Podcast appearances and mentions of michael healey

When the award-winning actor and playwright Anusree Roy was growing up, her grandmother would tell her stories about the Partition of India in 1947, when British India was divided into the Muslim-majority Pakistan and the Hindu-majority India. Now, decades later, Anusree is performing in a play she wrote about the Partition called “Trident Moon.” It follows nine women and girls over the course of one life-changing night as they try to survive unspeakable danger. Anusree joins Tom Power in our studio to tell us why she wanted the story to feel unsentimental, what history books leave out about the Partition, and why humour serves such a vital role in the play. If you're looking for more conversations about theatre, check out Tom's interviews with playwrights Michael Healey or Larissa FastHorse.

Michael Healey's award-winning play “The Master Plan” is a biting satire about the Sidewalk Labs fiasco in Toronto, when the Google sister company attempted to build a smart city in an underdeveloped neighbourhood on the city's waterfront. It's based on the book “Sideways: The City Google Couldn't Buy” by tech reporter Josh O'Kane, and it's now being remounted at the Soulpepper Theatre in Toronto. Michael joins Tom Power to talk about the play and the clash of Big Tech and municipal politics. Plus, he reflects on his life in theatre, from the success of “The Drawer Boy” to the controversy around “Proud,” his satirical play about Stephen Harper.

My guest on this episode is Josh O'Kane. Josh is a reporter at the Globe and Mail whose first book, Nowhere With You: The East Coast Anthems of Joel Plaskett, The Emergency and Thrush Hermit was published by ECW Press and was a Canadian bestseller. Josh's most recent book, Sideways: The City Google Couldn't Buy, was published by Random House Canada in 2022. It was a national bestseller and a finalist for numerous Canadian and international literary awards, including the Shaughnessy Cohen Prize for Political Writing, the National Business Book Award, the Ontario Speaker's Book Award, the Heritage Toronto Book Award, and the Best in Business Book Award from the Society for Advancing Business Editing and Writing. It was named one of the best books of 2022 by The Globe and Mail, CBC, The Hill Times and more. The book was also adapted for the stage by Toronto's Crow's Theatre and Michael Healey as The Master Plan. Margaret O'Mara, author of The Code, called Sideways “a thrill ride of a book, revealing what really happened when Google tried to build a city and Silicon Valley's magical thinking fell to earth.” Josh and I talk about the extremely unequal distribution of wealth in arts and culture (one his main beats as a reporter), the strangeness of seeing your deeply reported journalistic work become a hit play that features a talking tree, and the wait for the next big book-worthy idea.   This podcast is produced and hosted by Nathan Whitlock, in partnership with The Walrus. Music: "simple-hearted thing" by Alex Lukashevsky. Used with permission.

Sunday morning 4th of August, 2024 Exodus Chapter 33 verses 12 - 22

Are you ready to transform your video presence and captivate audiences like never before?Join us for an exclusive workshop with Michael Healey, an internationally recognized expert in mental mastery and video communication. With an impressive track record spanning 35 years, Michael has mentored tens of thousands of business owners, entrepreneurs, and professionals, bringing unparalleled expertise and a dynamic speaking style that motivates and inspires lasting change.Michael's unique approach, refined through studies with global masters, will equip you with the tools to unlock your true potential and become a video superstar.Watch it on YouTube: https://youtube.com/live/Ok_EuDU-GCUAbout our Speaker:Michael Healey is an expert in Executive Coaching, Leadership Development, and Management Consulting with over 35 years of experience in the field. He has dedicated his career to studying human potential development through the application of psychology, neuroscience, Emotional Intelligence (EQ), and transformative processes, culminating in a unique approach that has earned him a reputation for excellence and innovation.Contact Michael:michael@idizoinc.comhttps://www.idizo.ca/Hosted by Robert Kennedy III, CSP (RK3):Robert Kennedy III (RK3) is a leadership communication expert, international keynote speaker, corporate trainer and best-selling author. For the past 10 years, RK3 has spoken for and worked with some of the world's largest companies, associations, government and faith-based organizations.Contact Robert:http://getintouchwithrk3.com/Connect with BIGVU, the powerful Video, Captioning & Teleprompter App:iOS:  https://apps.apple.com/us/app/bigvu-v...Android:  https://play.google.com/store/apps/de...Website:   https://bigvu.tv/Join the BIGVU Community:  / discord

We meet Globe & Mail architecture critic Alex Bozikovic in the new Love Park on Toronto's waterfront, to talk about good public space design, bad maintenance practices, and the legacy of legendary landscape architect Claude Cormier. We talk to playwright Michael Healey about "The Master Plan," a play about the doomed futuristic neighbourhood Google and Waterfront Toronto tried to build on the lakeshore. And, as a preview of our latest Spacing issue "Once Upon a Time in Toronto," we talk to author/playwright/screenwriter Catherine Hernandez about why she writes about Scarborough, and the pain of having to leave the neighbourhood that inspires you.

Sunday morning 10th of July, 2022 John Chapter 17 verse 20 - 26

On this episode of Tales from the Albright, Jenny and Alyssa discuss Frank Olesnovich, who worked with Michael Healey and Jacob Tice to rob people of their money. They discuss their crimes, the trial, and how Frank's father, Theodore, was the reason the group was caught. We hope you enjoy!

Another massacre involving children. What ever are we going to do?Then, a conversation about the merits and perils of strategic voting with a cameo by the great Michael Healey.THANKS TO OUR SPONSORS:Effin' Birds - https://www.effinbirds.comCrow's Theatre - https://www.crowstheatre.com

Introducing Just One More, conversations with people in the performing arts, hosted by playwright Michael Healey

Sunday morning 23rd of January, 2022

Our first ever guest Michael Healey rejoins the pod to discuss the results of the 44th Canadian election.PICKS :Diana Krall - A Case of YouMichael Healey - ProudSPONSORS :Effin' BirdsInvest with Tim ZieglerCrow's Theatre

Sunday morning 19th of September, 2021 Mark ch 5 v 21 - 43

Maev Beaty and Debashis Sinha joined Stageworthy host, Phil Rickaby to talk about Necessary Angel's upcoming audio production of Roland Schimmelpfennig's play The Great Fire. Maev Beaty is a critically-acclaimed actor, writer and voice-over artist. She has originated roles in 23 Canadian premieres (Hannah Bunny, Kate Hennig's The Last Wife, Michael Healey's Proud and The Front Page, Judith Thompson's Palace of the End, Sharon Pollock's Angel's Trumpet); co-writing and starring in award-winning theatre (Secret Life of a Mother, Montparnasse, Dance of the Red Skirts); performing in ensembles of epic theatre endeavours (Sheep No Wool/Outside the March/Convergence's Passion Play, Nightwood's Penelopiad, Volcano's Another Africa, TheatreFront'sThe Mill); and interpreting lead classic roles across the country and over five seasons at the Stratford Festival (The Front Page, King Lear, She Stoops to Conquer, School for Scandal). She is a Toronto Theatre Critics' Award winner, three-time Dora Award winner and twelve-time Dora nominee in both performance and writing, referred to as “the excellent Maev Beaty” by the New York Times. Her film debut (Mouthpiece) was a Special Presentations Opening Film at 2019 TIFF. maevbeaty.com Instagram: @maevbeaty Twitter: @maevbeaty Debashis Sinha's creative output spans a broad range of genres and media, from solo audiovisual performance projects on the concert stage to the interior spaces between two headphones. Driven by a deep commitment to the primacy of sound, Sinha has developed his creative voice by weaving together his own experience as a 2nd generation south Asian Canadian, his training with master drummers from various world music traditions, a love of electronic and electroacoustic music and technology, and a desire to transcend the traditional expectations of how these streams might intersect and interact. debsinha.com Twitter: @sinhadeb Soundcloud: https://soundcloud.com/debsinha Necessary Angel Theatre Company is one of English Canada's most vital original creation and touring organizations. The company has a history of innovation and risk taking and engages theatre artists from a variety of disciplines in the creation of new work. An influential and original presence on the national and international theatre scene for over 40 years, the company has produced more than 60 productions, including 30 world premieres and 11 North American premieres. Work created by Necessary Angel has been nominated for and has won Governor General's Awards for Drama, Chalmers Awards for Outstanding New Play, and numerous Dora Mavor Moore Awards. www.necessaryangel.com Twitter: @necessaryangel The Great Fire: https://www.necessaryangel.com/the-great-fire

Sunday morning 8th of August, 2021 1 Peter 5 v 1

It’s NOW’s 40th anniversary this year, and we’re looking back at some of our most memorable covers with retrospective interviews. Glenn Sumi talks to playwright and actor Michael Healey about his February 18, 1999 cover appearance for his breakout play The Drawer Boy, and how it changed his life … and how, two decades later, another NOW story changed his life once again.

Sunday morning 14th of February, 2021 Joshua 8

Addae and EB sit down with Graham Abbey and Michael Healey to talk cross-cultural collaboration it's crucial role in the creative process. Listen in on this discussion, focusing around the case study of Front Page at the Stratford Festival

Sunday morning 19th of April, 2020 Luke ch 24 v 36-29

Easter Sunday 14th of April, 2020 Luke ch 23 v 50 - Ch 24 v 12

Torquil and Michael Healey (@healeytypes) got into a Twitter spat over whether big names giving out their art for free online ruins it for the little guy trying to make a buck. While we wait for the vaccine, and the ability to congregate again, do you make art, and what kind? Plus, if you've got a play and you want some feedback from Michael Healey, well, email him at (mtlh50@gmail.com)! He'd be happy to take a look and give you his feedback. Links:The Forgotten Art of Assembly - Nicholas BergerPicks:Hardy Caprio - an amazing hip-hop artist from London, UK.John Prine - RIP to the great singer/songwriter.Follow us:@softrevcast@torquilcampbell@alimomen

Palm Sunday Sunday morning 5th of April, 2020 Luke 23 v 26 - 34

Michael Healey has gone from writing a play that debuted at the Toronto Fringe Festival to having his work appear at the Stratford Festival. It's an impressive trajectory that includes writing "The Drawer Boy," one of the most-produced plays in North America. Healey discusses everything from how he writes scenes to his process in the rehearsal room. Healey, who has suffered from depression, opens up about his path from the days he could barely get out of bed to his most productive and happy days. I enjoy Healey's political comedy and his sense of humor truly shines in our chat.

The Rhode Island Department of Environmental Management cautions Rhode Islanders about black bears. #WPRO After a woman in Narragansett had a close encounter with a black bear, DEM spokesman Michael Healey talks about how to avoid your own bear encounter, and offers tips to bear-proof your property. https://www.facebook.com/RhodeIslandDEM/posts/2301682106739000

The Rhode Island Department of Environmental Management cautions Rhode Islanders about black bears. #WPRO After a woman in Narragansett had a close encounter with a black bear, DEM spokesman Michael Healey talks about how to avoid your own bear encounter, and offers tips to bear-proof your property. https://www.facebook.com/RhodeIslandDEM/posts/2301682106739000

Richard Clarkin and Arturo Pérez Torres and Face2Face host David Peck talk about their film The Drawer Boy, love, loyalty and friendship, memory and identity, and collaborative, collective creation. Trailer Synopsis It’s 1972 in rural Ontario. Angus and Morgan have been living alone on their farm since a World War II injury left Angus with no short-term memory. Miles, a young actor from Toronto, shows up to stay with the two farmers in order to gather stories and make up a play about farming. Through his exploration of the farmers’ past, Angus’ memory is unlocked, and secrets are exposed.Based on a play by Michael Healey, The Drawer Boy, his first full-length play, premiered in Toronto in 1999 and won the Dora for best new play, a Chalmers Canadian Playwriting Award, and the Governor General’s Literary Award. It has been one of the most produced plays across North America and has been translated into German, French, Japanese and Hindi. Some of his other plays include Courageous, Proud, and Rune Arlidge. Biographies: Arturo Pérez Torres has directed five feature documentary films and has received 15 awards from national and international major festivals. His films have screened at the MoMA in New York City and on the National Geographic Channel, CBC and the Sundance Channel. He is a Guggenheim and Chalmers fellow. The Drawer Boy is Arturo’s first narrative film. Richard Clarkin is the winner of the Canadian Screen Aard for Best Supporting Actor for The Drawer Boy. In addition to his work on television and in film, Richard Clarkin, a graduate of The National Theatre School, has appeared on stage as Biff with Judd Hirsch in Death Of A Salesman at the Royal Alex in Toronto, and starred as Scar in The Lion King at The Princess of Wales Theatre. He also appeared in Merchant of Venice at the Stratford Festival, The Faraway Nearby, Salt-Water Moon and New World at the Tarragon, Ring Round the Moon and Twelfth Night at the Soulpepper Theatre, and many, many more. He was nominated for a Dora Award for his work in Uncle Vanyaat the Guardian Springs. He is pictured above at the 2019 Canadian Screen Awards. Image Copyright: Arturo Pérez Torres. Used with permission. Music and Image Copyright: David Peck and Face2Face. Used with permission.For more information about David Peck’s podcasting, writing and public speaking please visit his site here. With thanks to Josh Snethlage and Mixed Media Sound. See acast.com/privacy for privacy and opt-out information.

Canadian playwright and actor Michael Healey joins guest host Aaron Reynolds to chat about his play 1979 and how it reflects Canada's politics today through the lens of Joe Clark's brief term as prime minister 40 years ago.

Pilot to Pilot podcast episode 33 ft. Michael Healey: Commercial Pilot and College Student. What is going on Avination and welcome back to the Pilot to Pilot podcast. Today, I am talking with Michael Healey. Michael is a current commercial pilot that is balancing both being a college student and flight training.  Some of the things we talk about in today's episode. Why Michael became a pilot. How he wanted to originally be a filmmaker. How Instagram actually led to him wanting to learn to fly. How Michael how to get over motion sickness on his path to becoming a pilot. How GingerAle helped Michael get over motion sickness. We talk about Michaels flight training. How everyone learns at their own pace. I talk about why I chose aerial survey. Why I chose to fly for a single pilot IFR operation. Why it is important to use shepherd air for all of your written exams. How he taxied the wrong way on his Private pilot check-ride. How and Why his Private Pilot check ride was the hardest check ride he ever took. What his training was like once he started College. How you need to be on your game during your instrument training. Michael gives his advice as to how a college student can fly while in school. Why it is important to surround yourself with people that have the same goals you do. How he got to tag along in king airs. How Michaels nickname was “kid behind the fence” His first experience with dodging weather. How he got to be a campus ambassador for Republic airlines. Why Michael really likes Republic airlines. How different airlines work for different people. Michael talks about what working in Charter Sales is like. Why he wished he would have done more research on his flight school. Avination, thank you for listening to today's episode. If you enjoyed it, please let me know! Email me at pilottopilothq@gmail.com or reach out to me on Instagram @pilottopilot. Also, make sure to check out the Pilot to Pilot patreon page. Get your free Audible trial at audibletrial.com/pilottopilot. Happy Flying, Justin

This special The Bellows episode features carpenter Kevin Hutson, our moderator, joining writer/director Kat Sandler, technical director Dean Johnson, independent producer Aislinn Rose, technician and stage manager Pip Bradford, and designer and technician Rebecca Vandevelde discussing how to work with your friends while remaining professional. It was recorded live at Theatre Passe Muraille on January 18th. The first 10 minutes of the introductions was lost because SOMEone forgot to hit record: it happens. This audio starts with with Rebecca Vandevelde introducing herself. As well, the audio has been panned in order to facilitate the identification of the speaker with the audio field being layed out as they presented: Kevin, Kat (who joins later), Dean, Aislinn, Pip, and Rebecca. KEVIN HUTSON Kevin is the head carpenter at The Tarragon Theatre in Toronto and one of the founders of The Bellows. Kevin has also performed as a production manager, technical director, lighting designer and general technician in Toronto for may years. DEAN JOHNSON A technician and technical director in Toronto. KAT SANDLER Kat is a writer/actor/director working in Toronto. She is the Artistic Director of Theatre Brouhaha, and has staged six or her original plays; LOVESEXMONEY (Next Stage Festival), Help Yourself (Best of Fringe, winner of the Fringe New Play Contest), Delicacy (Summerworks), Rock (Storefront Theatre), We Are the Bomb (Toronto Fringe, Sucker (Storefront Theatre) and directed Twenty-Seven Wagons Full of Cotton, and The Unseen Hand (Playwrights Project). As an actor she has appeared onstage with Theatre Gargantua in the world premieres of FiBBer and Imprints. She is a graduate of Queen’s University. Kat will be writing Retreat while in Tarragon’s Playwrights Unit. AISLINN ROSE Aislinn is an independent producer, theatre maker, member of the Toronto Alliance for the Performing Arts’ Board of Directors, and Co-Chair of TAPA’s Indie Caucus. She recently joined the producing team for Luminato’s 2013 festival as Associate Producer, and produced the festival’s L’Allegro by the Mark Morris Dance Group, Feng Yi Ting directed by Atom Egoyan, and Ronnie Burkett’s The Daisy Theatre. This year she will be guest curating Harbourfront Centre’s HATCH 2014 season along with her Praxis Theatre colleague, Michael Wheeler. As the Artistic Producer of Praxis Theatre & Co-Editor of praxistheatre.com, she led the Open Source Theatre Project for Section 98 at Harbourfront Centre, created the experimental Dungeons & Dragons (not) The Musical, was Artistic Producer of You Should Have Stayed Home, and Producer for Jesus Chrysler in Association with Theatre Passe Muraille. She will be producing their upcoming cross Canada tour of You Should Have Stayed Home in Whitehorse, Vancouver, Toronto, Montreal and Ottawa. She and Michael Wheeler were named Theatre VIPs for 2012 by Toronto paper, The Grid, after having been named “People to watch” that year by Torontoist. Last year she produced Aluna Theatre’s inaugural PANAMERICAN ROUTES Festival of Theatre for Human Rights, and was Co-Producer with Fides Krucker on the electroacoustic opera Julie Sits Waiting (nominated for 5 Dora Awards including Outstanding Production – Opera/Musical). Other recent projects include producing The Lesson For Modern Times Stage Company (nominated for 8 Dora Awards, including Outstanding Production). Social media experiments include working as a consultant & online creator for the sold-out run of Michael Healey’s Proud and developing “The Brain”, the online counterpart for Liza Balkan’s Out The Window for The Theatre Centre’s biennial Free Fall Festival. Aislinn is the recent recipient of a Canada Council for the Arts Professional Development grant as an Independent Theatre Producer. SARAH ‘PIP’ BRADFORD Pip has lived and worked in the Toronto theatre community for the past five years. She freelances as a technician and stage manager for many companies in Toronto, inclu

1895 Nicaragua Canal Cartoon Officially opening in 1914, the Panama Canal connected the Atlantic and Pacific creating a short-cut for ships. It was the biggest infrastructure project of its time. But originally the United States wanted to build the canal in Nicaragua. The plans shifted largely after French engineer Philippe-Jean Bunau-Varilla convinced U.S. lawmakers otherwise. Well now the Nicaragua canal plans are back on the table. Nicaragua plans to build a $50 billion canal to connect the Caribbean and Pacific. Supporters argue it will create more than 250,000 jobs. But small farmers and environmentalists say the project will destroy Lake Nicaragua. On this edition, we ll take a look at the economic, political and environmental controversies surrounding the Nicaragua canal. Reporter Reese Erlich has the story. Featuring:  Maria Mercelin, fisherman s wife; Michael Healey, head of an agribusiness association; Monica Lopez, anti-canal activist and lawyer; Lionel Teller, former Nicaraguan ambassador to the EU; Rosibel Lope, owner of snack bar on Ometepe Island; Jairo Carrilon, anti-canal coalition leader; David Quintana, spokesperson for Foundation for Nicaraguan Sustainable Development; Benjamin Lanzas, member of the canal s governing body; Juana Juarez, resident of Ometepe Island; Osvaldo Navas, Ometepe Island leader; and Antonio Granados, land owner whose property lies directly along the canal route. Host: Laura Flynn Producers: Andrew Stelzer, Laura Flynn, George Lavender, Jasmin Lopez Contributing Producers: Reese Erlich Executive Director: Lisa Rudman Web Editor: Kwan Booth More information: Foreign correspondent Reese Erlich is author of five books, most recently, “Inside Syria: the Backstory of Their Civil War and What the World Can Expect,” foreword by Noam Chomsky. Twitter: @ReeseErlich Facebook: Reese Erlich Foreign Correspondent Home page:  www.reeseerlich.com MUSIC: “Simon Mathewson – Spectacled Cobra” (by Simon Mathewson) “Wash Out” (by Broke For Free) The post The Controversial Nicaragua Canal appeared first on KPFA.

Ford, Duffy, Harper- and no mockery? Playwright & actor Michael Healey on why Canada's powerful never get what they deserve. Support CANADALAND: https://canadaland.com/joinSee omnystudio.com/listener for privacy information.

The 2008 Banff Playwrights Colony includes: John Murrell ; Maureen LaBonte ; Fran Gebhard ; Joan MacLeod ; Don Hannah ; Daniel MacIvor ; Linda Gaboriau ; Michel Marc Bouchard ; Bob White ; Mieko Ouchi ; Michael Healey ; Eugene Stickland ; Joyce Doolittle ; Hannah Moscovitch ; Robert Chafe ; Jane Maggs ; Lenora Steele ; Beth Graham ; David van Belle ; Kendra Fanconi.