Podcast appearances and mentions of tom edge

In this episode of The Directors' Take podcast, your hosts Oz Arshad and Marcus Anthony Thomas continue with part 2 of their discussion with Director Sarmad Masud, whose credits include Hollyoaks, Channel 4's Ackley Bridge, BBC's You Don't Know Me and Sky's Bulletproof. He also wrote and directed the indie feature My Pure Land which he shot in Pakistan.    In Part 2, Sam takes us through: -How he lead directed Sky's Bulletproof S3 and BBC's You Don't Know Me. -Working with bigger cast. -How he preps when he is hired on a show and how he breaks his script down. -A day in the life of how he works on set, his approach to coverage and what documents he keeps with him on set. -Things that have gone wrong on set and how he has resolved them.  -Post production. -Learning about how much ‘say' you have as a director/lead director. -The lessons he has learnt after directing HETV. -Emotional resilience between jobs.    Sam most recently directed all four episodes of You Don't know Me, a brand new drama series for Snowed-in Productions, written by Tom Edge. It is based on the bestselling novel by Imran Mahmood.Sam previously directed the Bulletproof  Special for Vertigo and Sky set in Cape Town, having also directed the Season 2 finale. He also recently directed on Ackley Bridge  for The Forge and Channel 4. His first feature My Pure Land,  is set and filmed in Pakistan and based on the extraordinary true story of one woman and her family who defended their home and land from 200 bandits. It premiered at the Edinburgh International Film Festival and was the UK submission to the Oscars in the Foreign Language category.    Nuggets Oz: https://www.amazon.co.uk/Factfulness-Reasons-Wrong-Things-Better/dp/1473637465 Marcus: https://www.youtube.com/@ArtSupport1/videos Sam: https://www.bloomsbury.com/uk/dark-matter-9781839023408/     Credits Music by Oliver Wegmüller   Socials Instagram: @TheDirectorsTakePodcast Twitter: @DirectorsTake Sam's twitter: @Sammasud37 If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com.

In this episode of The Directors' Take podcast, your hosts Oz Arshad and Marcus Anthony Thomas are joined by Director Sarmad Masud, whose credits include Hollyoaks, Channel 4's Ackley Bridge, BBC's You Don't Know Me and Sky's Bulletproof. He also wrote and directed the indie feature My Pure Land which he shot in Pakistan.    Sam takes us through:   -His early start back in 1999 at Hull School of Art and Design. -The journey to find his voice and make shorts whenever he could. -Missteps, mistakes and finding a way. -His successful short film, TWO DOSAS (Himesh Patel) funded by Film London and was voted best film in their London Calling Plus category by David Yates. -Struggles to get a job which lead to him working as an Art Dept runner.  -The long arduous journey of making his debut indie feature MY PURELAND. -Having lunch with his man crush, Danny Boyle. -Beginnings of his TV career and shooting Hollyoaks and Ackley Bridge.   Sam most recently directed all four episodes of You Don't know Me, a brand new drama series for Snowed-in Productions, written by Tom Edge. It is based on the bestselling novel by Imran Mahmood and aired on Sunday 5th December at 9pm on BBC One.Sam previously directed the Bulletproof  Special for Vertigo and Sky set in Cape Town, having also directed the Season 2 finale. He also recently directed on Ackley Bridge  for The Forge and Channel 4. His first feature My Pure Land,  is set and filmed in Pakistan and based on the extraordinary true story of one woman and her family who defended their home and land from 200 bandits. It premiered at the Edinburgh International Film Festival and was the UK submission to the Oscars in the Foreign Language category.     Credits Music by Oliver Wegmüller   Socials Instagram: @TheDirectorsTakePodcast Twitter: @DirectorsTake Sam's twitter: @Sammasud37 If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com.

La présidentielle approche à grand pas, et les dernières nous l'ont bien confirmé, le lien étroit entre genre et rapport de pouvoir est peut-être le plus criant à la tête même de l'État. À l'heure où plusieurs candidates à la présidentielle se bousculent, Clémentine Gallot et notre chroniqueuse politique Rachel Garrat-Valcarcel, reviennent dans ce nouvel épisode long de Quoi de Meuf sur le parcours de ces femmes et de celles qui les ont précédées. Alors, pourquoi sont-elles si peu ? À quels obstacles sont-elles confrontées ? Comment sont-elles caractérisées ? Et surtout, jusqu'ici, pourquoi ne gagnent-elles pas ! Les références entendues dans l'épisode : Roberta Metsola : est une femme politique maltaise, membre du Parti nationaliste et députée européenne depuis 2013. Le 18 janvier 2022, elle est élue présidente du Parlement européen.Anne Hidalgo : femme politique française et espagnole, première femme maire de Paris depuis 2014Marine Le Pen : femme politique française, ancienne présidente du Rassemblement National. Elle quitte le parti en 2021 pour lancer sa campagne présidentielle Christiane Taubira : femme politique française, garde des Sceaux, ministre de la Justice entre 2012 et 2016 et candidate à la présientielle française en 2022Edith Cresson : est une femme d'État française, Première ministre du 15 mai 1991 au 2 avril 1992.L'étude de Delphine Dulong et Frédérique Matonti intitulée “L'indépassable féminité. La mise en récit des femmes en campagne ”Geneviève Fraisse est une philosophe française de la pensée féministe, directrice de recherche émérite au CNRS / CRAL - EHESSL'ouvrage de Catherine Achin/Elsa Dorlin, Nicolas Sarkozy, la masculinité mascarade du président, aux éditions presse de Sciences PoArlette Laguiller, femme politique française trotskiste. Militante syndicale, elle intègre la direction puis devient porte-parole de Lutte ouvrière. En 1974, elle devient la première femme à se présenter à une élection présidentielle française.L'émission télévisée Les Guignols de l'Info sur Canal +L'étude de Cécile Sourd “Femme ou politique?”L'ouvrage de Frédérique Matonti, Le genre présidentiel: Enquête sur l'ordre des sexes en politique aux éditions de la DécouverteL'historienne Mathilde Larrere, autrice de Rage against the machisme, et co-autrice de “Des intrus en politique: femmes et minorités”, tous deux aux éditions du DétourEllen Johnson Sirleaf, première femme élue à la tête d'un pays africain, le Liberia… en 2005Le podcast de Binge sur les femmes en politique intitulé “Y' a pas mort d'homme”La série télévisée House of Cards de Melissa James Gibson et Beau Willimon avec Robin Wright (Claire Underwood), Michael Kelly (Doug Stamper).La saga Hunger Games réalisée par Gary Ross (le premier opus uniquement) puis Francis LawrenceLa série politique culte Borgen créée par Adam PriceOccupied, la série télévisée norvégienne créée par Erik Skjoldbjærg et Karianne Lund “L'Etat de Grace”, mini-série française en six épisodes de 52 minutes créée par Jean-Luc Gaget et réalisée par Pascal ChaumeilLa série télévisée “Les Hommes de l'ombre”, créée par Dan Franck, Frédéric Tellier, Charline de Lépine et Emmanuel DaucéLa série télévisée française créée par Eric Benzekri et Jean-Baptiste Delafon, “Baron Noir”La série The Gilded Age de Julian fellowesLa série britannique “Vigil”, signée Tom Edge, avec Suranne Jones (Docteur Foster) et Rose Leslie (Game of Thrones).Quoi de Meuf est une émission de Nouvelles Écoutes. Rédaction en chef : Clémentine Gallot. Journaliste chroniqueuse : Rachel Garrat-Valcarcel Mixage et montage : Laurie Galligani. Prise de son par Thibault Delage à l'Arrière Boutique. Générique réalisé par Aurore Meyer Mahieu. Réalisation et coordination : Cassandra de Carvalho et Mathilde Jonin.Le podcast Quoi de Meuf devient un livre : 100 oeuvres cultes à connaitre quand on est féministe ! Est-il possible de chérir des œuvres imparfaites ? Comment représenter les violences sexuelles ? Faut-il séparer l'homme de l'artiste ? Que faire des œuvres problématiques ? Quelles sont les films, séries, livres, albums indispensables à son éducation féministe ? Clémentine Gallot, Kaoutar Harchi, Anne-Laure Pineau, Pauline Verduzier et Emeline Amétis apportent leurs réponses (subjectives !) à ces questions en vous présentant une sélection d'œuvres qui les ont nourries et marquées dans la construction de leur féminisme ! Le livre est disponible en librairie depuis le 24 novembre, et il est possible de le commander ici : https://tidd.ly/3E2admVSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Pour ce retour des épisodes dans le bunker, le Collimateur se tourne vers la récente série "Vigil", produite par la BBC et disponible sur Arte, en compagnie de Marko Ramius, qui (au-delà du pseudo)est un expert en sous-marins et en dissuasion nucléaire. La série : https://www.arte.tv/fr/videos/096217-001-A/vigil-1-6/ Marko Ramius sur twitter : https://twitter.com/MarkoA_Ramius

Paradox House presents... Episode 1 of Scripted, hosted by Daisy Lewis. In our first week, launching us off in stellar fashion is Rupert Goold CBE. Rupert is the Artistic Director of the Almeida Theatre and prior to that, he was Artistic Director of Headlong Theatre and Associate Director at the Royal Shakespeare Company. He has twice been the recipient of the Olivier, Critics' Circle and Evening Standard awards for Best Director. Rupert's first feature film, True Story, starring James Franco and Jonah Hill for Plan B and Fox Searchlight in New York, was released. Most recently he directed Judy, written by Tom Edge; a biopic of Judy Garland, with Renée Zellweger playing the title role, for Pathe, Calamity Films and BBC. The film premiered at the Telluride Film Festival, receiving critical praise and multiple award nominations with Renee Zellweger sweeping the 2019-20 awards season, winning the Golden Globe, BAFTA, SAG and Academy Award for Best Actress. Daisy sits down to discuss all things film and television, his process as a director and the state of play of the industry as a whole. Enjoy!

If there's one thing I know, it's spotting a Queen on the Edge. Speaking of - Stuart, Carlotta and I sit down to discuss the 2019 film Judy. Listen to Stuart and I sit in awe of Carlotta and their knowledge of old Hollywood, while we alienate a child for her stylist, and fear for Judy not having enough change for a long distance phone call.Judy (2019), written by Tom Edge (screenplay), and Peter Quilter, Directed by Rupert Goold and Starting Renée Zellweger. Judy tells the story of Legendary performer Judy Garland during the winter of 1968, performing a series of sold-out concerts in London.RWACpod on Facebook: https://www.facebook.com/groups/rwacpodFollow on IG:  @RWACpodWhere to find the Rebels:Stefan: @sjmaroni on IGBearSailorMoon: @bearsailormooon IG and TwitterCarlotta Carlisle: @carlottacarlisle on IG / Carlotta1987 on RedBubbleChad: @cski01 on IGPJ: @xndra_design on IGStu: @janikon_ on IG & TikTok

Tom drops in for a 'teaser', episode

In our first episode, we discuss all the reasons we decided to make a podcast about the filmography of legendary, two-time Academy Award winner and Grammy nominee Renée Zellweger. We also talk about some smaller roles Renée did early in her career and two cameos she did after she was more established. Because we cover a lot of ground in this episode, we are breaking down each section with timecodes for your listening convenience :) 0:00 - 1:40  Introduction and synopsis of this episode.  1:41 - 2:10  The iconic line, "You had me at hello."  2:11 - 4:18  One year anniversary of Renée's second Academy Award.  4:19 - 24:50  The many reasons we admire Renée Zellweger. 24:51 - 35:40  Our favorite quotes about Renée including quotes from Cameron Crowe, Kennedy Fraser, Tom Edge, Sarah Paulson, and CM Talkington. 35:45 - 50:00  A brief biography of Renée Zellweger. 50:01 - 52:05  How it started, how it's going...   Renée’s roles in: 52:30 - 54:00  A Taste for Killing starring Jason Bateman, Henry Thomas, and Michael Biehn. 54:01 - 58:45  Murder in the Heartland starring Fairuza Balk and Tim Roth. 58:46 - 1:05:45  Dazed and Confused starring Matthew McConaughey, Rory Cochrane, Milla Jovovich, Ben Affleck, Anthony Rapp, Parker Posey, Joey Lauren Adams, Marissa Ribisi, and Adam Goldberg. Written and directed by Richard Linklater. 1:05:50 - 1:23:20  Reality Bites starring Winona Ryder, Ethan Hawke, Janeane Garfolo, and Steve Zahn. Written by Helen Childress and Directed by Ben Stiller. 1:23:21 - 1:29:14  8 Seconds starring Luke Perry and Cynthia Geary. Directed by John G. Avildsen. 1:29:15 - 1:38:18  The Low Life starring Rory Cochrane, Kyra Sedgwick, Sean Astin, and Ron Livingston. Directed by George Hickenlooper. 1:38:19 - 1:45:50  Here and Now starring Sarah Jessica Parker. Dear Michael Patrick King and SJP, please consider a Renée cameo/recurring role on “And Just Like That” :) 

Welcome to our 28th episode of the JB's PowercastToday on JBs Powercast;Corey brings us the latest industry news;Nissan Proto Z: Old School New Coolhttps://www.caranddriver.com/news/a34016940/nissan-z-proto-revealed/ Hyundai Tucson Gets a Stunning Redesignhttps://www.caranddriver.com/news/a34012317/2022-hyundai-tucson-redesigned-revealed/Adel interviews special guest Tom Edge with BellTechAdel and Tom discuss the history of BellTech.  BellTech's rich history and innovations in Lowering Suspension. Their progression into Levelling Kits and now their latest offerings of full Suspension Lifts and OE replacement shocks.Thanks for tuning into the JB's Powercast. If you enjoyed the show please click the episode and leave us a rating and review at podchaser.com/jbspowercast JBs Powercast can be found on Facebook, YouTube, iTunes, Spotify, Stitcher, Google Podcast, iHeart Radio, TuneIn + Alexa, Facebook, YouTube, Podchaser, and Amazon's new platform “Amazon Music / Audible” or you can also catch it atjbspowercentre.com Please remember to leave us a like or a comment on YouTube and Facebook.

Welcome back! Once again, Host Stefan (@sjmaroni) sits down and dives deep into Queer and Queer Adjacent films with brand new guests Joey (@Carlottacarlisle) and Stu (@janikon_)In this weeks Episode we discuss old Hollywood, drug abuse, addiction, family, being in the public eye and not having enough change for a long distance phone call.Judy (2019), written by Tom Edge (screenplay), and Peter Quilter, Directed by Rupert Goold and Starting Renée Zellweger. Judy tells the story of Legendary performer Judy Garland during the winter of 1968, performing a series of sold-out concerts in London.

Since Janice and Aniruddha are on a short break we're rebroadcasting an earlier episode from our archives. New episodes shall resume from next week. ................ In this episode of ‘Mr And Mrs Binge-watch’, Janice and Aniruddha recommend shows they consider to be “easy-peasy viewing”: Pete Holmes’ ‘Crashing’, Tom Edge’s ‘Lovesick’ and Judd Apatow, Leslie Arfin and Paul Rust’s ‘Love’. Not your regular sitcom, but not something that demands too much investment of time or patience either, easy-peasy shows can be consumed at one go or over several sittings, in smaller doses during your travels to work, or over a quick lunch break. Tune in. You can follow them on Instagram and Twitter: Janice Sequeira @janiceseq85 Aniruddha Guha @aniguha You can listen to this show and other awesome shows on the IVM Podcasts app on Android: https://ivm.today/android or iOS: https://ivm.today/ios, or any other podcast app. You can check out our website at http://www.ivmpodcasts.com/

Hi everyone! Welcome back for our continuing Golden Globes coverage. By now, the awards have been announced, and everyone is chatting up a storm. Be sure to check out our congratulatory posts for all the winners we’ve reviewed, and the schedule for reviewing the remaining winners, if needed. We covered about seventeen of thirty-four films that were nominated this year. As part of that coverage, we’ll be welcoming back Ryan L. Terry to the podcast, with his first of two reviews this month covering Golden Globe nominees. Today, Ryan will be covering JUDY, but be sure to tune in next week for his review of WHERE’D YOU GO, BERNADETTE? And for a few reviews from Ryan last year, check out KNIFE + HEART (Episode #542), I KNOW WHAT YOU DID LAST SUMMER (Episode #614), and THE GOOD LIAR (Episode #662). His promo will run before the review. Subscribe to stay current with the latest releases. Contribute at Patreon for exclusive content. Connect with us over social media to continue the conversation. Here we go! ///// > ///// Today’s movie is JUDY, the biopic directed by Rupert Goold and written for the screen by Tom Edge, based on the stage play by Peter Quilter, starring Renée Zellweger as Judy. While there are many movies that focus on the rise and fall of a talent in show business, this movie skips all the glitz and glamor to paint a realistic portrait of what it is like for those whom grow up in front of the camera, controlled by those around them, just to wind up in front of booing crowds, with empty bank accounts, homeless, and in a tumultuous custody battle. Not to mention her addiction to pills that was caused by the abusive treatment at the hands of the old studio system. Although we all know the tragic ending, no mistaking it, this film is an inspirational story of redemption. Whether you are a fan of the iconic diva or not, you do not want to miss this powerful film! While we may be familiar with the broad strokes career of the legendary entertainer, this film goes beyond the headlines and tabloids to deliver a true-life story that could ironically be titled “A Star is Born” or perhaps reborn. Ironic in that this film shows the life of a movie star after the lights have faded and the offers stop coming in, much like the movie she starred in. It’s a rise and fall story of sorts, but is more precisely a fall and rise story as the movie focusses in on the last year of Judy Garland’s life. If you are worried that the film ends on her death, you can be relieved that the film chooses to stop the story prior to the end of the iconic star’s life. And it works incredibly well! “For one hour, I am Judy Garland, and the rest of the time I am just like everyone else...I want what everyone wants, I just seem to have a harder time getting it." This is a paraphrased quote from the movie, but it illustrates how the actress and singer felt about her relationship with the world. The movie chronicles her inability to stay afloat financially in Los Angeles and must accept a gig in London where her personal troubles continue to follow and haunt her. Her character is so incredibly relatable because many of us have found ourselves in traps that we have stepped in and are at a loss as to how to get out. If you thought this was going to be another cliché musical biopic, then you would be mistaken. No pretense about it, this is an unapologetic look at the dark side of Hollywood in perhaps one of the greatest stories that is right up there with Norma Desmond in SUNSET BOULEVARD. Zellweger delivers a performance for the ages in this film. It is clear that Zellweger studied Judy Garland for months in order to get into character. Her movement, speech pattern, posture, and other behaviors completely sell the audience on this audacious portrayal of such an icon. We all know Zellweger can sing, after all, she wow'd us in CHICAGO (a rare example of when the movie adaptation is better than the live show), but nothing will prepare you for the power of her singing in this movie. You will hear “The Trolley Song”, “Come Rain or Come Shine”, and of course, she’ll bring you to tears with the encore of “Over the Rainbow” during the movie's climactic, emotionally charged, showdown. One of the tangential components of this movie is Judy meeting up with "Friends of Judy" at the end of one of her shows. It’s an emotionally moving tribute to all the gay men who’ve loved her over the years. This is the scene where I feel that she should've sang “Have Yourself a Merry Little Christmas” because tonally it was similar to that scene in “Meet Me in St. Louis,” but instead, she sings Get Happy. Maybe this is an unconventional redemption story, but that quality is clearly communicated through the film. Rising up against the internal and external monsters in your life that have dragged you down so far that there is no end in sight. Whereas Judy may not have changed as dramatically as Scrooge did in “A Christmas Carol”, she does change during the climax of the movie. Rotten Tomatoes: 83% (CERTIFIED FRESH) Metacritic: 66 iMDB: 7.1/10 One Movie Punch: 10/10 JUDY (2019) is rated PG-13 and is available on demand and Blu-ray.

In the new episode of ‘Mr And Mrs Binge-watch’, Janice and Aniruddha recommend shows they consider to be “easy-peasy viewing”: Pete Holmes’ ‘Crashing’, Tom Edge’s ‘Lovesick’ and Judd Apatow, Leslie Arfin and Paul Rust’s ‘Love’. Not your regular sitcom, but not something that demands too much investment of time or patience either, easy-peasy shows can be consumed at one go or over several sittings, in smaller doses during your travels to work, or over a quick lunch break. Tune in. You can follow them on Instagram and Twitter: Janice Sequeira @janiceseq85 Aniruddha Guha @aniguha You can listen to this show and other awesome shows on the IVM Podcasts app on Android: https://ivm.today/android or iOS: https://ivm.today/ios, or any other podcast app. You can check out our website at http://www.ivmpodcasts.com/

Fascinating discussion with Lovesick writer Tom Edge, who chats with Dave and James about finding the best producers for your work (can be done), working for free (shouldn't be done) and coping with failure and rejection (yes, happens to everyone).

Dave and James prevent Tom Edge from getting any useful work done by turning up to his house and asking him questions about how he created and wrote Scrotal Recall/Lovesick and bunch of other things besides.

Lovesick es una serie británica de 14 episodios escrita por Tom Edge y que pertenecio originariamente a Channel 4 pero en su segunda temporada ha pasado a distribuirse en todas partes por Netflix y esta protagonizada principalmente por Johnny Flynn, Antonia Thomas y Daniel Ings. La de Antonia es la cara mas conocida de la serie ya que formó parte del elenco inicial de la serie Misfist.

Nicola Low, Professor of Epidemiology and Public Health at the Institute of Social and Preventive Medicine, University of Bern, Switzerland, talks to Tom Edge, writer of the Channel 4 sitcom Scrotal Recall, a drama where a young man explores his past relationships via contact tracing after discovering he has chlamydia. Tom discusses the medicine and research behind the writing, and the tensions between storytelling and science.