Podcast appearances and mentions of peter quilter

Sean Comer and Mark Radulich review movies currently on streaming services and in theaters: Stan and Ollie/Chaplin/Judy Movie Review! First up is Stan and Ollie (2018). Then we move on to Chaplin (1992). Finally we review Judy (2019).Stan & Ollie is a 2018 biographical comedy-drama film directed by Jon S. Baird. The script, written by Jeff Pope, was inspired by Laurel and Hardy: The British Tours by A.J. Marriot which chronicled the later years of the comedy double act Laurel and Hardy; the film stars Steve Coogan and John C. Reilly as Stan Laurel and Oliver Hardy. The film focuses on details of the comedy duo's personal relationship while relating how they embarked on a gruelling music hall tour of the United Kingdom and Ireland during 1953 and struggled to get another film made.The film premiered on 21 October 2018 at the closing night gala of the BFI London Film Festival. It was released in the United States on 28 December 2018 and in the United Kingdom on 11 January 2019. At the 76th Golden Globe Awards, Reilly was nominated for Best Actor – Motion Picture Musical or Comedy, and at the 72nd British Academy Film Awards the film earned three nominations, including Best British Film and Best Actor in a Leading Role for Coogan.Chaplin is a 1992 biographical comedy-drama film about the life of English comic actor and filmmaker Charlie Chaplin. It was produced and directed by Richard Attenborough and stars Robert Downey Jr., Marisa Tomei, Dan Aykroyd, Penelope Ann Miller and Kevin Kline. It also features Charlie Chaplin's own daughter, Geraldine Chaplin, in the role of his mother, Hannah Chaplin.The film underperformed at the box office, grossing $12 million against a $31 million budget, and received mixed reviews from critics; Downey's titular performance, however, garnered critical acclaim and won him the BAFTA Award for Best Actor along with nominations for the Academy Award for Best Actor and Golden Globe Award for Best Actor – Motion Picture Drama.Judy is a 2019 biographical drama film based on the life of American entertainer Judy Garland. Directed by Rupert Goold, it is an adaptation of the Olivier- and Tony-nominated West End and Broadway play End of the Rainbow by Peter Quilter. The film stars Renée Zellweger, Jessie Buckley, Finn Wittrock, Rufus Sewell, and Michael Gambon.The film follows Garland's career during the last year of her life, when she relocated her stage career to England, coupled with flashbacks of her childhood, most prominently the shooting of her part as Dorothy Gale in The Wizard of Oz (1939), her most famous film role. After some initial success in a run of sell-out concerts at the Talk of the Town in London, her efforts eventually stop making progress and even start to worsen as her health deteriorates.Judy premiered at the 46th Telluride Film Festival on 30 August 2019, and was released in the United States on 27 September 2019, and in the United Kingdom on 2 October 2019. The film received generally positive reviews, with Zellweger's performance garnering widespread acclaim. For her portrayal of Garland, Zellweger won the Academy Award for Best Actress, as well as the Golden Globe Award, SAG Award, BAFTA Award and Critics' Choice Movie Award.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

Barry Creyton began his career at the age of 17 in theatre and in radio in Australia and by age 20, was playing leads on stage, and in national radio productions.  He also hosted his own weekly radio program devoted to theatre news and interviews. At 21, he made his Australian television debut as Lorenzo in a national television production of The Merchant of Venice.   For three seasons, he starred in the TV series The Mavis Bramston Show.  This ground  breaking show, the highest rated in the history of Australian television, dealt with topical and political satire.Creyton relocated to England for twelve years playing comedy and dramatic roles in London's West End - including Don's Party (Royal Court), Roger's Last Stand (Duke of York's), Ten Years Hard (Mayfair), Urban Guerilla  (Soho Poly), a revival of the musical Salad Days, and Liz, a musical based on Aristophanes' Lysistrata as well as several revues and the National Tour of Abelard and Heloise.On his return to Australia, Creyton starred in many theatre productions - Ayckbourn's Bedroom Farce, Season's Greetings and Absurd Person Singular, Frayn's Noises Off, and in Pack Of Lies, Side By Side By Sondheim, The Owl And The Pussycat, Suddenly At Home, The Philanthropist, and played twins in the comedy-thriller Corpse.He guest starred on many popular TV episodics. These roles were generally amorous cads or big-business villains - characters at odds with the comedies he played on the stage.  They included The Restless Years, The Young Doctors, Skyways, Cop Shop, The Sullivans, I Married a Bachelor, Cuckoo in the Nest, as well as guest star roles in TV movies, Image of Death, All at Sea, the Michael Powell feature, They're a Weird Mob and the BBC's Robert Louis Stevenson in Australia. He turned to directing, with the musical Nunsense which broke box office records all over Australia, and employed two companies playing simultaneously. A motorcycle accident during the run of Corpse resulted in a badly broken leg.  The long recuperation period enabled him to write a stage comedy, Double Act.  Since 1990, Creyton has worked almost exclusively in the United States, principally as writer and director. He relocated from New York to Los Angeles when commissioned to write a movie of the week for Hearst Television, while his off Broadway revue Secrets Every Smart Traveler Should Know ran for two and a half years in New York. His critically acclaimed adaptation of Noël Coward's Peace in Our Time for the Antaeus Theatre Company in L.A. received the Ovation Award and the L.A. Weekly Annual Theatre Award; the L. A. Times voted the production among the best world theatre of the year.He has appeared on stage at the Antaeus Theatre in Balzac's Cousin Bette, Shaw's The Doctors Dilemma and Moliere's School For Wives  and as Apollo in The Curse of Oedipus.Creyton returns to Australia periodically for theatre engagements, starring in Noël Coward's Blithe Spirit, directing and starring in his own plays, Later Than Spring and Valentine's Day (since produced in several languages and, along with his Double Act, in constant repertoire in Europe), and in 2007 he returned to Sydney's Ensemble Theatre to star in Peter Quilter's play Glorious, and again in 2010 in Quilter's Duets, in which he played four diverse characters.His young adult novels, The Dogs of Pompeii and Nero Goes to Rome, co-authored with American writer Vaughan Edwards, are published by Random House, and his novel Murder is Fatal, an affectionate parody of noir movies, was published in 2017.His novel The View from Olympus Mons, was published in 2022 by NineStar Press.The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Uma conversa com a dupla de atores que encena a peça ‘Duetos', comédia do premiado dramaturgo britânico Peter Quilter que examina o mundo caótico dos relacionamentos modernos.

Noeline Brown is a National Treasure. A beloved star of stage and screen, Noeline first gained notice for her comedic skills in the brilliant Phillip Street Revues of the early 1960's in Sydney.Her TV fame began when she starred in the legendary satirical smash The Mavis Bramston Show in 1964, with Gordon Chater, Barry Creyton and Carol Raye. Starting in 1976, Noeline starred in The Naked Vicar Show along with Ross Higgins and Kev Golsby. She was also everyone's favourite panellist on Blankety Blanks with Graham Kennedy.Her film career features memorable roles in the classic Walkabout and Emma's War. Her sixty year stage career includes Don's Party, Cowardy Custard, Emerald City, Applause, Double Act, Valentine's Day, Later Than Spring and Wallflowering. Noeline won the Norman Kessell Award for Best Performance in 2008 for her starring role as Florence Foster Jenkins in Peter Quilter's Glorious. In 2014 Noeline starred as Maggie in the hit QTC production of Geoffrey Atherton's Mother and Son. In 2008 Noeline was made Australia's first Ambassador of Ageing. Her works as an author include “Longterm Memoir” and “Living the 1960's”.In 2022, she is back on the boards and on tour in Mono: A three-person one-man show, alongside John Wood and Max Gillies. What a thrill to welcome Noeline Brown to STAGES!The STAGES podcast is available from Apple podcasts, Spotify, Whooshkaa and where you find your favourite podcasts. www.stagespodcast.com.au

Noeline Brown is a National Treasure. A beloved star of stage and screen, Noeline first gained notice for her comedic skills in the brilliant Phillip Street Revues of the early 1960's in Sydney.Her TV fame began when she starred in the legendary satirical smash The Mavis Bramston Show in 1964, with Gordon Chater, Barry Creyton and Carol Raye. Starting in 1976, Noeline starred in The Naked Vicar Show along with Ross Higgins and Kev Golsby. She was also everyone's favourite panellist on Blankety Blanks with Graham Kennedy.Her film career features memorable roles in the classic Walkabout and Emma's War. Her sixty year stage career includes Don's Party, Cowardy Custard, Emerald City, Applause, Double Act, Valentine's Day, Later Than Spring and Wallflowering. Noeline won the Norman Kessell Award for Best Performance in 2008 for her starring role as Florence Foster Jenkins in Peter Quilter's Glorious. In 2014 Noeline starred as Maggie in the hit QTC production of Geoffrey Atherton's Mother and Son. In 2008 Noeline was made Australia's first Ambassador of Ageing. Her works as an author include “Longterm Memoir” and “Living the 1960's”.In 2022, she is back on the boards and on tour in Mono: A three-person one-man show, alongside John Wood and Max Gillies.What a thrill to welcome Noeline Brown to STAGES!The STAGES podcast is available from Apple podcasts, Spotify, Whooshkaa and where you find your favourite podcasts. www.stagespodcast.com.au

If there's one thing I know, it's spotting a Queen on the Edge. Speaking of - Stuart, Carlotta and I sit down to discuss the 2019 film Judy. Listen to Stuart and I sit in awe of Carlotta and their knowledge of old Hollywood, while we alienate a child for her stylist, and fear for Judy not having enough change for a long distance phone call.Judy (2019), written by Tom Edge (screenplay), and Peter Quilter, Directed by Rupert Goold and Starting Renée Zellweger. Judy tells the story of Legendary performer Judy Garland during the winter of 1968, performing a series of sold-out concerts in London.RWACpod on Facebook: https://www.facebook.com/groups/rwacpodFollow on IG:  @RWACpodWhere to find the Rebels:Stefan: @sjmaroni on IGBearSailorMoon: @bearsailormooon IG and TwitterCarlotta Carlisle: @carlottacarlisle on IG / Carlotta1987 on RedBubbleChad: @cski01 on IGPJ: @xndra_design on IGStu: @janikon_ on IG & TikTok

The Play’s the Thing is a series of play readings, perfect for these socially distant times, presented by a range of drama groups from across Clare. Sit back, listen to the actors, and let your imagination take flight in this staged presentation of humorous Irish and international modern plays. With no sets, sounds or choreography, the performers and the words will do the conjuring! The series begins this week with the Ennis Players’s reading of Glorious by Peter Quilter. The series will continue every fortnight until mid November with readings from Muse Productions, the Corofin Dramatic Society and Sliabh Aughty Drama Group. On Wednesdays' Morning Focus, Gavin Grace spoke to Bernie Harten from the Ennis Players, Noel Hogan from Sliabh Aughty Drama Group and the director of Glór, Orla Flanagan.

Welcome back! Once again, Host Stefan (@sjmaroni) sits down and dives deep into Queer and Queer Adjacent films with brand new guests Joey (@Carlottacarlisle) and Stu (@janikon_)In this weeks Episode we discuss old Hollywood, drug abuse, addiction, family, being in the public eye and not having enough change for a long distance phone call.Judy (2019), written by Tom Edge (screenplay), and Peter Quilter, Directed by Rupert Goold and Starting Renée Zellweger. Judy tells the story of Legendary performer Judy Garland during the winter of 1968, performing a series of sold-out concerts in London.

“Judy” basada en el libro de Peter Quilter, es una película biográfica protagonizada por Renée Zellweger, quién se llevó el Oscar a mejor actriz a comienzos de año. --- Send in a voice message: https://anchor.fm/chechitar/message Support this podcast: https://anchor.fm/chechitar/support

Zach talks COVID-19 updates at the state and national level with callers answering the call "how is Governor Ducey doing managing COVID-19?" Then, Peter Quilter, Democrat running for CD2, talks about his platform and recent news that he is on the ballot to officially primary Ann Kirkpatrick.

Hi everyone! Welcome back for our continuing Golden Globes coverage. By now, the awards have been announced, and everyone is chatting up a storm. Be sure to check out our congratulatory posts for all the winners we’ve reviewed, and the schedule for reviewing the remaining winners, if needed. We covered about seventeen of thirty-four films that were nominated this year. As part of that coverage, we’ll be welcoming back Ryan L. Terry to the podcast, with his first of two reviews this month covering Golden Globe nominees. Today, Ryan will be covering JUDY, but be sure to tune in next week for his review of WHERE’D YOU GO, BERNADETTE? And for a few reviews from Ryan last year, check out KNIFE + HEART (Episode #542), I KNOW WHAT YOU DID LAST SUMMER (Episode #614), and THE GOOD LIAR (Episode #662). His promo will run before the review. Subscribe to stay current with the latest releases. Contribute at Patreon for exclusive content. Connect with us over social media to continue the conversation. Here we go! ///// > ///// Today’s movie is JUDY, the biopic directed by Rupert Goold and written for the screen by Tom Edge, based on the stage play by Peter Quilter, starring Renée Zellweger as Judy. While there are many movies that focus on the rise and fall of a talent in show business, this movie skips all the glitz and glamor to paint a realistic portrait of what it is like for those whom grow up in front of the camera, controlled by those around them, just to wind up in front of booing crowds, with empty bank accounts, homeless, and in a tumultuous custody battle. Not to mention her addiction to pills that was caused by the abusive treatment at the hands of the old studio system. Although we all know the tragic ending, no mistaking it, this film is an inspirational story of redemption. Whether you are a fan of the iconic diva or not, you do not want to miss this powerful film! While we may be familiar with the broad strokes career of the legendary entertainer, this film goes beyond the headlines and tabloids to deliver a true-life story that could ironically be titled “A Star is Born” or perhaps reborn. Ironic in that this film shows the life of a movie star after the lights have faded and the offers stop coming in, much like the movie she starred in. It’s a rise and fall story of sorts, but is more precisely a fall and rise story as the movie focusses in on the last year of Judy Garland’s life. If you are worried that the film ends on her death, you can be relieved that the film chooses to stop the story prior to the end of the iconic star’s life. And it works incredibly well! “For one hour, I am Judy Garland, and the rest of the time I am just like everyone else...I want what everyone wants, I just seem to have a harder time getting it." This is a paraphrased quote from the movie, but it illustrates how the actress and singer felt about her relationship with the world. The movie chronicles her inability to stay afloat financially in Los Angeles and must accept a gig in London where her personal troubles continue to follow and haunt her. Her character is so incredibly relatable because many of us have found ourselves in traps that we have stepped in and are at a loss as to how to get out. If you thought this was going to be another cliché musical biopic, then you would be mistaken. No pretense about it, this is an unapologetic look at the dark side of Hollywood in perhaps one of the greatest stories that is right up there with Norma Desmond in SUNSET BOULEVARD. Zellweger delivers a performance for the ages in this film. It is clear that Zellweger studied Judy Garland for months in order to get into character. Her movement, speech pattern, posture, and other behaviors completely sell the audience on this audacious portrayal of such an icon. We all know Zellweger can sing, after all, she wow'd us in CHICAGO (a rare example of when the movie adaptation is better than the live show), but nothing will prepare you for the power of her singing in this movie. You will hear “The Trolley Song”, “Come Rain or Come Shine”, and of course, she’ll bring you to tears with the encore of “Over the Rainbow” during the movie's climactic, emotionally charged, showdown. One of the tangential components of this movie is Judy meeting up with "Friends of Judy" at the end of one of her shows. It’s an emotionally moving tribute to all the gay men who’ve loved her over the years. This is the scene where I feel that she should've sang “Have Yourself a Merry Little Christmas” because tonally it was similar to that scene in “Meet Me in St. Louis,” but instead, she sings Get Happy. Maybe this is an unconventional redemption story, but that quality is clearly communicated through the film. Rising up against the internal and external monsters in your life that have dragged you down so far that there is no end in sight. Whereas Judy may not have changed as dramatically as Scrooge did in “A Christmas Carol”, she does change during the climax of the movie. Rotten Tomatoes: 83% (CERTIFIED FRESH) Metacritic: 66 iMDB: 7.1/10 One Movie Punch: 10/10 JUDY (2019) is rated PG-13 and is available on demand and Blu-ray.

Judy (Biography, Drama, History)  Legendary performer Judy Garland arrives in London in the winter of 1968 to perform a series of sold-out concerts. Director: Rupert Goold Writers: Tom Edge (screenplay by), Peter Quilter (based on the stageplay "End of the Rainbow" by) Stars: Renée Zellweger, Jessie Buckley, Finn Wittrock - (IMDb)     Movies First RSS feed: https://feeds.megaphone.fm/BIT7197946000  Stream podcast episodes on demand from www.bitesz.com/moviesfirst (mobile friendly).  Subscribe, rate and review Movies First at all good podcatcher apps, including Google Podcasts, Apple Podcasts, Stitcher, PocketCasts, CastBox.FM, Podbean, Acast, Spreaker, etc.For more, follow Movies First on Facebook, Twitter and YouTube : Facebook - @moviesfirst Twitter - @MoviesFirst YouTube Channel: https://www.youtube.com/channel/UCatJQHaVabIvzCLqO16XvSQ    If you're enjoying Movies First, please share and tell your friends. Your support would be appreciated...thank you. #movies #cinema #entertainment #podcast #reviews #moviesfirst #judy #reneezellweger #judygarland Learn more about your ad choices. Visit megaphone.fm/adchoices See acast.com/privacy for privacy and opt-out information.

Judy is a 2019 biographical drama film about the life of American actress and singer Judy Garland in 1969 as she arrives in London for a run of sell-out concerts at the Talk of the Town. Directed by Rupert Goold, it is an adaptation of the Olivier- and Tony-nominated West End and Broadway play End of the Rainbow by Peter Quilter. The film stars Renée Zellweger as Garland, with Jessie Buckley, Finn Wittrock, Rufus Sewell, and Michael Gambon in supporting roles. The film had its world premiere at the Telluride Film Festival on 30 August 2019 and was theatrically released in the United States on 27 September 2019 and in the United Kingdom on 2 October 2019. The film received positive reviews from critics, with major praise for Zellweger's performance. -------------------- FOLLOW US -------------------- NADIA SAWALHA & FAMILY https://www.instagram.com/nadiasawalhaandfamily.com http://www.twitter.com/nadiasawalha For more movie news follow: POPCORN JUNKIES: https://www.instagram.com/popcornjunkiesmovieclub/ ------------------------------------ BUSINESS ENQUIRIES ------------------------------------ For business enquiries contact: michelle@doghouse-media.co.uk --- Send in a voice message: https://anchor.fm/popcorn-junkies/message

Peter Quilter, a non-resident fellow at the Kennedy School’s Ash Center, details the internal state of affairs in Colombia, Venezuela, and Cuba, revealing that despite the unique nature of each country’s problems, their futures are all interconnected.

Oh, the glory of the human voice. And the power of the human mind to hear one’s own voice, and somehow experience it as beautiful when to other’s it’s . . . not. Not Beautiful. Not even good. Which brings us to Florence Foster Jenkins. That’s her we are listening to now, from a recording she made in 1944. Jenkins was, in her time, a famous singer. She once sold out Carnegie Hall, packing the place with people eager to find out if the wacky socialite from Manhatten was really as bad as everyone said she was. The wild thing was, Jenkins was one of the only people who had no idea what she actually sounded like. Was she mistaken, mislead perhaps, mentally ill, or just really, really in love with the idea of being a singer? Those are the questions that are raised in the play Glorious! by Peter Quilter, running through October 18 at Ross Valley Players in Ross, in Marin County. It’s a little ironic that in creating a script that celebrates Florence Foster Jenkins, the playwright has created something as eccentric and strange and unexpectedly sweet as Jenkin’s herself . . . and just as mediocre. In all fairness, there isn’t really much about the Jenkins life from which to build a full story, and this ultra slight, plot-thin comedic farce avoids some of the more interesting things. The result is, well, kind of a one-joke story with no real story. And the running joke about a really old dog does not count as plot. There is charm in the story, certainly. But is charm enough? Glorious! suffers from the same malady that Jenkins did—a woeful insensitivity to tone, pitch, and pacing. And though it makes a herculean effort at turning Jenkins into some kind of self-actualized heroine, it can’t escape the uncomfortable truth that her popularity was, in many way, a deeply cruel joke. In the Ross Valley Players staging—unevenly orchestrated by the usually excellent director Billie Cox—the best thing about the show is the charming, infectiously upbeat performance of Ellen Brooks as Jenkins. She’s delightful. There is also fine additional support by Mitchell Field as Jenkins’ roguish common-law husband St. Clair, a frequently unemployed, alcoholic actor, who depended on his paramour’s money, but seemed genuinely devoted to her and her singing efforts. Also, good, if a little one-note, is Dan Morgan as the accompanist McMoon, whose transition from grudging employee to affectionate friend provides what little there is in the way of plot. As Maria—Jenken’s cranky Mexican maid, Maureen O’Donoghue does a lot with a slight role, but as an affronted music fan attempting to burst Jenkin’s bubble, Jackie Blue is allowed to do far too much with far too little. Apparently intended as the antagonist of the play, she’s far too ridiculous and cartoonish to be taken seriously, even as comic relief. As Jenkins friend supporter Dorothy, Ellen Fisher creates a goofy but affectionate caricature of a devoted friend, who might be even crazier than Jenkins. Through it all, there is an authentic sweetness to the proceedings, but the play is ultimately as lacking in substance and depth as was the infamous singing voice of its hapless subject. Glorious! is diverting and amusing and sometimes funny, but funny in a sad way. Just like Jenkins. ‘Glorious!’ runs Thursday–Sunday through Oct. 18 at Ross Valley Players. Rossvalleyplayers.com