Actor and acting teacher (1914-2002)
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7 episodes with Jeff Corey
9 episodes with Jeff Corey
4 episodes with Jeff Corey
7 episodes with Jeff Corey
4 episodes with Jeff Corey
4 episodes with Jeff Corey
2 episodes with Jeff Corey
2 episodes with Jeff Corey
3 episodes with Jeff Corey
"The Adventures of Philip Marlowe" was a hardboiled detective radio series based on Raymond Chandler's iconic private eye. Unlike many other detective shows of the era, it was known for its serious tone, with fewer lighthearted moments.The show premiered on NBC in June 1947 as a summer replacement for Bob Hope, titled "The New Adventures of Philip Marlowe," starring Van Heflin. The first episode adapted Chandler's short story "Red Wind," and the NBC run concluded in September 1947.In 1948, the series moved to CBS and was renamed "The Adventures of Philip Marlowe," with Gerald Mohr taking on the lead role. This CBS version also began with a different adaptation of "Red Wind." By 1949, it had become the most popular radio program. The CBS series aired for 114 episodes, from September 1948 to September 1950.From July to September 1951, the show briefly returned as a summer replacement for "Hopalong Cassidy," with Mohr reprising his role, except for one episode in 1950 featuring William Conrad.A notable episode, "The Birds on the Wing" (November 26, 1949), famously broke the fourth wall at both the beginning and end. Marlowe mentions reading Chandler's latest novel, "The Little Sister," and in the conclusion, Gracie Allen asks Marlowe to find a radio show for her husband, George Burns.Lyn Murray composed the program's music. The theme used in the first two NBC episodes, where Marlowe narrates the opening of Chandler's "Red Wind," later became a prominent motif in Murray's score for Alfred Hitchcock's "To Catch a Thief" (1954).Despite its popularity, "The Adventures of Philip Marlowe" lacked consistent sponsorship, with only brief periods supported by Ford Motor Company and Wrigley's Gum in 1950.Raymond Chandler had minimal involvement with the radio series, content with the weekly royalties for his character's use and expressing moderate satisfaction with Gerald Mohr's portrayal of Marlowe.The first NBC episode's script was by Milton Geiger, which Chandler found "thoroughly flat." The CBS version, produced and directed by Norman Macdonnell, was better received. The writing team for the CBS series included Gene Levitt, Robert Mitchell, Mel Dinelli, and Kathleen Hite, with music by Richard Aurandt and Roy Rowan as the announcer. The cast alongside Gerald Mohr featured actors such as Jeff Corey, Howard McNear, Parley Baer, Lawrence Dobkin, Virginia Gregg, Gloria Blondell, and Lou Krugman.
Who isn't fascinated with the idea of time travel? This episode of the Shiver Show features, The Time Machine, an episode that first aired on the Escape Series in 1950. The Time Machine was written by H.G. Wells in 1895, when he was only twenty-nine. This episode has superb performances by Jeff Corey (as Doctor Dudley) and Eric Rolf (as Fallen) and a terrific music score by Wilbur Hatch. Mary and Greg talk about their preferred time travel destinations, whether the Eloi resemble Teletubbies and H.G. Wells' reputation as a 'ladies man.' Listen now!Thank you for listening! If you like the show, please share us with your friends and family AND give us a review! If you have a suggestion for a show or a question, please drop it in the comments!Watch us on YouTube:https://www.youtube.com/@shivershowpodcastFollow The Shiver Show https://www.facebook.com/theshivershowor check out our website at https://www.timewarpstudios.com Other podcast platforms: https://linktr.ee/theshivershow
Welcome to the first episode for the new year, with “Tuesday Night Detectives” on Vintage Classic Radio. Tonight, we delve into the thrilling world of classic detective radio dramas with two captivating episodes. First, we feature “The Adventures of Philip Marlowe” in the episode titled “The Black Halo.” Originally aired on January 15, 1949, this gripping story follows the sharp-witted private detective Philip Marlowe as he unravels the mystery of a missing woman last seen wearing a distinctive black halo hat. As Marlowe digs deeper, he finds himself entangled in a web of deceit, betrayal, and murder. This episode stars Gerald Mohr as Philip Marlowe, with supporting performances by Jeff Corey, Gloria Blondell, and Parley Baer, each bringing to life the dark and suspenseful atmosphere of the story. Following that, we present “Rocky Fortune,” starring Frank Sinatra in the episode “The Museum Murder,” which first hit the airwaves on January 19, 1954. In this episode, Rocky Fortune finds employment as a museum tour guide, only to stumble upon a dead body during his first shift. The chase to uncover the murderer leads Rocky through a maze of historical artifacts and deadly traps. Frank Sinatra's charming yet edgy portrayal of Rocky is complemented by stellar performances from Barney Phillips, Georgia Ellis, and John McIntire, who collectively add layers of intrigue and danger to this thrilling narrative. Together, these episodes from “The Adventures of Philip Marlowe” and “Rocky Fortune” offer a nostalgic look back at the golden age of radio detective stories, filled with mystery, suspense, and unforgettable characters. Join us in 2025 as we step back in time and experience the shadows and sleuths of yesteryear on “Tuesday Night Detectives.”
Escape 48-05-09 -040- The Time Machine -Jeff Corey
Tune in as Shawn Murphy (Men Who Like Men Who Like Movies Podcast) rejoins the program to review and recap Color of Night, the 1994 erotic thriller that takes us on a wild and atmospheric ride with a color-blind psychiatrist who gets himself caught up in a murder mystery and a steamy affair simultaneously. An intense BTS feud that led to different cuts of this movie being released, drawing inspiration from giallo, the therapy group in the plot acting like a dysfunctional family, and 90s-era queer representation that's both progressive for its time and dated for our contemporary world comprise just a few of the subjects that get coverage in today's episode. Directed by Richard Rush, Color of Night stars Bruce Willis, Jane March, Rubén Blades, Lesley Ann Warren, Scott Bakula, Brad Dourif, Lance Henrikson, Kevin J. O'Connor, Andrew Lowery, Eriq La Salle, Jeff Corey, Kathleen Wilhoite, Shirley Knight, and Erick Avari. Spoilers start at 29:00 Create your podcast today! #madeonzencastr Here's how you can learn more about Palestine and Israel: http://decolonizepalestine.com Here's how you can act to help stop Israel's genocide of Palestine: http://linktr.ee/savegaza Here's how you can send eSIM cards to Palestinians in order to help them stay connected online: https://www.gazaesims.com Good Word: • Shawn: Ghosts and Specter Cinema Club • Arthur: Watching the Detectives Reach out at email2centscritic@yahoo.com if you want to recommend things to watch and read, share anecdotes, or just say hello! Be sure to subscribe, rate, and review on iTunes or any of your preferred podcasting platforms! Follow Arthur on Twitter, Goodpods, StoryGraph, Letterboxd, and TikTok: @arthur_ant18 Follow the podcast on Twitter: @two_centscritic Follow the podcast on Instagram: @twocentscriticpod Follow Arthur on Goodreads Check out 2 Cents Critic Linktree
With the first day of school right around the corner, countless parents will be sending their children to school on those bright yellow school buses. But in order for that bus to be on the road, the New York State Department of Transportation makes sure that they pass one of the most rigorous inspections in the country. This episode of the DOT POD is on location at the Great New York State Fair where Josh and Anya sit down with the Director, Passenger Carrier Safety Bureau, Marc Berger, and Field Operations Manager, Jeff Corey, to talk about what goes in to ensuring your kids get to and from school safely every day.
In this week's episode of "Tuesday Night Detectives" on Vintage Classic Radio, we dive into the gritty streets of Los Angeles with "The Adventures of Philip Marlowe" in the classic episode "Red Wind," originally aired on June 17, 1947. The episode begins on a hot, Santa Ana wind-swept evening as Marlowe finds himself entangled in a mystery when a murder occurs right in front of him at a local bar. The plot thickens with a missing wife, a valuable necklace, and a series of deceptive characters, all swirling into a suspenseful whirlwind. The voice of Philip Marlowe is brilliantly brought to life by Gerald Mohr, with additional performances by Lurene Tuttle as Lola Barsaly, Hans Conried as Eugene Barsaly, and Jeff Corey playing multiple roles. Following Marlowe, we switch gears to the suave New York private detective Peter Chambers in "Crime and Peter Chambers" with the episode "Masquerade Party," which first hit the airwaves on July 13, 1954. In this thrilling adventure, Chambers attends a high-society masquerade ball that turns deadly when the host is found murdered, leading to a complex investigation involving hidden identities and dangerous liaisons. Dane Clark voices the charming detective, supported by a cast including Bern Bennett as the announcer, with Bill Zuckert and Elaine Rost providing the voices for the various guests and suspects at the party. Join us as we unravel these captivating mysteries, showcasing the best of classic radio drama, filled with twists, intrigue, and the unmistakable charm of mid-century detective storytelling. Tune in and let the intrigue of yesteryear capture your imagination on "Tuesday Night Detectives."
Join us this week on Vintage Classic Radio for our "Sunday Night Playhouse" feature, as we revisit a captivating performance from the archives of "Lux Radio Theatre." This week, we present "This Gun For Hire," originally broadcast on January 25, 1943. Dive into the gripping world of film noir with this radio adaptation of Graham Greene's novel, showcasing the dark tale of Phillip Raven, a ruthless assassin with a conscience, played by the iconic Alan Ladd. This drama was based on a film that put Ladd on the map. Alongside him, Joan Blondell stars as Ellen Graham. The plot centers on Raven, a hitman seeking vengeance after being betrayed by his employers. He crosses paths with Ellen Graham, a nightclub singer secretly working as a spy to uncover a dangerous espionage ring. Other in the cast include Laird Cregar, Jack LaRue, Paula Winslowe, Joe Latham, Vicki Lang, Jeff Corey, W.R. Burnett and Arthur Q. Bryan. Tune in to experience the suspense and shadowy intrigue of "This Gun For Hire," brought to life by some of Hollywood's legendary stars in one of radio's most cherished formats.
In this week's episode of "Tuesday Night Detectives" on Vintage Classic Radio, we delve into two thrilling classic radio dramas. First up, we explore "The Adventures of Philip Marlowe" in the episode titled "The King in Yellow." Originally broadcast on July 8th, 1947, this episode follows the sharp-witted private detective Philip Marlowe, voiced by Gerald Mohr, as he navigates through a web of deceit and murder inspired by a mysterious play that drives its readers mad. Assisting Mohr in bringing this eerie tale to life are Jeff Corey, playing the role of a troubled actor, and Lurene Tuttle, portraying a distressed lover, with additional support from William Conrad's powerful portrayal of the villain. The episode weaves a narrative of suspense, literary intrigue, and dark secrets. Following that, we turn to "Crime and Peter Chambers," which aired on June 29th, 1954. In "The Bubbles Club" episode, detective Peter Chambers, played by Dane Clark, dives into a glamorous yet sinister world of a high-society nightclub where the champagne and dangers flow equally freely. Joining Clark in this episode are Bill Zuckert, portraying a club owner with much to hide, and Elaine Rost, as the charming yet enigmatic leading lady. Together, they unravel a plot filled with deceit, romance, and murder. This episode combines sharp wit with a dash of danger, making it a captivating listen for fans of classic detective stories. Tune in as we bring these vintage gems back to life, captivating new generations with tales of mystery and intrigue.
“I think he's in both Bowling for Columbine and Fahrenheit 9/11!” - Chris, on Heston's sequel policy On this week's episode, we're going back to, well, Earth, to chat about the fun-as-hell sequel, Beneath the Planet of the Apes! How silly was it to make James Franciscus look exactly like Charlton Heston, instead of just having him play Taylor? How much of a total jerk is Dr. Zaius? Are these under-dwellers wearing those masks for outsiders only or what? How great are Zira and Cornelius as characters? And how fantastic is it to watch a big, Hollywood, sci-fi sequel and the movie's totally unconcerned with setting up the next one? PLUS: Never agree to follow Taylor in traffic, because he's gonna blow down the road and leave you in the dust! Beneath the Planet of the Apes stars James Franciscus, Kim Hunter, Maurice Evans, Linda Harrison, James Gregory, David Watson, Don Pedro Colley, Natalie Trundy, Thomas Gomez, Jeff Corey, Victor Bruno, Paul Richards, and Charlton Heston as Colonel George Taylor; directed by Ted Post. This episode is brought to you in part by Rocket Money! Stop wasting money on things you don't use. Cancel your unwanted subscriptions by going to RocketMoney dot com slash WHM. That's RocketMoney dot com slash WHM. RocketMoney dot com slash WHM. And also by Seed! Trust your gut with Seed's DS-01® Daily Synbiotic. Go to Seed.com/whm and use code 25WHM to get 25% off your first month. That's 25% off your first month of Seed's DS-01® Daily Synbiotic at Seed dot com slash whm, code 25WHM! Make the WHM Merch Store your one-stop shop for all your We Hate Movies merch-related needs! Including new SHEENPRIL, Night Vision & Too Old For This Shit designs!
TVC 648.5: Actress and author Dee Wallace (E.T: The Extraterrestrial, The Howling, Born: Giving Birth to a New You) talks to Ed about some of her acting mentors, which include Charles Conrad, Uta Hagen, and Jeff Corey, and how the acting method taught by Conrad differed from most other approaches to “The Method.” Also in this segment: Dee shares some memories of working with Dudley Moore in 10 and with her husband, Christopher Stone, in The Howling. Dee's latest book, Born: Giving Birth to a New You, is available wherever books are sold online. Want to advertise/sponsor our show? TV Confidential has partnered with AdvertiseCast to handle advertising/sponsorship requests for the podcast edition of our program. They're great to work with and will help you advertise on our show. Please email sales@advertisecast.com or click the link below to get started: https://www.advertisecast.com/TVConfidentialAradiotalkshowabout Learn more about your ad choices. Visit podcastchoices.com/adchoices
On this installment of “Tuesday Night Detectives” on Vintage Classic Radio, we immerse ourselves in two classic radio dramas. Our journey begins with "The Adventures of Philip Marlowe" and the episode, “The Long Rope,” originally broadcast on February 5th, 1949. In this episode, the iconic detective Philip Marlowe, brought to life by Gerald Mohr, is thrust into a complex case involving a missing man and a mysterious long rope. His investigation leads him through a maze of intriguing characters and perilous situations. Key players in this episode include Jeff Corey as Lieutenant Barra, Georgia Ellis as Mrs. Kolb, and Tony Barrett as Chester. Each character adds depth and intrigue to Marlowe's investigation, which twists and turns through the seedy underbelly of the city, uncovering secrets and lies at every corner. Following this, we dive into "Mr. District Attorney" and the episode “The Case of the Frying Pan Murder,” which first aired on March 1st, 1953. Here, David Brian stars as the unflappable Mr. District Attorney, confronting a peculiar and challenging murder case. A seemingly ordinary frying pan becomes the centerpiece of the investigation, as it's linked to a brutal and baffling murder. The episode is enriched by the performances of Jay Jostyn as Mr. Harrington, Vicki Vola as Miss Miller, and Len Doyle as Harrington's assistant. The narrative weaves a captivating tale of mystery, where clues are scarce and every piece of evidence is crucial. As the story unfolds, listeners are drawn into a world of suspense and intrigue, where the pursuit of justice navigates through unexpected revelations and shocking twists. These episodes from “The Adventures of Philip Marlowe” and “Mr. District Attorney” epitomize the golden era of radio drama, featuring complex stories, rich characterizations, and captivating suspense that continue to enthrall audiences even in today's digital age.
We're celebrating women in menopause all month of October and doing it right along with my guest today. It's Menopause Month and October 18 is World Menopause Day. (October 20 is Osteoporosis Day and this is also Breast Cancer Awareness month) It's a busy month for women! My Guest: Michelle Cohen is a writer, director, singer & producer who's diverse creative talents have been featured on CNN, Good Morning America, MTV, NPR's “All Things Considered”, and in People Magazine, Entertainment Weekly, The Chicago Tribune, and The Washington Post. Michelle produced the off-Broadway megahit, Schoolhouse Rock Live! & brought Jeff Corey's memoir, ViImprovising Out Loud: My Life Teaching Hollywood How to Act to print with an introduction by Leonard Nimoy and art work by Jack Nicholson. She is co-founder of Really Really Inc., an entertainment company that creates irresistible content which includes MenOpop, a Menopause Pop-Up & Activity Book at www.menopop.com. Questions we answer in this episode: Share the wild history of bringing MenOpop, a menopause pop-up & activity book to the world! What is the "It's Cool to be HOT! Party?" What is the virtual SWAG BAG for MenOpoppers? What is a "healing-through-humor" lifestyle brand? It's Michelle's mission to be celebrating women in menopause and disrupting with humor as opposed to having to get to illness or disease. I couldn't agree more and encourage you to hop over to menopop-dot-com and get registered for the party! If you've got one of 34 (or 36 according to Michelle's count) symptoms of menopause and don't even know it, you'll love hearing what she's got in mind. If you've been looking for the Judy Blume of menopause. We may just have found it. Connect with Michelle: Website: www.menopop.com On Social: X/ Twitter: https://twitter.com/MenOpopulation Instagram: https://www.instagram.com/clubmenopop/ Facebook: www.facebook.com/menopopactivitybook/ Resources: "It's Cool to be HOT" Party! on Oct. 18: Join at the website link! www.menopop.com 5 Day Flip: https://www.flippingfifty.com/5dayflip Join the Flipping 50 Facebook Insiders group: https://www.facebook.com/flipping50insiders Other Episodes You Might Like: Caffeine, Hot Flashes, and Fat Burning During Menopause: https://www.flippingfifty.com/fat-burning/ 5 Cool Exercise Answers to Hot Menopause Symptoms: https://www.flippingfifty.com/menopause-symptoms-2/ Behind the Scenes Menopause Fitness Coaching Session: https://www.flippingfifty.com/menopause-fitness-coaching/
Jim discusses a unique Sci-Fi cult film from Director John Frankenheimer - 1966's "Seconds," starring Rock Hudson, John Randolph, Jeff Corey, Salome Jems, Richard Anderson, Will Geer, Murray Hamilton and Frances Reid. A middle-aged banker is given the opportunity to clean the slate of his life and start over. But, things don't go as expected. Find out moe on this episode of MONSTER ATTACK!, The Podcast Dedicated To Old Monster Movies.
Jim discusses a unique Sci-Fi cult film from Director John Frankenheimer – 1966’s “Seconds,” starring Rock Hudson, John Randolph, Jeff Corey, Salome Jems, Richard Anderson, Will Geer, Murray Hamilton and Frances Reid. A middle-aged banker is given the opportunity to clean the slate of his life and start over. But, things don’t go as expected. … Seconds | Episode 380 Read More » The post Seconds | Episode 380 appeared first on The ESO Network.
Thanks for joining us on the No Labels, No Limits podcast! In today's episode, we're joined by Michelle Cohen, a woman of many talents. She is known as a dynamic creative force who has been featured on CNN, Good Morning America, MTV, and NPR's "All Things Considered." Her diverse talents have graced People Magazine, Entertainment Weekly, The Chicago Tribune, and The Washington Post.Michelle effortlessly moves between the entertainment industry, writing, and the unseen. She co-founded an irresistible content creation company at www.reallyreallyinc.com. However, her most impressive achievements include producing the off-Broadway hit Schoolhouse Rock Live! and publishing Jeff Corey's memoir, Improvising Out Loud, with an introduction by Leonard Nimoy and art by Jack Nicholson.A respected figure in self-help, Michelle has authored books like •Of Course You Can Sing! •The Intuition Tool Kit•Actually, There is Something Under the Bed, •MenOpop. For decades, Michelle has shared her wisdom through workshops, lectures, and private sessions, empowering numerous individuals on their personal journeys and helping them tap into their inner guidance. Her dedication to growth and adaptation is exemplified by her humorous account of retraining her speech habits when confronted with a unique theater contract.In this episode you'll hear how...: •What led to the formation of her entertainment company and what's she's learned along the way.•A very unusual contract agreement and its implications.•What lights her up today and her dreams for the future.•And many more interesting topics along the way.Learn more and connect with Michelle here:https://twitter.com/MichelleCohen1https://www.instagram.com/cshellglow/https://www.linkedin.com/in/michelle-cohen-954aa812/www.michellecohen1.comwww.reallyreallyinc.com Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
From February 5, 1979 on CBS Radio this is the first episode of Sears Radio Theater. The Host is Lorne Green and stars John McIntire and Janette Nolan. Announcer is Art Gilmore. Air check from KMOX St. Louis. Sears Radio Theater was a radio drama anthology series which ran weeknightly on CBS Radio in 1979, sponsored by the Sears chain. Often paired with The CBS Radio Mystery Theater during its first season, the program offered a different genre of drama for each day's broadcast.In 1980, the program moved to the Mutual Broadcasting System and became the Mutual Radio Theater. The Mutual series broadcast repeats from the CBS run until September 1980, when a short season of new dramas was presented. Sears continued as a sponsor during the Mutual run.Monday was "Western Night" and was hosted by Lorne Greene. Tuesday was "Comedy Night", hosted by Andy Griffith. Wednesday was "Mystery Night" with Vincent Price as host. Thursday was "Love And Hate Night" with Cicely Tyson doing honors as host. Finally, Friday brought "Adventure Night", first hosted by Richard Widmark and later by Howard Duff and then by Leonard Nimoy.Actors heard on the series included Parley Baer, Mary Jane Croft, Howard Culver, John Dehner, Virginia Gregg, Janet Waldo, Vic Perrin, Hans Conried, Marvin Miller, Elliot Lewis, Jeff Corey, Lesley Woods, Robert Rockwell, Lurene Tuttle, Eve Arden, Keith Andes, Harriet Nelson, Alan Young, Tom Bosley, Marion Ross, Lloyd Bochner, Rick Jason, Frank Campanella, Toni Tennille, Arthur Hill, Dan O'Herlihy, Jesse White and Frank Nelson.It was produced and directed by Fletcher Markle and Elliott Lewis. The theme was composed and conducted by Nelson Riddle.Though less long-lived than NPR's Earplay or the Mystery Theater, it was an ambitious attempt to reinvigorate a neglected field. Like Earplay, it was broadcast in stereo.
Escape is an American radio drama. It was radio's leading anthology series of high-adventure radio dramas, airing on CBS from July 7, 1947 to September 25, 1954. Since the program did not have a regular sponsor like Suspense, it was subjected to frequent schedule shifts and lower production budgets, although Richfield Oil signed on as a sponsor for five months in 1950. Despite these problems, Escape enthralled many listeners during its seven-year run. The series' well-remembered opening combined Mussorgsky's Night on Bald Mountain with this introduction, as intoned by William Conrad and later Paul Frees: "Tired of the everyday grind? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you... Escape!" Following the opening theme, a second announcer (usually Roy Rowan) would add: "Escape! Designed to free you from the four walls of today for a half-hour of high adventure!" Adaptations: Of the more than 230 Escape episodes, most have survived in good condition. Many story premises, both originals and adaptations, involved a protagonist in dire life-or-death straits, and the series featured more science fiction and supernatural tales than Suspense. Some of the memorable adaptations include Daphne du Maurier's "The Birds", Carl Stephenson's "Leiningen Versus the Ants", Algernon Blackwood's "Confession", Ray Bradbury's oft-reprinted "Mars Is Heaven", George R. Stewart's Earth Abides (the program's only two-parter), Richard Connell's "The Most Dangerous Game" and F. Scott Fitzgerald's "The Diamond as Big as the Ritz". John Collier's "Evening Primrose", about people who live inside a department store, was later adapted to TV as a Stephen Sondheim musical starring Anthony Perkins. William Conrad, Harry Bartell and Elliott Reid were heard in the chilling "Three Skeleton Key" (broadcast on 15 November 1949), the tale of three men trapped in an isolated lighthouse by thousands of rats; the half-hour was adapted from an Esquire short story by the French writer George Toudouze and later remade for the March 17, 1950 broadcast starring Vincent Price, Harry Bartell and Jeff Corey and again for the August 9, 1953 broadcast starring Paul Frees, Ben Wright and Jay Novello. Actors on the series included Elvia Allman, Eleanor Audley, Parley Baer, Michael Ann Barrett, Tony Barrett, Harry Bartell, Ted Bliss, Lillian Buyeff, Ken Christy, William Conrad, Ted deCorsia, John Dehner, Don Diamond, Paul Dubov, Sam Edwards, Virginia Gregg, Lou Merrill, Howard McNear, Jess Kirkpatrick, B.J. Thompson, Shep Menken, Frank Gerstle, George Neece, Jeanette Nolan, Dan O'Herlihy, Barney Phillips, Forrest Lewis, Robert Griffin, Alan Reed, Bill Johnstone, Sandra Gould, Junius Matthews, Carleton G. Young, Marvin Miller, Frank Lovejoy, Berry Kroeger, Vic Perrin, Elliott Lewis, Eleanore Tanin, Herb Vigran, Jack Webb, Peggy Webber and Will Wright. Music was supplied by Del Castillo, organist Ivan Ditmars, Cy Feuer, Wilbur Hatch and Leith Stevens. The announcers were Paul Frees and Roy Rowan. A television counterpart aired on CBS TV for a few months during 1950. The program's opening announcement—"Tired of the everyday grind?"—was employed as a slogan for the counterculture magazine, New Escapologist.
Escape is an American radio drama. It was radio's leading anthology series of high-adventure radio dramas, airing on CBS from July 7, 1947 to September 25, 1954. Since the program did not have a regular sponsor like Suspense, it was subjected to frequent schedule shifts and lower production budgets, although Richfield Oil signed on as a sponsor for five months in 1950. Despite these problems, Escape enthralled many listeners during its seven-year run. The series' well-remembered opening combined Mussorgsky's Night on Bald Mountain with this introduction, as intoned by William Conrad and later Paul Frees: "Tired of the everyday grind? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you... Escape!" Following the opening theme, a second announcer (usually Roy Rowan) would add: "Escape! Designed to free you from the four walls of today for a half-hour of high adventure!" Adaptations: Of the more than 230 Escape episodes, most have survived in good condition. Many story premises, both originals and adaptations, involved a protagonist in dire life-or-death straits, and the series featured more science fiction and supernatural tales than Suspense. Some of the memorable adaptations include Daphne du Maurier's "The Birds", Carl Stephenson's "Leiningen Versus the Ants", Algernon Blackwood's "Confession", Ray Bradbury's oft-reprinted "Mars Is Heaven", George R. Stewart's Earth Abides (the program's only two-parter), Richard Connell's "The Most Dangerous Game" and F. Scott Fitzgerald's "The Diamond as Big as the Ritz". John Collier's "Evening Primrose", about people who live inside a department store, was later adapted to TV as a Stephen Sondheim musical starring Anthony Perkins. William Conrad, Harry Bartell and Elliott Reid were heard in the chilling "Three Skeleton Key" (broadcast on 15 November 1949), the tale of three men trapped in an isolated lighthouse by thousands of rats; the half-hour was adapted from an Esquire short story by the French writer George Toudouze and later remade for the March 17, 1950 broadcast starring Vincent Price, Harry Bartell and Jeff Corey and again for the August 9, 1953 broadcast starring Paul Frees, Ben Wright and Jay Novello. Actors on the series included Elvia Allman, Eleanor Audley, Parley Baer, Michael Ann Barrett, Tony Barrett, Harry Bartell, Ted Bliss, Lillian Buyeff, Ken Christy, William Conrad, Ted deCorsia, John Dehner, Don Diamond, Paul Dubov, Sam Edwards, Virginia Gregg, Lou Merrill, Howard McNear, Jess Kirkpatrick, B.J. Thompson, Shep Menken, Frank Gerstle, George Neece, Jeanette Nolan, Dan O'Herlihy, Barney Phillips, Forrest Lewis, Robert Griffin, Alan Reed, Bill Johnstone, Sandra Gould, Junius Matthews, Carleton G. Young, Marvin Miller, Frank Lovejoy, Berry Kroeger, Vic Perrin, Elliott Lewis, Eleanore Tanin, Herb Vigran, Jack Webb, Peggy Webber and Will Wright. Music was supplied by Del Castillo, organist Ivan Ditmars, Cy Feuer, Wilbur Hatch and Leith Stevens. The announcers were Paul Frees and Roy Rowan. A television counterpart aired on CBS TV for a few months during 1950. The program's opening announcement—"Tired of the everyday grind?"—was employed as a slogan for the counterculture magazine, New Escapologist.
Escape is an American radio drama. It was radio's leading anthology series of high-adventure radio dramas, airing on CBS from July 7, 1947 to September 25, 1954. Since the program did not have a regular sponsor like Suspense, it was subjected to frequent schedule shifts and lower production budgets, although Richfield Oil signed on as a sponsor for five months in 1950. Despite these problems, Escape enthralled many listeners during its seven-year run. The series' well-remembered opening combined Mussorgsky's Night on Bald Mountain with this introduction, as intoned by William Conrad and later Paul Frees: "Tired of the everyday grind? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you... Escape!" Following the opening theme, a second announcer (usually Roy Rowan) would add: "Escape! Designed to free you from the four walls of today for a half-hour of high adventure!" Adaptations: Of the more than 230 Escape episodes, most have survived in good condition. Many story premises, both originals and adaptations, involved a protagonist in dire life-or-death straits, and the series featured more science fiction and supernatural tales than Suspense. Some of the memorable adaptations include Daphne du Maurier's "The Birds", Carl Stephenson's "Leiningen Versus the Ants", Algernon Blackwood's "Confession", Ray Bradbury's oft-reprinted "Mars Is Heaven", George R. Stewart's Earth Abides (the program's only two-parter), Richard Connell's "The Most Dangerous Game" and F. Scott Fitzgerald's "The Diamond as Big as the Ritz". John Collier's "Evening Primrose", about people who live inside a department store, was later adapted to TV as a Stephen Sondheim musical starring Anthony Perkins. William Conrad, Harry Bartell and Elliott Reid were heard in the chilling "Three Skeleton Key" (broadcast on 15 November 1949), the tale of three men trapped in an isolated lighthouse by thousands of rats; the half-hour was adapted from an Esquire short story by the French writer George Toudouze and later remade for the March 17, 1950 broadcast starring Vincent Price, Harry Bartell and Jeff Corey and again for the August 9, 1953 broadcast starring Paul Frees, Ben Wright and Jay Novello. Actors on the series included Elvia Allman, Eleanor Audley, Parley Baer, Michael Ann Barrett, Tony Barrett, Harry Bartell, Ted Bliss, Lillian Buyeff, Ken Christy, William Conrad, Ted deCorsia, John Dehner, Don Diamond, Paul Dubov, Sam Edwards, Virginia Gregg, Lou Merrill, Howard McNear, Jess Kirkpatrick, B.J. Thompson, Shep Menken, Frank Gerstle, George Neece, Jeanette Nolan, Dan O'Herlihy, Barney Phillips, Forrest Lewis, Robert Griffin, Alan Reed, Bill Johnstone, Sandra Gould, Junius Matthews, Carleton G. Young, Marvin Miller, Frank Lovejoy, Berry Kroeger, Vic Perrin, Elliott Lewis, Eleanore Tanin, Herb Vigran, Jack Webb, Peggy Webber and Will Wright. Music was supplied by Del Castillo, organist Ivan Ditmars, Cy Feuer, Wilbur Hatch and Leith Stevens. The announcers were Paul Frees and Roy Rowan. A television counterpart aired on CBS TV for a few months during 1950. The program's opening announcement—"Tired of the everyday grind?"—was employed as a slogan for the counterculture magazine, New Escapologist.
Escape is an American radio drama. It was radio's leading anthology series of high-adventure radio dramas, airing on CBS from July 7, 1947 to September 25, 1954. Since the program did not have a regular sponsor like Suspense, it was subjected to frequent schedule shifts and lower production budgets, although Richfield Oil signed on as a sponsor for five months in 1950. Despite these problems, Escape enthralled many listeners during its seven-year run. The series' well-remembered opening combined Mussorgsky's Night on Bald Mountain with this introduction, as intoned by William Conrad and later Paul Frees: "Tired of the everyday grind? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you... Escape!" Following the opening theme, a second announcer (usually Roy Rowan) would add: "Escape! Designed to free you from the four walls of today for a half-hour of high adventure!" Adaptations: Of the more than 230 Escape episodes, most have survived in good condition. Many story premises, both originals and adaptations, involved a protagonist in dire life-or-death straits, and the series featured more science fiction and supernatural tales than Suspense. Some of the memorable adaptations include Daphne du Maurier's "The Birds", Carl Stephenson's "Leiningen Versus the Ants", Algernon Blackwood's "Confession", Ray Bradbury's oft-reprinted "Mars Is Heaven", George R. Stewart's Earth Abides (the program's only two-parter), Richard Connell's "The Most Dangerous Game" and F. Scott Fitzgerald's "The Diamond as Big as the Ritz". John Collier's "Evening Primrose", about people who live inside a department store, was later adapted to TV as a Stephen Sondheim musical starring Anthony Perkins. William Conrad, Harry Bartell and Elliott Reid were heard in the chilling "Three Skeleton Key" (broadcast on 15 November 1949), the tale of three men trapped in an isolated lighthouse by thousands of rats; the half-hour was adapted from an Esquire short story by the French writer George Toudouze and later remade for the March 17, 1950 broadcast starring Vincent Price, Harry Bartell and Jeff Corey and again for the August 9, 1953 broadcast starring Paul Frees, Ben Wright and Jay Novello. Actors on the series included Elvia Allman, Eleanor Audley, Parley Baer, Michael Ann Barrett, Tony Barrett, Harry Bartell, Ted Bliss, Lillian Buyeff, Ken Christy, William Conrad, Ted deCorsia, John Dehner, Don Diamond, Paul Dubov, Sam Edwards, Virginia Gregg, Lou Merrill, Howard McNear, Jess Kirkpatrick, B.J. Thompson, Shep Menken, Frank Gerstle, George Neece, Jeanette Nolan, Dan O'Herlihy, Barney Phillips, Forrest Lewis, Robert Griffin, Alan Reed, Bill Johnstone, Sandra Gould, Junius Matthews, Carleton G. Young, Marvin Miller, Frank Lovejoy, Berry Kroeger, Vic Perrin, Elliott Lewis, Eleanore Tanin, Herb Vigran, Jack Webb, Peggy Webber and Will Wright. Music was supplied by Del Castillo, organist Ivan Ditmars, Cy Feuer, Wilbur Hatch and Leith Stevens. The announcers were Paul Frees and Roy Rowan. A television counterpart aired on CBS TV for a few months during 1950. The program's opening announcement—"Tired of the everyday grind?"—was employed as a slogan for the counterculture magazine, New Escapologist.
The OTR Radio Program Halloween-02Escape. March 17, 1950. CBS net. "Three Skeleton Key". Sustaining. The rats return to the lighthouse. The story was previously produced on Escape on November 15, 1949 and subsequently on August 9, 1953. The story was also heard on Suspense on November 11, 1956and October 19, 1958. Radio and Television Life Magazine awarded the sound effects on the previous broadcast of this script, "Best Of The Year.". Paul Frees; Jack Sixsmith (sound effects); William N. Robson (producer, director); James Poe (adaptor); Vincent Price ; Cliff Thorsness (sound effects creator, executioner); George Toudouze (author); Del Castillo (organist); Harry Bartell; Jeff Corey ; Gus Bayz (sound effects); Harry Esman (control engineer)-------The Hall Of Fantasy. February 09, 1953. Mutual net, WGN, Chicago origination. "The Dance Of The Devil Dolls". Commercials deleted. A good story about little voodoo dolls and their evil mistress. There are excellent organ themes and bridges. The program was rebroadcast on October 5, 1953. Richard Thorne (writer).------Inner Sanctum Mysteries. October 27, 1947. CBS net. "Till Death Do Us Part". Bromo Seltzer. Two newlyweds witness a murder; a woman's face is shot away! Running from the gunman, the couple find the dead body back in their tourist cabin! The landlady finds the corpse and the groom winds up killing her! The story has a terrible cop-out ending. The script was previously used on "Inner Sanctum" on October 16, 1945 and subsequently on June 4, 1951 and September 14, 1952. Paul McGrath (host), Everett Sloane, Mercedes McCambridge, Himan Brown (director), Dwight Weist (announcer), Emile Tepperman (writer). The Mercury Summer Theatre. June 21, 1946. CBS net. "The Hitch-Hiker". Pabst Beer. The masterpiece of suspense...a radio classic about a cross-country drive, with destiny along for the ride. Lucille Fletcher (writer), Orson Welles (producer, director, performer), Alice Frost (doubles), Bernard Herrmann (music), Ken Roberts (announcer). 1/2 hour. Audio Condition: Excellent. Complete.-----Lights Out. April 06, 1938. NBC net, Chicago origination. "Cat Wife". Sustaining. The script was used on the program previously. The story was voted by listeners "the best" "Lights Out" story. A man's cat-like wife goes too far. The show features a fine performance by Karloff and an even better one by the "Cat Wife," who receives no billing. Betty Winkler (possibly cast as, "The Cat Wife"); Boris Karloff; Arch Oboler (writer, producer, director);------- Suspense. November 18, 1948. CBS net. "Sorry, Wrong Number". Auto-Lite. An invalid woman battles the frustrations of the telephone system after she overhears a plot to murder someone. The story was previously produced on "Suspense" on May 25, 1943 (see cat. #3681), August 21, 1943, February 24, 1944 and September 6, 1945. The story was subsequently produced on "Suspense" on September 15, 1952, October 20, 1957 and February 14, 1960 . Agnes Moorehead, Lucille Fletcher (writer), Anton M. Leader (producer, director), Eleanor Audley, Ann Morrison, Paul Frees (announcer), Lucien Moraweck (composer), Lud Gluskin (conductor), Harlow Wilcox (commercial spokesman), William Johnstone (commercial spokesman).
Escape is an American radio drama. It was radio's leading anthology series of high-adventure radio dramas, airing on CBS from July 7, 1947 to September 25, 1954. Since the program did not have a regular sponsor like Suspense, it was subjected to frequent schedule shifts and lower production budgets, although Richfield Oil signed on as a sponsor for five months in 1950. Despite these problems, Escape enthralled many listeners during its seven-year run. The series' well-remembered opening combined Mussorgsky's Night on Bald Mountain with this introduction, as intoned by William Conrad and later Paul Frees: "Tired of the everyday grind? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you... Escape!" Following the opening theme, a second announcer (usually Roy Rowan) would add: "Escape! Designed to free you from the four walls of today for a half-hour of high adventure!" Adaptations: Of the more than 230 Escape episodes, most have survived in good condition. Many story premises, both originals and adaptations, involved a protagonist in dire life-or-death straits, and the series featured more science fiction and supernatural tales than Suspense. Some of the memorable adaptations include Daphne du Maurier's "The Birds", Carl Stephenson's "Leiningen Versus the Ants", Algernon Blackwood's "Confession", Ray Bradbury's oft-reprinted "Mars Is Heaven", George R. Stewart's Earth Abides (the program's only two-parter), Richard Connell's "The Most Dangerous Game" and F. Scott Fitzgerald's "The Diamond as Big as the Ritz". John Collier's "Evening Primrose", about people who live inside a department store, was later adapted to TV as a Stephen Sondheim musical starring Anthony Perkins. William Conrad, Harry Bartell and Elliott Reid were heard in the chilling "Three Skeleton Key" (broadcast on 15 November 1949), the tale of three men trapped in an isolated lighthouse by thousands of rats; the half-hour was adapted from an Esquire short story by the French writer George Toudouze and later remade for the March 17, 1950 broadcast starring Vincent Price, Harry Bartell and Jeff Corey and again for the August 9, 1953 broadcast starring Paul Frees, Ben Wright and Jay Novello. Actors on the series included Elvia Allman, Eleanor Audley, Parley Baer, Michael Ann Barrett, Tony Barrett, Harry Bartell, Ted Bliss, Lillian Buyeff, Ken Christy, William Conrad, Ted deCorsia, John Dehner, Don Diamond, Paul Dubov, Sam Edwards, Virginia Gregg, Lou Merrill, Howard McNear, Jess Kirkpatrick, B.J. Thompson, Shep Menken, Frank Gerstle, George Neece, Jeanette Nolan, Dan O'Herlihy, Barney Phillips, Forrest Lewis, Robert Griffin, Alan Reed, Bill Johnstone, Sandra Gould, Junius Matthews, Carleton G. Young, Marvin Miller, Frank Lovejoy, Berry Kroeger, Vic Perrin, Elliott Lewis, Eleanore Tanin, Herb Vigran, Jack Webb, Peggy Webber and Will Wright. Music was supplied by Del Castillo, organist Ivan Ditmars, Cy Feuer, Wilbur Hatch and Leith Stevens. The announcers were Paul Frees and Roy Rowan. A television counterpart aired on CBS TV for a few months during 1950. The program's opening announcement—"Tired of the everyday grind?"—was employed as a slogan for the counterculture magazine, New Escapologist.
Escape is an American radio drama. It was radio's leading anthology series of high-adventure radio dramas, airing on CBS from July 7, 1947 to September 25, 1954. Since the program did not have a regular sponsor like Suspense, it was subjected to frequent schedule shifts and lower production budgets, although Richfield Oil signed on as a sponsor for five months in 1950. Despite these problems, Escape enthralled many listeners during its seven-year run. The series' well-remembered opening combined Mussorgsky's Night on Bald Mountain with this introduction, as intoned by William Conrad and later Paul Frees: "Tired of the everyday grind? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you... Escape!" Following the opening theme, a second announcer (usually Roy Rowan) would add: "Escape! Designed to free you from the four walls of today for a half-hour of high adventure!" Adaptations: Of the more than 230 Escape episodes, most have survived in good condition. Many story premises, both originals and adaptations, involved a protagonist in dire life-or-death straits, and the series featured more science fiction and supernatural tales than Suspense. Some of the memorable adaptations include Daphne du Maurier's "The Birds", Carl Stephenson's "Leiningen Versus the Ants", Algernon Blackwood's "Confession", Ray Bradbury's oft-reprinted "Mars Is Heaven", George R. Stewart's Earth Abides (the program's only two-parter), Richard Connell's "The Most Dangerous Game" and F. Scott Fitzgerald's "The Diamond as Big as the Ritz". John Collier's "Evening Primrose", about people who live inside a department store, was later adapted to TV as a Stephen Sondheim musical starring Anthony Perkins. William Conrad, Harry Bartell and Elliott Reid were heard in the chilling "Three Skeleton Key" (broadcast on 15 November 1949), the tale of three men trapped in an isolated lighthouse by thousands of rats; the half-hour was adapted from an Esquire short story by the French writer George Toudouze and later remade for the March 17, 1950 broadcast starring Vincent Price, Harry Bartell and Jeff Corey and again for the August 9, 1953 broadcast starring Paul Frees, Ben Wright and Jay Novello. Actors on the series included Elvia Allman, Eleanor Audley, Parley Baer, Michael Ann Barrett, Tony Barrett, Harry Bartell, Ted Bliss, Lillian Buyeff, Ken Christy, William Conrad, Ted deCorsia, John Dehner, Don Diamond, Paul Dubov, Sam Edwards, Virginia Gregg, Lou Merrill, Howard McNear, Jess Kirkpatrick, B.J. Thompson, Shep Menken, Frank Gerstle, George Neece, Jeanette Nolan, Dan O'Herlihy, Barney Phillips, Forrest Lewis, Robert Griffin, Alan Reed, Bill Johnstone, Sandra Gould, Junius Matthews, Carleton G. Young, Marvin Miller, Frank Lovejoy, Berry Kroeger, Vic Perrin, Elliott Lewis, Eleanore Tanin, Herb Vigran, Jack Webb, Peggy Webber and Will Wright. Music was supplied by Del Castillo, organist Ivan Ditmars, Cy Feuer, Wilbur Hatch and Leith Stevens. The announcers were Paul Frees and Roy Rowan. A television counterpart aired on CBS TV for a few months during 1950. The program's opening announcement—"Tired of the everyday grind?"—was employed as a slogan for the counterculture magazine, New Escapologist.
His promising career survived an interruption by World War II, only to be brought to a halt by the 1950s red scare. Today's Sci-Fi 5 looks back on the life of legendary actor and director Jeff Corey. Follow Sci-Fi 5 for your daily dose of science-fiction history. Written by Shane Vaughn Hosted by Earl Green Music by Devin Curry
His promising career survived an interruption by World War II, only to be brought to a halt by the 1950s red scare. Today's Sci-Fi 5 looks back on the life of legendary actor and director Jeff Corey. Follow Sci-Fi 5 for your daily dose of science-fiction history. Written by Shane Vaughn Hosted by Earl Green Music by Devin Curry
His promising career survived an interruption by World War II, only to be brought to a halt by the 1950s red scare. Today's Sci-Fi 5 looks back on the life of legendary actor and director Jeff Corey. Follow Sci-Fi 5 for your daily dose of science-fiction history. Written by Shane Vaughn Hosted by Earl Green Music by Devin Curry
Episode 21 aired November 5, 1946 and stars William Conrad and Jeff Corey. Jules Verne's famous science fiction novel of 1865 is dramatized.William Conrad (born John William Cann Jr., September 27, 1920 – February 11, 1994) was an American actor, producer, and director whose entertainment career spanned five decades in radio, film, and television, peaking in popularity when he starred in the detective series Cannon. A radio writer and actor. Jeff Corey (born Arthur Zwerling (August 10, 1914 – August 16, 2002) was an American radio, stage and screen actor who became a well-respected acting teacher after being blacklisted in the 1950s.
"Conqueror's Isle" Author: Nelson Bond, adapted by John Meston Star: Harry Bartell Escape is an American radio drama. It was radio's leading anthology series of high-adventure radio dramas, airing on CBS from July 7, 1947 to September 25, 1954. Since the program did not have a regular sponsor like Suspense, it was subjected to frequent schedule shifts and lower production budgets, although Richfield Oil signed on as a sponsor for five months in 1950. Despite these problems, Escape enthralled many listeners during its seven-year run. The series' well-remembered opening combined Mussorgsky's Night on Bald Mountain with this introduction, as intoned by William Conrad and later Paul Frees: "Tired of the everyday grind? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you... Escape!" Following the opening theme, a second announcer (usually Roy Rowan) would add: "Escape! Designed to free you from the four walls of today for a half-hour of high adventure!" Adaptations: Of the more than 230 Escape episodes, most have survived in good condition. Many story premises, both originals and adaptations, involved a protagonist in dire life-or-death straits, and the series featured more science fiction and supernatural tales than Suspense. Some of the memorable adaptations include Daphne du Maurier's "The Birds", Carl Stephenson's "Leiningen Versus the Ants", Algernon Blackwood's "Confession", Ray Bradbury's oft-reprinted "Mars Is Heaven", George R. Stewart's Earth Abides (the program's only two-parter), Richard Connell's "The Most Dangerous Game" and F. Scott Fitzgerald's "The Diamond as Big as the Ritz". John Collier's "Evening Primrose", about people who live inside a department store, was later adapted to TV as a Stephen Sondheim musical starring Anthony Perkins. William Conrad, Harry Bartell and Elliott Reid were heard in the chilling "Three Skeleton Key" (broadcast on 15 November 1949), the tale of three men trapped in an isolated lighthouse by thousands of rats; the half-hour was adapted from an Esquire short story by the French writer George Toudouze and later remade for the March 17, 1950 broadcast starring Vincent Price, Harry Bartell and Jeff Corey and again for the August 9, 1953 broadcast starring Paul Frees, Ben Wright and Jay Novello. Actors on the series included Elvia Allman, Eleanor Audley, Parley Baer, Michael Ann Barrett, Tony Barrett, Harry Bartell, Ted Bliss, Lillian Buyeff, Ken Christy, William Conrad, Ted deCorsia, John Dehner, Don Diamond, Paul Dubov, Sam Edwards, Virginia Gregg, Lou Merrill, Howard McNear, Jess Kirkpatrick, B.J. Thompson, Shep Menken, Frank Gerstle, George Neece, Jeanette Nolan, Dan O'Herlihy, Barney Phillips, Forrest Lewis, Robert Griffin, Alan Reed, Bill Johnstone, Sandra Gould, Junius Matthews, Carleton G. Young, Marvin Miller, Frank Lovejoy, Berry Kroeger, Vic Perrin, Elliott Lewis, Eleanore Tanin, Herb Vigran, Jack Webb, Peggy Webber and Will Wright. Music was supplied by Del Castillo, organist Ivan Ditmars, Cy Feuer, Wilbur Hatch and Leith Stevens. The announcers were Paul Frees and Roy Rowan. A television counterpart aired on CBS TV for a few months during 1950. The program's opening announcement—"Tired of the everyday grind?"—was employed as a slogan for the counterculture magazine, New Escapologist.
In This EpisodeYou'll hear JCK editor-in-chief Victoria Gomelsky and news director Rob Bates share their post–JCK show takeaways and the interviews they conducted live on the JCK show floor.Show Notes00:30 Rob and Victoria share their takeaways from the JCK show09:30 Victoria interviews Jewelers Mutual Group's chief content executive, Mark Smelzer11:00 Victoria interviews Stuller CEO Matt Stuller13:40 Rob interviews Craig Underwood of Underwoods Fine Jewelers17:00 Rob interviews Feriel Zerouki of De Beers20:18 Rob interviews Steve Coe, CEO of Lightbox Jewelry25:40 Victoria interviews Yuliya Kusher, CEO of Meylor Global29:26 Victoria interviews Manos Phoundoulakis of EZEC31:23 Rob interviews Jeff Corey, former owner of Day's Jewelers, now currently the vice president of marketingEpisode CreditsHosts: Rob Bates and Victoria GomelskyProducer and engineer: Natalie ChometPlugs: jckonline.com, @jckmagazineShow RecapJCK Show TakeawaysVictoria and Rob comment on how amazing the JCK show was this year. Rob says the mood and attendance were really strong and how the jewelry industry has been on a high the past two years. Some people even told Rob it was their best show ever. Others came to the show for the first time—a great reminder of why we have in-person shows. There was some awareness of inflation at the show. Victoria also mentions orange emerging as a hot color in jewelry.Mark SmelzerVictoria interviews Jewelers Mutual Group's chief content executive, Mark Smelzer. Mark used to be the publisher of JCK, and Victoria asks what it's like to be on the other side of the JCK show experience. Mark comments on the overall energy at the show, and that it's great to see sales happening at every booth.Matt StullerMatt Stuller, CEO of Stuller, is excited to be at the show. Victoria comments on how busy the Stuller booth is. Victoria asks about its innovations this year. Victoria loves its permanent bracelet stand. Victoria asks how business has been so far this year, and Matt says business has been very strong. Everyone is cautiously optimistic.Craig UnderwoodRob mentions how Craig Underwood of Underwoods Fine Jewelers has just won the Robert M. Shipley Award, and Craig says they're still on the high from receiving that award. Rob asks what they're seeing at the show so far, and Craig says he's loving the energy. Rob asks if Craig thinks this is going to be a great holiday, and Craig says yes—he's cautiously optimistic.Feriel ZeroukiFeriel Zerouki, who won the Diamonds Do Good Next Gen Award at the show, is the senior vice president of corporate affairs for De Beers. Rob asks about Feriel's involvement with the Responsible Jewellery Council, and Feriel says despite some problems recently, there's also been great progress. Rob asks about the JCK show, and Feriel says it's going well.Steve CoeRob asks Steve Coe, the CEO of Lightbox Jewelry, how things have progressed with Lightbox, which created shock waves in the industry when it first released its lab-grown jewelry line. Steve says 25% of their buyers are repeat customers. Rob notes how Lightbox expects to be using 100% renewable energy by the end of 2022, and Steve says it is making great progress on that. Steve says Lightbox is looking to other carat sizes and other colored diamonds besides pink and blue.Yuliya KusherVictoria interviews Yuliya Kusher, CEO of Meylor Global, the Ukrainian diamond company making lab-grown diamonds. She shows Victoria the largest uncut lab-grown diamond in the world, 150 carats. Victoria asks how the war is impacting their business, but Yuliya says they can't really predict what will happen day to day.Manos PhoundoulakisVictoria interviews her good friend Manos Phoundoulakis about his new company EZEC, which he started with Andrew DeMarco. EZEC stands for Easy Emergency Contact. They claim to be saving lives and streamlining health care through jewelry. Its technological advancements help first responders with an easier way for people to wear medical ID bracelets.Jeff CoreyJeff Corey, vice president of marketing at Day's Jewelers, has been to 30 JCK shows. He was at the original and has been to every show since. He says it's exciting to be here and doing business. He's shopping around, looking at technology, and trying to see what's new and exciting in jewelry. Last year, Day's Jewelers became employee-owned, so they share the profits of the company. Rob ask how business has been this year, and Jeff says it's been excellent.
Escape is an American radio drama. It was radio's leading anthology series of high-adventure radio dramas, airing on CBS from July 7, 1947 to September 25, 1954. Since the program did not have a regular sponsor like Suspense, it was subjected to frequent schedule shifts and lower production budgets, although Richfield Oil signed on as a sponsor for five months in 1950. Despite these problems, Escape enthralled many listeners during its seven-year run. The series' well-remembered opening combined Mussorgsky's Night on Bald Mountain with this introduction, as intoned by William Conrad and later Paul Frees: "Tired of the everyday grind? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you... Escape!" Following the opening theme, a second announcer (usually Roy Rowan) would add: "Escape! Designed to free you from the four walls of today for a half-hour of high adventure!" Adaptations: Of the more than 230 Escape episodes, most have survived in good condition. Many story premises, both originals and adaptations, involved a protagonist in dire life-or-death straits, and the series featured more science fiction and supernatural tales than Suspense. Some of the memorable adaptations include Daphne du Maurier's "The Birds", Carl Stephenson's "Leiningen Versus the Ants", Algernon Blackwood's "Confession", Ray Bradbury's oft-reprinted "Mars Is Heaven", George R. Stewart's Earth Abides (the program's only two-parter), Richard Connell's "The Most Dangerous Game" and F. Scott Fitzgerald's "The Diamond as Big as the Ritz". John Collier's "Evening Primrose", about people who live inside a department store, was later adapted to TV as a Stephen Sondheim musical starring Anthony Perkins. William Conrad, Harry Bartell and Elliott Reid were heard in the chilling "Three Skeleton Key" (broadcast on 15 November 1949), the tale of three men trapped in an isolated lighthouse by thousands of rats; the half-hour was adapted from an Esquire short story by the French writer George Toudouze and later remade for the March 17, 1950 broadcast starring Vincent Price, Harry Bartell and Jeff Corey and again for the August 9, 1953 broadcast starring Paul Frees, Ben Wright and Jay Novello. Actors on the series included Elvia Allman, Eleanor Audley, Parley Baer, Michael Ann Barrett, Tony Barrett, Harry Bartell, Ted Bliss, Lillian Buyeff, Ken Christy, William Conrad, Ted deCorsia, John Dehner, Don Diamond, Paul Dubov, Sam Edwards, Virginia Gregg, Lou Merrill, Howard McNear, Jess Kirkpatrick, B.J. Thompson, Shep Menken, Frank Gerstle, George Neece, Jeanette Nolan, Dan O'Herlihy, Barney Phillips, Forrest Lewis, Robert Griffin, Alan Reed, Bill Johnstone, Sandra Gould, Junius Matthews, Carleton G. Young, Marvin Miller, Frank Lovejoy, Berry Kroeger, Vic Perrin, Elliott Lewis, Eleanore Tanin, Herb Vigran, Jack Webb, Peggy Webber and Will Wright. Music was supplied by Del Castillo, organist Ivan Ditmars, Cy Feuer, Wilbur Hatch and Leith Stevens. The announcers were Paul Frees and Roy Rowan. A television counterpart aired on CBS TV for a few months during 1950. The program's opening announcement—"Tired of the everyday grind?"—was employed as a slogan for the counterculture magazine, New Escapologist.
Stars - Frank Lovejoy, Joan Banks, Colleen Collins, Jeff Corey, Martha Wentworth & Will Wright Randy Stone fishes Wanda Rhodes out of the river. She had been receiving unsigned notes, all of which say, "I Know Your Secret!" Randy Stone has been driving around Chicagolooking for a story for his column in the Chicago Star, but with no success. He decides to drive back to the paperAs he pulls in to park his car he sees a young woman standing on the bridge. As he opens his door to get outshe jumps into the icy river. Randy runs over and dives inafter her and the mystery begins.
Frank Lovejoy stars as newspaper reporter Randy Stone. Stone meets a man in the park on a very hot day. He is wearing a heavy overcoat! Mr. Henry Kazarian claims to be dead, and a doctor confirms it. Jeff Corey (photo) in supporting cast. Corey (born Arthur Zwerling, August 10, 1914 – August 16, 2002) was an American stage and screen actor and director who became a well-respected acting teacher after being blacklisted. Ben Wright as Papa Kazarian...Ben Wright was an English actor and voice actor, who voiced Roger Radcliffe in One Hundred and One Dalmatians , Rama in The Jungle Book, "Heyboy" on radio's Have Gun Will Travel and Grimsby in The Little Mermaid . He also appeared in Way Down Cellar as Ethan Marcus as part of Walt Disney's Wonderful World of Color.
During the family's busy weekend activities, a door-to-door salesman (Jeff Corey) drops dead in the Conner kitchen. Roseanne and Dan attempt to conceal the corpse while potential buyers for their old washer and dryer pass through the house. The police officer responding to their emergency call helps Darlene make baklava for a school project while awaiting the coroner.
“The difference between stage and screen acting is vast, but it's the same root. It's just some of the techniques are very different. I really know theater because that's where I started. I went at it in a very haphazard way. I had a very haphazard approach. It was not orderly at all. I didn't go to a proper school or anything like that. After fooling around in Europe for almost a couple of years, just because I'd gotten out of the army...and didn't really know what to do or how to do it. And so I just went and while there I did some acting, but nothing very remarkable except doing a nightclub with William Burroughs. That was great fun. I did a little bit of studying here or there...Jeff Corey (and at one class in New York) someone said something that helped me a great deal. And then I just learned by doing it.”Harris Yulin has appeared on Broadway in Hedda Gabler, The Price, The Diary of Anne Frank, The Visit, A Lesson From Aloes, and Watch On The Rhine. His off-Broadway credits include Raindance at Signature Theatre; Don Juan In Hell at Symphony Space; Steve Tesich's Arts And Leisure at Playwrights Horizons; Tina Howe's Approaching Zanzibar at Second Stage; Hamlet, King John, Richard III, and A Midsummer Night's Dream at New York Shakespeare Festival; and Mrs. Warren's Profession and Hedda Gabler at Roundabout. Regional credits include Finishing the Picture at Goodman Theatre; a recent appearance in the title role of King Lear at New Jersey Shakespeare Festival; The Talking Cure at Mark Taper Forum; Tartuffe at the Guthrie and Arena Stage; Henry V at Hartford Stage; and The Tempest at Shakespeare & Co. Mr. Yulin's directing credits include Horton Foote's The Prisoner's Song at Ensemble Studio Theatre; Conor McPherson's This Lime Tree Bower at Primary Stages; Don Juan In Hell in London (Riverside Studios) and in New York (Symphony Space), Steve Tesich's Baba Goya (Second Stage), Adele Shank's Winter Play at Second Stage; Candida at the Shaw Festival; and The Front Page and The Guardsman at Long Wharf. His television credits include “Muhammad Ali's Greatest Fight,” “Mister Sterling,” “24,” “Buffy The Vampire Slayer,” “Frasier” (Emmy Nomination), and “La Femme Nikita” (Emmy Nomination). His film credits include Fur, The Place Beyond the Pines, The Emperor's Club, Training Day, The Million Dollar Hotel, The Hurricane, Looking for Richard, Murder at 1600, Multiplicity, Clear and Present Danger, and Scarface.· www.imdb.com/name/nm0950867/?ref_=fn_al_nm_1 · www.creativeprocess.info
“The difference between stage and screen acting is vast, but it's the same root. It's just some of the techniques are very different. I really know theater because that's where I started. I went at it in a very haphazard way. I had a very haphazard approach. It was not orderly at all. I didn't go to a proper school or anything like that. After fooling around in Europe for almost a couple of years, just because I'd gotten out of the army...and didn't really know what to do or how to do it. And so I just went and while there I did some acting, but nothing very remarkable except doing a nightclub with William Burroughs. That was great fun. I did a little bit of studying here or there...Jeff Corey (and at one class in New York) someone said something that helped me a great deal. And then I just learned by doing it.”Harris Yulin has appeared on Broadway in Hedda Gabler, The Price, The Diary of Anne Frank, The Visit, A Lesson From Aloes, and Watch On The Rhine. His off-Broadway credits include Raindance at Signature Theatre; Don Juan In Hell at Symphony Space; Steve Tesich's Arts And Leisure at Playwrights Horizons; Tina Howe's Approaching Zanzibar at Second Stage; Hamlet, King John, Richard III, and A Midsummer Night's Dream at New York Shakespeare Festival; and Mrs. Warren's Profession and Hedda Gabler at Roundabout. Regional credits include Finishing the Picture at Goodman Theatre; a recent appearance in the title role of King Lear at New Jersey Shakespeare Festival; The Talking Cure at Mark Taper Forum; Tartuffe at the Guthrie and Arena Stage; Henry V at Hartford Stage; and The Tempest at Shakespeare & Co. Mr. Yulin's directing credits include Horton Foote's The Prisoner's Song at Ensemble Studio Theatre; Conor McPherson's This Lime Tree Bower at Primary Stages; Don Juan In Hell in London (Riverside Studios) and in New York (Symphony Space), Steve Tesich's Baba Goya (Second Stage), Adele Shank's Winter Play at Second Stage; Candida at the Shaw Festival; and The Front Page and The Guardsman at Long Wharf. His television credits include “Muhammad Ali's Greatest Fight,” “Mister Sterling,” “24,” “Buffy The Vampire Slayer,” “Frasier” (Emmy Nomination), and “La Femme Nikita” (Emmy Nomination). His film credits include Fur, The Place Beyond the Pines, The Emperor's Club, Training Day, The Million Dollar Hotel, The Hurricane, Looking for Richard, Murder at 1600, Multiplicity, Clear and Present Danger, and Scarface.· www.imdb.com/name/nm0950867/?ref_=fn_al_nm_1 · www.creativeprocess.info
“The difference between stage and screen acting is vast, but it's the same root. It's just some of the techniques are very different. I really know theater because that's where I started. I went at it in a very haphazard way. I had a very haphazard approach. It was not orderly at all. I didn't go to a proper school or anything like that. After fooling around in Europe for almost a couple of years, just because I'd gotten out of the army...and didn't really know what to do or how to do it. And so I just went and while there I did some acting, but nothing very remarkable except doing a nightclub with William Burroughs. That was great fun. I did a little bit of studying here or there...Jeff Corey (and at one class in New York) someone said something that helped me a great deal. And then I just learned by doing it.”Harris Yulin has appeared on Broadway in Hedda Gabler, The Price, The Diary of Anne Frank, The Visit, A Lesson From Aloes, and Watch On The Rhine. His off-Broadway credits include Raindance at Signature Theatre; Don Juan In Hell at Symphony Space; Steve Tesich's Arts And Leisure at Playwrights Horizons; Tina Howe's Approaching Zanzibar at Second Stage; Hamlet, King John, Richard III, and A Midsummer Night's Dream at New York Shakespeare Festival; and Mrs. Warren's Profession and Hedda Gabler at Roundabout. Regional credits include Finishing the Picture at Goodman Theatre; a recent appearance in the title role of King Lear at New Jersey Shakespeare Festival; The Talking Cure at Mark Taper Forum; Tartuffe at the Guthrie and Arena Stage; Henry V at Hartford Stage; and The Tempest at Shakespeare & Co. Mr. Yulin's directing credits include Horton Foote's The Prisoner's Song at Ensemble Studio Theatre; Conor McPherson's This Lime Tree Bower at Primary Stages; Don Juan In Hell in London (Riverside Studios) and in New York (Symphony Space), Steve Tesich's Baba Goya (Second Stage), Adele Shank's Winter Play at Second Stage; Candida at the Shaw Festival; and The Front Page and The Guardsman at Long Wharf. His television credits include “Muhammad Ali's Greatest Fight,” “Mister Sterling,” “24,” “Buffy The Vampire Slayer,” “Frasier” (Emmy Nomination), and “La Femme Nikita” (Emmy Nomination). His film credits include Fur, The Place Beyond the Pines, The Emperor's Club, Training Day, The Million Dollar Hotel, The Hurricane, Looking for Richard, Murder at 1600, Multiplicity, Clear and Present Danger, and Scarface.· www.imdb.com/name/nm0950867/?ref_=fn_al_nm_1 · www.creativeprocess.info
“The difference between stage and screen acting is vast, but it's the same root. It's just some of the techniques are very different. I really know theater because that's where I started. I went at it in a very haphazard way. I had a very haphazard approach. It was not orderly at all. I didn't go to a proper school or anything like that. After fooling around in Europe for almost a couple of years, just because I'd gotten out of the army...and didn't really know what to do or how to do it. And so I just went and while there I did some acting, but nothing very remarkable except doing a nightclub with William Burroughs. That was great fun. I did a little bit of studying here or there...Jeff Corey (and at one class in New York) someone said something that helped me a great deal. And then I just learned by doing it.”Harris Yulin has appeared on Broadway in Hedda Gabler, The Price, The Diary of Anne Frank, The Visit, A Lesson From Aloes, and Watch On The Rhine. His off-Broadway credits include Raindance at Signature Theatre; Don Juan In Hell at Symphony Space; Steve Tesich's Arts And Leisure at Playwrights Horizons; Tina Howe's Approaching Zanzibar at Second Stage; Hamlet, King John, Richard III, and A Midsummer Night's Dream at New York Shakespeare Festival; and Mrs. Warren's Profession and Hedda Gabler at Roundabout. Regional credits include Finishing the Picture at Goodman Theatre; a recent appearance in the title role of King Lear at New Jersey Shakespeare Festival; The Talking Cure at Mark Taper Forum; Tartuffe at the Guthrie and Arena Stage; Henry V at Hartford Stage; and The Tempest at Shakespeare & Co. Mr. Yulin's directing credits include Horton Foote's The Prisoner's Song at Ensemble Studio Theatre; Conor McPherson's This Lime Tree Bower at Primary Stages; Don Juan In Hell in London (Riverside Studios) and in New York (Symphony Space), Steve Tesich's Baba Goya (Second Stage), Adele Shank's Winter Play at Second Stage; Candida at the Shaw Festival; and The Front Page and The Guardsman at Long Wharf. His television credits include “Muhammad Ali's Greatest Fight,” “Mister Sterling,” “24,” “Buffy The Vampire Slayer,” “Frasier” (Emmy Nomination), and “La Femme Nikita” (Emmy Nomination). His film credits include Fur, The Place Beyond the Pines, The Emperor's Club, Training Day, The Million Dollar Hotel, The Hurricane, Looking for Richard, Murder at 1600, Multiplicity, Clear and Present Danger, and Scarface.· www.imdb.com/name/nm0950867/?ref_=fn_al_nm_1 · www.creativeprocess.info
In April, 1947 the New York Times announced that the summer replacement for Bob Hope would be a new adventure-mystery series, The Adventures of Philip Marlowe. Airing on NBC at 10:00 p.m. on June 17th, the show starred Van Heflin with a script by Milton Geiger based on the stories of Raymond Chandler. Most radio shows had live audiences in the studio. The Philip Marlowe producers decided against the common practice because they thought audiences might detract from the show. However 19 of Los Angeles' top detectives were in the studio during the airing of the first show. No one knows what the detectives thought of the production, but according to the New York Times review, Van Heflin did well but struggled with an awkward script. The reviewer thought the show depended too much on straight narration at dramatic moments instead of action or dialog. "Leaving ones play in the wings, as they say on Broadway, always makes for disconcerting theatre, and this was painfully true in the case of The Adventures of Philip Marlowe." Raymond Chandler wasn't enthralled by the show either. In a letter to Erle Stanley Gardner, author of the Perry Mason novels, Mr. Chandler said "It was thoroughly flat." This initial run of Philip Marlowe went from June 17 to September 19, 1947, with Pepsodent as the sponsor. The announcer was Wendell Niles, music was by Lyn Murray, and the producer was Jim Fonda. After the summer run ended, NBC dropped the show. As far as we know, only four episodes of this series have survived. The character of Philip Marlowe was too good to stay off stage for long though. A year later CBS decided to take a chance on reviving the show. Norman Macdonnell was producer/director; Gene Levitt, Robert Mitchell, Mel Dinelli, and Kathleen Hite wrote the scripts; and Richard Aurandt was responsible for the music. CBS cast Gerald Mohr to star as Philip Marlowe, with Roy Rowan as announcer. Philip Marlowe, being a loner, was really the only regular character, but throughout the three years the series ran a long string of high-quality supporting Hollywood actors appeared on the show. Performing alongside Mohr at various times were Jeff Corey, Howard McNear, Parley Baer, Lawrence Dobkin, Virginia Gregg, Gloria Blondell, and Lou Krugman. The CBS production ran from September 26, 1948 to September 29, 1950 with an additional short summer run from July 7 to September 15, 1951. This revival of Philip Marlowe was more favorably received, probably because of a combination of writing and acting. No one could duplicate the writing of Raymond Chandler, but this group of writers was very good. While Chandler's distinctive similes were largely lacking, the strong dry, sarcastic narration was there, and the way Gerald Mohr delivered the lines had a way of making you forget that they weren't written by Chandler. Mr. Mohr seemed born for the part of the cynical detective. His voice and timing were perfect for the character. In a letter to Gene Levitt, one of the show's writers, Raymond Chandler commented that a voice like Gerald Mohr's at least packed personality; a decided an improvement over his opinion of the original show. By 1949 the show had the largest audience in radio. Learn more about your ad choices. Visit podcastchoices.com/adchoices
In April, 1947 the New York Times announced that the summer replacement for Bob Hope would be a new adventure-mystery series, The Adventures of Philip Marlowe. Airing on NBC at 10:00 p.m. on June 17th, the show starred Van Heflin with a script by Milton Geiger based on the stories of Raymond Chandler. Most radio shows had live audiences in the studio. The Philip Marlowe producers decided against the common practice because they thought audiences might detract from the show. However 19 of Los Angeles' top detectives were in the studio during the airing of the first show. No one knows what the detectives thought of the production, but according to the New York Times review, Van Heflin did well but struggled with an awkward script. The reviewer thought the show depended too much on straight narration at dramatic moments instead of action or dialog. "Leaving ones play in the wings, as they say on Broadway, always makes for disconcerting theatre, and this was painfully true in the case of The Adventures of Philip Marlowe." Raymond Chandler wasn't enthralled by the show either. In a letter to Erle Stanley Gardner, author of the Perry Mason novels, Mr. Chandler said "It was thoroughly flat." This initial run of Philip Marlowe went from June 17 to September 19, 1947, with Pepsodent as the sponsor. The announcer was Wendell Niles, music was by Lyn Murray, and the producer was Jim Fonda. After the summer run ended, NBC dropped the show. As far as we know, only four episodes of this series have survived. The character of Philip Marlowe was too good to stay off stage for long though. A year later CBS decided to take a chance on reviving the show. Norman Macdonnell was producer/director; Gene Levitt, Robert Mitchell, Mel Dinelli, and Kathleen Hite wrote the scripts; and Richard Aurandt was responsible for the music. CBS cast Gerald Mohr to star as Philip Marlowe, with Roy Rowan as announcer. Philip Marlowe, being a loner, was really the only regular character, but throughout the three years the series ran a long string of high-quality supporting Hollywood actors appeared on the show. Performing alongside Mohr at various times were Jeff Corey, Howard McNear, Parley Baer, Lawrence Dobkin, Virginia Gregg, Gloria Blondell, and Lou Krugman. The CBS production ran from September 26, 1948 to September 29, 1950 with an additional short summer run from July 7 to September 15, 1951. This revival of Philip Marlowe was more favorably received, probably because of a combination of writing and acting. No one could duplicate the writing of Raymond Chandler, but this group of writers was very good. While Chandler's distinctive similes were largely lacking, the strong dry, sarcastic narration was there, and the way Gerald Mohr delivered the lines had a way of making you forget that they weren't written by Chandler. Mr. Mohr seemed born for the part of the cynical detective. His voice and timing were perfect for the character. In a letter to Gene Levitt, one of the show's writers, Raymond Chandler commented that a voice like Gerald Mohr's at least packed personality; a decided an improvement over his opinion of the original show. By 1949 the show had the largest audience in radio.I Learn more about your ad choices. Visit podcastchoices.com/adchoices
País Estados Unidos Dirección George Roy Hill Guion William Goldman Música Burt Bacharach Fotografía Conrad L. Hall Reparto Robert Redford, Paul Newman, Katharine Ross, Strother Martin, Jeff Corey, Henry Jones, Cloris Leachman, Ted Cassidy, Kenneth Mars Sinopsis Un grupo de jóvenes pistoleros se dedica a asaltar los bancos del estado de Wyoming y el tren-correo de la Union Pacific. El jefe de la banda es el carismático Butch Cassidy (Newman), y Sundance Kid (Redford) es su inseparable compañero. Un día, después de un atraco, el grupo se disuelve. Será entonces cuando Butch, Sundance y una joven maestra de Denver (Ross) formen un trío de románticos forajidos que, huyendo de la ley, llegan hasta Bolivia.
n April, 1947 the New York Times announced that the summer replacement for Bob Hope would be a new adventure-mystery series, The Adventures of Philip Marlowe. Airing on NBC at 10:00 p.m. on June 17th, the show starred Van Heflin with a script by Milton Geiger based on the stories of Raymond Chandler. Most radio shows had live audiences in the studio. The Philip Marlowe producers decided against the common practice because they thought audiences might detract from the show. However 19 of Los Angeles' top detectives were in the studio during the airing of the first show. No one knows what the detectives thought of the production, but according to the New York Times review, Van Heflin did well but struggled with an awkward script. The reviewer thought the show depended too much on straight narration at dramatic moments instead of action or dialog. "Leaving ones play in the wings, as they say on Broadway, always makes for disconcerting theatre, and this was painfully true in the case of The Adventures of Philip Marlowe." Raymond Chandler wasn't enthralled by the show either. In a letter to Erle Stanley Gardner, author of the Perry Mason novels, Mr. Chandler said "It was thoroughly flat." This initial run of Philip Marlowe went from June 17 to September 19, 1947, with Pepsodent as the sponsor. The announcer was Wendell Niles, music was by Lyn Murray, and the producer was Jim Fonda. After the summer run ended, NBC dropped the show. As far as we know, only four episodes of this series have survived. The character of Philip Marlowe was too good to stay off stage for long though. A year later CBS decided to take a chance on reviving the show. Norman Macdonnell was producer/director; Gene Levitt, Robert Mitchell, Mel Dinelli, and Kathleen Hite wrote the scripts; and Richard Aurandt was responsible for the music. CBS cast Gerald Mohr to star as Philip Marlowe, with Roy Rowan as announcer. Philip Marlowe, being a loner, was really the only regular character, but throughout the three years the series ran a long string of high-quality supporting Hollywood actors appeared on the show. Performing alongside Mohr at various times were Jeff Corey, Howard McNear, Parley Baer, Lawrence Dobkin, Virginia Gregg, Gloria Blondell, and Lou Krugman. The CBS production ran from September 26, 1948 to September 29, 1950 with an additional short summer run from July 7 to September 15, 1951. This revival of Philip Marlowe was more favorably received, probably because of a combination of writing and acting. No one could duplicate the writing of Raymond Chandler, but this group of writers was very good. While Chandler's distinctive similes were largely lacking, the strong dry, sarcastic narration was there, and the way Gerald Mohr delivered the lines had a way of making you forget that they weren't written by Chandler. Mr. Mohr seemed born for the part of the cynical detective. His voice and timing were perfect for the character. In a letter to Gene Levitt, one of the show's writers, Raymond Chandler commented that a voice like Gerald Mohr's at least packed personality; a decided an improvement over his opinion of the original show. By 1949 the show had the largest audience in radio. Learn more about your ad choices. Visit podcastchoices.com/adchoices
I.n April, 1947 the New York Times announced that the summer replacement for Bob Hope would be a new adventure-mystery series, The Adventures of Philip Marlowe. Airing on NBC at 10:00 p.m. on June 17th, the show starred Van Heflin with a script by Milton Geiger based on the stories of Raymond Chandler. Most radio shows had live audiences in the studio. The Philip Marlowe producers decided against the common practice because they thought audiences might detract from the show. However 19 of Los Angeles' top detectives were in the studio during the airing of the first show. No one knows what the detectives thought of the production, but according to the New York Times review, Van Heflin did well but struggled with an awkward script. The reviewer thought the show depended too much on straight narration at dramatic moments instead of action or dialog. "Leaving ones play in the wings, as they say on Broadway, always makes for disconcerting theatre, and this was painfully true in the case of The Adventures of Philip Marlowe." Raymond Chandler wasn't enthralled by the show either. In a letter to Erle Stanley Gardner, author of the Perry Mason novels, Mr. Chandler said "It was thoroughly flat." This initial run of Philip Marlowe went from June 17 to September 19, 1947, with Pepsodent as the sponsor. The announcer was Wendell Niles, music was by Lyn Murray, and the producer was Jim Fonda. After the summer run ended, NBC dropped the show. As far as we know, only four episodes of this series have survived. The character of Philip Marlowe was too good to stay off stage for long though. A year later CBS decided to take a chance on reviving the show. Norman Macdonnell was producer/director; Gene Levitt, Robert Mitchell, Mel Dinelli, and Kathleen Hite wrote the scripts; and Richard Aurandt was responsible for the music. CBS cast Gerald Mohr to star as Philip Marlowe, with Roy Rowan as announcer. Philip Marlowe, being a loner, was really the only regular character, but throughout the three years the series ran a long string of high-quality supporting Hollywood actors appeared on the show. Performing alongside Mohr at various times were Jeff Corey, Howard McNear, Parley Baer, Lawrence Dobkin, Virginia Gregg, Gloria Blondell, and Lou Krugman. The CBS production ran from September 26, 1948 to September 29, 1950 with an additional short summer run from July 7 to September 15, 1951. This revival of Philip Marlowe was more favorably received, probably because of a combination of writing and acting. No one could duplicate the writing of Raymond Chandler, but this group of writers was very good. While Chandler's distinctive similes were largely lacking, the strong dry, sarcastic narration was there, and the way Gerald Mohr delivered the lines had a way of making you forget that they weren't written by Chandler. Mr. Mohr seemed born for the part of the cynical detective. His voice and timing were perfect for the character. In a letter to Gene Levitt, one of the show's writers, Raymond Chandler commented that a voice like Gerald Mohr's at least packed personality; a decided an improvement over his opinion of the original show. By 1949 the show had the largest audience in radio. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Corey Rae (@ImCoreyRae) and host Jeff Perla (@thetravelinbum) share their experiences dating around. Are you a serial killer if you go on a weekend date? Do you know what you want in a relationship? Is it ok to compare new and old relationships? This conversation is a great representation of what it's like to be in my head. Aka unedited and all over the place. Grab a glass of wine and keep up with us on this episode of Behind the Bum! You can follow Corey Here --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/behindthebum/support
“Since when did you start wearing underpants?” Hard as it may be to believe now, but there was a time when audiences were happy to see Mel Gibson as the lead in a light-hearted romantic action comedy. So, on this show, Will is joined by Nick Rehak from French Toast Sunday to review BIRD ON A WIRE (1990), a film that was made at a more innocent time for Mel the Mullet. They also take a look at the film’s unique exploding helicopter action. Show notes Director: John Badham Cast: Mel Gibson, Goldie Hawn, Stephen Tobolowsky, Bill Duke, David Carradine, Jeff Corey Plot: Rick Jarmin is put in witness protection after he helps the FBI bust drug dealer Eugene Sorenson. Fifteen years later, he is living with a new identity as a gas station attendant when his old flame Marianne stops at the garage and recognizes him, blowing his cover. The recently released Sorenson finds out, and both Jarmin and Marianne have to flee across country with the vengeful Sorenson in hot pursuit. Episode 104
A bored salesman spending the night in a lonely hotel room decides to take a few moments to read some passages from the Gideon Bible in his nightstand. This small decision results in major complications including robbery, murder, pursuit and even death -- all taking place in and around New Orleans during Mardi Gras. Sam Pierce is very good as Mr Cumming, the average man caught in an extraordinary circumstance. Who are the people trying to kill him. And why? Mark this episode as a top-notch thriller, much in the style of a classic Hitchcock film. Well worth a listen! Featuring: Sam Pierce, Nannette Boardman, Ben Wright, Joseph Kearns, Jeff Corey, Mary Shipp, Wally Maher, Lou Krugman Original Air Date: August 30, 1951 on CBS To hear more of the best old time radio programs, visit our website: https://bestoldtimeradio.com Contact: Bob@bestoldtimeradio.com
Paula Robison is a flutist who is a great artist. Born on a Sunday in Nashville to an extraordinary family of actors, writers, dancers, and musicians, she grew up in Los Angeles not only playing the flute, but studying dance with Bella Lewitzky and theater with Jeff Corey. When she was twelve years old, music claimed her heart and she knew she wanted to be a flutist. At seventeen she was off to the Juilliard School to study flute with Julius Baker, the principal flutist of the New York Philharmonic, but it was during her time in New York that she learned that the great French flutist Marcel Moyse would travel to the city to teach periodically. His singing approach, honesty, and metaphorical and animated way of teaching set Paula on fire and began an important period of mentoring. Her time with Marcel propelled her to great achievement such as winning the First Prize at the Geneva International Competition in 1966, the first American to receive this honor. Her long, lively, and continuing career includes countless recordings, commissions, awards, and devoted students and mentees of her own –all of them flavored with that trademark joie de vivre-something she shared with her mentor Marcel Moyse. MUSIC:George Frederic Handel, Flute Sonata in F Major, Op. 1, No. 11, HWV 369: Allegro (Paula Robison-flute, Timothy Eddy-cello, Kenneth Cooper-harpsichord)Wolfgang Amadeus Mozart, Flute Concerto No.1 in G major, K.313, Allegro maestoso, (Paula Robison-flute) Apanhei-Te, Cavaquinho! (Paula Robison-flute, and Romero Lubambo, Tiberio Nascimento, Sergio Brandão, Stanley Silverman, Cyro Baptista)Robert Beaser, Cindy, from Mountain Songs for flute and guitar (Paula Robison-flute, Elliot Fisk-guitar)Robert Beaser, Quicksilver, from Mountain Songs for flute and guitar Ol' Man River, Paul RobesonWade in the Water, Fisk Jubilee SingersRobert Beaser, Barbara Allen, from Mountain Songs for flute and guitarBenjamin Godard, "Valse" from Suite De Trois Morceaux, Op. 116 (Paula Robison-flute)Astor Piazolla, "L'Histoire du Tango": Nightclub 1960 (Paula Robison-flute, Elliot Fisk-guitar)Wolfgang Amadeus Mozart, "Voi che sapete", from The Marriage of Figaro, K. 492 arranged for flute and string quartet by Nicholas Kitchen (Paula Robison-flute, and the Borromeo String Quartet)Wolfgang Amadeus Mozart, Flute Concerto No.2 in D major, K.314, Allegro aperto (Marcel Moyse-flute)P.O. Ferroud - Bergere Captive from Trois pièces pour flûte seule (Marcel Moyse-flute)Albert Hammond - It never rains in Southern CaliforniaCamille Saint-Saëns, The Swan, Carnival of the Animals, (Marcel Moyse-flute, Louis Moyse-piano)Camille Saint-Saëns "Voliere" from Carnival of the Animals (Paula Robison-flute with The Chamber Music Society of Lincoln Center Giuseppe Verdi, Il Trovatore, (Marcel Moyse-flute, Louis Moyse-piano)J.S. Bach Trio Sonata in G major Moyse Trio, BWV 1038, Largo (Marcel Moyse-flute, Blance Moyse-violin, Louis Moyse-piano)Rosemary Clooney and Vera Ellen, "Sisters" from White ChristmasTheobald Boehm, Variations sur un Air Tyrolien (Marcel Moyse-flute, Louis Moyse, piano)Claude Debussy, Syrinx (Paula Robison-flute)Georges Hüe, Fantasie (Marcel Moyse-flute, Georges Truc)Jean-Louis Tulou, Air Ecossais (Marcel Moyse-flute, Blance Moyse-violin, Louis Moyse-piano)Claude Debussy, "Prélude à l'aprés-midi d'un faune" (Paula Robison-flute)J.S. Bach BWV 244-58 Aus Liebe will mein Heiland sterben, BWV 244, from the Saint Matthew Passion, Herbert Karajan conductingSupport the show (https://www.patreon.com/user?u=42335511)
Best Old Time Radio Podcast with Bob Bro January 19, 2021 - OTR Dramas Escape! - "Evening Primrose" A poet becomes disgruntled with the world and decides to start a new life by secretly hiding out in a department store where he feels all of his needs will be met. Soon, however, he discovers a secret society of people who apparently have followed the same path. Each night his new neighbors all wake up to live their lives without the intrusion of the outside world. Soon, however, the young man falls in love with the yount maid of their leader -- which leads to trouble. Fun story that has been done many times in different mediums. Featuring: William Conrad, Constance Cavendish, Harry Bartell, Lillian Buyeff, Jeff Corey, Kay Miller, Irene Tedrow Original Air Date: September 12, 1948 on CBS To hear more of the best old time radio programs, visit our website: https://bestoldtimeradio.com Contact: Bob@bestoldtimeradio.com
Best Old Time Radio Podcast with Bob Bro January 19, 2021 - OTR Dramas Escape! - "Evening Primrose" A poet becomes disgruntled with the world and decides to start a new life by secretly hiding out in a department store where he feels all of his needs will be met. Soon, however, he discovers a secret society of people who apparently have followed the same path. Each night his new neighbors all wake up to live their lives without the intrusion of the outside world. Soon, however, the young man falls in love with the yount maid of their leader -- which leads to trouble. Fun story that has been done many times in different mediums. Featuring: William Conrad, Constance Cavendish, Harry Bartell, Lillian Buyeff, Jeff Corey, Kay Miller, Irene Tedrow Original Air Date: September 12, 1948 on CBS To hear more of the best old time radio programs, visit our website: https://bestoldtimeradio.com Contact: Bob@bestoldtimeradio.com
In Episode 39, Tom reads from Chapter 2 of IMPROVISING OUT LOUD, MY LIFE TEACHING HOLLYWOOD HOW TO ACT, by Jeff Corey and Emily Corey. A great book, with Tom indulging in the voices of many Hollywood icons, so stick around! --- Send in a voice message: https://anchor.fm/tomreadsyourstory/message
Sears Radio Theater was a radio drama anthology series which ran weeknightly on CBS Radio in 1979, sponsored by the Sears chain. Often paired with The CBS Radio Mystery Theater during its first season, the program offered a different genre of drama for each day's broadcast. In 1980, the program moved to the Mutual Broadcasting System and became the Mutual Radio Theater. The Mutual series broadcast repeats from the CBS run until September 1980, when a short season of new dramas was presented. Sears continued as a sponsor during the Mutual run. Monday was "Western Night" and was hosted by Lorne Greene. Tuesday was "Comedy Night", hosted by Andy Griffith. Wednesday was "Mystery Night" with Vincent Price as host. Thursday was "Love And Hate Night" with Cicely Tyson doing honors as host. Finally, Friday brought "Adventure Night", first hosted by Richard Widmark and later by Howard Duff and then by Leonard Nimoy. Actors heard on the series included Parley Baer, Mary Jane Croft, Howard Culver, John Dehner, Virginia Gregg, Janet Waldo, Vic Perrin, Hans Conried, Marvin Miller, Elliot Lewis, Jeff Corey, Lesley Woods, Robert Rockwell, Lurene Tuttle, Eve Arden, Keith Andes, Harriet Nelson, Alan Young, Tom Bosley, Marion Ross, Lloyd Bochner, Rick Jason, Frank Campanella, Toni Tennille, Arthur Hill, Dan O'Herlihy, Jesse White and Frank Nelson. It was produced and directed by Fletcher Markle and Elliott Lewis. The theme was composed and conducted by Nelson Riddle. Though less long-lived than NPR's Earplay or the Mystery Theater, it was an ambitious attempt to reinvigorate a neglected field. Like Earplay, it was broadcast in stereo.
Sears Radio Theater was a radio drama anthology series which ran weeknights on CBS Radio in 1979, sponsored by the Sears chain. Often paired with The CBS Radio Mystery Theater during its first season, the program offered a different genre of drama for each evening's broadcast. In January 1980, the program moved from CBS to the Mutual Broadcasting System and was renamed the Mutual Radio Theater. The Mutual series broadcast repeats from the CBS run until September 1980, when a short season of new dramas was presented. Sears continued as a sponsor during the Mutual run. The program turned out to be Mutual's final radio drama series. Mutual continued to broadcast repeats of the program (along with a few previously unaired episodes) until December 1981. Monday was "Western Night" and was hosted by Lorne Greene. Tuesday was "Comedy Night", hosted by Andy Griffith. Wednesday was "Mystery Night" with Vincent Price as host. Thursday was "Love and Hate Night" with Cicely Tyson doing honors as host. Finally, Friday brought "Adventure Night", first hosted by Richard Widmark and later by Howard Duff and finally by Leonard Nimoy. Several actors from the Golden Age of Radio were featured on the series. Among the actors heard were Jim Jordan, Henry Morgan, Daws Butler, June Foray, Parley Baer, Mary Jane Croft, Howard Culver, John Dehner, Joan McCall, Don Diamond, Virginia Gregg, Janet Waldo, Vic Perrin, Hans Conried, Marvin Miller, Elliott Lewis, Jeff Corey, Lesley Woods, Robert Rockwell, Lurene Tuttle, Eve Arden, Keith Andes, Harriet Nelson, Alan Young, Tom Bosley, Marion Ross, Lloyd Bochner, Rick Jason, Frank Campanella, Toni Tennille, Arthur Hill, Dan O'Herlihy, Jesse White and Frank Nelson. Veteran radio actress Peggy Webber was heard on 52 episodes. The program was produced and directed by Fletcher Markle and Elliott Lewis. The theme music was composed and conducted by Nelson Riddle. The program was broadcast in stereo. Though much less long-lived than the CBS Radio Mystery Theater or NPR's Earplay, the series was an ambitious attempt to reinvigorate radio drama.
Best Old Time Radio Podcast with Bob Bro Wednesday, July 8, 2020 The Adventures of Philip Marlowe: "The Long Rope" When Sydney Venetta, a sick old man, wants to hire Phil to transport an expensive rope of pearls to Chicago, Marlowe discovers his new client dead and the pearls missing when he arrives at his home to pick up the pearls. As Phil begins to look into matters, his attention is drawn to the old man's nurse and business agent. He also suspects Venetta's niece, who, when Phil arrives at her studio describes her as: "A dainty 118 pounds of taboo scented blonde, clad in ten chartreuse yards of silk cut like lounging pajamas." Featuring: Gerald Mohr, Junius Matthews, Luis Van Rooten, Fay Baker, David Ellis, Lillian Buyeff, Ed Begley, Jeff Corey. Original Air Date: 2-5-49 on CBS https://bestoldtimeradio.com
Today there's an ad for the 2014 Mercedes E-Class, and an excerpt from a great book called IMPROVISING OUT LOUD - MY LIFE TEACHING HOLLYWOOD HOW TO ACT by Jeff Corey with Emily Corey. And a few other good things as well. C'mon over! --- Send in a voice message: https://anchor.fm/tomreadsyourstory/message
Edmond Bickley wird aus Mangel an Beweisen vom Verdacht freigesprochen, seine Frau Julia heimtückisch mit einer Überdosis Morphium ermordet zu haben. Als er daraufhin seiner Geliebten einen Antrag macht, teilt diese ihm mit, dass sie einen anderen heiraten möchte. Bickley versucht sie und seinen Rivalen zu vergiften, doch diesmal kommt er nicht mit dem Leben davon. // Mit Alfred Hitchcock, Edwin McDonald, Jeff Corey, Janet Waldau, Norman Field, Tom Holland / Realisation: Bernhard Jugel / Lawrence & Lee 1945/BR 1999 // Aktuelle Hörspiel-Empfehlungen per Mail: www.hörspielpool.de/newsletter
On this episode Jeff & Corey give the latest news on Melvin Gordon and Ezekiel Elliott's potential holdout. They also discuss whether volume or efficiency is better for evaluating fantasy running backs, sort through current ADP for values & busts and talk about what bothers them most about the fantasy industry.
Jeff Corey and Ira react to a baseball season complete and a new head coach named! Headliner Questions as well!
Jeff Corey and Ira react to a baseball season complete and a new head coach named! Lots of talk using words like Mike, Martin, and Meat. Enjoy!
It's the start of a VERY BUSEY CHRISTMAS! The first VHS this December is "Surviving the Game" from 1994. Get ready for the most dangerous game, hunting humans, and a bunch of dudes hamming it up in the woods! Surviving the Game was released into theaters on April 15, 1994, from New Line Cinema on a budget of $7.4 million, and it had a box office return of $7.7 million. It was in theaters the same time as D2: The Mighty Ducks, Major League 2, Bad Girls and Four Weddings and a Funeral. Directed by Ernest R. DickersonProduced by Fred C. CarusoWritten by Eric Bent Surviving the Game Cast includes:Ice-T as Jack MasonRutger Hauer as Thomas BurnsCharles S. Dutton as Walter ColeGary Busey as Doc HawkinsJohn C. McGinley as John GriffinF. Murray Abraham as Derek Wolfe Sr.William McNamara as Derek Wolfe Jr.Jeff Corey as HankRichard Blackwell as "Tiny" Surviving the Game VHS Trailers include: Above the Rim (1994)Bitter Moon (1994)The Mask (1994) Surviving the Game Plot: Jack Mason is a homeless man that losses his only friends, Hank an older homeless man and his pet dog, on the same day. Mason attempts suicide but is saved by Walter Cole. Cole promises him a job as a hunting guide that pays well if he can handle it. Mason passes the test given from Thomas Burns and is flown to a remote cabin in Oregon. Once at the Cabin, Mason meets the hunting party that paid $50,000 each to be included in this particular hunt. The party consists of Thomas Burns, the founder of the hunt, and super weird guy. Doc Hawkins, a psychopathic psychiatrist who specializes in psychological assessments for the CIA. Walter Cole, the locator, he finds the perfect prey. Texas "oil man" John Griffin or Dr. Cox who is grieving over the murder of his daughter. Wealthy executive on Wall Street, Derek Wolfe Sr. and his son Derek Wolfe Jr., who is at first unaware of the actual purposes of the hunt. The first night all the men are eating a pig feast and engaging in conversation (Also chewing as loud as possible). Mason receives a pack of cigarettes from Hawkins and learns a little history about his birthmark. Gary Busey gives a monologue to die for about his bulldog, and a must watch. The next morning Mason is woken up with a gun to the face and is told to run for his life! The group finish breakfast and then begin the hunt. Mason is forced to protect himself and survive at any means possible. Will he survive?! Let the hunting start!!!! Highlights: A dog dies within 10 minutes; actually, that sucks. A brutal story of the killing of Prince Henry Stout by Gary Busey (this film hates dogs). Heads in jars, always a treat. Gary Busey is served up extra crispy. Dr. Cox gets shot IN THE FACE. An exploding ATV that leaves a man legless. An annoying young man falls to his death, and the whole audience is better for it. Rutger Hauer dresses up as a priest and GETS BLOWN UP. Bonus points, Ice-T can't stop saying quotable lines! Example, "I would run to Alaska for twenty dollars." Come back next week for our surprise Busey movie for a "Very Busey Christmas"! Discuss these movies and more on our Facebook page. You can also listen to us on iTunes, Podbean, and Youtube! Email us at analogjonestof@gmail.com with any comments or questions!
He is an unsung hero from The Original Series. Associate producer Bob Justman was a key figure in keeping the production side of Star Trek functioning on time ...and on budget. He came to Star Trek in 1965 and started at the beginning, working on the first pilot, The Cage. Justman stayed until 1968, working on 14 of the 24 shows in the third season. Like Gene Coon, Bob Justman had a real impact on the show while he was there. He was a major player in getting Star Trek off the ground and functioning as a production. On this episode of 70s Trek, co-hosts Bob Turner and Kelly Casto tell you about Associate Producer Bob Justman. Show Notes Robert "Bob" Harris Justman was born July 13, 1926 in Brooklyn ⁃ As a boy he really liked Science Fiction ⁃ His father Joseph Justman was in the produce business. He and his partners did very well. ⁃ In 1944, Bob signed up for the draft. He didn’t get drafted so he went to the draft board and asked why he wasn’t drafted. They said he wasn’t needed. He told them he wanted to go so they sent him the PE building in LA for a physical. He failed due to his eye sight. He protested so they sent him to Ft MacArthur to get a real physical and made it. ⁃ While Bob was in the Navy during WW II his father, Joseph, founded the Motion Picture Center studio ⁃ He rented it to Lucille Ball and Desi Arnaz and in 1950 they bought. The studio became part of Desilu Studios. ⁃ When Bob returned from the navy he worked at the produce firm. He didn’t get paid very well so when his dad asked him to come to LA to work in the motion picture business he decided to leave the produce firm and go to LA. ⁃ He hung around the studio for a time until his money ran out. He then went to one of the producers and asked for a job. This landed him his first job working on the film “Three Husbands” as a production assistant Justman had quite a career in film and TV as a Production Assistant and Assistant director prior to TOS ⁃ Production assistant on such films as ⁃ 1951's ⁃ The Scarf (featuring Celia Lovsky), ⁃ New Mexico (featuring Jeff Corey and John Hoyt) ⁃ M (featuring Norman Lloyd and William Schallert) ⁃ He Ran All the Way (also with Norman Lloyd), ⁃ 1952's ⁃ Japanese War Bride (with George D. Wallace), ⁃ Red Planet Mars ⁃ Abbott and Costello Meet Captain Kidd (with Leonard Mudie) ⁃ 1953's ⁃ The Moon Is Blue - made in 2 version an english version and a german version ⁃ The Moonlighter. ⁃ Assistant Director and producer ⁃ To be an assistant director you had to be in the Director’s Guild. At the time, to get in the Guild you had to be either the son of a member or be nominated by a studio which was only allowed one nomination a year. He didn’t have either but he requested to be accepted anyway. After waiting an agonizing 30 minutes for an answer the president of the Assistant Directors Counsel, Bob Aldrich, went to him, shook his hand and said, “Welcome brother” ⁃ everyone starts as a 2nd assistant director. It only took Justman about a year to become 1st assistant director which was unheard of ⁃ After Superman Justman was approached to be 1st assistant director on a series of 3 films called “The Americans” which never saw the light of day ⁃ As an assistant director, Justman worked with director Bob Aldrich on several projects. ⁃ They first worked together on the 1952-53 NBC series The Doctor, - This was his first AD job ⁃ after which they collaborated on such films as Kiss Me Deadly (1955) and ⁃ Attack (1956, featuring William Smithers). ⁃ Justman's other films where he was assistant director included; ⁃ The Big Combo (1955, featuring John Hoyt and Whit Bissell), ⁃ Blood Alley (1955, starring Paul Fix), ⁃ While the City Sleeps (1956, with Celia Lovsky) ⁃ Director - Fritz Lang ⁃ Noticed Justman looking at his set plans and Lang spent time to explain the plans to him even though Justman was the 2nd AD ⁃ This was technics that Justman used in the future ⁃ Lang had issues with John Drew Barrymore ⁃ Barrymore looked to his wife for direction instead of Lang which did not make him very happy ⁃ Green Mansions (1959, starring Nehemiah Persoff), and ⁃ 1962's Mutiny on the Bounty (featuring Antoinette Bower, Torin Thatcher and stunts by Paul Baxley). ⁃ Justman was also an assistant director on television shows such as ⁃ The Adventures of Superman (1953-58, 78 ep) ⁃ associate producer for all 78 episodes and ⁃ assistant director on the classic series during its 1954-55 season. ⁃ Justman says that George Reeves was a trooper given what he was put thru ⁃ One time the wire broke and he dropped down to the cement ⁃ Justman learned early to schedule certain shots very carefully. As an example he tells a story about how Reeves would drink his lunch so when he would do the spring-board jump out the window he sort of missed and hit his knees on the window sill ⁃ The Thin Man (1958-59, 31 ep) ⁃ Northwest Passage (1958-59, 13 ep) ⁃ Philip Marlowe (1959-60, 26 ep) ⁃ Alcoa Presents One Step Beyond (1959-1961) ⁃ Produced at the same time as the more well-known The Twilight Zone (1959) ⁃ Some stars included Cloris Leachman, Warren Beatty, Jack Lord, Christopher Lee, Elizabeth Montgomery, Donald Pleasence, and William Shatner, ⁃ Dr. Kildare (1961-66, 6 ep) ⁃ Was asked by the President of MGM TV if Justman new any composers. Justman had heard some of Jerry Goldsmith’s scores and recommended him. As we talked about in Episode XXX This was one of Goldsmith’s breakout opportunities. ⁃ Justman and Goldsmith have never met ⁃ The Outer Limits (1963-65, 20 ep) ⁃ He served as the assistant director for all 20 episodes and a Production Manager in 1964 ⁃ Appeared in the 1964 episode "A Feasibility Study" (directed by Byron Haskin, written by Joseph Stefano, and starring David Opatoshu) ⁃ Worked with Shatner on “Cold Hands, Warm Heart” (1964) ⁃ Sally Kellerman, James Dohan ⁃ Lassie (1965-66, 4 ep) ⁃ My Friend Flicka (1956-57) ⁃ While the City SleepsFritz Lang ⁃ In Oct 1964 Justman met GR at Desilu to talk to him about Associate Producer role for the first TOS pilot “The Cage”. Justman recommended Byron Haskin saying that he (Justman) did not have enough post production experience ⁃ first to call Gene Roddenberry "The Great Bird of the Galaxy," drawn from a throwaway line from the original series episode "The Man Trap" That takes us to October 1964. Gene Roddenberry was in pre-production for Star Trek’s first pilot, The Cage and he needed an associate producer. An Associate Producer’s job is to do the dirty work on a show. This person makes sure both the production and post-production phases are running smoothly for every episode. They are also responsible for making sure each episode doesn’t run over budget. So with a show as complicated as Star Trek was going to be, Gene needed an experienced hand. He asked James Goldstone who had worked with Gene on The Lieutenant if he had any suggestions. He recommended Bob Justman. Justman met with Gene for about 30 minutes and Gene offered him the job. While Justman really wanted it, he turned down Roddenberry’s offer. He felt Star Trek’s post-production needs would be great, and he was afraid he didn’t have the experience to get the job done. But they also needed an experienced assistant director. Justman was, at the time, working on The Outer Limits. But Desilu’s Executive in Charge of Production, Herb Solow, called and asked if Justman could work for Star Trek temporarily, just 6 weeks. And that was it. The deal was done and Justman came to Star Trek. Now the original position that Justman had interviewed for, associate producer, went to Byron Haskin. He was an experienced producer, but was hard to get along with. And as work started on The Cage, he and Roddenberry butted heads a lot. Rodenberry would want a certain effect on a shot, and Haskin would tell him it couldn’t be done. Period. He gave Gene no alternative ideas. Often times, Justman was in the middle of these disputes trying to nudge Haskin to come up with something Work on The Cage finished, and NBC rejected it. But invited Roddenberry to try again. When Star Trek was offered to do the second pilot, Gene asked Justman back. This time, though, he gave him the job of associate producer. Gene had had enough of Haskin. Because of the budget on the 2nd pilot, when post-production finished on it, so did Justman’s job. This was the summer of 1965. But Desilu had attracted a number of pilot projects that needed produced. So Solow decided to make Justman the associate producer on all of them. This way he could stay at Desilu and be close by if Star Trek was picked up. Some of the work he did included Desilu’s other big show, Mission Impossible. Star Trek was picked up by NBC in March 1966. And Justman’s first task was to move the starship sets from the soundstage where the 2nd pilot was shot, to a new soundstage that would be its home for the series. This was actually a monumental task. Each section had to be removed, crated and put back into place on the new soundstage in exactly the same configuration. The move resulted in some of the sets being redesigned, and reworked for the series. One of those sets was the bridge that got a big make over. As the show started production, it was Justman’s job to make sure all the little details were taken care of. Some of this work included analyzing scripts and establishing production budgets for them, Making sure production on one episode, production and post production on a 2nd were all moving forward simultaneously and on schedule. Any issues for any shows in any of these stages, were Justman’s to work out. Along with his day-to-day duties, Justman also acted in one episode of the series, though he is not creditied for it, He is the voice of a security guard in the episode Conscience of the King. He also found time to come up with a story idea. He came up with the basic story for the episode Tomorrow is Yesterday. In fact, he laid that story out in a memo to Gene on April 12, 1966. When he didn’t hear anything for 8 months, he sent a reminder to Gene about the idea. At that point, the show was hungry for scripts, so Roddenberry approved of the idea and assigned Dorothy Fontana to write the screenplay. But in his second memo, you cans ee a little of Justman’s wit. He wrote at the end, “Please let me hear from you at your earliest convenience, as otherwise I feel I shall be forced to sell this story idea to “Time Tunnel.” ” That’s just one example of Justman’s wit, and it is pretty legendary. He would often let his sarcastic sense of humor and dry wit fly in memos. An example of his humor can actually be seen in the closing credits of the show. For Herb Solow’s credit, Justman intentionally chose a picture of the Balok dummy from the Corbmite Maneuver and positioned Solow’s credit just under the glaring eyes of Balok. Justman later wrote in the Book Inside Star Trek, “I thought it a fitting tribute, as did Herb, who thanked me profusely, thereby depriving me of some heavy-duty gloating. I still have the original credit and display it in my office at home, suitably framed in the cheapest, junkiest frame I could find.” And there’s another incident that speaks to Justman’s humor. The show was shooting a script that was still being written by Roddenberry. The last shot was about to be completed, and if they didn’t get the new pages for the next scene, they would be forced to shut down production. That costs money! So Justman went to Gene’s office. Roddenberry kept writing away, and didn’t acknowledge Justman. Justman waited a few minutes and finally asked, him, “How much longer Gene?” Roddenberry ignored him and kept writing. Justman waited some more. At one point Gene looked up, thinking about something, ignored Justman, and went back to work. Justman later wrote, “He shouldn’t have done that. I climbed up onto his desk and stood there, looking down at him. ‘That’ll teach him to ignore me, I thought.” After a few minutes more, Gene finally ripped the pages free of the typewriter, finished scribbling on them, and without looking at Justman, reached up and handed them to him. Without saying anything, Justman jumped down and went to the set. This became a standard routine through the 1st and 2nd seasons of the show. Whenever Gene was still writing, Justman would jump up on his desk and wait for the pages. But there’s a little addendum to this story. There came a time when Justman tried to get in Gene’s office and the door was locked. He realized that there was an electronic latch on the door that, when Justman entered the outer office, Gene’s secretary would activate. Not to be out done, Justman waited until the secretary left on an errand. Found the switch and unlocked Gene’s door. Then without saying a word, he entered Roddenberry’s office, walked past Gene who was busy writing, and exited through another door at the other end of the office. Justman wrote, “We never discussed it, not even in later years. It was our own private joke and it helped cement an already close friendship.” The 2nd year of Star Trek was by far its best. It’s when all the right people were active in the right positions. Speaking of positions, Justman told Roddenberry at this time that he wanted to move up to a full producer’s position for Star Trek’s third season, and Gene agreed it was probably time. With the letter writing campaign at the end of the 2nd year, Star Trek’s third season was guaranteed. But it wasn’t going to go the way anyone thought it would. NBC first told Roddenberry that Star Trek would be on at 7:30 on Monday. Then it changed the position to Friday at 8:30. But, it finally settled on Fridays at 10pm, a time when Star Trek’s core audience would not be home watching TV. It was this move by NBC that prompted Roddenberry to move out of his producer role and become the Executive Producer of the show. That position is further up the chain of command, and has nothing to do with the day-to-day operations. Roddenberry had, in effect, quit Star Trek. As pre-production for the third season began, the show had no story editor. So Justman jumped in and started reading and analyzing stories and scripts. Then he would forward his thoughts to Gene. Roddenberry never responded and seldom read Justman’s reports. To make matters worse, there was no one to rewrite scripts. Justman urged Roddenberry to hire someone. Gene finally got back to him and said, “Good news Bob, Star Trek’s going to have a new producer this year.” Justman thought gene was about to say, “It’s you.” Instead, Roddenberry said, “Fred Freiberger’s coming in as our new producer…” Hustman was stunned. “Gene, I thought I would be producer.” “You will,” said Roddenberry. “You’ll be a co-producer.” The new studio, Paramount, and NBC wanted an experienced hand at the help of such a complicated show. Justman was viewed as a nuts and bolts guy, and Roddenberry didn’t fight for him. Justman’s attitude toward Star Trek never recovered. In fact the morale of the entire cast and crew began to sink. Star Trek was not a fun place to work anymore. Gene was now gone. Frieberger had to labor to understand the show. And the bulk of the daily chores fell on Justman. He later wrote, “I was alone, struggling against insuperable odds.” Without Roddenberry, the writing process was no longer about good stories. It was now just budget-driven. Justman wrote, “There were no highs and no lows---just a boring in-between…The Star Trek I knew, and was proud to be a part of, was no more.” He expressed his concerns to paramount’s head of TV, Doug Cramer. Cramer asked Justman to stay and promised him his pick of future pilots to work on if he did. Justman said he’s love to do a pilot for Cramer, but he wanted out of his contract. Paramount came back and offered more money, but that wasn’t what Justman wanted. Justman was burned out. That’s when Herb Solow called. He was now the head of MGM Television and he offered Justman a full producers job on the pilot for “Then Came Bronson.” He quit Paramount the next day and, according his own words, became persona non grata at Paramount for the next 18 years. After Star Trek, Justman went on to work on shows like Search and Man from Atlantis. In 1987, he rejoined Gene Roddenberry and others from The Original Series on Star Trek The Next Generation. He served as Supervising Producer for 17 episodes in the first season. In 1996, he and Herb Solow published their book, Inside Star Trek: The Real Story. If you haven’t read this one, it is a very captivating look at what was going on behind the scenes at Star Trek. Bob Justman died of Parkinson’s Disease in 2008.
After Star Wars thrilled audiences in theaters, everyone wanted to tap into the collective consciousness of pop culture that had embraced that galaxy far, far away. Some saw an opportunity to for storytelling in an exciting new way while others simply rushed out to cash in with anything somewhat similar to Star Wars. How Battle Beyond the Stars fits into those categories must be judged by the eye of the beholder, however, shazbazzar, JediShua, and SuperFriend Paul Bateman agree that without Star Wars, Battle Beyond the Stars would never have seen the light of day. Battle Beyond the Stars On the surface, Battle Beyond the Stars is a fitting tribute to the popularity of Star Wars. A tyrant with a planet destroying “super-weapon” threatens to destroy Akir, a planet populated by peaceful folk with no weapons. A young “farm boy” named Shad (Richard Thomas) volunteers to find willing fighters for his aged mentor, the last Akira warrior (Jeff Corey) before Sador (John Saxon) returns. Add a rogue’s gallery of a space cowboy (George Peppard), a Valkyrie (Sybil Danning), a dangerous-looking creature (Morgan Woodward), a wealthy assassin (Robert Vaughn), five hive-minded clones (Earl Boen et al), and a beautiful love interest (Darlanne Fluegel) and you get a Magnificent Seven worthy of Kurosawa’s namesake. Beyond the caricatures, names, and concepts similar to the original Star Wars (1977), Battle Beyond the Stars borrows heavily from Akira Kurosawa’s Seven Samurai (1954). Those familiar with the origins of Star Wars will immediately recognize that George Lucas based his initial space opera on The Hidden Fortress (1958), another Kurosawa film. In this regard, Battle Beyond the Stars delves deeply into the planetary crust in this spacey adaptation of a Star Wars influence. Share and enjoy this special episode of TechnoRetro Dads as Paul Bateman joins shazbazzar and JediShua for a fun, loving, and fun-loving look back at Battle Beyond the Stars.
In this "not an" episode, I sat my phone in the middle of the table and recorded our trivia session tonight @ Mellow Mushroom in Murrells Inlet. Seth Scolaro "whom you guys have heard several times" hosts the trivia there. Our team tonight was Patrick Hannah, Jeff Corey, Jacob Bellows, and his buddy Rich. There's a lot going on and it's probably hard to listen to at times, but theres some gold in here, and it's an inside look at how a trivia team works. Enjoy, Folks!
What exactly is “affordable” housing, and what’s wrong (and right) with the housing in Duluth? This week Jeff Corey, executive director of One Roof Community Housing, joins us to talk about Duluth’s aging housing stock, helping the homeless population and the renovation of Gateway Tower. Oh, and here’s something you might not know: Corey is into skiing, biking and trail running — even though he is legally blind. What we are into this week: Streaming “Broadchurch” and “Jessica Jones,” reading “The Sympathizer” by Viet Thanh Nguyen, the podcast “Time Crisis Countdown” and Louise Erdrich’s book, “The Last Report on the Miracles at Little No Horse.” Tune in every week to hear Duluth News Tribune reporters Brady Slater, Christa Lawler and Tom Olsen talk about current Duluth and Northland happenings. You can email us at podcast@duluthnews.com, call our podcast line at (218) 382-NEWS or follow us on Facebook. This podcast is produced by Barrett Chase.
This week on Seminole Headlines, Jeff Corey, and Ira discuss college baseball, football, the NBA Finals, and rifle through your Headliner questions!
This week on Seminole Headlines, Jeff Corey, and Ira discuss college baseball, football, the NBA Finals, and rifle through your Headliner questions!
This week Jeff Corey, and Ira discuss the FSU baseball program, which would you choose; time travel or super strength?, and if FSU baseball will be headed back to Gainesville for regionals.
“Time for a change." James Wong Howe shot color films very well, but it was his black-and-white cinematography that he was really known for. He won two Oscars for his B&W cinematography and played with many techniques that influenced filmmakers and cinematographers long after he was gone. The camera work on John Frankenheimer’s 1966 film “Seconds” is no exception. It fits the tone of the film perfectly, creating a sense of unease and discomfort quite often. Join us — Pete Wright and Andy Nelson — as we finish our B&W cinematography of James Wong Howe with Frankenheimer’s “Seconds.” We talk about the camerawork (paired with the editing) and how it works — or doesn’t work — for us in this thriller. We chat about the talent, notably Rock Hudson, John Randolph, Salome Jens, Will Geer, Murray Hamilton and Jeff Corey, and what they bring to the table. We discuss what works and what doesn’t work for us in this unique sci-fi story. And we touch on Jerry Goldsmith’s music and how much we love — or hate — it in this film. It’s a bit of a divisive conversation this week, but a very fun one. Tune in! Film Sundries Dialog Transcript Original theatrical trailer Original poster artwork Art of the Title Seconds — by David Ely Flickchart Trailers of the Week Andy’s Trailer: The Stanford Prison Experiment — “Having discussed Zimbardo’s experiment in our documentary ’The Joe Show,’ I was super excited to see the trailer for this film. The experiment is a frightening piece of American history and of the history of the psychology field, and it looks like they captured this very well. I can’t wait." Pete’s Trailer: Extinction — “Well, it’s a zombie flick so I pretty much have to pick it. But Matthew Fox I like, and Jeffrey Donovan we know from Burn Notice. I’ll give those guys a shot in an arctic apocalypse, sure." Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we’re doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it’s just a nice thing to do. Thanks!! The Next Reel on iTunes The Next Reel on Facebook The Next Reel on Twitter The Next Reel on Flickchart The Next Reel on Letterboxd Guess the Movie with The Next Reel on Instagram Check out the Posters with The Next Reel on Pinterest And for anyone interested in our fine bouquet of show hosts: Follow Andy Nelson on Twitter Follow Pete Wright on Twitter Follow Steve Sarmento on Twitter Check out Tom Metz on IMDB Justin "JJ" Jaeger Chadd Stoops Follow Steven Smart on Letterboxd
“Time for a change." James Wong Howe shot color films very well, but it was his black-and-white cinematography that he was really known for. He won two Oscars for his B&W cinematography and played with many techniques that influenced filmmakers and cinematographers long after he was gone. The camera work on John Frankenheimer's 1966 film “Seconds” is no exception. It fits the tone of the film perfectly, creating a sense of unease and discomfort quite often. Join us — Pete Wright and Andy Nelson — as we finish our B&W cinematography of James Wong Howe with Frankenheimer's “Seconds.” We talk about the camerawork (paired with the editing) and how it works — or doesn't work — for us in this thriller. We chat about the talent, notably Rock Hudson, John Randolph, Salome Jens, Will Geer, Murray Hamilton and Jeff Corey, and what they bring to the table. We discuss what works and what doesn't work for us in this unique sci-fi story. And we touch on Jerry Goldsmith's music and how much we love — or hate — it in this film. It's a bit of a divisive conversation this week, but a very fun one. Tune in! Film Sundries Dialog Transcript Original theatrical trailer Original poster artwork Art of the Title Seconds — by David Ely Flickchart Trailers of the Week Andy's Trailer: The Stanford Prison Experiment — “Having discussed Zimbardo's experiment in our documentary 'The Joe Show,' I was super excited to see the trailer for this film. The experiment is a frightening piece of American history and of the history of the psychology field, and it looks like they captured this very well. I can't wait." Pete's Trailer: Extinction — “Well, it's a zombie flick so I pretty much have to pick it. But Matthew Fox I like, and Jeffrey Donovan we know from Burn Notice. I'll give those guys a shot in an arctic apocalypse, sure." Hey! You know what would be awesome? If you would drop us a positive rating on iTunes! If you like what we're doing here on TNR, it really is the best way to make sure that this show appears when others search for it, plus, it's just a nice thing to do. Thanks!! The Next Reel on iTunes The Next Reel on Facebook The Next Reel on Twitter The Next Reel on Flickchart The Next Reel on Letterboxd Guess the Movie with The Next Reel on Instagram Check out the Posters with The Next Reel on Pinterest And for anyone interested in our fine bouquet of show hosts: Follow Andy Nelson on Twitter Follow Pete Wright on Twitter Follow Steve Sarmento on Twitter Check out Tom Metz on IMDB Justin "JJ" Jaeger Chadd Stoops Follow Steven Smart on Letterboxd
James Wong Howe shot color films very well, but it was his black-and-white cinematography that he was really known for. He won two Oscars for his B&W cinematography and played with many techniques that influenced filmmakers and cinematographers long after he was gone. The camera work on John Frankenheimer's 1966 film “Seconds” is no exception. It fits the tone of the film perfectly, creating a sense of unease and discomfort quite often. Join us — Pete Wright and Andy Nelson — as we finish our B&W cinematography of James Wong Howe with Frankenheimer's “Seconds.” We talk about the camerawork (paired with the editing) and how it works — or doesn't work — for us in this thriller. We chat about the talent, notably Rock Hudson, John Randolph, Salome Jens, Will Geer, Murray Hamilton and Jeff Corey, and what they bring to the table. We discuss what works and what doesn't work for us in this unique sci-fi story. And we touch on Jerry Goldsmith's music and how much we love — or hate — it in this film. It's a bit of a divisive conversation this week, but a very fun one. Tune in!
James Wong Howe shot color films very well, but it was his black-and-white cinematography that he was really known for. He won two Oscars for his B&W cinematography and played with many techniques that influenced filmmakers and cinematographers long after he was gone. The camera work on John Frankenheimer's 1966 film “Seconds” is no exception. It fits the tone of the film perfectly, creating a sense of unease and discomfort quite often. Join us — Pete Wright and Andy Nelson — as we finish our B&W cinematography of James Wong Howe with Frankenheimer's “Seconds.” We talk about the camerawork (paired with the editing) and how it works — or doesn't work — for us in this thriller. We chat about the talent, notably Rock Hudson, John Randolph, Salome Jens, Will Geer, Murray Hamilton and Jeff Corey, and what they bring to the table. We discuss what works and what doesn't work for us in this unique sci-fi story. And we touch on Jerry Goldsmith's music and how much we love — or hate — it in this film. It's a bit of a divisive conversation this week, but a very fun one. Tune in!
Happy 4th Week folks. Jeff Corey and Ira chat FSU and more on Seminole Headlines. Hour one
Happy 4th Week folks. Jeff Corey and Ira chat FSU and more on Seminole Headlines. Hour two
The Adventures Of Philip Marlowe - The first portrayal of Phillip Marlowe on the radio was by Dick Powell, when he played Raymond Chandler's detective on the Lux Radio Theater on June 11, 1945. This was a radio adaptation of the 1944 movie, from RKO, in which Mr. Powell played the lead. Two years later, Van Heflin starred as Marlowe in a summer replacement series for the Bob Hope Show on NBC. This series ran for 13 shows. On September 26, 1948, Gerald Mohr became the third radio Marlowe, this time on CBS. It remained a CBS show through its last show in 1951.THIS EPISODE:November 28, 1948. CBS network. "The Hard Way Out". Sustaining. Murder at the Quigg and Slater Construction Company, and a surprising amount of luxury on $175 a week! Barbara Fuller, William Lally, Edgar Barrier, Gene Levitt (writer), Gerald Mohr, Jeff Corey, Luis Van Rooten, Mel Dinelli (writer), Norman Macdonnell (producer, director), Raymond Chandler (creator), Richard Aurandt (music), Robert Mitchell (writer). 29:39.
Nightbeat - Broadcast on NBC, Nightbeat ran from 1949 to 1952 and starred Frank Lovejoy as Randy Stone, a tough and streetwise reporter who worked the nightbeat for the Chicago Star looking for human interest stories. He met an assortment of people, most of them with a problem, many of them scared, and sometimes he was able to help them, sometimes he wasn’t. It is generally regarded as a ‘quality’ show and it stands up extremely well. Frank Lovejoy (1914-1962) isn’t remembered today, but he was a powerful and believable actor with a strong delivery, and his portrayal of Randy Stone as tough guy with humanity was perfect. The scripts were excellent, given that they had to pack in a lot in a short time, and there was a good supporting cast, orchestra, and sound effects. ‘The Slasher’, broadcast on 10 November 1950, the last show of season one, has a very loosely Ripper-derived plot in which Stone searches for an artist. Supporting actors included Parley Baer, William Conrad, Jeff Corey, Lawrence Dobkin, Paul Frees, Jack Kruschen, Peter Leeds, Howard McNear, Lurene Tuttle and Martha Wentworth.THIS EPISODE:May 29, 1950. NBC netWORK. Sponsored by: Wheaties, Crust-Quik. Harlan Matthews, a Stamp Dealer with memories of a murder he committed long ago, attempts murder, suicide and more! An "alienist" and Randy Stone try to help. The system cue has been deleted. Frank Worth (music), Ben Wright, Junius Matthews, Warren Lewis (producer, director), Larry Marcus (editor), Irwin Ashkenazie (writer), Jeanette Nolan, Frank Lovejoy, Frank Martin (commercial spokesman), Jeff Corey. 29:23.
The Screen Director's Playhouse - From 01/09/49 to 09/28/51 this series was greatly enjoyed by the radio listening audience. It opened as NBC Theater and was also known as The Screen Director’s Guild and The Screen Director’s Assignment. But most people remember it simply as Screen Director’s Playhouse. Many of the Hollywood elite were heard recreating their screen roles over the radio. John Wayne in his rare radio appearances, Cary Grant, Edward G. Robinson, Lucille Ball, Claire Trevor, Tallulah Bankhead and many others were on the air week after week during these broadcasts. Many of Hollywood’s directors were also heard in the recreation of their movies. The President of the Screen Director’s Guild appeared on 02/13/49, and Violinist Isaac Stern supplied the music for the 04/19/51 broadcast. THIS EPISODE: October 10, 1949. NBC network. "Criss Cross". Sustaining. A good gangster story about a planned armored car holdup and a double-double cross. Screen director Robert Siodmak appears by transcription. Burt Lancaster, Betty Lou Gerson, Jeff Corey, Betty Morgan, Jimmy Wallington (announcer), Robert Siodmak. 1/2 hour.
Broadcast on NBC, Nightbeat ran from 1949 to 1952 and starred Frank Lovejoy as Randy Stone, a tough and streetwise reporter who worked the nightbeat for the Chicago Star looking for human interest stories. He met an assortment of people, most of them with a problem, many of them scared, and sometimes he was able to help them, sometimes he wasn’t. It is generally regarded as a ‘quality’ show and it stands up extremely well. Frank Lovejoy (1914-1962) isn’t remembered today, but he was a powerful and believable actor with a strong delivery, and his portrayal of Randy Stone as tough guy with humanity was perfect. The scripts were excellent, given that they had to pack in a lot in a short time, and there was a good supporting cast, orchestra, and sound effects. ‘The Slasher’, broadcast on 10 November 1950, the last show of season one, has a very loosely Ripper-derived plot in which Stone searches for an artist. Supporting actors included Parley Baer, William Conrad, Jeff Corey, Lawrence Dobkin, Paul Frees, Jack Kruschen, Peter Leeds, Howard McNear, Lurene Tuttle and Martha Wentworth. THIS EPISODE: April 9, 1950. NBC netWORK. Sustaining. Tom Morrison is a man with "noctophobia," a fear of darkness. He is being driven to commit murder by George Brewster. Nightbeat was being heard more than once a week at this time. Brian Donlevy appears on the show to promote his "Dangerous Assignment" series. Frank Lovejoy, Brian Donlevy, Jane Morgan, Larry Marcus (writer), Frank Worth (music), Warren Lewis (director), Ruth Perrott, David Ellis, Lurene Tuttle, Charles Seel, Margaret Brayton. 29:24.
Broadcast on NBC, Nightbeat ran from 1949 to 1952 and starred Frank Lovejoy as Randy Stone, a tough and streetwise reporter who worked the nightbeat for the Chicago Star looking for human interest stories. He met an assortment of people, most of them with a problem, many of them scared, and sometimes he was able to help them, sometimes he wasnât. It is generally regarded as a âqualityâ show and it stands up extremely well. Frank Lovejoy (1914-1962) isnât remembered today, but he was a powerful and believable actor with a strong delivery, and his portrayal of Randy Stone as tough guy with humanity was perfect. The scripts were excellent, given that they had to pack in a lot in a short time, and there was a good supporting cast, orchestra, and sound effects. Supporting actors included Parley Baer, William Conrad, Jeff Corey, Lawrence Dobkin, Paul Frees, Jack Kruschen, Peter Leeds, Howard McNear, Lurene Tuttle and Martha Wentworth.THIS EPISODE:March 20, 1950. NBC net. Sustaining. Randy Stone meets a man in the park on a very hot day. The body is wearing a heavy overcoat! Mr. Henry Kazarian claims to be dead, and a doctor confirms it! A well written story, good radio! Part of the final public service announcement and the system cue have been deleted. Frank Lovejoy, Larry Marcus (writer, editor), Ben Wright, Betty Lou Gerson, Paul Dubov, Warren Lewis (director), Frank Worth (music), Jeff Corey, Lou Krugman. 28:52.
First show: Mar 3, 1980 Original shows: 103 Last show: Dec 10, 1980 Number of programs aired including new and repeats: 210 Hosts: Lorne Greene, Andy Griffith, Vincent Price, Cicely Tyson, Leonard Nimoy In December 1979 the Mutual Broadcasting System acquired the Sears Radio Theater renaming it, the MUTUAL Radio Theater. It retained the same format as before with the same theme for different nights of the week. Lorne Greene remained host for Monday's Western night, Andy Griffith handled Tuesday's Comedy, Vincent Price still was host for Mystery on Wednesdays, Cicely Tyson did Love on Thurs- day, while Leonard Nimoy was now the Friday night Adventure host. As before the series aired week nights, Monday through Friday. The Mutual Radio Theater debuted Mar 3, 1980 and was to run for 13 weeks on almost 300 stations. The shows were then to be repeated over the summer and fall. It proved to be fairly successful and another 8 weeks of original programs were added; this was followed by another 8 weeks of repeats. The series was broadcast in stereo, making it the only commercial radio network drama program in the nation to use this technology at the time. Great writers were employed for this series including Arch Oboler and Norman Corwin. Good choices were made when it came to cast members. Old familiar voices and names included Janet Waldo, John Dehner, Vic Perrin, Mary Jane Croft, Hans Conried, Marvin Miller, Parley Baer, Elliot Lewis, Jeff Corey, Virginia Gregg, Lesley Woods, Robert Rockwell and Lurene Tuttle. Then from movies and TV - Eve Arden, Keith Andes, Harriet Nelson, Aan Young, Tom Bosley and Marian Ross, Lloyd Bochner, Rick Jason, Frank Campanella, Toni Tennille, Arthur Hill, Dan O'Herlihy, Jesse White and Frank Nelson. A curious note: Many collectors and vendors list a total of 104 broadcasts. Apparently what was done by them was to count a repeat of "The Ship", first broadcast on March 7, 1980 as another show when it was aired again during the first 13 week cycle (May 23, 1980). Please note - - The previous edition of this log indicated some difficulty in establishing show titles for the weeks begining July 7, 1980 and July 14, 1980. The mystery has been solved with the able assistance of Mr. Bryan Wright. Thank you, Bryan! Mr. Rick Woodward and Mr. Shawn A. Wells offered additional audio copies which were gratefully accepted. Thank you, gentlemen!
In October of 1934, "Lux Radio Theater" debuted in New York on NBC's Blue radio network. Presenting audio versions of popular Broadway plays, the show failed to garner an audience and soon ran out of material. After switching networks to CBS and moving to Hollywood, Lux found its true market. The show began featuring adaptations of popular films, performed by as many of the original stars as possible. With an endless supply of hit films scripts and an audience of more than 40 million, Lux enjoyed a prosperous run until the curtain fell in 1956.THIS EPISODE:October 20, 1941. CBS net. "Blood and Sand". Sponsored by: Lux. The rise and fall of a great bull fighter, the role made famous by Rudolph Valentino. Kathleen Fitz, Lester Schott, Lou Merrill, Louis Silvers (music director), Elsa Brand, Erik Rolf, Gale Gordon, Howard McNear, Jeff Corey, Bruce Payne (doubles), Cecil B. DeMille, Anne Stone, Tyrone Power, Annabella, Bea Benaderet, Sanford Barnett (director), George Wells (adaptor), Charlie Forsyth (sound effects), Vicente Blasco Ibanez (author), Lois Collier (commercial spokesman), Nancy Bickell (commercial spokesman), Jo Swerling (screenwriter), Nick Toms (doubles), Paul Dubov, Walter Tetley, Ben Alexander (commercial spokesman), Julie Bannon (commercial spokesman), Melville Ruick (announcer). 59:45.
Crime Fighters Presents Tales of the Texas Rangers "The White Elephant". Sponsored by: Wheaties. Based on events of January 16, 1950. A deserted motel is the hiding place for stolen goods and a murderer or two. Joel McCrea, Stacy Keach (producer, director), Hal Gibney (announcer), Tony Barrett, Frank Martin (commercial spokesman), Jeff Corey, Jeanette Nolan, Byron Kane, Paul McVey, Lou Krugman, Robert BruceOnline Meetings Made Easy with GoToMeeting Try it Free for 45 days use Promo Code Podcast
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