Podcast appearances and mentions of lyn murray

"The Adventures of Philip Marlowe" was a hardboiled detective radio series based on Raymond Chandler's iconic private eye. Unlike many other detective shows of the era, it was known for its serious tone, with fewer lighthearted moments.The show premiered on NBC in June 1947 as a summer replacement for Bob Hope, titled "The New Adventures of Philip Marlowe," starring Van Heflin. The first episode adapted Chandler's short story "Red Wind," and the NBC run concluded in September 1947.In 1948, the series moved to CBS and was renamed "The Adventures of Philip Marlowe," with Gerald Mohr taking on the lead role. This CBS version also began with a different adaptation of "Red Wind." By 1949, it had become the most popular radio program. The CBS series aired for 114 episodes, from September 1948 to September 1950.From July to September 1951, the show briefly returned as a summer replacement for "Hopalong Cassidy," with Mohr reprising his role, except for one episode in 1950 featuring William Conrad.A notable episode, "The Birds on the Wing" (November 26, 1949), famously broke the fourth wall at both the beginning and end. Marlowe mentions reading Chandler's latest novel, "The Little Sister," and in the conclusion, Gracie Allen asks Marlowe to find a radio show for her husband, George Burns.Lyn Murray composed the program's music. The theme used in the first two NBC episodes, where Marlowe narrates the opening of Chandler's "Red Wind," later became a prominent motif in Murray's score for Alfred Hitchcock's "To Catch a Thief" (1954).Despite its popularity, "The Adventures of Philip Marlowe" lacked consistent sponsorship, with only brief periods supported by Ford Motor Company and Wrigley's Gum in 1950.Raymond Chandler had minimal involvement with the radio series, content with the weekly royalties for his character's use and expressing moderate satisfaction with Gerald Mohr's portrayal of Marlowe.The first NBC episode's script was by Milton Geiger, which Chandler found "thoroughly flat." The CBS version, produced and directed by Norman Macdonnell, was better received. The writing team for the CBS series included Gene Levitt, Robert Mitchell, Mel Dinelli, and Kathleen Hite, with music by Richard Aurandt and Roy Rowan as the announcer. The cast alongside Gerald Mohr featured actors such as Jeff Corey, Howard McNear, Parley Baer, Lawrence Dobkin, Virginia Gregg, Gloria Blondell, and Lou Krugman.

CBS Radio Workshop || (14) The Record Collectors | (15) The Toledo War || Broadcast: April 27, 1956; May 4, 195601:40 ... John Dehner interviews two record collectors who play some items from their collections. The whole show is a hoax. Appearing as special guests are the noted singer Miss Margaret Whiting, composer conductor Mr Lyn Murray and a great voice from the past Miss Margaret Young.31:18 ... The Toledo War a new opera performed for the first time with words by Edward Egger and music composed and conducted by David Brookman. It was in 1835 when Michigan was still a territory that the young governor Stevens Thompson Mason claimed that a strip of land including the town of Toledo rightfully belonged to Michigan but some people in Ohio thought differently and so it was war.: : : : :My other podcast channels include: MYSTERY x SUSPENSE -- DRAMA X THEATER -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES -- THE COMPLETE ORSON WELLES .Subscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr#scifiradio #oldtimeradio #otr #radiotheater #radioclassics #bbcradio #raybradbury #twilightzone #horror #oldtimeradioclassics #classicradio #horrorclassics #xminusone #sciencefiction #duaneotr:::: :

The OTRNow Radio Program 2024-022The Shadow Of Fu Manchu. August 02, 1939. Program #37. Radio Attractions syndication. Sponsored by: Music fill for local commercial insert. Escape from the house of Fu by sliding across on a wire. Hanley Stafford, Gale Gordon. The Shadow Of Fu Manchu. August 04, 1939. Program #38. Radio Attractions syndication. Sponsored by: Music fill for local commercial insert. "The Fiery Hand.". Hanley Stafford, Gale Gordon. Calling All Cars. March 28, 1934. Program #18. CBS Pacific net (Don Lee net). "The Spinoza Case". Sponsored by: Rio Grande Oil. A pyromaniac has set a fire that has done $147,000 worth of damage. The story is introduced by Chief James Davis of the Los Angeles police department. The Spotlight Revue. December 3, 1948. CBS net. Commercials deleted. The first tune is, "On Notre Dame." The band also plays, "It's Magic." Guest Frank Sinatra sings, "Once In Love With Amy" and, "Prisoner Of Love" (with embellishments by Spike). Spike Jones and The City Slickers, George Rock, Doodles Weaver, Dorothy Shay, Freddie Morgan, Dick Morgan, Frank Sinatra, Dick Joy (announcer).  The Anacin Hollywood Star Theatre. December 18, 1948. NBC net. "Fogbound". Sponsored by: Anacin, BiSoDol Mints. A romance set in San Francisco. A beautiful and wealthy girl from Nob Hill falls for a bitter piano player in a bar. Helena Carter admits that this is her first time before a microphone and before an audience. Helena Carter, Jack Webb, Douglas Fairbanks Jr. (host), Donald Woods, Martha Wilkerson (writer), Stacy Harris, Ken Peters (announcer).  The Adventures Of Philip Marlowe. June 17, 1947. NBC net. "The Red Wind". Sponsored by: Pepsodent. The first show of the series, as a summer replacement for Bob Hope. The same story was re-done a year later with a different cast (see cat. #8612). Forty-one matched pearls with a diamond propeller clasp...a good reason for murder! The show is referred to as "The Pepsodent Show." Van Heflin, Lyn Murray (composer, conductor), Raymond Chandler (creator, writer), Milton Geiger (adaptor), Lurene Tuttle, Wendell Niles (announcer), William Conrad, James Fonda (producer, director), William Johnstone, Harry Bartell.Macabre. December 11, 1961. Program #5. AFRTS-FEN origination. "The Midnight Horseman". A good screamer. A painting of a black knight...with occult powers! The announcer mentions that it's Halloween, indicating a possible rebroadcast at a later date. Al Lepage (announcer). 

The Red Wind by Raymond Chandler is a classic piece of noir fiction, and its adaptation to radio had a strong influence on the genre. The story, originally published in 1938, introduces listeners to Philip Marlowe, the hard-boiled detective who navigates the treacherous streets of Los Angeles. The radio adaptation captures Chandler's gritty, atmospheric prose, drawing audiences into a world where the line between good and evil is blurred. Throughout the play, the Santa Ana winds howl in the background, creating a delicious sense of unease. Greg and Mary talk about the performances of Van Heflin and Lurene Tuttle, the  music score by Lyn Murray, and Chander's evocative writing. Thank you for listening! If you like the show, please share us with your friends and family AND give us a review!Follow The Shiver Show https://www.facebook.com/theshivershowhttps://www.instagram.com/theshivershowor check out our website at https://www.timewarpstudios.com https://tiktok.com/@timewarpsoundstudios https://www.facebook.com/timewarpstudios Other podcast platforms: https://linktr.ee/theshivershow

"The Adventures of Philip Marlowe" is a radio show that was broadcast from 1948 to 1951. The show is based on the character of Philip Marlowe, a private detective created by Raymond Chandler. Gerald Mohr starred as Marlowe, and the show was known for its gritty and realistic portrayal of crime and the criminal underworld.Each episode of "The Adventures of Philip Marlowe" featured a different case for Marlowe to solve, often involving murder, theft, or other serious crimes. The show's writing was praised for its use of Chandler's hard-boiled style and for its ability to capture the seedy underbelly of Los Angeles.In addition to Mohr's excellent portrayal of Marlowe, the show also featured a talented supporting cast of actors and actresses, including Howard McNear and Parley Baer. The show's theme music, "The Adventures of Philip Marlowe Theme," composed by Lyn Murray, has become a classic of the genre.Overall, "The Adventures of Philip Marlowe" is a landmark of radio drama, and one of the most popular and enduring detective shows of its time. Its influence can still be felt in modern crime fiction and detective dramas, and it remains a beloved part of the Golden Age of Radio.These episodes have been digitally remastered and are presented by SolvedMystery.comFor more information about this and other old time radio programs please visit:https://www.solvedmystery.com .

"The Adventures of Philip Marlowe" is a radio show that was broadcast from 1948 to 1951. The show is based on the character of Philip Marlowe, a private detective created by Raymond Chandler. Gerald Mohr starred as Marlowe, and the show was known for its gritty and realistic portrayal of crime and the criminal underworld.Each episode of "The Adventures of Philip Marlowe" featured a different case for Marlowe to solve, often involving murder, theft, or other serious crimes. The show's writing was praised for its use of Chandler's hard-boiled style and for its ability to capture the seedy underbelly of Los Angeles.In addition to Mohr's excellent portrayal of Marlowe, the show also featured a talented supporting cast of actors and actresses, including Howard McNear and Parley Baer. The show's theme music, "The Adventures of Philip Marlowe Theme," composed by Lyn Murray, has become a classic of the genre.Overall, "The Adventures of Philip Marlowe" is a landmark of radio drama, and one of the most popular and enduring detective shows of its time. Its influence can still be felt in modern crime fiction and detective dramas, and it remains a beloved part of the Golden Age of Radio.These episodes have been digitally remastered and are presented by SolvedMystery.comFor more information about this and other old time radio programs please visit:https://www.solvedmystery.com .

"The Adventures of Philip Marlowe" is a radio show that was broadcast from 1948 to 1951. The show is based on the character of Philip Marlowe, a private detective created by Raymond Chandler. Gerald Mohr starred as Marlowe, and the show was known for its gritty and realistic portrayal of crime and the criminal underworld.Each episode of "The Adventures of Philip Marlowe" featured a different case for Marlowe to solve, often involving murder, theft, or other serious crimes. The show's writing was praised for its use of Chandler's hard-boiled style and for its ability to capture the seedy underbelly of Los Angeles.In addition to Mohr's excellent portrayal of Marlowe, the show also featured a talented supporting cast of actors and actresses, including Howard McNear and Parley Baer. The show's theme music, "The Adventures of Philip Marlowe Theme," composed by Lyn Murray, has become a classic of the genre.Overall, "The Adventures of Philip Marlowe" is a landmark of radio drama, and one of the most popular and enduring detective shows of its time. Its influence can still be felt in modern crime fiction and detective dramas, and it remains a beloved part of the Golden Age of Radio.These episodes have been digitally remastered and are presented by SolvedMystery.comFor more information about this and other old time radio programs please visit:https://www.solvedmystery.com .

"The Adventures of Philip Marlowe" is a radio show that was broadcast from 1948 to 1951. The show is based on the character of Philip Marlowe, a private detective created by Raymond Chandler. Gerald Mohr starred as Marlowe, and the show was known for its gritty and realistic portrayal of crime and the criminal underworld.Each episode of "The Adventures of Philip Marlowe" featured a different case for Marlowe to solve, often involving murder, theft, or other serious crimes. The show's writing was praised for its use of Chandler's hard-boiled style and for its ability to capture the seedy underbelly of Los Angeles.In addition to Mohr's excellent portrayal of Marlowe, the show also featured a talented supporting cast of actors and actresses, including Howard McNear and Parley Baer. The show's theme music, "The Adventures of Philip Marlowe Theme," composed by Lyn Murray, has become a classic of the genre.Overall, "The Adventures of Philip Marlowe" is a landmark of radio drama, and one of the most popular and enduring detective shows of its time. Its influence can still be felt in modern crime fiction and detective dramas, and it remains a beloved part of the Golden Age of Radio.These episodes have been digitally remastered and are presented by SolvedMystery.comFor more information about this and other old time radio programs please visit:https://www.solvedmystery.com .

"The Adventures of Philip Marlowe" is a radio show that was broadcast from 1948 to 1951. The show is based on the character of Philip Marlowe, a private detective created by Raymond Chandler. Gerald Mohr starred as Marlowe, and the show was known for its gritty and realistic portrayal of crime and the criminal underworld.Each episode of "The Adventures of Philip Marlowe" featured a different case for Marlowe to solve, often involving murder, theft, or other serious crimes. The show's writing was praised for its use of Chandler's hard-boiled style and for its ability to capture the seedy underbelly of Los Angeles.In addition to Mohr's excellent portrayal of Marlowe, the show also featured a talented supporting cast of actors and actresses, including Howard McNear and Parley Baer. The show's theme music, "The Adventures of Philip Marlowe Theme," composed by Lyn Murray, has become a classic of the genre.Overall, "The Adventures of Philip Marlowe" is a landmark of radio drama, and one of the most popular and enduring detective shows of its time. Its influence can still be felt in modern crime fiction and detective dramas, and it remains a beloved part of the Golden Age of Radio.These episodes have been digitally remastered and are presented by SolvedMystery.comFor more information about this and other old time radio programs please visit:https://www.solvedmystery.com .

"The Adventures of Philip Marlowe" is a radio show that was broadcast from 1948 to 1951. The show is based on the character of Philip Marlowe, a private detective created by Raymond Chandler. Gerald Mohr starred as Marlowe, and the show was known for its gritty and realistic portrayal of crime and the criminal underworld.Each episode of "The Adventures of Philip Marlowe" featured a different case for Marlowe to solve, often involving murder, theft, or other serious crimes. The show's writing was praised for its use of Chandler's hard-boiled style and for its ability to capture the seedy underbelly of Los Angeles.In addition to Mohr's excellent portrayal of Marlowe, the show also featured a talented supporting cast of actors and actresses, including Howard McNear and Parley Baer. The show's theme music, "The Adventures of Philip Marlowe Theme," composed by Lyn Murray, has become a classic of the genre.Overall, "The Adventures of Philip Marlowe" is a landmark of radio drama, and one of the most popular and enduring detective shows of its time. Its influence can still be felt in modern crime fiction and detective dramas, and it remains a beloved part of the Golden Age of Radio.These episodes have been digitally remastered and are presented by SolvedMystery.comFor more information about this and other old time radio programs please visit:https://www.solvedmystery.com .

"The Adventures of Philip Marlowe" is a radio show that was broadcast from 1948 to 1951. The show is based on the character of Philip Marlowe, a private detective created by Raymond Chandler. Gerald Mohr starred as Marlowe, and the show was known for its gritty and realistic portrayal of crime and the criminal underworld.Each episode of "The Adventures of Philip Marlowe" featured a different case for Marlowe to solve, often involving murder, theft, or other serious crimes. The show's writing was praised for its use of Chandler's hard-boiled style and for its ability to capture the seedy underbelly of Los Angeles.In addition to Mohr's excellent portrayal of Marlowe, the show also featured a talented supporting cast of actors and actresses, including Howard McNear and Parley Baer. The show's theme music, "The Adventures of Philip Marlowe Theme," composed by Lyn Murray, has become a classic of the genre.Overall, "The Adventures of Philip Marlowe" is a landmark of radio drama, and one of the most popular and enduring detective shows of its time. Its influence can still be felt in modern crime fiction and detective dramas, and it remains a beloved part of the Golden Age of Radio.These episodes have been digitally remastered and are presented by SolvedMystery.comFor more information about this and other old time radio programs please visit:https://www.solvedmystery.com .

"The Adventures of Philip Marlowe" is a radio show that was broadcast from 1948 to 1951. The show is based on the character of Philip Marlowe, a private detective created by Raymond Chandler. Gerald Mohr starred as Marlowe, and the show was known for its gritty and realistic portrayal of crime and the criminal underworld.Each episode of "The Adventures of Philip Marlowe" featured a different case for Marlowe to solve, often involving murder, theft, or other serious crimes. The show's writing was praised for its use of Chandler's hard-boiled style and for its ability to capture the seedy underbelly of Los Angeles.In addition to Mohr's excellent portrayal of Marlowe, the show also featured a talented supporting cast of actors and actresses, including Howard McNear and Parley Baer. The show's theme music, "The Adventures of Philip Marlowe Theme," composed by Lyn Murray, has become a classic of the genre.Overall, "The Adventures of Philip Marlowe" is a landmark of radio drama, and one of the most popular and enduring detective shows of its time. Its influence can still be felt in modern crime fiction and detective dramas, and it remains a beloved part of the Golden Age of Radio.These episodes have been digitally remastered and are presented by SolvedMystery.comFor more information about this and other old time radio programs please visit:https://www.solvedmystery.com .

"The Adventures of Philip Marlowe" is a radio show that was broadcast from 1948 to 1951. The show is based on the character of Philip Marlowe, a private detective created by Raymond Chandler. Gerald Mohr starred as Marlowe, and the show was known for its gritty and realistic portrayal of crime and the criminal underworld.Each episode of "The Adventures of Philip Marlowe" featured a different case for Marlowe to solve, often involving murder, theft, or other serious crimes. The show's writing was praised for its use of Chandler's hard-boiled style and for its ability to capture the seedy underbelly of Los Angeles.In addition to Mohr's excellent portrayal of Marlowe, the show also featured a talented supporting cast of actors and actresses, including Howard McNear and Parley Baer. The show's theme music, "The Adventures of Philip Marlowe Theme," composed by Lyn Murray, has become a classic of the genre.Overall, "The Adventures of Philip Marlowe" is a landmark of radio drama, and one of the most popular and enduring detective shows of its time. Its influence can still be felt in modern crime fiction and detective dramas, and it remains a beloved part of the Golden Age of Radio.These episodes have been digitally remastered and are presented by SolvedMystery.comFor more information about this and other old time radio programs please visit:https://www.solvedmystery.com .

"The Adventures of Philip Marlowe" is a radio show that was broadcast from 1948 to 1951. The show is based on the character of Philip Marlowe, a private detective created by Raymond Chandler. Gerald Mohr starred as Marlowe, and the show was known for its gritty and realistic portrayal of crime and the criminal underworld.Each episode of "The Adventures of Philip Marlowe" featured a different case for Marlowe to solve, often involving murder, theft, or other serious crimes. The show's writing was praised for its use of Chandler's hard-boiled style and for its ability to capture the seedy underbelly of Los Angeles.In addition to Mohr's excellent portrayal of Marlowe, the show also featured a talented supporting cast of actors and actresses, including Howard McNear and Parley Baer. The show's theme music, "The Adventures of Philip Marlowe Theme," composed by Lyn Murray, has become a classic of the genre.Overall, "The Adventures of Philip Marlowe" is a landmark of radio drama, and one of the most popular and enduring detective shows of its time. Its influence can still be felt in modern crime fiction and detective dramas, and it remains a beloved part of the Golden Age of Radio.These episodes have been digitally remastered and are presented by SolvedMystery.comFor more information about this and other old time radio programs please visit:https://www.solvedmystery.com .

"The Adventures of Philip Marlowe" is a radio show that was broadcast from 1948 to 1951. The show is based on the character of Philip Marlowe, a private detective created by Raymond Chandler. Gerald Mohr starred as Marlowe, and the show was known for its gritty and realistic portrayal of crime and the criminal underworld.Each episode of "The Adventures of Philip Marlowe" featured a different case for Marlowe to solve, often involving murder, theft, or other serious crimes. The show's writing was praised for its use of Chandler's hard-boiled style and for its ability to capture the seedy underbelly of Los Angeles.In addition to Mohr's excellent portrayal of Marlowe, the show also featured a talented supporting cast of actors and actresses, including Howard McNear and Parley Baer. The show's theme music, "The Adventures of Philip Marlowe Theme," composed by Lyn Murray, has become a classic of the genre.Overall, "The Adventures of Philip Marlowe" is a landmark of radio drama, and one of the most popular and enduring detective shows of its time. Its influence can still be felt in modern crime fiction and detective dramas, and it remains a beloved part of the Golden Age of Radio.These episodes have been digitally remastered and are presented by SolvedMystery.comFor more information about this and other old time radio programs please visit:https://www.solvedmystery.com .

"The Adventures of Philip Marlowe" is a radio show that was broadcast from 1948 to 1951. The show is based on the character of Philip Marlowe, a private detective created by Raymond Chandler. Gerald Mohr starred as Marlowe, and the show was known for its gritty and realistic portrayal of crime and the criminal underworld.Each episode of "The Adventures of Philip Marlowe" featured a different case for Marlowe to solve, often involving murder, theft, or other serious crimes. The show's writing was praised for its use of Chandler's hard-boiled style and for its ability to capture the seedy underbelly of Los Angeles.In addition to Mohr's excellent portrayal of Marlowe, the show also featured a talented supporting cast of actors and actresses, including Howard McNear and Parley Baer. The show's theme music, "The Adventures of Philip Marlowe Theme," composed by Lyn Murray, has become a classic of the genre.Overall, "The Adventures of Philip Marlowe" is a landmark of radio drama, and one of the most popular and enduring detective shows of its time. Its influence can still be felt in modern crime fiction and detective dramas, and it remains a beloved part of the Golden Age of Radio.These episodes have been digitally remastered and are presented by SolvedMystery.comFor more information about this and other old time radio programs please visit:https://www.solvedmystery.com .

"The Adventures of Philip Marlowe" is a radio show that was broadcast from 1948 to 1951. The show is based on the character of Philip Marlowe, a private detective created by Raymond Chandler. Gerald Mohr starred as Marlowe, and the show was known for its gritty and realistic portrayal of crime and the criminal underworld.Each episode of "The Adventures of Philip Marlowe" featured a different case for Marlowe to solve, often involving murder, theft, or other serious crimes. The show's writing was praised for its use of Chandler's hard-boiled style and for its ability to capture the seedy underbelly of Los Angeles.In addition to Mohr's excellent portrayal of Marlowe, the show also featured a talented supporting cast of actors and actresses, including Howard McNear and Parley Baer. The show's theme music, "The Adventures of Philip Marlowe Theme," composed by Lyn Murray, has become a classic of the genre.Overall, "The Adventures of Philip Marlowe" is a landmark of radio drama, and one of the most popular and enduring detective shows of its time. Its influence can still be felt in modern crime fiction and detective dramas, and it remains a beloved part of the Golden Age of Radio.These episodes have been digitally remastered and are presented by SolvedMystery.comFor more information about this and other old time radio programs please visit:https://www.solvedmystery.com .

"The Adventures of Philip Marlowe" is a radio show that was broadcast from 1948 to 1951. The show is based on the character of Philip Marlowe, a private detective created by Raymond Chandler. Gerald Mohr starred as Marlowe, and the show was known for its gritty and realistic portrayal of crime and the criminal underworld.Each episode of "The Adventures of Philip Marlowe" featured a different case for Marlowe to solve, often involving murder, theft, or other serious crimes. The show's writing was praised for its use of Chandler's hard-boiled style and for its ability to capture the seedy underbelly of Los Angeles.In addition to Mohr's excellent portrayal of Marlowe, the show also featured a talented supporting cast of actors and actresses, including Howard McNear and Parley Baer. The show's theme music, "The Adventures of Philip Marlowe Theme," composed by Lyn Murray, has become a classic of the genre.Overall, "The Adventures of Philip Marlowe" is a landmark of radio drama, and one of the most popular and enduring detective shows of its time. Its influence can still be felt in modern crime fiction and detective dramas, and it remains a beloved part of the Golden Age of Radio.These episodes have been digitally remastered and are presented by SolvedMystery.comFor more information about this and other old time radio programs please visit:https://www.solvedmystery.com .

"The Adventures of Philip Marlowe" is a radio show that was broadcast from 1948 to 1951. The show is based on the character of Philip Marlowe, a private detective created by Raymond Chandler. Gerald Mohr starred as Marlowe, and the show was known for its gritty and realistic portrayal of crime and the criminal underworld.Each episode of "The Adventures of Philip Marlowe" featured a different case for Marlowe to solve, often involving murder, theft, or other serious crimes. The show's writing was praised for its use of Chandler's hard-boiled style and for its ability to capture the seedy underbelly of Los Angeles.In addition to Mohr's excellent portrayal of Marlowe, the show also featured a talented supporting cast of actors and actresses, including Howard McNear and Parley Baer. The show's theme music, "The Adventures of Philip Marlowe Theme," composed by Lyn Murray, has become a classic of the genre.Overall, "The Adventures of Philip Marlowe" is a landmark of radio drama, and one of the most popular and enduring detective shows of its time. Its influence can still be felt in modern crime fiction and detective dramas, and it remains a beloved part of the Golden Age of Radio.These episodes have been digitally remastered and are presented by SolvedMystery.comFor more information about this and other old time radio programs please visit:https://www.solvedmystery.com .

"The Adventures of Philip Marlowe" is a radio show that was broadcast from 1948 to 1951. The show is based on the character of Philip Marlowe, a private detective created by Raymond Chandler. Gerald Mohr starred as Marlowe, and the show was known for its gritty and realistic portrayal of crime and the criminal underworld.Each episode of "The Adventures of Philip Marlowe" featured a different case for Marlowe to solve, often involving murder, theft, or other serious crimes. The show's writing was praised for its use of Chandler's hard-boiled style and for its ability to capture the seedy underbelly of Los Angeles.In addition to Mohr's excellent portrayal of Marlowe, the show also featured a talented supporting cast of actors and actresses, including Howard McNear and Parley Baer. The show's theme music, "The Adventures of Philip Marlowe Theme," composed by Lyn Murray, has become a classic of the genre.Overall, "The Adventures of Philip Marlowe" is a landmark of radio drama, and one of the most popular and enduring detective shows of its time. Its influence can still be felt in modern crime fiction and detective dramas, and it remains a beloved part of the Golden Age of Radio.These episodes have been digitally remastered and are presented by SolvedMystery.comFor more information about this and other old time radio programs please visit:https://www.solvedmystery.com .

Ford Theater | episode 13, Father, Dear Father | This episode aired, December28, 1947Sponsored by: Ford Motor CompanyFeaturing: Howard Lindsay (host), Edwin Jerome, Fran Carlon, Kenneth Banghart (commercial spokesman), Therese Lewis (writer), Irving Pinkus (writer), Howard Teichman (editor), George Faulkner (continuity), Lyn Murray (composer, conductor), George Zachery (director): : : : :My other podcast channels include: MYSTERY x SUSPENSE -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES -- THE COMPLETE ORSON WELLESSubscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr

Christmas Carols (1942) by The Lyn Murray Singers; Oakeley; Lyn Murray; Gruber; Mendelssohn; I. Watts; Handel; Ruth Carhart; Sears; Willis; Brooks; Redner; Ruth Carhart and Floyd Sherman Publication date 1942-07-25 --- Send in a voice message: https://anchor.fm/waldina/message

During the barnstorming days of basketball (1920s-1940s), it was crucial that a team stand out. While one way was just to dominate all competition, another was to showcase a particular aspect that was unique to the team. In a similar fashion to modern-day professional wrestlers, many barnstorming teams tried to tell a narrative of sorts, even if it meant playing up racial stereotypes. It was a strange yet exciting era of basketball history. CREDITS Rick Loayza: Head researcher, writer, and voice Jacob Loayza: Editor, producer, and publisher   MUSIC "The Mediterranean" by Lyn Murray "Horizons" by Roa   SPORTS HISTORY NETWORK https://sportshistorynetwork.com/ (sportshistorynetwork.com) https://sportshistorynetwork.com/podcasts/basketball-history-101/ (sportshistorynetwork.com/podcasts/basketball-history-101/)   FACEBOOK https://m.facebook.com/Basketball-History-101-103801581493027/ (m.facebook.com/Basketball-History-101-103801581493027/)   BUSINESS CONTACT bballhistory101@gmail.com

With the exception of the formation of the game where Naismith had nine players vs. nine players, the game, within only a few years, had become entirely 5v5 -- except for the Iowan high school girls. Featuring a unique 6v6 style of play, each team had three forwards and three guards. The forwards played solely in the front court and the guards solely in the back. Neither group was allowed to cross the halfcourt line, and although it was sexistly designed so as to not overexert the girls, this idea may have singlehandedly saved Iowan girls' basketball. Click https://www.youtube.com/watch?v=C6FLORIvHKQ (here) to see the 1973 Iowa State Girls' Basketball Championship with 6v6 teams! CREDITS Rick Loayza: Head researcher, writer, and voice Jacob Loayza: Editor, producer, and publisher   MUSIC "Mediterranean" by Lyn Murray "Horizons" by Roa   SPORTS HISTORY NETWORK https://sportshistorynetwork.com/ (sportshistorynetwork.com) https://sportshistorynetwork.com/podcasts/basketball-history-101/ (sportshistorynetwork.com/podcasts/basketball-history-101/)   FACEBOOK https://m.facebook.com/Basketball-History-101-103801581493027/ (m.facebook.com/Basketball-History-101-103801581493027/)   BUSINESS CONTACT bballhistory101@gmail.com

There was a rough desert wind blowing in to Los Angeles that evening, one of those hot dry Santa Ana winds that come down through the mountain passes and curl your hair, make your nerves jump and your skin itch. Philip Marlowe closed up his office early and went out to get a beer. There is a drunk in the bar then a guy named Waldo enters looking for a tall good-looking girl in a silk dress and bolero jacket. He finds she isn't there and as he leaves the drunken guy kills him with a shot from his gun. Philip Marlowe finds himself investigating who shot Waldo and why. This was the first episode of The Adventures of Philip Marlowe. The music was composed and conducted by Lyn Murray. Duration: 30:47 Starring: Van Heflin, Lurene Tuttle Broadcast Date: 17th June 1947

In April, 1947 the New York Times announced that the summer replacement for Bob Hope would be a new adventure-mystery series, The Adventures of Philip Marlowe. Airing on NBC at 10:00 p.m. on June 17th, the show starred Van Heflin with a script by Milton Geiger based on the stories of Raymond Chandler. Most radio shows had live audiences in the studio. The Philip Marlowe producers decided against the common practice because they thought audiences might detract from the show. However 19 of Los Angeles' top detectives were in the studio during the airing of the first show. No one knows what the detectives thought of the production, but according to the New York Times review, Van Heflin did well but struggled with an awkward script. The reviewer thought the show depended too much on straight narration at dramatic moments instead of action or dialog. "Leaving ones play in the wings, as they say on Broadway, always makes for disconcerting theatre, and this was painfully true in the case of The Adventures of Philip Marlowe." Raymond Chandler wasn't enthralled by the show either. In a letter to Erle Stanley Gardner, author of the Perry Mason novels, Mr. Chandler said "It was thoroughly flat." This initial run of Philip Marlowe went from June 17 to September 19, 1947, with Pepsodent as the sponsor. The announcer was Wendell Niles, music was by Lyn Murray, and the producer was Jim Fonda. After the summer run ended, NBC dropped the show. As far as we know, only four episodes of this series have survived. The character of Philip Marlowe was too good to stay off stage for long though. A year later CBS decided to take a chance on reviving the show. Norman Macdonnell was producer/director; Gene Levitt, Robert Mitchell, Mel Dinelli, and Kathleen Hite wrote the scripts; and Richard Aurandt was responsible for the music. CBS cast Gerald Mohr to star as Philip Marlowe, with Roy Rowan as announcer. Philip Marlowe, being a loner, was really the only regular character, but throughout the three years the series ran a long string of high-quality supporting Hollywood actors appeared on the show. Performing alongside Mohr at various times were Jeff Corey, Howard McNear, Parley Baer, Lawrence Dobkin, Virginia Gregg, Gloria Blondell, and Lou Krugman. The CBS production ran from September 26, 1948 to September 29, 1950 with an additional short summer run from July 7 to September 15, 1951. This revival of Philip Marlowe was more favorably received, probably because of a combination of writing and acting. No one could duplicate the writing of Raymond Chandler, but this group of writers was very good. While Chandler's distinctive similes were largely lacking, the strong dry, sarcastic narration was there, and the way Gerald Mohr delivered the lines had a way of making you forget that they weren't written by Chandler. Mr. Mohr seemed born for the part of the cynical detective. His voice and timing were perfect for the character. In a letter to Gene Levitt, one of the show's writers, Raymond Chandler commented that a voice like Gerald Mohr's at least packed personality; a decided an improvement over his opinion of the original show. By 1949 the show had the largest audience in radio. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In April, 1947 the New York Times announced that the summer replacement for Bob Hope would be a new adventure-mystery series, The Adventures of Philip Marlowe. Airing on NBC at 10:00 p.m. on June 17th, the show starred Van Heflin with a script by Milton Geiger based on the stories of Raymond Chandler. Most radio shows had live audiences in the studio. The Philip Marlowe producers decided against the common practice because they thought audiences might detract from the show. However 19 of Los Angeles' top detectives were in the studio during the airing of the first show. No one knows what the detectives thought of the production, but according to the New York Times review, Van Heflin did well but struggled with an awkward script. The reviewer thought the show depended too much on straight narration at dramatic moments instead of action or dialog. "Leaving ones play in the wings, as they say on Broadway, always makes for disconcerting theatre, and this was painfully true in the case of The Adventures of Philip Marlowe." Raymond Chandler wasn't enthralled by the show either. In a letter to Erle Stanley Gardner, author of the Perry Mason novels, Mr. Chandler said "It was thoroughly flat." This initial run of Philip Marlowe went from June 17 to September 19, 1947, with Pepsodent as the sponsor. The announcer was Wendell Niles, music was by Lyn Murray, and the producer was Jim Fonda. After the summer run ended, NBC dropped the show. As far as we know, only four episodes of this series have survived. The character of Philip Marlowe was too good to stay off stage for long though. A year later CBS decided to take a chance on reviving the show. Norman Macdonnell was producer/director; Gene Levitt, Robert Mitchell, Mel Dinelli, and Kathleen Hite wrote the scripts; and Richard Aurandt was responsible for the music. CBS cast Gerald Mohr to star as Philip Marlowe, with Roy Rowan as announcer. Philip Marlowe, being a loner, was really the only regular character, but throughout the three years the series ran a long string of high-quality supporting Hollywood actors appeared on the show. Performing alongside Mohr at various times were Jeff Corey, Howard McNear, Parley Baer, Lawrence Dobkin, Virginia Gregg, Gloria Blondell, and Lou Krugman. The CBS production ran from September 26, 1948 to September 29, 1950 with an additional short summer run from July 7 to September 15, 1951. This revival of Philip Marlowe was more favorably received, probably because of a combination of writing and acting. No one could duplicate the writing of Raymond Chandler, but this group of writers was very good. While Chandler's distinctive similes were largely lacking, the strong dry, sarcastic narration was there, and the way Gerald Mohr delivered the lines had a way of making you forget that they weren't written by Chandler. Mr. Mohr seemed born for the part of the cynical detective. His voice and timing were perfect for the character. In a letter to Gene Levitt, one of the show's writers, Raymond Chandler commented that a voice like Gerald Mohr's at least packed personality; a decided an improvement over his opinion of the original show. By 1949 the show had the largest audience in radio.I Learn more about your ad choices. Visit podcastchoices.com/adchoices

n April, 1947 the New York Times announced that the summer replacement for Bob Hope would be a new adventure-mystery series, The Adventures of Philip Marlowe. Airing on NBC at 10:00 p.m. on June 17th, the show starred Van Heflin with a script by Milton Geiger based on the stories of Raymond Chandler. Most radio shows had live audiences in the studio. The Philip Marlowe producers decided against the common practice because they thought audiences might detract from the show. However 19 of Los Angeles' top detectives were in the studio during the airing of the first show. No one knows what the detectives thought of the production, but according to the New York Times review, Van Heflin did well but struggled with an awkward script. The reviewer thought the show depended too much on straight narration at dramatic moments instead of action or dialog. "Leaving ones play in the wings, as they say on Broadway, always makes for disconcerting theatre, and this was painfully true in the case of The Adventures of Philip Marlowe." Raymond Chandler wasn't enthralled by the show either. In a letter to Erle Stanley Gardner, author of the Perry Mason novels, Mr. Chandler said "It was thoroughly flat." This initial run of Philip Marlowe went from June 17 to September 19, 1947, with Pepsodent as the sponsor. The announcer was Wendell Niles, music was by Lyn Murray, and the producer was Jim Fonda. After the summer run ended, NBC dropped the show. As far as we know, only four episodes of this series have survived. The character of Philip Marlowe was too good to stay off stage for long though. A year later CBS decided to take a chance on reviving the show. Norman Macdonnell was producer/director; Gene Levitt, Robert Mitchell, Mel Dinelli, and Kathleen Hite wrote the scripts; and Richard Aurandt was responsible for the music. CBS cast Gerald Mohr to star as Philip Marlowe, with Roy Rowan as announcer. Philip Marlowe, being a loner, was really the only regular character, but throughout the three years the series ran a long string of high-quality supporting Hollywood actors appeared on the show. Performing alongside Mohr at various times were Jeff Corey, Howard McNear, Parley Baer, Lawrence Dobkin, Virginia Gregg, Gloria Blondell, and Lou Krugman. The CBS production ran from September 26, 1948 to September 29, 1950 with an additional short summer run from July 7 to September 15, 1951. This revival of Philip Marlowe was more favorably received, probably because of a combination of writing and acting. No one could duplicate the writing of Raymond Chandler, but this group of writers was very good. While Chandler's distinctive similes were largely lacking, the strong dry, sarcastic narration was there, and the way Gerald Mohr delivered the lines had a way of making you forget that they weren't written by Chandler. Mr. Mohr seemed born for the part of the cynical detective. His voice and timing were perfect for the character. In a letter to Gene Levitt, one of the show's writers, Raymond Chandler commented that a voice like Gerald Mohr's at least packed personality; a decided an improvement over his opinion of the original show. By 1949 the show had the largest audience in radio. Learn more about your ad choices. Visit podcastchoices.com/adchoices

I.n April, 1947 the New York Times announced that the summer replacement for Bob Hope would be a new adventure-mystery series, The Adventures of Philip Marlowe. Airing on NBC at 10:00 p.m. on June 17th, the show starred Van Heflin with a script by Milton Geiger based on the stories of Raymond Chandler. Most radio shows had live audiences in the studio. The Philip Marlowe producers decided against the common practice because they thought audiences might detract from the show. However 19 of Los Angeles' top detectives were in the studio during the airing of the first show. No one knows what the detectives thought of the production, but according to the New York Times review, Van Heflin did well but struggled with an awkward script. The reviewer thought the show depended too much on straight narration at dramatic moments instead of action or dialog. "Leaving ones play in the wings, as they say on Broadway, always makes for disconcerting theatre, and this was painfully true in the case of The Adventures of Philip Marlowe." Raymond Chandler wasn't enthralled by the show either. In a letter to Erle Stanley Gardner, author of the Perry Mason novels, Mr. Chandler said "It was thoroughly flat." This initial run of Philip Marlowe went from June 17 to September 19, 1947, with Pepsodent as the sponsor. The announcer was Wendell Niles, music was by Lyn Murray, and the producer was Jim Fonda. After the summer run ended, NBC dropped the show. As far as we know, only four episodes of this series have survived. The character of Philip Marlowe was too good to stay off stage for long though. A year later CBS decided to take a chance on reviving the show. Norman Macdonnell was producer/director; Gene Levitt, Robert Mitchell, Mel Dinelli, and Kathleen Hite wrote the scripts; and Richard Aurandt was responsible for the music. CBS cast Gerald Mohr to star as Philip Marlowe, with Roy Rowan as announcer. Philip Marlowe, being a loner, was really the only regular character, but throughout the three years the series ran a long string of high-quality supporting Hollywood actors appeared on the show. Performing alongside Mohr at various times were Jeff Corey, Howard McNear, Parley Baer, Lawrence Dobkin, Virginia Gregg, Gloria Blondell, and Lou Krugman. The CBS production ran from September 26, 1948 to September 29, 1950 with an additional short summer run from July 7 to September 15, 1951. This revival of Philip Marlowe was more favorably received, probably because of a combination of writing and acting. No one could duplicate the writing of Raymond Chandler, but this group of writers was very good. While Chandler's distinctive similes were largely lacking, the strong dry, sarcastic narration was there, and the way Gerald Mohr delivered the lines had a way of making you forget that they weren't written by Chandler. Mr. Mohr seemed born for the part of the cynical detective. His voice and timing were perfect for the character. In a letter to Gene Levitt, one of the show's writers, Raymond Chandler commented that a voice like Gerald Mohr's at least packed personality; a decided an improvement over his opinion of the original show. By 1949 the show had the largest audience in radio. Learn more about your ad choices. Visit podcastchoices.com/adchoices

1 - Make A Wish - Richard Himber and his Ritz Carlton Hotel Orchestra - 19372 - Hvis Jeg Fik Lov At ønske (If I Was Allowed to Wish) - Sven Rye med Elo Magnussen og hans orkester – 19383 - Three Wishes - Freddie Martin Orchestra - 19334 - Wenn Ich Mir Was Wünschen Dürfte (If I Could Wish) - Greta Keller – 19315 - I Wish I Had a Daddy in the White House - Kitty Kallen with George Siravo and his Orchestra - 19516 - I Wish I Could Shimmy Like My Sister Kate - The Virginians – 19237 - I Wish I Had Wings - Bert Lown - 19328 - Wishing (Will Make It So) - Donald King with Roy Smeck and his Serenaders – 19399 - I Wished on the Moon - Billie Holiday with Teddy Wilson and his Orchestra – 193510 - Wishing and Waiting for Love - Scrappy Lambert with Don Voorhees and his Orchestra - 192911 - I'm Wishing - Audrey Marsh with Lyn Murray and his Orchestra – 194412 - I Wish I Was In Peoria - Ted Lewis and his Band – 192513 - I Wish All My Children Were Babies Again - Gene Autry - 194114 - I Wish I Had My Old Gal Back Again - Al Jolson – 192415 - I Wish I Was Single Again - Tom Glazer - 194916 - I Wish I Was a Single Girl Again - Kelly Harrell – 192617 - I Wish I Could Say the Same - Bob Eberly and The Song Spinners - 1947

Hallmark Playhouse 48-12-23 (029) Story of Silent Night."The Story Of Silent Night". Sponsored by: Hallmark Cards. How the great Christmas carol traveled from a small church in the Alps throughout the world. The Story of Silent Night tells how that wonderful Christmas carol Silent Night came to be written in 1818. This story was told to Herter Powley by the grandson of the man who wrote Silent Night. Host: James Hilton Music by: Lyn Murray

Hallmark Playhouse is an American old-time radio dramatic anthology series. It was broadcast on CBS from June 10, 1948 until February 1, 1953, and was described by one author as "a program that consistently produced the highest levels of production quality and value." Beginning on February 8, 1953, the program underwent changes of title, host, and format. It was broadcast as The Hallmark Hall of Fame until March 27, 1955, still on CBS. Playhouse format Hallmark Playhouse began as a summer replacement for Radio Reader's Digest, which Hallmark had also sponsored. Company officials decided to keep it for the fall of 1948 and drop its predecessor. An article in the trade publication Billboard reported that Hallmark executives preferred not to continue sharing product identification with Reader's Digest. The new show broadcast adaptations of works — some obscure and some well-known — from drama and literature. Personnel James Hilton was the host of Hallmark Playhouse. Hollywood stars often had leading roles in episodes. Among those starring were Ethel Barrymore, Ronald Colman, Joan Fontaine, Gregory Peck, and Jane Wyman. Frank Gast was the announcer. Lyn Murray provided the music. Dee Engelbach and Bill Gay were the producers. Writers included Jack Rubin and Jean Holloway.

Your Hit Parade. December 29, 1945.The first commercial is about Houston, saying nothing about Lucky Strikes! The #1 tune is, "It Might As Well Be Spring." Joan Edwards, Dick Todd, Mark Warnow and His Orchestra, F. E. Boone (tobacco auctioneer), Lyn Murray, The Hit Paraders, Kenny Delmar (announcer), Basil Ruysdael (commercial spokesman), L. A. Speed Riggs (tobacco auctioneer). oldtimeradiodvd.com

Squibb Orchestra and Chorus of Stars directed by Lyn Murray. Todays special guest soloist is Audrey Marsh. The program is all music by Vincent Youmans including Flying Down to Rio,

from The House of Squibb. Lyn Murray directs the Squibb Orchestra and Chorus of Stars, with Hubie Hendrie. Includes a medley from the Broadway revival of The Merry Widow, (Girls Girls Girls, Veila and Maxims), Molly on the Shore, and Where eer You Walk.

The Hallmark Playhouse -  was heard over CBS stations Thursday evenings. This drama anthology of 30-minute shows was sponsored by, of course, Hallmark Greeting Cards. It was preceded by the RADIO READER'S DIGEST, which ran from September 13, 1942 thorugh June 3, 1948. Hallmark sponsored the RADIO READER'S DIGEST from January 13, 1946 to it's end. On Feb. 8, 1953, the series name and format was changed. It was now called THE HALLMARK HALL OF FAME and presented biographal sketches of famous persons, past and present. The new format was used until the end of the 1955 season. The exception to the new format was the broadcast each Christmas season of "A Christmas Carol". Like other dramatic series of this time, this one made use of major screen actors in the productions. James Hilton, author of "Random Harvest", "Lost Horizon" and "Goodbye, Mr. Chips" plus others, served as host and Narrator. Dee Engelbach produced and directed the shows. Jean Holloway was the writer. Sound Effects were by Harry Essman and Gene Twombly. Musical conductor was Lyn Murray. The show's theme was "Dream of Olwne" by Charles Williams.THIS EPISODE:August 12, 1948. CBS network, KMBC, Kansas City aircheck. "The Old Nest". Sponsored by: Hallmark Cards. Not auditioned. A sentimental story about the relationship between parents and children. Jane Morgan, Earle Ross, William Johnstone, Gloria Blondell, Sharon Douglas, Tony Barrett, Rupert Hughes (author), James Hilton (host), Frank Goss (announcer), Lyn Murray (composer, conductor), Milton Geiger (adaptor). 29:20.

THE HALLMARK PLAYHOUSE was heard over CBS stations Thursday evenings. This drama anthology of 30-minute shows was sponsored by, of course, Hallmark Greeting Cards. It was preceded by the RADIO READER'S DIGEST, which ran from September 13, 1942 thorugh June 3, 1948. Hallmark sponsored the RADIO READER'S DIGEST from January 13, 1946 to it's end. On Feb. 8, 1953, the series name and format was changed. It was now called THE HALLMARK HALL OF FAME and presented biographal sketches of famous persons, past and present. The new format was used until the end of the 1955 season. The exception to the new format was the broadcast each Christmas season of "A Christmas Carol". Like other dramatic series of this time, this one made use of major screen actors in the productions. James Hilton, author of "Random Harvest", "Lost Horizon" and "Goodbye, Mr. Chips" plus others, served as host and Narrator. Dee Engelbach produced and directed the shows. Jean Holloway was the writer. Sound Effects were by Harry Essman and Gene Twombly. Musical conductor was Lyn Murray. The show's theme was "Dream of Olwne" by Charles Williams.THIS EPISODE:November 25, 1948. CBS network. "Free Land". Sponsored by: Hallmark Cards. A good story about the tribulations of a pioneering couple in the Dakota Territory. Martha Scott, Jack Kirkwood. 1/2 hour.

Life with Luigi was a radio comedy-drama series which began September 21, 1948 on CBS. The story concerned Italian immigrant Luigi Basco, and his experiences as an immigrant in Chicago. Many of the shows take place at the US citizenship classes that Luigi attends with other immigrants from different countries, as well as trying to fend off the repeated advances of the morbidly-obese daughter of his landlord/sponsor. Luigi was played by J. Carrol Naish, an Irish-American. Naish continued in the role on the short-lived television version in 1952, and was later replaced by Vito Scotti. With a working title of The Little Immigrant, Life with Luigi was created by Cy Howard, who earlier had created the hit radio comedy, My Friend Irma. The show was often seen as the Italian counterpart to the radio show The Goldbergs, which chronicled the experience of Jewish immigrants in New York.THIS EPISODE:CBS network. Sustaining. Not auditioned. Luigi wants a driver's license. J. Carrol Naish, Alan Reed, Cy Howard (creator, producer), Mac Benoff (writer, director), Lou Derman (writer), Hans Conried, Mary Shipp, Joe Forte, Ken Peters, Jody Gilbert, Lyn Murray (music director). 29:14.

The FORD THEATER, sponsored by the Ford Motor Company, presented hour long dramas first on NBC for one only season. The series moved to CBS for its second and last season. There were 39 NBC and 39 CBS hour- long shows (not verified). The show initially received an unfavorable review from the New York Times for poor script adaptation but was still highly rated for the actors' performance and overall production. The show was supposed to feature only original scripts but had to forgo that plan due to lack of quality material. The first season on NBC used radio actors under the direction of George Zachary. Martin Gabel announced the first show but was soon replaced by Kenneth Banghart. The second season, on CBS, used Hollywood screen actors in the lead roles, supported by radio actors. Fletcher Markle, who previously produced CBS's STUDIO ONE series, was the producer for the second season. Although a short series, it still has some of radio's best dramas. THIS EPISODE: March 21, 1948. CBS network. "It's A Gift". Sponsored by: Ford. A comedy about a wounded war vet who gets dizzy and has to "concentrate." When he "concentrates," he can make people do whatever he wants them to do. A new industry is born! Howard Lindsay (host), Kenneth Banghart (commercial spokesman), Lee Bloomgarten (author), Cliff Carpenter, Carl Eastman, William Zuckert, George Faulkner (continuity), Helen Lewis, James Van Dyke, Elspeth Eric, Howard Teichman (editor), Lyn Murray (composer, conductor), Frank Dane, Ivor Francis, George Zacherle (director), Rod Hendrickson. 59:28.

The Scarlet Cloak. February 15, 1950. An audition recording. The origin story of a costumed hero, Brad Carver, a carbon copy of Zorro. "El Diablo" rides again! The program is referred to as, "The Adventures Of The Scarlet Cloak." Wendell Niles, Gerald Mohr (narrator, performer), Lyn Murray (music), Joel Murcott (writer), Vic Hunter (producer), Dee Englebach (director).Click Here to Listen Today's Old Time Radio Station NOW ON AIR!!SUPPORT US BY SUPPORTING OUR SPONSORS HempUSA Store       

The Ford Theatre. January 18, 1948. NBC net. "Girl Crazy". Sponsored by: Ford. An adaption of the smash 1930 musical about an Eastern playboy in love with a Western cowgirl. Plus all those great Gershwin tunes. George Gershwin (composer), Ira Gershwin (composer), Monica Lewis, Larry Douglas, Marilyn Daye, Ted de Corsia, Lyn Murray (music), Kenneth Banghart (announcer), Howard Lindsay (host), George Zachery (adaptor), Lyn Murray (adaptor).

The Ford Theatre. November 16, 1947. NBC net. "Carmen Jones". Sponsored by: Ford. The first radio production of the opera, written by Bizet but brought up to date by Oscar Hammerstein. Earl Sidner, Elton J. Warren, George Faulkner (continuity), George Zachery (director), Howard Lindsay (host), Howard Teichmann (editor), Irving Barnes, Juano Hernandez, Kenneth Banghart (announcer), Luther Saxon, Lyn Murray (music), Maurice Ellis (narrator), Muriel Smith, Oscar Hammerstein (composer), Valerie Black.

The Ford Theatre. February 1, 1948. NBC net. "The Green Pastures". Sponsored by: Ford. Stories from the Old Testament, with an all-black point of view. Juano Hernandez, Marc Connelly (author), Max Wiley (adaptor), Maurice Ellis, Emery Richardson, Kenneth Banghart (announcer), Elwood Smith, Valerie Black, John Marriot, Ken Reynard, Milton Williams, Earl Sidner, Mercedes Gilbert, Marshall Cole Jr., Avon Long, John D. Battle, Dorn Alexander, Janis Long, Pauline Meyers, Viola Dean, Howard Lindsay (host), Lyn Murray (composer, conductor), Howard Teichmann (editor), George Faulkner (continuity), George Zachery (director), Georgette Harvey, Juan Jose Hernandez.

The Ford Theatre. March 21, 1948. CBS net. "It's A Gift. Sponsored by: Ford. A comedy about a wounded war vet who gets dizzy and has to "concentrate." When he "concentrates," he can make people do whatever he wants them to do. A new industry is born! Howard Lindsay (host), Kenneth Banghart (commercial spokesman), Lee Bloomgarten (author), Cliff Carpenter, Carl Eastman, William Zuckert, George Faulkner (continuity), Helen Lewis, James Van Dyke, Elspeth Eric, Howard Teichman (editor), Lyn Murray (composer, conductor), Frank Dane, Ivor Francis, George Zacherle (director), Rod Hendrickson.

Life with Luigi was a radio comedy-drama series which began September 21, 1948 on CBS. The story concerned Italian immigrant Luigi Basco, and his experiences as an immigrant in Chicago. Many of the shows take place at the US citizenship classes that Luigi attends with other immigrants from different countries, as well as trying to fend off the repeated advances of the morbidly-obese daughter of his landlord/sponsor. Luigi was played by J. Carrol Naish, an Irish-American. Naish continued in the role on the short-lived television version in 1952, and was later replaced by Vito Scotti. With a working title of The Little Immigrant, Life with Luigi was created by Cy Howard, who earlier had created the hit radio comedy, My Friend Irma. The show was often seen as the Italian counterpart to the radio show The Goldbergs, which chronicled the experience of Jewish immigrants in New York.THIS EPISODE:March 6, 1949. CBS network. Sustaining. Luigi gets a letter from the income tax department! Has he paid his "E Pluribus Unum Tax?" .. Alan Reed (?), Bob Stevenson (announcer), Cy Howard (writer, producer, director), Hans Conried, J. Carrol Naish, Jody Gilbert, Joe Forte, Lou Derman (writer), Lyn Murray (music), Mac Benoff (writer), Mary Shipp. 29:37.

THE HALLMARK PLAYHOUSE was heard over CBS stations Thursday evenings. This drama anthology of 30-minute shows was sponsored by, of course, Hallmark Greeting Cards. It was preceded by the RADIO READER'S DIGEST, which ran from September 13, 1942 thorugh June 3, 1948. Hallmark sponsored the RADIO READER'S DIGEST from January 13, 1946 to it's end. On Feb. 8, 1953, the series name and format was changed. It was now called THE HALLMARK HALL OF FAME and presented biographal sketches of famous persons, past and present. The new format was used until the end of the 1955 season. The exception to the new format was the broadcast each Christmas season of "A Christmas Carol". Like other dramatic series of this time, this one made use of major screen actors in the productions. James Hilton, author of "Random Harvest", "Lost Horizon" and "Goodbye, Mr. Chips" plus others, served as host and Narrator. Dee Engelbach produced and directed the shows. Jean Holloway was the writer. Sound Effects were by Harry Essman and Gene Twombly. Musical conductor was Lyn Murray. The show's theme was "Dream of Olwne" by Charles Williams.THIS EPISODE:September 29, 1949. CBS network, KMBC, Kansas City Missouri aircheck. "August Heat". Sponsored by: Hallmark Cards. An eerie story about an artist caught in a New York heatwave, and a tombstone with his name cut into it. The script was also used on "Suspense" on May 3, 1945, and on "Sleep No More" on November 28, 1956. James Hilton (host), Frank Goss (announcer), Fred MacMurray, Ed Begley, W. F. Harvey (writer). 29:32.

THE HALLMARK PLAYHOUSE was heard over CBS stations Thursday evenings. This drama anthology of 30-minute shows was sponsored by, of course, Hallmark Greeting Cards. It was preceded by the RADIO READER'S DIGEST, which ran from September 13, 1942 thorugh June 3, 1948. Hallmark sponsored the RADIO READER'S DIGEST from January 13, 1946 to it's end. On Feb. 8, 1953, the series name and format was changed. It was now called THE HALLMARK HALL OF FAME and presented biographal sketches of famous persons, past and present. The new format was used until the end of the 1955 season. The exception to the new format was the broadcast each Christmas season of "A Christmas Carol". Like other dramatic series of this time, this one made use of major screen actors in the productions. James Hilton, author of "Random Harvest", "Lost Horizon" and "Goodbye, Mr. Chips" plus others, served as host and Narrator. Dee Engelbach produced and directed the shows. Jean Holloway was the writer. Sound Effects were by Harry Essman and Gene Twombly. Musical conductor was Lyn Murray. The show's theme was "Dream of Olwne" by Charles Williams.

Series Description: THE HALLMARK PLAYHOUSE was heard over CBS stations Thursday evenings. This drama anthology of 30-minute shows was sponsored by, of course, Hallmark Greeting Cards. It was preceded by the RADIO READER'S DIGEST, which ran from September 13, 1942 thorugh June 3, 1948. Hallmark sponsored the RADIO READER'S DIGEST from January 13, 1946 to it's end. On Feb. 8, 1953, the series name and format was changed. It was now called THE HALLMARK HALL OF FAME and presented biographal sketches of famous persons, past and present. The new format was used until the end of the 1955 season. The exception to the new format was the broadcast each Christmas season of "A Christmas Carol". Like other dramatic series of this time, this one made use of major screen actors in the productions. James Hilton, author of "Random Harvest", "Lost Horizon" and "Goodbye, Mr. Chips" plus others, served as host and Narrator. Dee Engelbach produced and directed the shows. Jean Holloway was the writer. Sound Effects were by Harry Essman and Gene Twombly. Musical conductor was Lyn Murray. The show's theme was "Dream of Olwne" by Charles Williams. THIS EPISODE:Hallmark Playhouse. October 21, 1948. CBS net. "Mrs. Parkington". Sponsored by: Hallmark Cards. A woman rises from poverty in Nevada to a position of power and wealth in New York. Louis Bromfield (writer), Rosalind Russell, James Hilton (host). 1/2 hour.

Hallmark Playhouse. January 6, 1949. CBS net. "MacLeod's Folly". Sponsored by: Hallmark Cards. A wandering ex-newspaperman breaks a boss' grip on a small town during the Depression. Dee Englebach (producer, director), Frank Goss (announcer), Jack Rubin (adaptor), James Hilton (intermission commentator), Louis Bromfield (panelist), Lyn Murray (music), Robert Young. 29:36. Go To GoDaddy, use the promo code blu19 and save 10%