Podcasts about Goldbergs

What a big day. Today, we talk with acting legend Stephen Tobolowsky to chat about his career & the upcoming Haul Out the Halloween release. ABOUT STEPHEN TOBOLOWSKY:Stephen Tobolowsky is an acclaimed American actor, author, and storyteller whose career spans more than four decades across film, television, and theater. Known for his remarkable versatility and unmistakable presence, Tobolowsky has appeared in more than 200 productions, creating some of pop culture's most memorable characters.He's perhaps best recognized for his iconic turn as Ned Ryerson in Groundhog Day, as well as standout roles in Memento, Californication, Glee, The Goldbergs, and One Day at a Time. Beyond acting, Tobolowsky is also a celebrated writer and podcaster, known for his insightful storytelling in The Tobolowsky Files and his acclaimed memoir The Dangerous Animals Club.In recent years, Tobolowsky has brought his trademark warmth and wit to the Hallmark Channel, delighting audiences as the lovable homeowner Ned in the hit Haul Out the Holly series. He reprises the role once again in this weekend's highly anticipated new installment, Haul Out the Halloween. Watch the show on Youtube - www.deckthehallmark.com/youtubeInterested in advertising on the show? Email bran@deckthehallmark.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this special episode of Unstoppable Mindset, I had the privilege of sitting down with the remarkable Ivan Cury—a man whose career has taken him from the golden days of radio to groundbreaking television and, ultimately, the classroom.   Ivan began acting at just four and a half years old, with a chance encounter at a movie theater igniting a lifelong passion for storytelling. By age eleven, he had already starred in a radio adaptation of Jack and the Beanstalk and went on to perform in classic programs like Let's Pretend and FBI in Peace and War. His talent for voices and dialects made him a favorite on the air.   Television brought new opportunities. Ivan started out as a makeup artist before climbing the ranks to director, working on culturally significant programs like Soul and Woman, and directing Men's Wearhouse commercials for nearly three decades. Ivan also made his mark in academia, teaching at Hunter College, Cal State LA, and UCLA. He's written textbooks and is now working on a book of short stories and reflections from his extraordinary life.   Our conversation touched on the importance of detail, adaptability, and collaboration—even with those we might not agree with. Ivan also shared his view that while hard work is crucial, luck plays a bigger role than most of us admit.   This episode is packed with insights, humor, and wisdom from a man who has lived a rich and varied life in media and education. Ivan's stories—whether about James Dean or old-time radio—are unforgettable.     About the Guest:   Ivan Cury began acting on Let's Pretend at the age of 11. Soon he was appearing on Cavalcade of America, Theatre Guild on the Air,  The Jack Benny Program, and many others.  Best known as Portia's son on Portia Faces Life and Bobby on Bobby Benson and The B-Bar-B Riders.    BFA: Carnegie Tech, MFA:Boston University.   Producer-director at NET & CBS.  Camera Three's 25th Anniversary of the Julliard String Quartet, The Harkness Ballet, Actor's Choice and Soul! as well as_, _The Doctors and The Young and the Restless. Numerous television commercials, notably for The Men's Wearhouse.   Taught at Hunter, Adelphi, and UCLA.  Tenured at Cal State University, Los Angeles.  Author of two books on Television Production, one of which is in its 5th edition.    Ways to connect with Ivan:       About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:16 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:20 Well, hi everyone, and welcome to another episode of unstoppable mindset where inclusion, diversity and the unexpected meet. And the fun thing is, most everything really deals with the unexpected. That is anything that doesn't have anything to do with diversity or inclusion. And our guest today, Ivan Cury, is certainly a person who's got lots of unexpected things, I am sure, and not a lot necessarily, dealing with the whole issue of disabilities, inclusion and diversity, necessarily, but we'll see. I want to tell you a little bit about Ivan, not a lot, because I want him to tell but as many of you know who listen to unstoppable mindset on a regular basis. I collect and have had as a hobby for many years old radio shows. And did a radio program for seven years, almost at UC Irvine when I was there on kuci, where every Sunday night we played old radio shows. And as it turns out, Ivan was in a number of those shows, such as, let's pretend, which is mostly a children's show. But I got to tell you, some of us adults listened and listened to it as well, as well as other programs. And we'll get into talking about some of those things. Ivan has a really great career. He's done a variety of different things, in acting. He's been in television commercials and and he is taught. He's done a lot of things that I think will be fun to talk about. So we'll get right to it. Ivan, I want to thank you for being here and welcome you to unstoppable mindset. Thanks. Thanks. Good to be here. Well, tell us a little bit about kind of the early Ivan growing up, if you will. Let's start with that. It's always good to start at the beginning, as it were,   Ivan Cury ** 03:04 well, it's sorry, it's a great, yes, it's a good place to start. About the time I was four and a half, that's a good time to start. I walked past the RKO 81st, street theater in New York, which is where we lived, and there was a princess in a in a castle kept in the front of this wonderful building that photographs all over the place. Later on, I was to realize that that Princess was really the cashier, but at the time, it was a princess in a small castle, and I loved the building and everything was in it. And thought at that time, that's what I'm going to do when I grow up. And the only thing that's kind of sad is it's Here I am, and I'm still liking that same thing all these years later, that's that's what I liked. And I do one thing or another, I wound up entertaining whenever there was a chance, which really meant just either singing a song or shaking myself around and pretending it was a dance or thinking it was a dance. And finally, wound up meeting someone who suggested I do a general audition at CBS long ago, when you could do those kinds of things I did and they I started reading when I was very young, because I really, because I want to read comics, you know, no big thing about that. And so when I could finally read comics, I wound up being able to read and doing it well. And did a general audition of CBS. They liked me. I had a different kind of voice from the other kids that were around at the time. And and so I began working and the most in my career, this was once, once you once they found a kid who had a different voice than the others, then you could always be the kid brother or the other brother. But it was clear that I wasn't a kid with a voice. I was the kid with the Butch boy. So who? Was who, and so I began to work. And I worked a lot in radio, and did lots and lots of shows, hundreds, 1000s,   Michael Hingson ** 05:07 you mentioned the comics. I remember when we moved to California, I was five, and I was tuning across the dial one Sunday morning and found KFI, which is, of course, a state a longtime station out here was a clear channel station. It was one of the few that was the only channel or only station on that frequency, and on Sunday morning, I was tuning across and I heard what sounded like somebody reading comics. But they weren't just reading the comics. They were dramatized. And it turns out it was a guy named David Starling who did other shows and when. So I got his name. But on that show, he was the funny paper man, and they read the LA Times comics, and every week they acted them out. So I was a devoted fan for many years, because I got to hear all of the comics from the times. And we actually subscribed to a different newspaper, so I got two sets of comics my brother or father read me the others. But it was fun reading and listening to the comics. And as I said, they dramatize them all, which was really cool.   Ivan Cury ** 06:14 Yeah, no doubt I was one day when I was in the studio, I was doing FBI and peace and war. I used to do that all the time, several it was a sponsored show. So it meant, I think you got $36 as opposed to $24 which was okay in those days. And my line was, gee, Dad, where's the lava soap. And I said that every week, gee, Dad, where's the lava soap. And I remember walking in the studio once and hearing the guy saying, Ah, this television ain't never gonna work. You can't use your imagination. And, yeah,   Michael Hingson ** 06:52 well, except you really don't use your imagination near especially now I find that everything is way too spelled out, so you don't get to use your imagination.   Ivan Cury ** 07:03 Radio required you to use your radio required you to use it. Yeah, and, and if you had a crayon book at the time, well, and you were 12 or No, no, much younger than that, then it was and that was what you did, and it was fun.   Michael Hingson ** 07:17 So what was the first radio program that you were   Ivan Cury ** 07:20 it was very peculiar, is it New Year's Eve, 19 four? No, I don't know. I'm not sure. Now, it was 47 or 48 I think it was 48 Yeah, I was 11, and it was New Year's Eve, and it was with Hank Severn, Ted Cott, and I did a Jack and the Beanstalk. It was recording for caravan records. It became the number one kids record. You know, I didn't, there was no he didn't get residuals or anything like that. And the next day I did, let's pretend. And then I didn't work for three months. And I think I cried myself to sleep every night after that, because I absolutely loved it. And, you know, there was nothing my parents could do about this, but I wanted, I wanted in. And about three months later, I finally got to do another show. Peculiarly. The next show I did was lead opposite Helen Hayes in a play called no room for Peter Pan. And I just looked it up. It was May. I looked it up and I lost it already. I think, I think I may know what it is. Stay tuned. No, now, nope, nope, nope, ah, so that's it was not. This was May 1949, wow. What was it? Well, yeah, and it was, it was a the director was a man named Lester O'Keefe, and I loved Barry Fitzgerald, and I find even at a very early age, I could do an Irish accent. And I've been in Ireland since then. I do did this, just sometimes with the people knowing that I was doing it and I was it was fine. Sometimes they didn't, and I could get it is, it is pretty Irish, I think, at any rate, he asked me father, who was born in Russia, if we spoke Gaelic at home, we didn't. And so I did the show, and it was fine. Then I did a lot of shows after that, because here was this 11 year old kid who could do all this kind of   Michael Hingson ** 09:24 stuff. So what was no room for Peter Pan about,   Ivan Cury ** 09:27 oh, it was about a midget, a midget who is a young man, a young boy who never grows up, and there's a mind. He becomes a circus performer, and he becomes a great star, and he comes back to his town, to his mother, and there's a mine disaster, and the only one who can save them is this little person, and the kid doesn't want to do it, and it's and there's a moment where Helen Hayes, who played the lead, explained about how important it is the to give up your image and be and be. Man, be a real man, and do the thing, right thing to do. And so that was the   Michael Hingson ** 10:04 story. What show was it on? What series?   Ivan Cury ** 10:07 Electric Theater, Electric Theater, Electric Theater with Ellen Hayes, okay,   Michael Hingson ** 10:10 I don't think I've heard that, but I'm going to find it.   Ivan Cury ** 10:14 Well, yes, there's that one. And almost very soon afterwards, I did another important part with Walter Hughes, Walter Hamden. And that was on cavalcade of America, Ah, okay. And that was called Footlights on the frontier. And it was about, Tom about Joseph Jefferson, and the theater of the time, where the young kid me meets Abraham Lincoln, Walter Houston, and he saves the company. Well, those are the first, first shows. Was downhill from there. Oh, I don't   Michael Hingson ** 10:50 know, but, but you you enjoyed it, and, of course, I loved it, yes, why?   Ivan Cury ** 11:00 I was very friendly with Richard lamparsky. I don't even remember him, but he wrote whatever became of series of books. Whatever became of him was did a lot, and we were chatting, and he said that one of the things he noticed is that people in theater, people in motion pictures, they all had a lot of nightmare stories to tell about people they'd work with. And radio actors did not have so much of that. And I believe that you came in, you got your script, you work with people you like, mostly, if you didn't, you'd see you'd lose, you know, you wouldn't see them again for another Yeah, you only had to deal with them for three or four hours, and that was in the studio. And after that, goodbye.   Michael Hingson ** 11:39 Yeah, what was your favorite show that you ever did?   Ivan Cury ** 11:42 And it seems to me, it's kind of almost impossible. Yeah, I don't know,   Michael Hingson ** 11:51 a lot of fun ones.   Ivan Cury ** 11:54 I'll tell you the thing about that that I found and I wrote about it, there are only five, four reasons really, for having a job. One of them is money, one of them is prestige. One of them is learning something, and the other is having fun. And if they don't have at least two, you ought to get out of it. And I just had a lot of fun. I really like doing it. I think that's one of the things that's that keeps you going now, so many of these old time radio conventions, which are part of my life now, at least Tom sometimes has to do with with working with some of the actors. It's like tennis. It's like a good tennis game. You you send out a line, and you don't know how it's going to come back and what they're going to do with it. And that's kind of fun.   Michael Hingson ** 12:43 Well, so while you were doing radio, and I understand you weren't necessarily doing it every day, but almost, well, almost. But you were also going to school. How did all that work out   Ivan Cury ** 12:53 there is, I went to Professional Children's School. I went to a lot of schools. I went to law schools only because mostly I would, I would fail geometry or algebra, and I'd have to take summer session, and I go to summer session and I'd get a film, and so I'd leave that that session of summer session and do the film and come back and then go to another one. So in all, I wound up to being in about seven or eight high schools. But the last two years was at Professional Children's School. Professional Children's School has been set up. It's one of a number of schools that are set up for professional children, particularly on the East Coast. Here, they usually bring somebody on the set. Their folks brought on set for it. Their professional school started really by Milton Berle, kids that go on the road, and they were doing terribly. Now in order to work as a child Lacher in New York and probably out here, you have to get permission from the mayor's office and permission from the American Society of Prevention of Cruelty to Children. And you needed permits to do it, and those both organizations required the schools to show to give good grades you were doing in school, so you had to keep up your grades, or they wouldn't give you a permit, and then you couldn't work. PCs did that by having correspondence. So if a kid was on the road doing a show out of town in Philadelphia or wherever, they were responsible for whatever that week's work was, and we were all we knew ahead of time what the work was going to be, what projects had to be sent into the school and they would be graded when I went, I went to Carnegie, and my first year of English, I went only, I think, three days a week, instead of five, because Tuesdays and Thursdays Were remedial. We wrote We were responsible for a term paper. Actually, every week, you we learned how to write. And it was, they were really very serious about it. They were good schools   Michael Hingson ** 14:52 well, and you, you clearly enjoyed it. And I know you also got very involved and interested in poetry as you went along. Too do. Yes, I did well, yeah, yeah. And who's your favorite poet?   Ivan Cury ** 15:07 Ah, my favorite poets. If that is hard to say, who my favorite is, but certainly they are more than one is Langston, Hughes, Mary, Oliver, wh Jordan, my favorite, one of my favorite poems is by Langston Hughes. I'll do it for you now. It's real easy. Burton is hard, and dying is mean. So get yourself some love, and in between, there you go. Yes, I love that. And Mary Oliver, Mary Oliver's memory, if I hope I do, I go down to the shore, and depending upon the hour, the waves are coming in and going out. And I said, Oh, I am so miserable. Watch. What should I do? And the sea, in its lovely voice, says, Excuse me, I have work to do.   Michael Hingson ** 15:56 Ooh. That puts it in perspective, doesn't   Ivan Cury ** 16:00 it? Yes, it certainly does.   Michael Hingson ** 16:03 So So you, you went to school and obviously had good enough grades that you were able to continue to to act and be in radio, yes, which was cool. And then television, because it was a television Lacher, yeah, yeah. It's beginning of television as well. So I know one of the shows that you were on was the Jack Benny show. What did you do for Jack? Oh, well,   Ivan Cury ** 16:28 I'm really stuffy. Singer is the guy who really did a lot of Jack Benny things. But what happened is that when Jack would come to New York, if there was a kid they needed, that was me, and so I did the Benny show, I don't know, two or three times when he was in New York. I, I did the Jack Benny show two or three times. But I was not so you were, you were nice, man. It came in. We did the show. I went   Michael Hingson ** 16:51 home. You were a part time Beaver, huh?   Ivan Cury ** 16:54 I don't know. I really don't know, but I was beaver or what? I don't remember anything other than I had been listening to the Jack Benny show as a kid. I knew he was a star and that he was a nice man, and when he came into the studio, he was just a nice man who who read Jack Benny's lines, and who was Jack Benny, and he said his lines, and I said my lines, and we had a nice time together. And there wasn't any, there wasn't any real interplay between us, other than what would be normal between any two human beings and and that was that. So I did the show, but I can't talk very much about Jack Benny.   Michael Hingson ** 17:32 Did you? Did you primarily read your scripts, or did you memorize them at all?   Ivan Cury ** 17:37 Oh, no, no, radio. That was the thing about radio. Radio that was sort of the joy you read. It was all about reading. It's all about reading, yeah. And one of the things about that, that that was just that I feel lucky about, is that I can pretty well look at a script and read it. Usually read it pretty well with before the first time I've ever seen it, and that's cold reading, and I was pretty good at that, and still am.   Michael Hingson ** 18:06 Did you find that as you were doing scripts and so on, though, and reading them, that that changed much when you went in into television and started doing television?   Ivan Cury ** 18:22 I don't know what you mean by change.   Michael Hingson ** 18:24 Did you you still read scripts and   Ivan Cury ** 18:26 yeah, no, no, the way. I mean the way intelligent show usually goes as an actor. Well, when I directed television, I used to direct a lot of soap operas, not a lot, but I directed soap operas, but there'd be a week's rehearsal for a show, danger, I'm syndicated, or anything, and so there'd be a week's rehearsal. The first thing you do is, we have a sit down read, so you don't read the script, and then you holding the script in your hand walk through the scenes. Sometimes the director would have, would have blocking that they knew you were going to they were going to do, and they say, here's what you do. You walk in the door, etc. Sometimes they say, Well, go ahead, just show me what you'd like, what you what it feels like. And from that blocking is derived. And then you go home and you try to memorize the lines, and you feel perfectly comfortable that as you go, when you leave and you come back the next day and discover you got the first line down. But from there on, it's dreadful. But after a while, you get into the thing and you know your lines. You do it. Soap opera. Do that.   Michael Hingson ** 19:38 The interesting thing about doing radio, was everything, pretty much, was live. Was that something that caused a lot of pressure for you?   Ivan Cury ** 19:51 In some ways, yes, and in some ways it's lovely. The pressure is, yes, you want to get it right, but if you got to get it but if you get it wrong, give it up, because it's all over. Uh, and that's something that's that isn't so if you've recorded it, then you start figuring, well, what can I do? How can I fix this? You know, live, you do it and it's done. That's, that's what it is, moving right along. And this, this comment, gets to be kind of comfortable, you know, that you're going to, there may be some mistakes. You do the best you can with it, and go on one of the things that's really the news that that happens, the news, you know, every night, and with all the other shows that are live every day,   Michael Hingson ** 20:26 one of the things that I've noticed in a number of radio shows, there are times that it's fairly obvious that somebody made a flub of some sort, but they integrated it in, and they were able to adapt and react, and it just became part of the show. And sometimes it became a funny thing, but a lot of times they just worked it in, because people knew how to do that. And I'm not sure that that is so much the case certainly today on television, because in reality, you get to do it over and over, and they'll edit films and all that. And so you don't have that, that same sort of thing, but some of those challenges and flubs that did occur on radio were really like in the Jack Benny shows and burns and Allen and Phil Harris and so on. They were, they just became integrated in and they they became classic events, even though they weren't necessarily originally part of the plan.   Ivan Cury ** 21:25 Absolutely, some of some of them, I suspect some of them, were planned and planned to sound as if they would just happen. But certainly mistakes. Gosh, good mistakes are wonderful. Yeah, in all kinds of I used to do a lot of live television, and even if we weren't live television, when we would just do something and we were going to tape it and do it later, I remember once the camera kind of going wrong, video going wrong. I went, Wait a minute. That's great. Let's keep it wrong like that, you know. And it was so is just lovely that that's part of the art of improvisation, with how   Michael Hingson ** 22:06 and and I think there was a lot more of that, certainly in radio, than there is on television today, because very few things are really live in the same   Ivan Cury ** 22:17 sense. No, there. There are some kinds of having written, there are some type formats that are live. The news is live, the news is live. There's no, you know, there are. There used to be, and there may still be some of the afternoon shows, the kind of morning and afternoon shows where Show and Tell Dr whatever his name is, Dr Phil, yeah, it may be live, or it's shot as live, and they don't, they don't really have a budget to edit, so it's got to be real bad before they edit. Yeah. So do a show like that called Woman of CBS. So there are shows that are live, like that, sport events are live. A lot of from Kennedy Center is live. There are, there are lots of programs that are live, concerts, that are that you are a lot of them. America's Got Talent might as well be live. So there's a lot of that. And certainly things go wrong in the ad lib, and that's the way, because, in fact, there's some lovely things that happen out of that, but mostly, you're absolutely right. Mostly you do show it's recorded. You intend to edit it, you plan it to be edited, and you do it. It's also different when you shoot multiple camera, as opposed to single camera, yeah, single camera being as you say, again and again and again, multiple camera, not so much, although I used to direct the young and the restless, and now there is a line cut which is almost never used. It's it's the intention, but every shot is isolated and then cleaned up so that it's whatever is, whatever is possibly wrong with it gets clean.   Michael Hingson ** 24:03 Yeah, it's, it's a sign of the changing times and how things, everything   Ivan Cury ** 24:09 is bad. It's just, it's different. In fact, that's a kind of question I'm really puzzled with right now for the fun of it. And that is about AI, is it good or bad?   Michael Hingson ** 24:20 Well, and it's like anything else, of course, it depends. One of the one of my, my favorite, one of my favorite things about AI is a few years, a couple of years ago, I was at a Christmas party when there was somebody there who was complaining about the fact that kids were writing their papers using AI,   Ivan Cury ** 24:43 and that's bad   Michael Hingson ** 24:44 and and although people have worked on trying to be able to detect AI, the reality is that this person was complaining that the kids were even doing it. And I didn't think about it until later, but I realized. Is one of the greatest blessings of AI is let the students create their papers using AI. What the teachers need to do is to get more creative. And by that I mean All right, so when children turn in and students turn in their papers, then take a day and let every student take about a minute and come up and defend the paper they wrote. You're going to find out really quickly who really knew the subject and who just let ai do it and didn't have any interaction with it. But what a great way to learn. You're going to find out very quickly. And kids are going to figure out very quickly that they need to really know the subject, because they're going to have to defend their   Ivan Cury ** 25:41 papers. Yeah, no, I think that's fine. I I don't like the amount of electricity that it requires and what it's doing to our to our needs for water, because it has to be cooled down. So there's some physical things that I don't like about AI, and I think it's like when you used to have to go into a test with a slide rule, and they you couldn't use your calculator. When I use a calculator, it's out of the bag. You can't put it back anymore. It's a part of our life, and how to use it is the question. And I think you're absolutely right. I don't even need to know whether. I'm not even sure you need to check the kids if they it. How will you use? How will we get to use? Ai, it is with us.   Michael Hingson ** 26:30 Well, but I think there's a the value of of checking and testing. Why I'm with you. I don't think it's wrong. I think, no, no, but I think the value is that it's going to make them really learn the subject. I've written articles, and I've used AI to write articles, and I will look at them. I'll actually have a create, like, eight or nine different versions, and I will decide what I like out of each of them, and then I will add my part to it, because I have to make it me, and I've always realized that. So I know anything that I write, I can absolutely defend, because I'm very integrally involved in what I do with it, although AI has come up with some very clever ideas. Yeah, I hadn't thought of but I still add value to it, and I think that's what's really important.   Ivan Cury ** 27:19 I did a I've been writing stuff for a while, and one of the things I did, I wrote this. I wrote a little piece. And I thought, well, what? What would ai do if they took the same piece? How would they do it? So I put it in and said, rewrite it. They did. It was kind of bland. They'd taken all the life out of it. It wasn't very Yeah. So then I said, Well, wait a minute, do the same thing, write it as if it were written by Damon Runyon. And so they took it and they did that, and it was way over the top and really ugly, but it I kind of had fun with what, what the potential was, and how you might want to use it. I mean, I think the way you using it is exactly right. Yeah, it's how you use it, when, when you when, I'm just as curious, when you do that, when you said, you write something, and you ask them to do it four or five times or many times. How do you how do you require them to do it differently.   Michael Hingson ** 28:23 Well, there are a couple different ways. One is, there are several different models that can use to generate the solution. But even leaving aside such as, Oh, let's see, one is, you go out and do more web research before you actually do the do the writing. And so that's one thing and another. I'm trying to remember there were, like, six models that I found on one thing that I did yesterday, and but, but the other part about it is that with AI, yeah, the other thing about AI is that you can just tell it you don't like the response that you   Ivan Cury ** 29:09 got. Aha, okay, all right, yep,   Michael Hingson ** 29:13 I got it. And when you do that, it will create a different response, which is one of the things that you want. So, so so that works out pretty well. And what I did on something, I wanted to write a letter yesterday, and I actually had it write it. I actually had it do it several times. And one time I told it to look at the web to help generate more information, which was pretty cool, but, but the reality is that, again, I also think that I need to be a part of the the solution. So I had to put my my comments into it as well, and, and that worked out pretty well. Okay, right? Yeah, so I mean, it's cool, and it worked. Right? And so the bottom line is we we got a solution, but I think that AI is a tool that we can use, and if we use it right, it will enhance us. And it's something that we all have to choose how we're going to do. There's no no come, yeah, no question about that. So tell me you were successful as a young actor. So what kind of what what advice or what kind of thoughts do you have about youth success, and what's your takeaway from that?   Ivan Cury ** 30:36 The Good, yeah, I There are a lot of things being wanting to do it, and I really love doing it, I certainly didn't want to. I wanted to do it as the best way I could Well, I didn't want to lose it up, is what it really comes down to. And that meant figuring out what it is that required. And one of the things that required was a sense of responsibility. You had to be there on time, you had to be on stage, and you may want to fidget, but that takes to distract from what's going on, so sit still. So there's a kind of kind of responsibility that that you learn, that I learned, I think early on, that was, that's very useful. Yeah, that's, that's really, I think that's, I wrote some things that I had, I figured, some of these questions that might be around. So there, there's some I took notes about it. Well, oh, attention to details. Yeah, to be care to be watch out for details. And a lot of the things can be carried on into later life, things about detailed, things about date. Put a date on, on papers. When, when did, when was this? No, when was this note? What? When did this happen? Just keeping track of things. I still am sort of astonished at how, how little things add up, how we just just noted every day. And at the end of a year, you've made 365 notes,   Michael Hingson ** 32:14 yeah, well, and then when you go back and read them, which is also part of the issue, is that you got to go back and look at them to to see what   Ivan Cury ** 32:23 right or to just know that they're there so that you can refer to them. When did that happen?   Michael Hingson ** 32:28 Oh, right. And what did you say? You know, that's the point. Is that when I started writing thunder dog, my first book was suggested that I should start it, and I started writing it, what I started doing was creating notes. I actually had something like 1.2 megabytes of notes by the time we actually got around to doing the book. And it was actually eight years after I started doing some, well, seven years after I started doing writing on it. But the point is that I had the information, and I constantly referred back to it, and I even today, when I deliver a speech, I like to if there's a possibility of having it recorded, I like to go back and listen, because I want to make sure that I'm not changing things I shouldn't change and or I want to make sure that I'm really communicating with the audience, because I believe that my job is to talk with an audience, not to an audience.   Ivan Cury ** 33:24 Yeah, yeah. I we say that I'm reading. There are three books I'm reading right now, one of them, one of them, the two of them are very well, it doesn't matter. One is called who ate the oyster? Who ate the first oyster? And it's a it's really about paleon. Paleological. I'm saying the word wrong, and I'm paleontological. Paleontological, yeah, study of a lot of firsts, and it's a lovely but the other one is called shady characters by Keith Houston, and it's a secret life of punctuation symbols and other typographical marks, and I am astonished at the number of of notes that go along with it. Probably 100 100 pages of footnotes to all of the things that that are a part of how these words came to be. And they're all, I'm not looking at the footnotes, because there's just too many, but it's kind of terrific to check out. To be that clear about where did this idea come from, where did this statement come from? I'm pleased about that. I asked my wife recently if you could be anything you want other than what you are. What would you want to be? What other what other job or would you want to have? The first one that came to mind for me, which I was surprised that was a librarian. I just like the detail. I think that's   Michael Hingson ** 34:56 doesn't go anywhere. There you go. Well, but there's so. There's a lot of detail, and you get to be involved with so many different kinds of subjects, and you never know what people are going to ask you on any given day. So there's a lot of challenge and fun to that.   Ivan Cury ** 35:11 Well, to me also just putting things in order, I was so surprised to discover that in the Dewey Decimal System, the theater is 812 and right next to it, the thing that's right next to it is poetry. I was surprised. It's interesting, yeah, the library and play that out.   Michael Hingson ** 35:29 Well, you were talking about punctuation. Immediately I thought of EE Cummings. I'll bet he didn't pay much attention to punctuation at all. I love him. He's great, yeah, isn't he? Yeah, it's a lot of fun. An interesting character by any standard. So, so you, you progressed into television, if, I guess it's progressing well, like, if we answer to Fred Allen, it's not, but that's okay.   Ivan Cury ** 35:54 Well, what happens? You know, after, after, I became 18, and is an interesting moment in my life, where they were going to do film with Jimmy Dean, James Dean, James Dean. And it came down and he was going to have a sidekick, a kid sidekick. And it came down to me and Sal Mineo. And Sal got it, by the way. Case you didn't know, but one of the things was I was asked I remember at Columbia what I wanted to do, and I said I wanted to go to college, and my there was a kind of like, oh, yeah, right. Well, then you're not going to go to this thing, because we don't. We want you to be in Hollywood doing the things. And yes, and I did go to college, which is kind of great. So what happened was, after, when I became 18, I went to Carnegie tech and studied theater arts. Then I after that, I studied at Boston University and got a master's there, so that I had an academic, an academic part of my life as well, right? Which ran out well, because in my later years, I became a professor and wrote some   Michael Hingson ** 36:56 books, and that was your USC, right? No, Cal State, Lacher State, LA and UCLA. And UCLA, not USC. Oh, shame on me. But that's my wife. Was a USC graduate, so I've always had loyalty. There you go. But I went to UC Irvine, so you know, okay, both systems, whatever.   Ivan Cury ** 37:16 Well, you know, they're both UC system, and that's different, yeah, the research institutes, as opposed to the Cal State, which   Michael Hingson ** 37:23 are more teaching oriented, yeah,   Ivan Cury ** 37:26 wow, yeah, that's, that's what it says there in the paper.   Michael Hingson ** 37:30 Yes, that's what it says. But you know, so you went into television. So what did you mainly do in the in the TV world?   Ivan Cury ** 37:44 Well, when I got out of when I got through school, I got through the army, I came back to New York, and I, oh, I got a job versus the Girl Scouts, doing public relations. I I taught at Hunter College for a year. Taught speech. One of the required courses at Carnegie is voice and diction, and it's a really good course. So I taught speech at Hunter College, and a friend of mine was the second alternate maker man at Channel 13 in New York. He had opera tickets, so he said, Look standard for me, it's easy, men seven and women five, and telling women to put on their own lipstick. So I did. I did that, and I became then he couldn't do it anymore, so I became the second alternate make a man. Then it didn't matter. Within within six months, I was in charge of makeup for any t which I could do, and I was able to kind of get away with it. And I did some pretty good stuff, some prosthetic pieces, and it was okay, but I really didn't want to do that. I wanted to direct, if I could. And so then I they, they knew that, and I they knew that I was going to leave if, if, because I wasn't going to be a makeup I didn't. So I became a stage manager, and then an associate director, and then a director at Channel 13 in New York. And I directed a lot of actors, choice the biggest show I did there, or the one that Well, I did a lot of I also worked with a great guy named Kirk Browning, who did the a lot of the NBC operas, and who did all of the opera stuff in for any t and then I wound up doing a show called Soul, which was a black variety show. But when I say black variety show, it was with James Baldwin and but by the OJS and the unifics and the delphonics and Maya Angelou and, you know, so it was a black culture show, and I was the only white guy except the camera crew there. But had a really terrific time. Left there and went and directed for CBS. I did camera three. So I did things like the 25th anniversary of the Juilliard stringer check. Quartet. But I was also directing a show called woman, which was one of the earliest feminist programs, where I was the only male and an all female show. And actually I left and became the only gringo on an all Latino show called aqui I ahora. So I had a strange career in television as a director, and then did a lot of commercials for about 27 years, I directed or worked on the Men's Warehouse commercials. Those are the facts. I guarantee it.   Michael Hingson ** 40:31 Did you get to meet George Zimmer? Oh, very, very, very often, 27 years worth, I would figure, yeah.   Ivan Cury ** 40:39 I mean, what? I'm enemies. When I met him, he's a boy, a mere boy.   Michael Hingson ** 40:45 Did you act during any of this time? Or were you no no behind the camera once?   Ivan Cury ** 40:50 Well, the only, the only acting I did was occasionally. I would go now in a store near you, got it, and I had this voice that they decided, Ivan, we don't want you to do it anymore. It just sounds too much like we want, let George do this, please.   Michael Hingson ** 41:04 So, so you didn't get to do much, saying of things like, But wait, there's more, right?   Ivan Cury ** 41:10 No, not at all. Okay, okay. Oh, but you do that very well. Let's try.   Michael Hingson ** 41:13 Wait, there's more, okay. Well, that's cool. Well, that was,   Ivan Cury ** 41:18 it was kind of fun, and it was kind of fun, but they had to, it was kind of fun to figure out things. I remember we did. We had a thing where some of those commercial we did some commercials, and this is the thing, I sort of figured out customers would call in. So we recorded their, their call ins, and I they, we said, with calls being recorded. We took the call ins and I had them sent to it a typist who typed up what they wrote that was sent to New York to an advertising agency would extract, would extract questions or remarks that people had made about the stuff, the remarks, the tapes would be then sent to who did that? I think we edited the tapes to make it into a commercial, but the tags needed to be done by an announcer who said, in a store near you were opening sooner, right? Wyoming, and so those the announcer for the Men's Warehouse was a guy in in Houston. So we'd send, we'd send that thing to him, and he'd send us back a digital package with the with the tags. And the fun of it was that was, it was from, the calls are from all over the world. The the edits on paper were done in New York, the physical work was done in San Francisco. The announcer was in Houston. And, you know? And it's just kind of fun to be able to do that, that to see, particularly having come from, having come from 1949 Yeah, where that would have been unheard of to kind of have that access to all that was just fun, kind   Michael Hingson ** 42:56 of fun. But think about it now, of course, where we have so much with the internet and so on, it'd be so much easier, in a lot of ways, to just have everyone meet on the same network and   Ivan Cury ** 43:09 do now it's now, it's nothing. I mean, now it's just, that's the way it is. Come on.   Michael Hingson ** 43:13 Yeah, exactly. So. So you know, one of the things that I've been thinking about is that, yes, we've gone from radio to television and a whole new media and so on. But at the same time, I'm seeing a fairly decent resurgence of people becoming fascinated with radio and old radio and listening to the old programs. Do you see that?   Ivan Cury ** 43:41 Well, I, I wish I did. I don't my, my take on it. It comes strictly from that such, so anecdotal. It's like, in my grandkids, I have these shows that I've done, and it's, you know, it's grandpa, and here it is, and there it's the bobby Benson show, or it's calculator America, whatever, 30 seconds. That's what they give me. Yeah, then it's like, Thanks, grandpa. Whoopie. I don't know. I think maybe there may there may be something, but I would, I'd want some statistical evidence about well, but   Michael Hingson ** 44:19 one of the things I'm thinking of when I talk about the resurgence, is that we're now starting to see places like radio enthusiasts to Puget Sound reps doing recreations of, oh yes, Carl Omari has done the Twilight Zone radio shows. You know, there are some things that are happening, but reps among others, and spurred back to some degree, yeah, spurred back is, is the Society for the Prevention, oh, gosh,   Ivan Cury ** 44:46 not cruelty children, although enrichment   Michael Hingson ** 44:49 of radio   Ivan Cury ** 44:50 drama and comedy, right? Society, right? Yeah, and reps is regional enthusiasts of Puget Sound, Puget   Michael Hingson ** 44:58 Sound and. Reps does several recreations a year. In fact, there's one coming up in September. Are you going to   Ivan Cury ** 45:04 that? Yes, I am. I'm supposed to be. Yes, I think I Yes. I am.   Michael Hingson ** 45:08 Who you're going to play? I have no idea. Oh, you don't know yet.   Ivan Cury ** 45:12 Oh, no, no, that's fun. You get there, I think they're going to have me do a Sam Spade. There is another organization up there called the American radio theater, right? And I like something. I love those people. And so they did a lot of Sam Spade. And so I expect I'm going to be doing a Sam Spade, which I look forward to.   Michael Hingson ** 45:32 I was originally going to it to a reps event. I'm not going to be able to this time because somebody has hired me to come and speak and what I was going to do, and we've postponed it until I can, can be the one to do it is Richard diamond private detective, which is about my most favorite radio show. So I'm actually going to play, able to play Richard diamond. Oh, how great. Oh, that'll be a lot of fun. Yeah. So it'll probably be next year at this point now, but it but it will happen.   Ivan Cury ** 45:59 I think this may, yeah, go ahead. This may be my last, my last show I'm getting it's getting tough to travel.   Michael Hingson ** 46:07 Yeah, yeah, I don't know. Let's see. Let's see what happens. But, but it is fun, and I've met several people through their Carolyn Grimes, of course, who played Zuzu on It's A Wonderful Life. And in fact, we're going to have her on unstoppable mindset in the not too distant future, which is great, but I've met her and and other people, which I   Ivan Cury ** 46:34 think that's part of the for me. That really is part of the fun. Yeah, you become for me now it has become almost a sec, a family, in the same way that when you do show, if you do a show regularly, it is, it really becomes a family. And when the show is over, it's that was, I mean, one of the first things as a kid that was, that was really kind of tough for every day, or every other day I would meet the folks of Bobby Benson and the B Barbie writers. And then I stopped doing the show, and I didn't see them and didn't see them again. You know, I Don Knotts took me to I had the first shrimp of my life. Don Knotts took me to take tough and Eddie's in New York. Then I did another show called paciolini, which was a kind of Italian version of The Goldbergs. And that was, I was part of that family, and then that kind of went away. I was Porsche son on Porsche faces life, and then that way, so the you have these families and they and then you lose them, but, but by going to these old events, there is that sense of family, and there are also, what is just astonishing to me is all those people who know who knows stuff. One day I mentioned Frank Milano. Now, nobody who knows Frank Milano. These guys knew them. Oh, Frank, yeah, he did. Frank Milano was a sound. Was did animal sounds. There were two guys who did animal sounds particularly well. One was Donald Baines, who I worked with on the first day I ever did anything. He played the cow on Jack and the Beanstalk and and Frank, Don had, Don had a wonderful bar room bet, and that was that he could do the sound effects of a fish. Wow. And what is the sound effect of a fish? So now you gotta be required. Here's the sound effect of a fish. This was what he went $5 bets with you. Ready? Here we go.   Michael Hingson ** 48:41 Good job. Yeah, good job. Yeah. It's like, what was it on? Was it Jack Benny? They had a kangaroo, and I think it was Mel Blanc was asked to do the kangaroo, which is, of course, another one where they're not really a sound, but you have to come up with a sound to do it on radio, right?   Ivan Cury ** 49:06 Yes. Oh my god, there were people who want I could do dialects, I could do lots of German film, and I could do the harness. Was very easy for me to do, yeah, so I did love and I got to lots of jobs because I was a kid and I could do all these accents. There was a woman named Brianna Rayburn. And I used to do a lot of shows in National Association of churches of Christ in the United States. And the guy who was the director, John Gunn, we got to know each other. He was talking about, we talked with dialects. He said Briana Rayburn had come in. She was to play a Chinese woman. And she really asked him, seriously, what part of China Do you want her to come from? Oh, wow. I thought that was just super. And she was serious. She difference, which is studied, studied dialects in in. In college not long after, I could do them, and discovered that there were many, many English accents. I knew two or three cockney I could do, but there were lots of them that could be done. And we had the most fun. We had a German scholar from Germany, from Germany, and we asked him if he was doing speaking German, but doing playing the part of an American what would it sound like speaking German with an American accent? You know, it was really weird.   Michael Hingson ** 50:31 I had a history teacher, yes, who was from the Bronx, who spoke German, yeah, and he fought in World War Two. And in fact, he was on guard duty one night, and somebody took a shot at him, and so he yelled back at them in German. The accent was, you know, I took German, so I don't understand it all that well, but, but listening to him with with a New York accent, speaking German was really quite a treat. The accent spilled through, but, but they didn't shoot at him anymore. So I think he said something, what are you shooting at me for? Knock it off. But it was so funny, yeah, but they didn't shoot at him anymore because he spoke, yeah, yeah. It was kind of cool. Well, so with all that you've learned, what kind of career events have have sort of filtered over into what you do today?   Ivan Cury ** 51:28 Oh, I don't know. We, you know. But one of the things I wanted to say, it was one of the things that I learned along the way, which is not really answering your question until I get back to it, was, I think one of those best things I learned was that, however important it is that that you like someone, or you're with somebody and everything is really terrific. One of the significant things that I wish I'd learned earlier, and I think is really important, is how do you get along when you don't agree? And I think that's really very important.   Michael Hingson ** 52:01 Oh, it's so important. And we, in today's society, it's especially important because no one can tolerate anyone anymore if they disagree with them, they're you're wrong, and that's all there is to it. And that just is so unfortunate. There's no There's no really looking at alternatives, and that is so scary   Ivan Cury ** 52:20 that may not be an alternative. It may not be,   Michael Hingson ** 52:23 but if somebody thinks there is, you should at least respect the opinion,   Ivan Cury ** 52:28 whatever it is, how do you get along with the people you don't   Michael Hingson ** 52:32 agree with? Right?   Ivan Cury ** 52:35 And you should one that you love that you don't agree with, right? This may sound strange, but my wife and I do not agree about everything all the time, right?   Michael Hingson ** 52:43 What a concept. My wife and I didn't agree about everything all the time. Really, that's amazing, and it's okay, you know? And in fact, we both one of the the neat things, I would say, is we both learned so much from each other when we disagreed, but would talk about it, and we did a lot of talking and communicating, which I always felt was one of the most important things about our marriage. So we did, we learned a lot, and we knew how to get along, and we knew that if we disagreed, it was okay, because even if we didn't change each other's opinion, we didn't need to try to change each other's opinion, but if we work together and learn to respect the other opinion, that's what really mattered, and you learn more about the individual that way,   Ivan Cury ** 53:30 yeah, and also you have you learn about giving up. Okay, I think you're wrong, but if that's really what you want exactly, I'll do it. We'll do it your way?   Michael Hingson ** 53:42 Yeah, well, exactly. And I think it's so important that we really put some of that into perspective, and it's so crucial to do that, but there's so much disagreement today, and nobody wants to talk to anybody. You're wrong. I'm right. That's all there is to it. Forget it, and that's just not the way the world should be.   Ivan Cury ** 53:59 No, no. I wanted to go on to something that you had asked about, what I think you asked about, what's now I have been writing. I have been writing to a friend who I've been writing a lot of very short pieces, to a friend who had a stroke and who doesn't we can't meet as much as we use. We can't meet at all right now. And but I wanted to just go on, I'm and I said that I've done something really every week, and I'd like to put some of these things together into a book. And what I've been doing, looking for really is someone to work with. And so I keep writing the things, the thing that I wrote just today, this recent one, had to do with I was thinking about this podcast. Is what made me think of it. I thought about the stars that I had worked with, you know, me and the stars, because I had lots. Stories with with people who are considered stars, Charles Lawton, Don Knotts, Gene crane, Maya, Angelou, Robert Kennedy, the one I wrote about today. I wrote about two people. I thought it'd be fun to put them together, James Dean and Jimmy Dean. James Dean, just going to tell you the stories about them, because it's the kind of thing I'm writing about now. James Dean, we worked together on a show called Crime syndicated. He had just become really hot in New York, and we did this show where there were a bunch of probably every teenage actor in New York was doing this show. We were playing two gangs, and Jimmy had an extraordinary amount of lines. And we said, What the hell are you going to do, Jim? If you, you know, if you lose lines, he's, this is live. And he said, No problem. And then what he said is, all I do is I start talking, and then I just move my mouth like I'm walking talking, and everybody will think the audio went out. Oh, and that's, that's what he was planning on doing. I don't know if he really is going to do it. He was perfect. You know, he's just wonderful. He did his show. The show was great. We were all astonished to be working with some not astonished, but really glad to just watch him work, because he was just so very good. And we had a job. And then stories with Jimmy Dean. There were a couple of stories with Jimmy Dean, the singer and the guy of sausage, right? The last one to make it as fast, the last one was, we were in Nashville, at the Grand Ole Opry Opperman hotel. I was doing a show with him, and I was sitting in the bar, the producer and someone other people, and there was a regular Graceland has a regular kind of bar. It's a small bar of chatter, cash register, husband, wife, team on the stage singing. And suddenly, as we were talking, it started to get very quiet. And what had happened is Jimmy Dean had come into the room. He had got taken the guitar, and he started to sing, and suddenly it just got quiet, very quiet in the room. The Register didn't ring. He sang one song and he sang another song. His applause. He said, Thank you. Gave the guitar back to the couple. Walked off the stage. It was quiet while a couple started to sing again. They were good. He started to sing. People began to chatter again. The cash register rang, and I, I certainly have no idea how he managed to command that room to have everybody shut up while he sang and listened to him. He didn't do anything. There was nothing, you know, no announcement. It wasn't like, oh, look, there's Jimmy. It was just his, his performance. It was great, and I was really glad to be working with him the next day well.   Michael Hingson ** 57:56 And I think that having that kind of command and also being unassuming about it is pretty important if you've got an ego and you think you're the greatest thing, and that's all there is to it. That shows too, yeah?   Ivan Cury ** 58:08 Well, some people live on it, on that ego, yeah, and I'm successful on it, I don't think that was what. It certainly   Michael Hingson ** 58:17 wasn't, no, no, no, and I'm not saying that. I'm sure it wasn't that's my point. Yeah, no, because I think that the ultimate best people are the ones who don't do it with ego or or really project that ego. I think that's so important, as I said earlier, for me, when I go to speak, my belief is I'm going to to do what I can to help whatever event I'm at, it isn't about me at all. It's more about the audience. It's more about what can I inspire this audience with? What can I tell the audience and talk with the audience about, and how can I relate to them so that I'm saying something that they want to hear, and that's what I have to do. So if you had the opportunity to go back and talk to a younger Ivan, what would you tell him?   Ivan Cury ** 59:08 Cut velvet? No, there you go. No, what? I don't. I really don't. I don't know.   Michael Hingson ** 59:18 Talk Like a fish. More often   Ivan Cury ** 59:20 talk like a fish. More on there. Maybe. No, I really don't know. I don't know. I think about that sometimes, what it always seems to be a question, what? Really it's a question, What mistakes did you make in life that you wish you hadn't done? What door you wish Yeah, you would open that you didn't? Yeah, and I really don't, I don't know. I can't think of anything that I would do differently and maybe and that I think there's a weakness, because surely there must be things like that. I think a lot of things that happen to one in life anyway have to do with luck. That's not, sort of not original. But I was surprised to hear one day there was a. It. Obama was being interviewed by who was by one of the guys, I've forgotten his name that. And he was talking about his career, and he said he felt that part of his success had been a question of luck. And I very surprised to hear him say that. But even with, within with my career, I think a lot of it had to do with luck I happen to meet somebody that right time. I didn't meet somebody at the right time. I think, I think if I were to do so, if you would, you did ask the question, and I'd be out more, I would be pitching more. I think I've been lazy in that sense, if I wanted to do more that. And I've come to the West Coast quicker, but I was doing a lot of was in New York and having a good time   Michael Hingson ** 1:00:50 Well, and that's important too, yeah. So I don't know that I changed, I Yeah, and I don't know that I would find anything major to change. I think if somebody asked me that question, I'd say, tell my younger self that life is an adventure, enjoy it to the fullest and have fun.   Ivan Cury ** 1:01:12 Oh, well, that's yes. That was the I always believe that, yeah, yeah. It's not a question for me, and in fact, it's one of the things I told my kids that you Abraham Lincoln, you know, said that really in it, in a way a long time ago. He said that you choose you a lot of what you way you see your life has to do with the way the choices you make about how to see it, right? Yeah, which is so cool, right? And one of the ways you might see it says, have fun,   Michael Hingson ** 1:01:39 absolutely well, Ivan, this has been absolutely fun. We've been doing it for an hour, believe it or not, and I want to thank you for being here. And I also want to thank everyone who is listening for being with us today. I hope you've enjoyed this conversation, and I'd love to hear what your thoughts are. Please feel free to email me. I'd love to hear your thoughts about this. Email me at Michael h i at accessibe, A, C, C, E, S, S, i, b, e.com, so Ivan, if people want to reach out to you, how do they do that?   Ivan Cury ** 1:02:10 Oh, dear. Oh, wait a minute, here we go. Gotta stop this. I curyo@gmail.com I C, u, r, y, o@gmail.com There you go. Cury 1r and an O at the end of it, not a zero. I curyo@gmail.com Yeah.   Michael Hingson ** 1:02:30 Well, great. Well, thank you again, and all of you wherever you're listening, I hope that you'll give us a great review wherever you're listening. Please give us a five star review. We appreciate it, and Ivan, for you and for everyone else listening. If you know anyone else who ought to be a guest on our podcast, love to hear from you. Love an introduction to whoever you might have as a person who ought to come on the podcast, because I think everyone has stories to tell, and I want to give people the opportunity to do it. So once again, I want to thank you, Ivan, for being here. We really appreciate it. Thanks for coming on and being with us today. Thank you.   1:03:10 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

This week Jann revisits a conversation from March 2021 with the lovely, hilarious and downright inspiring actress Wendi McLendon-Covey! They discuss everything from cats to improv comedy, her roles on The Goldbergs, Reno 911 and Bridesmaids and the recipe for a successful relationship in Hollywood.  This show is sponsored by BetterHelp. Give online therapy a try at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://betterhelp.com/jann⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and get 10% off your first month! NEW SEGMENT! #ASKJANN - want some life advice from Jann? Send in a story with a DM or on our website. Leave us a voicenote! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://jannardenpod.com/voicemail/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Get access to bonus content and more on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://patreon.com/JannArdenPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Connect with us: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.jannardenpod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.instagram.com/jannardenpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.facebook.com/jannardenpod Learn more about your ad choices. Visit megaphone.fm/adchoices

Dan Levy returns with quite possibly the greatest story ever told!! Dan is a successful standup comedian, has been in countless TV shows and movies, currently writes for “The Goldbergs,” and his story of pitching TWINS 2 to Arnold, Danny Devito & Eddie Murphy, will blow your mind. Sit back & enjoy! Follow Dan on social media @danlevy, @adamraycomedy, @bradwilliamscomic & @alnpodcast! Learn more about your ad choices. Visit megaphone.fm/adchoices

Sam Pancake returns for a deep dive into his love life! You know Sam from almost every show that's been on TV: And Just Like That..., A Million Little Things, The Goldbergs, Search Party, Arrested Development, Will & Grace, and over a hundred other shows! Sam was on the pod four years ago, and we spent the majority of the time on his southern gothic upbringing, so now Sam returns to talk about how his romantic life has undergone a renaissance lately! We talk about being a pastor's son, becoming an adult during the AIDS crisis, turn-of-the-century pool parties at Drew Barrymore's and SO MUCH MORE! PLUS, obvi, we answer YOUR advice questions! If you'd like to ask your own advice questions, call 323-524-7839 and leave a VM or just DM us on IG or Twitter!Go see Sam's show Pancakes from the Edge Sunday October 12th! Also, we're in culture critic and Vulture writer Sean Malin's new book The Podcast Pantheon: 101 Podcasts That Changed How We Listen! And he's going to be in LA to conduct a panel about the book that will include us, Jesse Thorn and a bunch of other cool folks! If you live in town, come to DIESEL Bookstore Thursday, September 25th at 6:30. It's outside in their courtyard!ALSO BUY A SUPER CUTE "Open Your Hearts, Loosen Your Butts" mug! And:Support the show on Patreon (two extra exclusive episodes a month!) or gift someone a Patreon subscription! Or get yourself a t-shirt or a discounted Quarantine Crew shirt! And why not leave a 5-star review on Apple Podcasts? Or Spotify? It takes less than a minute! Follow the show on Instagram! Check out CT clips on YouTube!Plus some other stuff! Watch Naomi's Netflix half hour or Mythic Quest! Check out Andy's old casiopop band's lost album or his other podcast Beginnings!Theme song by the great Sammus! Hosted on Acast. See acast.com/privacy for more information.

Goldbergs 38-04-13 (xxxx) Opening Day of Mill

Playwright James Sherman (Chagall in School) returns to discuss his new play The First Lady of Television, now having its world premiere at Chicago's Northlight Theatre. Jim shares his inspiration for the play; how his subject Gertrude Berg, creator of The Goldbergs (1949-1957) on both radio and television, was the second most famous woman in America (after Eleanor Roosevelt); his gratitude for his amazing cast, and how they've helped shape the script's development through several readings and workshops; and how in rehearsals, he considers himself the head of the script department and lets the best suggestion win. (Length 20:44). (PICTURED: Cindy Gold as Gertrude Berg in the Northlight Theater production of The First Lady of Television, directed by BJ Jones. Photo by Greg Inda. Used by permission.) The post Television's First Lady appeared first on Reduced Shakespeare Company.

We all deal with disappointment. But what about when it's from those closest to us? Discover how to walk through disappointing seasons of life.

This week on Office Ladies 6.0, Jenna and Angela interview Wendi McLendon-Covey who played Concierge Marie on “The Office”! Wendi shares how she got her job on “The Office” and what it was like to be in the episode “Business School” blowing Michael's mind with Marie's knowledge of dry cleaners in Winnipeg. Wendi then talks about acting in “Reno 911!”, “The Goldbergs” and now “St. Denis Medical”. She also talks about her cats! This is such a treat, so “Excuse me, hello. Concierge Marie. Michael Scott. Good to see you again.” Office Ladies Website - Submit a fan question: https://officeladies.com/submitaquestion  Follow Us on Instagram: OfficeLadiesPod Follow Us on YouTubeFollow Us on TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Goldbergs 39-09-21 (xxxx) Nervous Driver

Carol Stabile (Clark Honors College, University of Oregon) joins moderator Patrice Petro for a discussion of “CBS and the 1950s Blacklist,” a program that included an episode of the television sitcom The Goldbergs and William N. Robson's radio broadcast titled “Open Letter on Race Hatred.” They discuss the history of anti-communist activism in the U.S. and how CBS capitulated to the FBI and its blacklisting campaign. Stabile also outlines how the FBI targeted public intellectuals and artists. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40918]

Carol Stabile (Clark Honors College, University of Oregon) joins moderator Patrice Petro for a discussion of “CBS and the 1950s Blacklist,” a program that included an episode of the television sitcom The Goldbergs and William N. Robson's radio broadcast titled “Open Letter on Race Hatred.” They discuss the history of anti-communist activism in the U.S. and how CBS capitulated to the FBI and its blacklisting campaign. Stabile also outlines how the FBI targeted public intellectuals and artists. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40918]

Carol Stabile (Clark Honors College, University of Oregon) joins moderator Patrice Petro for a discussion of “CBS and the 1950s Blacklist,” a program that included an episode of the television sitcom The Goldbergs and William N. Robson's radio broadcast titled “Open Letter on Race Hatred.” They discuss the history of anti-communist activism in the U.S. and how CBS capitulated to the FBI and its blacklisting campaign. Stabile also outlines how the FBI targeted public intellectuals and artists. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40918]

Carol Stabile (Clark Honors College, University of Oregon) joins moderator Patrice Petro for a discussion of “CBS and the 1950s Blacklist,” a program that included an episode of the television sitcom The Goldbergs and William N. Robson's radio broadcast titled “Open Letter on Race Hatred.” They discuss the history of anti-communist activism in the U.S. and how CBS capitulated to the FBI and its blacklisting campaign. Stabile also outlines how the FBI targeted public intellectuals and artists. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40918]

Krustpunktā izvaicājam ekonomikas ministru Viktoru Valaini. Jautājumus kopā ar raidījuma vadītāju uzdod Žurnāla IR portāla redaktore Luīze Lote Āboltiņa un žurnāla "Dienas Bizness" žurnālists Jānis Goldbergs.  

Krustpunktā izvaicājam ekonomikas ministru Viktoru Valaini. Jautājumus kopā ar raidījuma vadītāju uzdod Žurnāla IR portāla redaktore Luīze Lote Āboltiņa un žurnāla "Dienas Bizness" žurnālists Jānis Goldbergs.  

What does it take to go from indie filmmaker to Emmy-winning director? In this episode of Best in Fest, host Leslie LaPage sits down with Bridget Stokes—trailblazing director of A Black Lady Sketch Show, Hello, Jack!, and Boy Genius—to unpack her inspiring rise through the film and television world. From waiting tables in New York to winning an Emmy as the first woman in her category, Bridget shares the real hustle behind her success.She dives deep into the contrasts between episodic TV and feature films, her collaborative producing roots, and her passion for building immersive story worlds. Plus, hear the behind-the-scenes story of The Rachel Divide, her pivot into children's television during the pandemic, and why she believes now is the perfect time to chase what sets your soul on fire.

Jacob and Byron are back as it is time for Summerslam!!! But first, we talk about the Passing of Hulk Hogan as it shocked the world. We then talk about Goldbergs complaints about his final match. We also quickly talk about our favorite moments from AEW All In, and then we preview the biggest party of the summer, SUMMERSLAM!

The boys breakdown the longest weekend in pro wrestling with Saturday Night's Main Event with Goldbergs retirement, WWE Evolution 2 and a fantastic WrestleMania caliber showing from AEW All In Texas + a wonderful inside peek on our cohosts honeymoon visit to Hawaii! Bill Goldberg retires at SNME, Seth Rollins gets injured, Stephanie Vaquer secures her #1 contendership at Evolution and Naomi makes waves cashing in her MITB on Iyo Sky and Rhea Ripley to become RAW's new Women's World Champion. Over in AEW we were gifted a 5 star event filled with WrestleMania level entrances, top tier banger matches, returns from Darby Allin and Bryan Danielson, Toni Storm retaining her title, Okada securing his new title against Kenny Omega in their 5 star reunion and the culmination of Hangman's story saving AEW from Jon Moxley and the Deathrider's reign.WHAT DO YOU LOVE ABOUT PRO WRESTLING?

snme watch along party, gf calls me, Goldbergs last match ! follow me on twitch, Facebook facebook, YouTube, and Spotify $adultschoolwithmarco $marcofultzbeats #ChiefMalottoPapi on BandlabThe Trillest Realest School In America And Today!....

Were back after 3 months gone and Jordan's $300 microphone is took a shit and he didnt realize it until he was editing!This week we talk AEW All In Texas that Joe is going to be at! Goldbergs last match at WWE Saturday Night Main Event and The Return of the WWE Evolution PLE!Linktr.ee/StolenGimmicks

Dieses Wochenende stehen insgesamt 4 Wrestling-Shows an und bei 3 Shows geht es nahezu schon um historische Ereignisse: Okada gegen Omega 5, Goldbergs letztes Match, der 2. PLE mit 100% Matches von Frauen. So wird es uns zumindest präsentiert - aber fühlt es sich auch so an? Und NXT hat auch noch ne Show. Dazu brauch es die volle Cuppa Haters-Besetzung mit Dennis, Taco und Thomas. Cover: KI + Marco & Thomas Intro: "der andere" Thomas aka Voice4You. Vielen Dank. Patreon: https://www.patreon.com/cuppahaters - Zugang zu unserer Haters-Whats-App-Gruppe - Die Folgen in der Regel früher und tagesaktuell hören - Unregelmäßige Sonderformate zu Breaking News oder AEW Merch: bei unseren Freunden von Neulich innen Bar: https://seedshirt.de/shop/neulichinnerbar Bitte: Teilen! Liken! Kommentieren! Instagram: https://www.instagram.com/cuppahaterspodcast/

In this episode, Hilliard and guest co-host writer/dir/prod Fia Perera sit down for a 2 hour, in-depth conversation with writer/director/executive producer ERIC DEAN SEATON!Highlights: Working his way up as an AD, getting his first episodic directors gig, sustaining a long career, directors get hired for what you've already done, creating a graphic novel an producing the award-winning short, fake it til you make it and we open it up to a room full of filmmakers who "ASK US ANYTHING!"More about Eric:With a Daytime Emmy nomination and three NAACP Image Award wins, Eric Dean Seaton stands out as one of the most dynamic and versatile storytellers in television, seamlessly crossing genres and styles.In the dramatic realm, Seaton has directed and executive produced the pilot and series Average Joe. His episodic work includes episodes of Will Trent, High Potential, The Cleaning Lady, Superman and Lois, Batwoman, Legends of Tomorrow, Supergirl, The Flash and All American: Homecoming.In the world of single-camera comedies, he has contributed to hits like Modern Family, Black-ish, The Goldbergs, American Housewife, Life in Pieces, and Grown-ish. In multi-camera productions, Seaton has taken on pilots for Family Reunion, The Prince of Peoria, Raven's Home, Mighty Med, and Kickin' It. Additionally, his work in variety includes helming the beloved sketch shows All That and So Random making him one of the very few directors to have successfully navigated every style of narrative television.In addition to his work behind the camera, Seaton is the creator, writer, and publisher of the critically acclaimed graphic novel series Legend of the Mantamaji, and its sequel, Legend of the Mantamaji: Bloodlines. He also directed the accompanying multiple award-winning Legend of the Mantamaji: Live Action Short.Subscribe, like, follow, share & 5-star review!Our Motto: “Keep it GAME all day!"WWW.SCREENWRITERSRANTROOM.COMFor information, Merch (NEW T-SHIRTS/HOODIES), and all things Rant Room!https://screenwriters-rant-room.printify.me/productsEMAIL:ScreenwritersRantRoom@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@Hilliard Guess on all social media@Hilliardguess.bsky.socialIG: @ScreenwritersRantRoomGuests:@Ericdeanseaton@theglobalactivistaWE ARE NOW OPEN TO SPONSORSHIPS AND BRANDING OPPORTUNITIES⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ :Screenwritersrantroom@gmail.com

Tell us what you though of the episode

Phone  Call From Jake

TGIFF (Filmmakers Friday!) Today is not just any Friday-- it's also opening night of Film Invasion Los Angeles, one of the two festivals I run! To browse the films & screenings just click here. But back to today's episode! Vernon Davidson brought the feature length documentary “SEGAL” for a World Premiere at the Sherman Oaks Film Festival in 2024 and took home the Grand Jury Award – Best Feature Film – Documentary. Vernon co-directed and co-produced the film with Ryan Krayser, and this wonderful retrospective about historic actor George Segal is a work that every movie fan should see.                                                 Vernon and Ryan did extensive interviews with George as they had worked with him on The Goldbergs and earned his trust.                                                                                                                                  Add in their great nose for archival footage and “SEGAL” turned into a film that, in my opinion, should enjoy a big'ole nationwide release. Please enjoy our chat and find out more at: SEGAL-DOC.COM @SEGALMOVIE _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Discover Indie Film Podcast Links DIF Podcast Website - DIF Instagram - DIF BlueSky Discover Indie Film Foundation (nonprofit for the arts) Links DIF Foundation - Sherman Oaks Film Festival - Film Invasion Los Angeles

This is a free preview of a paid episode. To hear more, visit femchaospod.substack.comKat and Phoebe discuss the new film Materialists and marrying rich, the O.G. (and long-lived) Jewish sitcom The Goldbergs, the difference between Dakota Fanning and Dakota Johnson, whether “nepo baby” is a slur, and the eggshells upon which artists may or may not have walked/ be currently walking/ will continue to walk in the future.LINKS:Can Any Woman …

The boys breakdown a great week in Pro Wrestling with AEW Grand Slam Mexico! AEW takes a visit to Mexico City to the Legendary Arena Mexico to do a super show with the oldest wrestling promotion in the world CMLL, featuring a world title win by Mercedes Moné Mortos, spanish promos by Hangman Page, and nonstop action packed multi man matches throughout the show with all the favorites of both promotions! Over in WWE we discuss CM Punk selling out to go to Saudi Arabia, Goldbergs return to challenge Gunther for the title, and the advancements of the King and Queen of the Ring Tournaments. WHAT DO YOU LOVE ABOUT PRO WRESTLING?

"Send in the FemBOTS!" Mindy Sterling is a Emmy-nominated comedic and character actress with a vast career in television and film spanning four decades. One of her most beloved roles is that of Frau Farbissina, the hilariously loud sidekick to Dr. Evil, in the Austin Powers franchise. She has also known for roles in iCarly, The Legend of Korra, How the Grinch Stole Christmas, and The Goldbergs, just to name a few. Chris and Taylor talk with Mindy about her improv beginnings in The Groundlings, her character process, some of her most famous roles, and the joys of motherhood. IG: @mindysterFollow us on:Instagram: https://www.instagram.com/thepotential_podcast/X: https://x.com/thepotentialpodTikTok: https://www.tiktok.com/@thepotentialpodcastSupport us on Patreon:patreon.com/thepotentialpodcastThanks to our sponsors: AURA and Let's Get CheckedAURA - Get a 14-day free trial of Aura for individuals, couples and or their family by going to aura.com/potential Let's Get Checked - Get 25% off your health test at trylgc.com/potential and enter promo code POTENTIAL25

Sammy Goes to South Carolina

Victory Front 42-xx-xx (x) The World Tomorrow (The Goldbergs)

We're back with part two of our episode with special guests Mallory & Evan from Pop Capsule Podcast! Enjoy their incredible synopsis and maayybee we get a Bingo or two!How to Build a Better Boy (August 15, 2014)IMDB WikipediaDirected by Paul Hoen (Luck of the Irish, Tru Confessions, You Wish!, Eddie's Million Dollar Cookoff, Read it and Weep, Jump In!, CGOW, Dadnapped, Camp Rock 2, Let it Shine, Cloud 9, ZOMBIES 1-3)Written by Jason Mayland (Space Chimps, Eureka)Starring: China Anne McClain as Gabby Harrison (A.N.T. Farm, Descendants-verse, Black Lightening, House of Payne)Kelli Berglund as Mae Hartley (Lab Rats, The Goldbergs, Heels)Marshall Williams as Albert Banks / X-17 (Glee, When Hope Calls, Hallmark Christmas movies)Matt Shively as Bart Hartley (True Jackson: VP, Winx Club, The Real O'Neals, The Purge, American Housewife, Total Badass Wrestling, Players, Lopez vs. Lopez)Ashley Argota Torres as Nevaeh Barnes (True Jackson: VP, Bucket & Skinner's Epic Adventures, Lab Rats, The Fosters)Noah Centineo as Jaden Stark (To All the Boys I've Loved Before, The Fosters, T@gged, Black Adam, The Recruit)Ron Lea as General McFee (character actor - Street Legal, Wind at My Back, Doc, Orphan Black, Murdoch Mysteries)Roger Bart as Dr. James Hartley (Bram & Alice, Singing voice of Hercules, The Producers, American Gangster, The Event, Desperate Housewives, Political Animals, Easy to Assemble, Revenge, Trumbo, Episodes, Graves, Good Trouble)Synopsis: Two tech-savvy teenagers unknowingly use military software to program robotic boyfriends with ideal qualities when they grow tired of the high school boys around them.Fun Facts: Ashley Argota Torres and Matt Shively previously co-starred in the series True Jackson, VP (2008), which aired on Disney Channel's rival network, Nickelodeon.Next Movie:  Bad Hair Day ★ Support this podcast on Patreon ★

Grab a bottle of Courvoisier and some "quiet storm" music because Leon Phelps, the Ladies' Man is in the house! Well, ok, it's actually Tim Meadows, the talent behind Leon who became an SNL favorite throughout the 1990s and who has built a solid career as a comic actor ever since. A product of Michigan, Tim learned improve there and at the Second City in Chicago where Lorne Michaels discovered him and added him to a strong cast. When Tim left he was (at that time) the longest serving SNL cast member and he turned that into a busy schedule of movie and TV appearances including Mean Girls, Inside Amy Schumer, The Goldbergs, and more. As always find extra clips below and thanks for sharing our shows! Want more Tim Meadows? Tim's SNL breakout character was the always smooth Leon Phelps -- here's a full sketch. https://youtu.be/UNVn-Rpl7DI?si=MqezkJyagXSWYlNY Tim provided SNL with a lot of impersonations over the years, but perhaps none more pointed than his take on OJ Simpson lawyer Johnnie Cochran. https://www.reddit.com/.../tim_meadows_hilarious.../... Tim had a key role in the 2004 hit Mean Girls playing a beleaguered high school principal -- here dressing down a gymnasium full of students for circulating a "burn book". https://youtu.be/GGGBbxXgFug?si=4499G0KGo0wPOJP0 Tim can still bring the sketch comedy as a recent appearance on Stephen Colbert's Late Show demonstrates. https://youtu.be/YT1uE5x4zNw?si=Pu2rDACaLS5JpaRm

Skandāls, kas nule satricinājis prezidenta Trampa administrāciju, ieguvis „Signalgeitas” nosaukumu. Pēc kārtējā sarunu raunda starp Krievijas un ASV un Ukrainas un ASV delegācijām Saūda Arābijā Vašingtona nāca klajā ar paziņojumu, ka panākta vienošanās par ugunspārtraukšanu Melnajā jūrā. Turcijas policija līdz ar simts citām personām aizturēja Stambulas mēru Ekremu Imamoglu.   Notikumus analizē Latvijas Transatlantiskās organizācijas ģenerālsekretāre Sigita Struberga un politologs Arnis Latišenko. Tērzēšana ar sekām Skandāls, kas nule satricinājis prezidenta Trampa administrāciju, ieguvis „Signalgeitas” nosaukumu. „Signal” ir tīmekļa saziņas platforma, kas diezgan iecienīta Savienoto Valstu ierēdņu vidū, jo tai ir dažas saziņas konfidencialitāti veicinošas īpašības. Tomēr šī platforma nav ASV valdības oficiāli sertificēta ierobežotas pieejamības informācijas apritei. Prezidenta Trampa padomnieks nacionālās drošības jautājumos Maikls Volcs izveidoja „Signal” tērzēšanas grupu, lai apspriestu kopš 15. marta izvērstos ASV militāro spēku triecienus Jemenas hutiešu nemierniekiem. Piedalījās praktiski visi pašreizējās administrācijas nozīmīgākie cilvēki: viceprezidents Džeimss Deivids Venss, valsts sekretārs Marko Rubio, aizsardzības ministrs Pīts Hegsets, Centrālās Izlūkošanas pārvaldes direktors Džons Retklifs, Nacionālās izlūkošanas direktore Talsija Gabarda, finanšu ministrs Skots Besents, prezidenta īpašais vēstnieks Tuvajos Austrumos Stīvs Vitkofs un vairāki citi. Acīmredzot kļūmes dēļ grupai tika pieslēgts arī žurnāla „The Altantic” galvenais redaktors Džefrijs Goldbergs. Neviena nepamanīts viņš sekoja saziņai, pēc tam no tās atslēdzās un 24. martā publicēja rakstu ar nosaukumu „Trampa administrācija nejauši piesūtīja man teksta ziņojumus ar saviem kara plāniem”. Tā nu atklājās, ka militārās plānošanas jautājumi, kam pašsaprotami būtu jābūt ļoti rūpīgi glabātam noslēpumam, tikuši apspriesti saziņas platformā kā kādi brīvdienu izbraukuma plāni vai olu kulteņa receptes. Jāteic, redaktors Goldbergs bija pietiekami apzinīgs, lai neatklātu neko tādu, kas tiešām varētu radīt nopietnus militāri taktiskus riskus, tomēr šis un tas no saziņas satura nācis gaismā. Sevišķi netīkami skan viceprezidenta Vensa, aizsardzības ministra Hegseta izteikumi par „liekēžiem eiropiešiem”, kuriem jāpiestāda rēķins par Eiropai nozīmīga ūdensceļa atbrīvošanu ar amerikāņu spēkiem. Kā publikācijā norāda Džefrijs Goldbergs, šī tērzēšana „Signal” platformā rada nopietnas bažas par nacionālās drošības situāciju un ir, iespējams, Savienoto Valstu Spiegošanas likuma pārkāpums. Publikācijai sekoja pretrunīgi paziņojumi, Nacionālās drošības padomes pārstāvim Braienam Hjūzam pilnībā atzīstot notikušo, savukārt aizsardzības ministram Hegsetam un arī prezidentam Trampam nogānot redaktoru Goldbergu un viņa žurnālu, starp citu, vienu no prominentākajiem, kopš 1857. gada pastāvošu izdevumu. „Signalgeitas” tēma dominēja arī 25. martā Senāta Izlūkošanas komitejā, kur uz iepriekš plānotu noklausīšanos bija ieradušies Nacionālās izlūkošanas direktore Gabarda un CIP direktors Retklifs. Pagaidām Baltā nama pārstāvju izteikumu tonis liek domāt, ka administrācija nolēmusi „atšaudīties” ar apgalvojumiem par kārtējo politiski motivēto prezidenta Trampa „naidnieku” uzbrukumu. Kremļa diskrētā miermīlība 25. martā pēc kārtējā sarunu raunda starp Krievijas un ASV un Ukrainas un ASV delegācijām Saūda Arābijā Vašingtona nāca klajā ar paziņojumu, ka panākta vienošanās par ugunspārtraukšanu Melnajā jūrā. Pārtraucot karadarbību, tiktu atvērtas ostas komerciālajam transportam, pirmām kārtām Krievijas un Ukrainas lauksaimniecības produkcijas eksportam. Šī vienošanās papildinātu to, kas paredz atturēšanos no triecieniem enerģētikas infrastruktūrai. Krievijas ir apgalvojusi, ka šī vienošanās esot spēkā kopš 18. marta, tikām Ukrainas prezidents Volodimirs Zelenskis nosaucis šos apgalvojumus par kārtējiem Maskavas meliem. Starplaikā abas karojošās puses ir izdarījušas triecienus par objektiem, uz kuriem varētu attiekties šī vienošanās. Vakar Krievija publiskoja attiecīgās infrastruktūras kategorijas tās ieskatā: naftas pārstrādes rūpnīcas, naftas un gāzes cauruļvadi un uzglabāšanas ietaises, tostarp pārsūknēšanas stacijas, elektroenerģijas ražošanas un pārvades infrastruktūra, tostarp spēkstacijas, apakšstacijas, transformatori un sadalītāji, tāpat atomelektrostacijas un hidroelektrostaciju aizsprosti. Kas attiecas uz ugunspārtraukšanu jūrā, Kremlis pēc tās izziņošanas publiskojis papildu nosacījumus, proti – Krievija to sākšot ievērot tikai pēc tam, kad tiks atceltas sankcijas un ierobežojumi Krievijas Lauksaimniecības bankai un citām finanšu institūcijām, kas iesaistītas lauksaimniecības produkcijas tirdzniecībā. Prezidents Tramps, Baltajā namā tiekoties ar Savienoto Valstu vēstniekiem, izteicies, ka viņa administrācija apsverot šīs Maskavas prasības. Tas jau izraisījis kārtējās spekulācijas par Vašingtonas gatavību pakalpot Putina režīmam. Šādus noskaņojumus krietni uzkurinājusi arī ASV prezidenta īpašā vēstnieka Stīva Vitkofa nesenā intervija Trampam pietuvinātajam žurnālistam Takeram Karlsonam, kurā Vitkofs demonstrēja diezgan paviršu priekšstatu par Ukrainas situāciju un Kremlim un tā saimniekam komplimentāras domāšanas klišejas. Kas attiecas uz iespējamu sankciju atcelšanu, tad tādai būtu nepieciešama arī Eiropas Savienības un citu rietumvalstu piekrišana, un var tikai minēt, kādas sviras Baltā nama saimnieks šai ziņā varētu mēģināt iedarbināt. Ukrainas prezidents Volodimirs Zelenskis norādījis, ka Krievijas rīcība, pēc sarunu beigām izvirzot jaunus papildu noteikumus, ir sarunu partneru maldināšana. Ukraina Aizsardzības ministrija, savukārt, paziņojusi, ka par ugunspārtraukšanas pārkāpumu jebkādus Krievijas Melnās jūras flotes manevrus ar mērķi atgūt karadarbības rezultātā zaudētās pozīcijas jūras rietumdaļā. Bīstamais pilsētas galva 19. martā Turcijas policija līdz ar simts citām personām aizturēja Stambulas mēru Ekremu Imamoglu. Viņš tiek uzskatīts par nopietnāko prezidenta Redžepa Tajipa Erdogana politisko konkurentu un galveno opozīcijas kandidātu 2028. gadā gaidāmajās prezidenta vēlēšanās. Dienu iepriekš Stambulas Universitāte anulēja viņa pirms ceturtdaļgadsimta iegūtos zinātniskos grādus biznesa vadībā un cilvēkresursu vadībā, apgalvojot, ka to piešķiršanā konstatētas atkāpes no noteikumiem. Starp citiem aizturētajiem ir divu Stambulas rajonu pašvaldību galvas, citi opozicionārās Demokrātiskās Tautas partijas aktīvisti, uzņēmēji un žurnālisti. Stambulas galvenā prokuratūra izvirzījusi İmamoglu apsūdzības noziedzīgas organizācijas vadīšanā, korupcijā, izspiešanā, kukuļņemšanā un naudas atmazgāšanā, kas saistīta ar pašvaldību līgumiem. Tāpat viņš tika apsūdzēts atbalstā par teroristisku organizāciju pasludinātajai Kurdistānas strādnieku partijai, jo veidojis priekšvēlēšanu aliansi ar kurdu intereses pārstāvošo Tautu līdztiesības un demokrātijas partiju, kas ir legāla politiska organizācija. Vēlāk šo apsūdzības daļu tiesa gan atcēla, koncentrējoties uz korupcijas tēmu. Šķiet, vara nebija rēķinājusies ar tik plašiem sabiedrības protestiem, kādi sākās pēc Imamoglu un viņa līdzgaitnieku arestiem. Stambulas, Ankaras, Izmiras ielās izgāja tūkstošiem protestētāju, kuru vidū sevišķi daudz ir studentu. Pūlis skandēja „Erdogans – diktators!” un „Imamoglu – tu neesi viens!” Valdība reaģēja ar pulcēšanās aizliegumiem, taču nākamajās dienās protesti tikai vērsās plašumā, pie tam tie aptvēra arī teritorijas, kas tradicionāli tikušas uzskatītas par prezidenta Erdogana un viņa Taisnīguma un attīstības partijas atbalsta punktiem. Notika sadursmes ar policiju, kura pret protestētājiem lietoja piparu gāzi un bloķēja pieejas atsevišķām ielām un iestādēm. Līdz šodienai, 26. martam, policija arestējusi vairāk nekā 1400 demonstrantus, no kuriem gandrīz tūkstotis joprojām ir apcietinājumā. Tiek ziņots, ka Turcijā ierobežota pieeja daudziem sociālās tīklošanas resursiem. Eiropadome reaģējusi uz notiekošo ar paziņojumu, ka tās ieskatā notiekošajam ir visas politiskā spiediena pazīmes. Visai pamanāmi uz notikušo reaģēja arī Turcijas liras kurss, nokrītoties par vairāk nekā 16 procentpunktiem un sasniedzot vēsturiski zemāko vērtību pret ASV dolāru. Pēc visām likumdošanas izmaiņām, kuras ļāvušas Erdoganam pavadīt Turcijas varas virsotnē jau divdesmit divus gadus, vispirms kā premjerministram, tad kā prezidentam, 2028. gadā viņš vairs nevar pretendēt uz nākamo termiņu, ja vien nepanāks izmaiņas konstitūcijā vai nesarīkos ārkārtas vēlēšanas pirms sava termiņa beigām. Sagatavoja Eduards Liniņš.

Steve Berg is an actor and improviser who just finished work on Tim Kasher's film Who's Watching, and is currently working on the film The Dink, produced by Ben Stiller. Recently, Steve can also be seen in Olivia Wilde's new film Don't Worry Darling, and the feature film Snack Shack.He's also been obsessed with UFOs, the paranormal, the occult and all things weird his entire life. He hosts a podcast called Hi, Strangeness, that covers these topics he's so passionate about.You can find Steve's fantastic HI, STRANGENESS show on most podcast platforms, and the video version is available on Youtube, here:https://www.youtube.com/@histrangeness77Whenever he has the opportunity Steve lectures about Weird Nebraska at conferences and events. He can also be seen in New Line's comedy feature Tag starring Jon Hamm and Rashida Jones.His credits also include recurring roles on NBC's The Good Place, ABC's The Goldbergs, Comedy Central's Idiotsitter, and BET's The Comedy Get Down. He has appeared in two features for director Joe Swanberg -- the Netflix Original Win It All and the indie Digging For Fire which premiered at the 2015 Sundance Film Festival. Other credits include Mike White's directorial debut Year of the Dog, Jared Hess' Gentlemen Broncos, and Joss Whedon's digital series Dr. Horrible's Sing Along-Along Blog.Berg has been a drunk narrator multiple times on Comedy Central's Drunk History and was a series regular in the Fox Television pilot WTF America produced by Ron Howard and Brian Grazer. He is originally from Omaha, Nebraska.Steve visits with Talking Weird to chat about UFOs and high strangeness, regale us with tales about Weird Nebraska, as well as to fill us in on a 1970s flying saucer case that he has been investigating.Anyine familiar with Steve knows this is going to be fun, fast-moving, blast of a show.

We had so much fun with our special guests, Mallory & Evan from Pop Capsule Podcast that we had to split the episode into two parts! Part 2 will be out in two weeks!How to Build a Better Boy (August 15, 2014)IMDB WikipediaDirected by Paul Hoen (Luck of the Irish, Tru Confessions, You Wish!, Eddie's Million Dollar Cookoff, Read it and Weep, Jump In!, CGOW, Dadnapped, Camp Rock 2, Let it Shine, Cloud 9, ZOMBIES 1-3)Written by Jason Mayland (Space Chimps, Eureka)Starring: China Anne McClain as Gabby Harrison (A.N.T. Farm, Descendants-verse, Black Lightening, House of Payne)Kelli Berglund as Mae Hartley (Lab Rats, The Goldbergs, Heels)Marshall Williams as Albert Banks / X-17 (Glee, When Hope Calls, Hallmark Christmas movies)Matt Shively as Bart Hartley (True Jackson: VP, Winx Club, The Real O'Neals, The Purge, American Housewife, Total Badass Wrestling, Players, Lopez vs. Lopez)Ashley Argota Torres as Nevaeh Barnes (True Jackson: VP, Bucket & Skinner's Epic Adventures, Lab Rats, The Fosters)Noah Centineo as Jaden Stark (To All the Boys I've Loved Before, The Fosters, T@gged, Black Adam, The Recruit)Ron Lea as General McFee (character actor - Street Legal, Wind at My Back, Doc, Orphan Black, Murdoch Mysteries)Roger Bart as Dr. James Hartley (Bram & Alice, Singing voice of Hercules, The Producers, American Gangster, The Event, Desperate Housewives, Political Animals, Easy to Assemble, Revenge, Trumbo, Episodes, Graves, Good Trouble)Synopsis: Two tech-savvy teenagers unknowingly use military software to program robotic boyfriends with ideal qualities when they grow tired of the high school boys around them.Fun Facts: Ashley Argota Torres and Matt Shively previously co-starred in the series True Jackson, VP (2008), which aired on Disney Channel's rival network, Nickelodeon. ★ Support this podcast on Patreon ★

Neighborhoods are important to Zack, and he's looking for a new place to move his family. Luckily, Kent and Joel are both creating special subdivisions of hand-selected citizens. However, the residents are all annoying families from various TV series that were suggested by you, the listener. Therefore, on this episode of Baconsale, we'll be doing a schoolyard pick of characters from sitcoms such as Arrested Development, The Simpsons, Family Matters, The Beverly Hillbillies, Married with Children, The Goldbergs, Home Improvement, The Addams Family, Malcolm in the Middle, and more. Then it's up to Zack to decide which neighbors he'd like to deal with. There will be plenty of theme song singing, some over-the-shoulder reading, and the shocking revelation that Kent likes blondes.   Press place to decide whether you'd like to live in Kenterville or The Sunshine Sitcommune.

Raidījuma uzmanības fokusā iekšējā drošība. Krustpunktā izvaicājam Valsts policijas priekšnieku Armandu Ruku. Jautājumus kopā ar raidījuma vadītāju uzdod TV3 žurnālists Gatis Suhoveckis un žurnāla "Dienas Bizness" žurnālists Jānis Goldbergs.  

Wendi McLendon-Covey is back on Group Text to talk about her return to network TV in the new comedy, “St. Denis Medical” (new episodes air Tuesday nights on NBC and streaming on Peacock). Wendi discusses going from one hit series, “The Goldbergs,” to another; how her new show provides her a rare work-life balance; getting those difficult medical terms correct on-screen, and how the “mockumentary” style of comedy she pioneered doing “Reno 911” has changed over the two decades since that show began. The only way “Group Text” happens is with YOUR support and support from mm amazing sponsors! Try VIIA! Head to Viiahemp.com and use the code GROUPTEXT Looking to lose more than 10 lbs? Let's get you started with 15% off and free rush shipping so you can add LEAN to you healthy diet and exercise plan. Visit TakeLean.com and enter GROUPTEXT for your discount. That's promo code GROUPTEXT at TakeLean.com Feeling drained and ready to get your energy and health back on track? Try Field of Greens! Use promo code GROUPTEXT at FieldOfGreens.com to get 15% off your first order and FREE rush shipping! Best day to improve your health is today! Go to UltraLuxHealth.com Get 20% off your order of Red Mini, UltraLux Clean, or Hydrogen Tablets with the promo code GROUPTEXT at checkout. This is another Hurrdat Media Production. Hurrdat Media is a podcast network and digital media production company based in Omaha, NE. Find more podcasts on the Hurrdat Media Network by going to HurrdatMedia.com or the Hurrdat Media YouTube channel! Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, John A. Hovanesian, MD, FACS, and Jim Mazzo are live from the Hawaiian Eye meeting with guests Paul Singh, MD, Candy Simerson, Jeffrey Goldberg, MD, PhD, and Roger Goldberg, MD, MBA. Welcome to the Eyeluminaries podcast :02 Review of episode 30 3:23 Intro of Paul Singh, MD 3:40 What are the future trends in glaucoma you're most excited about? 5:10  What challenges do you see in running your practice that didn't exist in your dad's day? 8:36 You've got a great medical office, a very busy consulting and research practice, you play in a band and you have a young family. What advice would you give others in keeping it all in balance? 12:09 Besides your dad and the two of us, who do you look up to in eye care? 14:45 Singh sings a Funkadesi song 18:16 Intro of Candy Simerson 20:36 When you come into a new practice to consult, what are the most common areas you see where improvement can be made? 21:41 What about the finances? What areas in finances do you see where improvement can be made? 24:27 In your many years in ophthalmology, what are the biggest challenges you've experienced? 26:10 What type of practice should consider a sale to private equity? What type of practice should not? 29:34 What advice would you give a company representative who wants to win business from a big ophthalmology practice? 32:29 Intro of the Goldbergs 36:25 Jeff Goldberg, MD, PhD 36:50 Roger Goldberg, MD, MBA 37:21 Jeff, why glaucoma instead of retina? 38:43 Roger, why retina instead of glaucoma? 39:37 Mazzo discusses neuroprotection in retina and glaucoma. 41:14 What is entrepreneurship like today? What's your advice? What is challenging and what is positive? 43:10 Mazzo discusses being realistic about innovations. 48:30 What is private practice like today? 49:31 How do cornea specialists better understand glaucoma specialists? 53:05 How do cornea specialists better understand retina specialists? 54:13 Tell us about emmecell. 55:50 Preview of episode 32 59:19 Give us your feedback 1:00:18 Thanks 1:00:30 Jeffrey Goldberg, MD, PhD, is professor and chair of ophthalmology at the Byers Eye Institute at Stanford University and a member of the National Academy of Medicine. Roger Goldberg, MD, MBA, board certified by the American Board of Ophthalmology and is an active member of the American Society of Retinal Specialists, the Retina Society and the American Academy of Ophthalmology. John A. Hovanesian, MD, FACS, is a faculty member at the UCLA Jules Stein Eye Institute and in private practice at Harvard Eye Associates in Laguna Hills, California. Jim Mazzo is an ophthalmic industry veteran with over 40 years as CEO/chairman of both public and private companies, including Allergan, Avellino Labs, Carl Zeiss, Neurotech Pharmaceuticals and AMO. Additionally, he is an advisor for Bain Capital and CVC Capital Partners and sits on numerous industry boards such as MDMA. Candy Simerson is the senior vice president of practice operations at Vision Integrated Partners. I. Paul Singh, MD, is the president of The Eye Centers of Racine & Kenosha, Ltd., founded in 1981 by his father, Dr. Kanwar A. Singh. He is a founding member of the band, Funkadesi, a mix of Indo-Afro-Caribbean style music. The band tours the world spreading the message “one family, many children.” We'd love to hear from you! Send your comments/questions to eyeluminaries@healio.com. Follow John Hovanesian on X (formerly Twitter) @DrHovanesian. Disclosures: Hovanesian consults widely in the ophthalmic field. Mazzo reports being an advisor for Anivive Lifesciences, Avellino Labs, Bain Capital, CVC Capital and Zeiss; executive chairman of Neurotech, Preceyes BV and TearLab; and sits on the board of Crystilex, Centricity Vision, IanTech, Lensgen and Visus. Healio could not confirm relevant financial disclosures for the Goldbergs, Simerson and Singh at the time of publication.

Annie and Mindy talk about what it takes to have a deep and lasting friendship. They discuss what brought them together, how they are alike and how they are not. They also talk about a divorce workbook, pets, kids, the trauma of ex-husbands, the difference between growing up in Detroit vs Miami, having parents who asked you to perform and parents who didn't, asking your teacher to “hang out”, Groundlings, tums, having no emergency contact, boundaries, and how Jim Rash is the center of the universe.  Bios:  Annie Sertich wanted to be a lawyer - instead ended up playing one opposite Denzel Washington. She wanted to be in the Super Bowl -instead she has sold tires, accepted M&M's, and recently appeared as Tina, the Geico caveman's wife during the commercial breaks. She is an actor, writer, and alumni of the famed Groundings Theatre where she also performs a one woman show called ‘How To Not Kill Yourself for 30 days…and the next 330.'  You'll hear her voice on various animated shows and see her on shows such as: “Grey's Anatomy/Station 19,” “Superstore,” “Silicon Valley,” “Curb Your Enthusiasm,” Roar,” to name a few. Mindy Sterling is a 2017 two time Emmy Nominee for Best Actress in Short Form Comedy or Drama for her work on Con Man and Secs and Execs. She is probably best known for her character portrayal of Frau Farbissina, Dr. Evil's German henchwoman and lover in all three Austin Powers Films. Other films are The Grinch Who Stole Christmas and Drop Dead Gorgeous. She currently recurs as Linda Schwartz on The Goldbergs and has guest starred on Grace and Frankie, A Series of Unfortunate Events, Legit, iCarly. Her voice over career consists of Legend of Korra, The Great North , American Dad, Family Guy, Loud House, Scooby Doo, Chowder to name a few. She is an alumni of The Groundlings and occasionally still directs and performs there.

Wendi McLendon-Covey (The Goldbergs, St. Denis Medical) joins us this week for a fun and candid conversation about her experience in this industry and the insatiable workaholic tendencies that have contributed to her success when her back was against the wall. Wendi shares the joy of working on the improv fueled Reno 911! and how she was about to quit acting before landing the audition. We also talk about how she fought to land her hilarious role on Bridesmaids, the ups and downs during her decade on The Goldbergs, and the worst part of performing improv. Thank you to our sponsors:

On today's episode, I talk to director Seth Gordon. Originally on the path to be an architect, Seth's life took a detour into documentary filmmaking when he picked up a camera while teaching abroad in Kenya. After working in different positions in filming and editing, he eventually made his acclaimed doc The King of Kong: A Fistful of Quarters, about rivals in the world of competitive Donkey Kong playing. From there, Seth became a comedy director, directing some of the best sitcoms of the 21st century including Parks and Rec, Community, The Office, The Goldbergs and more, as well as films such as Four Christmases, Horrible Bosses, Baywatch and, his most recent film, which just debuted on Netflix last week, Back In Action starring Jamie Foxx and Cameron Diaz! This is the website for Beginnings, subscribe on Apple Podcasts, follow me on Twitter. Check out my free philosophy Substack where I write essays every couple months here and my old casiopop band's lost album here! And the comedy podcast I do with my wife Naomi Couples Therapy can be found here! Theme song by the fantastic Savoir Adore! Second theme by the brilliant Mike Pace! Closing theme by the delightful Gregory Brothers! Podcast art by the inimitable Beano Gee!  

With NBC's St. Denis Medical tearing up the charts *and* our hearts, we had to have Wendi back on the show. Even if your girl Naomi wasn't writing for the show, you know we love us some Wendi and would watch what is FOR SURE the best new sitcom out there! (And why not check out her co-star Mekki on a previous episode???) Now, of course you also know Wendi from Reno 911!, Bridesmaids, The Goldbergs and tons of other stuff, but on today's episode, we get in deep about her therapeutic breakthroughs, love of attention, her religious upbringing and a surprise cameo by a cat with a present. And SO MUCH MORE! PLUS, obvi, we answer YOUR advice questions! If you'd like to ask your own advice questions, call 323-524-7839 and leave a VM or just DM us on IG or Twitter!ALSO BUY A BRAND NEW CUTE AF "Open Your Hearts, Loosen Your Butts" mug! And:Support the show on Patreon (two extra exclusive episodes a month!) or gift someone a Patreon subscription! Or get yourself a t-shirt or a discounted Quarantine Crew shirt! And why not leave a 5-star review on Apple Podcasts? Or Spotify? It takes less than a minute! Follow the show on Instagram! Check out CT clips on YouTube!Plus some other stuff! Watch Naomi's Netflix half hour or Mythic Quest! Check out Andy's old casiopop band's lost album or his other podcast Beginnings!Theme song by the great Sammus! Hosted on Acast. See acast.com/privacy for more information.

Actress Wendi McLendon-Covey ("Bridesmaids," "RENO 911!," "The Goldbergs") joins Andy Richter to discuss her new show, "St. Denis Medical," why she doesn't celebrate Valentine's Day, her time working at Anaheim's third-worst Ramada Inn, how she separates her career from her home life, and more.Do you want to talk to Andy live on SiriusXM's Conan O'Brien Radio? Leave a voicemail at 855-266-2604 or fill out our Google Form at BIT.LY/CALLANDYRICHTER. Listen to "The Andy Richter Call-In Show" every Wednesday at 1pm Pacific on SiriusXM's Conan O'Brien Channel.

Happy Thanksgiving! In this episode, Andrew interviews Bill Callahan about his pilot Massholes. Bill has an impressive résumé, having worked on Spin City, 8 Simple Rules, Scrubs, Psych, American Housewife, and The Goldbergs.A former college athlete turned comedy writer, Bill shares his journey from football to comedy, starting in an agency mailroom and learning from legends like Gary David Goldberg and Bill Lawrence. He discusses the differences between multi-camera and single-camera comedy writing, what he looks for when staffing a writer's room, and the group of friends that inspired Massholes.Thanks for listening—we know you're going to love this episode!For more information about Dead Pilots Society and to listen to past episodes featuring John Hodgman, Emerald Fennell, and many others, visit: https://maximumfun.org/podcasts/dead-pilots-society.

This month's pilot is Massholes. It was set up at ABC and written by Bill Callahan (Scrubs, Spin City). Bill is a veteran comedy writer who's worked on so many shows you know and love. This is a Friends-style ensemble pilot inspired by Bill's group of friends from Massachusetts. To keep things authentic, we assembled an all-star cast of actors from the Boston area.Massholes stars Rob Corddry (Ballers, Hot Tub Time Machine), Nicholas D'Agosto (Trial & Error, Criminal Minds), Misha Collins (Supernatural), Josh Gondelman (Last Week Tonight, Desus & Mero), Alyssa Limperis (What We Do in the Shadows), Maggie Lawson (Psych), Brittany Curran (The Magicians), Jamie Loftus (Star Trek: Lower Decks), Killian McAssey, and Andrew Reich with stage directions.If you missed our last live show, you can still watch the live feed here.WE HAVE MERCH! Merch store: hereFor more information about Dead Pilots Society and to listen to past episodes featuring John Hodgman, Emerald Fennell, and many others, visit: https://maximumfun.org/podcasts/dead-pilots-society. 

If you have subscribed for EXTRA JUICY SCOOP, Click on this link: https://zc.vg/4eF8F The hilarious Wendi McLendon-Covey is back on Juicy Scoop! She is best known for "The Goldbergs", "Bridesmaids", and "Reno 911" but now is staring in a new hospital comedy on NBC. So isn't it fitting that we discuss the Peacock documentary “Anatomy of Lies” about a "Grey's Anatomy" writer who lied about having cancer, terrorist attacks, family abuse and so much more. We share about a pathological liar we both worked with at The Groundlings Theater. I explain some of the initial lies that sucked me into a grifter's friendship. We talk truth about Hollywood and why someone will or won't get hired again. I also cover the Liam Payne tragedy and why Ariana Grande got on Elvira's shit list. Enjoy!  Stand Up Tickets and info: https://heathermcdonald.net/ Shop Juicy Scoop Merch https://juicyscoopshop.com  Get EXTRA Juicy on Patreon https://www.patreon.com/juicyscoop  Follow Me on Social Media: Instagram: https://www/instagram.com/heathermcdonald  TikTok: https://www.tiktok.com/@heathermcdonald  Twitter: https://twitter.com/HeatherMcDonald Learn more about your ad choices. Visit podcastchoices.com/adchoices

PUBLIC VERSION. Screenwriter Ian McDonald (WOMAN OF THE HOUR) joins Adam, Joe, and Arwen in the ArieScope studio to discuss his career journey and the making of his new feature (WOMAN OF THE HOUR is currently in theaters and available on Netflix). From growing up in Maine as an introvert far removed from the entertainment industry… to going to college for film but pivoting to theater and attending grad school for playwriting… to writing and producing his first feature film SOME FREAKS (2016) independently… to the 8 year journey he has been on with his screenplay for WOMAN OF THE HOUR and the vast amount of research he did on the crimes of real-life serial killer Rodney Alcala… to the extra level of consideration he put into writing a story that's based on true events and his decision to tell the story in a non-linear fashion… to actress Anna Kendrick stepping into the director's chair in the 11th hour of pre-production and the terrific creative working relationship they forged making the film… to having to sit out the film's Toronto premiere due to the WGA strike and why he finds joy in mentoring young aspiring writers… Ian's career is no “overnight success” which is precisely why it's so inspiring to hear! Also, Dr. Arwen provides “Hollywood Therapy” for an artist suffering from disenchantment, “Victor Crowley” slaughters ABC's THE GOLDBERGS, and the guys get real about aging.  Watch Adam's 26th annual ArieScope Halloween short film THE PET SITTER - streaming FREE on ArieScope.com or the ArieScope YouTube channel!

In this conversation, Arthur Meyer and Stephanie Drake discuss their experiences with parenting through humor and creativity. They share insights on how to navigate the challenges of parenthood while maintaining a light-hearted approach. The discussion emphasizes the importance of laughter in parenting, the unpredictability of toddlerhood, and the unique bond formed between parents and children. They also provide practical advice for parents looking to incorporate more fun into their parenting style.Episode Chapters |02:53 | The Journey of Parenthood05:50 | Finding Humor in Parenting09:08 | Navigating Toddlerhood with Laughter12:13 | The Importance of Fun in Parenting14:52 | Connecting Through Humor18:02 | Advice for Parents Struggling to Find FunAbout Arthur |Arthur Meyer is an Emmy-nominated writer living in New York City. He was a longtime writer and performer at The Tonight Show Starring Jimmy Fallon, head writer at The Drew Barrymore Show, and staff writer for the Amazon sitcom Dinner with the Parents. Arthur has also written for The Onion, and he co-wrote the comedy book FUDS: A Complete Encyclofoodia. Currently, Arthur is the creator, writer, & costar of the hit comedy web series ABC Parenting, which has over 85,000 followers and over 15 million views across YouTube, Instagram, and TikTok.About Stephanie |Stephanie Drake is an actress, writer, producer, and audiobook narrator living in Los Angeles. She is most known for her role as Don Draper's ditzy but lovable secretary, Meredith, on the Emmy-winning television show Mad Men. Most recently, she appeared on ABC's The Goldbergs and the indie feature Scrap. Her recent short film, Baby Face, which she co-wrote/co-stars with Caroline Bloom, is busy chugging along the festival circuit. Stephanie costars with Arthur in the hit comedy web series ABC Parenting.Links Discussed in This Episode |Order a Copy of Minimalist Moms: Living and Parenting with SimplicityDiane's Resource: Motion appABC Parenting: How to Hold a BabyMeekah Youtube ChannelArthur Can't Stop Talking About: My Dinner with AndreStephanie's Resource: Taking Cara BabiesConnect with Arthur & Stephanie:WebsiteInstagramYoutube: ABC ParentingEpisode Sponsors |The Minimalist Moms Podcast would not be possible without the support of weekly sponsors. Choosing brands that I believe in is important to me. I only want to recommend brands that I believe may help you in your daily life. As always, never feel pressured into buying anything. Remember: if you don't need it, it's not a good deal!Enjoy the Podcast?Post a review and share it! If you enjoyed tuning into this podcast, then do not hesitate to write a review. You can also share this with your fellow mothers so that they can be inspired to think more and do with less. Order (or review) my book, Minimalist Moms: Living & Parenting With Simplicity.Questions |You can contact me through my website, find me on Instagram, Pinterest or like The Minimalist Moms Page on Facebook.Checkout the Minimalist Moms Podcast storefront for recommendations from Diane.Need help decluttering? I'm here to help! If you've been struggling with motivation to declutter, I'd love to help you achieve your goals in your home. We'll work together (locally or virtually) to discover what areas in your home are high priority to get you feeling less overwhelmed right away. For more info on my processes, fees, and availability please contact!Our Sponsors:* Check out ByHeart and use my code MINIMALIST for a great deal: byheart.com* Check out Life 360: www.life360.com* Check out Ritual and use my code MIN for a great deal: ritual.comSupport this podcast at — https://redcircle.com/minimalist-moms-podcast2093/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy