae and the Cultural Contestations of Greeks, Jews, Romans, and Christians (published by Mohr Siebeck). In our conversation we talk about the Bacchae and its interpretation as well as other legends and myths about Dionysus. This leads us to several topics of relevance in the New Testament, especially the alleged drunkenness at Pentecost in Acts 2 and Jesus turning water to wine at Cana in John 2. Team members on the episode from The Two Cities include: Dr. John Anthony Dunne. Hosted on Acast. See acast.com/privacy for more information.

Today on Ascend the Greek Books Podcast, we wrap up our exploration of the Greek plays with a lively roundtable discussion. Our panel of friends delves into the key themes of the tragic plays, including divinity, eros, fate, justice, the cosmos, virtue, and suffering.We explore plays such as the Oresteia, Prometheus Bound, the Theban plays, and the Bacchae, with insights from Homer, Hesiod, and Aristophanes. Don't miss this engaging conversation as we prepare to embark on our next journey with Plato.Visit thegreatbookspodcast.com for our reading schedule!Visit our Patreon page for written guides and a community chat on Plato!SummaryIn this episode of the Great Books Podcast, the hosts and guests engage in a round table discussion about key themes in Greek plays, including divinity, Eros, fate, and free will. They share their favorite plays and insights gained from their readings, exploring how these themes evolve from Homer to later playwrights. The conversation highlights the complexity of Eros as both a binding force and a source of mania, as well as the characters' limited agency in the face of divine intervention.The discussion culminates in a reflection on the implications of these themes for understanding Greek literature and philosophy. The conversation explores the themes of fatalism versus determinism, agency in Greek tragedy, the role of the gods, the evolution of justice, the nature of the cosmos, virtue, and the purpose of suffering. The speakers discuss how these themes are interwoven in the works of Homer and Aeschylus, highlighting the complexity of human actions, moral order, and the divine influence in Greek thought.Chapters00:00 Introduction and Personal Updates06:38 Favorite Plays and Surprising Discoveries12:25 The Maturation of Thought on Divinity19:40 The Splintering and Obsessive Qualities of the Gods23:57 The Tension Between the Divine and Natural Phenomena25:47 Exploring the Concept of Divinity43:00 The Dual Nature of Eros55:54 Debating Fate and Free Will59:39 Plato's Symposium: Eros as Ascent01:01:30 The Interplay of Fate and Human Agency01:14:53 Justice and Retribution in Homer's Epics01:32:13 The Maturation of Justice in Aeschylus' Plays01:39:14 The Challenge of Justice in the Story of Oedipus01:44:40 The Redemptive Power of Suffering01:50:55 The Influence of the Cosmos on Virtue and Piety01:59:58 The Crucifixion: Suffering and Redemption02:09:28 Sharing the Wisdom: Importance of Discussion02:17:07 Insights into Justice, the Cosmos, Virtue, and SufferingKeywords: Greek plays, divinity, Eros, fate, free will, themes, literature, philosophy, podcast, discussion, fatalism, determinism, agency, Greek tragedy, justice, cosmos, virtue, suffering, Homer, AeschylusHashtags: #GreekPlays #Tragedy #Philosophy #GreatBooks

Today on Ascend: The Great Books Podcast, we plunge into the second part of Euripides' The Bacchae—a harrowing yet gripping Greek tragedy that leads us deeper into the mystery of Dionysian eros. We'll observe the tragic descent of King Pentheus, the Bacchae as a parasite upon society, and the haunting themes of eros, justice, and the question of piety under an evil god.Check out thegreatbookspodcast.com for our reading SCHEDULE.Check out our Patreon page for our 25 Q&A GUIDE to the Bacchae.From the guide:Why should you read The Bacchae?The Bacchae challenges readers to explore religion, erotics, piety, cosmic order, and human nature in a controversial and unsettling landscape. Euripides' intent is not clear; thus, the reader is left to interpret a drama that seems to test longstanding Greek concepts, like piety and the gods.Dr. Grabowski acknowledges the play as an integral part of the “great conversation” in the Western canon, and Dcn. Garlick agrees by highlighting the play as an important antecedent to Plato's Euthyphro and Symposium. Though the work includes disturbing imagery, it is within those images that Euripides is wrestling with erotics, piety, and the cosmos. Somewhat shockingly, the play presents several parallels to Jesus Christ and invites the reader into challenging comparisons. Overall, The Bacchae stands as an important—though controversial—work in exploring the nature of man and his relation to the divine.How is Agave's death indicative of the destructive eros of Dionysus?The disordered eros of the Dionysian cult manifests as an anti-logos mania that is corrosive to the family and the natural political order. It brings societal instability. Dcn. Garlick explains that this Dionysian eros, unlike Plato's ordered ascent through the ladder of love in the Symposium, is a “disordered erotics” that “spirals down to bestial releases.” It is notable that the first group affected by the Dionysian cult are women, and the first act of these crazed women is to abandon their husbands and children—and then run wild in the woods nursing animals and engaging in orgies. Euripides presents a scene of perversion, a perverted femininity and motherhood. The Bacchae also adopt masculine traits, like strength, a desire to hunt, and acts of violence—like tearing animals apart with their bare hands. Dr. Grabowski observes this all leads to the destruction of the polis, as “if you pervert women… there will be no children… no future generations, and… no polis.” The women's rejection of domestic roles, driven by Dionysus' “erotic mania,” fractures the social fabric, leading to a “complete and utter collapse… of a polis.”The climax of this societal destruction is Agave's horrific act of killing her son, Pentheus, which Dcn. Garlick describes as the “zenith of this Dionysian madness,” epitomizing the cult's perversion of natural relationships. Under Dionysus' influence, Agave, “foaming at the mouth and her crazed eyes rolling with frenzy,” dismembers Pentheus, unaware he is her son until Cadmus restores her sanity. Dr. Grabowski calls this “sadistic” and “hideously perverse,” arguing it ensures “no polis… can survive if the Dionysian cult wins.” The murder of Thebes' king by...

Madness, piety, gore, and reason! Today on Ascend: The Great Books Podcast, host Dcn. Harrison Garlick and the always insightful Dr. Frank Grabowski delve into the first part of Euripides' The Bacchae—a chilling yet captivating Greek tragedy that explores piety, eros, the nature of the divine, and the fragility of societal order.The guys explore Dionysus, a god transformed from Homer's jovial wine deity into a “cruel” and “diabolical” figure worshipped through “frenzied madness and the bestial release of sex and violence." With its graphic imagery, raw intensity, and ambiguous morality, this play offers a rich discussion, serving as a critical antecedent to Plato's Symposium and revealing surprising parallels to Jesus Christ amidst its sordid chaos.Join us as we peel back the “bloody, terrible layers” of this darkly mesmerizing drama.Visit thegreatbookspodcast.com for our reading schedule and more!Visit our Patreon page to view all our guides to the great books!Guest: Dr. Frank Grabowski: At the time of recordin, a professor of philosophy at Rogers State University, third-order Franciscan, and a valued member of the Sunday Great Books group. His profound insights into Greek literature and philosophy illuminate the complexities of The Bacchae. Dr. Grabowski now serves as the Dean of Faculty at Holy Family Classical School.Why should you read The Bacchae?The Bacchae challenges readers to explore religion, erotics, piety, cosmic order, and human nature in a controversial and unsettling landscape. Euripides' intent is not clear; thus, the reader is left to interpret a drama that seems to test longstanding Greek concepts, like piety and the gods. Dr. Grabowski acknowledges the play as an integral part of the “great conversation” in the Western canon, and Dcn. Garlick agrees by highlighting the play as an important antecedent to Plato's Euthyphro and Symposium.Though the work includes disturbing imagery, it is within those images that Euripides is wrestling with erotics, piety, and the cosmos. Somewhat shockingly, the play presents several parallels to Jesus Christ and invites the reader into challenging comparisons. Overall, The Bacchae stands as an important—though controversial—work in exploring the nature of man and his relation to the divine.Next Episodes:Next week, we continue with Part 2 of The Bacchae, diving into Pentheus' tragic fall, the Bacchae's destructive frenzy, and the play's enigmatic conclusion. Upcoming episodes feature Aristophanes' The Clouds with guest Zena Hits and The Frogs with Tish Oxenreider, as we pave the way for Plato's dialogues.Thank You:A heartfelt thank you to Dr. Frank Grabowski for his brilliant insights and to our listeners for joining us on this ascent through the great books. Keep exploring, and we'll see you next week for more of The Bacchae's darkly mesmerizing drama!

PJ Adzima is a New York based actor and comedian currently playing Elder McKinley in The Book of Mormon on Broadway. He is the creator and host of STAGE TIME with PJ Adzima, the hit downtown variety show that unites the best of New York City nightlife. Select credits include The Marvelous Mrs. Maisel (Amazon), Girls5Eva (Peacock), Madam Secretary (CBS), The Good Fight (Paramount+), FBI: Most Wanted (CBS), Girl Haunts Boy (Netflix), The Wake by John Patrick Shanley, The Tycoons! at RAVE Theater Festival (Winner: Outstanding Performance), Volleygirls and The Cobalteans at NYMF, The Bacchae at La Mama, and GUNS: A Cabaret under director Liz Swados. PJ is a Story Pirate and Co/Lab Supporting Artist and can be seen next in the upcoming theatrical release of The Kiss of the Spider Woman starring Jennifer Lopez. Stage Time: https://stagetimenyc.com/?fbclid=PAZXh0bgNhZW0CMTEAAad-3R4NAgclQmI98gVPYmp9O2td0Zleus2CTicpboGE5tMeqSjjv55MQTU5UQ_aem_-xK01FhRlbm8CTdruB89BQ Want to try our Broadway fitness program for free? ⁠⁠⁠⁠www.builtforthestage.com Learn more about your ad choices. Visit megaphone.fm/adchoices

PJ Adzima is a New York based actor and comedian currently playing Elder McKinley in The Book of Mormon on Broadway. He is the creator and host of STAGE TIME with PJ Adzima, the hit downtown variety show that unites the best of New York City nightlife. Select credits include The Marvelous Mrs. Maisel (Amazon), Girls5Eva (Peacock), Madam Secretary (CBS), The Good Fight (Paramount+), FBI: Most Wanted (CBS), Girl Haunts Boy (Netflix), The Wake by John Patrick Shanley, The Tycoons! at RAVE Theater Festival (Winner: Outstanding Performance), Volleygirls and The Cobalteans at NYMF, The Bacchae at La Mama, and GUNS: A Cabaret under director Liz Swados. PJ is a Story Pirate and Co/Lab Supporting Artist and can be seen next in the upcoming theatrical release of The Kiss of the Spider Woman starring Jennifer Lopez. Stage Time: https://stagetimenyc.com/?fbclid=PAZXh0bgNhZW0CMTEAAad-3R4NAgclQmI98gVPYmp9O2td0Zleus2CTicpboGE5tMeqSjjv55MQTU5UQ_aem_-xK01FhRlbm8CTdruB89BQ Want to try our Broadway fitness program for free? ⁠⁠⁠⁠www.builtforthestage.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Today on Ascend: The Great Books Podcast, Dcn. Garlick and Mr. Eli Stone discuss the second and final part of Oedipus at Colonus—wherein Sophocles brings the horrific tale of Oedipus to a beautiful, redemptive end.Deacon and Eli discuss the dramatic zenith of Oedipus' life, the theme of redemptive suffering, the binding power of love, and all the various ways this play comments on the relationships in Antigone and Oedipus Rex.Go visit thegreatbookspodcast.com for our reading schedule!Check out this awesome guide to Oedipus at Colonus! Here is the opening of Deacon's guide to Oedipus at Colonus:Oedipus at Colonus is a beautiful tale. It brings a tremendous amount of meaning to the Oedipus Cycle. Sophocles offers us perennial truths on fate, the agency of man, and the cosmic whole. I greatly enjoyed, as a first time reader, the narrative of Oedipus at Colonus—especially the ending. It is a tremendous zenith to the Oedipus Cycle and one that parallels the Book of Job in its ability to address the question of suffering.Oedipus at Colonus remains an important text within the Western canon of great books, as it is a beautiful antecedent to how later thinkers, like St. Augustine, will come to understand the world as subject to Divine Providence. Sophocles offers several preliminary considerations on whether the fate that rules the world does so according to justice; and whether man must adopt a certain docility in consideration of such a fate. The balance, however, of man's agency and fate's dominion is a perennial question.I am in debt to Mr. Eli Stone who not only guided me through this work but highly recommended the podcast cover the Oedipus Cycle. I very much appreciate his insights and all the wisdom he has brought to our conversations.Amongst all the horrific suffering, Oedipus at Colonus is able to bring a theme of redemption to the story of Oedipus. Like Antigone, he serves as a sign of the gods—a sign of cosmic fate, docility to divine order, and the meaning of suffering. May we come to understand Sophocles' lessons and how they invite us to a more ordered existence.Episode HighlightsRedemptive Death: Dcn. Garlick shares, “I fell in love with this play when Oedipus sees the thunder head rolling in… his ecstatic joy that death comes." Theseus' Nobility: Theseus' interruption of sacrifice to save Oedipus' daughters highlights Athenian justice: “Sojourners… are the special patronage of Zeus." Polyneices' Tragedy: Oedipus' curse on Polyneices sets up Antigone: “Please bury me… we're setting the foundation… for the first play."Love's Role: Antigone's mediation and Oedipus' farewell underscore love's binding power: “She is love and love binds," as Deacon note.Guest Spotlight: Eli StoneEli Stone returns, bringing his expertise from his time at the Chancery, his discernment with the Western Dominicans, and his current role at the University of Tulsa Honors College. His passion shines through: “These are my favorite Greek plays… I've really enjoyed them." Eli's insights on providence, love, and historical allegory enrich the discussion.Next Episode TeaserNext week, we dive into Euripides' Bacchae, a stark contrast to...

My links:My Ko-fi: https://ko-fi.com/rhetoricrevolutionSend me a voice message!: https://podcasters.spotify.com/pod/show/liam-connerlyTikTok: ⁠https://www.tiktok.com/@mrconnerly?is_from_webapp=1&sender_device=pc⁠Email: ⁠rhetoricrevolution@gmail.com⁠Instagram: https://www.instagram.com/connerlyliam/Podcast | Latin in Layman's - A Rhetoric Revolution https://open.spotify.com/show/0EjiYFx1K4lwfykjf5jApM?si=b871da6367d74d92YouTube: https://www.youtube.com/@MrConnerly

I'm reading and talking about Ted Gioia's "Immersive Humanities Course," 52 weeks of World Classics.Ted listed SIX Greek dramas for this week: Bacchae (Euripides), Lysistrata (Aristophanes), Agamemnon (Aeschylus), and the three Theban plays from Sophocles, Oedipus the King, Oedipus in Colonus and Antigone. We discuss how to read drama in general. I tried to read a little bit of background on each play before I dove in. One thing that's easy to forget with Greek drama is that the audience didn't have any spoilers; they knew all of these stories really well. They were there to see HOW it came together. That meant that some of the plot gets treated with shorthand in some ways. I tried to figure out the major players, and how they might have interacted with characters I had met elsewhere. It's astonishing how all of these characters are connected by one or two degrees of separation. Bill and I joke that it feels exactly like when we moved to Charleston a couple of years ago. I swear that every person we meet knows someone else we know through one or two people. It's the strangest thing, and Greek drama is exactly like that.I also flag my books like crazy: one flag for the cast of characters; one for the endnotes; one for a map, even if it's in a different book. As a matter of fact, my Fagles translation of the Odyssey came in handy this week. Not only are there some great maps, there is also a glossary of all the proper names in the Odyssey. Many, many of the characters I came across this week also put in an appearance in the Odyssey.Finally, I kept a brief “plot summary” of each play as I read. Only Bacchae was divided into scenes, but for each play I tried to keep a brief synopsis of the action as I read. This kept me from mixing up characters too much, and also it helped me to get an idea of how the various stories fit together. In addition, I read out loud occasionally, especially if I found myself alone in the house. It's easy to lose the thread of some of these long passages, especially where the chorus has an extended explication of action taking place off stage. Reading out loud helped me capture the rhythm of the language and also the drama of it in a way that reading silently could never do.I started with Euripedes' Bacchae, translated by Paul Woodruff. To be honest, half the reason I bought this edition was that it had Elvis on the cover as Dionysus! Not long after the founding of Thebes, Dionysus appears to bring his cult to the city. Dionysus is a son of Zeus but also the grandson of the founder of Thebes, Cadmus. Dionysus' cousin Pentheus is now king, and he refuses to acknowledge the god-status of Dionysus. Let's just say Pentheus regretted that decision. This play was shockingly brutal to me, even though all the violence always takes place off-stage in a Greek drama. There are ideas of redemption, and lack of it, woven throughout the play. Bacchae left me curious about anything related to the practice of the cult of Dionysus. Apparently the rites were so secret that nothing, not one thing, survives to help us understand what they did.Next I read Aristophanes' Lysistrata. This is a comedy, truly a farce, whose entire plot revolves around the women of Greece coming together to deny all their men sex so they will quit fighting with each other. It is hilarious, and I'd love to see this one performed live. I love a good marriage quote:“No man can live a happy life unless his wife allows it.”—AristophanesHappily, I bought an edition of Lysistrata that also had three other plays translated by Aaron Poochigian. Clouds, in particular, is a send-up of Socrates and that one is...

Today, I'm thrilled to announce my episode with Tony winner Jonathan Groff, who is currently starring as Bobby Darin in JUST IN TIME. Tune in to hear some of the stories of his legendary carer, including why he never felt ownership over the role of King George in HAMILTON, what he learned from his experiences with fans during SPRING AWAKENING, why MERRILY WE ROLL ALONG is a love story, why he turned down the role of Finn on GLEE and HAIR on Broadway, his lack of formal training as a singer, working with Olympia Dukakis on THE SINGING FOREST, why he chose THE SOUND OF MUSIC tour over going to college, the serendipity of starring in A NEW BRAIN at Encores!, how Gavin Creel inspired him to publicly come out, what he learned from getting bad reviews for THE BACCHAE, working with Larry Kramer on the film of THE NORMAL HEART, JUST IN TIME's journey from the 92nd Street Y to Broadway, and so much more. Don't miss this honest conversation with a true Broadway star.

Send us a textTodays book is written for all the people who need Dionysus in their life. Lauren gets full on bacchic frenzy with Natasha Pulley as they explore The Hymn to Dionysus. Natasha hops into the Greek Myth space for the first time to share a sort of retelling of The Bacchae. She shares her views on why the legacy of Dionysus is so widespread and why people are loving him now. We dive into plot points and of course get full on spoilery in the spoiler section.Follow Natasha on the socials:https://natashapulley.co.uk/Insta @natasha_pulley

Send your questions or provocations to Adam or Budi here!In this episode, Adam and Budi continue our Grad School Series with Chair of Graduate Acting at NYU Tisch, Carl Cofield. Carl Cofield is the Chair of Graduate Acting at NYU Tisch and has served as the Associate Artistic Director of the Classical Theatre of Harlem since 2018. CTH directing credits include A Midsummer Night's Dream, Twelfth Night, Seize the King, The Bacchae, Antigone, Macbeth, The Tempest, and Dutchman. He also directed  The XIXth (The Nineteenth) at the Old Globe Theatre as well as the world premiere of Kemp Powers' One Night in Miami for Rogue Machine Theater in Los Angeles, and later iterations at Miami New Drama and Denver Center. Other directing venues include Oregon Shakespeare Festival, McCarter Theatre, and Yale Repertory. He has served on faculty at Yale School of Drama, Columbia School of the Arts, Manhattan School of Music, and the New School. Education: MFA in Directing from Columbia University.Support the showIf you enjoyed this week´s podcast, please leave a review on Apple Podcasts. To submit a question: Voice- http://www.speakpipe.com/theatreofothers Email- podcast@theatreofothers.com Show Credits Co-Hosts: Adam Marple & Budi MillerProducer: Jack BurmeisterMusic: (Intro) Jack Burmeister, (Outro) https://www.purple-planet.comAdditional compositions by @jack_burmeister

It's time to finally release our series of Greek Plays for free! These were on patreon a year ago. Join Dean & Alex as we review another tragedy: The BacchaeFor the latest Playboys episodes go to patreon.com/booksboysbooksboys.com Hosted on Acast. See acast.com/privacy for more information.

We are back for our biggest best of list yet. We are talking about our top 25 albums of 2024. We worked to collaborate on a list this year instead of each of us selecting 10 albums and taking turn discussing themJoin our Patreon to get bonus audio, videos, blog posts, and access to our Discord for only $1 at patreon.com/punklottopodJoin our brand new $5 Producer / Listening Club tier where you can get your name said every single week on the podcast as a producer. You also get access to our monthly Listening Club where we get together on Zoom to discuss an album, just like a book club!If you would like to sponsor an episode, head over to patreon.com/punklottopod and sign up for our $10 tier. Make a one time donation and you get and entire episode centered around an album of your choice.Major Awards EP - majorawards.bandcamp.comMerch Shop  - redbubble.com/people/punk-lotto-pod/shopPodcast platforms and social media links at linktr.ee/punklottopodCall our voicemail line: 202-688-PUNKLeave us a review and rating on Apple Podcasts and Spotify.Song clips featured on this episode:Dystopian Dracula by Sonny Falls  Sins at My Back by Totally Slow  Sleep in the Sunroom by Downhaul  Keeper by Dry SocketBrakes by OnsloowGlitter and Spit by No ManThree Diamond Blues by The Big Easy  Ruby Church by XK2 by Liquid MikeBetter Days by Hedge  Deception Island by J RobbinsYour First Rodeo by Jon Snodgrass + BuddiesKeep This to Yourself by What GivesBirthday by Late BloomerStrawberry Moon by Arab StrapFilm Maudit by Restorations909 by Starflyer 59Privacy by Swami and the Bed of NailsEverything Disappears by Extra Arms  Happy New Year by OceanatorLeap Year by AhemAction Painting by PerennialNice Girl by Cowboy BoyGive Me Action by SweatNext Time by Bacchae

Liv speaks with Cosi Carnegie about sparagmos, the tearing apart of Pentheus, in Euripides Bacchae. Check out more from Cosi here. Submit your questions to the quarterly Q&A episodes! CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing. Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions.See omnystudio.com/listener for privacy information.

Why is biodynamic viticulture sometimes associated with dark magic or the occult? Why is using wine in religious rituals as a sacrament considered normal for many people, but taking it beyond that is not? Why are wines from England becoming increasingly popular? In this episode of the Unreserved Wine Talk podcast, I'm chatting with Jo Penn, the New York Times and USA Today bestselling author, about her latest novel, Blood Vintage, set in an English vineyard. You can find the wines we discussed at https://www.nataliemaclean.com/winepicks   Highlights What were the most memorable aspects of the Pinot Noir tours Jo attended in South Otago while living in New Zealand? Which New Zealand foods pair best with their Pinot Noirs? What is Jo's new book, Blood Vintage, about? Which wines would Jo and I pair with Blood Vintage? How did Jo find the inspiration for writing Blood Vintage? What's behind the rise of English wines? How did a high school performance of Euripides' "The Bacchae" influence Jo's writing of Blood Vintage? What are some of the ways that people can get injured or die working in a vineyard? What did Jo learn about biodynamic winemaking from visiting Limeburn Hill Vineyard? Why is biodynamic winemaking sometimes associated with the occult? How might you experience the differences between the taste of a biodynamic wine versus a conventionally produced wine? What was the most surprising thing Jo learned about winemaking while writing Blood Vintage?   Key Takeaways Jo shares her experience visiting a biodynamic vineyard, where various preparations were made from animal stomachs, intestines, and skulls, as well as plants like Yarrow and chamomile. Some people hear about these practices and think they're strange. Others view the vineyard as an ecosystem where they're trying to infuse a sense of place into every single drop of the wine. In both Christianity and Judaism, but taking it further to a different plane of consciousness, like some of the ancient Celtic celebrations tied to nature and fertility she explores in the book, is often considered outside the norm. Climate change has made the south of England similar to the Champagne region in France in terms of the warmth needed to ripen grapes. The UK now produces about 8 to 10 million bottles annually from 800 vineyards. English sparkling wines are winning the awards, and in many blind tastings, they're often placing ahead of French bibblies. Champagne producers are also buying English vineyards.   About Jo Penn Jo Penn is an award-winning New York Times and USA Today bestselling author of horror, thrillers, dark fantasy, crime, travel memoirs, and short stories. She's also an award-winning podcaster. She has a Master's in Theology from the University of Oxford. Her latest novel is Blood Vintage, a folk horror story set in an English vineyard.         To learn more, visit https://www.nataliemaclean.com/305.

The Bacchae is a parennially popular Greek tragedy that portrays the coming of Dionysus to Greece. The Dionysian strikes Hellas like a wave of madness, and the play is full of miracles, illusions and other violations of the natural order. Often interpreted as a play about the conflict between religious experience and established dogma, or between the old order and the new, The Bacchae continues to fascinate because of the many layers of meaning that belie any easy analysis. We'll briefly discuss Nietzsche's opinion of Euripedes, and the ways in which Euripedes innovated the tragic form. Then we'll dive into the text and analyze the themes of the play.

That's right, we did a thing! Our first-ever livestream crossover event with the hosts of Movies We Dig, Ancient History Fangirl, and Let's Talk About Myths, Baby! And if you want a chance to watch rather than just listen to the show, you can do so on our new YouTube channel! Here is the link for the recorded livestream: https://youtube.com/live/qtUMQm0no1c To celebrate International Podcast Day your favorite podcasters on antiquity and pop-culture indulged in an evening of fun, frolicking and some light dismemberment! The show includes answering questions from fans and listeners, testing our knowledge of ancient myth and history, imbibing cocktails from Nectar of the Gods, and performing a live (slightly-tipsy) read-through of Euripides' Bacchae. Show your favorite podcasters some love by subscribing to their YouTube channels and social media pages. Feeling extra generous? Then leave comments and reviews wherever you listen (or watch) your podcasts. Here's some helpful links to get you there! Movies We Dig- Find the website at https://www.movieswedig.com and all our socials at https://linktr.ee/movieswedig. Ancient History Fangirl- Find the website at https://www.ancienthistoryfangirl.com and all their socials at https://linktr.ee/ancienthistoryfangirl. Let's Talk About Myths, Baby!- Find the website at https://www.mythsbaby.com and of Liv's socials at https://linktr.ee/livalbert. Special thanks to Genn, Jenny, and Liv for taking part in this special livestream event! Please be sure to support them, their podcasts, and all their other amazing projects! We also want to thank Emma Pauly for providing their translation of the Bacchae for our live read-through of the play. To hear Emma speak about their work on the play, check out this episode: https://podcasts.apple.com/ca/podcast/conversations-nonbinary-dionysus-a-look-at/id1264449047?i=1000527595570. You can learn even more about Emma on their website at https://www.emmapauly.com. Finally, thank you to our listeners for being a part of this amazing community! These shows would not be possible without you!

That's right, we did a thing! Our first-ever livestream crossover event with the hosts of Movies We Dig, Ancient History Fangirl, and Let's Talk About Myths, Baby! And if you want a chance to watch rather than just listen to the show, you can do so on our new YouTube channel! Here is the link for the recorded livestream: https://youtube.com/live/qtUMQm0no1cTo celebrate International Podcast Day your favorite podcasters on antiquity and pop-culture indulged in an evening of fun, frolicking and some light dismemberment! The show includes answering questions from fans and listeners, testing our knowledge of ancient myth and history, imbibing cocktails from Nectar of the Gods, and performing a live (slightly-tipsy) read-through of Euripides' Bacchae.Show your favorite podcasters some love by subscribing to their YouTube channels and social media pages. Feeling extra generous? Then leave comments and reviews wherever you listen (or watch) your podcasts. Here's some helpful links to get you there!Movies We Dig- Find the website at https://www.movieswedig.com and all our socials at https://linktr.ee/movieswedig.Ancient History Fangirl- Find the website at https://www.ancienthistoryfangirl.com and all their socials at https://linktr.ee/ancienthistoryfangirl.Let's Talk About Myths, Baby!- Find the website at https://www.mythsbaby.com and of Liv's socials at https://linktr.ee/livalbert.Special thanks to Genn, Jenny, and Liv for taking part in this special livestream event! Please be sure to support them, their podcasts, and all their other amazing projects!We also want to thank Emma Pauly for providing their translation of the Bacchae for our live read-through of the play. To hear Emma speak about their work on the play, check out this episode: https://podcasts.apple.com/ca/podcast/conversations-nonbinary-dionysus-a-look-at/id1264449047?i=1000527595570. You can learn even more about Emma on their website at https://www.emmapauly.com.Finally, thank you to our listeners for being a part of this amazing community! These shows would not be possible without you! Hosted on Acast. See acast.com/privacy for more information.

Like most things Euripides wrote, his treatment of the Olympian gods and what they were capable of (and best of all, how that's received by mortals) is absolutely ripe for interpretation. Euripides walked the line of impiety and seemed to have a ball. CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing. Sources: The Masque of Dionysus by Helen P Foley; Isabelle Torrance's Euripides; Mary Lefkowitz' Euripides and the Gods; passages read from Hippolytus and Helen, translated by EP Coleridge; Ion, translated by Cecelia Eaton Luschnig; and Bacchae, translated by T. A. Buckley, revised by Alex Sens, and further revised by Gregory Nagy. Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions.See omnystudio.com/listener for privacy information.

We have more of Euripides' work than either of the other tragedians combined and yet the details of his life, him as a real person composing real art, are frustratingly lacking. And when they're not lacking, they're often just slander or wild misunderstandings of history. Today we begin looking at the life and times of Euripides, the first BEST playwright. CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing. Sources: Brill's Companion to Euripides "Life of Euripides", William Blake Tyrell; Euripides' Bacchae, translated by TA Buckley; Euripides' Phoenissae, translated by EP Coleridge; Euripides' Alcestis, translated by David Kovacs; Euripides' Trojan Women, translated by EP Coleridge. Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions.  See omnystudio.com/listener for privacy information.

Today the Pugs discuss a fascinating article by Jacob Howland that was published in the always interesting online journal, "Unherd." The article reflects on the sad story of Timothy Treadwell documented by film maker Werner Herzog in his 2005 documentary, Grizzly Man. But that's just the occasion for reflecting on the even sadder story of the crisis of the west--a crisis with an ending prophesied in Euripides ancient tragedy, Bacchae. Tune in and learn why things might get even weirder in the days ahead, and why we can know what's coming. Article: https://unherd.com/2024/07/the-grizzly-truth-about-the-west/ Support the Pugcast on Patreon: https://www.patreon.com/thetheologypugcast?fbclid=IwAR17UHhfzjphO52C_kkZfursA_C784t0ldFix0wyB4fd-YOJpmOQ3dyqGf8 The Theology Pugcast is a ministry of Trinity Reformed Church in Huntsville Alabama. To view more media from TRC, visit their website: https://trinityreformedkirk.com/trc-media/

Today the Pugs discuss a fascinating article by Jacob Howland that was published in the always interesting online journal, "Unherd." The article reflects on the sad story of Timothy Treadwell documented by film maker Werner Herzog in his 2005 documentary, Grizzly Man. But that's just the occasion for reflecting on the even sadder story of the crisis of the west--a crisis with an ending prophesied in Euripides ancient tragedy, Bacchae. Tune in and learn why things might get even weirder in the days ahead, and why we can know what's coming. Article: https://unherd.com/2024/07/the-grizzly-truth-about-the-west/ Support the Pugcast on Patreon: https://www.patreon.com/thetheologypugcast?fbclid=IwAR17UHhfzjphO52C_kkZfursA_C784t0ldFix0wyB4fd-YOJpmOQ3dyqGf8 The Theology Pugcast is a ministry of Trinity Reformed Church in Huntsville Alabama. To view more media from TRC, visit their website: https://trinityreformedkirk.com/trc-media/

Today the Pugs discuss a fascinating article by Jacob Howland that was published in the always interesting online journal, "Unherd." The article reflects on the sad story of Timothy Treadwell documented by film maker Werner Herzog in his 2005 documentary, Grizzly Man. But that's just the occasion for reflecting on the even sadder story of the crisis of the west--a crisis with an ending prophesied in Euripides ancient tragedy, Bacchae. Tune in and learn why things might get even weirder in the days ahead, and why we can know what's coming. Article: https://unherd.com/2024/07/the-grizzly-truth-about-the-west/ Support the Pugcast on Patreon: https://www.patreon.com/thetheologypugcast?fbclid=IwAR17UHhfzjphO52C_kkZfursA_C784t0ldFix0wyB4fd-YOJpmOQ3dyqGf8 The Theology Pugcast is a ministry of Trinity Reformed Church in Huntsville Alabama. To view more media from TRC, visit their website: https://trinityreformedkirk.com/trc-media/

Today the Pugs discuss a fascinating article by Jacob Howland that was published in the always interesting online journal, "Unherd." The article reflects on the sad story of Timothy Treadwell documented by film maker Werner Herzog in his 2005 documentary, Grizzly Man. But that's just the occasion for reflecting on the even sadder story of the crisis of the west--a crisis with an ending prophesied in Euripides ancient tragedy, Bacchae. Tune in and learn why things might get even weirder in the days ahead, and why we can know what's coming. Article: https://unherd.com/2024/07/the-grizzly-truth-about-the-west/ Support the Pugcast on Patreon: https://www.patreon.com/thetheologypugcast?fbclid=IwAR17UHhfzjphO52C_kkZfursA_C784t0ldFix0wyB4fd-YOJpmOQ3dyqGf8 The Theology Pugcast is a ministry of Trinity Reformed Church in Huntsville Alabama. To view more media from TRC, visit their website: https://trinityreformedkirk.com/trc-media/

Will and Anurag discuss new releases by Bacchae, King Hannah, and Goat Girl, plus a live report and bonus songs.

Part two of diving into the myth of Dionysus and Pentheus... Recounted in the vain of The Bacchae. Some controversial topics presented here. Remember to always be human to me and one another. Thank you My links: My Ko-fi: https://ko-fi.com/rhetoricrevolution Send me a voice message!: https://podcasters.spotify.com/pod/show/liam-connerly TikTok: ⁠https://www.tiktok.com/@mrconnerly?is_from_webapp=1&sender_device=pc⁠ Email: ⁠rhetoricrevolution@gmail.com⁠ Instagram: https://www.instagram.com/connerlyliam/ Podcast | Latin in Layman's - A Rhetoric Revolution https://open.spotify.com/show/0EjiYFx1K4lwfykjf5jApM?si=b871da6367d74d92

This is part one of three discussing The Bacchae and the myth of Dionysus and Pentheus. Part one deals with uniqueness, the other, the uncanny valley, and anything relating to the foreign and alien. Part two will be gender and part three will be power and rulership. My links: My patreon: ⁠https://www.patreon.com/user?u=103280827 My Ko-fi: https://ko-fi.com/rhetoricrevolution Send me a voice message!: https://podcasters.spotify.com/pod/show/liam-connerly TikTok: ⁠https://www.tiktok.com/@mrconnerly?is_from_webapp=1&sender_device=pc⁠ Email: ⁠rhetoricrevolution@gmail.com⁠ Instagram: https://www.instagram.com/connerlyliam/ Podcast | Latin in Layman's - A Rhetoric Revolution https://open.spotify.com/show/0EjiYFx1K4lwfykjf5jApM?si=b871da6367d74d92

DUA LIPA - HoudiniMÅNESKIN - Off My FacePEARL JAM - Dark MatterOLIVIA DEAN - TimeBEABADOOBEE - Even SeenBACCHAE - Dead ManLE TIGRE - DeceptaconNORMANI - Take My TimeJESSIE WARE & ROMY - Lift You UpRAYDEN & SANDRA DELAPORTE - Nacimos TardeIMAGINE DRAGONS - Wake UpGUN - Word UpNEVERTEL - SYMVIVA SUECIA - Alegría De VivirDORIAN ft SANTIAGO MOTORIZADO - El SurHERMANA FURIA - TurboVUNDABAR - I Got CrackedEscuchar audio

Today, I'm thrilled to announce my episode with Broadway star Elena Shaddow. Elena will be appearing in my next concert at 54 Below, Backstage Babble Celebrates Joe Allen Restaurant, singing from 1600 Pennsylvania Avenue, along with a fantastic lineup including Tony nominees Anita Gillette, Michael Korie, Amanda Green, and Willy Falk, plus Jim Walton, Robert Creighton, Heather MacRae, and more. The link to in-person and livestream tickets is here: https://54below.org/events/backstage-babble-celebrates-joe-allen-restaurant/ Tune in today to hear some of the stories of her legendary career, including why she smoked a cigarette in NINE, the difficulty of performing in DAYS OF WINE AND ROSES every night, the insight she got from Chita Rivera, working with Joanne Akalaitis on THE BACCHAE, getting close to the title role in MARY POPPINS, Trevor Nunn's specific way of working, working with Audra McDonald on TV, how she decided to stop understudying, telling Harvey Fierstein she was pregnant, the joys of starring in FANNY, going on at the last minute in NINE, the freeing nature of finding her own technique, and so much more. You won't want to miss this episode.

An episode from 3/3/24: Tonight, I read from a handful of what I call “visionary” poems. After an introductory section of familiar nineteenth- and twentieth-century poets, I go back to the sources of those, which are found in religious scripture and myth: W. B. Yeats: “The Second Coming” T. S. Eliot: sections from The Waste Land and “East Coker” Walt Whitman: the first section of “Crossing Brooklyn Ferry” William Wordsworth: from the thirteenth book of The Prelude William Blake: from his long poem Milton The first chapter of Ezekiel (from the JPS audio Tanakh) A speech from Euripides's Bacchae, tr. William Arrowsmith Part of the eleventh book of the Bhagavad-Gita, tr. by Amit Majmudar in his Godsong I close the episode with a reading that will not surprise long-time listeners. You can support Human Voices Wake Us here, or by ordering any of my books: Notes from the Grid, To the House of the Sun, The Lonely Young & the Lonely Old, and Bone Antler Stone. I've also edited a handful of books in the S4N Pocket Poems series. Email me at humanvoiceswakeus1@gmail.com. --- Send in a voice message: https://podcasters.spotify.com/pod/show/humanvoiceswakeus/message Support this podcast: https://podcasters.spotify.com/pod/show/humanvoiceswakeus/support

lecture 2 on the Bacchae

It's the annual etymology quizlusionist! I'm on a family holiday for the first time since 1988, so enlisted my brother Andy Zaltzman of the Bugle podcast to test his/your wits on singing goats, explosives, mythological Greek sweeteners, attics, left-handedness and whales. Can you beat Andy's score? Play along using the interactive scoresheet at theallusionist.org/andyquiz. Become a member of the Allusioverse at theallusionist.org/donate and as well as keeping this independent podcast going, you get regular livestreams and watchalong parties - AND to hang out with your fellow Allusionauts in our delightful Discord community. Plus, if you sign up by 31 August 2023, I will record the words and phrases of your choice for you to use as your phone text tone or alarm or doorbell or little message of affirmation. Our ad partner is Multitude. If you want me to talk lovingly and winningly about your product or thing, sponsor an episode: contact Multitude at multitude.productions/ads. This episode is sponsored by: • Blueland, refillable home cleaning products eliminating single-use plastics. Get 15% off your first order by going to blueland.com/allusionist.• Ravensburger, who have been making jigsaw puzzles since 1883! Try their vast range of puzzles from 2 pieces to 40,000.• Bombas, whose mission is to make the comfiest clothes ever, and match every item sold with an equal item donated. Go to bombas.com/allusionist to get 20% off your first purchase. • Squarespace, your one-stop shop for building and running your online empire. Go to squarespace.com/allusionist for a free 2-week trial, and get 10 percent off your first purchase of a website or domain with the code allusionist. • Kitsch, who make products to care for your hair and skin - shampoo and conditioner bars, soaps, sleep masks, heatless rollers, satin hoodies and bonnets and pillowcases... Get a whopping 30% off your entire order at MyKitsch.com/allusionist.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

got the hairs cut and it looks fine.DOWNLOAD/STREAM RECORDING00:00 (intro by omar)00:20 FORM “FACE THE GRAIN” ISSUE #202:22 Iceblink “Dialoghi” Carpet Cocoon05:33 Addy “Planted” Eclipse09:46 Bacchae “Hammer” Pleasure Vision12:46 Vanity “Anticlimax” Anticlimax16:35 Lake Ruth “Sad Song” Crying Everyone Else’s Tears20:00 Sharif Ali “Higher Lows” Higher Lows23:21 Celia Hollander “Vacant & Encouraging, My Trophy Houseplant” Recent Futures27:11 Bats “crazy joe” There’s a river up high30:50 flout “Sig Samuel” hemlock33:56 Palm Sunday “Proud” Wishful Thinking37:48 jordaan mason “measuring an earthquake” earth to ursa minor EP41:34 Jacob Sachs-Mishalanie “flintstone chime” flintstone chime bottle voice44:15 Shane Parish “Moscow Death” Bell Knellin’ (a collection of fire songs)48:02 CONDITIONER “MY WAY BACK 2 U” LOW POINT50:02 Shell of a Shell “My Wildfire” Away Team52:39 Varsity Cheerleader “Free Throw” Varsity Cheerleader55:41 Fox Academy “my fun (feat. skirts)” ANGEL HAIR58:37 Chris Weisman “elephant in the room” Maya Properties60:41 April Magazine “pink hair” Tape for Japan

Spinning Out (another music podcast) We talk to artists about their favorite albums and go on wild tangents. This is a podcast where we talk to guests about their favorite albums. A few weeks ago we talked with Rena Hagins of the band Bacchae. We talked about No Doubt's 1995 album, "Tragic Kingdom." We also talked about how things age in hindsight, bringing fun back and the celebrity of Gwen Stefani.  Check out the newest Bacchae album, Pleasure Vision, but also check out their song "Older I Get" on the new Hulu movie Door Mouse, streaming now! Also catch Bacchae at Reunion Summer, a benefit to support St. Stephen's Church in DC on July 28th and 28th.  https://www.reunionsummer.com/ https://bacchae.bandcamp.com/album/pleasure-vision Subscribe to our Patreon here: www.patreon.com/spinningoutpod Follow us on social media -- twitter and instagram (@Spinningoutpod)

This week, the guys are joined by David's colleague and friend, Spencer Klavan. Together, the group discuss the overarchiing themes, influence, and historical context of Euripides' The Bacchae. Plus: an analysis of uniquely feminine power. 

We're back on our theatre grind, this time with a play about debauchery, tragedy, and our boy Dionysus: The Bacchae! It's a play about plays! What's not to love?   Content Warning: This episode contains conversations about or mentions of death, dismemberment, immolation, pregnancy, injury, concussion, violence, imprisonment, and animal death.    Housekeeping - Recommendation: This week, Julia recommends The Secrets of Hartwood Hall by Katie Lumsden.  - Books: Check out our previous book recommendations, guests' books, and more at spiritspodcast.com/books - Call to Action: Sign up or gift a spot in Multitude's classes today!    Sponsors - Calm is the #1 app to help you reduce your anxiety and stress and help you sleep better. Get 40% off a Calm Premium subscription at calm.com/spirits.  - Blueland creates everyday eco-friendly cleaning productions that save you money and space, without any plastic waste. Get 20% off your first order when you go to blueland.com/spirits.  - BetterHelp is an online therapy service. Get 10% off your first month at betterhelp.com/spirits   Find Us Online If you like Spirits, help us grow by spreading the word! Follow us @SpiritsPodcast on Twitter, Facebook, Instagram, and Goodreads. You can support us on Patreon (http://patreon.com/spiritspodcast) to unlock bonus Your Urban Legends episodes, director's commentaries, custom recipe cards, and so much more. We also have lists of our book recommendations and previous guests' books at http://spiritspodcast.com/books. Transcripts are available at http://spiritspodcast.com/episodes. To buy merch, hear us on other podcasts, contact us, find our mailing address, or download our press kit, head on over to http://spiritspodcast.com.   About Us Spirits was created by Julia Schifini, Amanda McLoughlin and Eric Schneider. We are founding members of Multitude, an independent podcast collective and production studio. Our music is "Danger Storm" by Kevin MacLeod (http://incompetech.com), licensed under Creative Commons: By Attribution 3.0.

Melvyn Bragg and guests discuss Euripides' great tragedy, which was first performed in Athens in 405 BC when the Athenians were on the point of defeat and humiliation in a long war with Sparta. The action seen or described on stage was brutal: Pentheus, king of Thebes, is torn into pieces by his mother in a Bacchic frenzy and his grandparents condemned to crawl away as snakes. All this happened because Pentheus had denied the divinity of his cousin Dionysus, known to the audience as god of wine, theatre, fertility and religious ecstasy. The image above is a detail of a Red-Figure Cup showing the death of Pentheus (exterior) and a Maenad (interior), painted c. 480 BC by the Douris painter. This object can be found at the Kimbell Art Museum in Fort Worth, Texas. With Edith Hall Professor of Classics at King's College London Emily Wilson Professor of Classical Studies at the University of Pennsylvania And Rosie Wyles Lecturer in Classical History and Literature at the University of Kent Producer: Simon Tillotson

A re-airing of Liv's 2019 episodes covering Euripides' Bacchae, one of his most gruesome and brilliant plays... Don't anger a god like Dionysus, even if he's your cousin.CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing.Sources: Bacchae, translated by Emily Wilson from The Greek Plays new translations edited by Mary Lefkowitz and James Romm, Bacchae and Other Plays translated by James Morwood, and Bakkhai translated by Anne Carson.Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions. See acast.com/privacy for privacy and opt-out information.