Podcasts about sag awards

"The Diplomat" is one of Netflix's hottest shows as its first season garnered star Keri Russell award nominations from the Screen Actors Guild, Golden Globes, and Emmy Awards for Outstanding Lead Actress in a Drama Series. The second season premiered to critical acclaim once again and has so far received more Critics' Choice, Golden Globe, and SAG Award nominations than the first season. Creator, Executive Producer, Showrunner, and Writer Debora Cahn was kind enough to spend some time speaking with us about her experience working on the second season, which you can listen to below. Please be sure to check out the series, which is now available to stream in full on Netflix. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

"Nobody Wants This" is a new American romantic comedy television series created by Erin Foster, starring Kristen Bell, Adam Brody, Justine Lupe, and Timothy Simons, centered on the unlikely relationship between an outspoken, agnostic woman and an unconventional rabbi. The Netflix series received positive reviews and has been nominated for Critics Choice, Golden Globe, and SAG Awards. Foster was kind enough a few weeks ago to spend some time speaking with us about her work and experience making the series, which you can listen to below. Please be sure to check out the show, which is now available to stream on Netflix. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

SLEERICKETS is a podcast about poetry and other intractable problems. My book Midlife now exists. Buy it here, or leave it a rating here or hereFor more SLEERICKETS, subscribe to SECRET SHOW, join the group chat, and send me a poem for Listener Crit!Leave the show a rating here (actually, just do it on your phone, it's easier). Thanks!Wear SLEERICKETS t-shirts and hoodies. They look good!SLEERICKETS is now on YouTube!For a frank, anonymous critique on SLEERICKETS, subscribe to the SECRET SHOW and send a poem of no more 25 lines to sleerickets [at] gmail [dot] com Some of the topics mentioned in this episode:Bob DylanBoyz II MenA Complete Unknown (2024)Timothée ChalametMalcolm Gladwell interviews Paul SimonDavid SimsJohn AshberyVisions of Johanna by Bob DylanJoan BaezA League of Their Own (1992)Pete Seeger The 2025 Super Bowl halftime showDubliners by James JoyceLegs by ZZ Top Megan Moroney profiled in The New Yorker A Bar Song (Tipsy) by ShaboozeyMatthew and Cameron discuss books about the Israeli-Palestinian conflict on the Secret ShowChalamet's SAG Awards acceptance speechAn Officer and a Gentleman (1982) Secret show notesJazz Chisholm Jr.So We'll Go No More a Roving by Lord ByronRichard Cory by Edwin Arlington Robinson and the Simon & Garfunkel versionTo the Virgins, to Make Much of Time by Robert HerrickJennifer Senior The King (2019)Frequently mentioned names:– Joshua Mehigan– Shane McCrae– A. E. Stallings– Ryan Wilson– Morri Creech– Austin Allen– Jonathan Farmer– Zara Raab– Amit Majmudar– Ethan McGuire– Coleman Glenn– Chris Childers– Alexis Sears– JP Gritton– Alex Pepple– Ernie Hilbert– Joanna PearsonOther Ratbag Poetry Pods:Poetry Says by Alice AllanI Hate Matt Wall by Matt WallVersecraft by Elijah BlumovRatbag Poetics By David Jalal MotamedAlice: In FutureBrian: @BPlatzerCameron: Minor TiresiasMatthew: sleerickets [at] gmail [dot] comMusic by ETRNLArt by Daniel Alexander Smith

From the outside, Chrissy Metz seemed to have it all starring in a hit show, inspiring millions, and radiating confidence but behind the spotlight was a woman navigating the painful realities of childhood trauma, body image struggles, people-pleasing, and the long road to emotional healing.In this heartfelt conversation, Chrissy opens up about the survival patterns she developed as a young girl trying to be “good” enough to be loved and how those patterns followed her into adulthood. She shares her experience growing up in a fractured home, enduring emotional pain in silence, and turning to food as both comfort and protection. Through therapy, spiritual grounding, and creative expression, Chrissy began the deep work of untangling her worth from performance. We explore the cost of being the peacemaker, the fear of being truly seen, and the challenge of letting go of perfection. Chrissy reflects on her journey into acting, the power of being chosen for a role that mirrored her own struggles, and how her latest children's book is helping the next generation talk about emotions that many of us were taught to suppress. This is an honest, soul-stirring episode about the courage it takes to stop performing and start healing from the inside out.__________________Follow/Watch/Listen/Subscribe: ⁠⁠Instagram:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ @rootedrecoverystories⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tiktok:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ @patrickcusterproject⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ @rootedrecoverystories⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ @rootedrecoverystories⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.rootedrecoverystories.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠__________________Cast:Patrick Custer - HostInstagram:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ @thepatrickcuster⁠⁠⁠⁠⁠⁠⁠⁠⁠Tiktok:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠@thepatrickcuster⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠@thepatrickcuster⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thepatrickcuster⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/patrickcuster⁠⁠⁠⁠⁠⁠⁠⁠⁠Chrissy Metz - GuestInsta: @chrissymetzFacebook: @chrissymetzofficialYoutube:  @chrissymetzmusic  Tiktok: @chrissymetzX: @chrissymetzWebsite: www.chrissymetzmusic.comSpotify: Chrissy Metz__________________Get Help (addiction, mental health/trauma):Promises Behavioral HealthCall: (888) 648-4098Website:⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.promises.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@promises_bh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠__________________About Chrissy Metz: Emmy and two-time Golden Globe nominee Chrissy Metz stars on the award-winning NBC series "This Is Us,” winner of the 2018 and 2019 SAG Award for Outstanding Performance by an Ensemble in a Drama Series and People's Choice Award for "Favorite New TV Drama.” Chrissy recently starred as Joyce Smith in the hit 20th Century Fox faith-based film, BREAKTHROUGH. She also performs “I'm Standing With You” on the Breakthrough soundtrack, written by 10-time Academy Award nominee Diane Warren. Chrissy performed this song at the 2019 ACM Awards. Chrissy is currently working on her debut country album.Chrissy recently guest-starred on the hit comedy series “The Last OG” with Tracy Morgan, and the NBC hit series “Superstore". Chrissy is best known for her roles in American Horror Story: Freak Show, Sierra Burgess is a Loser, My Name is Earl, and Entourage, to name a few.Chrissy recently released her memoir, THIS IS ME, which debuted at #1 on the NY Times Bestseller List. People magazine named her to the "Ones to Watch” and “50 Most Beautiful."

In this episode, SAG Award-winning actress Caroline Aaron shares what it was like growing up Jewish in the South, dining out gratis, thanks to her father's work as a restaurant supplier before his untimely death, and the subsequent Southern meals lovingly prepared by her family's African-American housekeeper—including fried chicken and a distinctive red/orange matzoh ball soup at Passover. She reflects on her activist single mother's influence, dinner table conversations centered on social justice, and the values that shaped her. Caroline also discusses her work with legendary directors like Mike Nichols, Woody Allen, and Tim Burton, and recalls Uta Hagen's unforgettable advice about food and acting. Join me for a vibrant, funny, and heartfelt conversation with one of the most prolific and versatile actresses of stage, screen, and television.Don't forget to follow all of the social media!  @Sarandon_Chris on Twitter @TheOfficialChrisSarandon on Instagram Chris Sarandon on Facebook  www.chrissarandon.com linktr.ee/theofficialchrissarandonSubscribe on Youtube at https://youtube.com/shorts/-vGUyj0TK-Q

Join this channel to get access to perks: EARLY Access, EXCLUSIVE Episodes & Much More! https://www.youtube.com/channel/UCpeD7roEp99UANH0HVZ3dOA/join5-time SAG Awards nominated stunt professional/actress and The Hollywood Reporter's Stunt Person of the Year 2022. Jénel Stevens Thomson has been training her whole life to be a stunt performer, we chat about her scariest stunts, moving into acting with her latest role and is Tom Cruise really the real deal?Credits include - Black Panther / Avengers Infinity War / The Woman King / Daredevil / Red Dead Redemption II / Avengers Endgame / Joker / Free Guy / Guardians of the Galaxy Vol 3 / Reacher / The Walking Dead / Fallout / Happy Gilmore 2 / Black Rabbit / Superman ... etc-----------------------------Host - Actor/Writer ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Elliot James Langridge⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠Please contact (Scott Marshall Partners) -----------------------------We are sponsored by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BetterHelp⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ providing you access to the largest online therapy service in the world. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Get 10% off⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ your first month at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠betterhelp.com/lifeinfilm⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-----------------------------'Shadow Force' is on available to stream now Check out Jénel on instagram @Jenel_stunts-----------------------------Thank you to our guest Jénel and Kate and the team at Initiative prAs always thank you to our sponsor Betterhelp-----------------------------If you enjoyed this episode, please review and follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠You Tube ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠etc and please share. It makes a huge difference. -----------------------------Join us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tik Tok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, @LIFEINFILMpod. Check out the ⁠Patreon⁠ at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/Lifeinfilmpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & Join this channel to get access to perks: EARLY Access, EXCLUSIVE Episodes & Much More! https://www.youtube.com/channel/UCpeD7roEp99UANH0HVZ3dOA/join-----------------------------Please don't forget to⁠ LIKE & SUBSCRIBE⁠! ╔═╦╗╔╦╗╔═╦═╦╦╦╦╗╔═╗ ║╚╣║║║╚╣╚╣╔╣╔╣║╚╣═╣ ╠╗║╚╝║║╠╗║╚╣║║║║║═╣ ╚═╩══╩═╩═╩═╩╝╚╩═╩═╝Thanks for watching this episode ... see you in the next video!0:00 Get EARLY Access & EXCLUSIVE Episodes0:12 - Our Guest Jénel Stevens Thompson0:30 - How Jénel got into stunts2:09 - I Am Scared Every Time3:53 - I Love Fighting5:36 - It Can Take , Days, Weeks, Months To Rehears a 2 Minute Scene7:10 - Practice Makes Perfect / Be Ready For Anything9:46 - Scariest Stunts14:01 - First Stunt / Mentors 20:34 - Advice 23:15 - Support The Podcast / Betterhelp 24:49 - Immortalised On The Big Screen 28:34 - Stunt Doubling Movie Stars30:22 - 'Shadow Force' Stunts Were The Real Deal33:34 - Oscars To FINALLY Have A Stunt Category 35:36 - 'Happy Gilmore 2' / 'Superman' 37:21 - 'Black Panther' / 'The Woman King' / Stunt Acting39:47 - Taking The Hard Route Into Acting41:19 - Is Tom Cruise the REAL DEAL?43:37 - Like, Subscribe & Join our YouTube

From church choir in Eatonville, Florida, to becoming the first Black Phantom on Broadway, Norm Lewis opens up about his unique path to the stage. He shares how early dreams of a tennis career turned into a life in music and theatre, and the surprising way a cruise ship job launched it all. In this candid conversation, Norm reflects on near-misses, bold moves, and the audition advice that changed his life. We also discuss his current role in Ceremonies in Dark Old Men, a rarely produced Off-Broadway play making a powerful return. Norm dives into the emotional depth of playing a character reckoning with failure and legacy, and how the story echoes his own questions about longevity, identity, and purpose in the industry. Plus, we talk about the importance of representation, founding Black Theatre United, and why mentorship is such a vital part of his mission today. Norm Lewis is a Tony, Emmy, and SAG Award-nominated performer known for his Broadway roles in The Phantom of the Opera, Porgy and Bess, Sweeney Todd, Les Misérables, Once on This Island, and Chicken and Biscuits. His screen credits include Da 5 Bloods, The Good Fight, Pose, and NBC's Jesus Christ Superstar Live. He is a founding member of Black Theatre United and currently stars Off-Broadway in Ceremonies in Dark Old Men. This episode is powered by WelcomeToTimesSquare.com, the billboard where you can be a star for a day. Connect with Norm: @normlewis777 on Instagram Black Theatre United: blacktheatreunited.com Connect with The Theatre Podcast: Support us on Patreon: ⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠ Twitter & Instagram: ⁠⁠⁠@theatre_podcast⁠⁠⁠ ⁠⁠⁠Facebook.com/OfficialTheatrePodcast⁠⁠⁠ ⁠⁠⁠TheTheatrePodcast.com⁠⁠⁠ Alan's personal Instagram: ⁠⁠⁠@alanseales⁠⁠⁠ Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

Emmy, Tony, and SAG Award nominee Norm Lewis joins The Art of Kindness with Robert Peterpaul to discuss leading a cast with kindness, the unique way advertising influenced his career, his new show Ceremonies in Dark Old Men and more. NORM LEWIS was recently seen onstage starring in the national tour of the Tony Award-winning production of A Soldier's Play and in Andrew Lloyd Webber's West End Concert of Love Never Dies. He starred in Spike Lee's critically acclaimed, "Da 5 Bloods," and in the groundbreaking FX series, Pose. Additionally, Mr. Lewis can be seen starring opposite Hilary Swank in the feature "The Good Mother," Amazon Prime's newest series, Swarm, and Hulu's, Up Here. He was also seen as 'Caiaphas' in the award-winning NBC television special, “Jesus Christ Superstar Live in Concert!,” alongside John Legend, Sara Bareilles, and Alice Cooper. Mr. Lewis returned to Broadway in the Fall of 2021, starring in Chicken and Biscuits at the Circle In The Square Theatre. He previously appeared in the Broadway revival of Once on This Island and as Sweeney Todd in the Off-Broadway production of Sweeney Todd: The Demon Barber of Fleet Street at the Barrow Street Theatre, receiving the AUDELCO Award for his performance. In May of 2014, he made history as The Phantom of the Opera's first African American Phantom on Broadway. He has been seen on PBS in the Live From Lincoln Center productions of Showboat with Vanessa Williams, Norm Lewis: Who Am I?, New Year's Eve: A Gershwin Celebration with Diane Reeves, as well as American Voices with Renée Fleming and the PBS Specials First You Dream – The Music of Kander & Ebb and Ella Wishes You A Swingin' Christmas. He can be seen recurring in the VH1 series, Daytime Divas, also alongside Vanessa Williams. His additional television credits include Women of The Movement, Law & Order, Dr. Death, Mrs. America, Better Things, The Unbreakable Kimmy Schmidt, Bull, Chicago Med, Gotham, The Blacklist, and Blue Bloods, as well as in his recurring role as Senator Edison Davis on the hit drama Scandal. Mr. Lewis is a proud, founding member of Black Theatre United, an organization which stands together to help protect Black people, Black talent and Black lives of all shapes and orientations in theatre and communities across the country. He received Tony, Drama Desk, Drama League, and Outer Critics Circle award nominations for his performance as Porgy in the Broadway production of The Gershwins' Porgy & Bess. Other Broadway credits include Sondheim on Sondheim, The Little Mermaid, Les Misérables, Chicago, Amour, The Wild Party, Side Show, Miss Saigon, and The Who's Tommy. In London's West End he has appeared as Javert in Les Misérables and Les Misérables: The 25th Anniversary Concert, which aired on PBS. Off-Broadway Mr. Lewis has performed in Dessa Rose (Drama Desk nomination, AUDELCO Award), Shakespeare in the Park's The Tempest, The Two Gentlemen of Verona (Drama League nomination), Captains Courageous, and A New Brain. His regional credits include Porgy in The Gershwins' Porgy and Bess (A.R.T.), Ragtime, Dreamgirls (with Jennifer Holliday), First You Dream, Sweeney Todd, and The Fantasticks. His additional film credits include Christmas In Tune (starring opposite Reba McEntire), Magnum Opus, Winter's Tale, Sex and the City 2, Confidences, and Preaching to the Choir. Norm's albums "The Norm Lewis Christmas Album" & "This is The Life" can be found on Amazon.com as well as cdbaby.com. Ceremonies in Dark Old Men Tickets: https://www.thepeccadillo.com/ Follow Norm: @thenormlewis Follow us: @artofkindnesspod / @robpeterpaul youtube.com/@artofkindnesspodcast Support the show! (https://www.buymeacoffee.com/theaok) Got kindness tips or stories? Want to just say hi? Please email us: artofkindnesspodcast@gmail.com Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. Learn more about your ad choices. Visit megaphone.fm/adchoices

World Happiness Report… New England Serial Killer?... Vigillantes in The Bronx… Harvey Weinstein trial started… Shannon Sharpe accusations continue… Mark Measures accused of stealing from actors… Kevin Spacey headed back to work… www.blazetv.com/jeffy Promo code: Jeffy… American Music Awards nominees… Sag Awards on Netflix next year… JLO and Ben fighting over empty house... Email: ChewingTheFat@theblaze.com Who Died Today: Roy Thomas Baker 78 / Steve McMichael 67… Sophie Nyweide death update… Santana dehydrated and positive for covid… Lead in toothpaste research… Response to an email… Joke of The Day… Learn more about your ad choices. Visit megaphone.fm/adchoices

"The Diplomat" is one of Netflix's hottest shows as its first season garnered star Keri Russell award nominations from the Screen Actors Guild, Golden Globes, and Primetime Emmy Awards for Outstanding Lead Actress in a Drama Series. The second season premiered to critical acclaim once again and has so far received more Critics' Choice, Golden Globe, and SAG Award nominations than the first season. It's clear the Emmy Awards are next as the show looks to gain more than just Russell this year. Among them is director Alex Graves, who directed more than half of the second season. Graves was kind enough to spend some time speaking with us about his experience directing the second season, which you can listen to below. Please be sure to check out the series, which is now available to stream on Netflix. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Dave Hondel sits down with SAG Award nominee, Stelio Savante. With over 140 international Film and TV credits, Stelio has been one of the busiest professionals in Hollywood for the past 4 decades. known for his prolific acting and versatility in the roles he plays, Stelio shows no signs of stopping anytime soon. We discuss his past work as well as his many new projects. This is a must listen for any fan of Film or TV!

SAG Award-winning Canadian actress Karen Robinson talks about her latest role as the boss detective in “Law & Order Toronto: Criminal Intent,” her breakout role as Ronnie Lee in the hit sitcom “Schitt's Creek,” and her thoughts on President Trump's attempts to annex what is now her home country.Become a supporter of this podcast: https://www.spreaker.com/podcast/tavis-smiley--6286410/support.

At this year's SAG Awards, Jane Fonda was named the 60th recipient of the Life Achievement Award. The legendary actor and activist sat down with SAG-AFTRA President Fran Drescher in an Actor to Actor conversation about her remarkable career spanning five decades. Fonda reflects on her early struggles finding meaningful roles, her emotional journey on ‘Grace and Frankie,' and the challenges of being a woman in Hollywood. She also discusses her passionate advocacy for women's rights and her insights about her growth as both an artist and an activist. *The views expressed are those of the speakers and not necessarily those of SAG-AFTRA.

Ever wondered what it's like to tumble through Hollywood as a pioneering stuntwoman? We have the honor of chatting with the indomitable Sandy Gimpel. From her early days of dancing alongside legends like Fred Astaire and Elvis Presley to her unexpected leap into the world of stunts, Sandy's journey is nothing short of extraordinary.  Discover how a chance opportunity on Lost in Space led Sandy into the high-flying world of stunts, where she doubled for icons like Debbie Reynolds. She shares thrilling tales from the sets of Star Trek and beyond, and gives us a sneak peek into her book, Falling for the Stars, and her upcoming culinary adventure, Falling for Food.  Join us as Sandy reveals her secrets to longevity and vibrancy, and inspires us all to keep moving. Tune in for a story of resilience, passion, and the art of falling with style!Sandy's BioSandra Gimpel, is a Stunt Coordinator and first stunt women to become a 2ND Unit DGA Director. One of the founding members of “The Stuntwomen's Assoc” and past Vice President. She is President of Felion Productions Inc., and works on many features and television productions. Not only did she play the Talosian in Star Treks, “The Cage” but was also the Salt Vampire, M-113 on, Star Treks, “Man Trap”.She was honored to receive the “Women in Film” Crystal Award for outstanding achievement in Stunt Coordinating. She also received the Life Time Achievement Award from Diamonds in the Raw; and received the SAG Award for outstanding stunt ensemble for “Spiderman 2”.Her credits include Sacha Baron Cohen's award for the BBC, several Jimmy Kimmel Live shows on ABC, Goonies, The TrumanShow, Off Their Rockers with Betty White, Raising Hope with Cloris Leachman. Television credits include TV series Mrs. Columbo (doubling Kate Mulgrew and Stunt Directing, State of Grace, Luis, These Old Broads doubling Debbie Reynolds and Stunt Coordinating, Harts of the West with Beau Bridges.Between stunts and acting parts she has been on several major motion pictures. Sandy served as Associate Producer on the show “Scamps” for Universal Studios and Executive Producer Sherwood Schwartz. For several years Sandy preformed on live shows including the Westinghouse show at POP, charity events, and worked with the Boys and Girls Clubs of America.Just a note Sandy is a 4TH Degree Black Belt in Tae Kwon Do from world famous Billy Blanks.WebsiteIMBD

THIS IS A PREVIEW PODCAST. NOT THE FULL EPISODE. Please check out the full podcast episode on our Patreon Page by subscribing over at - https://www.patreon.com/NextBestPicture The Next Best Series Podcast is back as Nadia Dalimonte and Giovanni Lago join me to discuss the latest series, shows, and awards season updates for all things television! On this return episode, we discuss the shows which did or did not receive an early boost from the Critics Choice, Golden Globe and SAG Awards including "The Penguin," "Only Murders in the Building," "Nobody Wants This," "Disclaimer," "Monsters: The Lyle and Erik Menendez Story," "Shrinking," "The Bear," "Slow Horses," "The Diplomat," "House Of The Dragon" and more! Please tune in as we examine which ones might carry over to the Emmys, who we feel are the early frontrunners, and we also answer your fan-submitted questions! We'll be posting new episodes every two weeks this year (as opposed to three weeks last year), and on our next episode, we'll talk about all the new shows contending for Emmy gold. Thank you for your continued support. It feels good to be back. We hope you enjoy this episode and all the others still to come this Emmy Awards season. Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

If you've ever scrolled social media during a major event, chances are you've come across one of Nicky Campbell's signature lazy red carpet reviews. Filmed casually from home in a hoodie, his one-word takes are quick, sharp, and surprisingly spot-on. With experience from his prior days working under Thom Browne and Vogue, Nicky blends fashion expertise with effortless humor—a combo that's landed him on some of the biggest red carpets, from the SAG Awards to backstage at Elle's New York Fashion Week coverage. In today's episode, he shares his vision for the next generation of fashion correspondents, the one thing no one should ever wear on the red carpet, and his top style stars to watch in 2025.Follow Nicky on Instagram https://www.instagram.com/nickycbell?igsh=NTc4MTIwNjQ2YQ== and TikTok https://www.tiktok.com/@nickycbell?_t=ZT-8ujch7VwEWp&_r=1Love the show? Follow us and leave a review on Apple Podcasts and Spotify. To watch this episode, head to YouTube.com/@LivvPerezFor more behind-the-scenes, follow Liv on Instagram, @LivvPerez, on TikTok @Livv.Perez, and shop her closet here https://shopmy.us/livvperezSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The co-hosts weigh in on all things Oscars with guest co-host, Oscar-winner Ariana DeBose! They share their favorite snubs and surprises, discuss Angela Bassett looking back on her viral reaction to losing to Jamie Lee Curtis at the 2023 awards show, and Timothée Chalamet's SAG Awards speech. Then, they discuss Patrick Schwarzenegger's "nepo-baby" blues and a TikTok trend where they show off their mom's "hottie era"! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Everything is coming full circle this week. Jodi and Nora first talk about all the stories we've been keeping tabs on over the past year that are finally bearing fruit, including Club Chalamet's Twitter spaces after Timothée Chalamet's SAG Awards speech (4:18), Episode 1 of the long-awaited ‘The Baldwins' (26:21), and the first trailer for ‘Another Simple Favor' (36:00). Then, they break down the turducken-like drama between Alex Cooper and Alix Earle on the Unwell podcast network (41:50), and reminisce about Michelle Trachtenberg's most iconic roles after the very sad news of her passing this week (57:13). Finally, they share a few of their and the internet's obsessions with the second episode of ‘The White Lotus' Season 3 (1:04:26), before sharing their personal obsessions for the week (1:18:05). Email us with your latest obsessions at wereobsessedpod@gmail.com! Hosts: Jodi Walker and Nora Princiotti Producers: Sasha Ashall and Belle Roman Learn more about your ad choices. Visit podcastchoices.com/adchoices

It's been a rough week, but your girls are back to discuss all of the highlights from the SAG Awards, Brady Corbet's $0 payday, and Lena Dunham's romcom bidding war. We are also joined by the Los Angeles legend Liz Goldwyn for a chat about her RHOBH audition, her prolific vintage collection, and her dishy Substack STARF*CKER. 

Finally, years after taking the reins from Steve Rogers, Anthony Mackie's Sam Wilson finally gets his turn on the big screen. And he's being asking to work with an impulsive, angry president with a history of abuse of power. Sounds like some juicy fodder, right? Right, Disney's Marvel?? Austin Taylor from Secret Histories of Nerd Mysteries joins us to unpack what's going on. Then, we name some favorite “fun” movies that have something important to say.What's Good?Alonso - Rachel Maddow chastising MSNBC over Joy ReidDrea - Jane Fonda's SAG Life Achievement Acceptance SpeechAustin - Beating strangers at Magic (the Gathering)Ify - Timothee's SAG speechITIDICSpirit Awards Recap!Amazon Now Has Creative Control of James Bond FranchiseNicole Kidman has worked with 19 Female Directors in the past 8 yearsStaff PicksAlonso - The Spook Who Sat By the DoorDrea - Soundtrack to a Coup D'EtatAustin - Princess MononokeIfy - Air Force One Follow us on BlueSky, Twitter, Facebook, or InstagramWithDrea ClarkAlonso DuraldeIfy NwadiweProduced by Marissa FlaxbartSr. Producer Laura Swisher

The House passed a GOP budget framework, Elon Musk attended the first White House Cabinet meeting, and Alyssa Mastromonaco and guest host Akilah Hughes have a LOT of opinions. They also discuss the trickle-down effect of Trump's executive orders on a state level, the Republican obsession with transgender athletes in the NCAA, and the modern resistance at town halls across the country. Luckily, Jane Fonda's SAG Awards speech and a heartwarming story about The Metropolitan Museum of Art are keeping them sane.The Singular Charm of Parker Posey (NYT 2/24)Musk to join Trump's first White House Cabinet meeting (The Hill 2/25)Texas wants the NCAA to start ‘sex-screening' its student athletes (The 19th 2/21)Missouri Bill Would Create Registry of Pregnant Women "At Risk" of Having An Abortion (Abortion, Everyday 2/18)GOP lawmakers seek to remove rape, incest exemption from West Virginia's near total abortion ban (West Virginia Watch 2/21)At Testy Town Halls, Republicans Take Heat for Trump's Bold Moves (WSJ 2/21)What to Know About Janet Mills, the Maine Governor Who Told Trump, ‘See You in Court' (NYT 2/22)He's a Security Guard at the Met. Now His Work Is Showing There. (NYT 1/8)

The birthday boy David Samson is here to discuss the divorce between MLB and ESPN and what it means for Major League Baseball moving forward. He also explains the hierarchy of birthday messages, why he spends all 24 hours of his birthday awake, and why it's possible to "party hardy" at Spring Training in Florida. Plus, how do you pronounce "Portillo's?" Then, Jessica and Jeremy loved Timothée Chalamet's speech at the SAG Awards, leading the entire crew to a discussion on the movies nominated for The Oscar Awards this weekend, including how to pronounce Ralph Fiennes correctly.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Ira and Louis discuss the SAG Awards, Roberta Flack, The Hollywood Reporter's Blake Lively and Justin Baldoni cover, the AI photo of Trump sucking Elon Musk's toes, and their favorite TV moms with critic Emily St. James (author of the new novel Woodworking). Melanie Lynskey joins Louis to discuss the new season of Yellowjackets and more.Subscribe to Keep It on YouTube to catch full episodes, exclusive content, and other community events. Find us there at YouTube.com/@KeepItPodcast 

Dave Rubin of “The Rubin Report” talks about Timothée Chalamet's unexpected praise of merit and greatness during his acceptance speech for best actor at the SAG Awards for his portrayal of Bob Dylan in “A Complete Unknown”; Joy Reid weeping uncontrollably while discussing the cancellation of her MSNBC show “The Reidout”; Karen Bass struggling to explain to “The Issue Is'” Elex Michaelson why she still went to Ghana despite the massive warnings about the potential severity of the LA wildfires; “The View's” Sunny Hostin, Ana Navarro and Whoopi Goldberg launching a desperate defense of “woke” as they see it quickly going out of fashion; “60 Minutes” showcasing Germans being arrested under their new hate speech law for posting offensive memes online; CNN's Brianna Keilar talking to a federal employee who seems traumatized by Elon Musk's email to federal employees that simply asked what they did last week; CNN's Harry Enten sharing polling data that shows how Trump is continuing to turn more Democrats into Republicans; Bill Maher getting into a tense exchange with “Pod Save America's” Jon Lovett about how the Democratic Party's obsession with trans kids will cause them to keep losing elections; and much more. WATCH the MEMBER-EXCLUSIVE segment of the show here: https://rubinreport.locals.com/ Check out the NEW RUBIN REPORT MERCH here: https://daverubin.store/ ---------- Today's Sponsors: LiveGood - Everyone deserves access to high-quality supplements without the insane markups. Get premium products formulated by an industry-leading team of natural health experts Go to: https://livegood.com/RUBIN to get 10% OFF! Rumble Premium - Corporate America is fighting to remove speech, Rumble is fighting to keep it. If you really believe in this fight Rumble is offering $10 off with the promo code RUBIN when you purchase an annual subscription, Go to: https://Rumble.com/premium/RUBIN and use promo code RUBIN 1775 Coffee - 1775 Coffee isn't just coffee—it's brain fuel for patriots. Handpicked Bolivian beans, roasted in the USA, delivering pure, single-origin brilliance without a hint of deceit. The best part? Every dollar you spend enters you to win a blacked-out 2024 Tesla Cybertruck plus $30,000 cash! Rubin Report viewers get 15% off their order. Go to: https://1775coffee.com/RUBIN and use code RUBIN Learn more about your ad choices. Visit megaphone.fm/adchoices

Topics: calling people the wrong name, SAG Awards red carpet, Tay's 2016 MTV Movie Awards red carpet look, Craigslist "Missed Connections", Boy Meets World stars Danielle Fishel and Maitland Ward get into scathing argument mid-podcast, the Eagles won't attend the White House ceremony, Nikki Glaser will never approach Taylor Swift at an event, women wearing glitter on datesSponsors:Lume: Use code TAYLOR for 15% off your first purchase at LumeDeodorant.comProlon: Just visit ProlonLife.com/TOT to claim your 15% discount and your bonus giftBellesa: SILENT VIBRATOR GIVEAWAY: https://www.bboutique.co/vibe/tasteoftaylorpodcast-whisperSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this episode of the MalloryBros. Podcast the guys start with a light weekend recap. They quickly move to a conversation they were having off cam about the things you see and don't see in your dreams. They then speak to Asap Rocky beating his case. This leads to a conversation about Rihanna's most recent comments about working on music. The guys have a conversation about pumpfaking and the effects of nostalgia on entertainment as a whole. Terrance asks Terrell about the recent talk of Doechii's identity as people have pointed out that she sounds very “inspired” by certain artists. This leads to a good debate about artists inspiration vs biting, the never ending comparison of older artists that won't retire, and more. They then speak to Timothee Chalamet's SAG Award speech and applaud the hunger he has for greatness. The Bros Being film majors created a good conversation about “Timmy C” as they call him and how he compares to the greats. They finish with a great Course of Action segment.

From 02/25 Hour 1: The Sports Junkies react to Timothee Chalamet's speech following his SAG award win.

This week the ladies return to discuss the continuation of the Lively vs. Baldoni saga with some new updates (5:23), as well as the SAG Awards and the overall award season thus far. Plus, they get into some dating rumors around Andrew Garfield and Monica Barbaro (17:28). Lastly, the two give their personal YouTube reports and tell us what they're watching. Hosts: Juliet Litman and Amanda Dobbins Producer: Jade Whaley Learn more about your ad choices. Visit podcastchoices.com/adchoices

Timothee Chalamet shared how his mom tried to keep him humble before he accepted his SAG Award. And one actress started a whole thing when she asked her former co-star “Do you hate us?” The answer is clearly yes. Hear the heated exchange next. Learn more about your ad choices. Visit megaphone.fm/adchoices

Weekend recaps (00:00-24:48). SAG Awards roundup (26:03-46:27). Leighton Meester joining ‘Nobody Wants This' season 2 (47:41-57:20). Andrew Garfield & Monica Barbaro are reportedly dating (57:21-1:01:56). Sydney Sweeney & fiancé postpone wedding (1:01:57-1:06:41). Weekly Watch Report: The Traitors, The White Lotus, Love Is Blind + more! (1:08:13-1:39:32). CITO LINKS > barstool.link/chicks-in-the-office.You can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/chicks-in-the-office

Happy Monday all. Just dropped big news when it comes to the DC movie world! James Gunn hosted a secret meeting to press about the future of DC. James Gunn and Peter Safran, co-heads of DC Studios, provide an update on their vision for DC's interconnected universe, titled "Gods and Monsters." Their plan includes releasing two live-action films, one animated film, and multiple TV series each year. In 2025, the focus will be on Peacemaker Season 2. Key upcoming projects include Supergirl: Woman of Tomorrow, Clayface, The Batman 2, Batman: Brave and the Bold, and Swamp Thing. Several TV series are in development, including Waller, Lanterns, Booster Gold, and Paradise Lost. Gunn and Safran aim to unify the DC brand across TV and film for a cohesive, engaging experience for fans. We break down all the news that released from it! Lucas film just dropped the first trailer for season 2 of Andor and we break it down! There is a lot going on in the world of movie news but no story is bigger right now than the Baldoni Lively feud. Ryan Reynolds is caught up in it and it seems like reputations have been tarnished. Is Disney going to stay clear of this and give Deadpool and smaller role in the MCU? Will Deadpool 4 take a seat? Or will the pursuit of more money be too much for the mouse house to ignore? The SAG Awards happened and there were some surprises, are we looking for some shockers. Is a new Deathstroke for DC almost announced? The Rock wants Cody Rhodes soul. This and more on today's show with Kristian and Rocha!  #dc #dcstudios #jamesgunn #superman #batman #lobo #supergirl #DC #DCU #batman #superman #zacksnyder #JamesGunn #movies #marvel #mcu #cancelled #deadpool #blakelively #justinbaldoni #controversy #disney #mcu #marvel #dc #dcu #movies #movienews ROBINHOOD: Investing involves risk. Rate subject to change. 3% match requires Robinhood Gold at $5/mo for 1 yr from first match, must keep funds in IRA for 5 years. Go to http://www.robinhood.com/boost.   EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/khshow Try it risk-free now with a 30-day money-back guarantee!!

Let's dive into Jenny Slate's role in Blake Lively's lawsuit against Justin Baldoni, Wayfarer, and Jamey Health. Plus, the SAG Awards! Jane Fonda's "woke" speech goes viral, yet it epitomizes why people are here for the downfall of Blake Lively.   Shop New Merch now: https://merchlabs.com/collections/zack-peter?srsltid=AfmBOoqqnV3kfsOYPubFFxCQdpCuGjVgssGIXZRXHcLPH9t4GjiKoaio   Book a personalized message on Cameo: https://v.cameo.com/e/QxWQhpd1TIb   Listen to The Pop Report: https://podcasts.apple.com/us/podcast/the-pop-report/id1746150111   Watch Disaster Daters: https://open.spotify.com/show/3L4GLnKwz9Uy5dT8Ey1VPi   Join the Zack Pack Community to get access to perks: https://www.youtube.com/channel/UCs3Zs51YaK-xw2U5ypi5eqg/join   Couldn't get enough? Follow @justplainzack or @nofilterwithzack

The co-hosts weigh in as even some of Pres. Trump's biggest supporters speak out about DOGE's Elon Musk threatening the jobs of federal workers. Then, they react to Jane Fonda's politically-charged speech at Sunday night's SAG Awards. Minnesota Senator Amy Klobuchar joins to discuss President Donald Trump's first month in office and the impact of Elon Musk's federal layoffs and firings. Learn more about your ad choices. Visit podcastchoices.com/adchoices

8a-9a SAG Awards rundown, Diddy's Lawyer quits, Ryan and Blake made a joke at SNL 50, Anna De Armas and Tom Cruise are a thing, a college kid burns his dorm hiding his sex doll, and expressions that make you roll your eyes.

Susan Lucci talks 'My First Ex-Husband'; Will Reeve discusses the adventure to find his father; SAG Awards, Independent Spirit Awards give out prizes ahead of Oscars Learn more about your ad choices. Visit podcastchoices.com/adchoices

In the series Ripley, Andrew Scott plays a con artist with no conscience. The actor says it was important to humanize his character. "For me, I think your first job is to sort of advocate for the character and try not to judge them." Scott's up for a SAG Award for his portrayal of Tom Ripley.David Bianculli reviews Netflix's new six-part drama series Zero Day, starring Robert De Niro.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy