Podcast appearances and mentions of Gregory Peck

In this episode, we do a rewatchable review of the 1976 American horror/mystery classic starring Gregory Peck and Lee Remick, titled The Omen. We discuss whether this film still holds up as part of a legendary horror franchise, and we debate which remake most closely matches the original.See omnystudio.com/listener for privacy information.

The first episode of our season on the awesome movie year of 1946 features the box-office champion, King Vidor's Duel in the Sun. Directed by King Vidor and starring Jennifer Jones, Gregory Peck, Joseph Cotten, Lillian Gish and Lionel Barrymore, Duel in the Sun was producer David O. Selznick's effort to match his success and acclaim with Gone With the Wind.The contemporary reviews quoted in this episode come from Bosley Crowther in The New York Times (https://www.nytimes.com/1947/05/08/archives/duel-in-the-sun-selznicks-lavish-western-that-stars-jennifer-jones.html), William Brogdon in Variety (https://variety.com/1945/film/reviews/duel-in-the-sun-1117790601/), and Edwin Schallert in the Los Angeles Times.Check out more info and the entire archive of past episodes at https://www.awesomemovieyear.com and visit us on Facebook at http://www.facebook.com/awesomemovieyearYou can find Jason on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Letterboxd at https://letterboxd.com/goforjason/You can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/, on Bluesky at signalbleed.bsky.social and on Letterboxd at https://letterboxd.com/signalbleed/If you're a Letterboxd user and you watch any of the movies we talk about on the show, tag your review “Awesome Movie Year” to share your thoughts.You can find our producer David Rosen and his Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod, on Bluesky at piecingpod.bsky.social and on Letterboxd at https://letterboxd.com/bydavidrosen/ Join the Popcorn & Puzzle Pieces Facebook group at https://www.facebook.com/groups/piecingpod for more movie discussion and our Awesome Movie Year audience choice polls.All of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comSubscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year and Piecing It Together, plus music by David Rosen: https://www.patreon.com/bydavidrosenPlease like, share, rate and comment on the show and this episode, and tune in for the next 1946 episode, with our pick for a notable debut feature, Ingmar Bergman's Crisis.

Cape Fear is back, Apple TV's new 10-episode Cape Fear series stars Javier Bardem as Max Cady, and we're breaking down the first two episodes. Meaghan is joined by Arthur (filling in for Shirin) to dig into the new Cape Fear adaptation on Apple TV, starring Javier Bardem, Amy Adams, and Patrick Wilson. We trace it back to John D. MacDonald's 1957 novel The Executioners and compare this version to the 1962 film (Gregory Peck, Robert Mitchum) and the famous 1991 remake (Robert De Niro, Nick Nolte, Jessica Lange, Juliette Lewis). Cape Fear's long road from novel to Apple TV Cape Fear started life as The Executioners, a 1957 novel by John D. MacDonald (also known for the Travis McGee series). It's been adapted three times now: the 1962 film with Gregory Peck and Robert Mitchum, the 1991 remake with Robert De Niro and Nick Nolte, and now this 10-episode Apple TV series. At just over 200 pages, the source novel is short, meaning the new miniseries has a lot of room to expand the story. Javier Bardem's Max Cady, how he compares Bardem takes over a role previously played by Robert Mitchum (1962) and Robert De Niro (1991), both iconic, very different takes on the character. We talk about how unsettling his stillness is, and how the show keeps us guessing about whether Max Cady is actually guilty of the murder for which he was convicted. In this version, Max Cady's conviction (for the murder of his wife and unborn child) gets overturned after a confession surfaces, setting up a very different starting point than previous adaptations. Amy Adams and Patrick Wilson as the Bowdens Amy Adams plays Anna Bowden, the defense attorney from Max Cady's original trial, a gender-swapped twist on the classic "Sam Bowden" role. Patrick Wilson plays Tom Bowden, the prosecutor in that same case, now Anna's husband. We dig into the implication that Anna and Tom may have colluded during the original trial, and what that could mean once the truth comes out. The Bowden kids: Natalie and Zack Natalie Bowden, played by Lily Collias, is Anna's daughter from a previous relationship, and seemingly the "responsible" sibling. Zack Bowden, played by Joe Anders, is dealing with a troubling backstory and increasingly disturbing behavior, including a deeply unsettling moment involving self-harm. We talk about whether Max Cady is somehow connected to what's happening with Zack, or whether it's something else entirely. The SJLP subplot and our early theories Anna works for the Savannah Justice League Project (SJLP), an organization focused on freeing the wrongfully convicted — alongside her business partner, Noa Toussaint. A separate wrongful-conviction case tied to the SJLP takes a dark and suspicious turn almost immediately after Max Cady is released. We share our early predictions for where the rest of the season is headed, including whether Max Cady is guilty, innocent, or something murkier. What's next Cape Fear airs new episodes weekly on Apple TV, with the finale on July 31. We'll be back with a full Cape Fear season recap once it wraps. Subscribe on your favorite platform!SpotifyApple PodcastAmazon MusiciHeart RadioPodchaserYoutubeDon't forget to follow us on socials too!InstagramThreadsTikTokBlueSkyFacebook Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

National Peanut Butter cookie day. Entertainment from 2014. National Loving day in homor or Richard & Mildred Loving, Nelson Mandela sentenced to life in prison, Todays birthdays - George HW Bush, Vic Damone, Anne Frank, Jim Nabors, Reg Presley, John Wetton, Brad Delp, Timothy Busfield, Meredith Brooks, Chris Young. Gregory Peck died.Intro - God did good - Dianna Corcoran    https://www.diannacorcoran.com/Peanut butter cookie - Parry GrippFancy - Iggy Azaleo  Charlie XCXPlay it again - Luke BryanBirthdays - In da club - 50 Cent    http://50cent.com/Your breaking my heart - Vic DamoneBack home in Indiana - Jim NaborsWild thing - The TroggsHeat of the moment - AsiaFeelin satisfied - BostonBitch - Meredith BrooksI'm coming over - Chris YoungExit - Another tonight - Kenny Cursio      https://kennycurciomusic.com/History & Factoids about today Playlist on SpotifyHistory & Factoids about today webpagecooolmedia.comcountryundergroundradio.comNational Days - May Puzzle BookGrace & Grit Christian Country Radio

Objevil se v 58 filmech či televizní seriálech. Za své výkony si odnesl 35 různých filmových cen a na 23 dalších byl nominovaný. Držitel prezidentské medaile svobody i národní medaile za umění USA. Celoživotní představitel správných chlapů, přítel několika prezidentů, který se málem stal velvyslancem USA v Irsku. Gregory Peck zemřel 12. června 2003 ve věku 87 let, ve spánku ve svém domě v Los Angeles.

Wenn in dieser Woche die Fußball-WM startet, hofft England erneut darauf, nach 1966 endlich mal wieder den WM-Titel heimzubringen. Da passt es gut, dass das ZDF mit „Dear England“ (37:00) eine Miniserie über das nationale Trauma zeigt. Die Theaterverfilmung mit Joseph Fiennes als Trainer Gareth Southgate deckt vier große Turniere ab und hätte eigentlich ganz nach dem Gusto von Holger und Rüdiger sein müssen – doch ist sie das auch? Oder teilen sie nach dem Vierteiler, der eigentlich „Die Angst des Engländers beim Elfmeter“ heißen müsste, Michaels Meinung und verabschieden sich vom Fußball? Britische Geschichten werden auch in zwei weiteren Serien der heutigen Folge erzählt. Der Netflix-Hit „The Witness“ (1:17:17) erzählt von den Folgen des Mordes an Rachel Nickell im Jahr 1992, „The Hack“ (58:00) vom Abhörskandal des Boulevardblatts „News of the World“ zu Beginn des 21. Jahrhunderts. Dabei ist die Zeitungsserie mit David Tennant eigentlich gleich zwei Serien auf einmal. Ob Spannung und Spaß darunter ist oder man Schokolade zum Trost braucht, bleibt zu diskutieren. Der größte Name in dieser Woche ist allerdings die einzige US-Serie, denn Apple TV verfilmt mit „Cape Fear“ (4:39) zum dritten Mal eine klassische Gut-gegen-Böse-Geschichte. Kann der Zehnteiler mit Javier Bardem und Amy Adams an die Filme mit Gregory Peck und Robert Mitchum bzw. Robert De Niro und Nick Nolte heranreichen?Cold-Open-Frage: „Von welchem Filmcast würden wir gerne eine Serien-Reunion sehen?“

Objevil se v 58 filmech či televizní seriálech. Za své výkony si odnesl 35 různých filmových cen a na 23 dalších byl nominovaný. Držitel prezidentské medaile svobody i národní medaile za umění USA. Celoživotní představitel správných chlapů, přítel několika prezidentů, který se málem stal velvyslancem USA v Irsku. Gregory Peck zemřel 12. června 2003 ve věku 87 let, ve spánku ve svém domě v Los Angeles.Všechny díly podcastu Příběhy z kalendáře můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Send us Fan MailWe're two episodes into Apple TV+'s new adaptation of Cape Fear, and we have some thoughts. The series, which dropped its first two episodes on June 5th, stars Javier Bardem as Max Cady, Amy Adams as attorney Anna Bowden, and Patrick Wilson as her husband Tom — a family now living under the shadow of a man they may have wronged. Scorsese and Spielberg are both on board as executive producers, which raises the bar considerably.We came in with full knowledge of the source material. Mike read John D. McDonald's original novel, and both films — the 1962 version with Robert Mitchum and Gregory Peck, and Scorsese's 1991 remake with Robert De Niro and Nick Nolte — are part of the conversation throughout. What we were hoping to see is a reimagining that earns its place alongside those films. What we got, at least in these first two episodes, is something we're still trying to make sense of.The issues start early. Javier Bardem's portrayal of Max Cady lacks the menace that both Mitchum and De Niro brought to the role in very different ways. His introduction at the fundraiser gala — rambling speech, handed the microphone without hesitation, no security in sight — was hard to take seriously. The violence skews gratuitous in a way that feels less like intensity and more like a substitute for it. There are subplots involving the teenage son, an online chat that's clearly not what it seems, and a mysterious masked figure in a green trench coat that we couldn't make heads or tails of. The series also appears to be steering toward a version of events where Max Cady may actually be innocent — which, if true, is a significant departure from everything that makes this story work.We also noticed an Easter egg worth mentioning: Wesley Strick, who wrote the screenplay for the '91 film, shows up in a cameo as an ER doctor.We're essentially split after two episodes — one of us is out, the other is holding on to see what episode three brings. We'll check in again if the series turns things around — and if you don't see another Cape Fear episode on the channel, that's probably your answer.If you've seen the films, read the book, or are watching the series yourself, we want to hear from you — especially if you're a Javier Bardem fan and think he's bringing something to the role we're not seeing yet.Support the showOh Brother Podcast:Support the Show! (Be The First to Listen with Early Access)Listen on all podcast platformsSubscribe on YouTubeFollow us on Instagram

Drama on a SundayFirst,  a look at this day in History.Then, Screen Directors Playhouse, originally broadcast  June 7, 1951, 75 years ago, The Gunfighter starring Gregory Peck, reprising his 1950 film role.  The fastest gun in the West only wants to avoid the next gunfight.Followed by Lux Radio Theater, originally broadcast June 7, 1937, 89 years ago, British Agent starring Errol Flynn and Frances Farmer.  An adaptation of the 1934 motion picture. Romance and adventure with an English diplomat in Moscow during the Russian Revolution.Finally, Claudia, originally broadcast June 7, 1948, 78 years ago, Jeffrey Killian.  Jeff Killian, expelled from school, is coming to Eastbrook.  Kathryn Bard and Paul Crabtree star.Thanks to Bill B for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamCheck out Professor Bees Digestive Aid at profbees.com and use my promo code WYATT to save 10% when you order! Find the Family Fallout Shelter Booklet Here: https://www.survivorlibrary.com/library/the_family_fallout_shelter_1959.pdfhttps://wardomatic.blogspot.com/2006/11/fallout-shelter-handbook-1962.html

Just in time for 6/6/26.....It's time to review this influential supernatural horror thriller on the eve of its 50th Anniversary.  Directed by Richard Donner (Superman, Lethal Weapon, The Goonies), it focuses on an American ambassador (Oscar-winning legend Gregory Peck) and his wife (the late, great Oscar-nominated Lee Remick) who have recently moved to England after recently having their first child.....or DID they?  The child is Damien (Harvey Stephens) who was born under very mysterious circumstances and as he gets to a certain young age, he starts to not only exhibit disturbing behaviors but others around him (including animals) begin to act more strangely as well.  COULD he be....the Son of Satan, the Anti-Christ?? :o Only one way to find out.....Host & Editor: Geoff GershonProducer: Marlene Gershon Send us Fan MailSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/ 

Hollywood rides the airwaves this week on Ron's Amazing Stories as we present a pair of unforgettable western adventures from the Screen Directors' Playhouse. This remarkable radio series brought the magic of the silver screen directly into listeners' homes, often featuring the very stars who made the films famous. And tonight, two legends saddle up for the ride—Gregory Peck and John Wayne. First, Gregory Peck stars in Yellow Sky, a tense western drama about a gang of outlaws seeking refuge in a forgotten ghost town, only to find greed and redemption waiting in the desert dust. Then, John Wayne takes the trail as the legendary Ringo Kid in Stagecoach, the landmark western that helped redefine the genre and elevate it into cinematic history. So climb aboard and journey back to a time when Hollywood rode west—and radio brought the adventure home. In This Episode Yellow Sky* (Screen Directors' Playhouse – 7/15/1949) starring Gregory Peck Stagecoach* (Screen Directors' Playhouse – 1/9/1949) starring John Wayne The history of *Screen Directors' Playhouse* and Hollywood stars on radio Western film history and the legacy of *Stagecoach* Classic frontier drama, danger, and adventure from the golden age of radio Enjoy the show! Ron's Amazing Stories Is Sponsored by: Audible - You can get a free audiobook and a 30 day free trial at audibletrial.com/ronsamazingstories. Your Stories: Do you have a story that you would like to share on the podcast or the blog? Head to the main website, click on Story Submission, leave your story, give it a title, and please tell me where you're from. I will read it if I can. Links are below. Music Used In This Podcast: Most of the music you hear on Ron's Amazing Stories has been composed by Kevin MacLeod (incompetech.com) and is Licensed under Creative Commons: By Attribution 3.0. Other pieces are in the public domain. You can find great free music at FreePd.com which is a site owned by Kevin. Program Info: Ron's Amazing Stories is published each Thursday. You can download it from Apple Podcasts, stream it on Stitcher Radio or on the mobile version of Spotify. Do you prefer the radio? We are heard every Thursday at 10:00 pm and Sunday Night at 11:00 PM (EST) on AMFM247.COM. Check your local listing or find the station closest to you at this link. Social Links: Main Podcast Site by LibSynThe Blog Site by WordPressFacebook LinkTwitter Link Contact Links: EmailStory Submissions Contact Ron

A political leader and his wife start to believe something is wrong with their son and that he may be the son of the devil.We're starting off The Kids Aren't Alright month with The Omen. This is a movie where there's definitely a kid and he's nowhere near alright. Gregory Peck stars in this film and he's one of a few strong performances in a movie that has bizarre characters, crazy events, and creepy deaths. You won't find a movie with a kid much creepier than the one in this film. The tone of the film is ominous and it certainly holds up. Watch the movie and catch our review. YouTube | The Final PodcastFacebook | The Final PodcastInstagram | thefinalpodcastMusic Credit: Karl Casey @ White Bat Audiohttps://www.youtube.com/whitebataudioWhat should we review next? Toss us a vibe and send over a recommendation!

Barbara Kopple is an award-winning director and producer and here at BIFF she will be in conversation with Mary Mott after the Special 50th Anniversary screening of the Academy Award Winning Documentary ‘Harlan County USA' at 2:15 p.m. today.Barbara Kopple is director of ‘Harlan County USA,' and other world-class docs: ‘American Dream,' ‘Bearing Witness,' ‘Wild Man Blues,' ‘A Conversation with Gregory Peck,' ‘My Generation,' ‘Running from Crazy,' ‘Miss Sharon Jones,' ‘Dixie Chicks: Shut Up and Sing,' and ‘Desert One.'

In occasione dell'imminente uscita della miniserie tv, analizziamo Il promontorio della paura, thriller diretto da J. Lee Thompson nel 1962, con Gregory Peck e Robert Mitchum, e il suo celebre remake: Cape Fear, diretto da Martin Scorsese nel 1991, con Nick Nolte e Robert De Niro, nei panni dell'avvocato Sam Bowden e dell'ex detenuto Max Cady. Entrambi i film sono adattamenti del romanzo The Executioners, di John D. MacDonald. Quale pellicola ci avrà convinto di più?(02:30) Il promontorio della paura (1962)(24:30) Cape Fear - Il promontorio della paura (1991)Iscriviti al canale YouTube del podcast per non perderti live e contenuti ulteriori rispetto a quelli settimanali pubblicati qui su Spotify: https://youtube.com/@blowupodcast?si=I1-WJcv_pDSZaACd

If Dennis Brown were a weather report, today's forecast would be: 50% wisdom, 50% experience, accompanied with a strong chance of storytelling. What a privilege to converse with Dennis as we explore his incredible journey through the world of theater and literature, from rubbing elbows with Hollywood legends like Gregory Peck and Jessica Tandy to sharing the stage with up-and-coming talent in St. Louis. He reflects on the heartwarming and sometimes hilarious moments from his years as a theater critic, revealing how he managed to maintain his passion for storytelling while navigating the ups and downs of the theatrical world.One minute he's recounting the time he interviewed a young playwright, and the next, he's dropping gems of wisdom about what it means to truly listen and engage with the stories that surround us. Dennis's unique perspective not only captures the essence of theater but also serves as a reminder of the importance of community in the arts. Who knew that writing and storytelling could be as exhilarating as a rollercoaster ride? Buckle up, because Dennis is here to take us on a thrilling ride through the enchanting world of theater, one story at a time![00:00] Meet Dennis Brown[00:33] Show Welcome and Banter[01:32] Shaw Quote on Critics[02:23] Dennis Background and Theater Roots[03:32] Thesis That Started It All[05:30] Teaching and Lifelong Learning[07:51] Breaking Into the Post Dispatch[09:31] Career Advice Stay Open[11:17] CBS Speech to Publicist[12:37] Working With Famous Actors[15:21] Interviewing Secrets and Stories[20:20] Sponsor Break and PSA[22:14] Back to Stage Page and Books[24:57] How to Be a Theater Critic: Informed Subjectivity[28:52] Illustrations by Marjorie Williamson[30:04] Illustration Perfectionism[31:11] Choosing The Reviews[33:58] Reviews As Short Stories[36:18] The Lost Art Of Criticism[40:03] Hook Meat And Ending[41:03] Gregory Peck Prep Method[47:04] GP On The Road[52:00] Angela Lansbury Favor[54:23] Final Book Plug FarewellTakeaways:Our guest today is Dennis Brown, a super talented storyteller and playwright with some awesome stories to share about his adventures in theater.We dive into the world of theater history, featuring names like Gregory Peck and Jessica Tandy, and how they left their mark on the industry.Dennis emphasizes the importance of being informed rather than strictly objective when it comes to theater criticism; it's all about that informed subjectivity, folks!The podcast reveals that Dennis' teaching experience keeps him young and in touch with fresh perspectives, highlighting the value of student insights.We also uncover that writing is a cerebral activity that connects us deeper, and even Gregory Peck had his unique way of learning lines by writing them out!Finally, we learn about Dennis' new book 'Stage Page', which is packed with reviews that tell more like short stories, celebrating the marvelous St. Louis theater scene.Dennis Brown - Home PageDennis Brown - My BooksThis is Season 9! For more episodes, go to stlintune.com#stlouistheater #dennisbrown #theatercritics #CBS #publicist #screenwriting #theaterarts #websteruniversity

We sit down with writer Michael Tove this week to discuss his hit short film Yard Sailing and his incredible journey through the world of cinema. Michael shares his fascinating transition from being a simple extra on the set of The Handmaids Tale to producing a film that has achieved over 230 wins and nominations on IMDb. We dive deep into the making of Yard Sailing, including the staggering amount of auditions they received for just nine roles and what it was like working with veteran actors like Eric and Eliza Roberts. Michael also shares personal stories from his time on sets with legends like Bob Hope and Gregory Peck, offering a rare look at the passion and persistence required in the film industry. Whether you are an aspiring filmmaker, an actor, or a pop culture fan, this conversation is one you don't want to miss! Watch Yard Saleing with the link below: https://www.emeraldoakproductions.com/film CannedAirPodcast.com TikTok: @CannedAirPodcast Instagram: @Canned_Air Chapters 0:00 Intro to Michael Tove 3:20 Hitchcockian Storytelling Roots 7:15 Lessons from the Handmaids Tale Set 11:45 Screenwriting Training and Biopics 15:30 The 35 Year Journey of Yard Sailing 19:10 Working with Director Tom Logan 23:45 Casting 87000 Actors for 9 Roles 28:20 Working with Eric Roberts 32:50 Building Lasting Industry Friendships 37:15 The Can World Film Festival Success 41:30 Respecting Background Players on Set 46:45 Premiere Night and the Big Screen Experience 51:15 Persistence and the 15 Minutes of Fame 55:30 Auditioning for Forrest Gump 59:45 Stories of Bob Hope and Gregory Peck 1:02:45 Upcoming Projects and Wrap Up If you'd like to show your support, you can either visit our Patreon page at Patreon.com/CannedAirPod or you can leave us a comment, like, and subscribe! Thanks for watching! #filmmaking #yardsailing #michaeltove #indiefilm #hollywoodstories Learn more about your ad choices. Visit megaphone.fm/adchoices

EPISODE 138 -  “NORMAN LLOYD: CLASSIC CINEMA STAR OF THE MONTH” - 5/4/2026  Few figures in Hollywood history have had careers as long—or as varied—as NORMAN LLOYD.  Spanning nearly a century, his work bridges the worlds of theater, radio, and film, with collaborations that include legends like CHARLIE CHAPLIN, ALFRED HITCHCOCK and ORSON WELLES. Whether appearing on stage, on screen or shaping stories behind the scenes, Lloyd's presence has always carried a quiet intensity and sharp intelligence. Join us as we take a closer look at the life and legacy of Norman Lloyd, our Star of the Month — a man who didn't just witness Hollywood history—he helped create it.   SHOW NOTES:  Stages: Norman Lloyd by Norman Lloyd and Francine Parker, The Scarecrow Press, Inc., 1990; Stages: Of Life in Theatre, Film and Television by Norman Lloyd, Limelight, August 1, 2004; Norman Lloyd Career Retrospective, Legacy Collection, Conversations at the SAG-AFTRA Foundation, May 4, 2004;  Noir City, Post-Screening Q&A with Norman Lloyd, Palm Springs, May 15, 2011; Shattered Applause: The Lives of Eva Le Gallienne by Robert A Schanke, Dec 9, 1992, Southern Illinois University Press; Broadway's Dreamers: The Legacy of the Group Theatre, PBS, June 26, 1989; Norman Lloyd, Associate of Welles, Hitchcock and Others, Dies at 106 by Eric Nagourney, May 11, 2011; The End of an Era: Norman Lloyd, 1914-2021 by Peter Sobczynski, May 12, 2021; Norman Lloyd, Star of ‘Saboteur' and ‘St. Elsewhere,' Dies at 106, by Mike Barnes, The Hollywood Reporter, MAY 11, 2021; TCM Remembers Norman Lloyd, TCM.com, May 13, 2021; Wikipedia.com; IBDB.com TCM.com; IMDBPro.com; Movies Mentioned: Saboteur (1942) Starring Robert Cummings and Priscilla Lane; Spellbound (1945) Starring Ingrid Bergman and Gregory Peck; The Southerner (1945) Starring Zachary Scott and Betty Field; A Walk in the Sun (1945) Starring Dana Andrews and Richard Conte; The Green Years (1946) Starring Charles Coburn and Tom Drake; A Letter for Evie (1946) Starring Marsha Hunt and John Carroll; The Beginning or the End (1947) Starring Brian Donlevy and Robert Walker; The Red Pony (1949) Starring Myrna Loy and Robert Mitchum; Scene of the Crime (1949) Starring Van Johnson and Arlene Dahl; The Flame and the Arrow (1950) Starring Burt Lancaster and Virginia Mayo; Buccaneer's Girl (1950) Starring Yvonne De Carlo and Philip Friend; The Light Touch (1951) Starring Stewart Granger and Pier Angeli; He Ran All the Way (1951) Starring John Garfield and Shelley Winters; Limelight (1952) Starring Charlie Chaplin and Claire Bloom; Audrey Rose (1977) Starring Marsha Mason and Anthony Hopkins; Dead Poets Society (1989) Starring Robin Williams and Robert Sean Leonard; The Age of Innocence (1993) Starring Daniel Day-Lewis and Michelle Pfeiffer; In Her Shoes (2005) Starring Cameron Diaz and Toni Collette; Trainwreck (2015) Starring Amy Schumer and Bill Hader --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nur wenige Bücher sind in den USA so populär wie "To Kill a Mockingbird" ("Wer die Nachtigall stört") von Harper Lee. Es ist 1960 erschienen und beschreibt den ganz alltäglichen Rassismus in einer amerikanischen Kleinstadt 30 Jahre zuvor. Ein weißer Anwalt begehrt dagegen auf, in der Verfilmung von 1962 gespielt von Gregory Peck - eine amerikanische Heldenfigur. Das Buch wurde 40 Millionen Mal verkauft und brachte Harper Lee den Pulitzerpreis ein. Genau heute vor 100 Jahren wurde sie geboren. Wir blicken mit der Amerikanistin Hannah Spahn von der Freien Universität Berlin auf das Leben der Autorin und auf ihr berühmtes Buch.

Ett sekel efter hennes födelse är den amerikanska författaren Harper Lees debutroman från 1960 en nationalklenod i USA. Men själv trodde hon ingen skulle vilja läsa hennes bok. Lyssna på alla avsnitt i Sveriges Radios app. 2007 fick den amerikanska författaren Harper Lee ta emot presidentens frihetsmedalj av George W Bush. ”To kill a mockingbird är en roman som kommer att läsas för evigt”, sa han då. Och han verkar ha rätt.Harper Lee gav ut sin uppväxtskildring, som utspelar sig i den amerikanska södern, 1960. Snabbt blev boken, som skildrar rasism, könsfrågor och klasskillnader, både en Oscarsvinnande film och en amerikansk nationalroman. Fortfarande lär den sälja i en miljon exemplar om året. Och den anses fortfarande så provokativ att den toppar listor över de oftast förbjudna böckerna i amerikanska skolor varje år. Inte ens den omdebatterade och mycket oväntade uppföljaren har förstört romanens status.En klassiker av Lina Kalmteg. I inslaget hörs: Inspelning från mottagandet av presidentens frihetsmedalj 2007, radiointervju med Harper Lee 1964, nyhetsklipp från CNN 2015 och en dialog ur filmen ”To kill a mockingbird” med Gregory Peck.

Join us as we step into the strange Cold War world of The Chairman, a forgotten 1969 spy thriller starring Hollywood great Gregory Peck. The movie, which was partly filmed in Taiwan, is about a scientist sent behind the Bamboo Curtain to steal a miracle agricultural formula. The plot is outlandish, but behind the absurdity lies an interesting snapshot of global fears in the late 1960s, from overpopulation and famine to superpower rivalry. We follow the filming production here in Taiwan (a stand-in for off-limits communist China). This takes us to locations such as Taipei's spectacular mountainside Zhinan Temple, where Peck plays ping-pong with Mao Zedong. Yes, The Chairman was a flop – deservedly so, we think – but the film certainly makes for a fun podcast episode.

El nueco capítulo de Estamos de Cine se abre con el análisis de una cartelera actual a la que Roberto Lancha define como una "semana de chiste" debido a la variopinta mezcla de géneros y títulos que coinciden en las salas. Entre los estrenos destacados, lama la atención la diversidad de historias reales que saltan a la gran pantalla desde diferentes latitudes y tonos - La Mujer más Rica del Mundo: Un drama francés que explora la vida de una figura acaudalada desde una perspectiva íntima. - Prime Crime: A tru Story: Un relato de suspense basado en una historia real sobre un secuestrador desesperado. - La Momia de Lee Cronin:la película de terror de la semana, con el sello de los creadores de Insiduous o Expediente Warren, que aspira a ser la sensación de la cartelera. - El Chico de los Pantalones Rosas: Una producción italiana con tintes sociales y emotivos. Especial BSO: Homenaje a un Clásico: 50 Años de "La Profecía" El núcleo nostálgico del programa rinde tributo a La Profecía, la obra maestra de Richard Donner que celebra su 50 aniversario. Damien se coló en nuestros miedos más profundos, y buena parte de culpa la tuvo el compositor Jerry Goldsmith con su lección de elegancia y terror camuflado. El equipo analiza cómo esta película, heredera directa de El Exorcista, logró impactar al mundo con la inquietante historia del niño "robado" interpretado por Harvey Stephens y el papel de Gregory Peck. La banda sonora de Goldsmith, que elevó la tensión del filme hacia lo sublime.

Send us Fan MailMirageSeason 17's Hacks continues with MIRAGE (1965), the latest selection from Edward Dmytryk's filmography curated by cohost Ryan phoning in from Arizona for his second of four flicks picked in this season's 4x4. And another black-and-white noirish mystery loosely adapting a novel.   Dmytryk's reworking of the uncredited print material (the 1952 novel Fallen Angel) created a film that exploits the conventions of the genre to obscure the film's conceit and twist reveal, which is

Today we have Gregory Peck in “Medicine for the Enemy,” an episode of The Doctor Fights. This episode first aired over CBS on August 28, 1945. The series aired in the summers of 1944 and 1945 over CBS and told dramatic stories of physicians during the war.Visit our website at BrickPickleMedia.com/podcasts. Subscribe to the ad-free version at https://podcasters.spotify.com/pod/show/worldwar2radio/subscribe.

This week, Julian, Emilio, and Madeline are joined by comedian Sydney Duncan to discuss two films that launched their leading ladies to superstardom - William Wyler's “Roman Holiday” from 1953 and Garry Marshall's “Pretty Woman” from 1990. The group draws comparisons both salient and subtle, and examines the aspects of Audrey Hepburn and Julia Roberts' performances that solidify these roles as their breakouts. The group also discusses the role that class plays in each of these films and the relationships at their center. Among the many similarities, they also observe that one of the best-known scenes in each film features a kindred improvisatory moment.You can follow Sydney Duncan on Instagram and TikTok @sydneyduncanonem, and catch her on the Maude and Betty house teams at UCB NY.If you enjoy our podcast, please rate and review us on your podcast platform of choice.  This really helps us find new listeners and grow!Follow us on IG and TikTok: @sleeplesscinematicpodSend us an email at sleeplesscinematicpod@gmail.comOn Letterboxd? Follow Julian @julian_barthold and Madeline @patronessofcats

With the Academy Awards ceremony only a few weeks away, we're kicking off a new month-long series of Best Picture Oscar winners with Gentleman's Agreement - Elia Kazan's searing indictment of antisemitism. We'll hear three of the film's stars - Gregory Peck, Dorothy McGuire, and John Garfield - in episodes of Suspense. Garfield stars in "Death Sentence" (originally aired on CBS on November 4, 1948); Peck in "Murder Through the Looking Glass" (originally aired on CBS on March 17, 1949); and McGuire headlines "Last Confession" (originally aired on CBS on September 15, 1949). Plus, Peck recreates his role in a Lux Radio Theatre adaptation (originally aired on CBS on September 20, 1948).

Just what the heck is Gregory Peck doing in a horror movie?! We dive in to 1962's CAPE FEAR, directed by J Lee Thompson, and starring Gregory Peck and Robert Mitchum. Plus, we learn about the bet that led to the creation of the original novel, THE EXECUTIONERS, from author John D MacDonald. Please note this episode has a trigger warning for sexual assault and domestic violence, given the content of the book and movie. Context setting 00:00; Synopsis 50:27; Discussion 1:06:07; Ranking 1:30:28

Front Row Classics is pleased to welcome Anthony Peck. Anthony is an actor, writer and son of Hollywood legend Gregrory Peck. Brandon and Anthony discuss his early years growing up and the impact of his father. The two also discuss many of his father's acting highlights and commitment to social justice. 

On My Three Sons, Stanley Livingston grew up, with the boomer generation and with television itself. By the time we came to know Stan as Chip Douglas he had logged over ten credits, performing with Paul Newman and Joanne Woodward, Doris Day, Ozzie & Harriet Nelson, Jimmy Stewart, John Wayne, Debbie Reynolds and Gregory Peck!Stan takes us back to his first gig, as a stunt double for Jon Provost on Lassie. Jon couldn't swim yet. Stan got stuck in a muddy pond and turned in a tremendously vivid performance as a kid attempting not to drown.His parents met in Baltimore, where his father ran a burlesque theater and his mom put some vahs in her dance voom. In search of reinvention, they moved to California where Stan and his brother Barry were born and raised. With an ample dose of show biz in his blood, Stan felt at home from the first moment he stepped onto a set.He shares the story of his big break at just six years old on The Adventures of Ozzie and Harriet. Stan was working as a neighborhood kid extra when Ozzie threw him a line and he delivered. Stan appeared on ten episodes of the show, until he landed My Three Sons and his brother Barry took over. (Then following him to MTS!)At age 13, Stan was cast in the epic, star-studded adventure, How the West Was Won under the legendary (and notoriously hot-tempered) direction of Henry Hathaway. He recounts Hathaway's explosive on-set tirades (and how Debbie Reynolds was the only cast member bold enough to take him on and yell back!)  The experience taught him an invaluable lesson: never take what happens on set personally.Stan speaks warmly of William Frawley, who played Bub on My Three Sons. Stan never knew his grandfathers and Bill did not have kids. They adopted each other and truly cherished their bond, on and off screen.And so, it was difficult for Stan to accept William Demarest who came in as Uncle Charley when William Frawley's faltering health made it impossible to get him insured. But Stan did eventually warm to the new Bill who came with his own set of charms.We hear behind-the-scenes stories from the MTS set, including a memorable location shoot aboard a jet at LAX, and how producers enticed movie star Fred MacMurray to television by structuring a schedule that allowed him to shoot all of his scenes for the season in just a few months.We enjoy a warm, insightful look at growing up in classic television and celebrate the mentors who helped shape one of America's most beloved sitcom families. Plus IMDB Roulette spins us back to Old Hollywood and a 'My Three Sons Guest Star Roulette' lightning round! In recommendations --Lisa: The Chair Company on HBOWeezy: Neighbors on HBOPath Points of Interest:Stanley LivingstonStanley Livingston on WikipediaStanley Livingston on IMDBStanley Livingston on FacebookGolden Age Hollywood Show March 28, 2026The Chair Company on HBONeighbors on HBO

Welcome to PTBN Pop's Movie Review of The Day! Every weekday we will be reviewing a movie whether it be currently in theaters, featured on streaming or just a film that we hold near and dear to us. On today's episode, with the recent passing of Robert Duvall, Steve Riddle pays tribute to him by reviewing “To Kill A Mockingbird” from 1962 starring Gregory Peck, John Megna, Robert Duvall, Frank Overton & Rosemary Murphy.

Nathan and Ryan take a hard look at The Gunfighter (1950), one of the most introspective and tragic Westerns ever made. Gregory Peck stars as aging outlaw Jimmy Ringo, a man haunted by his reputation and trapped by a world that won't let legends walk away quietly. The hosts discuss the film's surprisingly modern take on fame, violence, and inevitability, its stripped-down tension, and why it stands apart from more traditional shoot-'em-up Westerns of the era. Short, sharp, and emotionally heavy, The Gunfighter proves that sometimes the deadliest weapon is a name people won't forget.

Movies on a Wednesday First,  a look at this day in History.Then, The Lux Radio Theater,  originally broadcast February 11, 1946, 80 years ago, Now Voyager starring Bette Davis and Gregory Peck.  A woman finally breaks free from her domineering mother and winds up in an asylum with the daughter of her true love...by another woman.  Davis reprises her role from the 1942 motion picture. Followed by The Old Gold Comedy Theater with Harold Lloyd, originally broadcast February 11, 1945, 81 years ago, A Girl A Guy and a Gob starring George Murphy and Lucille Ball.  Murphy and Ball reprise their roles from the 1941 motion picture, also produced by Harold Lloyd.   A businessman falls for his temporary secretary, who's in love with his best friend. Then, Suspense, originally broadcast February 11, 1962, 64 years ago, The Man Who Went Back to Save Lincoln starring Court Benson.  a time travel story that imagines an attempt to prevent the assassination of President Abraham Lincoln by sending someone back to April 14, 1865.  The script by Robert A. Arthur was originally used on The Mysterious Traveler.  Finally,  Claudia, originally broadcast February 11, 1948, 78 years ago, Delilah comes Through.  A 1906 quit-claim closes the farm. Kathryn Bard and Paul Crabtree star.Thanks to Richard G for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamCheck out Professor Bees Digestive Aid at profbees.com and use my promo code WYATT to save 10% when you order! 

The Boys From Brazil (1978) on The Atomic Cinema Experiment. This is a sci fi movie podcast. The Boys From Brazil is directed by Franklin J. Schaffner and stars Gregory Peck, Laurence Olivier, James Mason patreon: https://www.patreon.com/mildfuzztv all links: https://linktr.ee/mildfuzz discord: https://discord.gg/8fbyCehMTy Email: mftvquestions@gmail.com Audio version: https://the-ace-atomic-cinema-experime.pinecast.com

"I don't know how to say goodbye." For Episode 389, Thomas and Brandon return from their holiday hiatus to discuss Brief Encounter Romance genre. They are starting off CineNation's series with one of the best romantic comedies of all time, ROMAN HOLIDAY. Listen as they discuss the film's connections to the Red Scare and Dalton Trumbo, the A-list talent that turned down the project, how they used real Italian locations for the American film, how it created a different career path for Gregory Peck, why the film was a massive success internationally, how Audrey Hepburn was discovered for the movie, and so much more! Also, don't forget to join our Patreon for more exclusive movie content: https://www.patreon.com/cinenation Opening - AMC A-List and MoviePass (00:00:10) Intro to the Brief Encounter Romance Genre (00:06:57) Intro to Roman Holiday (00:13:25) How Roman Holiday Got to Production (00:20:45) Favorite Scenes (00:43:13) On Set Life - (01:15:34) Aftermath: Release and Legacy (01:17:48) What Worked and What Didn't (01:24:17) Film Facts (01:29:41) Awards (01:30:45) Final Questions on the Movie (01:36:16) Wrapping Up the Episode (01:43:32) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast

EPISODE 125 -  “VIRGINIA MAYO: CLASSIC HOLLYWOOD STAR OF THE MONTH” - 2/02/2026  One of the most glamorous actresses in old Hollywood undoubtedly was VIRGINIA MAYO. This peaches-and-cream, midwestern beauty started her career wrangling two men in a horse costume on stage before being discovered by producer SAMUEL GOLDWYN and transformed into a full-blown movie star. Often playing the fantasy girl to leading men like BOB HOPE and DANNY KAYE, her beauty sometimes made people miss the fact that she was a very capable actress — particularly when she played bad girls in films like “The Best Years of Our Lives” and “White Heat.” She was very adept at light comedy, romance films, and drama, appearing in over 50 feature films and many television shows throughout her career. And tune in to find out about Steve's connection to this old Hollywood glamour girl as we celebrate Mayo as our February Star of the Month.   SHOW NOTES:  Sources: The Best Years of My Life (2001), by Virginia Mayo, as told to LC Van Savage; The Forties Gals (1980), by James Robert Parish & Don E. Stanke; “Virginia Mayo's 100th Birthday,” November 30, 2020, by Vanessa Varquez, www.ashroudofthoughts.com; “Virginia Mayo, 84, Stunning Actress of 1940s Romantic Films,” January 19, 2005, Los Angeles Times; Virginia Mayo, Movie Actress, Dies at 84,” January 18, 2005, by Richard Severo, New York Times; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned: Follies Girls (1943), starring Wendy Barrie; Up In Arms (1944), starring Danny Kaye & Constance Dowling; Jack London (1943), starring Michael O'Shea; Seven Days Ashore (1944), starring Wally Brown; The Princess and the Pirate (1944), starring Bob Hope & Virginia Mayo; Wonder Man (1945), starring Danny Kaye, Virginia Mayo, & Vera Ellen; The Kid From Brooklyn (1946), starring Danny Kaye, Virginia Mayo, Vera Ellen & Steve Cochran; The Secret Life of Walter Mitty (1947), starring Danny Kaye, Virginia Mayo, Boris Karloff & Ann Rutherford; The Best Years of Our Lives (1946), starring Fredric March, Myrna Loy, Dana Andrews & Teresa Wright; A Song Is Born (1948), starring Danny Kaye & Virginia Mayo; Smart Girls Don't Talk  (1948), starring Bruce Bennett & Virginia Mayo; Flaxy Martin (1949), starring Virginia Mayo & Zachary Scott; Colorado Territory (1948), starring Joel McCrea & Virginia Mayo; White Heat (1949), starring James Cagney & Virginia Mayo; Red Light (1949), starring George Brent & Virginia Mayo; Always Leave Them Laughing (1949), starring Milton Berle, Virgina Mayo & Ruth Roman; Backfire (1950), starring Gordon MacRae, Virginia Mayo & Edmond O'Brien; The Flame and the Arrow (1950), starring Burt Lancaster & Virginia Mayo; The West Point Story (1950), starring James Cagney & Virginia Mayo; Captain Horatio Hornblower (1951), starring Gregory Peck & Virginia Mayo; She's Working Her Way Though College (1952), starring Ronald Reagan & Virginia Mayo; South Sea Woman (1953), starring Burt Lancaster & Virginia Mayo;   Pearl of the Pacific (1955), starring Dennis Morgan & Virginia Mayo; The Silver Chalice (1954), starring Paul Newman, Virgina Mayo * Pier Angeli; Congo Crossing (1956), starring Virginia Mayo & George Nadar; The Big Land (1957), starring Alan Ladd & Virginia Mayo; The Story of Mankind (1957), starring Vincent Price, Ronald Colman & Peter Lorre; Young Fury (1965), starring Rory Calhoun & Virginia Mayo; Castle of Evil (1966), starring Scott Brady & Virginia Mayo; Won Ton Ton, the Dog Who Saved Hollywood (1976), starring Bruce Dern & Madelyn Kahn; Hunted (1977), starring Aldo Ray; French Quarter (1978); starring Bruce Davison; The Man Next Door (1997); starring Karen Carlson; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

“HABITS, COLLARS & CLOSEUPS IN CLASSIC CINEMA” - 1/12/2026 (122) Classic cinema has always had a fascination with clergy and nuns — not just as religious figures, but as real people caught between faith and the challenges of the world. When these characters take center stage, the stories often become less about doctrine and more about conscience, compassion, and moral choices.  Sometimes with a good dose of humor thrown in. In today's episode, we're going to dive into classic films that put nuns and clergy at the heart of the story. The characters portrayed are thoughtful, conflicted, sometimes heroic, and always deeply human, with stories that explore grace, hope, and the consequences of our choices.  This week, we take a look back at some unforgettable films where the collar or the veil isn't just a costume—it's the core of the story. SHOW NOTES:  Sources: “Let's Talk About ‘Black Narcissus',” April 17, 2025, by Sailor Monsoon “The Story Behind ‘Stars in My Crown',” May 29, 2024, by Henry C. Parke, www.insp.com; “‘The Nun's Story': Revisiting Audrey Hepburn's Most Overlooked Film,” January 24, 2020, by Nadra Nittle, America Magazine; “My Favourite Hitchcock: I Confess,” August 8, 2012, by Philip Oltermann, The Guardian; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; RogerEbert.com Movies Mentioned: Boys Town (1938), starring Spencer Tracy, Mickey Rooney & Bobs Watson; Keys of the Kingdom (1944), starring Gregory Peck, Thomas Mitchell, Vincent Price, Edmund Gwenn & Roddy McDowell; Black Narcissus (1947) starring Deborah Kerr, David Farrar, Kathleen Byron, Flora Robson & Jean Simmons; Stars In My Crown (1950), starring Joel McCrea, Ellen Drew, Dean Stockwell, James Mitchell, Amanda Blake, Juano Hernandez & Ed Begley; Thunder on the Hill (1951), starring Claudette Colbert, Ann Blyth, Robert Douglas, Phillip Friend, Connie Gilchrist, Norma Varden & Gladys Cooper; I, Confess (1953), starring Montgomery Clift, Anne Baxter & Karl Malden; The Nun Story (1959), starring Audrey Hepburn, Peter Finch, Dean Jagger, Peggy Ashcroft, Edith Evans, Beatrice Staright & Colleen Dewhurst; The Trouble With Angels (1966), starring Rosalind Russell, Hayley Mills, June Harding, Camilla Sparv, Binnie Barnes, Marge Redmond, Mary Wickes, Jim Hutton & Barbara Hunter; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Terminadas las Navidades y después de dos especiales de “Sucedió una noche Colección”, regresamos al programa habitual que esta semana tiene como protagonista a Agatha Christie, una escritora que ha dado mucho juego en el cine y de la que se cumplen 50 años de su fallecimiento. El estreno en cines de “Nouvelle Vague”, una película de Richard Linklater que gira en torno al rodaje de “Al final de la escapada” de Jean Luc Godard, nos ha animado a nosotros también a recordar la revolucionaria película del cineasta suizo, estrenada en 1960. Charlamos sobre el cine de Eloy de la Iglesia con el director Gaizka Urresti que estrena un documental sobre la vida y la obra del realizador de “Navajeros” o “La estanquera de Vallecas”. Y esta semana en nuestra sección “En pos de la aventura” tenemos una película de aventuras marineras: “El mundo en sus manos” de Raoul Walsh, con Gregory Peck haciendo de capitán de barco en Alaska.

Send us a textJoin director and former child actor Moosie Drier, and author, Jonathan Rosen, as they chat with legendary actor John Rubinstein!John discusses growing up as the son of famous pianist, Arthur Rubinstein, starring on Broadway with Ben Vereen in Pippin, winning the Tony for Children of a Lesser God, his movies, including The Boys from Brazil with Gregory Peck, Laurence Olivier, and James Mason, appearing in TV shows such as Family, & Crazy Like a Fox, and much more!Support the show

Send us a textJoin director and former child actor Moosie Drier, and author, Jonathan Rosen, as they chat with legendary actor John Rubinstein!John discusses growing up as the son of famous pianist, Arthur Rubinstein, starring on Broadway with Ben Vereen in Pippin, winning the Tony for Children of a Lesser God, his movies, including The Boys from Brazil with Gregory Peck, Laurence Olivier, and James Mason, appearing in TV shows such as Family, & Crazy Like a Fox, and much more!Support the show

Gracie and her friend Dorothy enjoy a movie that features Gregory Peck. Their fantasy has to end when they return home, and face the reality of their husbands. Gracie shares…

EPISODE 121 -  “RICHARD BASEHART: CLASSIC STAR OF THE MONTH” - 1/05/2026  RICHARD BASEHART wasn't the flashiest of actors, but he certainly was one of the most versatile. He always brought such haunting depth and emotional intensity to his roles, often portraying characters teetering on the edge of psychological turmoil. With his piercing blue eyes and floppy blonde hair, his sensitive, brooding presence gave him the appearance of an erudite or a poet. And that voice! He had a fantastic baritone voice that could convey both vulnerability and menace. He really excelled at playing sensitive, troubled men—sometimes deeply introspective, other times psychotic or dangerously unhinged. From his chilling portrayal of the deranged killer in “He Walked by Night” (1948) to the tormented clown in FEDERICO FELLINI's “La Strada” (1954), Basehart always infused each performance with a profound humanity, sensitivity, and quiet strength, making him one of the most compelling and underrated actors of his generation. This week we honor him as our January Star of the Month. SHOW NOTES:  Sources: ActorsandOthers.com ClassicMovieHub.com WalkofFame.com Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned: Repeat Performance (1947), starring Joan Leslie, Louis Hayward, Richard Basehart, Tom Conway, and Virginia Field; Cry Wolf (1947), starring Errol Flynn, Barbara Stanwyck, Richard Basehart & Geraldine Brooks; He Walked By Night (1948), starring Scott Brady & Richard Basehart; Rosanna McCoy (1949), starring Farley Granger & Joan Evans; Tension (1949), starring Richard Basehart, Audrey Totter, Barry Sullivan, & Cyd Charisse; Fourteen Hours (1951), starring Richard Basehart, Paul Douglas, Barbara Bel Geddes, Agnes Moorhead, Jeffrey Hunter, Debra Paget, & Grace Kelly; The House on Telegraph Hill (1951), starring Richard Basehart & Valentina Cortese; Decision Before Dawn (1951), starring Oskar Werner & Richard Basehart; Titanic (1953), starring Barbara Stanwyck & Clifton Webb; La Strada (1954), starring Anthony Quinn & Richard Basehart; Il Bidone (1955), starring Richard Basehart & Broderick Crawford; Moby Dick (1956), starring Gregory Peck, Richard Basehart & Orson Welles; The Brothers Karamazov (1958), starring Yul Brynner & Richard Basehart; Portrait in Black (1960), starring Lana Turner & Anthoy Quinn; The Savage Guns (1961), starring Richard Basehart & Alex Nicol; Hitler (1962); The City Beneath The Sea (1971), starring Stuart Whitman & Rosemary Forsyth; The Island of Dr. Moreau (1977), starring Burt Lancaster & Michael York; Being There (1979), starring Peter Sellers & Shirley MacLaine; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jim reflects on one of the top-grossing films of 1976 and a real horror game-changer - "The Omen," starring Gregory Peck, Lee Remick, Harvey Spencer Stephens, David Warner, Billie Whitelaw, Patrick Troughton, Leo McKern, and Holly Palance. This classic film centers around a small boy who might be the Antichrist. The movie opened the door for many other religous horror films in the late-70s and spawned three sequels as well as a remake and a prequel. Find out more on MONSTER ATTACK!, The Podcast Dedicated To Old Monster Movies.

Jim reflects on one of the top-grossing films of 1976 and a real horror game-changer – “The Omen,” starring Gregory Peck, Lee Remick, Harvey Spencer Stephens, David Warner, Billie Whitelaw, Patrick Troughton, Leo McKern, and Holly Palance. This classic film centers around a small boy who might be the Antichrist. The movie opened the door […] The post The Omen 1976 | Episode 496 appeared first on The ESO Network.

Welcome back to Scene Missing, the show where we dig past the highlight reels and get into the real story. This time, Gabriel Hardman, Ian Brill, and I take a hard, unsentimental look at the career of Burl Ives—a performer whose legacy is far bigger, messier, and more complicated than the warm baritone most people remember.We start with the role that earned him Hollywood's highest honor: his Oscar-winning turn as Rufus Hannassey in The Big Country, opposite Gregory Peck, Jean Simmons, and Charlton Heston—a performance that weaponized charm into something quietly menacing. From there, we contrast it with the brutal, snowbound moral reckoning of Day of the Outlaw, where Ives delivers one of the coldest outlaw portrayals ever put on film. We also explore his unexpected presence in prestige drama, including Cat on a Hot Tin Roof, sharing the screen with Paul Newman and Elizabeth Taylor, and how his earthy gravitas grounded Tennessee Williams' overheated world.On television, we revisit his folksy patriarch on O.K. Crackerby!, his later dramatic turn on The Bold Ones: The Lawyers, and how TV both extended and softened his public image. And yes—we absolutely talk about the role that permanently etched him into pop culture: the voice of Sam the Snowman in Rudolph the Red-Nosed Reindeer, a performance so comforting it practically erased the edge of the man behind it.But we don't stop at acting. Ives' massive influence as a folk singer is front and center—from “Blue Tail Fly” to “Big Rock Candy Mountain”—along with the career-altering moment that still sparks controversy: his testimony before the House Un-American Activities Committee, where he named names, including Pete Seeger, reshaping both of their legacies in opposite directions. This isn't a tribute. It's an honest conversation about talent, ambition, fear, and compromise—and how one man could be a beloved storyteller, a terrifying screen presence, and a cautionary tale all at once.

Sit back, relax, and hold your loved ones tight for On the Beach, Stanley Kramer's 1959 apocalyptic drama starring Gregory Peck, Ava Gardner, Fred Astaire, and Anthony Perkins. In this episode of the Nuclear Movie Club, NukeTalk producer Rebecka Green and Ploughshares Roger L. Hale Fellow Scott Strgacich discuss On the Beach's depiction of the end times, the creep of nuclear fallout, and whether or not On the Beach may have too much...beach. Love, loss, auto racing, Australians sans Australian accents, nuclear fallout—On the Beach has it all. Follow NukeTalk on Instagram and X @nuke_talk and Ploughshares on Instagram and X @plough_shares to be the first in the know about the movie of the week. Questions, comments, or movie trivia? Email podcast@ploughshares.org—we'll do our best to read it on the air! See you at the movies!

Front Row Classics welcomes Carey Peck. Carey is the son of the legendary Gregory Peck and discusses his Father's legacy with Brandon.  Topics include Peck's memorable roles, philosophies and commitment to social justice. The two also discuss Carey's careers in politics and education.

Welcome Carey Peck Front Row Classics welcomes Carey Peck. Carey is the son of the legendary Gregory Peck and discusses his Father’s legacy with Brandon.  Topics include Peck’s memorable roles, philosophies and commitment to social justice. The two also discuss Carey’s careers in politics and education. Don't forget to follow/reach us at: Website: https://linktr.ee/FrontRowClassicsTwitter: @FRNCLASSICSEmail: classicsfrn@gmail.comFacebook: https://www.facebook.com/thefrontrownetwork/Instagram: frontrowclassicspod

Mark Maddox Joins Jim for a duscussion of the 1956 classic based on the immortal novel by Herman Melville - "Moby Dick," starring Gregory Peck, Richard Baseheart, Leo Genn, Orson Welles, James Robertson Justice, Harry Andrews, Friedrich von Ledeur, Francis Wolf, Royal Dano, and directed by John Huston. This well-known tale involves the observations of a young seaman (Baseheart) while serving aboard a whaling ship under the command of Captain Ahab (Peck). But who is the real monster in the story? Find out more on MONSTER ATTACK!, The Podcast Dedicated To Old Monster Movies.

Send us a textWe announce the Warner Archive's December lineup with seven new releases plus the Tom and Jerry Golden Era anthology. Get the details about the restoration and included extras you can expect for these new Blu-ray releases.Purchase links: SAN ANTONIO Blu-rayINTERRUPTED MELODY Blu-rayI LOVE MELVIN Blu-rayON BORROWED TIME Blu-rayTHE VALLEY OF DECISION Blu-rayWALLY GATOR (1962-63) Blu-rayLIPPY THE LION AND HARDY HAR HAR (1962-63) Blu-rayTouche Turtle and Dum Dum: The Complete Series Blu-rayPre‑order link for Tom & Jerry Golden Era Anthology Collection Blu-ray The Extras Facebook pageThe Extras Twitter Warner Archive & Warner Bros Catalog Group Join our new public Facebook Group for Warner Archive Animation Fans and get the latest update on all the releases. As an Amazon Affiliate, The Extras may receive a commission for purchases through our purchase links. There is no additional cost to you, and every little bit helps us in the production of the podcast. Thanks in advance. Otaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers. Contact us today to see how we can work together to achieve your goals. tim@theextras.tv

Today, we continue our series on healthy relationships, and we're talking about managing difficult relationships. There's a wonderful scene in the classic film To Kill a Mockingbird, when the attorney Atticus Finch is confronted by the father of a girl who has accused a black man of rape, the father, enraged walks up to Finch, played perfectly by Gregory Peck. He spits in Finch's face as the attorneys' children watch. You can see the anger in Finch's face, but he slowly and calmly maintains his composure. He simply walks past the man, who now looks pretty small in everyone's eyes. God has given us the power over difficult people. It's called not letting them set the rules. 1 Peter 3:9 says, “Do not repay evil with evil or insult with insult. On the contrary, repay evil with blessing because to this you were called, so that you may inherit a blessing.” Not always easy, definitely, but we're capable of it. Remember that. This life is very much about winning and losing. Determine that a difficult person in your life is not going to win by controlling you and getting under your skin. In wrestling terms, don't let that person pin you. Is that obnoxious person in your life really all that obnoxious, or are you a grouch, letting yourself get caught in what is really only a difference in personalities? Go home from work one evening and think about that. Make your mind up to start out the next day by being nice to that person. You'll be surprised how that can change the equation. And that's what Colossians 4:6 is talking about when it says, “Let your speech be always with grace seasoned with salt, that you may know how you ought to answer every man.” Or maybe you're a man frustrated with the relationship between your wife and your mother. This is always a potentially difficult situation. Maybe you think your wife should be more adaptable, but you've forgotten what God told the man in Genesis 2:24. It says, “This is why a man leaves his father and mother, and is united to his wife. And they become one flesh.” Your responsibility in that situation is to your wife, not to making sure your parents' feelings come first in all situations. So, you see, often that difficult person you're dealing with is you, or at the very least a different perspective will help you see where the fault really lies. Finally, in 1 Corinthians 5, we read that Paul advises for really difficult people, a cooling-off period is legitimate. For example, the person who is causing real strife in a church should not be allowed to go on like that indefinitely; bad behavior sometimes must be confronted for the good of the community. And even for the good of the offended person, this is sound advice. So, if we stick to what the Lord has already told us and our tried and true methods for dealing with difficult people, we can get to a better place. Let's pray.Father God, a person who is angry or a troublemaker creates chaos for everyone. Help us analyze each of these situations as unique so that we know how to handle them from your Word. And most especially help us make it a habit to pray for those who are difficult so that we might see their lives changed and brought into harmony and unity. In Jesus' name, amen. Change your shirt, and you can change the world! Save 15% Off your entire purchase of faith-based apparel + gifts at Kerusso.com with code KDD15.

The GGACP team celebrates the birthday (b. August 24) of Emmy-winning writer, comedian, actor, podcaster and film buff Dana Gould with this ENCORE of an interview from 2016. In this episode, drops by the studio to chat about everything from Hollywood “fixers” to werewolf transformations and to regale Gilbert and Frank with stories about everyone from Dwight Frye to Mark Hamill. Also, Dana meets Merv Griffin, mimics Adam West, befriends Vampira and remembers Roddy McDowall. PLUS: “Mars Attacks!” The genius of Dan Curtis! The sexism of James Bond! Gregory Peck meets Gopher! And the mysterious death of Albert Dekker! Learn more about your ad choices. Visit megaphone.fm/adchoices