Podcast appearances and mentions of Rupert Goold

In the grand tradition of Finnegans Wake, WAKE has looped back around on itself to become a self-generating machine, as we welcome back musical innovator and the most reckless of stramashers, Tommy Mackay, to talk about WAKE: the Album! Yes, this very podcast is honoured to be the inspiration for at least half the tracks on Tommy's new (stra)mash-up album of music, smashing WAKE readings into the music of Taylor Swift, Wham!, Devo, and more, with more groan-worthy dad-joke pun titles than you could possibly handle. There's a sailor on a horse! There's an invitation to suck a sugarstick! There's Gráinne O'Malley's girl power! Join us for a track-by-track odyssey through WAKE: the Album, in the hope that no takedown notices emerge to ruin anyone's fun.This week's chatters: Tommy Mackay, Toby Malone, TJ YoungReferencesWAKE: the Album on Bandcamp WAKE: the Album on the Daily Reckless Album details:A collection of stramash-ups by Tommy Mackay drawn from readings of James Joyce's 'Finnegans Wake'Main sources:WAKE podcast - www.youtube.com/@WAKEpod One Little Goat Theatre Company - www.onelittlegoat.org/finneganswake Released April 4, 2025Clips used by permission from the WAKE podcast by Toby Malone and TJ Young and also the audio-visual book by One Little Goat Theatre Company read by Richard Harte, directed by Adam Seelig.Individual credits in song info.all rights reservedFinnegan's Wake 03:38. trad. Played and sung by Kevin Kennedy from the One Little Goat theatre company production, directed by Adam Seelig. www.onelittlegoat.org/finneganswakeWake Me Up Before You Goan 03:13. performed by Richard Harte from the One Little Goat theatre company production. Music - Maucoli the pianoman's version of Wham's 'Wake Me Up Before You Go Go.''The Ballad Of Persse O'Reilly 06:31. performed by Meg Logue from the Wake podcast.Thunderwords 01:58. read by Adam Harvey, Joyce Geek - joycegeek.com/thundervideos/ Music - Thunderbirds theme tuneTip It! 04:37. performed by Richard Harte from the One Little Goat theatre company production. Backing track - 'Whip It!' by Devo.Denti Alligator 02:43. From the Wake podcast, read by Toby Malone, TJ Young, Tommy Mackay.  Music - 'See You Later Alligator' Bill Haley and The CometsThunderslog 04:06. from the Wake podcast -Toby Malone, TJ Young. Music Steve 'n' Seagulls live cover of AC/DC's 'Thunderstruck.' Lady Macbeth - Kate Fleetwood from the 2010 Rupert Goold production.Cunstuntonoplies 02:48. read by Patrick Horgan, 1985.  Music - 'Istanbul Not Constantinople' by They Might Be Giants.Wake It Off 03:45. performed by Richard Harte from the One Little Goat theatre company production.  Backing track 'Shake It Off ' by Taylor Swift.Respectable 03:20. Seth Austin from the Wake podcast.  Music - 'Respectable' by Mel and Kim.Suck It Yourself, Sugarstick! 03:48. Toby Malone, Sarah Kane from the Wake podcast. Music - 'Suck It And See' by Arctic Monkeys.Wake That 06:20. performed by Richard Harte from the One Little Goat theatre company production. Music - 'Never Forget instrumental' by Take That.Bonus Tracks:Hi Ho Silver Sailor https://www.dailyreckless.com/2025/04/06/hi-ho-silver-sailor/ Fanfare for ALPOlwen Fouéré's riverrun: ⁠https://www.theguardian.com/stage/2014/feb/14/riverrun-joyce-finnegans-wake-olwen-fouere-national-theatre⁠ Other references:Allaster Mckallester: https://www.instagram.com/mckallaster/ ReWiggled: https://open.spotify.com/album/7pMmcRjBt41hvqnFQHqYb2 Finnegans Dreams: https://www.dailyreckless.com/2024/08/15/finnegans-dreams/ McCourt, John. ‘Denti Alligator' or ‘Airtight Alligator': Reading Dante with Joyce and Beckett. For early drops, community and show notes, join us at our free Patreon, at⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/wakepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or check out our Linktree, at⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/wake.pod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. We welcome comments from everyone: even, nay, especially, the dreaded purists. Come and "um actually" us!

Tom Hiddleston, Hayley Atwell, Rami Malek and Brie Larson are the latest movie stars to fill the West End stage. But does their presence help or hinder? This week Sarah and Alex mull over a question that's been dominating the theatre news. And talk about Rupert Goold's exciting new Hamlet with Luke Thallon and Nancy Carroll as Gertrude. And, as a bonus, offer their Olivier predictions with special reference to Adrien Brody. Hosted on Acast. See acast.com/privacy for more information.

Sarah talks to Nancy Carroll and Nia Towle about working on Rupert Goold's new production of Hamlet which opens at the RSC this week with Luke Thallon playing the prince. They discuss what it's like to take on Shakespeare's women, how you shape a classic play in the context of feminism and #MeToo, nudity on stage and quite a lot more. Hosted on Acast. See acast.com/privacy for more information.

One of a handful of new musicals to open on Broadway this month is TAMMY FAYE, the musical story of the life of the controversial evangelist Tammy Faye Bakker. Having seen the show's world premiere production at the Almeida Theatre in London in 2022, Mickey-Jo was eager to catch the show's New York transfer at the recently refurbished Palace Theatre. This new production, directed by Rupert Goold stars Olivier Award winner Katie Brayben alongside Tony Award winners Christian Borle and Michael Cerveris, with a score by Sir Elton John and Jake Shears and a book from James Graham. Check out this full review for Mcikey-Jo's thoughts on the show's Broadway evolution, and why it fails to practice what it preaches. • 00:00 | introduction 02:51 | overview 10:13 | material 17:10 | production 23:36 | performances • get in person / live stream tickets to see MickeyJoTheatre LIVE at the Phoenix Arts Club: https://phoenixartsclub.com/events/mickeyjotheatre-live/ • get in person / live stream tickets to see MickeyJoTheatre LIVE at the Phoenix Arts Club: https://phoenixartsclub.com/events/mickeyjotheatre-live/ • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

My guest today is Rupert Goold - the double-Olivier-winning, Tony-nominated director behind such shows as Dear England, Enron, Ink, King Charles III, Tammy Faye, Patriots, and Cold War. His screen career includes directing Ben Whishaw in the BBC adaptation of Richard II, James Franco and Jonah Hill in the movie True Story, and perhaps most notably directing Renée Zellweger's Oscar winning performance as Judy Garland in 2019's Judy. This summer, we met in the boardroom of the Almeida (of which he's Artistic Director), to talk about directing film vs theatre, when to give an actor a note, his early inspirations, what he looks for in emerging talent, how to cast Hamlet, and so much more.

Sean Comer and Mark Radulich review movies currently on streaming services and in theaters: Stan and Ollie/Chaplin/Judy Movie Review! First up is Stan and Ollie (2018). Then we move on to Chaplin (1992). Finally we review Judy (2019).Stan & Ollie is a 2018 biographical comedy-drama film directed by Jon S. Baird. The script, written by Jeff Pope, was inspired by Laurel and Hardy: The British Tours by A.J. Marriot which chronicled the later years of the comedy double act Laurel and Hardy; the film stars Steve Coogan and John C. Reilly as Stan Laurel and Oliver Hardy. The film focuses on details of the comedy duo's personal relationship while relating how they embarked on a gruelling music hall tour of the United Kingdom and Ireland during 1953 and struggled to get another film made.The film premiered on 21 October 2018 at the closing night gala of the BFI London Film Festival. It was released in the United States on 28 December 2018 and in the United Kingdom on 11 January 2019. At the 76th Golden Globe Awards, Reilly was nominated for Best Actor – Motion Picture Musical or Comedy, and at the 72nd British Academy Film Awards the film earned three nominations, including Best British Film and Best Actor in a Leading Role for Coogan.Chaplin is a 1992 biographical comedy-drama film about the life of English comic actor and filmmaker Charlie Chaplin. It was produced and directed by Richard Attenborough and stars Robert Downey Jr., Marisa Tomei, Dan Aykroyd, Penelope Ann Miller and Kevin Kline. It also features Charlie Chaplin's own daughter, Geraldine Chaplin, in the role of his mother, Hannah Chaplin.The film underperformed at the box office, grossing $12 million against a $31 million budget, and received mixed reviews from critics; Downey's titular performance, however, garnered critical acclaim and won him the BAFTA Award for Best Actor along with nominations for the Academy Award for Best Actor and Golden Globe Award for Best Actor – Motion Picture Drama.Judy is a 2019 biographical drama film based on the life of American entertainer Judy Garland. Directed by Rupert Goold, it is an adaptation of the Olivier- and Tony-nominated West End and Broadway play End of the Rainbow by Peter Quilter. The film stars Renée Zellweger, Jessie Buckley, Finn Wittrock, Rufus Sewell, and Michael Gambon.The film follows Garland's career during the last year of her life, when she relocated her stage career to England, coupled with flashbacks of her childhood, most prominently the shooting of her part as Dorothy Gale in The Wizard of Oz (1939), her most famous film role. After some initial success in a run of sell-out concerts at the Talk of the Town in London, her efforts eventually stop making progress and even start to worsen as her health deteriorates.Judy premiered at the 46th Telluride Film Festival on 30 August 2019, and was released in the United States on 27 September 2019, and in the United Kingdom on 2 October 2019. The film received generally positive reviews, with Zellweger's performance garnering widespread acclaim. For her portrayal of Garland, Zellweger won the Academy Award for Best Actress, as well as the Golden Globe Award, SAG Award, BAFTA Award and Critics' Choice Movie Award.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

Thrilling political drama. Collective Imagination. Playing Putin.  Patriots on Broadway is a political thriller written by Peter Morgan, writer of The Crown. You don't need to know much about politics to be wrapped up in this electric drama to understand what's happening in the world and on stage, especially with a little use of collective imagination. Lets dive into a little about what makes Will Keen's (Putin) process and approach to this play, which also happens to be his Broadway debut. Will Keen has just closed the West End transfer of Peter Morgan's Patriots, directed by Rupert Goold, for which he won the Olivier Award for Supporting Actor last year. He most recently wrapped “My Lady Jane” and the second series of “The Lord of the Rings: The Rings of Power,” both for Amazon, as well as indie feature Borderland opposite Felicity Jones and Mark Strong. He is currently on screens in “The Gold” (BBC1/Viacom), “Ridley Road” (BBC), and “The Pursuit of Love” (BBC) opposite Andrew Scott and Emily Beecham. His other TV credits include “His Dark Materials” seasons 1 and 2, “The Crown” seasons one and two, “Genius,” “Picasso,” “Wolf Hall” and “The Musketeers.” Stage credits include Ghosts, Waste (Almeida); Quartermaine's Terms (Wyndham's Theatre); The Arsonists (Royal Court); and Mary Stuart (National Theatre). In 1991, after the fall of the Soviet Union, the new Russia belongs to its oligarchs—and no one is more powerful than billionaire Boris Berezovsky. When an eventual successor to President Boris Yeltsin is needed, Berezovsky turns to the little-known deputy mayor of St. Petersburg, Vladimir Putin. But soon Putin's ruthless rise threatens Berezovsky's reign, setting off a riveting, near-Shakespearean confrontation between the two powerful, fatally flawed men. Tony® and Emmy® Award nominee Michael Stuhlbarg stars as Berezovsky and Will Keen reprises his Olivier Award-winning turn as Putin in PATRIOTS, a shockingly timely history play from Peter Morgan, creator of “The Crown.” Don't miss this strictly limited engagement of Olivier Award winner Rupert Goold's kinetic, exhilarating production, which reveals to us all how Russia's post-Soviet machinations continue to shape our world to this day. Patriots is playing at the Ethel Barrymore Theatre through June 23rd. https://patriotsbroadway.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

This week's guest is Simon Godwin, one of the finest directors on either side of the Atlantic. Simon sits down with Jonny in majestic surroundings (work with me here) and they discuss how Simon (and Hamlet) came to Jonny's aid when he was trying to buy a house; how Simon assembled the site-specific Macbeth that is currently playing; his three play collaboration with its star, Ralph Fiennes; the difference between certainty and confidence; why he suddenly stopped his directing career to go and train his body- and what Rupert Goold said to him as he was leaving; the moment that sticks in Jonny's memory when he was directed by Simon - and Simon's lockdown Romeo and Juliet starring Josh O'Connor and Jessie Buckley. Hosted on Acast. See acast.com/privacy for more information.

Olivier Award winner Elliot Levey was last at the Almeida for Nine Lessons and Carols, and before that in Three Sisters. Now, he has returned to London's top producing house in Cold War: Conor McPherson's adaptation of Pawel Pawlikowski's Oscar-nominated film. Over the course of his career, Elliot has established himself as one of the most recognised actors in British theatre. As Kaczmarek, he helps set up the story of Cold War, setting out the importance of traditional folk music in post-war Poland. Indeed, music plays a very important role in the story of Cold War and audiences are treated to a luscious score by Elvis Costello in this exciting London premiere.In this brand new interview, Elliot Levey opens up about his career working with the likes of Rupert Goold and Elvis Costello, but he also talks about working with Mike Bartlett on Snowflake and his experience of working on unsuccessful pieces like Take Flight at the Menier Chocolate Factory. He tells us about his love for telling compelling stories and seeing audiences moved after a performance. With one of the most familiar faces on stage and screen, he remains constantly excited by new collaboration opportunities having worked with directors such as Stephen Frears, Rebecca Frecknall and even Madonna. Naturally a curious thinker, audiences continue to be delighted by his performances and it's likely we'll have more intriguing performances from him to look forward to.Cold War runs at the Almeida Theatre until Saturday 27th January 2024.

Join us for a theatrical journey through extraordinary tales and classic melodies in the latest podcast episode. The Little Big Things unfolds the extraordinary true story of Henry's family, exploring how one moment can redefine everything. This new British musical, based on Henry Fraser's Sunday Times best-selling autobiography, promises an explosive theatrical pop soundtrack in a world premiere production. As the family navigates a transformed past and an unforeseen future, the musical celebrates the transformative power of family and the significance of life's little things. Step into the glitz and glamour of High Society, where Long Island socialite Tracy Lord is set to host the wedding of the year. With 700 guests and oceans of champagne, the real question is: who will be the groom? Cole Porter's classic feel-good musical, based on The Philadelphia Story, promises a Christmas extravaganza filled with well-known songs, romance, and a swell party you won't want to miss. Immerse yourself in the world of Guys & Dolls with a promenade experience at The Bridge. This transformation brings one of the greatest musicals of all time to life, offering more hit songs, laughs, and romance than ever before. The immersive tickets transport you to the streets of Manhattan and the bars of Havana, creating an unforgettable love story. In a captivating discussion, delve into the careers of renowned theatre directors Katie Mitchell, Rupert Goold, Luke Shepherd, Emma Rice and Sam Mendes. Explore their impact on the theatrical landscape and the creative choices that have shaped some of the most memorable productions in recent history. It's a podcast episode filled with stories of resilience, romance, and the artistic brilliance that defines the world of theatre. Tune in for a theatrical adventure that promises to entertain, inspire, and leave you with a newfound appreciation for the magic of the stage.

My guest this episode is Adam James, star of Vigil, The Buccaneers, Charles III, Doctor Foster, Extras, Wicked, Johnny English Strikes Again, and countless more productions. Across our conversation, we discuss what makes a good director, approaching Shakespeare, working with Rupert Goold, the theatrical value of table tennis, performing on Broadway versus West End, playing Ariana Grande's father in one of the biggest productions ever filmed, and so much more. Recorded with special permission in The National Theatre, London, in September 2023.

We two new shows to review as well as one that has been running in London for many many years, but it's a first time seeing it for one of us! First up we have the National Theatre's new musical of Roald Dahl's The Witches, directed by Lyndsey Turner with book and lyrics by Lucy Kirkwood, music and lyrics by Dave Malloy. Next is our review of Cold War, a new play with music at The Almeida Theatre, directed by Rupert Goold, with book by Conor McPherson and music by Elvis Costello. Lastly we review the West End's second longest running musical, Andrew Llyod Webber's The Phantom of the Opera.-Opening/Closing Music: Little Lily Swing by Tri-Tachyonis: licensed under a CC Attribution License Hosted on Acast. See acast.com/privacy for more information.

Alex Young is currently appearing in Cold War at the Almeida Theatre.Based on Paweł Pawlikowski's film, Cold War is described as an epic love story spanning the decades and breadth of Europe at its most divided. The show features traditional Polish songs alongside music from Elvis Costello and is adapted by Conor McPherson with direction from Rupert Goold.Most recently Alex was part of the original cast of Standing at the Sky's Edge (Sheffield Theatres / National Theatre), receiving huge acclaim for her performance. Some of Alex's other theatre credits include Into the Woods (Theatre Royal Bath), Anyone Can Whistle and Promises Promises (Southwark Playhouse), South Pacific and Me & My Girl (Chichester Festival Theatre), Follies (National Theatre), Show Boat and I Can't Sing (West End), Coriolanus, She Loves Me, Guys & Dolls and Anything Goes (Sheffield Theatres) and Carousel (ENO).Cold War runs at the Almeida Theatre until Saturday 27th January 2024. Hosted by Andrew Tomlins  @AndrewTomlins32  Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.  

Get ready for an electrifying podcast episode that takes you on a thrilling ride through the worlds of music, theatre, and sporting passion. In this jam-packed show, we've got something for everyone, from iconic pop legends to football drama and theatrical brilliance. First up, a showbiz classic is reborn as Nicole Scherzinger takes the stage as the immortal Norma Desmond in Andrew Lloyd Webber's legendary Sunset Boulevard. Directed by the visionary Jamie Lloyd, this musical takes us on a journey filled with atmosphere, iconic songs like 'With One Look,' 'The Perfect Year,' and 'As If We Never Said Goodbye,' and a compelling narrative that examines the intoxicating allure of fame and ambition. With Rachel Tuckermaking guest appearances as Norma Desmond, it's a theatrical experience that promises to be a highlight in the West End. We immerse you in the unforgettable atmosphere of the Madonna The Celebration Tour. The legendary Madonnatook the stage at the O2, treating her fans to an incredible performance featuring hits from her illustrious 40-year career. It was a night to remember as the Queen of Pop proved yet again why she's a global sensation. The entertainment journey doesn't stop there. It's time to delve into the world of football and the intriguing question: 'Why can't England's men win at their own game?' With the worst track record for penalties in the world, England's football team has had its fair share of heartache. In this thrilling new play by James Graham, we follow the journey of Gareth Southgate, portrayed with pitch-perfect precision by Joseph Fiennes in the National Theatre's transfer ofDear England. As the team's manager, he knows it's time to confront the years of hurt and lead his players to victory. Directed by Rupert Goold, this gripping production explores not only the nation's passion for football but the game itself, resulting in a new stage epic that's a must-see. Lastly, step inside the legacy of the King of Rock 'n' Roll, Elvis Presley, with Direct from Graceland: Elvis. This kaleidoscopic retrospective showcases over 400 largely unreleased artefacts that trace Elvis's journey from humble beginnings to meteoric fame. The limited-season event at Arches London Bridge provides a unique opportunity to explore the life of an entertainment icon. In this podcast episode, we've covered the diversity of entertainment, from the pulsating energy of a Madonnaconcert to the football drama on the pitch, and from the captivating theatre with Nicole Scherzinger to the extraordinary journey through Elvis Presley's life. Enjoy this episode that's bursting with culture, legends, and unforgettable moments.

We review four amazing new shows in Episode 93. A Strange Loop, a new groundbreaking musical fresh from Broadway, featuring a queer black character at it's centre, currently playing at The Barbican. An exciting new production of Romeo and Juliet at The Almeida directed by Rebecca Frecknall. James Graham's new play, Dear England, about England football manager Gareth Southgate, as played by Joseph Fiennes at The National Theatre, directed by Rupert Goold. And finally, the all-taping Broadway classic 42nd Street which is currently on it's UK tour, and that we saw at Sadlers Wells. -Opening/Closing Music: Little Lily Swing by Tri-Tachyonis: licensed under a CC Attribution License Hosted on Acast. See acast.com/privacy for more information.

Diretto da Rupert Goold, è ispirato alla poliedrica figura di Judy Garland (qui Renée Zellweger), attrice, cantante e ballerina statunitense, nota al grande pubblico soprattutto per l'interpretazione di Dorothy ne Il mago di Oz. La sua è stata una carriera brillante iniziata in giovane età, proseguita con grandi successi che hanno accompagnato una vita ricca di tormenti, di amori finiti male e di drammi. Una stori raccontata a cavallo tra tre generi, biografico, drammatico e musicale.See omnystudio.com/listener for privacy information.

Patriots, Peter Morgan's play set in Russia in 1991, traces the rise and fall of Boris Berezovsky, who helped Vladimir Putin take power. As Patriots transfers to the West End, Allan Little – who as the BBC's Moscow correspondent met Berezovsky – talks to the director Rupert Goold and Will Keen, winner of an Olivier Award for his performance as Vladimir Putin. The V&A Photography Centre opens this week, the largest suite of galleries in the UK dedicated to a permanent photography collection. Allan is joined by curator Marta Weiss and AI deep fake photographer Jake Elwes. DJ Taylor won the 2003 Whitbread Prize for Biography for his first telling of George Orwell's life. He reveals why, twenty years later, he's returned to the subject with the publication of Orwell: The New Life. Presenter: Allan Little Producer: Timothy Prosser

Peter Caulfield (Tammy Faye / I Hate Suzie Too) co-hosts The West End Frame Show!Andrew and Peter discuss The Bodyguard (UK Tour, New Wimbledon Theatre) and Bonnie & Clyde as well as the latest news about the Sinatra musical, Pretty Woman, A Little Life starring James Norton and lots more.Most recently Peter played Billy Graham in the world premiere of Tammy Faye, the new musical by Elton John, Jake Shears and James Graham, directed by Rupert Goold at the Almedia Theatre. Just a few of Peter's work on stage includes the creation of The Lehman Brothers in the West End show Enron; Sam in the European premier of Obamaology (Finbiorough Theatre), King Herod in Jesus Christ Superstar (Regent's Park Open Air Theatre), Alfie the Waiter in One Man Two Guvnors (West End), Bob Cratchit in A Christmas Carol (Old Vic) and an ugly sister in the Lyric Hammersmith's panto.On screen, Peter recently recently played Ollie in I Hate Suzie Too, created by Lucy Prebble and Billie Piper for Sky. His other screen credits include Doctor Who (BBC) Cucumber (Channel 4) and Banana (E4). Peter will soon be seen in EastEnders (BBC).Follow Peter on Instagram: @petercaulfieldHosted by Andrew Tomlins. @AndrewTomlins32  Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.  

We chat with Jenna Coleman and director Josie Rourke backstage at the Harold Pinter Theatre a couple of hours before an evening's performance of Lemons Lemons Lemons Lemons Lemons. Also, Nick Curtis and Nancy Durrant review Shirley Valentine at the Duke of York's Theatre, starring Sheridan Smith. Plus, Nick Clark and Nick Curtis review Lulu Raczka and Rupert Goold's “ferociously bold” Women, Beware the Devil at the Almeida Theatre.Bonus content: The Standard's culture team discuss this year's Olivier Awards nominations.In this episode:Part one: Shirley Valentine starring Sheridan SmithPlus, Olivier Awards nominations (6'31 mins)Park two: Interview with Jenna Coleman and Josie Rourke (12'36 mins)Recorded at the Harold Pinter Theatre for Lemons Lemons Lemons Lemons Lemons Part three: Women, Beware the Devil (23'07 mins)Find us on Twitter #ESTheatrePodcastWhat to see in the West End right now www.standard.co.uk/theatre Hosted on Acast. See acast.com/privacy for more information.

Reviewers Karen Krizanovich and David Benedict give their verdicts on Tammy Faye, A New Musical at the Almeida Theatre in London, starring Katie Brayben, and from the combined creative forces of Elton John, Jake Shears, James Graham, and Rupert Goold. Plus they review Paul Newman, The Extraordinary Life Of An Ordinary Man - a memoir of the film star created from recently rediscovered transcripts of conversations Newman had in the 1980s. The Poet Laureate, Simon Armitage, reads his poem to mark 100 years of the BBC. And the American artist Daniel Arsham is known for sculptures which look like archaeological remains or as he describes them “future relics.” As an outdoor exhibition of his work opens at the Yorkshire Sculpture Park, Luke Jones finds out what inspires his work. Photo credit: Marc Brenner Presenter: Tom Sutcliffe Producer: Emma Wallace

Judy discussion with actor Renée Zellweger, director Rupert Goold and producer David Livingstone on September 21, 2019 at the Samuel Goldwyn Theater. Moderated by Dave Karger.

Welcome back to PARTISAN, a podcast exploring politics and history in film and entertainment. Join your host, Tony Black, as he is joined by film lecturer Carl Sweeney in the second of a special two-part episode discussing the death of Queen Elizabeth II and Rupert Goold's 2017 TV movie about the subsequent accession, KING CHARLES III... Next time on Partisan, podcaster Craig McKenzie joins us to discuss politics in comic book cinema and Zach Snyder's 2017 epic BATMAN VS SUPERMAN: DAWN OF JUSTICE... Host / Editor / Producer Tony Black Guest Carl Sweeney Like our Facebook page: https://www.facebook.com/partisanpod Follow us on Twitter: @partisanpod_ Support the We Made This podcast network on Patreon: www.patreon.com/wemadethis We Made This on Twitter: @we_madethis wemadethisnetwork.com Title music: Progressive Progress (c) Howard Harper-Barnes via epidemicsound.com

Welcome back to PARTISAN, a podcast exploring politics and history in film and entertainment.Join your host, Tony Black, as he is joined by film lecturer Carl Sweeney in the second of a special two-part episode discussing the death of Queen Elizabeth II and Rupert Goold's 2017 TV movie about the subsequent accession, KING CHARLES III...Next time on Partisan, podcaster Craig McKenzie joins us to discuss politics in comic book cinema and Zach Snyder's 2017 epic BATMAN VS SUPERMAN: DAWN OF JUSTICE...Host / Editor / ProducerTony BlackGuestCarl SweeneyLike our Facebook page:https://www.facebook.com/partisanpodFollow us on Twitter:@partisanpod_Support the We Made This podcast network on Patreon:www.patreon.com/wemadethisWe Made This on Twitter: @we_madethiswemadethisnetwork.comTitle music: Progressive Progress (c) Howard Harper-Barnes via epidemicsound.com

Welcome back to PARTISAN, a podcast exploring politics and history in film and entertainment. Join your host, Tony Black, as he is joined by film lecturer Carl Sweeney in the first of a special two-part episode discussing the death of Queen Elizabeth II and Rupert Goold's 2017 TV movie about the subsequent accession, KING CHARLES III... Host / Editor / Producer Tony Black Guest Carl Sweeney Like our Facebook page: https://www.facebook.com/partisanpod Follow us on Twitter: @partisanpod_ Support the We Made This podcast network on Patreon: www.patreon.com/wemadethis We Made This on Twitter: @we_madethis wemadethisnetwork.com Title music: Progressive Progress (c) Howard Harper-Barnes via epidemicsound.com

Welcome back to PARTISAN, a podcast exploring politics and history in film and entertainment.Join your host, Tony Black, as he is joined by film lecturer Carl Sweeney in the first of a special two-part episode discussing the death of Queen Elizabeth II and Rupert Goold's 2017 TV movie about the subsequent accession, KING CHARLES III...Host / Editor / ProducerTony BlackGuestCarl SweeneyLike our Facebook page:https://www.facebook.com/partisanpodFollow us on Twitter:@partisanpod_Support the We Made This podcast network on Patreon:www.patreon.com/wemadethisWe Made This on Twitter: @we_madethiswemadethisnetwork.comTitle music: Progressive Progress (c) Howard Harper-Barnes via epidemicsound.com

Welcome back to PARTISAN, a podcast exploring politics and history in film and entertainment. Join your host, Tony Black, as he is joined by film lecturer Carl Sweeney to discuss Babak Anvari's recent Hitchcockian thriller, I CAME BY, artistic class rebellion and more... Next time on Partisan, Carl returns for an unexpected episode discussing the death of Queen Elizabeth II and Rupert Goold's 2017 TV movie about the subsequent accession, KING CHARLES III... Host / Editor / Producer Tony Black Guest Carl Sweeney Like our Facebook page: https://www.facebook.com/partisanpod Follow us on Twitter: @partisanpod_ Support the We Made This podcast network on Patreon: www.patreon.com/wemadethis We Made This on Twitter: @we_madethis wemadethisnetwork.com Title music: Progressive Progress (c) Howard Harper-Barnes via epidemicsound.com

Welcome back to PARTISAN, a podcast exploring politics and history in film and entertainment.Join your host, Tony Black, as he is joined by film lecturer Carl Sweeney to discuss Babak Anvari's recent Hitchcockian thriller, I CAME BY, artistic class rebellion and more...Next time on Partisan, Carl returns for an unexpected episode discussing the death of Queen Elizabeth II and Rupert Goold's 2017 TV movie about the subsequent accession, KING CHARLES III...Host / Editor / ProducerTony BlackGuestCarl SweeneyLike our Facebook page:https://www.facebook.com/partisanpodFollow us on Twitter:@partisanpod_Support the We Made This podcast network on Patreon:www.patreon.com/wemadethisWe Made This on Twitter: @we_madethiswemadethisnetwork.comTitle music: Progressive Progress (c) Howard Harper-Barnes via epidemicsound.com

Questa settimana Barbara Rossi ci consiglia "Judy" di Rupert Goold disponibile questa sera alle 21:10 su Rai 3, e il capolavoro di Roberto Rossellini "Roma città aperta", da poter recuperare in streaming su Rai Play.

Today we continue our story about Michael Finkel and Christian Longo. We learn more about what life was like in the Longo family, what ultimately led to their untimely deaths, and take an in-depth look at the truly shocking trial. Self-Care & Prepare Tips This Week: Self-care: theraflow dual foot massager roller Prepare: If you feel like you are being used, you are probably right. Evaluate this for yourself. Sources: True Story: Murder, Memoir, Mea Culpa by Michael Finkel True Story. Directed by Rupert Goold, Regency Enterprises, Plan B, 2015. https://www.fbi.gov/wanted/topten/topten-history/hires_images/FBI-469-ChristianMichaelLongo.jpg/view Special thanks to: Matthew Lee Schipper, for editing and music production Come hang out with us! Facebook Instagram Twitter To get exclusive content and merch, become a Soaker, a Super Soaker, or a Bath Bomber at our Patreon! Remember to self-care & prepare! We'll catch you next time! --- Support this podcast: https://anchor.fm/bodypartspod/support

When disgraced New York Times reporter Michael Finkel received a call regarding a family murdered in Oregon, he learned that the suspect, Christian Longo, had assumed his identity. The resulting interview, and the relationship born from it, would tie their fates together forever. Sources: True Story: Murder, Memoir, Mea Culpa by Michael Finkel True Story. Directed by Rupert Goold, Regency Enterprises, Plan B, 2015. https://www.fbi.gov/wanted/topten/topten-history/hires_images/FBI-469-ChristianMichaelLongo.jpg/view Special thanks to: Matthew Lee Schipper, for editing and music production Come hang out with us! Facebook Instagram Twitter To get exclusive content and merch, become a Soaker, a Super Soaker, or a Bath Bomber at our Patreon! Remember to self-care & prepare! We'll catch you next time! --- Support this podcast: https://anchor.fm/bodypartspod/support

Double, double toil and trouble! Fire burn and cauldron bubble! Haunted by witches, ghostly daggers, murder, Macbeth is an obvious classic. But why? Will and James discuss Shakespeare's finest marriage story, the power of ambition and guilt, and a short play packed with an improbable concentration of amazing soliloquies, phrases, and speeches. // Credits // Intro Music: Jon Sayles, "The Witches' Dance" (composed by anonymous); Outro Music: Jon Sayles, “Saltarello” (composed by anonymous); Illustrative Excerpts: Judi Dench, "Thames Shakespeare Collection: Macbeth", dir. Philip Casson (1979); "Macbeth," dir. Roman Polanski (1971); Alan Cumming, "Macbeth," dirs. John Tiffany and Andrew Goldberg (2013); Patrick Stewart, "Macbeth," dir. Rupert Goold (2010)

Paradox House presents... Episode 1 of Scripted, hosted by Daisy Lewis. In our first week, launching us off in stellar fashion is Rupert Goold CBE. Rupert is the Artistic Director of the Almeida Theatre and prior to that, he was Artistic Director of Headlong Theatre and Associate Director at the Royal Shakespeare Company. He has twice been the recipient of the Olivier, Critics' Circle and Evening Standard awards for Best Director. Rupert's first feature film, True Story, starring James Franco and Jonah Hill for Plan B and Fox Searchlight in New York, was released. Most recently he directed Judy, written by Tom Edge; a biopic of Judy Garland, with Renée Zellweger playing the title role, for Pathe, Calamity Films and BBC. The film premiered at the Telluride Film Festival, receiving critical praise and multiple award nominations with Renee Zellweger sweeping the 2019-20 awards season, winning the Golden Globe, BAFTA, SAG and Academy Award for Best Actress. Daisy sits down to discuss all things film and television, his process as a director and the state of play of the industry as a whole. Enjoy!

If there's one thing I know, it's spotting a Queen on the Edge. Speaking of - Stuart, Carlotta and I sit down to discuss the 2019 film Judy. Listen to Stuart and I sit in awe of Carlotta and their knowledge of old Hollywood, while we alienate a child for her stylist, and fear for Judy not having enough change for a long distance phone call.Judy (2019), written by Tom Edge (screenplay), and Peter Quilter, Directed by Rupert Goold and Starting Renée Zellweger. Judy tells the story of Legendary performer Judy Garland during the winter of 1968, performing a series of sold-out concerts in London.RWACpod on Facebook: https://www.facebook.com/groups/rwacpodFollow on IG:  @RWACpodWhere to find the Rebels:Stefan: @sjmaroni on IGBearSailorMoon: @bearsailormooon IG and TwitterCarlotta Carlisle: @carlottacarlisle on IG / Carlotta1987 on RedBubbleChad: @cski01 on IGPJ: @xndra_design on IGStu: @janikon_ on IG & TikTok

Jeremy Herrin trained as a theatre director at both the National Theatre and the Royal Court, where he became Deputy Artistic Director in 2008. Between 2000 and 2008 he was an Associate Director at Live Theatre in Newcastle upon Tyne. Jeremy replaced Rupert Goold as Artistic Director of Headlong Theatre in September 2013 In 2007, he directed the UK premiere of David Hare's play, The Vertical Hour, as well as Polly Stenham's award-winning That Face at the Royal Court. That Face later transferred to London's West End, where it starred Lindsay Duncan and Matt Smith and was produced by Sonia Friedman. Two years later, in 2009, Jeremy directed Polly's second play, Tusk Tusk for which he was nominated for an Evening Standard Best Director Award. Other work at the Royal Court includes EV Crowe's Hero, Richard Bean's The Heretic, Kin, Spur of the Moment, Off The Endz and The Priory, which won an Olivier Award for best Comedy. In 2012 Jeremy directed the Olivier-nominated This House, written by James Graham, at the National Theatre and was named as one of the Stage top 100. The production was revived at the Garrick Theatre at the end of 2016 and toured the UK in 2018.In 2014 Jeremy directed the critically acclaimed adaptations of Hilary Mantel's novels Wolf Hall and Bring up the Bodies for the RSC and was nominated for an Olivier Award for Best Director. The productions transferred to the West End at the end of 2014 and opened on Broadway in April 2015. He also directed the Broadway production of Noises Off which opened in January 2016. His production of People, Places and Things at the National Theatre transferred to the Wyndhams Theatre in March 2016 and then to St Ann's Warehouse in October 2017. Jeremy directed James Graham's Oliver Award winning Labour of Love which opened in November 2017 and his production of David Hare's The Moderate Soprano transferred from Hampstead Theatre to the West End in April 2018.Most recently Jeremy directed Noises Off at The Garrick Theatre and The Visit at The National Theatre. For TV Jeremy directed Talking Heads and Unprecedented for the BBC. Instagram: @jerherrin Host: Jamie Neale @jamienealejn Discussing rituals and habitual patterns in personal and work life. We ask questions about how to become more aware of one self and the world around us, how do we become 360 with ourselves? Host Instagram: @jamienealejn Podcast Instagram: @360_yourself Music from Electric Fruit Produced by Tom Dalby Composed by Toby Wright

In 2012, BBC created an adaptation of the Henriad. The first and arguably greatest in the tetralogy is Richard II. Directed by Rupert Goold and starring Ben Whishaw and Rory Kinnear. Alex rejoins as he and Jamie discuss their love of the play, Shakespeare at the zenith of his craft and why is Richard II not as popular a play. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Big Tent - Live Events! Part of the Humanities Cultural Programme, one of the founding stones for the future Stephen A. Schwarzman Centre for the Humanities. 'Liveness'. Biographies: Katie Mitchell is a British theatre director whose unique style and uncompromising methods have divided both critics and audiences. Though sometimes causing controversy, her productions have been innovative and groundbreaking, and have established her as one of the UK’s leading names in contemporary performance. She was born in Berkshire in 1964, grew up in the small village of Hermitage and read English at Magdalen College, Oxford. She began her theatre career in 1986 with a job at the King’s Head Theatre as a production assistant. She became an assistant director at Paines Plough a year later, and then took the same post at the Royal Shakespeare Company in 1988. In 1990, she founded her own company, Classics on a Shoestring, where she directed a number of pioneering and highly acclaimed productions including the House of Bernada Alba and Women of Troy. In the decades with followed, Mitchell worked as an associate director with the Royal Court Theatre, the Royal Shakespeare Company and the National Theatre. Whilst at the RSC, she was responsible for programming at the now defunct black box space, The Other Place, and her production of The Phoenician Women earned her the Evening Standard Award for Best Director. Her numerous theatre credits include 2071 and Night Songs for the Royal Court, The Cherry Orchard for the Young Vic, The Trial of Ubu for Hampstead Theatre, Henry VI Part III (to date her only Shakespeare production) for the RSC and A Woman Killed with Kindness and The Seagull at the National Theatre. She has also directed opera, working with the Royal Opera House and English National Opera. An exponent of Stanislavski techniques and naturalism, her style was strongly influenced by the time she spent working in Eastern Europe early in her career. Her work is characterised by the creation on stage of a highly distinctive environment, the intensity of the emotions portrayed and by the realism of the acting. Mitchell’s work has pushed boundaries and explored technique and, not just confined to the stage, has also taken her into other creative mediums. She has directed for film and television with work including The Widowing of Mrs Holroyd and The Turn of the Screw. In 2011, together with video maker, Leo Warner, Mitchell devised an immersive video installation called Five Truths for the Victoria and Albert Museum which explored the nature of truth in theatrical production. Ben Whishaw is a multi-award winning English actor in film, television, and theatre. He trained at RADA, and his work in theatre quickly brought acclaim including a much-lauded Hamlet at the Old Vic with Trevor Nunn in 2004. He has been directed by Katie Mitchell multiple times, including The Seagull at the National Theatre in 2006, and Norma Jeane Baker of Troy at the Shed in New York last year. In television his work ranges from BAFTA-winning performances in Rupert Goold's Richard II for the BBC in 2012 to A Very English Scandal in 2018. Among many film roles, he is perhaps best known for taking on the part of Q in the Bond films since 2012’s Skyfall and for delighting audiences young and old as the voice of Paddington in the hit movies in 2014 and 2017.

Big Tent - Live Events! Part of the Humanities Cultural Programme, one of the founding stones for the future Stephen A. Schwarzman Centre for the Humanities. 'Liveness'. Biographies: Katie Mitchell is a British theatre director whose unique style and uncompromising methods have divided both critics and audiences. Though sometimes causing controversy, her productions have been innovative and groundbreaking, and have established her as one of the UK’s leading names in contemporary performance. She was born in Berkshire in 1964, grew up in the small village of Hermitage and read English at Magdalen College, Oxford. She began her theatre career in 1986 with a job at the King’s Head Theatre as a production assistant. She became an assistant director at Paines Plough a year later, and then took the same post at the Royal Shakespeare Company in 1988. In 1990, she founded her own company, Classics on a Shoestring, where she directed a number of pioneering and highly acclaimed productions including the House of Bernada Alba and Women of Troy. In the decades with followed, Mitchell worked as an associate director with the Royal Court Theatre, the Royal Shakespeare Company and the National Theatre. Whilst at the RSC, she was responsible for programming at the now defunct black box space, The Other Place, and her production of The Phoenician Women earned her the Evening Standard Award for Best Director. Her numerous theatre credits include 2071 and Night Songs for the Royal Court, The Cherry Orchard for the Young Vic, The Trial of Ubu for Hampstead Theatre, Henry VI Part III (to date her only Shakespeare production) for the RSC and A Woman Killed with Kindness and The Seagull at the National Theatre. She has also directed opera, working with the Royal Opera House and English National Opera. An exponent of Stanislavski techniques and naturalism, her style was strongly influenced by the time she spent working in Eastern Europe early in her career. Her work is characterised by the creation on stage of a highly distinctive environment, the intensity of the emotions portrayed and by the realism of the acting. Mitchell’s work has pushed boundaries and explored technique and, not just confined to the stage, has also taken her into other creative mediums. She has directed for film and television with work including The Widowing of Mrs Holroyd and The Turn of the Screw. In 2011, together with video maker, Leo Warner, Mitchell devised an immersive video installation called Five Truths for the Victoria and Albert Museum which explored the nature of truth in theatrical production. Ben Whishaw is a multi-award winning English actor in film, television, and theatre. He trained at RADA, and his work in theatre quickly brought acclaim including a much-lauded Hamlet at the Old Vic with Trevor Nunn in 2004. He has been directed by Katie Mitchell multiple times, including The Seagull at the National Theatre in 2006, and Norma Jeane Baker of Troy at the Shed in New York last year. In television his work ranges from BAFTA-winning performances in Rupert Goold's Richard II for the BBC in 2012 to A Very English Scandal in 2018. Among many film roles, he is perhaps best known for taking on the part of Q in the Bond films since 2012’s Skyfall and for delighting audiences young and old as the voice of Paddington in the hit movies in 2014 and 2017.

This week, Paul and Jillian examine 2016's American Psycho: directed by Rupert Goold, choreographed by Lynne Page, and starring Benjamin Walker. Talking points for this episode include: when is it acceptable to do Thriller arms onstage? How much stage blood is too much stage blood? And how good is "Hip to Be Square"?If you have a show you'd like us to cover, you can get in touch with us at @monkeysandplaybillspod on Instagram and by emailing monkeysandplaybillspod@gmail.com.Intro Song: "American Psycho" by Treble Charger

England is a “teeming womb of royal kings, fear’d by their breed, and famous by their birth” in Shakespeare’s Richard II, which features a philosopher-sovereign with a taste for the finer things in life whose arrogance, capriciousness, and cruelty is either a sign of disinterest, dictatorship, or insanity depending on one's interpretation. Following a botched trial by combat to settle a dispute between two nobles, Richard’s disinheritance of one of his chief rivals leads to predictable chaos and epic poetry that pits the divine right of kings against patriotism, legitimacy against practical politics, and high-handed arrogance against duplicitous skullduggery in the prelude to the epics of "Henry IV, Parts 1 and 2" and "Henry V." // CREDITS // Intro Music: Jon Sayles, "The Witches' Dance" (composed by anonymous); Outro Music: Jon Sayles, “Saltarello” (composed by anonymous); illustrative excerpts from "The Hollow Crown: Richard II," dir. Rupert Goold (2012) and from "Game of Thrones," Season 3, Episode 10, "Mhysa," dir. David Nutter (2013)

Welcome back! Once again, Host Stefan (@sjmaroni) sits down and dives deep into Queer and Queer Adjacent films with brand new guests Joey (@Carlottacarlisle) and Stu (@janikon_)In this weeks Episode we discuss old Hollywood, drug abuse, addiction, family, being in the public eye and not having enough change for a long distance phone call.Judy (2019), written by Tom Edge (screenplay), and Peter Quilter, Directed by Rupert Goold and Starting Renée Zellweger. Judy tells the story of Legendary performer Judy Garland during the winter of 1968, performing a series of sold-out concerts in London.

Alexandra Wood started her tailoring business in 2007 as a hobby and has since designed and made clothing for hundreds of high-profile men who want to make a positive impact to the way they look and feel. Her career started in Savile Row, as one of the first, female owned tailoring businesses. She then went on to re-open the longest standing tailors (400 years) in Bishop's Stortford, with a new, modernised version of men's tailoring. The brand has recently expanded from made to measure tailoring to successful, ready to wear collections. Alex continues to break the mould when it comes to delivering exceptional quality and service in menswear. The brand has helped land politician Chuka Umunna on GQ's Best-Dressed top 50 twice, and GQ Columnist Tony Parsons named them ‘Tailor of the 21st Century'. Tristram Hunt, director of the V&A wore an Alexandra Wood two-piece while cutting the ribbon on the vaunted Christian Dior retrospective, and so did director Rupert Goold, while showcasing his new film Judy at the 2019 Cannes Film Festival.In this episode of the MenswearStyle Podcast we interview Alexandra Wood about how she first got started in men's tailoring and the story of how she set up her business. It was whilst on maternity leave that Alex began as a visiting tailor, meeting clients in their offices or at home. She now serves her clients at the brand's Savile Row showroom and Bishop's Stortford store, whilst also managing the marketing and eCommerce for the brand. Our host Peter Brooker and Alex also chat about education and training, the differences between design and cutting, elevating a man's style, why you shouldn't follow trends, and opening a 1000 sq ft shop to showcase new Alexandra Wood ready to wear collections.Whilst we have your attention, be sure to sign up to our daily MenswearStyle newsletter here. We promise to only send you the good stuff.Photo: Amanda Forman

Columna de cine a cargo de Aldana Cavazzuti para el programa Periodismo.6 por radio asamblea

The NHB Playgroup from Nick Hern Books brings you one free play to read and discuss each week, followed by a Q&A with the writer. In this episode of The NHB Playgroup Q&A Podcast, we spoke to Mike Bartlett about his reflective, tragicomic drama Albion, which premiered at the Almeida Theatre, London, in 2017, directed by Rupert Goold. It was revived at the same venue in February 2020, and will be broadcast on TV later this year as part of the BBC's 'Culture In Quarantine' season. See more about The NHB Playgroup and find out how to get involved here: www.nickhernbooks.co.uk/playgroup Host: Siân Mayhall-Purvis Producer: Jon Barton Executive Producer: Matt Applewhite

A talk on the film of the last iconic London concerts of the last Judy Garland, and the oustanding Renée Zellweger. The post Rupert Goold – Judy #RomaFF14 appeared first on Fred Film Radio.

The director of Judy talks about the transformation of Renée Zellweger. The post Rupert Goold – Judy #ZFF2019 appeared first on Fred Film Radio.

Between his film and stage work, director Rupert Goold has often been attracted to material focusing on protagonists caught between the real world and a truth of their own making. This makes him the ideal candidate to bring the life of Judy Garland to the screen. His newest project, the biopic “Judy”, starring Renee Zellweger, artfully weaves between those two states.

As a controversial play about a Windsor power struggle hits the small screen, we talk to writer Mike Bartlett and director Rupert Goold about adapting King Charles III for TV; complete with constitutional crisis, the Queen's funeral, Diana's ghost, blank verse and the late great Tim Piggott-Smith.Radio 4's Poet in Residence Daljit Nagra begins the first in series of appearances where he takes us through what currently interests and inspires him from the world of poetry.After the success of the David Bowie exhibition The Victoria & Albert Museum in London has mounted another rock based show, this time on the long and varied career of Pink Floyd. The curator Victoria Broakes shows Emma round exhibits that range from psychedelia to synthesisers via flying pigs.Presenter: Emma Dabiri Producer: Ella-mai Robey.

Ralph Fiennes and director Rupert Goold discuss their new production of Shakespeare's Richard III at the Almeida Theatre in London.Kevin Spacey stars as the former US president in the new film Elvis & Nixon, which focuses on the untold real-life story of the meeting between the two men. Michael Carlson reviews.Author Marina Lewycka and playwright Hassan Abdulrazzak join Samira to discuss the art of writing fiction about the refugee experience. As refugees once themselves, both have contributed to an anthology of writing called A Country of Refuge, being published to coincide with Refugee Week.One of Pakistan's most famous qawwali singers Amjad Sabri has been killed today in Karachi. Ziad Zafar joins us to explain Sabri's place in Pakistani culture and what may have led to his death.

A conversation with director and screenwriter Rupert Goold about his new film True Story starring Jonah Hill, James Franco, and Felicity Jones.

In the first essay of the series, Roger Michell reflects on the mix of emotion he feels on the first day of any production, and beckons us to follow as he travels to the location of his 2012 film Hyde Park on Hudson.A James Cameron film. A Rupert Goold production. The director has become an acclaimed and authoritative figure - even a star in his own right - but the job itself remains the subject of speculation: what does a director actually do? And what is the mysterious 'process' that sees them from idea to first night? In this Essay series, five innovative practitioners of stage and screen reveal the daily grind of a craft which, despite books and interviews on the subject, remains opaque.Roger Michell's career has spanned theatre, television and film. Earlier in his career, he worked at the Royal Court and the RSC, where he eventually became a resident director. He continues to divide his time between theatre and film, and recent stage productions include Rope (The Almeida) and Tribes (Royal Court). For BBC television he directed The Buddha of Suburbia (1993) and Persuasian (1995). Some of his films include Notting Hill (1999), Changing Lanes (2002), The Mother (2003), Enduring Love (2004), Venus (2006) and Morning Glory (2010), as well as Hyde Park on Hudson (2012).The series is produced by Sasha Yevtushenko.First broadcast in February 2012.