Podcast appearances and mentions of mark jenkin

In late March 2025 we screened Oliver Stone's 1991 epic myth of 1960s America, The Doors, at Newlyn Filmhouse at the invitation of regular Cinematologist, filmmaker Mark Jenkin. The conversation following the screening covered Jim Morrison and the band, 1960s America, Vietnam, film form and the longstanding influence of the film on Mark's work, up to and including his new film, Rose of Nevada, due for release later this year.  A few days after the screening news came of Val Kilmer's death and that prompted a rejigging of the release schedule for the podcast, so that Neil and Dario could talk in person about the film and Kilmer as an actor, on Neil's planned trip to London to do some taping.  The result of that visit, and the live screening, can be found in this episode. It's part examination and celebration of Stone's under-discussed film and part celebration and analysis of Kilmer's work as Morrison and across his varied career. Neil and Dario talk about the actor's individual style and approach and legacy, while also using Dario's recent viewing of the documentary Val (2021) as a guide for understanding Kilmer's work in The Doors. If one of the aims of the screening for the podcast was to get more people engaged with Stone's work and Kilmer's performance, the latter's death means that is sadly more likely now and we hope this discussion adds to that ongoing conversation.  Thanks to Mark for his commitment to and excitement in doing these screenings, as well as his generosity of thought and collaboration. As well, thanks to Newyln Filmhouse (Kernow) and the Garden Cinema (Covent Garden) for support at either end of the process to make this episode a reality. ——— Visit our Patreon at www.patreon.com/cinematologists ——— You can listen to The Cinematologists for free, wherever you listen to podcasts: click here to follow. We really appreciate any reviews you might write (please send us what you have written and we'll mention it) and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show. ——— Music Credits: ‘Theme from The Cinematologists' Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing.

In this engaging episode of Conversations in the Champagne Room, host Charrisse Jackson-Jordan welcomes celebrity trainer Mark Jenkins. They discuss a variety of topics, including Mark's journey from a challenging childhood to a successful career training celebrities, his experiences living in the Netherlands, and the importance of resilience and personal growth. The conversation also touches on relationships, misconceptions about men, body image, and the impact of cosmetic procedures. Mark shares insights on healing, wellness retreats, and the transformative experiences he aims to provide for his clients. The episode concludes with a light-hearted discussion about future plans and the importance of self-care.

Kirsty and Dan discuss Enys Men, director Mark Jenkin's unique sort-of-folk horror/art film hybrid set on a lonely Cornish island.  Beware, there are some plot developments given, although this very much open-to-interpretation film is fairly spoiler-proof. (Apologies, by the way, that the last episode was delayed by a day.  We've made sure this one's come out on time!)   Works Cited   Enys Men (Film Four, UK 2022, director: Mark Jenkin) - The trailer is largely dialogue-free so we didn't include it in the podcast, but you can see it here M3gan (Blumhouse Pictures, US 2022, director: Gerard Johnstone) - our episode about androids in horror     Artwork by Kirsty Worrow (Instagram: OneCrowLeft).  Music by Greg Hulme.   To hear our next episode right now please go to our Patreon page and become a supporter Socials: BlueSky Mastodon Twitter Instagram (also on Threads) Facebook All clips are used in the spirit of Fair Dealing (Commonwealth law) and Fair Use (US law) for the purposes of criticism and education.  No copyright infringement intended. Visit our website, andnowpodcast.com  

This week's episode of Kermode On Film takes us to Christmas 2022, and a special milestone —the 75th MK3D show, recorded live at the BFI Southbank on Monday 5 December 2022You can hear the first half of that MK3D show on this podcast.Mark welcomes a great lineup of guests, starting with director Hassan Nazer, who talks about his award-winning, aptly named film Winners. Hassan also shares stories of his Iranian heritage, the films that influenced him, and his journey to becoming a filmmaker in the UK.Next, Mark talks to Mark Jenkin and Mary Woodvine about their Cornish folk horror Enys Men, and about the BFI season that Mark Jenkin curated: “The Cinematic DNA of Enys Men”.And finally, Mark is joined by Oscar-winning director Edward Berger, to discuss his powerful remake of All Quiet on the Western Front. Edward talks about what drew him to retelling this classic, about his connection to the original novel, and the challenges of depicting visceral scenes on screen.In next week's episode, you'll hear the next half of the show, featuring screenwriter Tony Kushner, who talks about his collaboration with Steven Spielberg on The Fabelmans, and Aimee Lou Wood and Stephen Woolley who talk about Living, the remake of Akira Kurosawa's Ikiru.If you've enjoyed this podcast, remember to like, subscribe, and tell your friends.And if you want to experience MK3D live, head over to the BFI website for tickets to our next show.———————The opening title sequence of Kermode on Film uses quotes from:- Mary Poppins, directed by Robert Stevenson and distributed by Walt Disney Motion Pictures – quote featuring Julie Andrews.-Nope, written, directed and produced by Jordan Peele, and distributed by Universal Studios – quote featuring Keke Palmer.-Withnail & I, written and directed by Bruce Robinson, and distributed by HandMade Films – quote featuring Richard E Grant.-The Exorcist, written by William Peter Blatty and directed by William Friedkin, distributed by Warner Brothers – quote featuring Ellen Burstyn and Linda Blair.We love these films. We urge you to seek them out, and watch them, again and again. They are masterpieces!———————Kermode on Film is an HLA Agency production.This episode was edited by Alex Archbold Jones.© HLA AgencyHosted on Acast. See acast.com/privacy for more information.#MarkKermode #KermodeonFilm #MK3D #BFI #MarkJenkin #MaryWoodvine #EnysMen #HassanNazer #Winners #EdwardBerger #AllQuietOnTheWesternFront #AbbasKiarostami #AndWhereIsTheFriendsHouse #MajidMajidi #ChildrenOfHeaven #LawrenceGordonClark #Stigma #BBCGhostStories #NottingHill #JuliaRoberts Hosted on Acast. See acast.com/privacy for more information.

High Theory returns with a series of haunting concepts, places, and figures from our former guests. We asked folks to call in with something spookworthy (neologism!) from their fields – real or imagined specters, scary ideas, anything that could haunt, disorient, unsettle, horrify. And we got a full seance worth of ghosts. Listen if you dare! This episode features (in order of appearance) Abhishek Avtans on the Churail. He kindly gave us a transcript (we hope to have more transcripts soon!). You can hear more from Abhishek in his episode on Apabhraṃśa. Angelina Eimannsberger on the Reader. You can hear more from Angelina in her episode on JVN. Travis Chi Wing Lau on Mad Studies. You can hear more from Travis in his episode on Experimental Life. Mackenzie Cooley on the Scientific Revolution. You can hear more from Mackenzie in her episode on the Animal. Farah Bakaari on the Nation State. You can hear more from Farah in her episode on the Trace. Emma Heany on Communism and Empire. You can hear more from Emma in her episode on Sexual Difference. Sheila Liming on Nowhere and Forever. Sheila reads an excerpt from her article in progress on the contemporary gothic, under the working title, "Out of Time: Anti-Immediacy in Mark Jenkin's Enys Men.” You can hear more from Sheila in her episode on the Party. Sritama Chatterjee on Nature and Wilderness. You can hear more from Sritama in her episode on Off-Shore Aesthetics. John Linstrom on Liberty Hyde Bailey's Haunted Houses. You can hear more from John in his episodes on Nature Study and Ecosphere. The image for this episode features creepy red creatures on a dark green field. It was made by Saronik Bosu. Boo! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

High Theory returns with a series of haunting concepts, places, and figures from our former guests. We asked folks to call in with something spookworthy (neologism!) from their fields – real or imagined specters, scary ideas, anything that could haunt, disorient, unsettle, horrify. And we got a full seance worth of ghosts. Listen if you dare! This episode features (in order of appearance) Abhishek Avtans on the Churail. He kindly gave us a transcript (we hope to have more transcripts soon!). You can hear more from Abhishek in his episode on Apabhraṃśa. Angelina Eimannsberger on the Reader. You can hear more from Angelina in her episode on JVN. Travis Chi Wing Lau on Mad Studies. You can hear more from Travis in his episode on Experimental Life. Mackenzie Cooley on the Scientific Revolution. You can hear more from Mackenzie in her episode on the Animal. Farah Bakaari on the Nation State. You can hear more from Farah in her episode on the Trace. Emma Heany on Communism and Empire. You can hear more from Emma in her episode on Sexual Difference. Sheila Liming on Nowhere and Forever. Sheila reads an excerpt from her article in progress on the contemporary gothic, under the working title, "Out of Time: Anti-Immediacy in Mark Jenkin's Enys Men.” You can hear more from Sheila in her episode on the Party. Sritama Chatterjee on Nature and Wilderness. You can hear more from Sritama in her episode on Off-Shore Aesthetics. John Linstrom on Liberty Hyde Bailey's Haunted Houses. You can hear more from John in his episodes on Nature Study and Ecosphere. The image for this episode features creepy red creatures on a dark green field. It was made by Saronik Bosu. Boo! Learn more about your ad choices. Visit megaphone.fm/adchoices

High Theory returns with a series of haunting concepts, places, and figures from our former guests. We asked folks to call in with something spookworthy (neologism!) from their fields – real or imagined specters, scary ideas, anything that could haunt, disorient, unsettle, horrify. And we got a full seance worth of ghosts. Listen if you dare! This episode features (in order of appearance) Abhishek Avtans on the Churail. He kindly gave us a transcript (we hope to have more transcripts soon!). You can hear more from Abhishek in his episode on Apabhraṃśa. Angelina Eimannsberger on the Reader. You can hear more from Angelina in her episode on JVN. Travis Chi Wing Lau on Mad Studies. You can hear more from Travis in his episode on Experimental Life. Mackenzie Cooley on the Scientific Revolution. You can hear more from Mackenzie in her episode on the Animal. Farah Bakaari on the Nation State. You can hear more from Farah in her episode on the Trace. Emma Heany on Communism and Empire. You can hear more from Emma in her episode on Sexual Difference. Sheila Liming on Nowhere and Forever. Sheila reads an excerpt from her article in progress on the contemporary gothic, under the working title, "Out of Time: Anti-Immediacy in Mark Jenkin's Enys Men.” You can hear more from Sheila in her episode on the Party. Sritama Chatterjee on Nature and Wilderness. You can hear more from Sritama in her episode on Off-Shore Aesthetics. John Linstrom on Liberty Hyde Bailey's Haunted Houses. You can hear more from John in his episodes on Nature Study and Ecosphere. The image for this episode features creepy red creatures on a dark green field. It was made by Saronik Bosu. Boo! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

High Theory returns with a series of haunting concepts, places, and figures from our former guests. We asked folks to call in with something spookworthy (neologism!) from their fields – real or imagined specters, scary ideas, anything that could haunt, disorient, unsettle, horrify. And we got a full seance worth of ghosts. Listen if you dare! This episode features (in order of appearance) Abhishek Avtans on the Churail. He kindly gave us a transcript (we hope to have more transcripts soon!). You can hear more from Abhishek in his episode on Apabhraṃśa. Angelina Eimannsberger on the Reader. You can hear more from Angelina in her episode on JVN. Travis Chi Wing Lau on Mad Studies. You can hear more from Travis in his episode on Experimental Life. Mackenzie Cooley on the Scientific Revolution. You can hear more from Mackenzie in her episode on the Animal. Farah Bakaari on the Nation State. You can hear more from Farah in her episode on the Trace. Emma Heany on Communism and Empire. You can hear more from Emma in her episode on Sexual Difference. Sheila Liming on Nowhere and Forever. Sheila reads an excerpt from her article in progress on the contemporary gothic, under the working title, "Out of Time: Anti-Immediacy in Mark Jenkin's Enys Men.” You can hear more from Sheila in her episode on the Party. Sritama Chatterjee on Nature and Wilderness. You can hear more from Sritama in her episode on Off-Shore Aesthetics. John Linstrom on Liberty Hyde Bailey's Haunted Houses. You can hear more from John in his episodes on Nature Study and Ecosphere. The image for this episode features creepy red creatures on a dark green field. It was made by Saronik Bosu. Boo! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

The latest episode was the brainchild of longtime Cinematologist Mark Jenkin (Bait/Enys Men) who wanted to screen one of his favourite films, John Milius's Big Wednesday (1978) at his local cinema, the gorgeous Newlyn Filmhouse, in South West Cornwall.  Over a languorous chat before the screening, and over some wonderful chips, Neil and Mark talk about the film and its director, surfing and Mark's upbringing in North Cornwall, the podcast, film programming, filmmaking and all sorts. During the conversation, the lovely staff from the Filmhouse pop in and out making sure the hosts are ok. After this the episode moves into the screen, where Neil and Mark intro the film and are joined afterwards by a large portion of the sell-out crowd to reflect on the screening and the many complex and moving elements of the film, before Neil and Mark say goodnight on the steps of the cinema as staff close it for the day. Thank you to Mark for choosing the film and being so generous with his time, thoughts and energy at the event. Thanks to Kingsley for manning the roving mic and thanks to Alastair and staff at the Filmhouse for their support, hospitality, and chips.  — You can listen to The Cinematologists for free wherever you listen to podcasts: click here to follow. We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only £2. We really appreciate any reviews you might write (please send us what you have written and we'll mention it), and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show. — Music Credits: ‘Theme from The Cinematologists' Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing.

To coincide with the UK cinema release, Neil talks to director Rachel Lambert about Sometimes I Think About Dying, her third feature film. The conversation covers making a feature that had a successful life as a short film, the artistic and thematic legacies of COVID, the importance of location and place, the all-too-human desire to be seen and the terror that comes with that, the importance of Buster Keaton and the genius of Punch Drunk Love, among many other things in a deep and far-reaching conversation. Elsewhere, Neil talks about how much he misses Dario and recent encounters with cinema that represent the Pacific Northwest on screen.  To view the short film that is part of the conversation and the legacy of the film, you can see it here - https://vimeo.com/366086858 For tickets to the live episode taping at Newlyn Filmhouse on Monday 15th April, for a film selected and introduced by Mark Jenkin, click here - https://newlynfilmhouse.com/NewlynFilmhouse.dll/WhatsOn?f=1002162 — You can listen to The Cinematologists for free wherever you listen to podcasts: click here to follow. We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only £2. We really appreciate any reviews you might write (please send us what you have written and we'll mention it), and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show. — Music Credits: ‘Theme from The Cinematologists' Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing.  

Our last folk horror film of the month is the 2022 psychodrama ‘Enys Men', directed by Mark Jenkin.

Listen in this week as we laud our mediocre achievements, and to celebrate them what better way could there possibly be than chatting about the Top 5 Celebrations.  It may have taken four hundred episodes to do so but the Dads finally sat down together in the man cave to watch director Mark Jenkin's ENYS MEN (2022). A kind of twisted lovechild of David Attenborough and H.P. Lovecraft, the film is set in 1973 on an uninhabited island off the Cornish coast and follows a lone woman, played with haunting subtlety by Mary Woodvine, as she observes a rare flower in the shadow of an ancient stone monument. A study in solitude, where the most dialogue you'll get is the scribbling of ‘No change' in a ledger, which becomes increasingly ironic as everything on screen suggests otherwise, ENYS MEN is a film that both marvels at and fears the power of nature. It looks stunning of course, filmed on 16mm Kodak Film giving it an authentic feel of the era, almost lending a kind of found footage or documentary quality but also being dreamlike and cinematic, and the sound design helps to strengthen the sense of foreboding. That being said this is not going to be everybody's cup of tea, with the director's debut BAIT a far more traditional offering in terms of plotting and pacing than this more avant-garde follow-up.Theme tune aside, Sidey sees nothing of value in this week's kids tv choice as we look at classic children's drama GRANGE HILL. We look at the first episode which features wallpaper almost as mind-bending as this week's film was. Stuff I remember from Grange Hill which traumatised me: the kid who fell off the multi-storey car park, Zammo getting into a fight at the zoo and falling into the sea lion enclosure, Michael Sheard's terrifying Mr Bronson and of course,  Just Say No when Roland discovered Zammo slumped against a wall in the back room of an amusement arcade, surrounded by drug paraphernalia, his eyes fixed in a dead-eyed stare. Good stuff, We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com. Until next time, we remain... Bad Dads

In this final episode of 2023 (and season 18), we (Neil and Dario) ruminate on a year spent thinking cinematically and engaging with cinema in the unique way that has become the hallmark of The Cinematologists; thoughtful, personal, searching for meaning and meaningful experiences across the movie spectrum. We both share brief discussions of two films that stuck with us from different points of the year, Neil talking about Mark Jenkin's short A Dog Called Discord and Christine Molloy and Joe Lawlor's The Future Tense, while Dario ponders Patricio Guzman's My Imaginary Country and Samsara, directed by Lois Patiño. Then, we spend more time discussing three films each at greater length in what could be seen as their top 3 films of the year, if we were so inclined to frame them that way (and we go to great pains in the episode to make sure that they don't come across as ‘ranked'). Dario shares his thoughts on and fondness for Laura Poitras's All The Beauty and the Bloodshed, Celine Song's Past Lives and Todd Haynes's May December. While Neil decides to go deep on Cyril Schäublin's Unrest (which he shamefully claims is set in the 1920s when it's clearly late 19th Century!), Felix van Groeningen and Charlotte Vandermeersch's The Eight Mountains and Aki Kaurismäki's Fallen Leaves. ——— Thank you to all our guests this season and to our listeners, we thank you for your continued support of The Cinematologists, and hope you join us for season 19, which commences in February 2024. ——— You can listen to The Cinematologists for free, wherever you listen to podcasts: click here to follow. We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only £2. We really appreciate any reviews you might write (please send us what you have written and we'll mention it) and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show. _____ Music Credits: ‘Theme from The Cinematologists' Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing.  

A special program from this year's End of The Road Festival, with Bafta-award winning director and festival film curator, Mark Jenkin, academic and folk singer, Angeline Morrison - plus a little help choosing your new favourite band from Manchester design duo, Mikesian Studios.

The second part of a convo with Mark Jenkin, director of "Cornish Folk Horror" film Enys Men, on making Cornish films and music.

Boomer, Brandon, and Alli discuss Mark Jenkin's psychedelic, seaside folk horror Enys Men (2023) https://swampflix.com/ 00:00 Welcome 00:36 GalaxyCon Austin 2023 09:38 Missions: Impossible 1 - 4 (2000 - 2011) 17:15 Barbie (2023) 21:53 Triangle of Sadness (2022) 30:23 Turtles Forever (2009) 35:35 Oldboy (2003) 46:35 Enys Men (2023)

Mark Jenkin, director of Bafta winning fishing tale, Bait, on creating a live soundtrack to his "Cornish Folk Horror" Enys Men.

Ariel sits down with Mark Jenkin, the filmmaker behind the unusual Neon horror film, Enys Men, recently added to Hulu.Support the show

Wassan? It's a nautical themed episode for a movie that Sophie hasn't seen before, and it's the debut experimental drama from Mark Jenkin called Bait, set in a British coastal town in Cornwall and cited by Mark Kermode as 'a genuine modern masterpiece'.  Knowing that Sophie has a keen interest in old style photography and appreciation for the art, I edge my bets with having her give her thoughts on this film, and therefore find out if Kermode's statement rings true!  (Also, apparently there was a 2012 Australian shark movie that goes by the same name? - hence the brackets for the title)  ------------------------------------------------------- Don't forget to follow us on social media in the links below, and let us know your thoughts and recommendations for the future!   instagram.com/sp_filmviewers twitter.com/SP_Filmviewers  letterboxd.com/SP_Filmviewers Rating and reviewing the show is a great help too! Please feel free to do so with these helpful links below: Goodpods: https://goodpods.app.link/pkE7J2T6ykb Podchaser: https://www.podchaser.com/users/sp_filmviewers Apple Podcasts: https://podcasts.apple.com/gb/podcast/sp-filmviewers/id1485548644  Lastly, we now have a Patreon you can join, for as little as £1/$1.50. More details in the link below: https://patreon.com/spfilmviewers 

In which our intrepid trio are sent on a metaphysical journey by the hands of longtime supporter, listener, contributor, and friend, Neil Ramjee as we discuss this bewildering Mark Jenkin film. Please give Neil a follow on twitter @NeilRamjee and wherever else he may pop up on other social medias.  Yay/Nay (6:12) A Woman Under the Influence • Smoking Causes Coughing • Annihilation • One Piece • Beetlejuice • Sweet Smell of Success • Indiana Jones and the Dial of Destiny • Main Review (21:22) Outro/B-Roll (1:01:54) Email: firsttimewatchers@gmail.com Twitter: @1sttimewatchers Back Catalogue: firsttimewatchers.podbean.com Donate: Patreon.com/firsttimewatchers Buy stuff: zazzle.com/firsttimewatchers Member: largeassmovieblogs.com/

In this episode, we have a long chat about several disparate films. The Fort Worth Film Club recently screened Akira Kurosawa's "The Hidden Fortress" as part of the "Lucas Before Luke" series. We also talk about Paul Schrader's latest Bressonian film "Master Gardener," and Mark Jenkin's erroneously categorized "Enys Men." Stick around for recommendations.        Keep in touch and read more at whydoesthewilhelmscream.com on instagram @whydoesthewilhelmpod and twitter @whywilhelm Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation Artwork by @_mosla_

On an uninhabited island off the Cornish coast, a wildlife volunteer's daily listen to the world's most dangerous podcast turns into a metaphysical journey that forces her as well as the listener to question what is real and what is a nightmare. On Episode 570 of Trick or Treat Radio we are joined by regular guest co-host Arkham Josh to discuss the Cornish film Enys Men from director Mark Jenkin! We also tell our favorite Mel Brooks stories, we talk about our favorite films that begin with the letter ‘P', and we talk folk horror. So grab your 16mm clockwork camera, go through your daily routine over and over, and strap on for the world's most dangerous podcast!Stuff we talk about: Severn Summer Sale, Joe Spinell, Cornish language, folk horror, The Isle of Corny, RIP Julian Sands, Vibes, The Office, Ken Kwapis, Peter Falk, Made, Jon Favreau, PCU, Steve Vai, Crossroads, Porno Holocaust, comparing Julian Sands to Vin Diesel, The Killing Fields, Arachnaphobia, Happy Birthday Mel Brooks, Spaceballs, George Lucas, The Producers, 12 Angry Men, Blood In Blood Out, Golden Girls, Estelle Getty, Bea Arthur, Night of the Demons, Golden Palace, Cheech Marin, Threes a Crowd, David Lynch, Elephant Man, Eraserhead, Twin Peaks, Bill by Force, Outside the Cinema, Misfits of Horror, The Beef Barn, Roast Beef and Records, Pimp of Promotions on a Pole, Perrier, Enys Men, Mark Jenkin, Cornwall, filibuster, projecting films, having an appreciation of celluloid, 70s films, Alien Autopsy, Jonathan Frakes, Sprockets, Skinamarink, The Outwaters, Blueprint for Survival, Folk Horror, May Day, Mary Woodvine, A Field in England, Ben Wheatley, The Wicker Man, Alfred Hitchcock, Michael Bay, Groundhogs Day, friends giving spoilers, The Spoiler, Bomboleyo Hit the Floor, Animal Kingdom, Sheer Terror, I Spoiler, The Ghost Stories for Christmas, Donald Pleasance, I see lichen people, The Phantom Pooper, and a polite goodbye.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

  In one of the last interviews of Season 3, composer and director Mark Jenkin joins The Film Scorer podcast! First off, and something I forgot to mention in the intro, but I appreciate Mark persevering through some major audio issues - our interview went for nearly an hour, but a lot of the audio wasn't salvageable! Mark recently released his experimental folk horror film Enys Men (Cornish for Stone Island) earlier this year, as well as his corresponding score. As such, we primarily discuss the film, including Mark's score, how filmmaking and composing process, and much more. Along the way we touch on imposter syndrome and what constitutes a "musician", Mark's appreciation for good film criticism, and scores Mark's been digging lately (like Nick Cave and Warren Ellis's Wind River).   Enys Men is a tough watch, and likely won't be for everyone, as is the case for most unorthodox/non-traditional films, and the same can be said for Mark's score. It's a very droning, atmospheric piece that slowly pulls you into the nightmarish isolation of the film. Mark also chose a strange sonic palette, starting with recording a tiny, old Korg synth into a tape loop before adding elements like rocks, locally sourced scrap metal from Cornwall's post-industrial landscape, and Mark's voice sung into a mic with heavy reverb. I love it. You can find out more about Mark on his website. Enys Men is available for purchase, and may still be in some specialty theaters, and Mark's score, as well as his score for Bait, is available digitally on all major platforms.  

Last weekend we dreamed in celluloid, in three-strip technicolor and, crucially, on NITRATE. The BFI's new, hopefully regular, festival dedicated to cinema's technical heritage was a triumph - give or take an opening night. The boys sampled some exhilarating expanded cinema on 16mm by Malcolm Le Grice, some dicy nostalgism from Mark Jenkin, and of course Blood and Sand, Rouben Mamoulian's bullish nitrate delight. Join us for recollections of this sweaty and flickery weekend as we discuss the good, the bad and the flammable.

It's a new year, which means a new batch of great film music to listen to! To help you out, The Film Scorer covers some of the best and most notable film scores released from the last three months of the year, including scores like Enys Men by Mark Jenkin, Broker by Jung Jae-Il, L'envol by Gabriel Yared, and many more! Keep your eye on The Film Scorer website for reviews and articles covering some of these scores and see below for articles covering some of my favorite scores for the following months, including detailed writeups and lists. One note: I accidentally reference Chris Lord when I meant to say Chris Miller (of Lord and Miller).

Move to an island, they said. Enjoy the simple life, they said. Descend into a madness populated entirely by ghosts from Cornish history, they said. On this episode, we look at Mark Jenkin's masterful folk horror "Enys Men"Follow us on YouTube to join in our monthly livestreams.Weird, Together is hosted by Brennan Storr (The Ghost Story Guys Podcast, Transmissions From the Void, Book of the Dead) and Joseph Comeau (The Cardinal Rule, AZ Sports Underground).Our theme song is "Rest in Peace", from the album "Music From Big Beige" by The Revenants, licensed via Night Harvest Recordings.

In this episode, we have a conversation with the visionary filmmaker that is Mark Jenkin.Mark Kermode referred to his debut feature film, Bait (2019) as a "genuine modern masterpiece, which establishes Jenkin as one of the most arresting and intriguing British film-makers of his generation.”The film premiered at Berlinale, and won him the BAFTA Award for Outstanding Debut by a British Writer, Director or Producer.His unique style and methods make for strikingly powerful short films. Some of our favourites are David Bowie is Dead, Dear Marianne, and Hard Cracked the Wind (all available on BFI Player.) He's also made music videos for the likes of Thom Yorke's new project The Smile and Bicep. Mark's most recent film is Enys Men, a mind-bending Cornish folk horror set on an island off the Cornish coast. It is released on Blu-ray & DVD (Dual Format Edition) and on BFI Player on 8 May.We talk about a range of topics, including his process, his opinions on shorts, his history with them, and of course the brilliant Enys Men.This was truly a very special episode for us. We walked away from it with our minds blown, inspired and excited about the possibilities of filmmaking. Mark is an innovator, and one to keep a close eye on. He's also a lovely guy!A massive thank you to the great London Short Film Festival, who were instrumental in setting this conversation up. Please find the link to their website here:https://shortfilms.org.uk/You can find out more about Mark here:https://www.instagram.com/mark_jenkin/?hl=enhttps://markjenkin.co.uk/Mark's favourite short films:Jaunt- Dir. Andrew Kottinghttps://vimeo.com/55220005World Of Glory- Dir. Roy Andersonhttps://vimeo.com/2867971

It's psychotic to have almost typed "there's only four movies to cover this week," but that's an unfortunate side effect of being in the heart of multiple weeks where five to seven theatrical releases has become the norm. Now eleven months into "the experiment," the gang has long forgotten that the average human statistically reports only "rarely" walking into a movie theater, let alone more than once a week. For those curious: 18% reported "never," 41% "rarely," 33% "sometimes," and 8% "often in the most current Statista survey. ANYWAY, "Beau is Afraid" [00:01:18] is the most expensive movie A24 ever produced while also touting its most bloated in run time, clocking in at around three hours. This is cut down from a reported original run time of four hours. Was all the expense and considerable length worth the inherent gamble? Well, while the film is tanking mercilessly at the box office, at least one Movie Master was profoundly moved by the film, declaring it their film of the year so far, and yet another feels that, much like "Everything Everywhere All At Once," the laurels and true hype will be on about an 8-month delay... after it hits streaming and makes the casual rounds. "Evil Dead Rise" [00:42:00] is up next. You'd think the gang would be hyped, right? Find out if that was the case and, if so, if the results lived up to or perhaps surpassed expectations. Much like "Beau is Afraid," "Chevalier" [01:02:31] is absolute box office poison, coming in at eleventh its opening weekend and sinking like a rock (or even... The Rock at this point) to the very bottom at sixteenth the following week. In spite of strong "we don't want this at all" message being sent by the public, at least two Movie Masters are prepared to champion its merits while another firmly puts it in F-tier/kill-it-with-fire territory. "Enys Men" [01:21:33] was a solo mission one Movie Masters drive a little farther to take in. A very small, very niché film, it's yet another hard-to-categorize offering that almost lazily gets marketed as "horror," which is sure to deeply upset traditional fans of the genre. Set in 1973 and evoking heavy "The Wicker Man" vibes, does the follow-up to "Bait" keep the Mark Jenkin hype train rolling? And finally, this episode features another installment of the A.I.MBD game. Play along and see if you can tell the difference between actual movie plots and those scripted by artificial intelligence. As always: moviemasters760@gmail.com for all questions, concerns, comments, and movie recommendations. --- Support this podcast: https://podcasters.spotify.com/pod/show/rmmu/support

AJ Friar talks with director Mark Jenkin about his new film Enys Men which is due out this weekend, Mark tells us how the casting came about and how the story also came about. What he's looking forward to people seeing with Enys Men and what he has in store next. #EnysMen #FolkHorror #NewHorror #Folk #IndependentHorror #HorrorInterview #Podcast #MarkJenkin #InfamousHorrors #InfamousInterviews #NewInterview #Interview

Mark Kermode and Ellen E Jones take the scenic route through slow cinema - a genre of film that might challenge your attention span, but is almost guaranteed to change the way you watch. There is one particular film that's inspired this week's show, Chantal Akerman's 3-and-a-half hour, slow moving masterpiece from 1975 - Jeanne Dielman, 23 quai du Commerce, 1080, Brussels In December 2022, Jeanne Dielman topped Sight and Sound magazine's Greatest Film of All Time poll. That caused quite a fuss because, for the last few decades, the poll has been dominated by Citizen Kane and Vertigo. Ellen speaks with critic Wendy Ide and film academic Dr Tiago de Luca to get deeper into the genre of slow cinema and explore this sea change in critics' tastes. One reason for Jeanne Dielman's new found popularity is down to access. A film that was once almost impossible to see is now enjoying sell out runs in art house cinemas. In an extended interview, Mark talks with writer and filmmaker Adam Roberts who, along with director Joanna Hogg, has long been at the centre of the quest to take Chantal Akerman's filmography from the underground into the spotlight. They discuss Akerman's life, work and her unique creative vision. And in this week's Viewing Note, friend of the show and director of the Cornish folk horror Enys Men, Mark Jenkin, shares his slow cinema recommendations. Producer: Freya Hellier A Prospect Street production for BBC Radio 4

The new Cornish Folk Horror Enys Men, is a deliberate, unsettling film about an unnamed Volunteer on an uninhabited island whose existence seems routine, until it begins to spiral with fluctuations in time, encounters with phantoms, and strange lichens that start appearing everywhere. In this episode, director Mark Jenkin discusses the concept of Cornish Folk Horror, and the nature of time within the film — and why trying to make sense of it might “drive you mad.” Additionally, he discusses the films 1970s horror influences, including an unintentional homage to 1973's Don't Look Now. He also explains why this is one you have to see in theaters. _______________________________________________________________ Talking Strange Paranormal Podcast with Aaron Sagers is a weekly paranormal pop culture show featuring celebrity and author interviews, with a weekly "Small Talk" mini-sode with reader submitted letters and spooky tales. Sagers is a paranormal journalist and researcher who appears as host of 28 Days Haunted on Netflix, and on Paranormal Caught On Camera on Travel Channel/Discovery+, and Talking Strange is part of the Den of Geek Network. If you like Talking Strange, please subscribe, leave a nice review, and share with your friends. The Talking Strange Paranormal Podcast is available on Apple Podcasts, Spotify, YouTube, and wherever you check out spooky content. For more paranormal pop culture, head to Den of Geek, and follow @TalkStrangePod on Twitter. Email us with episode ideas, and guest suggestions, or for a chance to have your letter read on a future episode: TalkingStrange@DenOfGeek.com Follow Host Aaron Sagers: Twitter.com/aaronsagers Instagram.com/aaronsagers Facebook.com/AaronSagersPage tiktok.com/@aaronsagers Patreon.com/aaronsagers (For Q&As, livestreams, cocktail classes, and movie watches) Until Next Time: Be Kind. Stay Spooky. Keep It Weird. Learn more about your ad choices. Visit megaphone.fm/adchoices

Spoiler-Free reviews of Anthony DiBlasi's Last Shift update Malum and Mark Jenkin's new Folk Horror Psche-Freak Out Enys Men. Also - 1990 France's answer to Frank Henenlotter's Brain Damage: Let's talk Alain Robak's Baby's Blood!!!

Welcome to a special Magic Hour brought to you by The Letterboxd Show! Magic Hour is our video series that has lived primarily on YouTube and it features two filmmakers having a conversation with each other. In this special episode, Mark Jenkin (Enys Men) chats with Kyle Edward Ball (Skinamarink.) Enys Men follows a wildlife volunteer on an uninhabited island off the British coast that descends into a terrifying madness as she loses grip on reality. Skinamarink is the experimental horror that all your friends were watching that's now available on Shudder. As we prepare for the return of The Letterboxd Show and interviewing folks about their Four Favorites, we thought this might be a fun time to share an audio version of a conversation we really enjoyed with two very talented people. Links: Enys Men on Letterboxd Skinamarink on Letterboxd Credits: Magic Hour edited by @CultPopture With thanks to @neonrated

"Enys Men" had its world premiere at last year's Cannes Film Festival. It later went on to screen at other film festivals, including NYFF, and received a release from NEON this past weekend. An experimental horror film, its abstract visuals and lead performance from Mary Woodvine have garnered critical acclaim. Director and writer Mark Jenkin was kind enough to talk with us about his newest film, which you can listen to below. Thank you for listening, and enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture Learn more about your ad choices. Visit megaphone.fm/adchoices

Shot on 16mm, ENYS MEN is a mind-bending Cornish folk horror story set in 1973 that unfolds on an uninhabited island off the Cornish coast. A wildlife volunteer's (Mary Woodvine) daily observations of a rare flower take a dark turn into the strange and metaphysical, forcing both her and viewers to question what is real and what is nightmare. Evoking the feeling of discovering a reel of never-before-seen celluloid unspooling in a haunted movie palace, this provocative and masterful vision of horror puts Mark Jenkin into the conversation as one of the Britain's most exciting and singular filmmakers. ENYS MEN director, producer, writer and cinematographer Mark Jenkin (BAIT) joins us for a conversation on working with lead actor Mary Woodvine and how using his own lo-fi approach to filmmaking he was able to weave together a haunting sound design, discordant music, and a 1970's style cinematography combined with a stark location that gives ENYS MEN a vaguely familiar folk tale its tormenting power. For more go to: neonrated.com/enys-men

Something usually only available on our Patreon page, I'm making available for this very unique film by Mark Jenkin. Join our Patreon to gain access to over 40 different reviews plus early access to the podcast and of course...Much more

Cornish filmmaker Mark Jenkin joins the pod to talk about his new film Enys Men, now playing nationwide. We talk about the legacy of big, scary stones in British horror, working with a skeleton crew, hand-processing 16mm film, eco-friendly filmmaking, and creating soundtracks entirely in post. We also discuss his remarkable BAFTA-winning previous feature Bait, which returns to select theaters this weekend.Enys Men trailer - showtimes with Q&As at Film at Lincoln Center & Village EastBait trailer - showtimes with Q&As at Film at Lincoln Center & Village East Mark Jenkin's The Cinematic DNA of Enys Men season at BFISupport the showThe Screen Slate Podcast is supported by its Patreon members. Sign up and get access to bonus episodes, our lockdown-era streaming series archives, discounts from partners like Criterion and Posteritati, event invitations, and more.

This week on the Film at Lincoln Center podcast, we're featuring a Q&A from the 60th New York Film Festival with Enys Men director Mark Jenkin and lead Mary Woodvine, moderated by FLC Senior Director of Programming Florence Almozini. In 1973, on an uninhabited, windswept, rocky island off the coast of Cornwall in southwest England, an isolated middle-aged woman spends her days in enigmatic environmental study. When she's not tending to the moss-covered stone cottage in which she lodges, her central preoccupation is a cluster of wildflowers at a cliff's edge, the blossoms' subtle changes noted in a daily ledger. She's also increasingly haunted by her own nightmarish visitations, which seem both summoned from her own past and brought up from the very soil and ceremonial history of this mysterious place. Shot on enveloping, period-evocative 16mm, this eerie, texturally rich experience from Cornish filmmaker Mark Jenkin conjures works of classic British folk horror but remains its own strange being, a genuine transmission from a weird other world. Enys Men opens next Friday, March 31, with a filmmaker Q&A at 6pm, along with Jenkin's debut feature Bait, which also opens next Friday with a Q&A at 8:45pm. Don't miss Enys Men on 35mm—only during opening weekend and get tickets at filmlinc.org/enys

Brett (writer/director/editor) and Simon (producer) Harvey, are stalwarts of contemporary Cornish cinema and 2022 saw the release of their third feature film Long Way Back, which has just hit streaming platforms.  Supported by Falmouth University's Sound/Image Cinema Lab, which has also supported the work of Mark Jenkin and for which Neil is the research and strategy lead, Long Way Back marks a departure in style and ambition for the filmmaking brothers and their company o-region. Neil talks to them about their process and influences, the role of music in both those aspects, the Cornish film community and the challenges of the UK indie film landscape. From there, Neil and Dario discuss regional UK filmmaking, the role of film festivals, independent ambition and london-centricism as both a concept and reality.  Elsewhere, Neil recommends new Chilean cinema release The Cow Who Sang A Song Into The Future, directed by Francisca Alegria and featuring a favourite actor of the hosts, Pablo Larrain regular Alfredo Castro, which prompts a chat about eco-sophical cinema. You can listen to The Cinematologists for free, wherever you listen to podcasts: click here to follow. We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only £2. We really appreciate any reviews you might write (please send us what you have written and we'll mention it) and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show. _____ Music Credits: ‘Theme from The Cinematologists' Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing

Join your host Duncan Under The Stairs discussing all things Horror on The Podcast Under the Stairs. Duncan had the pleasure of chatting to Mark Jenkin director of the new folk horror movie Enys Men due to be released in selected theatres in the US on 31st March 2023. Our new RSS Feed: https://anchor.fm/s/13ba6ef0/podcast/rss Check out the show on Anchor, iTunes, TuneIn & on Stitcher Radio. Join our Discord Community. Please leave us feedback on iTunes, podcastunderthestairs@gmail.com and follow us on Facebook & Twitter.

BAFTA Award winning director Mark Jenkin joins us to talk about his unique approach to sound for his films. He shoots his films on a bolex camera, entirely without sound and only adds ADR (which he records himself) after the film is edited. He also writes and records the score himself. All of this to make utterly unique films that have found both an audience and critical acclaim in the UK and beyond. Show Notes & Pictures: https://tonebenderspodcast.com/216---mark-jenkin-director-of-bait-and-enys-men/ Podcast Homepage: https://tonebenderspodcast.com Tonebenders Hosts This Episode: Timothy Muirhead & Teresa Morrow

Den 46e upplagan av Göteborg Film Festival är till ända och det är dags för oss att summera festivalen och dess filmer. Framförallt snöade vi in oss på online-utbudet och där har vi sett allt från animerad dokumentär om armeniska folkmordet och österrikiskt anakronistiskt kostymdrama till chilenska häxor och isländsk road movie med en man och hans döda mor. Det genomgående temat på festivalen var trauma, abrupta slut och +++. Vi hann också se en festivalfilm på bio innan inspelningen, nämligen Enys Men. Mark Jenkin är tillbaka med en ny 16mm-film, denna gång är det experimentellt och kusligt på en brittisk ö. Majoriteten av Kinomatiskt gillade filmen men en minoritet älskade den. Efter att ha sett film från jordens alla hörn inspirerades Krille till att göra en lista över de fem bästa filmländerna sett till deras historiska och samtida filmutbud.

Cornish director Mark Jenkin is on the pod to discuss his analog film techniques, his new film ENYS MAN and working with The Smile on music videos.

On this episode we bring you a review double-header of films that are polar opposites from one another. Michael reviews 'Enys Men', the low-budget Cornish folk horror from Mark Jenkin, while Bill and Sam review the mega-blockbuster 'Avatar 2: The Way of Water' from James Cameron. We also chat about Bela Tarr's 1994 masterpiece of slow cinema 'Satantango', the new Darren Aronofsky film 'The Whale' which is heralding the comeback of Brendan Fraser, and Scott Cooper's new mystery/thriller 'The Pale Blue Eye' starring Christian Bale. Also, in our Make Believe Moviehouse segment, we chat with Gareth Humphreys and Josh Lawson, co-founders and directors of Dead Northern horror film festival.

On this weeks episode Giles Alderson chats with BAFTA and BIFA winning director Mark Jenkin about making his films and dive deep into shooting on film and his latest feature shot that way, Enys Men which is OUT NOW!One of the most exciting filmmakers working in the UK today. Mark has been showered with praise for his BAFTA-winning feature film 'BAIT'. A native son of Cornwall, Mark Jenkin is a British director, editor, screenwriter, cinematographer and producer.ENYS MEN is in cinemas now. The Cinematic DNA of ENYS MEN season [curated by director Mark Jenkin] runs at BFI Southbank until 31 January with selected films and Jenkin's shorts collection available on BFI Player now.ENYS MEN will be released on Blu-ray/DVD and BFI Player on 1 May. The ENYS MEN Original Score by Mark Jenkin is out now digitally via Invada Records and released on vinyl on 24 February.On the episode Giles and Mark talk about:-The success Bait-Why they brought on film4 to finance Enys Men-Why he shoot on film not digital -Inspiration & passion -Why most of edit decisions are made before the shoot or on set -And why simplicity on set is keyMark was previously on the filmmakers podcast recorded at Dirt in the Gate's LIVE screening and Q&A chat for the BAIT.You can listen to that here https://thefilmmakerspodcast.com/bait-how-to-make-a-bafta-nominated-indie-film-on-16mm-live-qa-with-director-cinematographer-writer-mark-jenkin/PATREONBig thank you to:Lee HutchingsMarli J MonroeKaren NewmanWant your name in the show notes or some great bonus material on film-making?Join our Patreon for bonus episodes, industry survival guides and feedback on your film projects! SUPPORT THE PODCASTCheck out our full episode archive at TheFilmmakersPodcast.com CREDITSThe Filmmakers Podcast is hosted, produced and written by Giles Alderson @gilesaldersonEdited by @tobiasveesSocial Media by Kalli Pasqualucci @kallieepMarketing Huw SiddleLogo and Banner Art by Lois Creative Theme Music by John J. HarveyHosted on Acast. See acast.com/privacy for more information.Hosted on Acast. See acast.com/privacy for more information. Hosted on Acast. See acast.com/privacy for more information.

For our first episode of 2023, Dario speaks to a great friend of the podcast Mark Jenkin about his new Cornish "folk horror", Enys Men. Starring Mary Woodvine as a volunteer isolated on a Cornish island seemingly with the task of observing and recording the local wildlife. This sets the stage for a disquieting, time-bending, psycho-ecological fable, forged through Jenkin's singular audio-visual sensibility.  In a wide-ranging conversation, Mark goes deep into the artistic process underpinning the film, thinks through questions the work throws up about loneliness, isolation, time and memory. The notion of genre is another topic of discussion, with the renaissance in cinematic folk horror. But Dario forward his thesis that Enys Men is a "last woman on Earth" sci-fi.       It's also great have Neil returning to the show after his hiatus. He reviews another potential entry to the international folk horror canon Yanuari (January). From Bulgarian director Andrey Paounov and co-written by former Cinematologists guest Alex Barrett. Shownotes ENYS MEN is in cinemas now.  The Cinematic DNA of ENYS MEN season [curated by director Mark Jenkin] runs at BFI Southbank until 31 January with selected films and Jenkin's shorts collection available on BFI Player now. ENYS MEN will be released on Blu-ray/DVD and BFI Player on 1 May. The ENYS MEN Original Score by Mark Jenkin is out now digitally via Invada Records and released on vinyl on 24 February. Documentary mention by Mark and Neil on Folk Horror is Woodlands Dark, Days Bewitched You can listen to The Cinematologists for free, wherever you listen to podcasts: click here to follow. We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only £2. We really appreciate any reviews you might write (please send us what you have written and we'll mention it) and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show. _____ Music Credits: ‘Theme from The Cinematologists' Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing

For our first episode of 2023, Amanda Rogers from Cinetopia was joined by Garry Arnot and Simon Bowie, and together they reviewed the following new release films: TAR, directed by Todd Field and starring Cate Blanchett; ENYS MEN, Mark Jenkin's latest feature film; SAINT OMER, documentary filmmaker, Alice Diop's first narrative feature, and Jerzy Skolimowski's EO. Amanda also interviewed Sean Lìonadh, director and writer of TOO ROUGH, a Scottish short film that has already won the Scottish BAFTA awards among many others in 2022. Check out Simon's new film review project reviewsperminute.simonxix.com and Garry's review blog as well, https://cinemaperspective.com/. a trailer of Sean Lìonadh's TOO ROUGH can be found here https://www.youtube.com/watch?v=k_Y8-pbBY9o

Hosted by Picturehouse's very own Sam Clements, The Love Of Cinema podcast is proudly supported by Kia. Sam is joined by writer and director Mark Jenkin (Bait) to discuss his new film, Enys Men, and his current UK cinema Q&A tour,  Enys Men is a mind-bending Cornish folk horror set in 1973 that unfolds on an uninhabited island off the Cornish coast. A wildlife volunteer's daily observations of a rare flower take a dark turn into the strange and metaphysical, forcing both her and viewers to question what is real and what is nightmare. Is the landscape not only alive, but sentient? If you'd like to send us a voice memo for use in a future episode, please email podcast@picturehouses.co.uk. Subscribe on Apple Podcasts. Follow us on Spotify. Find us on Twitter, Facebook and Instagram with @picturehouses. Find our latest cinema listings at picturehouses.com.  Produced by Stripped Media. Listen to more from Sam Clements over at the 90 Minutes Or Less Film Festival Podcast.  Thank you for listening. If you enjoy the show, please subscribe, rate, review and share with your friends. Vive le Cinema.

The film critic Clarisse Loughrey and literary editor Sam Leith join Tom Sutcliffe live in the studio to review the new HBO series The Last of Us, based on the critically acclaimed video game, and the film Enys Men, a Cornish folk horror by Mark Jenkin, the BAFTA winning director of BAIT. In the most recent in an occasional series of interviews about the artistic influence of mentors, the musician and composer Nitin Sawhney discusses his relationship with his mentor, the sitar virtuoso Ravi Shankar. Ahead of next week's announcement of the winner of the T.S. Eliot Prize for Poetry, Victoria Adukwei Bulley reads her poem The Ultra-Black Fish from her shortlisted collection Quiet. Presenter: Tom Sutcliffe Producer: Kirsty McQuire Picture: Pedro Pascal as Joel & Bella Ramsey as Ellie HBO / Warner Media© 2022 Home Box Office, Inc.

Lost and Sound is back after a seasonal break, and trying something new: Paul's first guest of the year is actually a film maker. Isn't this a music podcast? You might say, but Mark Jenkin's hands-on approach and unique style, particularly when it comes to sound design, make him, for a podcast that meets outliers, innovators and outsiders, a spot on guest.  Following on from his 2019 black and white Cornish-set Bait: a film nodody could have predicted would have become the hit it was, we spoke about his new offering, the 70s-set folk horror, Enys Men. It's hauntology on screen: eerie and dream-like. The soundtrack, composed by Jenkin, is stand-alone good - particularly if you're a fan of disintegrating drones and analogue loops that feel warped into some lost memory. Mark Jenkin's original score for Enys Men is out now digitally on Invada Records. The film is released in the UK on 13 Jan. This episode is sponsored by Audio-TechnicaPaul's debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. Lost and Sound title music by E.S.O

In this special bonus episode, I chat to director of BAIT and the upcoming ENYS MEN Mark Jenkin about his new movie and its relationship with British 70s folk horror.  Enys Men is in UK cinemas from 13th January. Check out Mark Jenkin's curated season of films at the BFI: The Cinematic DNA of Enys Men Music by Jack Whitney.  Visit our website www.evolutionofhorror.com  Keep an eye on all our UPCOMING EVENTS Buy tickets for our next upcoming EVOLUTION OF HORROR PRESENTS screening at the Genesis Cinema! www.evolutionofhorror.com/genesis You can now buy Evolution of Horror merch on our TeePublic store! www.evolutionofhorror.com/merchandise Subscribe and donate on PATREON for bonus monthly content and extra treats... www.patreon.com/evolutionofhorror  Email us!  Follow us on TWITTER Follow us on INSTAGRAM Like us on FACEBOOK Join the DISCUSSION GROUP Join the DISCORD Follow us on LETTERBOXD Mike Muncer is a producer, podcaster and film journalist and can be found on TWITTER

Ellen E Jones and Mark Kermode explore folk horror on screen. The genre is commonly associated with British film from the 70s, but Ellen and Mark investigate how it resonates across the globe and its resurgence over the last decade.. Ellen speaks to the author and director of the folk horror documentary, Woodlands Dark and Days Bewitched, Kier-La Janisse about the first folk horror films, the hallmarks of the genre and folk horror's depiction of pastoral and urban settings. Ellen then talks to director Nikyatu Jusu about her recent film Nanny which won the Grand Jury prize at Sundance last year. They discuss how she uses West African folklore in the film and why she thinks folk horror is culturally specific. Mark talks to director Mark Jenkin about his upcoming film, Enys Men. They consider the film's relationship to Cornish identity and the landscape as well as why he prefers to call Enys Men a folk film rather than a folk horror film. And the director of some modern takes on folk horror such as The Witch and The Northman, Robert Eggers, recommends a couple of underseen folk horror gems. Producer: Freya Hellier A Prospect Street production for BBC Radio 4

Screenwriter Stuart Wright welcomes back writer/director Mark Jenkin to talk about his second feature film ENYS MENShot on 16mm, ENYS MEN is a mind-bending Cornish folk horror set in 1973 that unfolds on an uninhabited island off the Cornish coast. A wildlife volunteer's daily observations of a rare flower take a dark turn into the strange and metaphysical, forcing both her and viewers to question what is real and what is nightmare.Preview screenings from 2 January 2023 & in cinemas across UK and Ireland from 13 January Details here https://www.enysmen.co.ukThe Cinematic DNA of Enys Men Season at the BFI, South Bank, curated by Mark Jenkin runs at BFI Southbank & on BFI Player from 1–31 January https://whatson.bfi.org.uk/Online/default.asp?BOparam::WScontent::loadArticle::permalink=markjenkin The ENYS MEN Original Score will be released via Invada Records on 2 January. https://www.invada.co.uk/collections/vinylYou can buy me a cup of coffee & support this independent podcast that I host and produce at https://app.redcircle.com/shows/ae030598-6b83-4001-8a29-5e5dd592ed26/sponsort Please consider leaving a five-star review wherever you get your podcasts if you enjoyed this. It really helps the Britflicks Podcast grow and others to discover it.CreditsIntro/Outro music is Rocking The Stew by Tokyo Dragons (www.instagram.com/slomaxster/)Podcast for www.britflicks.com. Written, produced and hosted by Stuart WrightSupport this podcast at — https://redcircle.com/britflicks-com-podcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

International focus is on Mary as she takes the lead in Mark Jenkin's highly anticipated follow-up to Bait – Enys Men. She's appeared in countless theatre productions across Cornwall and was a core member of Kneehigh Theatre in the 90s. And she's been seen on our small screens in everything from Eastenders to Poldark. Mary talks about the challenge of taking on the intense role, the responsibility of being a leading lady in her 50s, the nightmare of her first day on EastEnders and scooping the naughtiest line of the series in Poldark.  

When Mark Kermode, feminist ally of Girls On Film, and one of the UK's top film critics, expressed a wish to come on the Girls On Film podcast, Anna Smith asked listeners in an online poll which recent films they would like the two of them to discuss on the show. They discuss two recent films, beginning with a Don't Worry Darling review. **SPOILER ALERT** from 11:01 they move into spoiler territory, so skip to 18:36 if you'd like to avoid that. They then discuss The Woman King, as well as the winner of the Sight and Sound poll of the top 100 films of all time, Jeanne Dielman; why awards matter, the sense and nonsense of making lists of favourite films, and whether the film industry is making advances where gender parity is concerned. Mark Kermode is film critic for The Observer, co-presenter of BBC Radio 4's Screenshot alongside Ellen E Jones, host of his own film music programme on Scala Radio, and co-presenter of Kermode and Mayo's Take podcast. Don't Worry Darling is available on all the usual platforms in the UK. The Woman King will be available on digital January 30th and on DVD February 13th 2023. Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles is available to stream on BFI Player in The Sight and Sound Greatest Films of All Time collection on BFI Player – which now includes over 50 titles from the top 100 to rent or for subscribers. The full top 100 will also screen at BFI Southbank throughout January, February and March. Films mentioned in this episode are: Aftersun, Charlotte Wells, 2022 The Woman King, Gina Prince-Bythewood, 2022 Don't Worry Darling, Olivia Wilde, 2022 Blonde, Andrew Dominik, 2022 The Souvenir, Part II, Joanna Hogg, 2021 Stepford Wives, Bryan Forbes, 1975 Rosemary's Baby, Roman Polanski, 1968 Get Out, Jordan Peele, 2017 Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles, Chantal Akerman, 1975 Braveheart, Mel Gibson, 1975 Summer of Soul (...Or, When the Revolution Could Not Be Televised, Questlove, 2021 Woodstock, Michael Wadleigh, 1970 Amazing Grace, Alan Elliott, 2018 Heavy Load, Jerry Rothwell, 2008 Dig!, Ondi Timoner, 2004 Safe, Todd Haynes, 1995 Poison, Todd Haynes, 1991 Enys Men, Mark Jenkin, 2022 Citizen Kane, Orson Welles, 1941 Vertigo, Alfred Hitchcock, 1958 The Godfather, Francis Ford Coppola, 1972 Eraserhead, David Lynch, 1977 Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI's YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna Smith. Executive Producer: Hedda Archbold Audio Producer: Nic Wassell Intern: Eleanor Hardy House band: MX Tyrants This episode is in partnership with our principal partners, Vanessa Smith and Peter Brewer.

On this episode Mary Woodvine and Mark Jenkinlead, the actor and director of the new feature, ENYS MEN talk about the making of the film and their journey for the New York Film Festival 2022. Show theme by Christopher Gillard Hosted by Jason Godbey Created by Jason Godbey

This week, the boys complete their New Horizons derive; casting a wide net over the work of Cornish filmmaker Mark Jenkin. Between the devil and the deep blue sea, they set sail for Enys Men (his latest) before dipping their oars into Jenkin's preceding forays into hand-cranked celluloid (Bait and Bronco's House). Questions. What's eating contemporary British filmmaking, and how can we escape the leery lobster-pot of hauntological homages and atavistic hauntings? Derrida's spectres – Fisher's ghosts. They're knocking on the door and asking for a cup of sugar. Maybe it's time we told them to get lost.

In this episode, Neil records an audio diary from the 2022 International Festival de Cannes. He reflects on being part of the team presenting Mark Jenkin's Enys Men to the world, the weirdness of Cannes, and some of the films he saw while there. Titles discussed are Patricio Guzmán's My Imaginary Country, Mia Hansen' Løve's One Fine Morning, the 1972 anthology film about the Munich Olympics Visions of Eight and De Humani Corporis Fabrica by Lucien Castaing-Taylor and Véréna Paravel (who directed the experimental fishing documentary Leviathan). Guests include critic and podcaster John Bleasdale, academic and producer Kingsley Marshall and some of the team behind Enys Men, director Mark Jenkin and actor Mary Woodvine. Elsewhere Neil and Dario discuss Patricio Guzmán, the film festival bubble and some recent positive comments from listeners, as well as Neil's reflection on the final film he saw in Cannes, Annie Ernaux and David Ernaux-Briot's The Super 8 Years. Although, Neil forgot to tell his Louis Garrel story, so that will have to wait until the next episode. Also, some of the diary entries are a bit peaky due to mediterranean winds, so please bear with some of the audio segments of the diary. ——— You can listen to The Cinematologists for free, wherever you listen to podcasts: click here to follow. We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only £2. We really appreciate any reviews you might write (please send us what you have written and we'll mention it) and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show. _____ Music Credits: ‘Theme from The Cinematologists' Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing

Dr Neil Fox is an Associate Professor of Film Practice and Pedagogy at Falmouth University in UK. He leads the Sound/Image Cinema Lab, a multifaceted partner, funder, resource and research centre dedicated to the production and education of independent cinema. In 2020 the Lab won an innovative pedagogy award at the University Industry Innovation Network. The Lab has been involved in feature films including Bait (dir. Mark Jenkin, 2018) and Make Up (dir. Clare Oakley, 2019). He wrote and produced feature film 'Wilderness' which was funded by The School of Film & Television as part of an innovative micro-budget filmmaking model developed. The film was picked up for distribution by Sparky Pictures and released digitally around the world in April 2021. He is also the co-founder and host of the acclaimed film podcast The Cinematologists in partnership with Dr. Dario Llinares at the University of Brighton. Mark Kermode says "for intelligent, informed cinema debate, The Cinematologists are hard to beat" and Sight & Sound call it "consistently one of the finest film podcasts around. In this episode we discuss the delicate balance between media education and professional practice.

Arnaud Desplechin setzt auf die Dramatik des Geschwisterhasses und Lola Quivoron feiert den Trickbetrug auf zwei Rädern. Im dritten Podcast gibt es außerdem Eindrücke zu den neuen Filmen von Emily Atef und Mark Jenkin.

On our first episode of 2022, we discuss the new Adam McKay political/sci-fi satire 'Don't Look Up', starring Leonardo DiCaprio and Jennifer Lawrence as two astronomers who discover an asteroid is on a collision cause with the earth and their struggle to try and get the message out. As well as chatting about some of the films we are most excited about over the year ahead, Bill talks about the new Jane Campion film 'The Power of the Dog' starring Benedict Cumberbatch, Sam gives his views on Joel Coen's new film 'The Tragedy of Macbeth' starring Denzel Washington and Frances McDormand, and Michael shares thoughts on Mark Jenkin's 2019 experimental drama about tensions in a picturesque Cornish fishing village 'Bait'.

In this episode we discuss Mark Jenkin's breakthrough feature ‘Bait', his creative process, and how the film changed the trajectory of his career, his future ambitions, the importance of knowing when to say no to a project and his taste in movies.

With Antonia Quirke Oscar winning cinematographer and director Chris Menges takes us behind the scenes of Local Hero, The Mission and Kes, and reveals how he ended up in a Zanzibar prison with Michael Parkinson. Bait director Mark Jenkin records his last audio diary about the making of his horror movie, Enys Men, which was delayed by a year because of lockdown and was filmed during the pandemic. Listeners nominate their favourite final scenes and composer Neil Brand chooses his two favourite end pieces: Close Encounters Of The Third Kind and Cabaret. Sweetheart director Marley Morrison nominates her favourite final scene - the brief encounter in Andrew Haigh's debut Weekend. And thank you to all of you who nominated your favourite final scene. We didn't have time to mention them all on air, so here is the complete list: Algiers Animal House Being There Be Kind, Rewind Big Night Billy Elliot Bright Star Capernaum Casablanca Chinatown Cinderella Cold War Death In Venice Empire Of The Sun Ex Machina 400 Blows Genevieve Gloria Goodbye Mr Chips Ice Cold In Alex James And The Giant Peach Local Hero Los Silensios Michael Clayton Midnight Run Monsoon Wedding Nostalgia Of Gods And Men O Lucky Man ! On The Waterfront Orlando Pan's Labyrinth Pepe Le Moko Rocks Sideways Some Like It Hot Stalker System Crasher The Apartment The Battle Of Algiers The Deer Hunter The Leopard The Lives Of Others The Long Good Friday The Mermaid The Mission The Purple Rose Of Cairo The Seventh Seal The Silence Of The Lambs The Taking Of Pelham 1-2-3 The Third Man The Usual Suspects This Is Spinal Tap Tunes Of Glory Un Coeur En Hiver Withnail And I Witness

Ned and David (Damn their eyes!) are joined by BAFTA winning film director Mark Jenkin, as the Tour of Britain passes elegantly through Cornwall.Enter the NSF Grand Prize Draw - https://www.theroadbook.co.uk/nsf/

Jude Law talks about his latest release The Nest, a suspenseful family drama set in Surrey in the 1980s, what he really likes about making movies and what acting in Contagion taught him about pandemics. Egyptian director Ayten Amin describes working with non-professional actors in her feature film Souad about young girls and their relation with social media. Mark Jenkin's filmmaking audio diary continues with his experiences shooting smoking chimneys and mantlepieces. Presenter: Antonia Quirke Producer: Harry Parker

Juliet Stevenson revisits a moving and tearful scene from Truly, Madly, Deeply which broke new ground in the portrayal of grief. Matt Damon and director Tom McCarthy talk about researching for Damon's role as an oil rig worker in their new film Stillwater. Mark Jenkin continues his movie making audio diary as he tries, with difficulty, to film pick-up shots to be cut into the production after the main photography has been completed. Presenter: Antonia Quirke Producer: Harry Parker

On this episode of Going Underground, we speak to Prof. Peter Smith of Scotland's Climate Change Centre of Expertise. He discusses the agenda of this year's COP 26 climate change summit, the meteoric rise in carbon emissions and the urgent need to reach an emissions peak before drastic reductions, the need for urgent action this decade on the climate crisis, fossil fuel industry lobbying against climate action, the potential industry of CO2 removal from the atmosphere and much more! Finally, Going Underground's deputy editor, Charlie Cooke, speaks to BAFTA-winning director Mark Jenkin about his film ‘BAIT', which explores how gentrification under neoliberalism has completely changed the iconic British city of Cornwall, bringing cultural and economic hardships for the people of the area. Mark Jenkin discusses how the experiences of the characters of the film reflect the lives of many in this economic climate.

Bait depicted Cornish second-home owners in a tense relationship with local fishermen. The 2019 film's director Mark Jenkin is one of Laurence Scott's guests along with author Wyl Menmuir, and Joan Passey, from the University of Bristol, where she is researching ideas about the sea as a monstrous space. Their conversation ranges from The Jewel of the Seven Stars by Bram Stoker via Wyl's novel The Many, centred on a derelict home in a coastal village and ideas about outsiders, to Celtic Cornish Breton connections. In our archives and available to download, you can find a Free Thinking discussion about ideas of Revenge and Daphne du Maurier's My Cousin Rachel - about a young man brought up in Cornwall and the widow of his cousin who comes to the county. https://www.bbc.co.uk/programmes/b08slx9w Our Green Thinking playlist includes programmes exploring oceans, rising UK sea levels and the insights gained from new research. The Green Thinking podcast is 26 episodes 26 minutes long for COP 26 hearing from a range of academics looking at challenges facing the planet. Producer: Luke Mulhall

In this final episode of our series on leisure we look at holidays. During the pandemic, we've seen campaigners arguing for the “right to holiday”; now, as we finally begin to open up, we see the complications of permitting limited international travel as the pandemic continues to devastate other countries. Meanwhile, the hospitality industry within the UK braces itself for what could be its busiest ever season. All this gave us at TWT cause to reflect on the psychic and political framing of holidaying. The aesthetics of holidays are bound by class; from the gentrification and dispossession that tourism and holiday home ownership can engender, to the extreme indulgences of luxury travel. Rethinking the conditions and implications of holidaying is part of a wider socialist project. TWT FM is a podcast from The World Transformed. This episode was produced by Sarah Vowden, Matt Huxley, Aron Keller, Oli Cox and Charlie Clarke, with contributions from Stephanie Sherman from Autonomy, Owen Hatherley, Mark Jenkin, Ben Norris and Martha Dillon from Its Freezing in LA.

We are really excited to focus an episode around the BFI Blu-ray release of Chris Petit's existential British road movie Radio On as it's a film that we had talked about for a long time. Alongside this, it gave us the perfect excuse to bring on one of our original supporters and true friend of the show, Mark Jenkin. Mark kindly took the time out from editing his new feature Enys Men, to explore why Radio On is one of his most influential films. Indeed, there is no one better to talk about the handmade sensibility of the film along with the combination of its unique aesthetics of place and time and its abstracted subjectivity of characters alienated from their social reality.  We also discuss the film's almost singular place in British film history and examine how this is related to its European art-house sensibility, particularly in terms of the links to Wim Wenders and New German Cinema. We also discuss the way the film is structured musically, with signature Bowie tracks along with the electronic futurism of Kraftwerk and even Sting popping up to give an Eddie Cochrane tribute. There is also the question of how the film is one of the more idiosyncratic road movies, one without a specific motivation or destination, and an ending that is sublimely ambiguous and maybe even strangely uplifting. Shownotes John Patterson's Guardian article - A Film Without a Cinema Oliver Lunn - BFI article on How Britain has changed since post-punk classic Radio On You can listen to The Cinematologists for free, wherever you listen to podcasts: click here to follow. We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only $2.50. We also really appreciate any reviews you might write about the show (please send us what you have written and we'll mention it) and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show. ——— Music Credits: ‘Theme from The Cinematologists’ Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing.

With Antonia Quirke The Film Programme has exclusive behind the scenes access to some of the most exciting and innovative film-makers in this country. For the past year, Mark Jenkin has been recording audio diaries for us, as he follows up his award-winning hit Bait with the supernatural tale Enys Men, a film that has been delayed and re-imagined during the pandemic. Father and daughter artists Andrew and Eden Kötting have just finished a new animation called Diseased And Disorderly, also made during lockdown, and they describe how their unique collaboration works.

With Antonia Quirke Nomadland won the BAFTA and Golden Globe for Best Film and is hotly tipped to win the Best Picture Oscar too. Director Chloe Zhao reveals how she cast many of her actors on a road trip across the American West. Zhao's previous film The Rider was The Film Programme's film of the year in 2018, and Antonia revisits her interview with its star Brady Jandreau, a real life rodeo rider and horse whisperer. Mark Jenkin is recording an exclusive audio diary for The Film Programme as he begins to shoot Enys Men, his follow-up to his BAFTA winner Bait. As the first day of principal photography approaches, Mark is beginning to lose sleep.

Antonia Quirke talks to Francis Lee, director of Ammonite, starring Kate Winslet, about the palaeontologist Mary Anning. They discuss his controversial imagining of a lesbian relationship for Anning, the importance of sound in cinema and why he has never seen his own film on the big screen. Antonia also looks at the work of MIMC, a film makers' collective in the Scottish borders and discovers the part it plays in its members' lives both socially and cinematographically. And director Mark Jenkin continues his audio diary and reveals why going on holiday just before shooting commences might not be a bad thing. Producer: Harry Parker

With Antonia Quirke This year sees the 20th anniversary of The Lord Of The Rings trilogy. To mark the occasion, Antonia revisits her encounter with Christopher Lee in 2001 and hears from London Voices, the choir who sang Elvish on the soundtrack. Bait director Mark Jenkin continues his exclusive series of audio diaries as he prepares to make a film in lockdown. This week, he begins to scout locations for his supernatural drama Enys Men. There's another Scene Stealer from writer Nat Segnit: the actor who rarely made it to the final reel, Elisha Cook Jr.

Welcome to episode two of Showing Up with Babs and Eve. In this episode we update you on week one of Power Hour and how we're finding this challenge, we reflect on our experience 2020, as well as chat about what we've been watching, reading and listening to. We delve deep into what's going on in the world of education, and Babs discussing why the world seems to revolve around the USA. So get yourself comfortable! And if you'd like to join us in our challenge, or you would like to share your thoughts on anything discussed, please send us an email at showingupbabseve@gmail.com Music - Funky Garden by Ketsa. FreeMusicLibrary.org //Watching/Reading/Listening// Eve Watching: - The Great Pottery Throwdown (2015-) Available on Channel 4 Sunday Nights 7:45/8pm - Grizzly Man (2005) Directed by Werner Herzog Available on Amazon Prime Video - The Trial of the Chicago 7 (2020) Directed by Aaron Sorkin Available on Netflix Reading: - More Plants Less Waste: Plant-based Recipes + Zero Waste Life Hacks with Purpose (2019) Written by Max La Manna Listening: - Bicep - Isles (2021) Bicep - Apricots. Music video directed by Mark Jenkin https://www.youtube.com/watch?v=uwrq9lZ9Ngs Bicep Global Livestream II - Tickets available at: https://dice.fm/event/xm3kk-bicep-live-global-stream-ii-at-saatchi-gallery-830pm-gmt-26th-feb-uk-830pm-gmt-london-tickets Babs Watching: - Watching the Hills Whitney Port's YouTube Channel - Ice Dancing Canadian Team Scott Moir Tessa Virtue Available on YouTube Reading: - Linchpin (2010) By Seth Godin //Why the world seems to revolve around the US?// - Petrodollar system (https://www.thebalance.com/what-is-a-petrodollar-3306358) - USA deficit (https://datalab.usaspending.gov/americas-finance-guide/deficit/trends/) - Quantitative Easing (QE) (https://www.investopedia.com/terms/q/quantitative-easing.asp) - Government IOU (https://www.investopedia.com/terms/i/iou.asp) - The Federal Bank of America (https://corporatefinanceinstitute.com/resources/knowledge/finance/federal-reserve-the-fed/) - Cryptocurrency (https://www.investopedia.com/terms/c/cryptocurrency.asp) - Iraq War (https://www.britannica.com/event/Iraq-War) - How the US stole Iraq (https://youtu.be/C8YlGkoYXXM)

With Antonia Quirke David Byrne discusses the film version of his Broadway musical American Utopia which was directed by Spike Lee. And he reveals why he's a changed man since his last concert movie Stop Making Sense. Bait director Mark Jenkin is about to return to the film he had to abandon in March because of lockdown, Enys Men. But, thanks to social distancing rules, the film is very different from the one he had originally planned, with no crowd scenes, for instance, and a tighter budget. That's quite difficult for a horror movie with a cast of 200. Andrew Kotting, the director of Gallivant and The Whalebone Box, has to leave the studio he has worked in for the last 15 years, packing up his paintings, his books, his work shed and his straw bear costume. He says goodbye to his studio in a plaintive series of audio diaries.

With Antonia Quirke. Theresa Ikoko and Claire Wilson describe how they wrote their award-winning film Rocks in collaboration with their teenage cast. Theresa reveals why she didn't tell her older sister that the main character was based on her, until she saw the film. Director Hong Khaou talks about the autobiographical elements that underpin his new drama Monsoon, about a young British man who returns to the place of his birth in Vietnam. Hong explains why his mother refuses to watch his movies. The Film Programme is following director Mark Jenkin over the course of a year as he plans his follow-up to the award-winning Bait and faces the new challenges that the pandemic has thrown up. This week, Mark talks about the short film he made while waiting patiently for a contract to start writing a new script.

This week, we're heading on a road trip through 1970s Britain and its music. British filmmaker Mark Jenkin chats about four of his short films, arriving on BFI Player, as well as the success of his terrific BAIT. He then discusses his favourite movie – Chris Petit's unconventional road movie RADIO ON. We delve into the Germanic influences, the unconventional structure and the brilliant cameo from Sting.On The Pick of the Flicks Podcast, a different guest every week stops by to discuss their favourite movie of all time. We are proudly part of the Flickering Myth Podcast Network.If you enjoy the podcast, please subscribe on iTunes, Stitcher, Spotify and Player FM and leave us a comment, rating or review. For more entertainment news, reviews and interviews, head over to http://www.flickeringmyth.com/

With Ben Bailey Smith With no blockbusters and several heatwaves, it's been a cruel summer for our cinemas. The Uckfield Picture House in Sussex is feeling the heat. With only dozens of customers each day, owner Kevin Markwick was relying on two films to bring audiences back to his family business. One of them, Mulan, is now being released for streaming only. Kevin tells us his plans for survival with temperatures in the 30s and only one blockbuster being released at the end of August. As an actor, Ben Bailey Smith has worked on dozens of sets and is always surprised that there aren't more disasters, given the potential for something to go wrong. He enlists the help of historian Pamela Hutchinson to tell him about some of the biggest behind-the-scenes catastrophes in movie history. Writer/director Mark Jenkin was due to follow up his award-winning movie Bait this summer, until the pandemic intervened. He now has to wait a year to start shooting. Unbowed, Mark has started to write a new film, and is documenting its progress in a series of audio diaries. This week, Mark faces the nightmare of the blank page. Neil Brand continues his series of rejected scores and reveals how one piece of music by Ennio Morricone was used in two films and one TV series, and was even released as a single, ultimately reaching no.2 in the UK charts.

With Antonia Quirke Director Mark Jenkin sends his latest audio diary as he embarks on a new project, while he waits another year to start shooting his follow-up to the award-winning Bait. This week's recommendation for a film to stream is High Life, a movie about lockdown and living in isolation, as convicts are sent into space for a scientific experiment. From the archives, director Claire Denis explains that her original idea was to make a film about a deadly virus. Cinema owner Kevin Markwick explains why he is not going to open the doors of the Uckfield Picture House quite yet, despite the devastating impact that the coronavirus has had on the family business. Poet Simon Barraclough cannot wait for cinemas to re-open. He has watched at least 98 films during lockdown, but explains, in verse, why watching a film on your television can never be the same as going to the cinema.

With Antonia Quirke What does a film-maker do when they can't make a film ? Three directors share their audio diaries, in which they chart their lives in lockdown. Mark Jenkin was about to start shooting his follow-up to Bait when Covid 19 intervened. He now has to wait a year until he can begin again. Carol Morley set up her own on-line film club because she was missing the communal feeling of watching a film with an audience. Andrew Kotting's film The Whalebone Box was about to be released in cinemas just at the moment when they closed down. He was planning to go on tour with the film and catch up with friends and family around the UK and Ireland.

Tom and Mattie had the true honour of speaking with Mark Jenkin, the director, editor, soundtrack-writer (and more) behind the utterly masterful Bait (2019). Bait is a story about the struggles of a local community in Cornwall, through the eyes of Martin, a fisherman without a boat, coming into conflict with his brother, his community, and the forces of middle-class gentrification. We talk with Mark about Bait's story, its themes, its cast, the unique potential of the form of film, and so much more. Catch Mark Jenkin on Twitter @Mark_Jenkin. Bait (2019): https://www.imdb.com/title/tt9652782/?ref_=nv_sr_srsg_0 Mark Kermode's review that put Bait on the map: https://www.theguardian.com/film/2019/sep/01/bait-review-mark-jenkin-cornish-fishing-village Drifters (1929): https://www.imdb.com/title/tt0019838/?ref_=nv_sr_srsg_4 Parasite (2019): https://www.imdb.com/title/tt6751668/?ref_=nv_sr_srsg_0 The Lighthouse (2019): https://www.imdb.com/title/tt7984734/?ref_=nv_sr_srsg_0 First Reformed (2017): https://www.imdb.com/title/tt6053438/?ref_=nv_sr_srsg_0 Cold War (2018): https://www.imdb.com/title/tt6543652/?ref_=nv_sr_srsg_0 Catch us on Social Media! Facebook: https://www.facebook.com/OxideFilm/ Twitter: https://twitter.com/OxideFilm

This week we go from small-town Cornwall to small-town Maine, looking at the highly acclaimed British film Bait and the sequel to the biggest horror film of all time It Chapter Two, as well as speaking to the films' director Andy Muschietti.Bait looks at the effects of gentrification in a small fishing town in Cornwall. Shot in dramatic black-and-white on a 16mm camera, this is an impressive debut from director Mark Jenkin. It Chapter Two takes place 27 years after the events of the first film. The Losers Club are now all grown up, but the resurgence of Pennywise AKA It brings them back to Derry to face the monster from their childhood. Hosted on Acast. See acast.com/privacy for more information.

Hen, Anna and Pete get a line on a reel-y good film. Bait, BFI-backed and brilliant to boot, is written and directed by Mark Jenkin. Set in Jenkin's native Cornwall, it's a drama about the effects of gentrification on a village fishing community and it says a lot about the state of Britain today.Bait follows Martin (Edward Rowe), a fisherman without a boat raging against the wealthy Londoners who have bought his childhood home. In the face of tourism and city money, angry, displaced Martin is left floundering. These situations, Jenkin seems to be saying, are where Brexit came from.Elsewhere in the ep, Anna is hopped up on the Zendaya-starring TV series Euphoria, Hen has been spending time with San Quentin prison's in-house podcast Ear Hustle AND an incredibly awkward bit in which one of the pod earnestly reads out song lyrics about the corrosive effect of captalism on communities. Yay!The Bigger Picture, presented by the BFI, is ...BFI Digital editor Henry BarnesAnna Bogutskaya, Dice's Head of Arts and CultureProducer Peter Sale See acast.com/privacy for privacy and opt-out information.

With Francine Stock Mark Jenkin talks about the influence of Derek Jarman's home-made movie The Garden on his DIY film Bait, which is released this week.

Antonia Quirke and Caitlin Benedict visit the Midnight Sun Film Festival in Lapland, where the sun shines for 24 hours in summer and films are shown every hour of the day. There they speak to Iranian exiles Mohsen Makhmalbaf and Marzieh Meshkini, Brazilian director Fernando Meirelles, French auteur Arnaud Desplechin and Mark Jenkin from Cornwall. Along the way, they meet the people who make the festival possible, the volunteers, and find out why all the directors are expected to get into a sauna and go skinny dipping.

Joining us this week is filmmaker Mark Jenkin. In his latest film, Bait, two Cornish fisherman grapple with the influx of tourism in their own ways as we're all taken on a hypnotic ride. Mark shot this film on a Bolex camera with 16 mm black and white film and hand processed the film himself. We discussed how these decisions and others played critical roles in the character and unique style of the film. https://www.baitfilm.co.uk/ Upcoming Screenings in NYC: http://www.newdirectors.org/2019/films/bait https://www.moma.org/calendar/events/5341

For this episode we are back at the Electric Palace in Hastings where Dario talks to Cornish filmmaker Mark Jenkin about his fascinating new film. In Bronco's House  a young man strives to provide a home for him, his pregnant girlfriend and their unborn child. The film is an aesthetic meditation on property, power and the future which is shot on a clockwork camera, using 16mm black and white negative stock, and process by hand through and instant coffee based developer.  Bronco's House is available to download and stream. CLICK HERE.