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Featuring: Michael “Boston” Hannon Paul “Moonpir” Smith Running Time: 48:05 Video Version: YouTube For this brand new season of TVGP's Critical Misses we slap on our face paint and talk about Ghost! Join us as we chat about what this band is, what we may possibly know about these shadowy figures, and, of course, break down the album track-by-track! Square Hammer Ritual (live in studio) Applause sound effect from SoundBible Royalty free music from https://www.fesliyanstudios.com Become a patron of TVGP for just a few dollars a month at E1M1's Patreon Page! Get two month early access to Critical Misses, uncensored outtakes, production meetings, and much more for just $5/month!
Grandparents Raising Grandchildren: Nurturing Through Adversity
Are you a grandparent suddenly raising your grandchildren, feeling overwhelmed by the lack of support, resources, or recognition for all you do? Do you find yourself exhausted, navigating complex family trauma, or wondering how to keep going when there's no instruction manual—or applause—for your sacrifices? The daunting reality of kinship care can leave you feeling invisible, financially strained, and emotionally drained.I'm Laura Brazan, a grandparent who has walked this unexpected and challenging path. In this episode of 'Grandparents Raising Grandchildren: Nurturing Through Adversity,' I'm joined by Lyubim Kogan—a five-time immigrant, Winter Olympian, NYU grad, 9/11 survivor, and visionary humanitarian. Lyubim was raised by his own grandmother after unthinkable loss, and together we discuss what it truly means to lead when there's no system, no money, and no applause.Visit Wings4Heroes.org to learn more about Lyubim Kogan's mission and how you can help.Tune in as we share real stories, practical strategies, and hard-won wisdom for grandparents facing adversity. You'll hear how to find meaning in your journey, break generational cycles, and care for yourself while raising children affected by trauma. Discover inspiration to push through when you feel like giving up, and connect with a caring community that understands and honors your experience.Join us—because you are not alone, and your resilience is rewriting your grandchildren's future, one day at a time.Send us a textDid you know that in the state of Indiana, if a grandparent has an adult child who gets angry with their parents for any reason, no matter how trivial, the adult child can deny that grandparent the ability to have ANY contact with their grandchildren? Sign the petition here. Your signature matters! Parenting Is Too Short to Spend It Stressed.Learn how to turn everyday moments into joyful connection — with zero guilt and zero gimmicks. Visit Parenting Harmony.Thank you for tuning into today's episode. It's been a journey of shared stories, insights, and invaluable advice from the heart of a community that knows the beauty and challenges of raising grandchildren. Your presence and engagement mean the world to us and to grandparents everywhere stepping up in ways they never imagined. Remember, you're not alone on this journey. For more resources, support, and stories, visit our website and follow us on our social media channels. If today's episode moved you, consider sharing it with someone who might find comfort and connection in our shared experiences. We look forward to bringing more stories and expert advice your way next week. Until then, take care of yourselves and each other.Want to be a guest on Grandparents Raising Grandchildren: Nurturing Through Adversity? Send Laura Brazan a message on PodMatch, here: https://www.podmatch.com/hostdetailpreview/grgLiked this episode? Share it and tag us on Facebook @GrandparentsRaisingGrandchilden Love the show? Leave a review and let us know! CONNECT WITH US: Website | Facebook
Christian Sison (https://loisllc.com/attorney/christian-sison/) is amazed by the 19-page letter written by the New York Workers' Compensation Board, denying authorization to a medical provider due to egregious past misconduct. He is joined by fellow Partners, Addison O'Donnell (https://loisllc.com/attorney/addison-odonnell/) and Meisha Powell, (https://loisllc.com/attorney/meisha-powell/) both of whom bring some interesting parallels to the RICO fraud cases brought in civil cases by Tradesman / Roosevelt Road. Applause is due to the Board for exposing truth; have a listen! What is “Third Fridays”? "Third Fridays" podcast is a live, 30-minute legal talk show from Lois Law Firm (https://loisllc.com/) featuring moderator Christian Sison (https://loisllc.com/attorney/christian-sison/). It is the original forum in which real attorneys discuss workers' compensation issues, share their opinions and engage in colorful conversations. The goal of the show is to showcase the diverse perspectives of the attorneys handling workers' compensation cases. Attorneys discuss case law trends, practical litigation strategies, and hot topics. Special Guests: Addison O'Donnell and Meisha Powell.
This week we welcome Virr to the show to discuss artist we wish got more shine, how their identity inspires their music and what lyrics we have always gotten wrong in songs. Did we also mention we play a round of song association and give Joho their flowers for being named San Diego's Business Journals Leaders of influences. Applause, a round of APPLAUSE! Send us an email with your thoughts/comments about the show: BlackFatFemmePod@gmail.com. Also, don’t forget to watch and subscribe on YouTube! Buy DoctorJonPaul's book here! Meet DoctorJonPaul on their book tour in a city near you Learn more about the National Association to Advance Fat Acceptance here Follow the show on social: Instagram | BlueSky | Tik-Tok Follow DoctorJonPaul: BlueSky | Instagram | Website | Tik-Tok Follow Jordan: Instagram | Website | Tik-Tok Follow Virr: Instagram | Website See omnystudio.com/listener for privacy information.
It's the last episode of Season 4 and we're back from the Stratford Festival and diving headfirst into Anne of Green Gables—the play! We dive into everything we loved, from the production's inventive stagecraft to the standout performances. And of course we share the moments that made us laugh, cry, and geek out with other Kindred Spirits. Whether you've seen the show or just wish you had, this episode is your front-row seat. And we wrap up this final episode of Season 4 with our recommendations for summer reading! Inspired by: We are inspired by summer reading! Kelly recommends: Rilla of Ingleside to get a jump on our 5th season! Also, The God of the Woods by Liz Moore for a juicy, thrilling read, James by Percival Everett for a beautiful and heartbreaking reimagining of Huckleberry Finn from Jim's perspective, and Magpie Murders by Anthony Horowitz for a book within a book twisty mystery. Ragon recommends: The Spellshop by Sarah Beth Durst for a cozy fantasy world, Kills Well With Others by Deanna Raybourn for the adventures of retired female assassins, and Buried Deep by Naomi Novik for a collection of wildly diverse fantasy short stories by one of our favorite fantasy writers. If you want to get a free logo sticker from us, either leave us a review on Apple Podcasts or share your love for the pod on social media! Send us a photo of your share or review at either our email: kindredspirits.bookclub@gmail.com or on our KindredSpirits.BookClub Instagram.
In a world obsessed with downfall and silence in the face of success, a fearless voice exposes society's addiction to pain, delivering a raw, poetic reckoning that demands we celebrate healing, not just heartbreak.
This one's personal. In this solo episode of Conversations with Juls, I'm stripping back the layers — no guest, no production, just me… and a question that's been echoing for years: Who am I without the applause? For most of my life, I've been performing — on stage, in classrooms, in relationships, at work — and somewhere along the way, I confused applause with love, and attention with affirmation. When people stopped clapping, I thought I had failed. I thought I wasn't enough without the feedback. But what if the silence isn't rejection… but an invitation? In this episode, I get real about: The identity crisis that happens when performance is all you know The grief that creeps in when the spotlight fades Why so many of us don't know how to feel worthy without being needed And the long, messy, beautiful journey of discovering yourself offstage This isn't just about art or the stage — this is about all the ways we hide behind who we think we're supposed to be. If you've ever felt lost when the noise died down… If you're learning to love the quiet, or you're still scared of it… You're not alone. And this episode is for you.
Professor Ralph Hancock of BYU discusses the dilemmas facing the church and the complexities of navigating politics as Latter-day Saints work within a secular world. Ralph's Articles on Alive and Intelligent Substack - https://aliveandintelligent.substack.com Cwic Media Website: http://www.cwicmedia.com
Do you clap regardless of whether the performance was good or bad?
Featuring: Michael “Boston” Hannon Paul “Moonpir” Smith Running Time: 1:12:45 Video Version: YouTube I'm thinking we're back (sorry) with more John Wick in TVGP's Critical Misses! Join us as we talk about JW spinoffs, dogs (of course), ampersands, rough CG, and, of course, a stairs shot so nice they did it twice. If you're a patron, don't forget to check out the S37 Production Meeting! Applause sound effect from SoundBible Royalty free music from https://www.fesliyanstudios.com Become a patron of TVGP for just a few dollars a month at E1M1's Patreon Page! Get two month early access to Critical Misses, uncensored outtakes, production meetings, and much more for just $5/month!
Get Your Tickets to Revive => https://events.3twarrioracademy.com/revive Join Our Men's Retreat => https://refinedintegrity.com/ The man who needs applause is still a slave. The man who serves in silence is already freed. Listen Now! Set Up Consultation with our Indexed Universal Life Insurance Team = > https://freedominsurancellc.com/consultation Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode we'll challenge a culture that celebrates and claps for empty victories. Are our compliments reinforcing pride, vanity, and disobedience? We'll wrestle with how worldly applause can lure us into spiritual traps and explore how to develop discernment. It's time to rethink what (and whom) we celebrate—and ask if we're addicted to applause ourselves.Proverbs 7:21-231 Kings 11:1–10James 1:5Matthew 7:16Galatians 5:22,23Ephesians 4:292 Samuel 12Colossians 3:1,2Colossians 3:17Mark 10:21,22Mark 11:7–10You can now also WATCH C.L.! That's right: C.L. is also recording The Nonmicrowaved Truth on video! Just go to our Time of Grace video site (timeofgrace.org/TV), search for the Time of Grace app on your devices, or watch on C.L.'s YouTube channel: https://www.youtube.com/channel/UCfmL7jUfMBm0FKV-I0Op_Vg or on Time of Grace's YouTube channel: https://bit.ly/3Hcyk5JAbout "The Nonmicrowaved Truth":How fast do you have to have "IT"? Our culture tells us to find a microwave to speed up the process. C.L. Whiteside, a man who sees and hears multiple perspectives through his life of coaching sports, serving in education, and attempting to conform to Christ, searches for the nonmicrowaved truth. C.L. gets that what's cool and acceptable now, may not be cool and acceptable tomorrow—and most importantly, may not be what's best.Hit up C.L. on social media:- Twitter or Instagram: @ChampionLife23- TikTok: @clwhiteside
Listen to David Aragona and Mike Beer as they discuss the upcoming Wild Applause at Saratoga this Thursday.
The vibes were high and the energy was real at the BET Media House, and Keep It Positive, Sweetie was right in the mix! Crystal Renee sat down with some of the culture's most impactful voices for a day full of real talk, belly laughs, and powerful moments you won't see anywhere else. From healing and hustle to joy and legacy, this episode captures the spirit of the weekend
In this NBN episode, host Hollay Ghadery speaks with John Devore about his phenomenal memoir, Theatre Kids: A True Tale of Off-Off Broadway (Applause, 2024). Friendship. Grief. Jazz hands. In 2004, in a small, windowless theater in then-desolate Williamsburg, Brooklyn, an eccentric family of broke art-school survivors staged an experimental, four-hour adaptation of William Faulkner's novel As I Lay Dying inside an enormous wooden coffin that could barely fit the cast, much less an audience.The production's cast and crew—including its sweetly monomaniacal director—poured their hearts and paychecks into a messy spectacle doomed to fail by any conventional measure. It ran for only eight performances. The reviews were tepid. Fewer than one hundred people saw it. But to emotionally messy hack magazine editor John DeVore, cast at the last minute in a bit part, it was a safe space to hide out and attempt sobering up following a devastating loss.An unforgettable ode to the ephemeral, chaotic magic of the theatre and the weirdos who bring it to life, Theatre Kids is DeVore's buoyant, irreverent, and ultimately moving account of outsize ambition and dashed hopes in post-9/11, pre-iPhone New York City. Sharply observed and bursting with hilarious razzle-dazzle, it will resonate with anyone who has ever, perhaps against their better judgment, tried to bring something beautiful into the world without regard for riches or fame. About John DeVore: John DeVore is a two-time James Beard Award–winning writer and editor who has worked for The New York Post, SiriusXM, and Conan O'Brien's Team Coco. He's also written for Esquire, Vanity Fair, and Marvel Comics, among many others. John lives in Brooklyn with his partner and their one-eyed mutt. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
In this NBN episode, host Hollay Ghadery speaks with John Devore about his phenomenal memoir, Theatre Kids: A True Tale of Off-Off Broadway (Applause, 2024). Friendship. Grief. Jazz hands. In 2004, in a small, windowless theater in then-desolate Williamsburg, Brooklyn, an eccentric family of broke art-school survivors staged an experimental, four-hour adaptation of William Faulkner's novel As I Lay Dying inside an enormous wooden coffin that could barely fit the cast, much less an audience.The production's cast and crew—including its sweetly monomaniacal director—poured their hearts and paychecks into a messy spectacle doomed to fail by any conventional measure. It ran for only eight performances. The reviews were tepid. Fewer than one hundred people saw it. But to emotionally messy hack magazine editor John DeVore, cast at the last minute in a bit part, it was a safe space to hide out and attempt sobering up following a devastating loss.An unforgettable ode to the ephemeral, chaotic magic of the theatre and the weirdos who bring it to life, Theatre Kids is DeVore's buoyant, irreverent, and ultimately moving account of outsize ambition and dashed hopes in post-9/11, pre-iPhone New York City. Sharply observed and bursting with hilarious razzle-dazzle, it will resonate with anyone who has ever, perhaps against their better judgment, tried to bring something beautiful into the world without regard for riches or fame. About John DeVore: John DeVore is a two-time James Beard Award–winning writer and editor who has worked for The New York Post, SiriusXM, and Conan O'Brien's Team Coco. He's also written for Esquire, Vanity Fair, and Marvel Comics, among many others. John lives in Brooklyn with his partner and their one-eyed mutt. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In this NBN episode, host Hollay Ghadery speaks with John Devore about his phenomenal memoir, Theatre Kids: A True Tale of Off-Off Broadway (Applause, 2024). Friendship. Grief. Jazz hands. In 2004, in a small, windowless theater in then-desolate Williamsburg, Brooklyn, an eccentric family of broke art-school survivors staged an experimental, four-hour adaptation of William Faulkner's novel As I Lay Dying inside an enormous wooden coffin that could barely fit the cast, much less an audience.The production's cast and crew—including its sweetly monomaniacal director—poured their hearts and paychecks into a messy spectacle doomed to fail by any conventional measure. It ran for only eight performances. The reviews were tepid. Fewer than one hundred people saw it. But to emotionally messy hack magazine editor John DeVore, cast at the last minute in a bit part, it was a safe space to hide out and attempt sobering up following a devastating loss.An unforgettable ode to the ephemeral, chaotic magic of the theatre and the weirdos who bring it to life, Theatre Kids is DeVore's buoyant, irreverent, and ultimately moving account of outsize ambition and dashed hopes in post-9/11, pre-iPhone New York City. Sharply observed and bursting with hilarious razzle-dazzle, it will resonate with anyone who has ever, perhaps against their better judgment, tried to bring something beautiful into the world without regard for riches or fame. About John DeVore: John DeVore is a two-time James Beard Award–winning writer and editor who has worked for The New York Post, SiriusXM, and Conan O'Brien's Team Coco. He's also written for Esquire, Vanity Fair, and Marvel Comics, among many others. John lives in Brooklyn with his partner and their one-eyed mutt. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
In this NBN episode, host Hollay Ghadery speaks with John Devore about his phenomenal memoir, Theatre Kids: A True Tale of Off-Off Broadway (Applause, 2024). Friendship. Grief. Jazz hands. In 2004, in a small, windowless theater in then-desolate Williamsburg, Brooklyn, an eccentric family of broke art-school survivors staged an experimental, four-hour adaptation of William Faulkner's novel As I Lay Dying inside an enormous wooden coffin that could barely fit the cast, much less an audience.The production's cast and crew—including its sweetly monomaniacal director—poured their hearts and paychecks into a messy spectacle doomed to fail by any conventional measure. It ran for only eight performances. The reviews were tepid. Fewer than one hundred people saw it. But to emotionally messy hack magazine editor John DeVore, cast at the last minute in a bit part, it was a safe space to hide out and attempt sobering up following a devastating loss.An unforgettable ode to the ephemeral, chaotic magic of the theatre and the weirdos who bring it to life, Theatre Kids is DeVore's buoyant, irreverent, and ultimately moving account of outsize ambition and dashed hopes in post-9/11, pre-iPhone New York City. Sharply observed and bursting with hilarious razzle-dazzle, it will resonate with anyone who has ever, perhaps against their better judgment, tried to bring something beautiful into the world without regard for riches or fame. About John DeVore: John DeVore is a two-time James Beard Award–winning writer and editor who has worked for The New York Post, SiriusXM, and Conan O'Brien's Team Coco. He's also written for Esquire, Vanity Fair, and Marvel Comics, among many others. John lives in Brooklyn with his partner and their one-eyed mutt. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
In this episode I continue my review of Broadway's Nostalgia Craze of the 1970s and beyond. Many of the musicals that emerged in the late 60s and very early 70s were also influenced by the incipient Nostalgia Craze, even if overall their shows were decidedly modern. HAIR, Jesus Christ Superstar, Godspell, Two Gentlemen of Verona, Applause all included musical sequences that recalled the Vaudeville era and Silver Age of Broadway. So nostalgia was in the air, and then No, No, Nanette sent it into the stratosphere! And all of this was before the nostalgia craze expanded to include the 1950s. Almost exactly one year after the premiere of Nanette the musical Grease opened on Broadway. It became wildly popular and ran for eight years on Broadway passing Fiddler to become the longest running musical of all time until A Chorus Line passed it. And Grease's enormous success set into motion a 1950s wing of the nostalgia craze by inspiring both the movie American Grafiiti (1973) and the TV show Happy Days (1974). The success of Nanette led directly to a 1973 revival Irene, the smash hit musical that opened in 1919 and became the longest running musical of its day. And Grease led directly to Over Here !, the 1974 musical in which the director, choreographer and producers of Grease attempted to do for the 1940s, what their previous show had done for the 1950s. The two still living Andrews Sisters, Patty and Maxine, where enticed to star in Over Here!, and the Sherman Brothers, of Disney fame, provided a terrific set of brand new very authentic sounding Big Band era style songs for them to swing. Broadway's Nostalgia Craze continued with a hit 1975 revival of the Jerome Kern Princess Theater musical Very Good Eddie, then in 1979 both the 1928 Edie Cantor vehicle Whoopee! and the 1930's style classic Burlesque show, Sugar Babies. It was inevitable that the movie 42nd Street itself would be transformed into a Broadway stage musical in 1980. That same season there was the Marx Brothers inspired revusical A Day In Hollywood A Night In The Ukraine. 1983 brought a hit revival of Rodgers & Hart's On Your Toes, and over the next decade there would be two Gershwin “revisals”, both of them so heavily reworked that they were given new titles: My One And Only in 1983, and Crazy For You in 1993. In between, came the Broadway debut of a 1937 London hit Me And My Girl in 1986. I would even include the 1980 blockbuster Annie in this category. Although it was, of course, an entirely new musical it certainly played on nostalgia for the comic strip and radio show Little Orphan Annie from the Depression Era, and smartly used that to echo the recession of the 1970's. Some people would say that the Nostalgia Craze never ended, at least as far as Broadway is concerned. Although, revivals of popular musicals have been part of the Broadway mix throughout most of its 120+ year history, the success of No, No, Nanette and its successors created a pattern and expectation that in every season – there should be at least enough revivals to fill out a Tony Award “Best Revival” category. And you could say that the immense popularity of City Center's Encore Series is an extension of the Nostalgia Craze, as well. I for one hope that we will never tire of rediscovering and reinventing the great musicals of the past. Learn more about your ad choices. Visit megaphone.fm/adchoices
Hey guys! Welcome back to the Conversations with Jus podcast. Join the conversation as I sit with myself and talk about what happenes when the lights go out, the crowd goes quiet, and there's no one around to clap. In this solo episode on Conversations with Juls, I dive into a question that's been quietly haunting me: Who am I without the applause? For years I performed: on stage, in relationships, in jobs, in... life. I measured my worth by productivity, validation, and visibility - but when all of that stopped, I was left with silence and I barely recognized myself. If you've ever felt lost when you're not being praised, chosen, or celebrated this one's for you. Press play, take a deep breath, and ask yourself: Who am I when no one's clapping? Like. Follow. Share. Tag me on @convoswithjuls
Featuring: Michael “Boston” Hannon Paul “Moonpir” Smith Running Time: 1:30:51 Video Version: YouTube TVGP's Critical Misses continues our catchup season with Alien Romulus! Join us as we chat about a brand new (old?) tagline, who might be in this movie, where this might take place, exactly what type of aliens we might find, if there might be anything the previous movie shares with this one, and much more! Applause sound effect from SoundBible Royalty free music from https://www.fesliyanstudios.com Become a patron of TVGP for just a few dollars a month at E1M1's Patreon Page! Get two month early access to Critical Misses, uncensored outtakes, production meetings, and much more for just $5/month!
During the summer and in between projects we need to create opportunities for people to understand how they make a difference and matter. Join Ted for a conversation and tactic to allow for you to pause and applaud the way in which others make a difference in the world in which we live.
Annita tells Olis and Sam about the chaos in her life while drinking and finding AA. She found the laughter and smiles kept her coming at first, and she then got active by joining a home group and making coffee. Annita found it hard at first to take on a sponsor, but once she did they jumped right into Step work. Annita shares on her experience with Tradition 12 as well. David and Gerry write in with sharing for our segment #heardinameeting.You're Invited to the 2025 International Convention of Alcoholics Anonymous. Please visit aa.org/international-convention for information. Come visit the AA Grapevine Podcast at the convention.While we provide the podcast at no charge, we do have expenses. Grapevine is the only AA entity that does not accept direct contributions, so to support the AA Grapevine Podcast, please subscribe to Grapevine Magazine in print, online, or on the Grapevine app. You can also provide a subscription to someone in need through our "Carry the Message" program or purchase books or other items at aagrapevine.org/storeYou can email us at podcast@aagrapevine.org. To record an Ask-It-Basket question or a recovery-related joke, call 212-870-3418 or email a voice recording to podcast@aagrapevine.org
"Light in the Darkness: A Journey Through the Gospel of John"Jeremy Rose - June 15, 2025Week 48 - John 12:34-43https://theaxischurch.org-----Subscribe to The Axis Church sermons on Apple Podcast or Spotify:Apple PodcastSpotify Podcast
Featuring: Michael “Boston” Hannon Paul “Moonpir” Smith Running Time: 2:09:58 Video Version: YouTube We're back with a brand new season on TVGP's Critical Misses! It's been a while since we started this fine show, so let's catch up with some past seasons that have new movies. We start with the latest Fast Saga movie, Fast X! We chat about how to pronounce the movie's title, our predictions of cameos, whether our favorite (Helen Mirren) will return, remembering Fast Saga movies of the past, trying (in vain) to guess where this movie will go, then we record a five star run time episode! Applause sound effect from SoundBible Royalty free music from https://www.fesliyanstudios.com Become a patron of TVGP for just a few dollars a month at E1M1's Patreon Page! Get two month early access to Critical Misses, uncensored outtakes, production meetings, and much more for just $5/month!
A Daily Dose of The Help Myself Podcast
Le festival Sakifo tire le rideau sur sa 22e édition ce dimanche 8 juin. Et il le fait avec bruit, sueur et décibels. Un uppercut rythmique venu des tropiques et des Sound Systems pour dire au revoir avec le collectif Applause qui a fait monter la fièvre du samedi soir sur scène. Reportage de notre envoyé spécial à La Réunion, José Marinho. Aux manettes de ce projet depuis 2023 : Matteo, tête pensante du groupe marseillais Chinese Man et Aash, producteur mauricien de musique électronique, nourri au feu du dancehall et du shatta. Ensemble, ils déploient une cartographie sonore sans frontières, calibrée pour secouer le corps et faire fondre les barrières géographiques, culturelles et identitaires.Le collectif ne cherche pas la fusion polie, mais le choc frontal. Basses lourdes, rythmiques tropicales, bass music et samples qui fendent l'air : le set a été pensé comme un manifeste. Une manière de dire que la fête peut être aussi politique. À La Réunion, île de métissages et de cohabitations ethniques, cette salve d'Applause est la bienvenue. Une dernière vibration qui fait du bien en ces temps gouvernés par la peur, déconnectés de la joie collective.À lire aussi«Le Sakifo assume une dimension politique au sens noble du terme»
Joining us this episode to discuss the highs and lows of parenting (and life) is the brilliant comedian, writer and actress - Suzi Ruffell. You can order Suzi's brilliant new book 'Am I Having Fun Now? - Anxiety, Applause and Life's Big Questions, Answered' HERE You can listen to Suzi's first appearance on Parenting Hell HERE Tour dates and tickets to her new stand-up tour 'The Juggle' HERE You can watch her last stand-up special 'Snappy' on Youtube - HERE And her brilliant podcasts Like Minded Friends and Out with Suzi Ruffell. Parenting Hell is a Spotify Podcast, available everywhere every Tuesday and Friday. Please subscribe and leave a rating and review you filthy street dogs... xx If you want to get in touch with the show with any correspondence, kids intro audio clips, small business shout outs, and more.... here's how: EMAIL: Hello@lockdownparenting.co.uk Follow us on instagram: @parentinghell Join the mailing list to be first to hear about live show dates and tickets, Parenting Hell merch and any other exciting news... MAILING LIST: parentinghellpodcast.mailchimpsites.com A 'Keep It Light Media' Production Sales, advertising, and general enquiries: hello@keepitlightmedia.com Learn more about your ad choices. Visit podcastchoices.com/adchoices
Pastor BoldinMatthew 6Worship through the Ministry of Teaching the Word!Email: prayer.request@strivinghome.org.We will pray with you or for you!Get Involved: www.strivinghome.org
MusicalTalk continues its two part tribute to the late Charles Strouse, the legendary composer of Annie, Bye Bye Birdie, Applause, I and Albert, All American, Charlotte's Web, All Dogs Go To Heaven, Minsky's, Mayor, Marty, Nick and Nora and so many others! In this episode, Thos and Charles enjoy a charmingly inimate, detailed and honest look at his works and career which paint a perfect picture of the hugely talented but modest man he truly was; and it's a chance to learn more about the aborted Stanley Kubric Star Wars Musical! Dick Van Dyke called him "one of the greats" and in this wonderful conversation, you'll find out why!
BIG IDEA: As a Christian, I am called to be a witness FOR God.Read Matthew 5:14-16; 6:1-6, 16-18Tension #1: Action FOR God or Applause of man?Tension #2: Is doing good deeds a Public display or Private discipline?Subscribe to my channel: / @hellopastormike
Happy Birthday, Nikki Newman!; Best and Worst Dressed; Applause for Pietro; Ali’s Story Lines; An invitation from Dumas; Victor vs. Jack; Michael’s eggs; Traci tells all; Ashley comes back… to request a leave of absence; Harrison’s birthday brainstorm; Audra suggests a media scandal; and Amanda and Phyllis’ corporate takeoever takes off! PLUS: The Weekly Y&R […]
All the show bros are back together for one of the last episodes of the season! Discussing the final Premier League match for Man City at Fulham and we hear about Tarik's experience being at the game. Shock, Awe, and Applause covers Arsenal's UWCL title, before moving to our Man City Women's segment BABY BLUE BADDIES 0:00 - Cold open: What word/phrase would you use to describe the season?7:00 - Music intro/Admin/Check in with the Show Bros13:45 - Preview - Fulham 0 - 2 Man City 27:50 - Can Phil Foden fill KDB's missing boots next season?32:35 - Hear about Tarik's matchday experience1:11:11 - Pep is tired of answering about Jack Grealish1:21:22 - Shock, Awe, and Applause1:33:00 - Baby Blue Baddies X Man City Women Segment- World Sevens Tournament/ Good, bad, and ugly of the tournament1:37:02 - Managerial update
Barry and Abigail discuss The Fame by Lady Gaga and sample Shifty Modern Pilsner, Watermelon Girlfriend, Kiwi McSqueezy, and Rainbow Sherbet from Prairie Artisan Ales in Oklahoma City, Oklahoma.Barry distinctly remembered Lady Gaga's meat dress.Watch Lady Gaga's Super Bowl halftime show performance from 2017.Take a peek at the marionberry pedigree.The Fame always reminds Abigail of another Lady Gaga song, Applause.Barry entered I Like It Rough into the Abigail Hummel School of Speaking Smartly About Music with a comparison to Somebody's Watching Me by Rockwell.By the way, Abigail gave a credit to F.O.T.P. Joe Turocey, who pointed out that Waitress in the Sky by The Replacements (reviewed on our episode Bill [The Replacements and Right Proper Brewing]) is similar to Spirit in the Sky by Norman Greenbaum.Abigail then entered Summerboy into the A.H.S.O.S.S.A.M. with a comparison to Heart of Glass by Blondie.Up next… Phobia by Breaking Benjamin, submitted to our Jukebox by Derek Hummel, Sr.Jingles are by our friend Pete Coe.Visit Anosmia Awareness for more information on Barry's condition.Follow Barry or Abigail on Untappd to see what we're drinking when we're not on mic!Leave us a rating or a review on Apple Podcasts or Spotify!Facebook | Instagram | Bluesky | YouTube | Substack | Website | Email us | Virtual Jukebox | Beer Media Group
Adolescence isn't your typical TV drama. It's raw, immersive, and filmed in a single unbroken shot, forcing you to stay with every moment, no matter how uncomfortable.In this episode, we're pulling lessons from that intensity with the help of our guest, Charlie Ungashick, CMO of Vimeo.Together, we explore what B2B marketers can learn from embracing creative risk, connecting across generations, and resisting the urge to over-polish. Because sometimes, the most powerful stories are the ones that feel the most human.About our guest, Charlie UngashickCharlie Ungashick joined Vimeo as CMO in 2024. He has over 20 years of experience leading marketing teams in tech companies. Before Vimeo, he was CMO and Head of Product at Applause, a leader in crowdsourced software testing. Charlie also advised Gem, a talent engagement platform, and held product, sales engineering, and IT roles at AIG, Novell, and SilverStream Software early in his career. He holds a bachelor's degree from Fordham University and a diploma in economics from the Université de Paris-Sorbonne.What B2B Companies Can Learn From Adolescence:Take risks that stretch you. In Adolescence, everything was a bet. A single-take format. A debut teenage actor. Emotionally loaded material. It had no business working—and yet it did. Charlie sees the same dynamic in great marketing. He explains, “Some of the best projects that we've all worked on are probably like that—they're risky and audacious.” In B2B, we often play it too safe. Big ideas get trimmed down before they even leave the doc. But safe rarely stands out. Sometimes, the smartest move is to back the idea that feels slightly unmakeable—and then go make it.Follow the signals across generations. Charlie and his daughters both watched Adolescence—but saw it through totally different lenses. That contrast sparked something powerful. Charlie says, “Adolescence was interesting because it had something for lots of different generations... it created that human element.” The best B2B content doesn't just target—it connects. Know where your audience is, how they consume, and what matters to them emotionally. Not every story has to hit everyone the same way. But the best ones open up space for conversation across the gap.Lead with authenticity, not polish. Adolescence wasn't glossy. It was real. That's what made it stick. Charlie challenges marketers to do the same: “We should all be comfortable in our B2B marketing by providing the same emotional authenticity that we find on TikTok and Netflix and Instagram.” B2B doesn't have to mean buttoned-up. Lo-fi can hit harder than high-budget. People buy from people, not buildings. The more human your marketing feels, the more likely it is to land.Quotes*“ Some of the things that I've been the most proud of are things that were super out of the box, almost unachievable when you sort of bring the idea to your team. Not all of them are achievable. Not all of them are inspiring, but some of the best ones happen. And so I typically love being visionary when it comes to doing big things that require big sort of game-changing execution. And when I looked at Adolescence, the combination of all the things that we talked about certainly has those elements.”*“ As a marketer, I always continuously look at demographics and psychographics and figure out how to elicit brain chemistry to ensure that people who I'm targeting are the ones that I want to connect with. I think the Adolescence was interesting because it had something for lots of different generations. And in fact, my daughters probably looked at it very differently than I did. And then when we compared notes in our conversations, it created that human element that we talked about earlier.”*“ B2B marketers, they don't buy from a b, they don't buy from a building, they buy from human beings. And I think our storytelling in our marketing can be much more authentic when we're thinking about the consumerization of the types of things that we do. So shorter form, more authentic, maybe even lo-fi. There's a time and a place for those kinds of things, and I think it can propel our results.”Time Stamps[00:55] Meet Charlie Ungashick, CMO at Vimeo[01:06] Why Adolescence?[03:19] The Role of CMO at Vimeo[06:20] AI and the Future of Video Creation at Vimeo[09:24] Origins of Adolescence[18:50] B2B Marketing Takeaways from Adolescence[47:36] Vimoe's Brand Strategy[49:59] Creating Authentic Content[53:13] Innovative Uses of AI in Video[54:20] Final Thoughts and TakeawaysLinksConnect with Charlie on LinkedInLearn more about VimeoAbout Remarkable!Remarkable! is created by the team at Caspian Studios, the premier B2B Podcast-as-a-Service company. Caspian creates both nonfiction and fiction series for B2B companies. If you want a fiction series check out our new offering - The Business Thriller - Hollywood style storytelling for B2B. Learn more at CaspianStudios.com. In today's episode, you heard from Ian Faison (CEO of Caspian Studios) and Meredith Gooderham (Head of Production). Remarkable was produced this week by Jess Avellino, mixed by Scott Goodrich, and our theme song is “Solomon” by FALAK. Create something remarkable. Rise above the noise.
In this powerful episode, Ambassador Elisha sits down with Lyubim Kogan, a global leader, finance expert, and bestselling co-author with Steve Forbes. From thriving on Wall Street to leading through crisis in war-torn Ukraine, Lyubim shares how true leadership is born in darkness—without applause, systems, or even money. You'll hear how his journey through elite business circles and life-altering transitions shaped his understanding of purpose, fear, and faith. With experience living in 5 different countries and working in high finance, Lyubim offers real wisdom on taking the next step—even when the path ahead is unclear.
Featuring: Michael “Boston” Hannon Paul “Moonpir” Smith Running Time: 1:09:08 Video Version: YouTube For this episode of TVGP's Critical Misses, we finish our journey across the wasteland with Furiosa! Join us as we chat about what this movie could be, whether or not we needed it, what the heck Chris Hemsworth is doing here, the largest eyes in showbiz, a bold choice for the credits, and much more! Applause sound effect from SoundBible Royalty free music from https://www.fesliyanstudios.com Become a patron of TVGP for just a few dollars a month at E1M1's Patreon Page! Get two month early access to Critical Misses, uncensored outtakes, production meetings, and much more for just $5/month!
MusicalTalk pays a special tribute to the late, great Charles Strouse, who has just died a month shy of his 97th birthday. Charles was one of the giants of the last sixty years of musical theatre and leaves an enormous legacy: with new shows produced across seven decades, collaborations with Alan Jay Lerner, Lee Adams, Mel Brooks, Stephen Schwartz, Arthur Laurents, Martin Charnin, Rupert Holmes, Betty Comden and Adolph Green to name but a few, and with amazing rosta of shows and films featuring his music, such as Annie, Bye Bye Birdie, Golden Boy, Nick and Nora, Applause and All Dogs Go To Heaven, Charles Strouse was, as Dick Van Dyke observed "one of the greats". In this special episode of MusicalTalk, Thos recalls his memories of this amazingly talented, yet always modest, musical theatre legend - and there's another chance to hear Charles in conversation from 2009 - so put on a happy face!
A special tribute to a great composer, Charles Strouse. Classic and rare tunes from Golden Boy, Bye Bye Birdie, Annie, Applause and many more.
Chilling Tales for Dark Nights: A Horror Anthology and Scary Stories Series Podcast
In the hushed corridors of a secluded estate, the walls don't just display art—they remember. Tonight, Chilling Tales for Dark Nights invites you to enter a private gallery unlike any other, where beauty is curated, identity is fluid, and every performance is more than skin deep. What begins as an opportunity becomes an obsession. Applause becomes ritual. And the eyes watching from the frames? They're waiting for you. To watch the podcast on YouTube: http://bit.ly/ChillingEntertainmentYT Don't forget to subscribe to the podcast for free wherever you're listening or by using this link: http://bit.ly/ChillingTalesPod If you like the show, telling a friend about it would be amazing! You can text, email, Tweet, or send this link to a friend: http://bit.ly/ChillingTalesPod Learn more about your ad choices. Visit podcastchoices.com/adchoices
I, along with the rest of the musical theater world, was saddened to learn that composer CHARLES STROUSE, one of the last of the great creators from the Golden Age of Broadway had passed away last week at the age of 96. Of course, Strouse and his three Tony Award-winning “Best Musicals": Bye Bye Birdie, Applause, and Annie — have been discussed frequently on this podcast. So over the weekend, I dug deep into the archives of Broadway Nation and newly adapted a section of my upcoming book regarding the musical Golden Boy and wove it all together to create this tribute episode, including an excerpt from my 2021 interview with Applause original cast member Lee Roy Reams. I am also delighted to report that a brand-new production of Bye Bye Birdie will open on June 10 at The 5th Avenue Theater in Seattle, where it will play through June 29. If you are in Seattle, or can get there, this is a fantastic opportunity to experience the musical and theatrical magic of Charles Strouse. Become A PATRON of Broadway Nation! This episode is made possible in part through the generous support of our Patron Club Members, such as Taryn Darr. If you are a fan of Broadway Nation, I invite you to become a PATRON! For as little as $7.00 a month, you can receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. And you will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And If you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices
Synopsis After two hijack the control gallery of the and eject the audience into space, and must race to stop them from broadcasting a to 3 trillion viewers. Plot In the year , steps out of cryogenic suspension and onto the stage as the begins in the space station, with the and exiting the at the same time in order to take a reading. As the reading finishes they turn to the stage, notice where they are, and unanimously decide that they're staying to watch the festivities. The opening ceremonies include commercials for the contest's sponsor . , also in the audience, watches the Doctor and Belinda from afar and is delighted to see that the Vindicator is primed, calling it "the final link". Meanwhile married couple and , having arrived late, bicker over their seats being taken by the Doctor and Belinda. A , , storms backstage and seizes control of the production booth along with another Hellion worker, . The pair detain everyone present and swap over the livestream to the recording of the dress rehearsal in order to keep the outside world from realising anything is wrong. However, the Doctor notices that Rylan (who missed the dress) is present on stage but not on the television feed, and begins fiddling with wiring near his seat. As the first song plays, Kid disengages the space station safety protocols and evacuates the air in the main area, sending the vast majority of the audience careening out into space, the Doctor and the TARDIS amongst them. Contestant and her associate are spared when Wynn surreptitiously seals their pod, and Belinda manages to hang on after being thrown against the ceiling of hers, but they are seemingly the only survivors. With the arena "purged", Kid initiates the final phase of his plan, bringing out a device that will generate a . However, since the is still intact, backstage director tries to persuade Wynn that they could still save everyone. Belinda exits the seats and meets up with Cora and Len, who explain to her that the station is in communication lockdown until the scheduled end of the show to prevent manipulation of the betting markets. There's no way for them to call for help. Len finds Hellion script in a nearby terminal and tells Belinda "people say" Hellions have fearsome psychic powers and practise cannibalism, prompting Cora to defend them. As the Doctor freezes in space, an image bursts into his mind: his granddaughter, . She tells him to go back, to find her. He comes to, grabbing a nearby and propelling himself back to the airlock where Mike and Gary let him in and revive him. The trio talk about how everyone is frozen but not dead, and the was increased by the Doctor, so theoretically everyone is still in range of the station. Scanning through a nearby terminal, the Doctor finds out that the hellions are uploading a delta wave to transmit with the song contest, potentially killing all three trillion viewers across the galaxy. Searching for a , they come across a museum dedicated to the song contest's history, complete with holographic . As Kid notices people interfering with the systems he attempts to contact them, speaking with the Doctor, Belinda's group managing to eavesdrop on their exchanges of threats. Cora sees Wynn in the background and reacts, prompting Len to inquire further. Cora confesses that she's a Hellion who cut her own horns off and says that their peaceful planet was destroyed by , makers of PoppyHoney. Kid intends to get revenge on every viewer of the Song Contest, as being complicit in the sponsoring Corporation's crimes. Cora convinces Len to help them stop Kid, but he blames her for lying to him throughout their songwriting partnership and says he will no longer work with her after this crisis is over. The Doctor appears on the bridge and dismantles the delta wave, distracting Kid with a hologram. He then, frustrated with the level of damage Kid wished to inflict on the galaxy - three trillion deaths, injured him repeatedly, using holograms to inflict pain, only stopping when Belinda and Cora entered the production booth. The Doctor puts Gary and Mike to work grabbing everyone suspended in the mavity field using hard light and then utilizing Rylan's cryochamber to safely revive them. As the majority of the attendees filter into the main chamber once more, Rylan explains that the contest is obviously null and void, but there's one contestant left that he wants everyone to hear - Cora. Cora tells everyone that she's a hellion, that the Corporation tried to bury her song and story, and sings for the galaxy. Applause echoes and the crowd is moved to tears. The Doctor and Belinda find the TARDIS in the museum, brought in by contest staff. In their conversation, they mention the earth, prompting the hologram Graham Norton to appear and mention that the earth was destroyed on for unknown reasons, everything used for the song contest were sifted from the wreckage. The pair run back into the TARDIS and with a fully primed Vindicator pilot the TARDIS directly back to when they left. As they do so, however, the chimes, and the TARDIS groans, an explosion rocking the TARDIS doors off their hinges. Mrs Flood is the last of the attendees to be brought back aboard the space station, and immediately is concerned as to whether the Doctor is still around. When she learns that he's gone, she begins to , her double brainstem having frozen, splitting into two, a . The new incarnation identifies herself as , acting dismissive of her earlier incarnation, while Mrs Flood begins to defer to her. Taking the readings of the Vindicator, the new Rani says that she'll bring the Doctor absolute terror, and marches off, her prior self in tow. Cast - - - - - - - - - - - - - - - - Drone Guards - , , , And as Introducing as Crew
Welcome to today's episode, where we're diving into something we all wrestle with—imperfection. Here's the truth: it's perfectly okay to be imperfect—perfectly imperfect, in fact! There's such freedom in that phrase. While we absolutely aim to show up prepared, polished, and doing our best, life has a way of tossing in surprises, missteps, and messy moments. And guess what? That's not failure—it's just real life. No matter how many planners you buy or how many inspirational quotes you tape to your mirror, something's always just slightly off—and that's okay. So today, let's laugh a little, learn a lot, and celebrate the freedom that comes with embracing the messy middle. See full article: https://goalsforyourlife.com/perfectly-imperfect Make sure you're getting all our podcast updates and articles! Get them here: https://goalsforyourlife.com/newsletter Resources with tools and guidance for mid-career individuals, professionals & those at the halftime of life seeking growth and fulfillment: http://HalftimeSuccess.com #leadershipauthenticity #midlifeawakening #joycemeyer #perfectionism #giftsofimperfection CHAPTERS: 00:00 - Intro 04:15 - Why Imperfections Shine: Embracing Flaws 05:49 - Embracing the Imperfect Mole: Celebrating Uniqueness 08:37 - The Myth of Having It All Together: Challenging Perfectionism 11:17 - Performance is Overrated: Authenticity Over Achievement 13:43 - Embrace Your Scars: Strength in Vulnerability 14:15 - Perfection is Not a Prerequisite for Impact: Making a Difference 14:27 - Drop the Act and Breathe: Finding Inner Peace 14:50 - Living for Applause is Exhausting: The Cost of Validation 15:11 - Sign Up for Our Newsletter: Stay Connected 15:47 - Own Who You Are: Self-Acceptance Journey 16:05 - See You Next Time: Closing Thoughts 16:12 - Share and Follow Us: Join Our Community Summary: Embracing Imperfection for Authentic Wholeness In the meeting, Deborah Johnson discussed the importance of embracing imperfection, particularly for those at mid-career or halftime of life. She highlighted how social media often presents a curated, perfect image, which can be misleading and unrealistic. Deborah emphasized that it's okay to be imperfect and that imperfections can tell a story, as seen in the unique characteristics of opals and salt and pepper diamonds. She also shared personal experiences and referenced famous individuals like Marilyn Monroe, who embraced their imperfections. Deborah encouraged listeners to let go of the illusion of having it all together and to focus on wholeness and authenticity, rather than constant performance. She concluded by urging listeners to embrace their unique beauty and to take their next chapter of life seriously.
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Featuring: Michael “Boston” Hannon Paul “Moonpir” Smith Running Time: 2:03:48 Video Version: YouTube TVGP's Critical Misses is back for the big one! For this episode we watch Fury Road: it has big deserts, big vaults, big rigs, an absolutely huge chase, and so much more! Applause sound effect from SoundBible Royalty free music from https://www.fesliyanstudios.com Become a patron of TVGP for just a few dollars a month at E1M1's Patreon Page! Get two month early access to Critical Misses, uncensored outtakes, production meetings, and much more for just $5/month!
On this episode, Dami, Deji and Bola review music from the last week, including Bnxn's “Cutesy,” Tyla's “Bliss,” Falz's “Round of Applause,” Mr Eazi's “Love Me Now,” Nasty C's “Psychic,” and much more. They also discuss Wizkid's cancelled tour dates and the criticism around Ayra Starr and Wizkid's latest collaboration “Gimme Dat.”-----We want to hear from you! Share your thoughts using the hashtag #WithAnSpod or tag us on Twitter and Instagram (@WithAnSpod).For collaborations or inquiries, email us at withans@culturecustodian.com. Hosted on Acast. See acast.com/privacy for more information.
On today's episode, Andy & DJ discuss Trump receiving thunderous applause as he arrives at the NCAA wrestling championship, Rolls-Royce planning to shift production to the United States to avoid Trump's tariffs, and the Court of Appeals to hear oral arguments in a high-profile deportation suit involving Venezuelan nationals.