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With the return of Glasgow Film Festival, we review a quartet of films from the programme. Listen in for our thoughts on Gus van Sant's 70s crime thriller, Mark Jenkin's existential fishing boat time-hopper, Pauline Loquès' small but well-formed debut drama, and Jim Jarmusch's award-winning ‘parents eh what are they like' anthology. As a little treat, Anahit slags off "Wuthering Heights", also we get interrupted by some building work in the office and we all become very cold to the point that Peter gets the sniffles at one stage. We're talking the full Slavoj Žižek, but we think we caught them all in the edit… TIMESTAMPS: "Wuthering Heights" review (1:50) Dead Man's Wire review (10:00) Rose of Nevada review (21:00) Nino review (32:20) Father Mother Sister Brother review (45:00) If you like The Cineskinny, tell your pals! Leave us a five-star review! Share the episode on socials! Follow us on Instagram @thecineskinny, email us at cineskinny@theskinny.co.uk Music: Too Cool by Kevin MacLeod (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-
This week's podcast features two guests who appeared on the MK3D show at the BFI Southbank on Monday 6 October 2025. They are two directors whose films played at of the BFI London Film Festival, and which open soon: First, Mark talks to Nia DaCosta about her new feature HEDDA, and her upcoming 28 YEARS LATER - TEMPLE OF BONES –and one of the films that infuenced her, Stanley Kubrick's BARRY LYNDON.And Mark talks with Mark Jenkin about his third and most brilliant feature so far, ROSE OF NEVADA.Enjoy!The MK3D shows happen every month at the BFI Southbank. In last week's edition of the podcast you can hear Mark talk with the other three guests of this edition of MK3D: Maxine Peake for I SWEAR, Nathan Johnson for WAKE UP DEAD MAN and Russell Tovey for PLAINCLOTHES.Thanks for listening. Stay safe, and keep watching the skies.Opening title quotes from:Mary Poppins (Robert Stevenson, Walt Disney Productions – featuring Julie Andrews)Nope (Jordan Peele, Universal Pictures – featuring Keke Palmer)Withnail & I (Bruce Robinson, HandMade Films – featuring Richard E. Grant)The Exorcist (William Friedkin, Warner Bros. – featuring Ellen Burstyn and Linda Blair)These films are essential viewing.Watch them. Love them. Share them.They are masterpieces.Mark Kermode Live in 3D and Kermode on Film are HLA Agency productionsThis episode was edited by Alex Archbold Jones© HLA Agency Hosted on Acast. See acast.com/privacy for more information.
In this first half of the MK3D show recorded on Monday, 6 October, 2025, at the BFI Southbank, Mark Kermode is joined by an inspiring line-up of guests from the world of film.Actress Maxine Peake discusses her role in I Swear - a deeply moving and darkly funny comedy-drama based on the true story of a young man living with Tourette's syndrome.Composer Nathan Johnson joins to talk about his acclaimed work on the Knives Out films - the latest of which opened this year's BFI London Film Festival - as well as his music collaboration for Guillermo del Toro's Nightmare Alley.Finally, actor Russell Tovey reflects on his lead role in Plainclothes, a powerful new drama set in the 1990s about a policeman who entraps gay men but finds himself unexpectedly drawn to one of his targets.In the second part of the show, coming out soon, you'll hear from director Nia DaCosta on her new film Hedda and her work on the upcoming 28 Years Later: Temple of Bones, along with director and film editor Mark Jenkin, discussing his third and brilliant feature, Rose of Nevada.Opening title quotes from:Mary Poppins (Robert Stevenson, Walt Disney Productions – featuring Julie Andrews)Nope (Jordan Peele, Universal Pictures – featuring Keke Palmer)Withnail & I (Bruce Robinson, HandMade Films – featuring Richard E. Grant)The Exorcist (William Friedkin, Warner Bros. – featuring Ellen Burstyn and Linda Blair)Mark Kermode Live in 3D and Kermode on Film are HLA Agency productions.This episode was edited by Alex Archbold Jones.© HLA Agency Hosted on Acast. See acast.com/privacy for more information.
Today Josh and Drusilla watched the British arthouse folk horror, Enys Men (2022.) From wiki: “Enys Men (Cornish for 'Stone Island')[3] is a 2022 British experimental psychological folk horror film shot, composed, written and directed by Mark Jenkin, and starring Mary Woodvine, Edward Rowe, Flo Crowe and John Woodvine. Set in 1973, the film follows a lone wildlife volunteer (Woodvine) who begins experiencing nightmarish scenarios while residing on an island off the Cornish coast.”Also discussed: Breathless (1983), Eddington (2025), Guy Maddin, The Intruder (1962), The Quay Brothers' Sanitarium Under the Sign of the Hourglass, Skinamarink, The Lighthouse, Rift, and more. NEXT WEEK: The Strange Color of Your Body's Tears (2013) Bloodhaus:https://www.bloodhauspod.com/https://www.instagram.com/bloodhauspod/https://letterboxd.com/bloodhaus/Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/@sisterhyde.bsky.social Joshua Conkelhttps://www.joshuaconkel.com/https://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/
On Truth & Movies this week, we come to you live from the city that gave us Don't Look Now and The Souvenir, Venice, where we're here to report on the hits and misses from this year's Venice Film Festival, including new films by Benny Safdie, Yorgos Lanthimos, Mark Jenkin and Park Chan-wook. Joining guest host Hannah Strong are Rafa Sales Ross and Marshall Shaffer.Truth & Movies is the podcast from the film experts at Little White Lies, where along with selected colleagues and friends, they discuss the latest movie releases. Truth & Movies has all your film needs covered, reviewing the latest releases big and small, talking to some of the most exciting filmmakers, keeping you across important industry news, and reassessing great films from days gone by with the Truth & Movies Film Club.Email: truthandmovies@tcolondon.comBlueSky and Instagram: @LWLiesProduced by TCO Hosted on Acast. See acast.com/privacy for more information.
This week Film Comment is reporting from the picturesque shores of the Lido, where the Venice Film Festival takes place each year. This year's edition features new films by many major auteurs, including Noah Baumbach, Luca Guadagnino, Yorgos Lanthimos, Laura Poitras, and more. For our fourth episode from the city of canals, Film Comment Editor Devika Girish invited critics Bilge Ebiri and Jonathan Romney to talk about some recent premieres, including Jim Jarmusch's Father Mother Brother Sister, Kent Jones's Late Fame, Mark Jenkin's Rose of Nevada, and Gianfranco Rosi's Below the Clouds. Stay tuned for more Venice coverage, providing everything you need to know about the 2025 edition.
Interview with Mark Jerkin, director of "Rose of Nevada", about how he likes to tackle every job in his own films The post “Rose of Nevada”, interview with director Mark Jenkin appeared first on Fred Film Radio.
Interview with Mark Jerkin, director of "Rose of Nevada", about how he likes to tackle every job in his own films The post “Rose of Nevada”, interview with director Mark Jenkin appeared first on Fred Film Radio.
Interview with Mark Jerkin, director of "Rose of Nevada", about how he likes to tackle every job in his own films The post “Rose of Nevada”, interview with director Mark Jenkin appeared first on Fred Film Radio.
Interview with Mark Jerkin, director of "Rose of Nevada", about how he likes to tackle every job in his own films The post “Rose of Nevada”, interview with director Mark Jenkin appeared first on Fred Film Radio.
Interview with Mark Jerkin, director of "Rose of Nevada", about how he likes to tackle every job in his own films The post “Rose of Nevada”, interview with director Mark Jenkin appeared first on Fred Film Radio.
Interview with Mark Jerkin, director of "Rose of Nevada", about how he likes to tackle every job in his own films The post “Rose of Nevada”, interview with director Mark Jenkin appeared first on Fred Film Radio.
This week Loose Ends is coming from the Homecoming festival at the Lost Gardens of Heligan in Cornwall. Clive Anderson is joined by comedian, actor and writer Dawn French, who moved to Cornwall to give her more space to write and Fern Britton, who has written eleven novels set in Cornwall, and has lived here on and off since starting her career in regional television here in 1980. He also chats to Edward Rowe, who starred in Mark Jenkin's acclaimed film 'Bait' and who performs comedy as The Kernow King, and there's music from the Welsh-Cornish singer-songwriter Gwenno who will be performing tracks from her upcoming album 'Utopia'.Presenter: Clive Anderson Producer: Jessica Treen
In late March 2025 we screened Oliver Stone's 1991 epic myth of 1960s America, The Doors, at Newlyn Filmhouse at the invitation of regular Cinematologist, filmmaker Mark Jenkin. The conversation following the screening covered Jim Morrison and the band, 1960s America, Vietnam, film form and the longstanding influence of the film on Mark's work, up to and including his new film, Rose of Nevada, due for release later this year. A few days after the screening news came of Val Kilmer's death and that prompted a rejigging of the release schedule for the podcast, so that Neil and Dario could talk in person about the film and Kilmer as an actor, on Neil's planned trip to London to do some taping. The result of that visit, and the live screening, can be found in this episode. It's part examination and celebration of Stone's under-discussed film and part celebration and analysis of Kilmer's work as Morrison and across his varied career. Neil and Dario talk about the actor's individual style and approach and legacy, while also using Dario's recent viewing of the documentary Val (2021) as a guide for understanding Kilmer's work in The Doors. If one of the aims of the screening for the podcast was to get more people engaged with Stone's work and Kilmer's performance, the latter's death means that is sadly more likely now and we hope this discussion adds to that ongoing conversation. Thanks to Mark for his commitment to and excitement in doing these screenings, as well as his generosity of thought and collaboration. As well, thanks to Newyln Filmhouse (Kernow) and the Garden Cinema (Covent Garden) for support at either end of the process to make this episode a reality. ——— Visit our Patreon at www.patreon.com/cinematologists ——— You can listen to The Cinematologists for free, wherever you listen to podcasts: click here to follow. We really appreciate any reviews you might write (please send us what you have written and we'll mention it) and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show. ——— Music Credits: ‘Theme from The Cinematologists' Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing.
In this engaging episode of Conversations in the Champagne Room, host Charrisse Jackson-Jordan welcomes celebrity trainer Mark Jenkins. They discuss a variety of topics, including Mark's journey from a challenging childhood to a successful career training celebrities, his experiences living in the Netherlands, and the importance of resilience and personal growth. The conversation also touches on relationships, misconceptions about men, body image, and the impact of cosmetic procedures. Mark shares insights on healing, wellness retreats, and the transformative experiences he aims to provide for his clients. The episode concludes with a light-hearted discussion about future plans and the importance of self-care.
Kirsty and Dan discuss Enys Men, director Mark Jenkin's unique sort-of-folk horror/art film hybrid set on a lonely Cornish island. Beware, there are some plot developments given, although this very much open-to-interpretation film is fairly spoiler-proof. (Apologies, by the way, that the last episode was delayed by a day. We've made sure this one's come out on time!) Works Cited Enys Men (Film Four, UK 2022, director: Mark Jenkin) - The trailer is largely dialogue-free so we didn't include it in the podcast, but you can see it here M3gan (Blumhouse Pictures, US 2022, director: Gerard Johnstone) - our episode about androids in horror Artwork by Kirsty Worrow (Instagram: OneCrowLeft). Music by Greg Hulme. To hear our next episode right now please go to our Patreon page and become a supporter Socials: BlueSky Mastodon Twitter Instagram (also on Threads) Facebook All clips are used in the spirit of Fair Dealing (Commonwealth law) and Fair Use (US law) for the purposes of criticism and education. No copyright infringement intended. Visit our website, andnowpodcast.com
This week's episode of Kermode On Film takes us to Christmas 2022, and a special milestone —the 75th MK3D show, recorded live at the BFI Southbank on Monday 5 December 2022You can hear the first half of that MK3D show on this podcast.Mark welcomes a great lineup of guests, starting with director Hassan Nazer, who talks about his award-winning, aptly named film Winners. Hassan also shares stories of his Iranian heritage, the films that influenced him, and his journey to becoming a filmmaker in the UK.Next, Mark talks to Mark Jenkin and Mary Woodvine about their Cornish folk horror Enys Men, and about the BFI season that Mark Jenkin curated: “The Cinematic DNA of Enys Men”.And finally, Mark is joined by Oscar-winning director Edward Berger, to discuss his powerful remake of All Quiet on the Western Front. Edward talks about what drew him to retelling this classic, about his connection to the original novel, and the challenges of depicting visceral scenes on screen.In next week's episode, you'll hear the next half of the show, featuring screenwriter Tony Kushner, who talks about his collaboration with Steven Spielberg on The Fabelmans, and Aimee Lou Wood and Stephen Woolley who talk about Living, the remake of Akira Kurosawa's Ikiru.If you've enjoyed this podcast, remember to like, subscribe, and tell your friends.And if you want to experience MK3D live, head over to the BFI website for tickets to our next show.———————The opening title sequence of Kermode on Film uses quotes from:- Mary Poppins, directed by Robert Stevenson and distributed by Walt Disney Motion Pictures – quote featuring Julie Andrews.-Nope, written, directed and produced by Jordan Peele, and distributed by Universal Studios – quote featuring Keke Palmer.-Withnail & I, written and directed by Bruce Robinson, and distributed by HandMade Films – quote featuring Richard E Grant.-The Exorcist, written by William Peter Blatty and directed by William Friedkin, distributed by Warner Brothers – quote featuring Ellen Burstyn and Linda Blair.We love these films. We urge you to seek them out, and watch them, again and again. They are masterpieces!———————Kermode on Film is an HLA Agency production.This episode was edited by Alex Archbold Jones.© HLA AgencyHosted on Acast. See acast.com/privacy for more information.#MarkKermode #KermodeonFilm #MK3D #BFI #MarkJenkin #MaryWoodvine #EnysMen #HassanNazer #Winners #EdwardBerger #AllQuietOnTheWesternFront #AbbasKiarostami #AndWhereIsTheFriendsHouse #MajidMajidi #ChildrenOfHeaven #LawrenceGordonClark #Stigma #BBCGhostStories #NottingHill #JuliaRoberts Hosted on Acast. See acast.com/privacy for more information.
High Theory returns with a series of haunting concepts, places, and figures from our former guests. We asked folks to call in with something spookworthy (neologism!) from their fields – real or imagined specters, scary ideas, anything that could haunt, disorient, unsettle, horrify. And we got a full seance worth of ghosts. Listen if you dare! This episode features (in order of appearance) Abhishek Avtans on the Churail. He kindly gave us a transcript (we hope to have more transcripts soon!). You can hear more from Abhishek in his episode on Apabhraṃśa. Angelina Eimannsberger on the Reader. You can hear more from Angelina in her episode on JVN. Travis Chi Wing Lau on Mad Studies. You can hear more from Travis in his episode on Experimental Life. Mackenzie Cooley on the Scientific Revolution. You can hear more from Mackenzie in her episode on the Animal. Farah Bakaari on the Nation State. You can hear more from Farah in her episode on the Trace. Emma Heany on Communism and Empire. You can hear more from Emma in her episode on Sexual Difference. Sheila Liming on Nowhere and Forever. Sheila reads an excerpt from her article in progress on the contemporary gothic, under the working title, "Out of Time: Anti-Immediacy in Mark Jenkin's Enys Men.” You can hear more from Sheila in her episode on the Party. Sritama Chatterjee on Nature and Wilderness. You can hear more from Sritama in her episode on Off-Shore Aesthetics. John Linstrom on Liberty Hyde Bailey's Haunted Houses. You can hear more from John in his episodes on Nature Study and Ecosphere. The image for this episode features creepy red creatures on a dark green field. It was made by Saronik Bosu. Boo! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
High Theory returns with a series of haunting concepts, places, and figures from our former guests. We asked folks to call in with something spookworthy (neologism!) from their fields – real or imagined specters, scary ideas, anything that could haunt, disorient, unsettle, horrify. And we got a full seance worth of ghosts. Listen if you dare! This episode features (in order of appearance) Abhishek Avtans on the Churail. He kindly gave us a transcript (we hope to have more transcripts soon!). You can hear more from Abhishek in his episode on Apabhraṃśa. Angelina Eimannsberger on the Reader. You can hear more from Angelina in her episode on JVN. Travis Chi Wing Lau on Mad Studies. You can hear more from Travis in his episode on Experimental Life. Mackenzie Cooley on the Scientific Revolution. You can hear more from Mackenzie in her episode on the Animal. Farah Bakaari on the Nation State. You can hear more from Farah in her episode on the Trace. Emma Heany on Communism and Empire. You can hear more from Emma in her episode on Sexual Difference. Sheila Liming on Nowhere and Forever. Sheila reads an excerpt from her article in progress on the contemporary gothic, under the working title, "Out of Time: Anti-Immediacy in Mark Jenkin's Enys Men.” You can hear more from Sheila in her episode on the Party. Sritama Chatterjee on Nature and Wilderness. You can hear more from Sritama in her episode on Off-Shore Aesthetics. John Linstrom on Liberty Hyde Bailey's Haunted Houses. You can hear more from John in his episodes on Nature Study and Ecosphere. The image for this episode features creepy red creatures on a dark green field. It was made by Saronik Bosu. Boo! Learn more about your ad choices. Visit megaphone.fm/adchoices
High Theory returns with a series of haunting concepts, places, and figures from our former guests. We asked folks to call in with something spookworthy (neologism!) from their fields – real or imagined specters, scary ideas, anything that could haunt, disorient, unsettle, horrify. And we got a full seance worth of ghosts. Listen if you dare! This episode features (in order of appearance) Abhishek Avtans on the Churail. He kindly gave us a transcript (we hope to have more transcripts soon!). You can hear more from Abhishek in his episode on Apabhraṃśa. Angelina Eimannsberger on the Reader. You can hear more from Angelina in her episode on JVN. Travis Chi Wing Lau on Mad Studies. You can hear more from Travis in his episode on Experimental Life. Mackenzie Cooley on the Scientific Revolution. You can hear more from Mackenzie in her episode on the Animal. Farah Bakaari on the Nation State. You can hear more from Farah in her episode on the Trace. Emma Heany on Communism and Empire. You can hear more from Emma in her episode on Sexual Difference. Sheila Liming on Nowhere and Forever. Sheila reads an excerpt from her article in progress on the contemporary gothic, under the working title, "Out of Time: Anti-Immediacy in Mark Jenkin's Enys Men.” You can hear more from Sheila in her episode on the Party. Sritama Chatterjee on Nature and Wilderness. You can hear more from Sritama in her episode on Off-Shore Aesthetics. John Linstrom on Liberty Hyde Bailey's Haunted Houses. You can hear more from John in his episodes on Nature Study and Ecosphere. The image for this episode features creepy red creatures on a dark green field. It was made by Saronik Bosu. Boo! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
High Theory returns with a series of haunting concepts, places, and figures from our former guests. We asked folks to call in with something spookworthy (neologism!) from their fields – real or imagined specters, scary ideas, anything that could haunt, disorient, unsettle, horrify. And we got a full seance worth of ghosts. Listen if you dare! This episode features (in order of appearance) Abhishek Avtans on the Churail. He kindly gave us a transcript (we hope to have more transcripts soon!). You can hear more from Abhishek in his episode on Apabhraṃśa. Angelina Eimannsberger on the Reader. You can hear more from Angelina in her episode on JVN. Travis Chi Wing Lau on Mad Studies. You can hear more from Travis in his episode on Experimental Life. Mackenzie Cooley on the Scientific Revolution. You can hear more from Mackenzie in her episode on the Animal. Farah Bakaari on the Nation State. You can hear more from Farah in her episode on the Trace. Emma Heany on Communism and Empire. You can hear more from Emma in her episode on Sexual Difference. Sheila Liming on Nowhere and Forever. Sheila reads an excerpt from her article in progress on the contemporary gothic, under the working title, "Out of Time: Anti-Immediacy in Mark Jenkin's Enys Men.” You can hear more from Sheila in her episode on the Party. Sritama Chatterjee on Nature and Wilderness. You can hear more from Sritama in her episode on Off-Shore Aesthetics. John Linstrom on Liberty Hyde Bailey's Haunted Houses. You can hear more from John in his episodes on Nature Study and Ecosphere. The image for this episode features creepy red creatures on a dark green field. It was made by Saronik Bosu. Boo! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
The latest episode was the brainchild of longtime Cinematologist Mark Jenkin (Bait/Enys Men) who wanted to screen one of his favourite films, John Milius's Big Wednesday (1978) at his local cinema, the gorgeous Newlyn Filmhouse, in South West Cornwall. Over a languorous chat before the screening, and over some wonderful chips, Neil and Mark talk about the film and its director, surfing and Mark's upbringing in North Cornwall, the podcast, film programming, filmmaking and all sorts. During the conversation, the lovely staff from the Filmhouse pop in and out making sure the hosts are ok. After this the episode moves into the screen, where Neil and Mark intro the film and are joined afterwards by a large portion of the sell-out crowd to reflect on the screening and the many complex and moving elements of the film, before Neil and Mark say goodnight on the steps of the cinema as staff close it for the day. Thank you to Mark for choosing the film and being so generous with his time, thoughts and energy at the event. Thanks to Kingsley for manning the roving mic and thanks to Alastair and staff at the Filmhouse for their support, hospitality, and chips. — You can listen to The Cinematologists for free wherever you listen to podcasts: click here to follow. We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only £2. We really appreciate any reviews you might write (please send us what you have written and we'll mention it), and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show. — Music Credits: ‘Theme from The Cinematologists' Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing.
To coincide with the UK cinema release, Neil talks to director Rachel Lambert about Sometimes I Think About Dying, her third feature film. The conversation covers making a feature that had a successful life as a short film, the artistic and thematic legacies of COVID, the importance of location and place, the all-too-human desire to be seen and the terror that comes with that, the importance of Buster Keaton and the genius of Punch Drunk Love, among many other things in a deep and far-reaching conversation. Elsewhere, Neil talks about how much he misses Dario and recent encounters with cinema that represent the Pacific Northwest on screen. To view the short film that is part of the conversation and the legacy of the film, you can see it here - https://vimeo.com/366086858 For tickets to the live episode taping at Newlyn Filmhouse on Monday 15th April, for a film selected and introduced by Mark Jenkin, click here - https://newlynfilmhouse.com/NewlynFilmhouse.dll/WhatsOn?f=1002162 — You can listen to The Cinematologists for free wherever you listen to podcasts: click here to follow. We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only £2. We really appreciate any reviews you might write (please send us what you have written and we'll mention it), and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show. — Music Credits: ‘Theme from The Cinematologists' Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing.
Our last folk horror film of the month is the 2022 psychodrama ‘Enys Men', directed by Mark Jenkin.
Listen in this week as we laud our mediocre achievements, and to celebrate them what better way could there possibly be than chatting about the Top 5 Celebrations. It may have taken four hundred episodes to do so but the Dads finally sat down together in the man cave to watch director Mark Jenkin's ENYS MEN (2022). A kind of twisted lovechild of David Attenborough and H.P. Lovecraft, the film is set in 1973 on an uninhabited island off the Cornish coast and follows a lone woman, played with haunting subtlety by Mary Woodvine, as she observes a rare flower in the shadow of an ancient stone monument. A study in solitude, where the most dialogue you'll get is the scribbling of ‘No change' in a ledger, which becomes increasingly ironic as everything on screen suggests otherwise, ENYS MEN is a film that both marvels at and fears the power of nature. It looks stunning of course, filmed on 16mm Kodak Film giving it an authentic feel of the era, almost lending a kind of found footage or documentary quality but also being dreamlike and cinematic, and the sound design helps to strengthen the sense of foreboding. That being said this is not going to be everybody's cup of tea, with the director's debut BAIT a far more traditional offering in terms of plotting and pacing than this more avant-garde follow-up.Theme tune aside, Sidey sees nothing of value in this week's kids tv choice as we look at classic children's drama GRANGE HILL. We look at the first episode which features wallpaper almost as mind-bending as this week's film was. Stuff I remember from Grange Hill which traumatised me: the kid who fell off the multi-storey car park, Zammo getting into a fight at the zoo and falling into the sea lion enclosure, Michael Sheard's terrifying Mr Bronson and of course, Just Say No when Roland discovered Zammo slumped against a wall in the back room of an amusement arcade, surrounded by drug paraphernalia, his eyes fixed in a dead-eyed stare. Good stuff, We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com. Until next time, we remain... Bad Dads
In this final episode of 2023 (and season 18), we (Neil and Dario) ruminate on a year spent thinking cinematically and engaging with cinema in the unique way that has become the hallmark of The Cinematologists; thoughtful, personal, searching for meaning and meaningful experiences across the movie spectrum. We both share brief discussions of two films that stuck with us from different points of the year, Neil talking about Mark Jenkin's short A Dog Called Discord and Christine Molloy and Joe Lawlor's The Future Tense, while Dario ponders Patricio Guzman's My Imaginary Country and Samsara, directed by Lois Patiño. Then, we spend more time discussing three films each at greater length in what could be seen as their top 3 films of the year, if we were so inclined to frame them that way (and we go to great pains in the episode to make sure that they don't come across as ‘ranked'). Dario shares his thoughts on and fondness for Laura Poitras's All The Beauty and the Bloodshed, Celine Song's Past Lives and Todd Haynes's May December. While Neil decides to go deep on Cyril Schäublin's Unrest (which he shamefully claims is set in the 1920s when it's clearly late 19th Century!), Felix van Groeningen and Charlotte Vandermeersch's The Eight Mountains and Aki Kaurismäki's Fallen Leaves. ——— Thank you to all our guests this season and to our listeners, we thank you for your continued support of The Cinematologists, and hope you join us for season 19, which commences in February 2024. ——— You can listen to The Cinematologists for free, wherever you listen to podcasts: click here to follow. We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only £2. We really appreciate any reviews you might write (please send us what you have written and we'll mention it) and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show. _____ Music Credits: ‘Theme from The Cinematologists' Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing.
A special program from this year's End of The Road Festival, with Bafta-award winning director and festival film curator, Mark Jenkin, academic and folk singer, Angeline Morrison - plus a little help choosing your new favourite band from Manchester design duo, Mikesian Studios.
The second part of a convo with Mark Jenkin, director of "Cornish Folk Horror" film Enys Men, on making Cornish films and music.
Boomer, Brandon, and Alli discuss Mark Jenkin's psychedelic, seaside folk horror Enys Men (2023) https://swampflix.com/ 00:00 Welcome 00:36 GalaxyCon Austin 2023 09:38 Missions: Impossible 1 - 4 (2000 - 2011) 17:15 Barbie (2023) 21:53 Triangle of Sadness (2022) 30:23 Turtles Forever (2009) 35:35 Oldboy (2003) 46:35 Enys Men (2023)
Mark Jenkin, director of Bafta winning fishing tale, Bait, on creating a live soundtrack to his "Cornish Folk Horror" Enys Men.
Ariel sits down with Mark Jenkin, the filmmaker behind the unusual Neon horror film, Enys Men, recently added to Hulu.Support the show
Wassan? It's a nautical themed episode for a movie that Sophie hasn't seen before, and it's the debut experimental drama from Mark Jenkin called Bait, set in a British coastal town in Cornwall and cited by Mark Kermode as 'a genuine modern masterpiece'. Knowing that Sophie has a keen interest in old style photography and appreciation for the art, I edge my bets with having her give her thoughts on this film, and therefore find out if Kermode's statement rings true! (Also, apparently there was a 2012 Australian shark movie that goes by the same name? - hence the brackets for the title) ------------------------------------------------------- Don't forget to follow us on social media in the links below, and let us know your thoughts and recommendations for the future! instagram.com/sp_filmviewers twitter.com/SP_Filmviewers letterboxd.com/SP_Filmviewers Rating and reviewing the show is a great help too! Please feel free to do so with these helpful links below: Goodpods: https://goodpods.app.link/pkE7J2T6ykb Podchaser: https://www.podchaser.com/users/sp_filmviewers Apple Podcasts: https://podcasts.apple.com/gb/podcast/sp-filmviewers/id1485548644 Lastly, we now have a Patreon you can join, for as little as £1/$1.50. More details in the link below: https://patreon.com/spfilmviewers
In which our intrepid trio are sent on a metaphysical journey by the hands of longtime supporter, listener, contributor, and friend, Neil Ramjee as we discuss this bewildering Mark Jenkin film. Please give Neil a follow on twitter @NeilRamjee and wherever else he may pop up on other social medias. Yay/Nay (6:12) A Woman Under the Influence • Smoking Causes Coughing • Annihilation • One Piece • Beetlejuice • Sweet Smell of Success • Indiana Jones and the Dial of Destiny • Main Review (21:22) Outro/B-Roll (1:01:54) Email: firsttimewatchers@gmail.com Twitter: @1sttimewatchers Back Catalogue: firsttimewatchers.podbean.com Donate: Patreon.com/firsttimewatchers Buy stuff: zazzle.com/firsttimewatchers Member: largeassmovieblogs.com/
In this episode, we have a long chat about several disparate films. The Fort Worth Film Club recently screened Akira Kurosawa's "The Hidden Fortress" as part of the "Lucas Before Luke" series. We also talk about Paul Schrader's latest Bressonian film "Master Gardener," and Mark Jenkin's erroneously categorized "Enys Men." Stick around for recommendations. Keep in touch and read more at whydoesthewilhelmscream.com on instagram @whydoesthewilhelmpod and twitter @whywilhelm Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation Artwork by @_mosla_
On an uninhabited island off the Cornish coast, a wildlife volunteer's daily listen to the world's most dangerous podcast turns into a metaphysical journey that forces her as well as the listener to question what is real and what is a nightmare. On Episode 570 of Trick or Treat Radio we are joined by regular guest co-host Arkham Josh to discuss the Cornish film Enys Men from director Mark Jenkin! We also tell our favorite Mel Brooks stories, we talk about our favorite films that begin with the letter ‘P', and we talk folk horror. So grab your 16mm clockwork camera, go through your daily routine over and over, and strap on for the world's most dangerous podcast!Stuff we talk about: Severn Summer Sale, Joe Spinell, Cornish language, folk horror, The Isle of Corny, RIP Julian Sands, Vibes, The Office, Ken Kwapis, Peter Falk, Made, Jon Favreau, PCU, Steve Vai, Crossroads, Porno Holocaust, comparing Julian Sands to Vin Diesel, The Killing Fields, Arachnaphobia, Happy Birthday Mel Brooks, Spaceballs, George Lucas, The Producers, 12 Angry Men, Blood In Blood Out, Golden Girls, Estelle Getty, Bea Arthur, Night of the Demons, Golden Palace, Cheech Marin, Threes a Crowd, David Lynch, Elephant Man, Eraserhead, Twin Peaks, Bill by Force, Outside the Cinema, Misfits of Horror, The Beef Barn, Roast Beef and Records, Pimp of Promotions on a Pole, Perrier, Enys Men, Mark Jenkin, Cornwall, filibuster, projecting films, having an appreciation of celluloid, 70s films, Alien Autopsy, Jonathan Frakes, Sprockets, Skinamarink, The Outwaters, Blueprint for Survival, Folk Horror, May Day, Mary Woodvine, A Field in England, Ben Wheatley, The Wicker Man, Alfred Hitchcock, Michael Bay, Groundhogs Day, friends giving spoilers, The Spoiler, Bomboleyo Hit the Floor, Animal Kingdom, Sheer Terror, I Spoiler, The Ghost Stories for Christmas, Donald Pleasance, I see lichen people, The Phantom Pooper, and a polite goodbye.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show
In one of the last interviews of Season 3, composer and director Mark Jenkin joins The Film Scorer podcast! First off, and something I forgot to mention in the intro, but I appreciate Mark persevering through some major audio issues - our interview went for nearly an hour, but a lot of the audio wasn't salvageable! Mark recently released his experimental folk horror film Enys Men (Cornish for Stone Island) earlier this year, as well as his corresponding score. As such, we primarily discuss the film, including Mark's score, how filmmaking and composing process, and much more. Along the way we touch on imposter syndrome and what constitutes a "musician", Mark's appreciation for good film criticism, and scores Mark's been digging lately (like Nick Cave and Warren Ellis's Wind River). Enys Men is a tough watch, and likely won't be for everyone, as is the case for most unorthodox/non-traditional films, and the same can be said for Mark's score. It's a very droning, atmospheric piece that slowly pulls you into the nightmarish isolation of the film. Mark also chose a strange sonic palette, starting with recording a tiny, old Korg synth into a tape loop before adding elements like rocks, locally sourced scrap metal from Cornwall's post-industrial landscape, and Mark's voice sung into a mic with heavy reverb. I love it. You can find out more about Mark on his website. Enys Men is available for purchase, and may still be in some specialty theaters, and Mark's score, as well as his score for Bait, is available digitally on all major platforms.
It's a new year, which means a new batch of great film music to listen to! To help you out, The Film Scorer covers some of the best and most notable film scores released from the last three months of the year, including scores like Enys Men by Mark Jenkin, Broker by Jung Jae-Il, L'envol by Gabriel Yared, and many more! Keep your eye on The Film Scorer website for reviews and articles covering some of these scores and see below for articles covering some of my favorite scores for the following months, including detailed writeups and lists. One note: I accidentally reference Chris Lord when I meant to say Chris Miller (of Lord and Miller).
In this episode, we have a conversation with the visionary filmmaker that is Mark Jenkin.Mark Kermode referred to his debut feature film, Bait (2019) as a "genuine modern masterpiece, which establishes Jenkin as one of the most arresting and intriguing British film-makers of his generation.”The film premiered at Berlinale, and won him the BAFTA Award for Outstanding Debut by a British Writer, Director or Producer.His unique style and methods make for strikingly powerful short films. Some of our favourites are David Bowie is Dead, Dear Marianne, and Hard Cracked the Wind (all available on BFI Player.) He's also made music videos for the likes of Thom Yorke's new project The Smile and Bicep. Mark's most recent film is Enys Men, a mind-bending Cornish folk horror set on an island off the Cornish coast. It is released on Blu-ray & DVD (Dual Format Edition) and on BFI Player on 8 May.We talk about a range of topics, including his process, his opinions on shorts, his history with them, and of course the brilliant Enys Men.This was truly a very special episode for us. We walked away from it with our minds blown, inspired and excited about the possibilities of filmmaking. Mark is an innovator, and one to keep a close eye on. He's also a lovely guy!A massive thank you to the great London Short Film Festival, who were instrumental in setting this conversation up. Please find the link to their website here:https://shortfilms.org.uk/You can find out more about Mark here:https://www.instagram.com/mark_jenkin/?hl=enhttps://markjenkin.co.uk/Mark's favourite short films:Jaunt- Dir. Andrew Kottinghttps://vimeo.com/55220005World Of Glory- Dir. Roy Andersonhttps://vimeo.com/2867971
Mark Kermode and Ellen E Jones take the scenic route through slow cinema - a genre of film that might challenge your attention span, but is almost guaranteed to change the way you watch. There is one particular film that's inspired this week's show, Chantal Akerman's 3-and-a-half hour, slow moving masterpiece from 1975 - Jeanne Dielman, 23 quai du Commerce, 1080, Brussels In December 2022, Jeanne Dielman topped Sight and Sound magazine's Greatest Film of All Time poll. That caused quite a fuss because, for the last few decades, the poll has been dominated by Citizen Kane and Vertigo. Ellen speaks with critic Wendy Ide and film academic Dr Tiago de Luca to get deeper into the genre of slow cinema and explore this sea change in critics' tastes. One reason for Jeanne Dielman's new found popularity is down to access. A film that was once almost impossible to see is now enjoying sell out runs in art house cinemas. In an extended interview, Mark talks with writer and filmmaker Adam Roberts who, along with director Joanna Hogg, has long been at the centre of the quest to take Chantal Akerman's filmography from the underground into the spotlight. They discuss Akerman's life, work and her unique creative vision. And in this week's Viewing Note, friend of the show and director of the Cornish folk horror Enys Men, Mark Jenkin, shares his slow cinema recommendations. Producer: Freya Hellier A Prospect Street production for BBC Radio 4
Spoiler-Free reviews of Anthony DiBlasi's Last Shift update Malum and Mark Jenkin's new Folk Horror Psche-Freak Out Enys Men. Also - 1990 France's answer to Frank Henenlotter's Brain Damage: Let's talk Alain Robak's Baby's Blood!!!
Welcome to a special Magic Hour brought to you by The Letterboxd Show! Magic Hour is our video series that has lived primarily on YouTube and it features two filmmakers having a conversation with each other. In this special episode, Mark Jenkin (Enys Men) chats with Kyle Edward Ball (Skinamarink.) Enys Men follows a wildlife volunteer on an uninhabited island off the British coast that descends into a terrifying madness as she loses grip on reality. Skinamarink is the experimental horror that all your friends were watching that's now available on Shudder. As we prepare for the return of The Letterboxd Show and interviewing folks about their Four Favorites, we thought this might be a fun time to share an audio version of a conversation we really enjoyed with two very talented people. Links: Enys Men on Letterboxd Skinamarink on Letterboxd Credits: Magic Hour edited by @CultPopture With thanks to @neonrated
"Enys Men" had its world premiere at last year's Cannes Film Festival. It later went on to screen at other film festivals, including NYFF, and received a release from NEON this past weekend. An experimental horror film, its abstract visuals and lead performance from Mary Woodvine have garnered critical acclaim. Director and writer Mark Jenkin was kind enough to talk with us about his newest film, which you can listen to below. Thank you for listening, and enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture Learn more about your ad choices. Visit megaphone.fm/adchoices
Cornish filmmaker Mark Jenkin joins the pod to talk about his new film Enys Men, now playing nationwide. We talk about the legacy of big, scary stones in British horror, working with a skeleton crew, hand-processing 16mm film, eco-friendly filmmaking, and creating soundtracks entirely in post. We also discuss his remarkable BAFTA-winning previous feature Bait, which returns to select theaters this weekend.Enys Men trailer - showtimes with Q&As at Film at Lincoln Center & Village EastBait trailer - showtimes with Q&As at Film at Lincoln Center & Village East Mark Jenkin's The Cinematic DNA of Enys Men season at BFISupport the showThe Screen Slate Podcast is supported by its Patreon members. Sign up and get access to bonus episodes, our lockdown-era streaming series archives, discounts from partners like Criterion and Posteritati, event invitations, and more.
This week on the Film at Lincoln Center podcast, we're featuring a Q&A from the 60th New York Film Festival with Enys Men director Mark Jenkin and lead Mary Woodvine, moderated by FLC Senior Director of Programming Florence Almozini. In 1973, on an uninhabited, windswept, rocky island off the coast of Cornwall in southwest England, an isolated middle-aged woman spends her days in enigmatic environmental study. When she's not tending to the moss-covered stone cottage in which she lodges, her central preoccupation is a cluster of wildflowers at a cliff's edge, the blossoms' subtle changes noted in a daily ledger. She's also increasingly haunted by her own nightmarish visitations, which seem both summoned from her own past and brought up from the very soil and ceremonial history of this mysterious place. Shot on enveloping, period-evocative 16mm, this eerie, texturally rich experience from Cornish filmmaker Mark Jenkin conjures works of classic British folk horror but remains its own strange being, a genuine transmission from a weird other world. Enys Men opens next Friday, March 31, with a filmmaker Q&A at 6pm, along with Jenkin's debut feature Bait, which also opens next Friday with a Q&A at 8:45pm. Don't miss Enys Men on 35mm—only during opening weekend and get tickets at filmlinc.org/enys
Join your host Duncan Under The Stairs discussing all things Horror on The Podcast Under the Stairs. Duncan had the pleasure of chatting to Mark Jenkin director of the new folk horror movie Enys Men due to be released in selected theatres in the US on 31st March 2023. Our new RSS Feed: https://anchor.fm/s/13ba6ef0/podcast/rss Check out the show on Anchor, iTunes, TuneIn & on Stitcher Radio. Join our Discord Community. Please leave us feedback on iTunes, podcastunderthestairs@gmail.com and follow us on Facebook & Twitter.
BAFTA Award winning director Mark Jenkin joins us to talk about his unique approach to sound for his films. He shoots his films on a bolex camera, entirely without sound and only adds ADR (which he records himself) after the film is edited. He also writes and records the score himself. All of this to make utterly unique films that have found both an audience and critical acclaim in the UK and beyond. Show Notes & Pictures: https://tonebenderspodcast.com/216---mark-jenkin-director-of-bait-and-enys-men/ Podcast Homepage: https://tonebenderspodcast.com Tonebenders Hosts This Episode: Timothy Muirhead & Teresa Morrow
On this weeks episode Giles Alderson chats with BAFTA and BIFA winning director Mark Jenkin about making his films and dive deep into shooting on film and his latest feature shot that way, Enys Men which is OUT NOW!One of the most exciting filmmakers working in the UK today. Mark has been showered with praise for his BAFTA-winning feature film 'BAIT'. A native son of Cornwall, Mark Jenkin is a British director, editor, screenwriter, cinematographer and producer.ENYS MEN is in cinemas now. The Cinematic DNA of ENYS MEN season [curated by director Mark Jenkin] runs at BFI Southbank until 31 January with selected films and Jenkin's shorts collection available on BFI Player now.ENYS MEN will be released on Blu-ray/DVD and BFI Player on 1 May. The ENYS MEN Original Score by Mark Jenkin is out now digitally via Invada Records and released on vinyl on 24 February.On the episode Giles and Mark talk about:-The success Bait-Why they brought on film4 to finance Enys Men-Why he shoot on film not digital -Inspiration & passion -Why most of edit decisions are made before the shoot or on set -And why simplicity on set is keyMark was previously on the filmmakers podcast recorded at Dirt in the Gate's LIVE screening and Q&A chat for the BAIT.You can listen to that here https://thefilmmakerspodcast.com/bait-how-to-make-a-bafta-nominated-indie-film-on-16mm-live-qa-with-director-cinematographer-writer-mark-jenkin/PATREONBig thank you to:Lee HutchingsMarli J MonroeKaren NewmanWant your name in the show notes or some great bonus material on film-making?Join our Patreon for bonus episodes, industry survival guides and feedback on your film projects! SUPPORT THE PODCASTCheck out our full episode archive at TheFilmmakersPodcast.com CREDITSThe Filmmakers Podcast is hosted, produced and written by Giles Alderson @gilesaldersonEdited by @tobiasveesSocial Media by Kalli Pasqualucci @kallieepMarketing Huw SiddleLogo and Banner Art by Lois Creative Theme Music by John J. HarveyHosted on Acast. See acast.com/privacy for more information.Hosted on Acast. See acast.com/privacy for more information. Hosted on Acast. See acast.com/privacy for more information.
The film critic Clarisse Loughrey and literary editor Sam Leith join Tom Sutcliffe live in the studio to review the new HBO series The Last of Us, based on the critically acclaimed video game, and the film Enys Men, a Cornish folk horror by Mark Jenkin, the BAFTA winning director of BAIT. In the most recent in an occasional series of interviews about the artistic influence of mentors, the musician and composer Nitin Sawhney discusses his relationship with his mentor, the sitar virtuoso Ravi Shankar. Ahead of next week's announcement of the winner of the T.S. Eliot Prize for Poetry, Victoria Adukwei Bulley reads her poem The Ultra-Black Fish from her shortlisted collection Quiet. Presenter: Tom Sutcliffe Producer: Kirsty McQuire Picture: Pedro Pascal as Joel & Bella Ramsey as Ellie HBO / Warner Media© 2022 Home Box Office, Inc.
In this special bonus episode, I chat to director of BAIT and the upcoming ENYS MEN Mark Jenkin about his new movie and its relationship with British 70s folk horror. Enys Men is in UK cinemas from 13th January. Check out Mark Jenkin's curated season of films at the BFI: The Cinematic DNA of Enys Men Music by Jack Whitney. Visit our website www.evolutionofhorror.com Keep an eye on all our UPCOMING EVENTS Buy tickets for our next upcoming EVOLUTION OF HORROR PRESENTS screening at the Genesis Cinema! www.evolutionofhorror.com/genesis You can now buy Evolution of Horror merch on our TeePublic store! www.evolutionofhorror.com/merchandise Subscribe and donate on PATREON for bonus monthly content and extra treats... www.patreon.com/evolutionofhorror Email us! Follow us on TWITTER Follow us on INSTAGRAM Like us on FACEBOOK Join the DISCUSSION GROUP Join the DISCORD Follow us on LETTERBOXD Mike Muncer is a producer, podcaster and film journalist and can be found on TWITTER
Screenwriter Stuart Wright welcomes back writer/director Mark Jenkin to talk about his second feature film ENYS MENShot on 16mm, ENYS MEN is a mind-bending Cornish folk horror set in 1973 that unfolds on an uninhabited island off the Cornish coast. A wildlife volunteer's daily observations of a rare flower take a dark turn into the strange and metaphysical, forcing both her and viewers to question what is real and what is nightmare.Preview screenings from 2 January 2023 & in cinemas across UK and Ireland from 13 January Details here https://www.enysmen.co.ukThe Cinematic DNA of Enys Men Season at the BFI, South Bank, curated by Mark Jenkin runs at BFI Southbank & on BFI Player from 1–31 January https://whatson.bfi.org.uk/Online/default.asp?BOparam::WScontent::loadArticle::permalink=markjenkin The ENYS MEN Original Score will be released via Invada Records on 2 January. https://www.invada.co.uk/collections/vinylYou can buy me a cup of coffee & support this independent podcast that I host and produce at https://app.redcircle.com/shows/ae030598-6b83-4001-8a29-5e5dd592ed26/sponsort Please consider leaving a five-star review wherever you get your podcasts if you enjoyed this. It really helps the Britflicks Podcast grow and others to discover it.CreditsIntro/Outro music is Rocking The Stew by Tokyo Dragons (www.instagram.com/slomaxster/)Podcast for www.britflicks.com. Written, produced and hosted by Stuart WrightSupport this podcast at — https://redcircle.com/britflicks-com-podcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy