Podcast appearances and mentions of Marisa Tomei

for the full episode join the Patreon [patreon.com/fashiongrunge]It's been years and even before the podcast itself that Charles has been mentioning this film. Well, it's high time we review it then! Get ready for a heavy domestic drama in 'In the Bedroom' from 2001.Now, there is an iconic 6 minute scene that basically holds the whole film together which we talk about at LENGTH. We are also getting down to the insane story, Nick Stahl and Marisa Tomei being great supporting cast, and some unexpected hilarity.off- topic rants include: Oscars rage minute, directors doing multiple takes, and why 'bitter' is the strongest insult---GIVE US A 5 STAR RATING & SUBSCRIBE to the main Fashion Grunge Podcast feed on (mostly) 90s films!Hosts: Lauren @lauren_melanie & Charles @charleshaslamFollow Fashion Grunge PodcastFind more Fashion Grunge on LinktreeJoin me on Substack:  The Lo Down: a Fashion Grunge blog/newsletter☕️ Support Fashion Grunge on Buy Me a Coffee: https://www.buymeacoffee.com/fashiongrunge

I have been anticipating having the opportunity to speak with Carl Amari on an episode of Unstoppable Mindset for several months. Carl and I share a passion for vintage radio programs sometimes called “old time radio shows”. Carl heard his first broadcast in 1975 when he heard Cary Grant staring in a program from the 20-year long series entitled “Suspense”. That program left the air in 1962, but like other shows, some radio stations kept it alive later.   Carl's interest in vintage programs goes far beyond the over 100,000 transcription master's he has amassed. He has also created some programs of his own. For example, in 2002 Carl asked for and received the rights to recreate the television show, “The Twilight Zone” for a radio audience. He used many famous actors while recreating the series. He talks about what he did and how he brought “The Twilight Zone” to life on the radio.   He also has dramatized five versions of the bible. His most well-known work is “The Word Of Promise Bible”. When I first purchased that bible from Audible, I had no idea that Carl was its creator.   Carl Amari is quite a creative guy making movies, collecting and producing radio programs and he even hosts podcasts.   I hope you have as much fun listening to this episode as I did in creating it with Carl. We definitely will have him back as he has many more stories to tell.       About the Guest:   Carl Amari has been licensing classic radio shows from the owners and estates since 1990.  He has amassed a library of 100,000+ master recordings.  Amari broadcasts these golden-age of radio shows on his 5-hour radio series, Hollywood 360, heard on 100+ radio stations coast-to-coast each week.  Amari is also the Host/Producer of The WGN Radio Theatre heard each weekend on legendary Chicago radio station, WGN AM 720. Amari is the founder and curator of The Classic Radio Club.  Each month Amari selects the best-of-the-best from his classic radio library to send to members.   Amari is also a published author.  In 1996, he began writing a series of books about classic radio for The Smithsonian Institute.  More recently, he teamed with fellow classic radio expert, Martin Grams, to co-write the best-selling coffee-table cook “The Top 100 Classic Radio Shows” (available at Amazon).  Each bi-monthly, Amari writes a classic radio-themed column titled “Good Old Days on the Radio” for the nostalgia publication Good Old Days Magazine.   In 2002, Amari licensed the intellectual property, The Twilight Zone, from CBS and The Rod Serling estate to create and produce The Twilight Zone Radio Dramas, which are fully dramatized audio adaptations based on Rod Serling's Emmy-Award winning TV series.  Hosted by prolific actor Stacy Keach, each hour-long radio drama features a Hollywood celebrity in the title role.  The Twilight Zone Radio Dramas has won numerous awards of excellence including The Audie Award, AFTRA's American Scene Award and the XM Nation Award for Best Radio Drama on XM.  The Twilight Zone Radio Dramas are broadcast coast-to-coast each week on nearly 100 radio stations.    In 2007, Amari parlayed his experience and passion for radio theatre and love for the Bible into the creation of the award-winning Word of Promise celebrity-voiced, dramatized audio Bible published by Christian giant Thomas Nelson, Inc.  The New Testament won 2008's highest Evangelical award, The Christian Book of the Year.  The Word of Promise stars Jim Caviezel (“The Passion of the Christ”) reprising his film role as Jesus, with Michael York, Terence Stamp, Lou Gossett, Jr., Marisa Tomei, Lou Diamond Phillips, Ernie Hudson, Kimberly-Williams Paisley and many other celebrities voicing roles of the New Testament.  In 2008, Amari produced The Word of Promise Old Testament featuring more than 400 actors including: Jon Voight, Gary Sinise, Richard Dreyfuss, Max von Sydow, Malcolm McDowell, Joan Allen, John Rhys-Davies, Sean Astin, Marcia Gay Harden and Jesse McCartney. The Old Testament was combined with the New Testament and released as The Word of Promise Complete audio Bible in 2009 and has won numerous awards, including three Audie awards.  The Word of Promise has become the #1 selling audio Bible of all time.  In 2009, Amari produced The Truth & Life Dramatized Audio Bible: New Testament, a Catholic Bible featuring Neal McDonough, John Rhys-Davies, Malcolm McDowell, Kristen Bell, Blair Underwood, Julia Ormond, Brian Cox, Sean Astin and other celebrities.  It was released by Zondervan Corporation, the largest religious publisher in the world.  Amari secured an Imprimatur from The Vatican and a foreword by Pope Benedict XVI for The Truth & Life Dramatized Audio Bible: New Testament, which has become the #1 selling Catholic audio Bible in the world.  In 2016, Amari produced The Breathe Audio Bible for Christian Publisher Tyndale House.  Celebrities voicing roles include Ashley Judd, Josh Lucas, Kevin Sorbo, Hill Harper, John Rhys-Davies and Corbin Bleu.  Amari currently produces a weekly radio series based on this audio Bible called The Breathe Radio Theatre hosted by Kevin Sorbo, heard on Christian radio stations coast-to-coast.    In 2000, Amari produced the feature film Madison starring Jim Caviezel, Bruce Dern, Jake Lloyd, Mary McCormack and John Mellencamp.  In 2001, Madison was invited by Robert Redford to be the opening film at Redford's prestigious Sundance Film Festival.  Madison was later released worldwide by MGM.  Amari also spends his time creating television series for Warner Brothers and Gulfstream Pictures.  Amari's latest film projects include producing, Wireman, starring Scott Eastwood and Andy Garcia, a true-story set in 1978 Chicago and Crossed, a Zombie Post-Apocalyptic story by The Boys creator Garth Ennis.  Both films will be released in 2025.   Amari's company was twice named to the INC. 500 list of fastest growing privately-held companies.  He was selected as one of Chicago's Very Own by Tribune Broadcasting and his business accomplishments have been highlighted in The Wall Street Journal, The Chicago Sun-Times, The Chicago Tribune, Variety, INC. 500, The Associated Press, Entertainment Weekly, The Washington Post, The Los Angeles Times and The New York Post. Ways to connect Carl:   https://www.hollywood360radio.com/   https://classicradioclub.com/   https://ultimateclassicradio.com/   You can also provide my email address: Carl@ClassicRadioClub.com   About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:20 Well, hello to you all, wherever you may be, welcome to another episode of unstoppable mindset. Oh, it's always good to have an unstoppable mindset. I am really very joy today. I'm really happy because I get to have an hour to chat with someone who I've admired for a while, although I haven't told him that but he, I first heard him on a show. Well, he did a show called Yeah, on a program called yesterday USA, which is a program that plays old radio shows on now two different networks. They have a red network and a blue network, so they have emulated NBC, and they're on 24 hours a day, doing a lot of old radio stuff. And I've been collecting radio shows for a long time, although our guest, Carl has has done, in a broad sense, a lot more than I have. But anyway, he collects shows. He does a lot with master copies of radio shows, and I don't, don't have that many masters, but he's also done some other things. For example, in 2002 he acquired the rights from CBS and the Rod Serling estate to create Twilight Zone radio, and he is created versions for radio of all of the Twilight Zone broadcasts. The other thing that he did that I didn't realize until I got his bio, is that he created something else that I purchased from Audible, probably in 2008 or 2009 the Word of Promise Bible, where he got a number of entertainers and and special people and Celebrities like Michael York and others to create the Bible, and it's only 98 hours long. So you know, it takes a little while to read, but still, it's worth doing. So I would like to introduce you all to Carl Amari and Carl, welcome to unstoppable mindset. Michael,   Carl Amari ** 03:14 thank you so much for having me. It's a real honor. Thanks so much.   Michael Hingson ** 03:19 Well, the honor is, is mine as well. I really am glad that that you're here and we do get to talk about radio and all sorts of whatever comes along. Well, I want to start this way. Tell me about kind of the early Carl, growing up and all that well for an opening, yeah. Gosh,   Carl Amari ** 03:35 that was a long time ago, but when I was 12 years old in 1975 I heard my first classic radio show. It was an episode of suspense, and it starred Cary Grant in a show called on a country road. Yeah, and I was at a sleepover at my friend's house, and we were kind of rowdy, as as 12 year olds will be. And his father had this show, I think it was on an eight track tape or a cassette tape, and he played it, and it was the first time I ever experienced theater of the mind. And I, you know, grew up watching Batman and the Twilight Zone and Wild Wild West, and I had never had anything, you know, that that really, really just blew me away, like hearing a radio drama where you hear the the actors performing, and you see the, you know, they have the sound effects and the music, and it creates this movie in your mind. And I was at a 12 as 12 years old. I was just completely just, you know, flabbergasted, and I wanted to learn all I could about classic radio and and so I spent, really my entire career, the last 40 plus years, licensing and putting out these radio shows, licensing from. The estates and putting them out on radio and on CD and digital download and so forth.   Michael Hingson ** 05:06 Cool. Yeah, I remember on a country road the first show. Well, I remember a few times my parents were listening to radio in the early 50s, and I think one of the first ones I heard was Dick Tracy, but I don't even remember that, but I think it was 1957 in October or so. I was listening to the radio, and all of a sudden I heard, and one of my maybe it was 58 but anyway, one of my favorite songs at the time was Tom Dooley by the Kingston Trio, and this announcement came up that on suspense this Sunday would be the story of Tom Dooley. And I went, Oh, that's Oh, right, right. Listen to that. And I did, and I was hooked for the very same reasons that you were radio really presents you the opportunity to picture things in in your own mind, in a sense, the way you want. And what they do in the radio production is get actors who can draw you in, but the whole idea is for you to picture it in your own mind. So I did it with Tom Dooley, and I got hooked. And I was listening to suspense and yours truly Johnny dollar ever since that day. And then also Gun Smoke and Have Gun Will Travel came along, and then that was fun.   Carl Amari ** 06:23 Yeah, those were those shows that you just mentioned. They were on still in the 50s. Because when you think of the golden age of radio, it was really the 30, late 30s all the way to the very early 50s, golden age of radio. But there were hangers on. There was Johnny dollar, and, like you said, suspense. And you know, some of these programs that were still on fiber, McGee and Molly, even, you know, Jack Benny, were still on during the 50s. And then, of course, most of the shows made the transition to the visual medium of television. But the eyes, I still say, you know, today, listening to these radio shows is more fun, and I think they're more impactful than the television versions. Oh,   Michael Hingson ** 07:07 I think so by any standard. I think that's true. And gun Well, let's see. Suspense went into, I think 1962 Johnny dollar did, and suspense and Gunsmoke and Have Gun Will Travel. Started on television, actually, but then transitioned to radio. There were a few shows, a few of the plots that actually were on both, yes, but John Danner played Paladin on the radio, and that was fun. And then, of course, Gunsmoke as well. So they, they, they all went into the 60s, which was kind of kind of cool, yeah.   Carl Amari ** 07:43 And usually they had, you know, sometimes they had the same cast, and other times a completely different cast, like with Gunsmoke, you know, William Conrad was Marshall Matt Dillon on on radio. And, of course, people remember him as canon on television, also Nero Wolf on television. But William Conrad, who was probably in more radio shows than anyone I can think of. Yeah, was, was Marshall, Matt Dillon, and then on on television, of course, James Arness, so yeah, and but then, you know, the Jack Benny Program, there was the same cast, you know, the very same people that were on radio, moved to television, same with Red Skelton and many of the shows, but other times, completely different cast.   Michael Hingson ** 08:22 I was watching this morning when I woke up, me too. Let's see, was it me too? Yeah, was me TV? They're great and and they had Jack Benny on at 430 in the morning. I just happened to wake up and I turned it on. There's Benny season five, where he took the beavers to county fair. Of course, the Beavers are fun. And I've actually, I've actually had the opportunity to meet Beverly Washburn, which was, oh, sure,   Carl Amari ** 08:52 sure. Oh man, Jack Benny, probably the high water mark of comedy. You know, when you talk about, you know, a guy that was on, he started in vaudeville, you know, and then he had his own radio show, his own TV show was in movies, and probably the most successful. And when you think about Seinfeld, right, when you think about the series, the television series Seinfeld, there's so many correlations between Seinfeld and the Jack Benny Program, you know Seinfeld. It was, was a comedian, you know Jerry Seinfeld, playing himself. He had this cast of Looney characters all around him. Same thing with the Jack Benny show. It was Jack Benny with a cast of Looney characters. And so it's probably was an homage, you know, to to Jack Benny. And   Michael Hingson ** 09:39 I, I'm, think you're right. I think in a lot of ways, that probably absolutely was the case. And you know, there are so many radio shows that that, in one way or another, have have influenced TV. And I think people don't necessarily recognize that, but it's true, how much, yeah, radio really set the stage for so many things. Yeah, I think the later suspenses, in a sense, were a lot better than some of the earlier ones, because they really were more poignant. Some were more science fiction, but they really were more suspenseful than than some of the early ones, but they were all fun.   Carl Amari ** 10:13 Oh gosh, suspense that's now you're talking about, I think the best series of all time, you know, because it was about almost 1000 episodes. It lasted from 42 to, I believe, 62 or 63 and and it had, for a time, there was a lot of true stories on suspense when Elliot Lewis took over. But yeah, you're right. It had the best actors, the best writers, the best production values. So suspense to this day. You know, I think is, of all the shows was, was one of the best, if not the best.   Michael Hingson ** 10:45 Oh, I agree. I can't argue with that at all. And did so many things. And then for at least a summer, they had hour long suspenses, but mostly it was a half hour or Yes, later was 25 minutes plus a newscast, right,   Carl Amari ** 10:59 right, right? It didn't seem to work in the hour long format. They only did a handful of those, and they went back right back to the half hour once a week, you know. But, yeah, no suspense, one of my favorites for sure.   Michael Hingson ** 11:13 Oh, yeah. Well, and it's hard to argue with that. It's so much fun to do all of these. And you know, on other shows in radio, in a sense, tried to emulate it. I mean, escape did it for seven years, but it still wasn't suspense, right,   Carl Amari ** 11:27 right. Closest thing to suspense was escape, but it was never and I think because you know, as as you know Michael, but maybe some of your listeners don't realize this, these actors, these big actors, Humphrey Bogard and chair, you know, James Stewart and Cary Grant, they were, they were studio, they were under a studio contract. So they weren't like today, where they were freelance. So when, like, let's say, Jimmy Stewart was being paid, I'll just make up a number $5,000 a week to be under contract to make movies when he wasn't making a movie, they wanted to make money on this actor, so they would loan him out to radio. And these actors were on suspense, like on a routine basis, you had movie stars every week appearing on suspense, the biggest movie stars on the planet. So and you would think, well, how could they afford these movie stars? Well, because the studios wanted to make money when their actors weren't working, right?   Michael Hingson ** 12:23 And and did, and people really appreciate it. I mean, Jess Stewart, yeah, even some of the actors from radio, like fiber began, Molly, yeah, on a suspense. And they were, that was a great that was a great show. But, oh yeah,   Carl Amari ** 12:38 back, I think it was back, right? Yeah, yeah, which   Michael Hingson ** 12:41 was really cool. Well, you license a lot of shows from, from people tell me more about that. That must be interesting and fascinating to try to negotiate and actually work out. Well,   Carl Amari ** 12:52 early on, when I was in college, you know, as a communications major, and I learned very early on that these show, a lot of these shows are, copyrighted so and because I was actually sent a cease and desist letter on a college station just playing a show. And so that was, and it was from Mel blanks company, man of 1000 voices. And he his son, Noel, helped me learn, you know, taught me that, hey, you know, these shows are were created by, you know, the the estates, you know, the that were still around Jack Benny and, you know, CBS owns a ton of stuff and different, you know, entities that own these shows and and he helped, and he introduced me to a lot of people, including Jerry Lewis and Milton Burrell and and so I spent My early career in my 20s, flying back and forth to LA and New York and licensing these shows from like Irving Brecher, who created the life of Riley and the Jack Benny estate. And, you know, golden books at the time, owned the Lone Ranger and so licensing that and Warner Brothers, you know, DC for Batman and so, and Superman, I mean, which had Batman on it, but Superman, I licensed those. And, you know, MCA universal for dragnet and the six shooter and so on and on and on and and I spent, as I say, my early career licensing. I now have over 100,000 shows under license, and mostly from Master transcriptions, because I only like to collect from the master source, because we put them out through a club, the classic Radio Club, and I air them on my I have a national radio show called Hollywood 360 we air them every week, five shows every week on the network. There's over 100 stations, including Armed Forces Radio and and so I want the quality to be impeccable. I don't want dubs of dubs or, you know, cracks and pops. And I really want to give people what it sounded like back then when they aired   Michael Hingson ** 14:54 and well. And you you can sort of do that, but the sound is probably even better today. With the audio equipment that people have access to, yeah, the sound is even better than it was. But I hear what you're saying, and it's cool to listen to those, and they're not stereo. Oh, that would be interesting to to try to reprocess and make that happen, but the audio is incredible. Yeah,   Carl Amari ** 15:16 yeah, that's kind of what our, you know, our trademark is, Michael is, you know, if you're listening to Hollywood 360 which, as I say, is on a lot of stations across the country, when you listen to that show, and in every hour, we play a we play a show, you know you're going to get something that sounds just, is like we're talking right now. You know that's that's important to me. Yeah,   Michael Hingson ** 15:37 well, and I can appreciate that, and it makes perfect sense that it is because we should really preserve the the programs, and we should do what we can to make them sound as good as we can, and we should really get that high quality. And the high quality is there, yes, just not always what people find, and people are willing to, well, accept less than what they should, yeah,   Carl Amari ** 16:01 well, I, you know, I grew up collecting from where I wherever I could. But then, when I started licensing them, I would get the masters from the, you know, whoever owned them. And then I also have about a half a dozen collectors that only collect on 16 inch disc, which is kind of great. And so if I have, let's say, you know, suspense and and I'll, you know, let's say, you know, because we license that from CBS. But if CBS doesn't have a certain show, but a collector on disc has it, I'll get that from the collector and still pay the royalty the CBS because they own it. But I'll get that, that disc from a collector. And, you know, we, and it's a cost of doing business, but we'll get it transferred and and put it out to the public that way.   Michael Hingson ** 16:46 Typically, what are the discs made of? So   Carl Amari ** 16:49 they're, they're like, uh, they're like a shellac. I mean, they're, they're like, a glass. Some of them are actually glass,   Michael Hingson ** 16:55 yeah, you know, some of the Jack Benny shows were glass, yeah,   Carl Amari ** 16:59 and acetate and things like that. And so I there's one gentleman that's in in Redding, California, Doug Hopkinson, who is just an expert on this, and he does most of the transfers. We recently licensed 41 different series from Frederick zivs estate. And you know, we're talking the entire collection of Boston Blackie bold venture with Humphrey Bogart and Lauren Bacall, Philo Vance, with Jackson Beck, Mr. District Attorney, and I was a communist for the FBI. And Doug is actually doing they're all on they're all zivs Personal discs. Frederick Ziv, he had them. There's 10,000 more than 10,000 discs in a controlled warehouse in Cincinnati, and we are slowly but surely working our way through 10,000 shows. And Doug is doing all those transfers. So he's a busy guy. Does he go there to do it? No, we have him sent. So you do cardboard boxes. Yeah, yeah. To California. And then Doug has two, you know, it's special equipment that you have to use. I mean, it's very, very it's not just a turntable, and it's a special equipment. And then, you know, we get the raw file, you know, we get the, he uses the special needles based on that album, you know, or that disc he has, you know, a whole plethora of needles, and then he tests it, whichever gets the best sound out of there. So, yeah, he's really, he's tops at this. And so we're doing those Troy, we just transferred all the, I was a communist for the FBI with Dana Andrews, yeah, and all the Boston blackies, which is one of my favorites   Michael Hingson ** 18:40 and bold venture. And, yeah, I have those, good man, so I know that it's interesting. You mentioned the needles. So for people who don't know, in order to get a program on one disc, the transcriptions were literally 16 inches. I mean, we're all used to LPS or 12 inch disc, but the radio transcriptions were 16 inch discs, right?   Carl Amari ** 19:05 And that held 15 minutes. And now you needed two discs, yeah? So generally, you needed two discs to give you one show, unless it was one on one side and one on the other side. But a lot of times it was, it was, it was two discs for one show, yeah, and then, and then, on the opposite side, you'd have another show. One   Michael Hingson ** 19:24 of the things that I got the opportunity to do was to collect my dad knew somebody when he worked at Edwards Air Force Base that had a number of 16 inch transcriptions, and I had a turntable. Wasn't great, but it served the purpose for a college kid. And one of the things I discovered was that there were a few recordings that, rather than putting the needle on the outside and the record spins and plays in, you actually start from the inside and go out.   Carl Amari ** 19:56 Yes, I've seen that, yeah, and I'm told we're that way. Yeah,   Michael Hingson ** 20:00 I'm told that they did that because the the audio quality was actually better. Doing it that way, really? Yeah, I didn't know that. I didn't know, but that's what I was told, was that the audio quality was even better. Wow,   Carl Amari ** 20:11 yeah. I mean, it's a skill, you know, because with we really have one shot to get these 10, you know, these, these discs and and and we were getting them from, from literally, Frederick zivs Personal. They were, I told, like the first one off the duplication line. When he would, he would bicycle the discs all around the country. We're not using discs that were ever touched by radio stations. In fact, a lot of them, we have to drill out the holes in the middle because they've closed up a little bit. So these have never been played. They're unplayed. His master discs that are unplayed and and if you have the bold venture, you know what we were able to pull off those masters, it's like high fidelity. Mon Oro,   Michael Hingson ** 20:56 yeah. They're as good as it can get. And they do, they sound really great. Well, even the Boston blackies are good. Yeah,   Carl Amari ** 21:02 oh yeah, yeah. I'm excited about that, because that, that's one of my favorite shows Boston.   Michael Hingson ** 21:07 I like Boston Blackie and yeah, and I like, I was a communist for the FBI, and I haven't gotten those yet, but I'm waiting to get Dana Andrews that whole   Carl Amari ** 21:15 they just shipped. So there you should be getting them, Michael. So thank you for that. They'll   Michael Hingson ** 21:20 be they'll be coming, yes, which is pretty cool, but it is so fun to have the opportunity to listen to all these and I really urge people, the easy way is you can go to places like yesterday usa.net, online and listen to a lot of radio programs, but you can go to Carl's website, or when he can tell us how to do it, and you can actually purchase the opportunity to get copies of some of these shows, and they're absolutely fun and worth doing.   Carl Amari ** 21:54 Yeah, thank you, Michael. We are. We have, you know, our radio show has a website. You can learn about our radio show that's that's easy. It's Hollywood. And then 360 so Hollywood, 360 radio.com, that's like my and you can reach me, but there's ways to contact me through there. And then we, I think I mentioned we offer these through a club, which is pretty cool, because what I do every month is I'll comb the library of we have over 100,000 shows, and I'll take, I'll pick 10 shows every month and put them either on five CDs with a booklet, historical booklet, and it's in a nice case. And you get about every 30 days, CD members get a new 10 C 10 show five CD set in the mail, or you can get those same shows via digital download. So if you don't want the CDs, you just want a link sent to you there, they're done that way too. And that's classic radio club.com and all of the information is there at Classic radio club.com and as I say that that we put out only the best quality there, like, the best quality you could possibly get, which,   Michael Hingson ** 23:04 which is so cool, because I have heard some of those programs as you say that they're dubbed or people, for some reason, have the wrong speed. They're not great quality, right? So frustrating. Yeah, there's no need for any of that. And some people, of course, cut out the commercials, not being visionary enough to understand the value of leaving the commercials in, right? And again, they didn't do a very good job of cutting them out.   Carl Amari ** 23:31 No, we leave everything in. Even, you know, it's so interesting to hear cigarette commercials, or, you know, all you know, vitamin commercials, like, you know, you know, ironized yeast presents, lights out. You know, it's fun. It's fun to hear, you know, these commercials. And sometimes, like on the dragnets, when they're talking about Chesterfield, they're like, oh, doctor recommended, you know, and all this.   Michael Hingson ** 23:55 Well, even better than that, I was just thinking the Fatima cigarettes commercials on dragnet. Yeah, research shows, yeah, I wonder where they got that research,   Carl Amari ** 24:07 yeah. Oh my gosh. They were, they were, it was crazy how they would do that. I mean, they got away with it. They did. They did. They did. And, you know, we, even when we air radio shows, we don't cut the commercials unless it's cigarette commercials, because there's an FCC rule that you can't hear cigarette commercials. But like, you know, when we play Jack Benny and there's and there's, you know, Grape Nuts flakes commercials, we leave it in. We want people to hear the Fun, fun of those commercials and things well,   Michael Hingson ** 24:36 and sometimes, of course, like with great nuts flakes commercials, the commercial is part of the program. Yes, it's integrated. Break away. It's all integrated in which makes it so fun. I didn't know that there was an FCC rule that said you can't air any cigarette commercials even for educational purposes.   Carl Amari ** 24:55 Well, it might be for educational purposes. It may be non commercial, but I know on commercial stage. Stations, I can imagine that. Yeah, yeah. And Hollywood, 360 is commercial, you know, we have sponsors like, you know, we have Prevagen is one of our big sponsors, cats, pride, kitty litter, and, you know, they've been with me forever. And, you know, whatever, the Home Depot, Geico, you know, my pillow, these are some of our sponsors. And, and so we're on commercial stations across the country.   Michael Hingson ** 25:21 Yeah, so it makes sense that that you you do it that way, which, yeah, you know, is understandable. But, boy, some of those commercials are the Chesterfield commercials. Accu Ray on Gunsmoke. Yeah?   Carl Amari ** 25:37 A gimmick to get you to buy their cigarettes.   Michael Hingson ** 25:39 Yeah, I bet there was no accuray machine, but, oh, probably not, probably not. It is so funny. Well, you did the Twilight Zone radio programs. What got you started on doing that?   Carl Amari ** 25:53 Well, you know, growing up, I think I mentioned earlier, it was one of my favorite shows, yeah, always mine too, you know. And just watching that I was so blown away by twilight zone as a kid. So then when I got into the licensing of these classic radio shows, and I I was, I guess I was just always really envious of these producers that got to do these radio shows. And I always thought, man, I was. I was born in the wrong decades. You know, I was, I wish I was around back in the 40s and was able to produce suspense or escape or one of these shows. And I thought the show that would work the best, you know, that was on television, that that would work great in the theater of the mind realm, would be twilight zone, because growing up watching, you know, the makeup wasn't that great and the costumes weren't that great. You could see the zippers on the Martians sometimes. And I thought, you know, the writing was so amazing, right? And the stories were so vivid, and it worked for your theater of the mind that you didn't really need the visual with Twilight Zone, especially if you, you know, you have to write them in a way for radio. There's a special technique for writing for radio, obviously. So I, I reached out to to CBS and the rod Sterling estate, and they thought it was cool. And they said, you know, what do one, we'll let, we'll let, we'll take a listen to one, you know. And they sent me the television script for monsters are due on Maple Street. That was the one they sent me. And at the time, I was trying to get Robert Wagner to be the host. I always liked to take the thief and and, and he thought it was interesting, but he passed on it ultimately. And, and then at the same time, I was working with Stacy Keach, senior, Stacy keach's Dad, who had created Tales from the tales of the Texas range Rangers, right? And, and, and so I was at, actually at Jane Seymour's house, because Jane Seymour was married at that time to Stacy's brother, James Keach, and I got invited to a party there. And I got to meet Stacy Keach and and I heard his voice up close, you know, standing next to him, and I was like, this is the guy I gotta get to be the host. And so I started telling him about what I was doing, and he's like, I'd love to be the host of that. And so that was the beginning of a lifelong friendship with Stacy, and he was just incredible on it. And we did one, we did a pilot, monsters are doing Maple Street. And they loved it. And said, go ahead. And that was it. And it was like, in 2002   Michael Hingson ** 28:29 the first one I heard was, if I remember the title, right, a different kind of stopwatch, okay, the one with Blue Diamond Phillips, Blue Diamond Phillips, that was the first one. I think you. You offered that as a, as a sample. Yeah, yes, when I got that was pretty cool. But you   Carl Amari ** 28:43 wouldn't believe Michael, how many whenever I would reach out to an actor like Jason Alexander, I mean, Jay, I remember Jason, when I reached out to him and I said, Hey, I'd like to you to do these. And he was like, Oh, I'd love it. And then he did it, and then he'd call me and say, You got any more of those? Love doing it, you know, because they never get to do this. They, you know, these actors don't get to do radio. And so people like, you know, Lou Diamond Phillips and Luke Perry God rest his soul, and and Michael York and Malcolm McDowell and, you know, Don Johnson and Lou and Luke Luke Gossett Jr, so many of these people that I reached out to, Jane Seymour, another one, they were just they were they couldn't say yes fast enough. They just loved doing radio drama. It was so easy to book these stars. I've   Michael Hingson ** 29:38 been talking with Walden Hughes, who, you know, is the guy who now runs yesterday USA, we've been talking about and we've been doing recreations of a number of shows. The problem is that the people who are involved, oftentimes have never really gone back and listened to the shows they're recreating and their voice. And what they do are so different than the kinds of things that you actually would hear on the shows, they just don't do it very well. And we've actually thought about the idea of trying to get a grant to try to teach people how to be radio actors and really learn to do the kinds of things that would make the shows a lot more meaningful. We'll see what happens. We're really working on it. We're going to be doing some recreations in Washington for enthusiasm. Puget Sound, yes, and one of my favorite radio shows has always been Richard diamond private detective. I thought such a wise guy, and so I am actually going to be Richard diamond in Nice,   Carl Amari ** 30:46 oh my gosh, yeah, wow. Well, you know, there's a real, there's a real special magic to doing these radio shows, as I know, you know, you understand, you know, there's, there's, and that was that really boils down to having great actors and also great writing like so CBS would send us. He would, they would send me the our the Rod Serling scripts, you know, we really, we'd get them, but they, of course, would not work on radio because it was written for a visual medium. So I had, I had a two time sci fi fantasy winning writer Dennis echeson, who is no longer with us, unfortunately, but he, he, he was an expert on Twilight Zone and also how to write for radio. And it's all about that it's taking that he would take the TV scripts and and redo them so that they would work without the visual, and that you start with that. And then you can, you know, then you can create, when you have a grin, you have a great group of actors. And I hired only the best Chicago supporting cast here, you know, the the Goodman theater and, and, you know actors and, and, you know people like that. And then, of course, the star, we'd fly the star in, yeah, and they, they knock out two shows. I bring in lunch in the middle of the day, we'd knock out two shows. And it was a wonderful experience doing like, I don't know, I think I did, oh gosh, close to 200 episodes.   Michael Hingson ** 32:13 Now, were some of the episodes, shows that never were on the the TV series, or they, yeah, when   Carl Amari ** 32:19 we got through the original 156 shows, because that's how many were in the original Rod Serling run. So we did them all. We actually one of them I never released because I wasn't happy with it. I think it was called come wander with me. So that one I never released, we did it. I wasn't happy with it, because it was a musical one, you know, I think it had Bob Crosby on it, or somebody like that, and on the TV show, and so it was a lot of singing, and I just wasn't happy with it. But after that, there was no no more. I could have gone into the later series, but I just, I said to them, can I hire writers to write new ones, you know? And they said, Sure, but we have to approve it and all that. And so a lot of them got approved, and a lot of them didn't. And then we, we, I think we produced maybe close to 4030, or 40 originals,   Michael Hingson ** 33:13 right? Yeah, did you ever meet Rod Serling? No, never   Carl Amari ** 33:18 did. He was gone before I got into this. Yeah,   Michael Hingson ** 33:22 he came to UC Irvine to lecture once when I was still on campus. I was actually Program Director of the radio station, and so several of us from kuci got to interview him. And one of our, the people who was involved with that, actually had one of the ape costumes from Planet of the Apes. So he came dressed up as one of the Apes. Was Wow, but great. But the thing about rod Sterling his voice is it's hot. How do I describe this? No matter what his voice sounded like on television, it wasn't nearly as deep as his natural voice, and microphones couldn't get the same level with his real voice, and so we interviewed him. His voice was very deep, and then we did then we went out and listened to the lecture at the gym, and he sounded like Rod Serling, but he didn't sound like Rod Serling when we were talking with him, yeah, and when we could hear him with our ears, when it came out on on the show that we did the interview, it again, sounded like Rod Serling, but just the microphone. Couldn't really get the full breath of his voice, which was sure,   Carl Amari ** 34:35 yeah. I mean, what a talent, right? I mean, and then he had that show, Zero Hour, zero hour, right? Yeah, radio. And that was an interesting series, too. He tried to bring back the and he didn't. It was a, I think it was a fine job. You know, good job. Yeah. There were others, you know, CBS Radio, mystery theater, of course, diamond Brown. And there were some other ones. But I. I'm real proud, really, really proud of The Twilight Zone. I think they're, they're, they're, I mean, they're not nothing is as good as the way they did these the shows in the golden age. I mean, I don't think anyone can get to that point, but they're, I think they're pretty close, and I'm very proud of them.   Michael Hingson ** 35:15 Oh, yeah. And, but it still is with the Twilight Zone. It's really hard to compete with that, my favorite Twilight Zone, and for me, it was tough because I never knew the titles of the shows, because they would show you the title, but I could never, never really hear them. But when I started collecting and got access to, like your your radio Twilight zones and so on. I started to learn titles, and so my favorite has always been valley of the shadow. Oh, great one. Yeah. I just always thought that was the best of the it was an hour long instead of a half hour. But I Yeah, on TV. But I always thought that was just so innovative. I   Carl Amari ** 35:57 think Ernie Hudson did that one for me. I'm trying to think, but yeah, there was, we had, we had so many incredible actors on it. I mean, it was, it was a real fun, you know, four or five years that I was doing those, lot of fun doing them. Yeah,   Michael Hingson ** 36:12 you had several with Stan Freeberg. And, of course, yes, who don't know Stan Freeberg was definitely very much involved in radio, especially in the 50s, late 40s, with, that's rich, but mostly in the 50s, a satirist and incredible humorist and entertainer. But he did several Twilight zones.   Carl Amari ** 36:31 He did, you know, yeah, I was working with him on, you know, I created the show when radio was, which is still out there today, and and when radio was I ever initially had art Fleming as the host, you know, the original host of original Jeopardy guy, yeah. And then when art passed away, I hired Stan Freeberg, and Stan was the host of that show for many years. And then, then, when I started doing Twilight Zone, I said, Hey, would you like to do some of these? And he's like, Yeah, I'd like to do them all, yeah. Let me have all the scripts. But the one that he did that I think, is just off the charts amazing, is called Four o'clock ever, yeah, one, yeah, yeah. That is just the most interesting show, The Twilight Zone episode that we did where he plays this kind of a loony, a loony guy, who is that? What you describe him as, narking on everybody doesn't like anything, like anybody or anything, no, and it's so and he calls people and harasses them and oh my gosh, and he says, I'm gonna shrink everybody to four inches tall at four o'clock. Four o'clock, right? Yeah, and it's just, oh my gosh, what a what a great episode. It's one of my favorites.   Michael Hingson ** 37:48 And of course, if you think about it, listening people out there who got shrunk at four o'clock,   Carl Amari ** 37:56 well, let's not give it away, but yes, I think you can figure it out.   Michael Hingson ** 37:59 I think it's pretty,   Carl Amari ** 37:59 easy to figure out, but, and I actually played, I actually played a role in that episode. I played the bird. I did all the bird sounds on that episode. And so I feel like I had a co starring role, because, yeah, he had a parrot. You know, that was every time you would say something. And I played that, that part on there. But   Michael Hingson ** 38:22 yeah, all the Twilight zones were, were so clever, yeah, and, and I love listening to them. I I have a an mp three player that I carry on airplanes, and I have audio copies of all the Twilight zones. So every so often as I'm flying somewhere or two on and listen there, Michael,   Carl Amari ** 38:43 I'm so glad to hear that. Oh, man, you make me so happy to hear that. So   Michael Hingson ** 38:47 fun. And you know, another one of my favorites was, will the real Martian please stand up now? Yeah, that was cute, and I won't give it. Oh,   Carl Amari ** 38:57 great. So great. Yeah, I sent trying to think who the actor was in that one, but it's been a while, but that's a great one, yeah. And I remember, you know, watching it on TV and and thinking, Oh, this would work on radio. So great, you know, so love doing them. Yeah, I'd love to do more. I might consider coming back and doing more. I mean, originals, you know, might be a lot of fun to do those again, I was   Michael Hingson ** 39:21 going to ask you if you've got any plans for doing anything future. You know, in the future might be interesting, and there's a lot of leeway, of course, to take it in different directions. Do x minus one, but you don't have to do the same stories, even, although, yeah, a lot of good stories in in the original x minus ones on for those who don't know x minus one is a science fiction series. It was on from what 1955 through 1957 I   Carl Amari ** 39:49 believe, yeah, it was a great series. Sci Fi really lends itself really, very well to radio drama. You know, in theater of the mind, it's great because you can, you can go in. Anywhere you land on any planet. And you know, it's very easy to do on radio, where it's tough to do on TV. You know, you have to spend a lot of money to do that. So, I mean, Stan Freeburg proved that with his with his giant ice cream Sunday.   Michael Hingson ** 40:15 All right, go with the marasino Cherry. For those who don't know, is that he said, we're going to empty Lake Michigan now. We're going to fill it up with whipped cream. We're going to drop a maraschino cherry into it and other things. He said, You can't do that on TV.   Carl Amari ** 40:31 Try doing that on television. Yeah, he was something. He was so much fun to wear. Of all the people that I've met over the years, you know so many of these radio stars, and I've interviewed so many hundreds of them, really, over the years, I'd have to say I have a special place in my heart for Stan the most, because I got to work with him for so many years, and we used to just go to lunch together all the time, and and he had a, he had a, he had a, what was it again? Now? Oh, oh, I'm trying to think of the car that he drove, a jaguar. It was a jaguar, and it was a and we used to drive around in his, his big Jaguar all around LA, and just have so much fun together. And I just loved working with Stan. He was such a great man. I   Michael Hingson ** 41:17 never got to meet what would have loved to Yeah, Jack Benny and Jimmy Durante, oh my gosh, yeah. And, of course, Stan Freeberg, but yeah, you know, I wasn't in that circle, so I didn't write that. But what, what wonderful people they were. And, yeah,   Carl Amari ** 41:32 George Burns, George Burns used to, yeah, George used to take me to the Hillcrest Country Club, and we would just have the best time. He just thought it was the most interesting thing that a young guy in his 20s was so passionate about, you know, those days. And he we would just talk for hours. And I used to go to his office in Hollywood and in his and we would just sit and talk. And I have pictures of of those, those times I have them in my office, you know, he and I together. He was like a mentor to me. He and Stan were both mentors.   Michael Hingson ** 42:05 Did you get recordings of many of those conversations? Yes, I do.   Carl Amari ** 42:08 I do have quite a few with with George and Stan. Yeah,   Michael Hingson ** 42:12 it was great, you know, yes, nothing like talking to God, that's   Carl Amari ** 42:16 right. And he had a coffee cup in his office. It's it was a white coffee cup, and it had God on it, and black to drink out of that coffee cup. And he had, I was to say, when I first, my first time, I went to his office in Hollywood, you know, he was a real long office, narrow with is all paneling, and there was all these beautiful pictures, like photos of all the people he and Gracie had worked with. And then there was this beautiful painting of Gracie above him, you know, where he was sitting at his desk. And I remember walking in. I said, Hi, George, because I had talked to him on the phone a lot of times. And he said, Ah, come on in, you know. And I said, Oh, man, George, these photos are amazing on the walls, looking as I was walking towards his desk. And he says, You like those pictures? I said, Yeah. He goes, everyone in those pictures is dead except for me. I knew him the last about four years of his life. From that, from he was 96 to 100 I knew George, and we'd, we'd go   Michael Hingson ** 43:16 to the Hillcrest together. It was fun. Did you meet or get to know Bob Hope, never   Carl Amari ** 43:21 met Bob Hope No, because he lived, what, two, yeah. He lived 100 Yeah. Never met Bob Hope No.   Michael Hingson ** 43:27 And Irving Berlin got to 100 Yeah, yeah. But so   Carl Amari ** 43:30 many, I mean, Jerry Lewis, and so many others that that, I mean, Jerry was so great. I mean, you know, probably one of the most talented people to ever live, you know, and he could even sing, and he could, he could do it all. I mean, he was something. I mean, I was in such awe of that man. And we, he was very kind to me, licensed me to Martin Lewis and all that. So, yeah,   Michael Hingson ** 43:52 we saw one of my favorite musicals. I originally saw it as a movie out here on K Shea was the million dollar movie. It was Damn Yankees,   Carl Amari ** 44:03 damn Yeah, he was on Broadway. Did that on Broadway, and he did it on Broadway,   Michael Hingson ** 44:07 and we read about it. And his father, he had how his father said, You'll really know you've arrived when you get to do something on Broadway. And that was the only thing he ever got to do on Broadway. And we did get to go see it. We saw, Oh, wow, yeah,   Carl Amari ** 44:20 Broadway, amazing, yeah, amazing, yeah, yeah.   Michael Hingson ** 44:24 I'm so sad that there was so much acrimony for so many years between him and Dean Martin, yeah, which was really probably brought on more by all the people they worked with that, yes, that cost a whole lot more than them. But yeah, near the end they, they did deal with it a little Yeah?   Carl Amari ** 44:42 They, they got back together a little bit. Yeah, yeah. He was an interesting guy, Boy, I'll tell you. You know, just talking to him, I learned so much, learned so much over the years.   Michael Hingson ** 44:53 Yeah, yeah. It's so much fun to to be able to do that. Well, I really do hope you do get. To do another show, to do something else. And you're right, there's nothing like science fiction in terms of what you can do, and maybe even doing a series, yeah, yeah, as opposed to individual shows. One of my favorite science fiction books by Robert Heinlein is called the Moon is a Harsh Mistress, and I would love to see somebody dramatize that. I think it would take, probably, to do it right? It's going to take about 15 hours to do but, oh, wow. What a great what a great thing. If you've never read it, read the book, it's really, oh, I   Carl Amari ** 45:30 haven't, so I'm not familiar with it, so I'll give it a read. The Moon is a Harsh, missus,   Michael Hingson ** 45:34 yeah, yeah. Pretty clever. A computer helps organize a revolution on the moon, which was being colonized and run from the lunar authority on earth. Here's what gives it away in 2075 subtract 300 years. Yeah, it's all about the same thing, like the revolution here, but a computer, Mycroft wakes up and helps organize the revolution. It's really pretty clever. Oh, wow,   Carl Amari ** 46:04 that would be fun to do in a series. Yeah, it   Michael Hingson ** 46:08 would be worth doing. But, but, yeah, I've always enjoyed the book. Robert Donnelly read it as a talking book for blind people. Oh, okay, okay, yeah. So I actually have it. I'll have it, I'll have to find it. I could actually send you the recording. You could listen to it. Oh, please do. I'd love that. We won't tell the Library of Congress, so we will know much trouble.   Carl Amari ** 46:33 But you know, then I kind of, you know, my other passion is the Bible. Yeah, I was gonna get to that. Tell me, yeah. I was just gonna, you know, and so a lot of these same actors that did, you know, Twilight zones and things for for me, I just, I met, like Jason Alexander and so many of these people, Lou Gossett Jr, when I decided to do the to dramatize the entire Bible on audio. A lot of these same actors and many, many, many more, were really, were really great to be in that too. It was a lot of fun.   Michael Hingson ** 47:06 Yeah, well, very recognizable voices, to a large degree, like Michael York,   Carl Amari ** 47:12 yes, yes, he was the narrator. So he did the most. He worked the longest. What a great man. Just an amazing actor. He was the narrator. And then you know Jim Caviezel, who played Jesus in the Passion of the Christ, played Jesus in it, right? And then you know Richard Dreyfus was Moses John Voigt was Abraham. Max von Saito played Noah John Rees Davies was in it. I mean, we had, we had, I mean, Marissa Tomei was Mary Magdalene. I had many, many Academy Award winners in it, and so many people, you know, was in it. That was a four year deal that took me four years to do the full Bible. Yeah, 98 hours on audio, fully scored the whole thing.   Michael Hingson ** 48:01 Well, you had a great publisher put it out. Thomas Nelson, Yes, yep. They also did my first book, Thunder dog. So can't complain about that too much. No,   Carl Amari ** 48:10 they know how to market. It Was it, was it, I think, I think today it's still the number one selling dramatized Audio Bible in the world. I believe, you know, so it's, it's been a big success for Thomas Nelson, yeah, that was, that was, that was quite, I mean, you should have seen what my passport looked like when I did that. I mean, it was stamped for every country all over that I was going and, you know, and having to produce, because a lot of the actors, like, you know, John Reese Davies. He lives in, he lives in the Isle of Man, and, you know, and then, you know, Max von Saito was nice France, and we scored it in Bulgaria. And, I mean, you know, it was just crazy and traveling all over the world to make that audio. But you've done some other Bibles in addition to that. I have, yeah, yeah, I have. I've done, think I did. Now it's like five different ones, because I like doing different translations, you know, because it's different. I mean, even though it's the same story, the translations people people have translations that they love, you know, whether it's the RSV or it's the New Living Translation or the Nkj or, you know, and so I, I've enjoyed doing them in different translations. That's   Michael Hingson ** 49:25 pretty cool. Do you have any, any additional, additional ones coming out?   Carl Amari ** 49:29 No, no, I've done, I've done done, like, five and, and so I'm more doing, you know, more concentrating now on my radio show, Hollywood, 360, and, and some movie production stuff that I've been working on. And then I'm one of the owners of a podcast company. So we're, we're always putting out, you know, different podcasts and things. And so my plate is very full, although I would love, I think I would love to do some. Thing, like, what you're saying, like, either more Twilight zones, or maybe something like that. It might be, you know, I'd love to do something in the theater or the mind, you know, arena again, too, because I love doing that. Yeah,   Michael Hingson ** 50:11 I think it'd be a lot of fun to do. Tell me about the podcast,   Carl Amari ** 50:15 yeah. So, um, so we have a podcast company called Gulfstream studios, and we have our main, our main podcast is a is, is. So we're, we, we do a show called, well, there's, there's several podcasts that we're doing, but, but it's the spout is the is the one that's a music oriented we have all the biggest music artists on there. It's really great. So spout is the name of that podcast. And then we're working on, we're working on a Bible podcast. We're going to come out with some a Bible podcast pretty soon. I'm real excited about that more soon. Hopefully you'll have me back when we launch that. Well, yeah, and then, you know, we have, we're always looking for any so I'm ready to, I'm ready to take your podcast onto our platform. Whatever you say. Michael, oh, we'll have to,   Michael Hingson ** 51:10 we'll have to look at that and work it out. But in the meanwhile, I said earlier, I'd love to come on any of the podcasts that you want. And if, yeah, have you read thunder dog,   Carl Amari ** 51:19 no, I didn't know. I didn't have not read it. No. So thunderdog   Michael Hingson ** 51:23 was my story of being in the World Trade Center and getting out and so on. But you should read it, because there are also some, some really poignant parts, like, just to briefly tell that part of the story, I'll send you a video where of a speech I've given, but one of the parts of it is that, as I was running away from tower two, as it was collapsing, because we were at Vesey Street and Broadway, so we were like 100 yards away from tower two when it came down, I turned and ran back the way I came. And as I started to run, I started, I said to myself, and I stayed focused pretty much. But I said to myself at that point, God, I can't believe that you got us out of a building just to have it fall on us. Right? I heard a voice as clearly as we are hearing each other now in my head that said, don't worry about what you can't control. Focus on running with Roselle and the rest will take care of itself. Wow. And I had this absolute sense of certainty that if we just continue to work together, we would be fine. We did, and we were but I am very much a a person who believes in the whole concept of God. And for those who who may disagree with me, you're welcome to do that. You'll you'll just have to take that up with God or whatever at some point. But I would love to really explore anytime you you need a guest to come on and be a part of it, and who knows, maybe I'll be good enough to act in a radio show you do.   Carl Amari ** 52:49 I'm sure you would be, sure you would be Michael, but it would be, yeah, but it would   Michael Hingson ** 52:54 be fun to do. But I really enjoy doing all this stuff, and radio, of course, has become such a part of my life for so long, it has helped me become a better speaker. Was I travel and speak all over the world?   Carl Amari ** 53:10 Yeah, wow. Well, I'm a big fan of yours, and, and, but I'd love to read the book, so I'll order it. Can I get it off of Amazon or something like that? You can get   Michael Hingson ** 53:19 it off of Amazon. You can get it from Audible, okay, or wherever. And then I wrote, then we wrote two others. One's called running with Roselle, which was really intended more for kids talking about me growing up, and Roselle my guide dog at the World Trade Center growing up. But more adults buy it than kids. And then last year, we published live like a guide dog. True Stories from a blind man and his dogs about being brave, overcoming adversity and moving forward in faith, and that one is really about people need to and can learn how to control fear and not let fear overwhelm or, as I put it, blind them. And you can actually learn to use fear as a very powerful tool to help you function, especially in emergencies and unexpected situations. And so live like a guide dog uses lessons I've learned from all of my guide dogs and my wife's service dogs, Fantasia that have taught me so much about learning to control fear. And I realized at the beginning of the pandemic, I've talked about being calm and focused getting out, but I've never taught anyone else how to do it, so live like a guide dog is my solution for that, which is kind of that, that,   Carl Amari ** 54:26 that I'm sure helps a lot of people, you know, that's because fear is, is, it's, it's debilitating, you know? So, yeah, well, that's, but it doesn't need doesn't need to be, that's right, that doesn't need to be, yeah, it's one of the reasons why I wanted to do the Bible stuff, because I learned at a very early age that these theater, these radio shows you under, you listen and you actually interpret them and understand them deeper with the theater of the mind than watching them on television or reading them like, like. I think even reading a book as great as that is, if you heard it dramatized on radio, it's even more powerful. I and so I knew that if I took the Bible, which is the greatest book of all time, and it was dramatized in a way, in a kind of a movie quality way, with sound effects and music and wonderful actors that I thought people would get a deeper meaning of the word. And I think we it. We were successful with that, because so many people have written about it on Amazon and things and saying like I, you know, when I heard the Word of Promise, and when I heard this audio, I had to go and get my Bible and see, does it really say that? You know? So here's people that had read the Bible many, many times, and then they heard the dramatization of it, and were like, wow, I didn't even realize that, you know, that was that happened in the Bible. So it's, it's, it's pretty cool, you know, to read those you know how it's helped people, and it's helped save souls, and it's just been a great you know, it's been a very rewarding experience. Have you   Michael Hingson ** 56:09 ever taken it and divided it up and put it on the radio? Well, that's   Carl Amari ** 56:12 one of the not in the radio, but we're going to do some podcast with, we're going to, we're going to be doing something really, really unique with, with one of my later ones that I did not the Word of Promise, but a different one. And, and it's going to, it's going to be really, really special. I can't wait to talk about it on your show. Looking   Michael Hingson ** 56:30 forward to it, yeah, well, we have had a lot of fun doing this, and I'm going to have to sneak away. So I guess we'll have to stop, darn but we do have to continue this. And, and I'd love to find ways to work together on projects and be a part of your world and love you to be more a part of mine. I'm really glad that we finally had a chance to get together and do all this. It's been a lot of fun. Me   Carl Amari ** 56:53 too, Michael, me too. It's really, I said it was an honor, and it really was an honor. And thank you so much. Well,   Michael Hingson ** 56:59 for all of you listening, we hope you've enjoyed this episode of unstoppable mindset. Love to hear your thoughts. Feel free to email me at Michael H I M, I C, H, A, E, L, H i at accessibe, A, C, C, E, S, S, I B, e.com, or go to our web page where we host the where we have the podcast, w, w, w, dot Michael hingson.com/podcast, Michael hingson is m, I, C, H, A, E, L, H, I, N, G, s, O, n.com/podcast, love to get your thoughts wherever you're listening. Please give us a five star rating. We value that very highly. We really appreciate you giving u

What do you do after you win an Oscar for playing a scary bloodthirsty mobster? You try to lead a courtroom comedy, of course! That's how Joe Pesci ended up headlining MY COUSIN VINNY, and that's how, unsurprisingly, Marisa Tomei stole the movie from him - winning an Oscar for it and, even better, the MTV Movie Award for Breakthrough Performance of 1992. Listen to Alex & Julio question Pesci's comedic instincts and wish Bruce McGill had more screen time!TIMELINE00:01:24 My Cousin Vinny00:17:40 Contrarians Corner- Wanna know how we really feel about MY COUSIN VINNY? Check out the Real Talk (RT) episode, on your feed RIGHT NOW! (or pretty soon — Spotify can be a pain when it comes to refreshing the feed)- Interested in more Contrarians goodness? Join THE CONTRARIANS SUPPLEMENTS on our Patreon Page! Deleted clips, extended plugs, bonus episodes free from the Tomatometer shackles… It's everything a Contrarians devotee would want!- Our YouTube page is live! Get some visual Contrarians delight with our Contrarians Warm-Ups and other fun videos!- Contrarians Merch is finally here! Check out our RED BUBBLE MERCH PAGE and buy yourself something nice that's emblazoned with one of our four different designs!- THE FESTIVE YEARS have been letting us use their music for years now and they are amazing. You can check out their work on Spotify, on Facebook or on their very own website.- Our buddy Cory Ahre is being kind enough to lend a hand with the editing of some of our videos. If you like his style, wait until you see what he does over on his YouTube Channel.- THE LATE NIGHT GRIN isn't just a show about wrestling: it's a brand, a lifestyle. And they're very supportive of our Contrarian endeavors, so we'd like to return the favor. Check out their YouTube Channel! You might even spot Alex there from time to time.- Hans Rothgiesser, the man behind our logo, can be reached at @mildemonios on Twitter or you can email him at mildemonios@hotmail.com in case you ever need a logo (or comics) produced. And you can listen to him talk about economy on his new TV show, VALOR AGREGADO. Aaaaand you can also check out all the stuff he's written on his own website. He has a new book: a sort of Economics For Dummies called MARGINAL. Ask him about it!

Joe Pesci - comedian. Is that a thing? Or is it telling that Marisa Tomei seems to be the most memorable aspect of MY COUSIN VINNY? But whether you love or hate the movie, how wonderful is Fred Gwynn anyway? And will Austin Pendleton ever put on a performance The Contrarians enjoy? And perhaps the biggest question: if you've already won an Oscar, haven't you already “broken through”? All that and more in this Real Talk segment!TIMELINE00:01:26 Livestream Recap00:09:21 Voir Dire00:10:22 Real Talk00:47:41 The Future & Patreon Stuff- Interested in more Contrarians goodness? Join THE CONTRARIANS SUPPLEMENTS on our Patreon Page! Deleted clips, extended plugs, bonus episodes free from the Tomatometer shackles… It's everything a Contrarians devotee would want!- Our YouTube page is live! Get some visual Contrarians delight with our Contrarians Warm-Ups and other fun videos!- Contrarians Merch is finally here! Check out our RED BUBBLE MERCH PAGE and buy yourself something nice that's emblazoned with one of our four different designs!- THE FESTIVE YEARS have been letting us use their music for years now and they are amazing. You can check out their work on Spotify, on Facebook or on their very own website.- Our buddy Cory Ahre is being kind enough to lend a hand with the editing of some of our videos. If you like his style, wait until you see what he does over on his YouTube Channel.- THE LATE NIGHT GRIN isn't just a show about wrestling: it's a brand, a lifestyle. And they're very supportive of our Contrarian endeavors, so we'd like to return the favor. Check out their YouTube Channel! You might even spot Alex there from time to time.- Hans Rothgiesser, the man behind our logo, can be reached at @mildemonios on Twitter or you can email him at mildemonios@hotmail.com in case you ever need a logo (or comics) produced. And you can listen to him talk about economy on his new TV show, VALOR AGREGADO. Aaaaand you can also check out all the stuff he's written on his own website. He has a new book: a sort of Economics For Dummies called MARGINAL. Ask him about it!Up next, The Summer of the (MTV) Bangers continues with our late tribute to Val Kilmer, as we tackle the divisive BATMAN FOREVER! Until then, let us know what you thought of My Cousin Vinny: Is it a solid representation of Joe Pesci's comedic talents? Should we look into reviewing stuff like Eight Heads in a Duffel Bag? And how did Mona Lisa know about Jerry Callow? E-mail us at wearethecontrarians@gmail.com or share your thoughts with us on Threads or BlueSky!

A new week means new questions! Hope you have fun with these!The formula πr² calculates the area of what geometric shape?What is the tiger's name in "Life of Pi"?Name either Roman Emperor that agreed to issue the Edict of Milan, making Christianity legal.Foods that are poached are cooked in what?The Recording Industry Association of America lists Gold album certification as how many album sales in the U.S.?What does ESP stand for?In 1993, Marisa Tomei was the surprise winner of the Oscar for Best Supporting Actress for her performance in what film?What object, publicly-available in some restrooms, did artist Marcel Duchamp sign "R. Mutt" before submitting it as a readymade sculpture in 1917?MusicHot Swing, Fast Talkin, Bass Walker, Dances and Dames, Ambush by Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/Don't forget to follow us on social media:Patreon – patreon.com/quizbang – Please consider supporting us on Patreon. Check out our fun extras for patrons and help us keep this podcast going. We appreciate any level of support!Website – quizbangpod.com Check out our website, it will have all the links for social media that you need and while you're there, why not go to the contact us page and submit a question!Facebook – @quizbangpodcast – we post episode links and silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Instagram – Quiz Quiz Bang Bang (quizquizbangbang), we post silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Twitter – @quizbangpod We want to start a fun community for our fellow trivia lovers. If you hear/think of a fun or challenging trivia question, post it to our twitter feed and we will repost it so everyone can take a stab it. Come for the trivia – stay for the trivia.Ko-Fi – ko-fi.com/quizbangpod – Keep that sweet caffeine running through our body with a Ko-Fi, power us through a late night of fact checking and editing!

This week, we once again question-- is this movie only fine because of the cast? Marisa Tomei and Robert Downey Jr. save a moderately horrible script for Only You (1994). Listen as our hosts demand justice for Bonnie Hunt, try to remember the infamous name of the film (David? Damon?) and propose ways that this movie could have been changed to make it far more enjoyable. Also, can someone please confirm what happened to the podiatrist? Like, was he ever clued into what happened?Tangents include the woes of moving, You've Got Mail, and so much more.Connect With UsFollow us on Instagram @loveatfirstscreening or send an email to loveatfirstscreening@gmail.comProduction Hosts: Chelsea Ciccone and Madison HillMusic: Good StephArtwork: Chelsea CicconeSocial Media: Marissa CicconeAbout the ShowAn examination of classic tropes and iconic characters pits connoisseur against cynic—one romantic comedy at a time. The cinematic world of love and laughter had rom-com enthusiast Madison head over heels from the time Harry met Sally. For genre skeptic Chelsea, however, it's been a grueling enemies-to-lovers plot. In Love at First Screening, Madison introduces Chelsea to all the fan-favorite love stories she's never wanted to watch. One friend's passion might be the other's displeasure, but doesn't love conquer all? Tune in every Wednesday to find out.

Could the third time be the charm for Chris Farley on The Contrarians podcast? Infamously, our episodes on Black Sheep and Almost Heroes featured some serious disagreements regarding the comedic talents of Farley and his co-starts. So what happens when we discuss a Farley/Spade vehicle that shaped Alex's early years? Can Julio resist an avalanche of TOMMY BOY quotes and references? Find out in this Real Talk segment!TIMELINE00:01:26 Are you sure?00:02:07 Real Talk00:55:23 The Future & Patreon Stuff- Interested in more Contrarians goodness? Join THE CONTRARIANS SUPPLEMENTS on our Patreon Page! Deleted clips, extended plugs, bonus episodes free from the Tomatometer shackles… It's everything a Contrarians devotee would want!- Our YouTube page is live! Get some visual Contrarians delight with our Contrarians Warm-Ups and other fun videos!- Contrarians Merch is finally here! Check out our RED BUBBLE MERCH PAGE and buy yourself something nice that's emblazoned with one of our four different designs!- THE FESTIVE YEARS have been letting us use their music for years now and they are amazing. You can check out their work on Spotify, on Facebook or on their very own website.- Our buddy Cory Ahre is being kind enough to lend a hand with the editing of some of our videos. If you like his style, wait until you see what he does over on his YouTube Channel.- THE LATE NIGHT GRIN isn't just a show about wrestling: it's a brand, a lifestyle. And they're very supportive of our Contrarian endeavors, so we'd like to return the favor. Check out their YouTube Channel! You might even spot Alex there from time to time.- Hans Rothgiesser, the man behind our logo, can be reached at @mildemonios on Twitter or you can email him at mildemonios@hotmail.com in case you ever need a logo (or comics) produced. And you can listen to him talk about economy on his new TV show, VALOR AGREGADO. Aaaaand you can also check out all the stuff he's written on his own website. He has a new book: a sort of Economics For Dummies called MARGINAL. Ask him about it!Up next, The Summer of the (MTV) Bangers continues with the movie that earned Marisa Tomei the 1993 MTV Movie Award for Breakthrough Performance, MY COUSIN VINNY! Until then, let us know what you thought of Tommy Boy: Would a third Farley/Spade collaboration taken them to the next level, or should they have stopped after this one and never even done Black Sheep? Is it unfair that Spade didn't receive a solo nomination, like Farley did? Did Peter Segal got the better career out of everyone involved in this movie? E-mail us at wearethecontrarians@gmail.com or share your thoughts with us on Threads or BlueSky!

Braga, King, and Ski talk My Cousin Vinny. Marisa Tomei is a legendary, historical smokeshow, and won and Oscar for best supporting actress. It's lauded for its law accuracy, and it helped establish Joe Pesci as legend of the 90s. Does it hold up? Listen!

IN THE BEDROOM, the 2001 Oscar nominated motion picture, was given praise by movie critic Roger Ebert as the best film he had seen at Sundance. It is a family drama, but it also is much more than that. Generational, getting old, losing a loved one, and seeing the end of a family line. The movie was ground breaking in many ways and has become a classic.From IMDB: A New England couple's college-aged son dates an older woman who has two small children and an unwelcome ex-husband.The film was directed by Todd Field who also acts. He co-wrote the script with Robert Festinger based off the story KILLINGS by Andre Dubus. The cast is filled with big names including Sissy Spacek, Tom Wilkinson, Marisa Tomei, Nick Stahl, and William Mapother. It received fabulous reviews and earned over $40M USD at the box office. Your co-hosts take a look at this classic film and give their thoughts.

This week Ken welcomes author, music fan, semi-pro plus one and cousin of the famous, David Klein (www.davidkleinauthor.org) to the show. Ken and David discuss his new book "The Plus-One: Getting by on Good Connections in the Analog Age", being Winona Ryder's cousin, growing up in suburban NJ, moving to North Carolina, mix tapes, personal memories tied to pop culture, David's brother's work with MTV, getting kicked out of a youth program resulting in riding in an airplane with Tom Petty and the Heartbreakers, going to the Night on Earth premiere, meeting Bono, having an ex-roomate who dated Marisa Tomei, MTV Europe, record shopping in London, cool older brother effect, Willie Alexander, a song for every number, the two 50s chord progressions, the highlight of a funeral, those people who not only light up a room but light up everyone in the room, trying to get your kids to like cool stuff, The Ramones, being ahead of your time, finding your thing, The Replacements, My Boyfriend's Back, finding your voice, becoming the author you always should have been, being fueled by rejection, how being bored by your work is the most offensive thing, suburban kids getting in trouble on a Friday night, Led Zepplin, Tenafly NJ, Tenafly Viper in Street Trash, the Pixies, how love is a jigsaw puzzle, Mermaids, Phillip Seymour Hoffman, how you only need to see the movie Hapiness once, reading underground Comix, Timothy Leary, the beauty of Monty Python's Flying Circus, Ken's advocacy for Adrian Borland's The Sound, still discovering new music as you get older, having your uncle ask Jerry Lee Lewis how he drove here tonight, Glen Miller, and how the Adventures of Pete and Pete is the greatest television show of all time. 

We're back! In this week's episode, we dissect Season 1 of a Different World, which premiered on September 24, 1987, starring Lisa Bonet, Marisa Tomei, Dawnn Lewis, Jasmine Guy, and Kadeem Hardison. Join us as we discuss casting choices, behind-the-scenes shenanigans, storylines (or lack thereof), avoiding Blackness at an HBCU, annoying characters, and more!Notable Mentions + References in This Episode:A Different World Season 1 - Opening/Closing CreditsA Different World: Cast Members and Crew Tell the Oral History The Evolution of A Different WorldJump In! (Episode 077)Let It Shine (Episode 085)School Daze (Episode 129) Connect with us:Instagram: @in_hindsight_podTwitter: @in_hindsightpod Want us to dissect one of your favorite childhood movies? Send us a DM or email us at inhindsightpod@gmail.com.Thanks for listening!

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Julian, Madeline, and Emilio are graced by the enthusiastic presence of Tony-nominated actor Rob McClure to finish off their episode cycle on Oscar-Winning Supporting Performances with a "Close-Up" about three classic comedic roles, which each garnered their performers the coveted trophies. The first of these would be Kevin Kline's role in "A Fish Called Wanda" (1988), the British-American, Monty Python-adjacent caper where Kline plays the audaciously stubborn diamond thief Otto West. Next is that of Jack Palance in "City Slickers" (1991), the story of three New Yorkers on a cattle-herding vacation in the American West, in which Palance plays their rugged-yet-warm-hearted trail boss, Curly. And rounding out this trio is Marisa Tomei in "My Cousin Vinny," the courtroom dramedy where the titular Brooklyn lawyer is enlisted to represent his wrongfully-accused cousin and best friend in Alabama, depending on crucial contributions from his brash and mechanically-astute fiancée Mona Lisa Vito to work towards their exoneration. Though all of these films were released in nearby years, the group discusses why these performances stand the test of time, be it due to laugh-out-loud physical gags, the contrast between locals and fish-out-of-water, or the resonant truths at each role's foundation. Aided by Rob McClure's inimitable experience and expert insight about the "actually, actually" that defines a great comic performance, they trace the vast range of humor among these characters and the greater stories in which they appear, making notable stops along the way at unforgettable facial expressions, one-armed push-ups, and scathing instruction-manual retorts. Rob McClure has earned Tony nominations for his roles in the Broadway productions of Mrs. Doubtfire and Chaplin, and has also appeared in Something Rotten!, Mary Poppins, Hello Dolly, Beetlejuice, and many more productions On- and Off-Broadway. You can follow him on Instagram @mcclurerobIf you enjoy our podcast, please rate and review us on your podcast platform of choice.  This really helps us find new listeners and grow!Follow us on IG and TikTok: @sleeplesscinematicpodSend us an email at sleeplesscinematicpod@gmail.comOn Letterboxd? Follow Julian at julian_barthold and Madeline at patronessofcats

Diane and Sean discuss the third Tom Holland era Spider-Man film, Spider-Man: No Way Home. Episode music is, "The Magic Number", written by Bob Dorough, performed by De La Soul, from the OST.-  Our theme song is by Brushy One String-  Artwork by Marlaine LePage-  Why Do We Own This DVD?  Merch available at Teepublic-  Follow the show on social media:-  BlueSky: WhyDoWeOwnThisDVD-  IG: @whydoweownthisdvd- Tumblr: WhyDoWeOwnThisDVD-  Follow Sean's Plants on IG: @lookitmahplants- Watch Sean be bad at video games on TwitchSupport the show

(2/27/2025) Actor Jacob Laval joined Mike and cohost, actress Violet Tinnirello ConversationsRadio Ep. 195. Jacob stars as ‘Austin LeRette' in the new Lionsgate movie ‘The Unbreakable Boy' now in theaters.   The film is based on the book ‘The Unbreakable Boy:   A Father's Fear, a Son's Courage and a Story of Unconditional Love' by Scott LeRette and Susy Flory.  Jacob is perhaps best known for his role in the acclaimed and Emmy-nominated Netflix special 'JOHN MULANEY & THE SACK LUNCH BUNCH.' He was recently seen in HBO Max's holiday film '8-BIT CHRISTMAS' opposite Neil Patrick Harris and Steven Zahn as well as a series regular in the critically acclaimed HBO alternate history miniseries 'THE PLOT AGAINST AMERICA' opposite Winona Ryder and appeared in several episodes of Season 51 of ‘Sesame Street.' In 2019, Jacob made his Broadway debut, starring in the Tennessee Williams play - THE ROSE TATTOO, alongside Academy Award winner Marisa Tomei.  Jacob currently resides in New York City. He loves baseball and college football, especially the NY Yankees and Florida State Seminoles and is passionate about video games, Harry Potter, and all things Disney. You can follow Jacob Laval on Instagram @jacoblaval Enjoy the Podcast!

E no QueIssoAssim de hoje uma atração inusitada. Neste episódio, Brunão, Plínio e Baconzitos conversam sobre a Marisa Tomei, digo, digo, sobre a maravilhosa trama de Antes Que O Diabo Saiba Que Você Está Morto, último filme de Sidney Lumet. Com um elenco estelar composto por Philip Seymour Hoffman, Ethan Hawke e Marisa Tomei, e um roteiro que tem mais twist carpado do que uma apresentação da Rebeca Andrade, entenda porque resolvemos falar dele. Um filme cheio de mamilância, digo, digo, de Tia May, digo, digo... Ah, você entendeu, vai! O filme está disponível (até segunda ordem) na Prime Video. Assiste lá e volta aqui depois. Ajude a gente a realizar o sonho de gravar um especial em estúdio! Seja nosso assinante pelo apoia.se/portalrefil Episódios mencionados: QueIssoAssim 69 - Duelo no Expresso do Oriente (Assassinato no Expresso do Oriente) QueIssoAssim 189 - Adoro um Homem Brabo (12 Homens e Uma Sentença)

On this meeting of the Is This Bad? Movie Club, Matt, JD & Rachel re-watch The Goonies and discuss why this is an entire generation's favorite film, what's behind Sloth's makeup, how the film predicted Sean Astin's career, is this just Indiana Jones for kids, sequel speculation, being tricked by a movie's poster, elementary school archetypes, The Gremlins exist in The Goonies universe, which character should be eliminated, the secret to directing rowdy children, an important scoop about Marisa Tomei's brother, who's the real villain here, the deleted octopus scene, why are they so mean to the housekeeper, and how piano lessons could save your life.

The finale of romance month came so quickly (which is so not romantic)! But, nevertheless, here we are with our final film of February: 1994's Only You starring Marisa Tomei, Robert Downey Jr, and, most importantly, BONNIE HUNT! After years, the Hunt For Hunt returns and your hosts have no choice but to celebrate.You can follow That Aged Well on Bluesky (@ThatAgedWell.bsky.social), Instagram (@ThatAgedWell), and Threads (@ThatAgedWell)!SUPPORT US ON PATREON FOR BONUS CONTENT!THAT AGED WELL MERCH!Wanna rate and review? HERE YOU GO!Hosts: Paul Caiola & Erika VillalbaProducer & Editor: Paul Caiola

Is love in the air or just a great movie night? Join me and my valentine, Janeil Hampton, as we share our passion for films, especially the romantic comedies that tug at our heartstrings. With Janeil's unique habit of meticulously logging each film on Letterboxd, we embark on a nostalgic journey through the 90s, featuring gems like "The Wedding Singer" and "Only You." Our cinematic ride doesn't just stop at romance; we also explore Janeil's fascination with the horror classic "Nosferatu" and our shared excitement for the upcoming Super Bowl as we cheer for the Philadelphia Eagles.Do you believe in destiny or does love require a bit of deception? Through laughter and lively debate, we unpack the whimsical plot of "Only You," where mistaken identities lead to an enchanting yet comedic romance between Robert Downey Jr. and Marisa Tomei. From Ouija boards to quirky encounters in Rome, we dissect the elements of spontaneity versus stability, and the intricate dance of love and deception. Janeil and I reflect on the captivating dynamic between the characters, pondering how these themes play out in real-life relationships.Our cinematic chat wouldn't be complete without a spotlight on Adam Sandler's "The Wedding Singer." From humorous heartbreak to a heartfelt romance, we explore the film's charm and why it remains a favorite. The comedic chemistry between Sandler and Drew Barrymore, infused with an unforgettable 80s soundtrack, provides the perfect backdrop for this feel-good movie discussion. Whether you're a rom-com devotee or just enjoy reminiscing about iconic 90s films, this episode promises laughter, love, and a sprinkle of nostalgia.https://msha.ke/thisseatstaken

I discuss and review the 1992 hit comedy directed by Jonathan Lynn and starring Joe Pesci and Oscar winner Marisa Tomei. 4/5

Movie recommendations or comments for us? Text us here!We're watching Upgraded this week on Amazon Prime. After a fortuitous upgrade to first class on a transatlantic flight, art auction house intern Ana finds herself seated next to a handsome and interesting young man on the plane. Certain she's never going to see him again after the flight, Ana doesn't correct the man when he assumes she's the director of the auction house. What could possibly go wrong?Upgraded stars Camila Mendes, Archie Renaux, Marisa Tomei, Lena Olin and Anthony Head.Email us at MadeMePodcast@gmail.comFind us on:Facebook: www.facebook.com/MadeMePodcastInstagram: https://www.instagram.com/myhusbandmademedoit/ Podcast artwork by Anna Eggleton of Treehouse Lettering & Design: https://www.treehouseletteringanddesign.com/

The Mikes are rushing to make the morning edition to tell you their thoughts on the 1994 Ron Howard film "The Paper" starring Michael Keaton, Glenn Close, Randy Quaid, Robert Duvall, Marisa Tomei, and more!Listen in as Mike Butler and Mike Field discuss how this film is still shown to journalism students as an accurate portrayal of newspaper journalism, how screenwriter David Koepp may not have a noticeable style, but his films always move and have quotable dialogue.So, grab your popcorn and soda, please notice the exits to the left and right of you and settle down for Forgotten Cinema. Join our FC community on Patreon, it's free to join! www.patreon.com/forgottencinema. If you'd like to support us further, we've also got a merch shop at www.etsy.com/shop/ForgottenCinemaShopSpecial thanks to our Patreon supporters who make this show possible.0:00 - Introduction1:53 - Film Facts11:15 - Film Discussion34:56 - Critic Reviews42:09 - Who Would You Recommend This To?47:15 - Why Is This Forgotten?51:06 - Plugs

I love it when Valerie and I study different theories and come to different conclusions about the movie. Crazy, Stupid, Love has great examples of slow/low tension and high/intense tension - it's a great movie demonstrating how tension works. However, it doesn't work so well when the 4 Story Questions are applied. Why? Because a multi-point-of-view story needs answers for all POV characters! Which POVs work and which don't…dive into this episode and find out. -M"Having your characters make stupid decisions is a great way to increase tension." -Melanie HillRelated Story Nerd Episodes:The Accidental Tourist (Season 5, Episode 503) For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.Follow Valerie on Instagram and Threads @valerie_francisFollow Melanie on X, Instagram and Facebook @MelanieHillAuthor

Our exit today has us listening to Meredith Brooks and getting in touch with our feminine side. This week, we are talking about What Women Want, written by Josh Goldsmith, Cathy Yuspa, and Diane Drake and directed by Nancy Myers. Along the way, we talk Mel Gibson, the year of Helen Hunt, Marisa Tomei, more NCIS bosses, bizarre offices, and Roger Ebert's bizarre taste in movies. Plus, Ross recommends a film that shocks Tripp he has never seen before, and Tripp recommends a documentary. Thememusic by Jonworthymusic. Powered by RiversideFM. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CFF Films⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ with Ross and friends. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies We've Covered on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies Recommended on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.

Hosts Sonia Mansfield and Margo D. stop the presses and dork out about 1994's THE PAPER, starring Michael Keaton, Marisa Tomei, Glenn Close, Randy Quaid, and Robert Duvall. Also discussed: THE SIX TRIPLE EIGHT on Netflix, REAL HOUSEWIVES OF SALT LAKE, A COMPLETE UNKNOWN, QUEER EYE, and Jamie Loftus's SIXTEEN MINUTES OF FAME podcast.Dork out everywhere …Email at dorkingoutshow@gmail.comSubscribe on Apple PodcastsSpreakerSpotify YouTubehttp://dorkingoutshow.comhttps://www.threads.net/@dorkingoutshow https://bsky.app/profile/dorkingout.bsky.social https://www.instagram.com/dorkingoutshow https://www.facebook.com/dorkingoutshow

The gang comes makes it weird this week, as they review Tyler's pick from the Wheel of Destiny, Cyrus, starring John C Reilly, Jonah Hill, and Marisa Tomei. An indie-ish movie that is unequivocally a Duplass joint, Cyrus lets the strong comedic performances of Reilly and Hill shine through, while highlighting the sweetly aggressive chemistry from the blossoming relationship of John and Molly. Watch along on Max, then find out how Pete, Joseph, and Tyler liked it.  Visit the YouTube channel Saturdays @ 12:30 PM Pacific to get in on the live stream, or just watch this episode rather than just listen!Channel:https://www.youtube.com/channel/UCI1lVsk1xjMSBgZK82uAzgQThis Episode:https://youtu.be/fMgZ8M_aTWchttp://www.MCFCpodcast.comhttps://www.twitch.tv/MCFCpodcasthttp://www.facebook.com/MCFCpodcasthttp://www.twitter.com/podcastMCFChttp://www.tiktok.com/middleclassfilmclasshttp://www.instagram.com/middleclassfilmclass   Email: MCFCpodcast@gmail.comLeave us a voicemail at (209) 283-1716Merch store - https://middle-class-film-class.creator-spring.com/    Join the Patreon:www.patreon.con/middleclassfilmclass Patrons:JavierJoel ShinnemanLinda McCalisterHeather Sachs https://twitter.com/DorkOfAllDorksChris GeigerDylanMitch Burns Robert Stewart JasonAndrew Martin Dallas Terry Jack Fitzpatrick Mackenzie MinerBinge Daddy DanAngry Otter (Michael)The Maple Syrup Don: StephenJoseph Navarro     Pete Abeyta  and Tyler Noe

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 76 of the Director Watch Podcast, the boys are joined by AwardsWatch contributor Dan Bayer to discuss the first film in their Nancy Meyers series, What Women Want (2000). Following up her success of The Parent Trap, Nancy Meyers' second feature film follows an chauvinistic advertising executive who gains the ability to hear the inner thoughts of women, truly finding out what women want. A simple, amusing premise formed into the biggest box office hit of the director's career, with stars Mel Gibson and Helen Hunt lighting up the screen together. But over two decades later, the film, while successful, has become the most divisive film of her filmography, given her lack of involvement in the film's script, leading to some of the strangest storytelling decisions you'd see in a romantic comedy. What Women Want feels like a movie stuck between eras of time where most of the jokes don't work, characters and plot devices haven't aged well, and yet the premise is still interesting enough to keep things moving; it's a fascinating film to talk about. Ryan, Jay, and Dan break down their thoughts on the film, what still works within the film and what doesn't, the message Meyer's might be saying about her own personal life, the careers of Gibson, Hunt, and Marisa Tomei, if Nick Marshall is a redeemable character, and if hearing the thoughts of a female dog makes sense. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 2h06m. The guys will be back next week to begin continue their series on the films of Nancy Meyers with a review of her film, Something's Gotta Give. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

It’s time for the weekend. Yea, we did cats, we did aliens, we did drones, and we did a whole segment on Marisa Tomei turning 60… It is a great sendoff to the weekend as we move through this holiday season, so be sure to tune in and share it with all of your friends, […] The post Friday Shenans appeared first on Radio Influence.

It's time for the weekend. Yea, we did cats, we did aliens, we did drones, and we did a whole segment on Marisa Tomei turning 60… It is a great sendoff to the weekend as we move through this holiday season, so be sure to tune in and share it with all of your friends, […] The post Friday Shenans appeared first on Radio Influence.

Brian Shactman discussed the cold weather in Hartford and attended a celebrity event at Max Downtown. He mentioned the upcoming holiday store kickoff at Duncan Park and an interview with Mayor Erin Stewart. The conversation shifted to the governor's race, with speculation on Lamont's potential candidacy. Sports topics included UConn women's win, the Bruins' overtime victory, and the potential signing of Juan Soto. Weather forecasts predicted light rain and snow, with potential accumulation in higher elevations. Traffic updates highlighted delays on I-91 and I-84. The segment concluded with a tribute to Marisa Tomei's 60th birthday. The show covered several key topics. Former Governor Jodi Rell's funeral was highlighted, with eulogies praising her unifying presence. Services for Hartford City Clerk No McGregor, Jr., who died in a hit-and-run, were announced. Police body cam footage showed an officer firing at Alexander Garay, who remains critical. President-elect Trump's nominee for Defense Secretary, Pete Hegseth, may be replaced by Florida Governor Ron DeSantis. The U.S. closed an E. coli outbreak linked to McDonald's. Subway launched new merchandise, and Mayor Erin Stewart discussed his final term and future plans. Erin Stewart, Mayor of New Britain, discussed his political journey and challenges faced as a Republican in Connecticut. He highlighted the success of local Republicans in municipal elections versus their struggles in statewide races, attributing it to local tax issues and the Democratic stronghold in urban areas. Stewart emphasized the importance of fiscal responsibility, noting New Britain's first surplus in his tenure. He also touched on the potential impact of lifting fiscal guardrails in the state budget, advocating for a balanced approach. Stewart hinted at a possible gubernatorial run, considering the timing and support needed for such a campaign.

Film editor Michael Taylor, A.C.E. returns for his 7th visit to the podcast. Taylor is helping to program a series at the Metrograph Cinema in NYC called Filmcraft: American Cinema Editors. This series showcases the best of editing by pairing a screening with a Q&A with its editors. This Friday, December 6th, there is a sold out screening of Elaine May's "Mikey & Nicky" with Ms. May in attendance. (This podcast host will be in attendance as well.) Michael Taylor, ACE, is a member of the Academy of Motion Picture Arts and Sciences. He is represented by Pete Franciosa at UTA (Franciosap@unitedtalent.com; 310-488-8436). He edited and co-produced the documentary series "My Undesirable Friends", directed by Julia Loktev, which premiered at the New York Film Festival. He recently completed Noah Pritzker's "Ex-Husbands", starring Griffin Dunne, James Norton, and Rosanna Arquette. The film premiered at San Sebastian and will be released theatrically in 2025. He was nominated for an ACE Eddie Award for Best Editing of a Feature, Comedy, for Lulu Wang's "The Farewell", starring Awkwafina, which premiered at the 2019 Sundance Film Festival and was released by A24. The film won Best Feature at the 2020 Independent Spirit Awards. Awkwafina won Best Actress at the Golden Globes and Gotham Awards. Recent films include Edson Oda's "Nine Days", starring Winston Duke, Zazie Beetz, Benedict Wong, Bill Skarsgård and Tony Hale, winner of the Waldo Salt Award for Best Screenwriting at the 2020 Sundance Film Festival, Matt Sobel's "Goodnight Mommy", an Amazon Studios film starring Naomi Watts, Ira Sachs' "Love is Strange," starring Alfred Molina, John Lithgow and Marisa Tomei, Elizabeth Wood's "White Girl", starring Morgan Saylor, and Guy Nattiv's Skin, starring Jamie Bell, Vera Famiga and Bill Camp. Other films include Julia Loktev's "The Loneliest Planet", starring Gael Garcia Bernal, selected for the New York Film Festival, and "Day Night Day Night", winner, Prix de La Jeunesse, Cannes Film Festival. Taylor won Best Editing at the Woodstock Film Festival for the documentary "The Babushkas of Chernobyl", directed by Holly Morris and Anne Bogart. He also edited Margaret Brown's Peabody Award-winning documentary "The Order of Myths", and Brown's documentary "Be Here to Love You: A Film About Townes Van Zandt", as well as Mitch McCabe's "Youth Knows No Pain".

My Cousin Vinny's shining star, without question, is an Oscar-winning portrayal from Marisa Tomei. Read more at: https://scottsself-indulgentmovieblog.blogspot.com/

Filmmaker Marco Calvani talks with Emmy Winner Charlotte Robinson host of OUTTAKE VOICES™ about “High Tide” his feature film debut that stars Marco Pigossi (Lourenço) as a Brazilian undocumented immigrant adrift Provincetown in the late summer. The film is about a young man coping after a break up & left adrift in Ptown with his travel visa running out. Lourenço then meets Maurice a Black American & a romance evolves. Though Maurice's comes with a circle of friends he's is also quite aware he's the minority in a predominantly white queer tourist mecca. Pigossi gives a haunting performance steeped in melancholy & raw pain but delivers moments of openness, optimism & joy with an affective portrait of the depths LGBTQ men experience seeking meaningful connections. As the summer season fades & with his unexpected romance with Maurice together the two reconcile the pasts they've left behind & pursue their uncertain futures. The film distributed by Strand Releasing premiered at South by Southwest & was released in NYC earlier this month followed by an expansion to Los Angeles & will begin a run at Waters Edge Cinema in Provincetown & Coolidge Corner Theater in Brookline, MA on Friday November 1st. The stellar cast also includes James Bland as Maurice, Marisa Tomei as Miriam, Bill Irwin as Scott, Sean Mahon as Bob, Mya Taylor as Crystal, Bryan Batt as Todd, Todd Flaherty as Leslie, Karl Gregory as BJ & João Santos as Dimo with a haunting score by Sebastian Plano.  Marco Calvani is an Italian playwright, director, filmmaker, translator & actor. Trained as an actor since he was a teenager Calvani made his debut as a playwright in 2002 with Quasi commissioned by the European Social Forum. Prior to his first feature film High Tide which had its world premiere at SXSW in March 2024 he wrote & directed the short film The View from Up Here starring Melissa Leo & Leïla Bekhti based on his eponymous play originally commissioned by The Actors Studio & directed by Estelle Parsons. As of 2020 Marco  is in a relationship with Brazilian actor Marco Pigossi. LISTEN: 600+ LGBTQ Chats @OUTTAKE VOICES

Only subscribers get to hear the rest of our delightful review of My Cousin Vinny, which we consider one of the best courtroom movies ever. It's Joe Pesci and Marisa Tomei. What's not to love? To hear the whole episode, subscribe to 5-4 Premium on Patreon, Apple Podcasts, or Spotify. Bonus content, access to a vibrant 5-4 Slack community, and occasional denunciations of listeners who disappoint us.5-4 is presented by Prologue Projects. This episode was produced by Dustin DeSoto. Leon Neyfakh and Andrew Parsons provide editorial support. Our researcher is Jonathan DeBruin, and our website was designed by Peter Murphy. Our artwork is by Teddy Blanks at Chips NY, and our theme song is by Spatial Relations.Follow the show at @fivefourpod on most platforms. On Twitter, find Peter @The_Law_Boy and Rhiannon @AywaRhiannon. Hosted on Acast. See acast.com/privacy for more information.

This week on this week's episode of streaming original review podcast "Streaming Without A Paddle" Andrew and Ted break out of the Halloween horror mode with PrimeVideo's original "Brothers" starring Peter Dinklage (Jady Munger), Josh Brolin (Moke Munger), and Glen Close (Cath / Mom Munger) with a supporting role appearances from Brendan Fraser (Farful) and Taylour Paige (Abby Munger). Cameo appearance from Marisa Tomei and M. Emmet Walsh. Jady is following in his mother's footsteps by pursuing a life of petty crime, while twin (fraternal) brother Moke is trying his best to establish a life away from the family business but keeps getting sucked in because of his "protector" role, something he promised his mother just before she went on the lamb for a period of 25 years.

Josh Hallam and Alice Oliver (Just Films & That podcast) return to Flixwatcher to review Josh's choice Spider-Man: No Way Home. Spider-Man: No Way Home (2021) is the third instalment of the Tom Holland Spider-Man Marvel/Sony franchise. Directed by Jon (Spider-Man: Homecoming) Watts, it sees Tom Holland reprising his role as Peter Parker/Spider-Man alongside Zendaya's MJ, Marisa Tomei as Aunt May and Jacob Batalon as Ned.  Directly following the events from Spider-Man: Far From Home, Peter Parker's identity as Spider-Man has been revealed by Mysterio. In an effort to restore things back to normal, Peter visits Dr Stange (Benedict Cumberbatch) to cast a spell to make Spider-Man's identity a secret again. When the spell goes wrong, it opens up the multiverse and unleashes several entities connected to Peter into this universe. Spider-Man NWH is the highest grossing Spider-Man film and saw Tobey Maguire and Andrew Garfield reprise their versions of Spider-Man alongside their respective villains. Some of which were included using previous footage rather than new footage.  Recommendability scores for Spider-Man NWH were high, with a runtime of two hours and 28 minutes though scores for repeat viewing were lower, to give an overall rating of 4.05. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of The Video Store Podcast, I am recommending into a mix popular and lesser-known Joe Pesci comedies from the '90s. If you're in the mood for a good laugh, these are films you might want to rent.The Super (1991): This film stars Joe Pesci as Louie Kritski, a slumlord who gets sentenced to live in one of his own run-down buildings until he fixes it up. Pesci's performance brings humor to a story about class and redemption. This movie might not be as well-known as others from the era, but it's worth a look, especially for fans of Pesci. You might not know this, but the film was directed by Rod Daniel, who also directed Teen Wolf (1985).My Cousin Vinny (1992): In this award-winning classic, Pesci plays Vinny Gambini, a brash, inexperienced lawyer who has no courtroom experience, defending his cousin and a friend accused of murder. Marisa Tomei won an Oscar for her role as Vinny's fiancée, Mona Lisa Vito, and it is well-deserved. The chemistry between Pesci and Tomei works well, and the film's humor holds up well, even decades later.8 Heads in a Duffel Bag (1997): This dark comedy has a pretty bizarre premise: a hitman, played by Pesci, accidentally loses a bag containing eight heads. The film balances slapstick humor with dark comedy. While it didn't make a huge splash when it first came out, it's gained a bit of a cult following over the years. The film also features early performances from David Spade and Kristy Swanson.Gone Fishin' (1997): Rounding out this week's recommendations has Pesci alongside Danny Glover. These two stars play best friends whose fishing trip goes hilariously off the rails. It's a lighthearted buddy comedy that doesn't take itself too seriously. The movie was directed by Christopher Cain, who also directed Young Guns (1988). It might not have been a critical success, but it's a fun, easy watch if you're in the mood for something light.That wraps up this week's picks. Whether you're in the mood for slapstick comedy, a courtroom classic, or a buddy adventure, Joe Pesci's comedic range in these films is sure to bring some laughs. So next time you're browsing for something to watch, give one of these a try—you might just find a new favorite.Subscribe to the Video Store Podcast* The Video Store Podcast* Apple Podcast* RSS This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.videostorepodcast.com

James McAvoy plays a wonderful deranged crazy person.  If you've seen the trailer you know what youre getting into.  Speak No Evil is a solid watch with some solid performances though the movie is a little short on logic and good decisions, horror movie tropes be damned.       0:09:30 - Box Office and upcoming releases. 0:18:00 *** What's Streaming  *** HULU 28 WEEKS LATER, Dir. Juan Carlos Fresnadillo – Jeremy Renner, Rose Byrne, Robert Carlyle, Harold Perrineau, Catherine McCormack, Idris Elba, Omogen Poots, 2007. GONE IN 60 SECONDS, Dir. Dominic Sena – Nicolas Cage, Angelina Jolie, Giovanni Ribisi, Scott Caan, Will Patton, Delroy Lindo, Timothy Olyphant, Chi McBride, Robert Duvall, Christopher Eccleston, Vinnie Jones, 2000. PIG, Dir. Micahel Sarnoski – Nicolas cage, Alex Wolf, 2021. 0:29:15 - Trailers:  SATURDAY NIGHT – Dylan O'Brien, Willem Dafoe, J.K. Simmons, Ella Hunt, Finn Wolfhard, Feature. BROTHERS – Glenn Close, Josh Brolin, Brenden Fraser, Marisa Tomei, Peter Dinklage, Feature. ABSOLUTION – Liam Neeson, Ron Pearlman, Daniel Diemer, Feature.   0:36:15 - SPEAK NO EVIL, Dir. James Watkins  ( Grayson 6.5 / Roger 5 / Chris 5.5 )   Hosted, produced and mixed by Grayson Maxwell and Roger Stillion.  Also hosted by Christopher Boughan.  Music by Chad Wall. Quality Assurance by Anthony Emmett. Visit the new Youtube channel, "For the Love of Cinema" to follow and support our short video discussions.  Please give a like and subscribe if you enjoy it.   Follow the show on Twitter @lovecinemapod and check out the Facebook page for updates.  Rate, subscribe and leave a comment or two.  Every Little bit helps.  Send us an email to fortheloveofcinemapodcast@gmail.com

Sean Comer and Mark Radulich review movies currently on streaming services and in theaters: Stan and Ollie/Chaplin/Judy Movie Review! First up is Stan and Ollie (2018). Then we move on to Chaplin (1992). Finally we review Judy (2019).Stan & Ollie is a 2018 biographical comedy-drama film directed by Jon S. Baird. The script, written by Jeff Pope, was inspired by Laurel and Hardy: The British Tours by A.J. Marriot which chronicled the later years of the comedy double act Laurel and Hardy; the film stars Steve Coogan and John C. Reilly as Stan Laurel and Oliver Hardy. The film focuses on details of the comedy duo's personal relationship while relating how they embarked on a gruelling music hall tour of the United Kingdom and Ireland during 1953 and struggled to get another film made.The film premiered on 21 October 2018 at the closing night gala of the BFI London Film Festival. It was released in the United States on 28 December 2018 and in the United Kingdom on 11 January 2019. At the 76th Golden Globe Awards, Reilly was nominated for Best Actor – Motion Picture Musical or Comedy, and at the 72nd British Academy Film Awards the film earned three nominations, including Best British Film and Best Actor in a Leading Role for Coogan.Chaplin is a 1992 biographical comedy-drama film about the life of English comic actor and filmmaker Charlie Chaplin. It was produced and directed by Richard Attenborough and stars Robert Downey Jr., Marisa Tomei, Dan Aykroyd, Penelope Ann Miller and Kevin Kline. It also features Charlie Chaplin's own daughter, Geraldine Chaplin, in the role of his mother, Hannah Chaplin.The film underperformed at the box office, grossing $12 million against a $31 million budget, and received mixed reviews from critics; Downey's titular performance, however, garnered critical acclaim and won him the BAFTA Award for Best Actor along with nominations for the Academy Award for Best Actor and Golden Globe Award for Best Actor – Motion Picture Drama.Judy is a 2019 biographical drama film based on the life of American entertainer Judy Garland. Directed by Rupert Goold, it is an adaptation of the Olivier- and Tony-nominated West End and Broadway play End of the Rainbow by Peter Quilter. The film stars Renée Zellweger, Jessie Buckley, Finn Wittrock, Rufus Sewell, and Michael Gambon.The film follows Garland's career during the last year of her life, when she relocated her stage career to England, coupled with flashbacks of her childhood, most prominently the shooting of her part as Dorothy Gale in The Wizard of Oz (1939), her most famous film role. After some initial success in a run of sell-out concerts at the Talk of the Town in London, her efforts eventually stop making progress and even start to worsen as her health deteriorates.Judy premiered at the 46th Telluride Film Festival on 30 August 2019, and was released in the United States on 27 September 2019, and in the United Kingdom on 2 October 2019. The film received generally positive reviews, with Zellweger's performance garnering widespread acclaim. For her portrayal of Garland, Zellweger won the Academy Award for Best Actress, as well as the Golden Globe Award, SAG Award, BAFTA Award and Critics' Choice Movie Award.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

EPISODE 53 - “Tribute to Gena Rowlands” - 09/16/2024 ** This episode is sponsored brought to you by BetterHelp. Give online therapy a try at betterhelp.com/BENEATH and get on your way to being your best self.” ** When screen legend GENA ROWLANDS passed away last month at the age of 94, she left behind a film and TV legacy that will undoubtedly influence artists for decades to come. She was an acting titan who changed the way modern audiences looked at acting. From her historic independent movies with husband JOHN CASSAVETES to mainstream Hollywood to powerful performances in iconic television films, Rowlands' performances were always honest, complicated, and emotionally raw. There was just no one like her; and there never will be again. This week, we pay tribute to her endearing legacy on and off the screen. SHOW NOTES:  Sources: Cassavetes on Cassavetes (2001), by Ray Carney; In The Moment: My Life As An Actor (2004), by Ben Gazzara; “Family First, Says Pretty Blonde,” November 16, 1963, The Tribune (South Bend, IN); “I Want It All…Husband…Children…Career!” June 1975, by Ronald Bowers, Photoplay; “NBC Offers Drama About AIDS,” November 11, 1985, by John J. O'Connor, The New York Times; “To Mom With Love: Gena Rowlands' Son Directs Her Latest Film,” February 23, 1997, by Terry Lawson, Detroit Free Press; “Idol Chatter: Gena Rowlands,” 1999, by Al Weisel, Premiere Magazine; “Shop Talk: Actress Gena Rowlands, Not Much of a Shopper, Tells Tales,” February 15, 2002, by Gwen Davis, The Wall Street Journal; “Gena Rowlands On Pioneering The Indie Film Movement With Her Late Husband John Cassavetes,” November 13, 2015, by Scott Feinberg, The Hollywood Reporter; “Oscar Goes To Gena Rowlands,” November 14, 2015, by Susan King, Los Angeles Times; “And The Honorary Oscar Goes To…” November 20, 2015, by Scott Feinberg, The Hollywood Reporter; “The Notebook's Gena Rowlands Has Alzheimer's, Is in Full Dementia,” June 25, 2024, by Cara Lynn Shultz, People Magazine; “Gena Rowlands, Actress Who Brought Raw Drama To Her Roles, Dies at 94,” August 14, 2024, by Anita Gates, New York Times; TCM.com; IBDB.com; Movies Mentioned:  The High Cost of Loving (1958), starring Jose Ferrer; Lonely Are the Brave (1962), starring Kirk Douglas; The Spiral Road (1962), starring Rock Hudson; A Child is Waiting (1963), starring Burt Lancaster, Judy Garland; Tony Rome (1967), starring Frank Sinatra; Faces (1968), starring John Cassavetes; Minnie and Moskowitz (1971), starring Seymour Cassel; A Woman Under the Influence (1974), starring Peter Falk; Opening Night (1977), starring John Cassavetes, Ben Gazzara; A Question of Love (1978), starring Jane Alexander; The Brink's Job (1978), starring Peter Falk; Gloria (1980), starring John Adams; Tempest (1982), starring John Cassavetes; Love Streams (1984), starring John Cassavetes; Thursday's Child (1984), starring Don Murray; An Early Frost (1985), starring Aidan Quinn, Ben Gazzara; The Betty Ford Story (1987), starring Josef Sommer; Another Woman (1988), starring Mia Farrow; Once Around (1991), starring Richard Dreyfuss, Holly Hunter; Night On Earth (1991), starring Winona Ryder; Face of A Stranger (1992), starring Tyne Daly; Crazy In Love (1992), starring Holly Hunter; The Neon Bible (1995), starring Jacob Tierney; Unhook The Stars (1996), starring Marisa Tomei; She's So Lovely (1997), starring Sean Penn; Hope Floats (1998), starring Sandra Bullock; Hysterical Blindness (2003), starring Uma Thurman; The Notebook (1999), starring Ryan Gosling, Rachel McAdams; Broken English (2007), starring Parker Posey; Six Dance Lessons in Six Weeks (2014), starring Cheyenne Jackson; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

How can you address mental health challenges and improve your workplace environment? Join Lesley Logan and Brad Crowell as they explore Melissa Doman's expert strategies for navigating workplace dynamics with radical candor and effective communication. Learn why taking action is crucial and discover your options for creating a healthier work setting in today's recap episode.If you have any questions about this episode or want to get some of the resources we mentioned, head over to LesleyLogan.co/podcast. If you have any comments or questions about the Be It pod shoot us a message at beit@lesleylogan.co. And as always, if you're enjoying the show please share it with someone who you think would enjoy it as well. It is your continued support that will help us continue to help others. Thank you so much! Never miss another show by subscribing at LesleyLogan.co/subscribe.In this episode you will learn about:How to address workplace bullies with direct communication strategies.The benefits of asking for help and using support networks effectively.Steps to translate awareness of mental health issues into concrete actions.How to use radical candor to enhance workplace communication.Implementing actionable steps to drive systemic change in your organization.Episode References/Links:Melissa Doman Episode 409Melissa Doman WebsiteYes, You Can Talk About Mental Health at Work by Melissa DomaneLevate Mentorship ProgramCambodia February 2025 RetreatOPC Website40 Days of 40 - OPC WebsiteProfitable Business Accelerator ProgramRadical Candor by Kims ScottKareen Walsh Episode 397  If you enjoyed this episode, make sure and give us a five star rating and leave us a review on iTunes, Podcast Addict, Podchaser or Castbox. DEALS! Check out all our Preferred Vendors & Special Deals from Clair Sparrow, Sensate, Lyfefuel BeeKeeper's Naturals, Sauna Space, HigherDose, AG1 and ToeSox Be in the know with all the workshops at OPCBe It Till You See It Podcast SurveyBe a part of Lesley's Pilates MentorshipFREE Ditching Busy Webinar  Resources:Watch the Be It Till You See It podcast on YouTube!Lesley Logan websiteBe It Till You See It PodcastOnline Pilates Classes by Lesley LoganOnline Pilates Classes by Lesley Logan on YouTubeProfitable Pilates Follow Us on Social Media:InstagramFacebookLinkedIn  Episode Transcript:Lesley Logan 0:00  Learning, listening, understanding mental health at the workplace, and the things that you can do around radical candor is all really, really good stuff. But then you need to take a piece of that and break it down into an action that you can take because otherwise it's just a bunch of information. And if you put yourself into a place where it's like, I have to make this big dent, then that's probably also not going to happen because systemic change takes time. It just does. Lesley Logan 0:24  Welcome to the Be It Till You See It podcast where we talk about taking messy action, knowing that perfect is boring. I'm Lesley Logan, Pilates instructor and fitness business coach. I've trained thousands of people around the world and the number one thing I see stopping people from achieving anything is self-doubt. My friends, action brings clarity and it's the antidote to fear. Each week, my guest will bring bold, executable, intrinsic and targeted steps that you can use to put yourself first and Be It Till You See It. It's a practice, not a perfect. Let's get started.  Lesley Logan 1:05  Welcome back to the Be It Till You See It interview recap where my co-host in life, Brad, and I are going to dig into the supportive convo I had with Melissa Doman in our last episode. If you haven't yet listened to that episode, you are missing out. You're missing out. You missed out on a very fun conversation. She's one of those guests I had to bring back because I've been watching her be it till she sees it and her business and life just growing before our eyes. And it's really fun to have those guests back. So if you haven't listened to episode from 103, 300 episodes ago, you should also listen to that one. But first, let's talk about today. Today is August 22nd 2024 and it's Never Bean Better Day. About this day. Never Bean B-E-A-N Better Day is on August 22nd, it gives us the perfect opportunity to enjoy and spread some bean Brad Crowell 1:54  Wuv.Lesley Logan 1:55  Wuv.Brad Crowell 1:56  W-U-V wuv. Lesley Logan 1:57  Wuv with our canine companions and others. Brad Crowell 2:00  Do you love me? Lesley Logan 2:02  Yeah. But what's the bean for? Brad Crowell 2:03  I don't know yet. Lesley Logan 2:04  By loving us unconditionally to being our listening ears and cuddle buddies, our furry friends have always upheld their reputable position as women's best friend, may I add, and are ever ready to be our lifelong companions registered therapy dogs like Bean, ohBrad Crowell 2:18  Bean is the example dog today. Lesley Logan 2:20  Okay, okay, share their wuv at hospitals, schools, reading programs, behavioral therapy, group sessions, domestic violence, homeless shelters, long-term care, Alzheimer's units and anyone else in need of an emotional facelift. Interesting choice of words. Yeah, so, I guess Bean.Brad Crowell 2:37  I'm pretty sure this should be never by own better day.Lesley Logan 2:41  I know. How's that? How does that work? Bean day. Brad Crowell 2:46  Bean is the name of the dog. So it's never by own better day.Lesley Logan 2:50  Yeah. What's never for? Brad Crowell 2:53  Never been better, Never been better. Never Bean better, is the plan of words. We're changing it to never by. Okay. Now I'm explaining the joke. Lesley Logan 3:02  Well, you know what guys, not every one of these days can make sense. So, you know.Brad Crowell 3:07  Well, it's about emotional support dogs and dogs that go in hospitals and stuff like that. We're big, big fans of canines in general, as you all know.Lesley Logan 3:16  Oh yeah, you know, you can get a dog that can tell if you need insulin, or can tell if you need a different vitamin, like you can train these dogs.Brad Crowell 3:24  Or if you're having a seizure. Lesley Logan 3:25  Yeah, you guys, there's so many of these dogs around now, and also, there's so many different organizations that could help if you don't have the funds to access one of these dogs on your own. Like, it's worth advocating for yourself and finding someone who's literally raising money to do this and give it to you. So you know, know that if you have a friend in need. Okay, so.Brad Crowell 3:42  You got a friend in me. Lesley Logan 3:44  In case you had it on your bingo card. Bean day, I don't think you get much out of this. Keep singing while I do the upcoming events and travel. Okay, you guys. So eLevate applications.Brad Crowell 3:57  Oh, actually, today, the 22nd, we're what? We're in L.A. We're heading to L.A. right now. We're driving. Lesley Logan 4:01  We're on our way to L.A. today. Brad Crowell 4:02  We're driving to L.A. Lesley Logan 4:03  Yes, we're going, I'm working with my mentors for the weekend. It's actually like my little Pilates vacation for me after the tour. So there was an opportunity to teach, and I said, thank you. I feel so seen and I would like to be a student because I all have, I've just been teaching, so I'm going to do that. So I may be with my mentor, but what's really fun is that I can tell you about my mentorship program. And my mentorship program is for teachers, and it is a really fun program going into our fifth round next year, and you can still apply. And also, Brad, like, loaded up, some awesome things you can get if you like, sign yourself up. So if you have questions about it, you'll actually get all those questions pretty much answered at lesleylogan.co/elevate. You can also take a fun class with us. You can hear from past eLevate members. And also you should know that when you do graduate, it's not over. I don't go see ya. Never want to see you again. Brad Crowell 4:57  Wouldn't want to be yah. Lesley Logan 4:58  You actually joined the alumni group and we do fun retreats together. So that's for you. That's eLevate, lesleylogan.co/elevate. Cambodia retreat. Holy freaking moly, it's August. That means we are so close to going to Cambodia for fall. But you can't come to that one because it's sold out. But you can come to the February one. Brad Crowell 5:16  Six months from now. Lesley Logan 5:16  Yes, six months. Brad Crowell 5:17  There's still six months. Actually, it's literally the 23rd to the 28th of Feb. So six months and a day, Lesley Logan 5:23  Six months and a day. Brad Crowell 5:24  From now, we're gonna be back in Cambodia. The time of recording this, there's still room to join us. So.Lesley Logan 5:29  And you know what? It's not too late, because really the best time to buy a flight is like three to four months before. So truly, this is the best time to sign up and snag your spot go to crowsnestretreats.com. That is crows with a S and nest with an S in the middle, and retreats with an S at the end. So. Brad Crowell 5:50  Thanks. Lesley Logan 5:51  Two words are plural. One's not. There you go. It's a dot com on that one. Try out OPC. You guys, do you know that OPC was made for you? I just did a really fun interview where someone was asking me about, how does OPC help people ditch perfection and also prioritize themselves first and have some self-care? And I was like, oh, because you're not supposed to be perfect when you do Pilates. You're supposed to just be in practice and we constantly remind you of that in every single class, while also providing tips and ways that you can get more depth and more out of an exercise, and then reminding you that if an exercise is not right for you yet, you get to do something that is and so even if you go to a studio already, did you know that you could also be an OPC member? That's right, you could go somewhere else and still do OPC with us on your other days.Brad Crowell 6:38  Wait a minute. Are you saying two things can happen at the same time?Lesley Logan 6:42  I am, I am, and so if you want to try us out, go to opc.me/40.Brad Crowell 6:49  Yeah and I have been kicking off another webinar here from Profitable Pilates, all about if you're feeling stuck with your money in your business, whether you're a super, super small business, or you have a brick and mortar with a full team. If you're feeling stuck with your money, come join me for a free upcoming webinar called the Accelerator program, studio business growth accelerator, go to P-R-F-I-T dot biz slash accelerator. Get yourself signed up. It's totally free, prfit.biz/accelerator. Lesley Logan 7:21  Profit without the O. Brad Crowell 7:22  That's right. Profit without the O. Thanks for saying that. Lesley Logan 7:24  Biz with an I-Z. there. Brad Crowell 7:26  (Inaudible).There, that's right, B-I-Zed. Lesley Logan 7:29  Yeah. And accelerator is how you spell it. But you know, sometimes you forget how many C's are in there. So just (inaudible) Brad Crowell 7:35  There's 27 C's in there. Lesley Logan 7:37  Shut up. Before we get into it with Melissa Doman, what's our audience question to answer this week?Brad Crowell 7:45  YouTube Pilates with L said Lesley, I am dead keen to do eLevate. I'm so interested in learning more about classical Pilates. I feel so amazing to finally feel like I'm getting it. How I wonder, did Joe work with injured clients, especially when supine or loaded flexion was contraindicated? There's a lot of big words.Lesley Logan 8:06  Yeah and I like the dead keen. I think that Brad Crowell 8:08  Dead keen. I'm dead keen.Lesley Logan 8:10  Why don't we say that in the States, I'm dead keen.Brad Crowell 8:12  Keen K-E-E-N.Lesley Logan 8:13  It would just turn and now the kids would just call it DK, I'm DK. Yeah. Okay. So here's the deal. I love how in eLevate, we actually get to explore how Joseph Pilates worked with contraindications inside the group, just based on the people who come becauseBrad Crowell 8:28  What is a contraindication? Lesley Logan 8:30  Oh, like, if you have a fusion in your back, then it is contraindicated to do flexion. Or, like, it's like, it's not, it's a no-no. That's what, you see, it's a no no. It's like, if you take a medication, there's other medications that we like contraindicated. So like, it's a no-no to do this with that. So for example, she is saying, like, supine or with loaded flexion. So let me just say, in eLevate. I don't go over like, contraindication by contraindication and (inaudible) because that would take years. And that's like, there are specialties.Brad Crowell 9:06  I have. 28 teeth. Are there any Pilates things that can't doLesley Logan 9:11  Okay. Nothing's contraindicated with that. You can do all the exercises. Lesley Logan 9:14  26?Lesley Logan 9:14  All of them, still can, still can. Brad Crowell 9:16  Three?Lesley Logan 9:17  Yeah, you might all three struggle with the towel exercise. I'm just gonna be honest, you might need more than three. Depends on where the three are. So, just so you know, in eLevate with all the teachers I do go over how Joseph Pilates thought about his work, that was that he that he shared, and how he taught it to people. And that will include going over things that are contraindicated based on what you ask and also the people in the group. And then what's cool is, when you graduate, we still talk about it. Someone just had someone come in who is actually paralyzed from the waist down. And so it's like, okay, what can I do with this person? Here's what I've done. Is there anything I'm missing? And so to answer your question, What did Joe do? Just like, real quickly, he avoided the things you're not supposed to. Just didn't do it. We don't have to fix people, you guys. And also, for those who are not teachers, like your Pilates instructor, should never tell you that they could fix you. And if they did, that's a red flag. What we are here to do is balance your imbalances, and when you balance your imbalances, what ends up happening is you have fewer aches and pains. Right now. As we record this, we're about to go to a chiropractor. My left hip is out of alignment. I can tell you that right now. And so I am feeling–because I fell–I'm feeling aches and pains in my body so when I move, there are just some limitations that I have. If I were to go see Joe, he's not gonna be like, oh, let me work on this left hip of yours. No, that's out of our scope. We're not PT, unless you are. So what he would instead do is work on the imbalances. And what is really cool is I did Pilates today with this out of the line with my hip, and I had way less pain throughout the day today than I did yesterday when I had my fall. Here's the deal. It's not that Pilates completely put it back together, but it balanced some imbalances that were causing that issue. And so that's our goal, and that's what Joseph Pilates would do. And eventually, over time, some of those aches, pains, injuries just go away. Sometimes you need extra help and other things, Pilates is not magic, but Joseph Pilates would not zero in on your little issue on your right pinky toe and, like, work it to death. He would work everything else. Brad Crowell 11:13  Do you believe it's magic? Lesley Logan 11:15  Yeah. And then also, you guys, I help you have the confidence to do that with your clients, I give you like the goal of eLevate is to help you see someone's imbalances, see someone's ache and pain, and actually trust the process and choose the right exercises for them. So that's what you do at eLevate. So if you're keen on that, you should sign up. Brad Crowell 11:33  If you're dead keen. Lesley Logan 11:34  If you're dead keen.Brad Crowell 11:35  That's right. Lesley Logan 11:35  And if and for the rest of you like seriously when it comes to Pilates, make sure your teacher is not like, micromanaging your right pinky toe. You've got other toes, so there's other parts of your body. You should be moving. We're about to do a YouTube video on this, and I'm like, there's no principles because you're just supposed to move. We have to be moving our bodies. If your Pilates class is not moving you enough, then you're in the wrong spot. So come to OPC. Okay, that was a bunch of shameless plugs. Lesley Logan 11:35  If you have questions, contact us. Let us know your question and we will happily work it into the pod. Pleasantly surprised, maybe you'll end up here. All right, stick around. We'll be right back.Lesley Logan 12:13  Okay, now let's talk about Melissa Doman. She's an organizational psychologist, former clinical mental health therapist and author of Yes, You Can Talk About Mental Health at Work, Here's Why (And How to Do It Really Well). Melissa specializes in teaching businesses leaders and individuals how to have realistic and constructive conversations about mental health, team dynamics and communication in the workplace. She's also known for her open and approachable leadership style, drawing from her experience with challenging managers. She said you have to address people who are negatively affecting your mental health at work or being a bully. And this is interesting because I was just talking to this about this with our agency members because they've had a, there's a couple people who've had clients who, like, won't, don't want to pay the late cancelation, and they're bullying them like, you're not a considerate person if you're charging me for this late cancelation policy, like (inaudible) late cancel. And I was like, no, no, they're a bully. They're actually the asshole. You're not the asshole. You told them the rules, they signed, they agreed to the rule, and now they're bullying you to not follow your own rules. And I said, you have to be comfortable. Brad Crowell 13:16  A.I.T.A. Lesley Logan 13:17  Yeah, they are the asshole. And (inaudible) says this all the time, I've repeated this before in the podcast, "We have to be comfortable making people as uncomfortable as they are making us." You have to get comfortable making the person uncomfortable, right? So you don't have to make this person uncomfortable at work, but you have to address this person is making my work experience negative, and it's affecting my mental health and my ability to do my job. And when we try to bottle it up and we keep it to ourselves, it doesn't get better. And by the way, your work is probably the one that's going to suffer, and then also you're going to get in trouble for suffered work and be like this person's been bullying me. That's too late now. It's too late to say that. You should have said that before. Brad Crowell 13:56  Yeah, she actually has a phrase. You'll have to go back and listen to her episode to actually get that phrase. She did, however, the high level overview of it was to pull them aside and say hey, I just need you to know how this is affecting me. You know how what you're doing and how you're doing is affecting me. She said this is really direct and pretty challenging, I acknowledge that. But sometimes it's necessary, it's needed, and it's going to help you stand up for yourself. You're going to feel better about yourself, the whole thing. Lesley Logan 14:32  Yeah, so we have a transcript so you can actually, like, copy paste and like, memorize that to have those conversations. But y'all, if you are working around someone who's affecting your mental health at work, you actually do have the right to say that this is happening. And if you're not feeling heard or supported by your superiors, then don't let people tell you that there's no good jobs out there. I have a client who constantly says how much she hates her job. And she's like, well, I'm not going to leave because the economy is bad. You guys, there are so many jobs out there and employers are doing everything they can to keep the employees they have. You need to know this. They're, like, really, like, they're, what other benefits can we throw at people so they stay in this job? So just trust that you are actually worth what you do. And there are people that need you out there, and there's awesome things you don't have to put up with it. We have a girlfriend who was absolutely being abused by her team at work, and when she finally said something, I'm gonna be out, she waited a long time, so when she finally said something, then they said oh well, she did this to me. And now and then, nothing got solved. Got this, like it sounds stupid, but you gotta say things when they first happen, because it doesn't get easier, it doesn't get better, right? And then by the time you feel like, oh my god, I'm at the end of my rope, I'm gonna say something. It's almost like there's nothing that they can actually do that's gonna make it better. You know, so, so stand up for yourself. Brad Crowell 15:53  Yeah and also, you know, some companies have an HR team, you can also talk to them. In this case, she's talking about directly with radical candor, approaching the person who's affecting you, and she said it also like her example in the episode wasn't necessarily about someone who's abusing you, but someone who says they're going to do something and is late, someone who doesn't actually finish the job, or is passing their work off onto you, or something like that.Lesley Logan 16:21  Yeah, all that is not fun for your mental health either. Brad Crowell 16:25  It is not. Lesley Logan 16:26  And by the way, Radical Candor is a book you should read it. It's really good.Brad Crowell 16:30  Yeah, okay, so I really enjoyed what she was talking about–asking for help. It's good to ask for help. She said, It doesn't matter how much of a badass you are trying to be. Everybody needs support, and this is a really difficult thing for small business owners–and myself included–definitely understand this, you know, the way that I was raised is it's a do it yourself world and you can do it all. And you should do it all because you have no money. Can't pay someone to do it for you anyway. So you should just figure it all out on your own. And so, I took that approach from childhood all the way into everything that I ever did from music into running companies. And the end of the day, it just eats more of your time and you don't ultimately have enough capacity to do all the things that need to happen and you end up being a bottleneck. So it doesn't matter how much of a badass you're trying to be. Everybody needs support. In her case, she said her husband very directly challenged her and said, "Okay, you no longer have the option to do all this stuff because it's now affecting me, and you have to have help. So we're going to find you an executive assistant who can support you." At first she was really reticent to pass things over, to relinquish control. But now she's like, how do I get this off my plate? Right? It's completely changed her approach to everything, because she's starting to see how well, maybe smoother, things can run for her company. It was one of the things that changed our business dramatically was when I realized that years in, I was still being the bottleneck, and then from there, when we shifted that, when I started to try to get out of these things that I had taken away from everybody else and was still doing, it actually allowed things to flow much more smoothly. It's a little bit counterintuitive at first, but it's also ego, you know, oh, I'm the only one that can do this part of it, whatever. Lesley Logan 18:24  I've mentioned this on the pod, and we have had four other episodes I've mentioned it, but like, if you watch the end of My Cousin Vinny, when he finds out that Marisa Tomei's character called in someone called him the judge from New York to, like, verify and validate the type of lawyer that he was, in, you know, his first case, and he got so mad at her. He's like, I wanted to win my case by myself. I wanted to win my first case by myself. And she's like, what if you won all of your cases, all of your cases, and at the end, you had to say, thank you. Oh my god, what a nightmare. And so that was just a really interesting thing that, like, whenever we're trying to do something ourselves, and you have you, like, actually ask for help, people are not gonna go, oh my god, LL asked for help. They're gonna remember, wow, it was so fun to be on LL's team to create this thing, I could be part of this creation. And then she said, thank you. Like, it's all it's like, these are amazing, amazing things. And so we have to just remember that asking for help is not actually about you. It's about sharing and it's actually about taking other people and saying hi, I see you as someone who can do this thing that I really want to do and I want to show my team. And it's actually really fucking cool. Anyways.Brad Crowell 19:43  Yeah, stick around. We're gonna cover those, Be It Action Items next. Brad Crowell 19:46  So let's talk about those Be It Action Items. What are the bold, executable, intrinsic or targeted action items that we could take away from your convo with Melissa Doman? All right, she said, "Hey, people take things the wrong way." Which is why it is so important to be super clear in your communication. We all interpret things based on our own experiences, usually, and so it's possible that someone said something to you, didn't know that they were touching a nerve, or vice versa, that you were maybe triggering something in them. She said before you're having a conversation with someone, usually about how they're affecting your mental health, she said it's important to self-reflect and ask what is it that I didn't like about this situation? She said that people can't read minds, obviously, so that's why clear communication is so necessary. Explain what's going on for you in this scenario, state what you want the others to do or not do with the information. Hey, now that I'm telling you this information, what would be really helpful for me is x, or it would really change things if you did x, right? Then highlight why you're bringing it up to them, deciding the most important things to tell them, so they don't get lost in the detail. So just go high level, right? They don't need a 10-year backstory. You could probably just say this is really affecting me because of some past history that I had, and just leave it at that, and then go on to explain what it is that they're doing and then how it's affecting you and what you would like them to do instead. And she said just avoid over complicating the conversation. She was sharing a story about her challenging the head of HR. She was brought in for a consulting job, and it was a short term gig. She's, I don't know, maybe she was with this company for a few months, or whatever, and everyone was treating her like an outsider in a really negative way. And she was working for the HR team, and she ended up finally challenging the head of HR and saying hey, do you see what you're doing here? This is super uncool, and I don't like it, and it's not fair to me, and I know I'm not part of the team the way that you guys are, but I'm still here to do a job, and this is what's coming across. So she said that's really hard to do. She's willing to be challenging that way, because she's taught herself how to do it over time, you know,. so.Lesley Logan 22:04  I love how she laid this out, because you could be either party in this scenario, but truly, like we had, I had someone come up to me and tell me something, but would give me zero specifics, none. So not even high level, just like, just generics about how we made her feel. And I said, okay, can you give me an example? I don't want to get into it. Okay, well, how would you like me to solve this problem? I don't know. And it's like, so here's the thing, there are assholes out there, but most people are not assholes, and they don't want you to feel bad at work. They don't want to be negatively impacting you. So I love this example because she actually says, how, what to say, explain what's going on for you, and state what you want others to do or not do. And then that way they can actually go, okay, let me think, how do we make this work? Here's how we can do this. I appreciate, like I, people are not mind readers, nor can they also, if the thing that they were doing with no negative intention cause negative impact, you then want them to create another thing that could maybe, like, it's important to kind of know, and that requires all of us to have a little bit more self-awareness and to go inward. Because, again, there are dicks out there, but not everyone is walking around wanting to trigger people or wanting to activate something in people. Most people want you to be the best version of yourself that's out there. Brad Crowell 23:20  Yeah. Well, what about you?Lesley Logan 23:21  So she said, when it comes to mental health at work, awareness is great, action is better. Brad Crowell 23:26  Awareness is great action is better. Lesley Logan 23:28  And you know what? We actually talked about that with Kareen's thing. She's like, manifestation is great, but you gotta take action on it. So hello, action. It's in our intro of the episode. So she talked about like, it's one thing to have the intention to do it, but it's another thing to create the impact and so and she also stressed that, like, you might not be living a big dent, but any dent is helpful. So what does this all mean? It means learning, listening, understanding, mental health, the workplace and the things that you can do–radical candor is all really, really good stuff–but then you need to take a piece of that and break it down into an action that you can take, because otherwise it's just a bunch of information. And if you put yourself into a place where it's like I have to make this big dent, then that's probably also not gonna happen, because systemic change takes time, just does. So if you have a business, or you're working at a company, and there's been something that's going on for a really long time, like just because they're made aware doesn't mean that you just made a thing that happens. So we've got to really do what we can to make the dents we need to, because over time, a dent can get bigger and bigger and bigger if we just keep working at it. So I really like that, because it's one thing for you to listen to this and be inspired by it, but you also, you know, taking action is always gonna be better. Brad Crowell 24:38  Action brings clarity. Lesley Logan 24:39  And it's the antidote to fear. You guys, I'm Lesley Logan. Brad Crowell 24:42  And I'm Brad Crowell. Lesley Logan 24:43  Thank you so much for listening to this episode today. You want action you can take after becoming aware? You can share this episode with your friend. Brad Crowell 24:50  We're gonna ask you what action to take right now? Lesley Logan 24:52  Right now (inaudible) guess if you wonder we're not gonna tell you exactly what would make this better. What would make this relationship better between you and me? Would be, if you share this with a friend. Brad Crowell 25:01  That's right. Lesley Logan 25:01  Share this. You could text it to them. You could, like, grab their phone and look for it for them, there's so many different ways you can listen to this episode. It could be on the OPC app. It could be on Apple, Spotify, you name it. Brad Crowell 25:11  You could text it to them every single day. Lesley Logan 25:13  You could, you could do that. You want to know what I get text every single day from campaigns so they clearly have no shame. You shouldn't either. All right, loves, until next time. Be It Till You See It. Brad Crowell 25:26  Bye for now. Lesley Logan 25:28  That's all I got for this episode of the Be It Till You See It Podcast. One thing that would help both myself and future listeners is for you to rate the show and leave a review and follow or subscribe for free wherever you listen to your podcast. Also, make sure to introduce yourself over at the Be It Pod on Instagram. I would love to know more about you. Share this episode with whoever you think needs to hear it. Help us and others Be It Till You See It. Have an awesome day. Be It Till You See It is a production of The Bloom Podcast Network. If you want to leave us a message or a question that we might read on another episode, you can text us at +1-310-905-5534 or send a DM on Instagram @BeItPod. Brad Crowell 26:10  It's written, filmed, and recorded by your host, Lesley Logan, and me, Brad Crowell. Lesley Logan 26:15  It is transcribed, produced and edited by the epic team at Disenyo.co. Brad Crowell 26:20  Our theme music is by Ali at Apex Production Music and our branding by designer and artist, Gianfranco Cioffi. Lesley Logan 26:27  Special thanks to Melissa Solomon for creating our visuals. Brad Crowell 26:30  Also to Angelina Herico for adding all of our content to our website. And finally to Meridith Root for keeping us all on point and on time.Support this podcast at — https://redcircle.com/be-it-till-you-see-it/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

From director Jonathan Lynn comes the rare courtroom comedy. My Cousin Vinny stars Joe Pesci, Marisa Tomei, Fred Gwynne, and…Ralph Macchio? The cast chemistry is exquisite, the writing is hilarious, and Marisa Tomei won an Oscar for her performance. The question isn't “Will the Karate Kid be put to death?”, the question is “How will Joe Pesci get him out of this?”. Vincent LaGuardia Gambini Album Hey there!  Check out https://support.baldmove.com/ to find out how you can gain access to ALL of our premium content, as well as ad-free versions of the podcasts! Join the Club! Join the discussion:  Email | Discord | Reddit | Forums Follow us: Twitch | YouTube | Twitter  |  Instagram  |  Facebook Leave Us A Review on Apple Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

Steve & Izzy kick off Nic-August Cage Vegas Edition, where they celebrate the greatest living actor during his Elvis period, as they are joined by Michael Tanner of the Grindbin Podcast to discuss 1991's "Zandalee" starring Nicolas Cage, Judge Reinhold, Erika Anderson, Steve Buscemi, Marisa Tomei, Joe Pantoliano & more!!! Can we tie this New Orleans erotic thriller to King Creole? Will the Southern accents do anybody justice? Will there be more boobs or incorrect Z-names displayed? What is the proper recipe for Cherries Jubilee?!? Let's find out!!! So kick back, grab a few brews, paint it black, and enjoy!!! This episode is proudly sponsored by Untidy Venus, your one-stop shop for incredible art & gift ideas at UntidyVenus.Etsy.com and be sure to follow her on Twitter, Facebook, Instagram & Patreon at @UntidyVenus for all of her awesomeness!!! Try it today!!! Twitter - www.twitter.com/eilfmovies Facebook - www.facebook.com/eilfmovies Etsy - www.untidyvenus.etsy.com TeePublic - www.teepublic.com/user/untidyvenus Learn more about your ad choices. Visit megaphone.fm/adchoices

Most comedies age poorly, but our hosts find this season's Rom Com Respawn pick, My Cousin Vinny (1992), not guilty! Madison asks Chelsea who they should call when her antics inevitably land them in jail, and Chelsea questions the correlation between her rising anxiety levels and her proximity to Madison. Starring Joe Pesci, Ralph Macchio, and the incomparable Marisa Tomei, our hosts agree the only thing that could make this classic better is more Mona Lisa Vito dropping jaws in that Alabama courtroom! Connect With Us Follow us on Instagram @loveatfirstscreening or send an email to loveatfirstscreening@gmail.com Production Hosts: Chelsea Ciccone and Madison Hill Music: Good Steph Artwork: Chelsea Ciccone Social Media: Marissa Ciccone About the Show An examination of classic tropes and iconic characters pits connoisseur against cynic—one romantic comedy at a time. The cinematic world of love and laughter had rom-com enthusiast Madison head over heels from the time Harry met Sally. For genre skeptic Chelsea, however, it's been a grueling enemies-to-lovers plot. In Love at First Screening, Madison introduces Chelsea to all the fan-favorite love stories she's never wanted to watch. One friend's passion might be the other's displeasure, but doesn't love conquer all? Tune in every Wednesday to find out.

In this special birthday edition of "The Rewatch Party," hosts Nick, Anthony, and Dan join Elise in celebrating her birthday pick: the 1991 comedy film "Oscar," starring Sylvester Stallone. The episode kicks off with Elise sharing why she chose this particular movie for her birthday, reminiscing about her first viewing and its nostalgic value. Her enthusiasm sets the tone for a lively discussion about the film's unique blend of slapstick humor and classic mobster tropes. As the conversation progresses, the hosts dive into the elements that make "Oscar" a candidate for rewatchability. They analyze the film's intricate plot, filled with misunderstandings and comedic twists, and the stellar ensemble cast, including Marisa Tomei, Tim Curry, and Chazz Palminteri. Each host shares their favorite scenes and moments, highlighting the standout performances and memorable lines that contribute to the movie's charm. The group's chemistry shines through as they debate the effectiveness of Stallone's departure from his usual action-hero roles to tackle a more comedic character. Throughout the episode, the hosts explore the film's direction by John Landis and its homage to classic screwball comedies. They discuss how the fast-paced dialogue and period setting add to the movie's appeal, creating a rich tapestry of humor and style that rewards multiple viewings. The hosts also touch on the film's reception at the time of its release and how its reputation has evolved over the years, considering whether "Oscar" has found a more appreciative audience in recent times. Whether you're a longtime fan of "Oscar" or new to this quirky comedy, this episode of "The Rewatch Party" offers an engaging and insightful examination of its rewatchability. Nick, Anthony, Elise, and Dan provide a balanced perspective on the film's strengths and weaknesses, ultimately celebrating its unique place in cinematic history. Elise's birthday pick proves to be a delightful choice, sparking a fun and thoughtful discussion about why this often-overlooked gem might just be worth revisiting.   https://www.imdb.com/title/tt0102603/

This episode originally aired in April of 2023, but has been edited to include a new and updated "One Quick Thing" at the end! Season 2 of  Manzoor's We Are Lady Parts is now streaming on Peacock in the US.Balancing the dark and the light sides of coming of age, womanhood, and navigating the social order is something filmmaker Nida Manzoor always strives for in her projects (like WE ARE LADY PARTS and POLITE SOCIETY). And she wants to shout one of her biggest inspirations from the rooftops: SLUMS OF BEVERLY HILLS (1998, Tamara Jenkins), which centers on high-schooler Vivian Abromowitz, as played by a young Natasha Lyonne.Then, Jordan has one quick thing about her momentous latest appearance on Screen Drafts.***With Jordan Crucchiola and Nida Manzoor

Bonjour! Join Paul, Jason, and June as they grab a Pepsi and swing into 2024's Madame Web starring Dakota Johnson and Sydney Sweeney. LIVE from Largo in LA, they break down the baby shower scene, the looney tunes fireworks factory climax, the magic healing powers of chest compressions, and how the movie ruined an iconic Spider-Man line. Plus, they ask "How did a baby in an Amazon spider cave end up in the NYC foster system?" and "Does Adam Scott's young Ben Parker end up falling in love with Marisa Tomei's Aunt May?" HDTGM will be in Boston on June 16th & Nantucket on June 20th! Go to hdtgm.com for ticket info, merch, and more.Order Paul's book about his childhood, Joyful Recollections of Trauma, wherever books are soldFor extra Matinee Monday content, visit Paul's YouTube page: youtube.com/paulscheerHDTGM Discord: discord.gg/hdtgmPaul's Discord: discord.gg/paulscheerFollow Paul on Letterboxd: letterboxd.com/paulscheer/Check out Paul and Rob Huebel live on Twitch (www.twitch.tv/friendzone) every Thursday 8-10pm ESTSubscribe to Unspooled with Paul and Amy Nicholson here: listen.earwolf.com/unspooledSubscribe to The Deep Dive with Jessica St. Clair and June Diane Raphael here: www.thedeepdiveacademy.com/podcastCheck out The Jane Club over at www.janeclub.comCheck out new HDTGM merch over at https://www.teepublic.com/stores/hdtgmWhere to find Jason, June & Paul:@PaulScheer on Instagram & Twitter@Junediane on IG and @MsJuneDiane on TwitterJason is not on Twitter

Recorded - 5/27/2024 On Episode 272 of the Almost Sideways Movie Podcast, we review the new George Miller trip into the Mad Max world with Furiosa. Then we look ahead to the summer movie season and what we are most looking forward to. Our power rankings, inspired by Marisa Tomei's tugboat captain character in the film She Came to Me, focuses on oddest combinations of actor and character job. Here are the highlights: What We've Been Watching (6:15) Terry Oscar Anniversary Review: Beyond the Lights (10:35) Zach Review: Evil Does Not Exist (14:20) Todd TallaBoogie Review: Out on a Limb (17:40) Featured Review: Furiosa: A Mad Max Saga (40:15) Spotlight: Most Anticipated Movies of the Summer (1:04:50) Power Rankings: Oddest Actor/Character Job Combos (1:36:00) Guessing Adam's List Trivia! (1:48:20) Trivia Review: Ricky Stanicky (2:00:40) Trivia: Oscar Nominated Live Action/Animated Directors & Top Female Title Characters (2:09:30) Quote of the Day Find AlmostSideways everywhere! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠almostsideways.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/AlmostSidewayscom-130953353614569/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠AlmostSideways Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @almostsideways ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Terry's Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @almostsideterry ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Zach's Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @pro_zach36 Todd: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Too Cool for Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Adam's Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @adamsideways ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasts.apple.com/us/podcast/almostsideways-podcast/id1270959022⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/show/7oVcx7Y9U2Bj2dhTECzZ4m⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stitcher⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.stitcher.com/podcast/almost-sideways-movie-podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCfEoLqGyjn9M5Mr8umWiktA/featured?view_as=subscriber

Writer/Producer Christine Lenig worked hard and took notes for twelve years before her rom-com Upgraded was finally produced with Camila Mendes, Marisa Tomei and Lena Olin. Now it's #1 on Amazon! 

As most of you knpw, our Patreon audience has the INSIDE access to the KF Show. The year 2024 will be an important one for Patreon specifically and if you'd consider jumping up to the $5 level it would sure help. The $10 level will remain and we now have a brand new $20 level as well! All members who join at that level will receive a sticker swag pack in the mail, you'll be IMMEDIATELY entered in the monthly prize grab, and you'll receive a phone call from one (or all) of us to chat up whatever you want for 30 minutes! Thank you SO MUCH to those of you who have joined in for the extra content that is only for Patreon supporters. To get in on the action and support the show with a minor financial contribution just click the link below to sign up. Join up via Patreon at patreon.com/KFSHOW ======================================== Presented with Holley - Back for 2024!  Phase 3 of Kibbe and Friends is officially here, and Holley is back for more fun, foolishness, and flying orange Chargers! Once again we're proud to be associated with the historic name that has made cars fast for years and years, and their innovations continue forward (as always)! Make sure that you visit Holley.com to place your speed parts orders – and THANK THEM for continuing on as the Title Spnonsor of the KF Show! ======================================== K&F Show Summary: K&F Show Summary: 49 year old Joe Pesci and 28 year old Marisa Tomei go to Alabama to defend a kid who accidentally stole a can of tune, then got charged with murder. This is the comedic story of the smart underachieving lawyer, his wicked-smart girlfriend, and his dippy younger cousin. It's the take of New Yorkers that magically drive rust free 30-year old cars from state to state, looking for adventure and bringing justice to the masses.  all drive 30 year old rust free cars from New York, cross country, and make justice possible for the masses. Did I mention that the cousin is Karate Kid himself, Joe Maccio? And even better, this whole comedic genius movie is centered around the reality of the fact that a locking rear end is waaaaaaaaaaaaaay better than a one wheel wonder, but only if your smoke-show girlfriend teaches you that first. This one got Marisa Tomei an OSCAR and taught us all that no self respecting southerner eats instant grits. It may be Joe Pesci's most likable character role ever and we'll never get sick of listening to Marisa Tomei explain torque wrenches, posi-traction, and the stock ignition timing of a 327 Chevy. K&F Rating: 10 Perfect Dogs Legit Movie Info My Cousin Vinny Release Date to Theaters: March 13, 1992 Distributed By: 20th Century Fox Directed by: Jonathan Lynn Written by: Dale Launer Produced by: Dale Launer and Paul Schiff Starring: Joe Pesci Marisa Tomei Ralph Macchio Mitchell Whitfield Fred Gwynne Music By: Randy Edelman ======================================== See you soon. Join up via Patreon at patreon.com/KFSHOW Kibbe, Corndog, and the Bern! National Parts Depot Presents: Bernie on the News! https://www.npdlink.com. The post K&F Show #286: Dallas Kibbe's New (to us) 1985.5 Porsche 944; Car Movie Review “My Cousin Vinny” first appeared on The Muscle Car Place.