Podcasts about Tsu

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This episode we are taking a quick break from our overall story of Uno no Sarara (aka Jito Tenno) and we are focusing on Ise Shrine and Amaterasu, the Sun Goddess. There is a lot, for a bit more, check out our podcast blogpost at:  https://sengokudaimyo.com/podcast/episode-153   Rough Transcript Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua, and this is Episode 153:  Ise and the Sun Goddess.   In the newly built hall of the Fujiwara Palace, the nobles of the court were gathered for a grand banquet.  Snow-white walls were off-set by bright crimson pillars and trim, highlighted by bright green windows.   The nobles themselves were a rainbow of colors, arranged as they were by rank.   At the head of it all, on a dais, sat the Queen herself, Uno no Sarara.  However, the attention was no longer on her.  Instead, it was on another figure, standing in front of the assembled audience.  A quiet spread throughout the hall, the court listening as Hieda no Are began to tell the story of the Sun Goddess in the Plain of High Heaven.  They listened to the story of her and Susano'o, and of the backward flayed horse.  They heard the tale of the Heavenly Rock Cave, and of all that came after, including the sending of the August Grandchild, Ninigi.  They listened to the story—the story of Yamato.   Last episode, we talked in more detail about Uno No Sarara—starting from her early years as the daughter of Naka no Ohoe, granddaughter of Soga no Kurayamada, and child-bride to her uncle, Ohoama.  I'll admit we didn't look too hard at that last bit, and I don't have enough information to confirm what exactly "marriage" entailed in that context, but it is still something that I find tremendously creepy and, unfortunately, anything but unique.  So I'm not going to dive too much further into it right now but… ew. We talked about how she gave birth to her son, Kusakabe, in Kyushu, during the war on the continent, and how she eventually left for Yoshino with her husband when he retired from court, presumably to outsmart his court rivals, who were positioning him to be taken out.  She also is said to have played a part in the planning and execution of the resulting Jinshin no Ran, later helping her husband govern the realm.  And now, she was on the throne, overseeing the completion of many of the projects started in the reign of her husband.  This included the completion of the Kiyomihara code, the Fujiwara palace, and the support given to the institution of Ise Grand Shrine. This episode, I want to dive into that last topic: the emphasis in Uno no Sarara's reign on  Ise Shrine and its focus, the Great God, Amaterasu no Ohokami.  Although the Chronicles talk about Amaterasu as one of the founding deities of the Yamato royal line, there is plenty of evidence that this story was grafted into the tales at a later date, and that worship of Amaterasu, at least as anything more than a minor deity, likely also started relatively late.  Some have even suggested that Ise Shrine itself wasn't even built until the late 7th century.  So, all of this focus on Ise and Amaterasu appears to be part of the larger effort to structure the physical, cultural, and spiritual landscape of the new Yamato state. Last episode we mentioned how, according to the Nihon Shoki,   Ohoama turned to worship towards Ise.  Well, specifically, he worshipped Amaterasu Ohokami.  So let's take a moment and talk about what we know of the history of this Great God of Heavenly Brightness. Unfortunately, most of that history is based on what we know of the kami from works like the Nihon Shoki, the Kojiki, and the Sendai Kuji Hongi, all of which came out in the 8th century or so.  As such, it can be hard to know what things were actually like, earlier on, as opposed to what was added or removed later. Much of what I'm going to be talking about, today, I'm going to be pulling from a book written in 2017 by Mark Teeuvwen [Tayvin?] and John Breen titled "A Social History of the Ise Shrines", as well as Michael Como's work "Weaving and Binding: Immigrant Gods and Female Immortals in Ancient Japan", published in 2009, along with other sources.  In their book, Breen and Teeuwen point out that for those who do not take the events of the Nihon Shoki and Kojiki at face value, there are two primary theories for the origin of the worship of Amaterasu: an early theory and  a late theory.  The early theory places the development of the worship of Amaterasu in the 5th and 6th centuries, during the reigns of such figures as Wakatakeru no Ohokimi, aka Yuuryaku Tennou.  The Late Theory places the development in the 7th century, largely at the feet of such figures as Ohoama and Uno no Sarara herself.  We'll take a look at the evidence and see what it says. I would note that compared to the official history, both of these would be very late theories.  According to Ise Grand Shrine even today, Amaterasu arrived in Ise in the 26th year of Ikume Iribiko, aka Suinin Tennou, as stated in the Nihon Shoki, which corresponds to 4 BCE if you take the dating of the Nihon Shoki to be accurate. Of course, we've already spent plenty of time talking about the problems with the Nihon Shoki prior to the 6th century CE, as well as how the political nature of the text affected what it contained. So to kick things off, let's address the biggest question of all: why don't we believe that Amaterasu no Ohokami was always the primary deity of the pantheon of Yamato, at the very least, if not all of the Wa people of the archipelago?  After all, isn't she a sun goddess, and isn't sun worship fairly well documented among the ancient Japanese?  Just take a look at words like "Hiko" and "Hime", referring to rulers as sun man and sun woman.  Also note that early on, worship seems to have centered around places such as mountaintops, which focused worship towards the sky and the highest point.  In fact, as wet rice paddy agriculture became the dominant economic factor driving the engine of the archipelago in the Yayoi and early kofun period, early shrines were very likely about bringing the spirit of the mountain from the mountaintop and giving them a home amongst the rice fields.. And then we have the stories.  Don't the ancient stories all tell about Amaterasu as the ruler of Takama no Hara, the Heavenly Plain?  And isn't it her grandchild that then descends to the earth to pacify the Land of the Reed Plains—aka the Japanese archipelago? Well let's take a look at those same stories, which we've covered in earlier episodes of the podcast.  The first deities mentioned in the Chronicles are deities like Ama no Minaka Nushi, Lord of the August Middle of Heaven; Takami Musubi, High August Growth; and Kami Musubi, Divine August Growth.  There are other deities, like Kuni Toko Tachi, but they are barely mentioned again. Later we get Izanagi and Izanami, the masculine and feminine, who create the world and give birth to numerous deities from that point on.  Among the children of Izanagi are said to be Amaterasu, Tsukiyomi, and Susano'o.  Amaterasu, Heaven's Brightness, represents the sun while Tsukiyomi represents the dark of the moon.  Susano'o is then the god of the storms and seas, and was sent to the Nether Land, the Ne no Kuni. Right away we see that there are numerous different stories listed in the Nihon Shoki for just about everything.  Only the Kojiki gives everything as a single, coherent narrative, but surely the readers in the 8th century would have known some of these other stories, and thus the Nihon Shoki gives the alternates as well. Now the main narrative of the Kojiki and the Nihon Shoki tells us that Ama-terasu no Oho-kami was born to rule over everything.  In the Nihon Shoki, Izanagi and Izanami specifically mention that divine destiny in Amaterasu's creation—although actually, in that part of the text, the deity they are creating is named Oho-hiru-me no Muchi; the Great Sun Female Holder.  And in the next entry they call Amaterasu: Ama-terasu Oho-hiru-me.  Tsukiyomi, the deity of the moon, is made to be her consort, and they are supposedly sent to rule the plain of Heaven, Takama no Hara. The problem is that there are other entries that suggest that Takama no Hara already had a ruler:  Taka-mi-Musubi.  Reading the sections on Taka-mi-Musubi, we see a deity who is said to have produced 1500 children, himself—no mention of Izanagi and Izanami.  Some of his children are mentioned as Omohi-kane:  the Thought-Combining deity, and Sukuna-bikona: the Little-Prince-Named deity. Amatsu Hiko Hiko Ho Ninigi no Mikoto, the August Heavenly Prince, Prince Ho-ninigi, is not just a grandson of Amaterasu no Ohokami, but also a grandchild of Taka-mi Musubi.  In at least one story, Takami Musubi is the one who wants Ninigi no Mikoto to become the ruler of the Central Land of the Reed Plains.  Towards that end, he gathers the various kami and chooses someone to go down and prepare the way—Ama-ho-hi no Mikoto—who was to quote-unquote "expel and subdue" the evil gods of that land.  We covered this story in episode 21 and 22.  When that doesn't work, he gathers them again, sending others to try and do the same.  Eventually he sends Takemikazuchi and Futsunushi down.  All of this sounds like Taka-mi Musubi, whose name appears to refer to being the "high" deity, was the one in charge. In addition, we have the court ritual from sources like the Engi Shiki, which illustrates the deities that were invoked for the protection of the palace and the royal family.  These were:  Kami-musubi, Takami-musubi, Iku-musubi, Taru-musubi, Tamatsume-musubi, Oomiya-no-me, Oomiketsu-no-kami and Kotoshironushi.  One might notice a lot of the "musubi" names among the deities, and a distinct lack of appeal to Amaterasu.  If Amaterasu were the central deity and ancestral deity of the royal family, why is she not invoked in the rituals of the court itself? The thought, here, is that these rituals are likely much older than the worship of Amaterasu, and while Amaterasu would come to prominence in the stories that the court would tell, it was much more difficult for them to rearrange the traditional rituals to put her front and center.  Those rituals were maintained by ritualist families like the Nakatomi, and they weren't likely to change the rituals willy-nilly, even for a sovereign.  That was playing with supernatural fire, after all—if you changed the rituals, would they still even be effective?  Granted, rituals do change, so it isn't a perfect argument; perhaps it was just not considered to be important enough to make the change since it was not something that anyone except the court ritualists needed to worry themselves over.  Either way, it appears that we do have a list of deities that may have been the deities of the ruling elite prior to the rise of Amaterasu and Ise shrine more generally. We have a few other clues of what was going on in the narrative.  For instance, we see the story from the reign of Mimaki Iribiko, aka Sujin Tennou, also called the First Sovereign of Yamato, despite the legendary figures inserted prior to his reign.  It is in this chapter that we see a note that Ama-terasu no Oho-kami and Yamato no Oho-kuni-dama, which is to say the Spirit of the Country of Yamato, were both worshipped together in the hall—that is in the royal palace itself.  And yet apparently Mimaki Iribiko feared these deities residing with him in the palace, and he had their worship moved to locations outside of the palace.  Amaterasu's worship was given to Toyosuki-iri-bime, one of Mimaki Iribiko's daughters, and established in the district of Shiki, in Yamato.  Yamato no Ohokunidama, on the other hand, was given over to Nunaki-iri-bime no Mikoto, another daughter through a different wife. but we are told that she was lean, and her hair was falling out, and so she couldn't perform the rites.  Turning our attention back to Ama-terasu—in the reign of Ikume-Iribiko, aka Suinin Tennou, son and heir of Mimaki Iribiko, the worship of Ama-terasu would pass from Mimaki Iribiko's daughter, Nunaki Iri Bime to Ikume Iribiko's daughter, Yamato Hime.  She would move the worship site from Shiki to Uda, in the shadow of Mt. Miwa, and then proceed over to the upper banks, or Kawakami, of Isuzu, in the district of Watarai.  Here, in one of the alternate stories about this episode, we get the Great God of Yamato—Ohoyamato no Ohokami—speaking through a medium to warn the sovereign that he had better be careful.  Mimaki Iribiko had not been quite thorough enough in his worship, so he had not had a long life, and if Ikume Iribiko didn't do the same, he would suffer a similar fate. And so, in a record eerily similar to what we see in the previous reign, the worship of the "Great God of Yamato", the Oho-Yamato no Oho-kami, is given to Nunaki-waka-hime—as opposed to Nunaki-Iri-bime—who also fails in the task because of her emaciated body.  This also introduces Fukayu nushi, an ancestor of the Nakatomi, who was the one who divined what should be done. There is so much to unpack in these stories.  For one, the kami bring power, but also danger.  One can try to placate the kami, but it isn't like a ritual will always work, and the story is of the sovereign being actively afraid of what they might do, so they were removed from the palace.  Then there is the fact that we see two seemingly similar names—Ohoyamato no Ohokami and Yamato no Kunidama both seem like we are talking about the same spirit of Yamato, though some would point out that one is the spirit of the country and one is the great kami of the country, so, clearly different. Both are also being given to someone named "Nunaki—something-something—Hime", and in both cases Nunaki seems to fail in her task because she is apparently not hot enough for the kami.  She's described as too thin and emaciated or balding.  We aren't given the lineage of Nunaki Waka Hime, but Nunaki Iri Bime is connected with the land of Owari.  Nunaki Iri-bime is said to be the daughter of Mimaki Iribiko and Ohoama Hime, ancestor of the Owari no Muraji.  Owari was the land that supported Ohoama during the Jinshin no Ran. Finally, in both cases, we see the worship of the spirit of Yamato being given over to someone name "Nagochi", later identified as Nagochi no Sukune, ancestor of the Yamato no Atahe. One more note—closely on the heels of moving these two kami out of the palace, we see that the court brings in the worship of Oho-mono-nushi, the god of Mt. Miwa, under Ohotataneko, the ancestor of the Miwa clan. So the stories here account for Ama-terasu being moved to Watarai and why she isn't worshipped in the palace.  It also places Oho-mono-nushi at the center of worship in Yamato.  Oho-mono-nushi and Miwa continue to dominate the narrative from here on out, with a few notable exceptions, such as with Okinaga Tarashi Hime, aka Jingu Tennou and her mythical conquest of the Korean peninsula.  I'm sure that had no political implications at all given everything that had happened with Baekje, Silla, and the Tang dynasty in the latter half of the 7th century.  Other than scenes like that, however, the Miwa clan and worship of the Miwa deity appear frequently in the narrative.  It is clear that Mt. Miwa, and its deity, were important, and when Breen and Teeuwen hypothesize that when Naka no Ohoe, which is to say Tenji Tennou, took the drastic step of moving the capital up to Ohotsu, in the land of Afumi, he also brought the Miwa deity with him.  Those Afumi court rituals were conducted under the auspices of the Nakatomi, and particularly the auspices of Nakatomi no Kane, who would become one of the chief opponents of Ohoama during the Jinshin no Ran in 672.  After that conflict, Ohoama and his wife, Uno no Sarara, were building new traditions using Ise and constructing new legends.  Legends that would be under their control and influence and which would further bolster their rule from the city that they had designed to fit inside of this newly constructed cosmological framework. And yet this also brings up what seems like an obvious question.  If Ise Shrine and the worship of Amaterasu were so central to Ohoama and Uno's plans, then why would they put it so far away?  Proponents of the "early" theory of the development of Amaterasu and Ise Shrine suggest that the answer lies in the text of the Chronicles.  That there is some truth to the idea that there was worship in Yamato and that, for various reasons, it moved out to Watarai district early on and developed into Ise Shrine.  Those who hold to the "late" theory of development see all of those stories as later inserts meant to explain away why Ise Shrine was so far away—and perhaps why Amaterasu was not included in the cool-kami club of court ritual.   Teeuwen and Breen mention a few of the theories, from Naoki Koujiro stressing Ise as a strategic gateway between Yamato and Eastern Japan to Tanaka Takashi proposing that the movement of Amaterasu to Ise is actually a stand-in for one or more military campaigns to that area to bring it under Yamato control. And before we move too much further in the narrative, let's talk about how Ise is physically and geographically situated.  Ise is part of modern Mie prefecture, on the eastern edge of the Ki peninsula.  It is at the southern end of a series of adjoining alluvial plains that follow the coastline north to the modern prefectures of Aichi and Gifu—the ancient provinces of Owari and Mino.  The capital of Ise Province used to be in Suzuka, near the the two Tsubaki shrines which both lay claim to the title of Ise no Ichinomiya, the First shrine of the land of Ise, and the pass that served as one of three major routes from eastern Japan into the Home Provinces and beyond.  This puts Ise about as far away as you can get from the capital of the province without going over the mountains, themselves.  It also puts it a good deal south of most major travel routes.  If you are going to Ise shrine then it is pretty clear you were going to Ise shrine, as there isn't a lot of evidence for anything else in the area. The Shrine itself is actually made up of two primary shrine complexes.  There is the Naiku, the inner shrine, and the Geku, or outer shrine.  The Naiku, or inner shrine, is probably the area most people think about.  It is at the foot of the mountains where the Shimamichi River joins the Isuzu River and both flow out of the mountains.  The Naiku contains the shrine to Amaterasu no Ohokami, and is famous for its layout, where there are actually two shrine enclosures, one next to the other.  The main shrine is then rebuilt in the empty enclosure every 20 years, at which point the worship is moved to the new shrine, the old shrine is torn down, and the cycle is started once again. The Outer Shrine, or Geku, is further north, and probably not as well known to foreigners.  The Geku is said to enshrine the spirit of Toyouke-bime, a kami dedicated to food.  According to the traditions of the Geku itself, Toyouke-bime was enshrined in the Geku at the command of Wakatakiru no Ohokimi, aka Yuuryaku Tennou, based on a dream. Regarding the history of why the Shrines—both Inner and Outer—are located here, archaeological evidence doesn't give us a lot to suggest that these might be the case.  Despite the presence of the Miya River near Ise Shrine, we haven't found evidence of a large harbor or port, like we might expect if it was the jumping off point for crossing Ise Bay—or even the center of another large polity.  Instead, the areas to the north—around Fujikata and Matokata inlets, for instance—show much more evidence of occupation and, presumably, use.  Heck, the modern district of Fujikata is in the town of "Tsu", which literally means "port".  And the capital area of Suzuaka and the Ichinomiya of Tsubaki Grand Shrine is even farther north, still.  So who, if anybody, was living down in the area of Ise Shrine?  If we look at the progression of tomb mounds in the area in previous centuries, we see that they start in the Matokata region in the 5th century and work their way down towards the south, with late 5th century tombs found in the district of Taki, the district bordering on Watarai and modern Ise City to the northwest.  It is also where you can find the Saikuu, the site of the old purification palace for the Shrine Princesses.  Grave goods seem to show close ties with Yamato, in the Nara basin.  While the tombs expanded to the south through the 5th century, they appear to have stopped altogether in the 6th century—or at least we haven't found any.  This may indicate that the political situation had changed and there was no group in the area that could organize the labor for such an undertaking.  Whether that was because Yamato was taking it as corvee labor or just that population had dwindled due to war, famine, or something else, I don't know that we could say. Around the year 600, at the opening of the 7th century, we do see a large grave mound erected in the core area of what would later become Ise Shrine, on the east side of the Miya River, overlooking what would become the Geku, the Outer Shrine of the Ise complex.  For those who aren't aware, Ise Grand Shrine is a large complex of shrines, and it is divided into two main areas.  The "inner shrine", or Naiku, is where most people go, and it is the site of the famous shrine building that is supposed to be rebuilt every 20 years.  The Geku is the "outer shrine" complex, technically dedicated to Toyouke hime, a kami of agriculture.  The kofun overlooking the outer shrine is known as the Takakurayama kofun.  This is a round kofun, about 35 to 40 meters in diameter, with a horizontal stone chamber.  It is the largest in the Ise region.  It has been mentioned in records going back to at least the Kamakura era, and even though most of the grave goods are gone, there is evidence that it was richly appointed.  Given its shape and location, there were even those in later centuries who connected it with the Heavenly Rock Cave in which Amaterasu hid according to the ancient stories. The fact that there was nothing around this area and suddenly we see a giant tomb mound is pretty puzzling.  Why was it built here?  Is it connected to the founding of the Outer Shrine in some way, or is that just coincidental?  Teeuwen and Breen point out that it is pretty rare for a large tomb mound to be build in the precincts of an active shrine, which suggests that whatever was happening there, that area was not part of the shrine grounds.  That said, I have to wonder if the ritual worship at the kofun might not have later been transformed or coopted into something else.  There also is no other indication that the Outer Shrine area was used for ritual purposes any earlier than the kofun would have been built.  In contrast, around the Inner Shrine area, several kilometers away, there are caches of beads dated to the 5th, 6th, and 7th centuries in a small valley where a brook runs down from Mt. Asama, not too far from the current shrine complex.  Teeuwen and Breen suggest that this may relate to the "upper reaches of the Isuzu River", mentioned in the Chronicles, and that it may have had to do with rituals related to water supply—hence being found at the point where the water was coming down from the mountains.  And yet, despite these finds, there really aren't any large scale archaeological remains that have been discovered east of the Miya river, though there are modest signs of dwelling and habitation, and some minor burials mounds. Compare this to Tsubaki shrine, the home of Saruta Hiko no Kami, and the main shrine of Ise, situated in the ancient capital of Ise no Kuni.  Downstream from there are numerous tomb mounds and indications of habitation.  So this was probably the center for early sun worship in the region. Teeuwen and Breen conclude that all of this indicates that the region of Taki and areas east of the Miya river were probably more of an outpost—no major powerful chieftains or large polity had set up in the region.  In the late 6th century, some power had to move in to build Takakurayama kofun, but that was an outlier.  Maybe this area just largely fell under Yamato hegemony.  And perhaps that was the key.  Perhaps initially this wasn't a place to center power and authority, but rather it was more like a prison.  It was a place far away from the court, where a deity that was more of a threat could be kept away from the palace and the sovereign.  Perhaps Amaterasu, or whoever the kami was at the time, was placed out here because of the threat they posed, much as the Chronicle seems to suggest—just not necessarily at the time that is suggested. One of the aspects of the mythmaking that we see in the Chronicles appears to be the stress on the Amatsu kami and Kunitsu Kami—the Heavenly deities and the Earthly deities.  The Heavenly deities are those in Takama no Hara, and they are the progenitors of the royal line.  On the other hand are the earthly kami, the Kunitsu Kami, those dwelling on the earthly plane.  In the stories that were recorded in the Nihon Shoki, before the August Grandchild of Takami Musubi and Ama Terasu descended to take control of the Central Land of the Reed Plain, they sent down heavenly kami as warriors to subdue the earthly kami.  On the one hand, this may have been driven by some kind of deep memory of early conquests of the archipelago by various forces.  However, these legends also served another purpose, in that they set up the royal family's right to rule, and appear to establish a de facto hierarchy between those families descended from the Heavenly Kami and those descended from the earthly Kami. Another thing that Teeuwen and Breen point out and that is that Amaterasu is not necessarily a female deity, to start with.  In fact, Amaterasu was probably easily overlain atop the worship of Oho-mono-nushi of Mt. Miwa, at least early on.  To that point, they note stories where Oho-mono-nushi and other deities were commonly depicted as arrows, snakes, or similarly phallic imagery finding or even penetrating women who were thought to have a connection with them.   This suggests a context of these priestesses being married to the kami, and even fits in with early descriptions of individuals like the famous Queen Himiko being a spiritual leader as well as a political one.  If the original Amaterasu was conceived of as a male deity, then this could also explain the tradition of the Saigu, the consecrated shrine princess.  We only see a few royal princesses designated to the position up to this point in the narrative, and, beyond Tokosuki Iri bime and Yamato hime, we don't necessarily learn much more.  One wonders if there weren't other royal princesses likewise sent elsewhere to serve other deities.  We know about Nunaki Iri Hime, and presumably Nunaki Waka Hime.  There was also Yamato Totohi Momoso Hime, who was married to Oho-mono-nushi.  Presumably there were others who just never ended up in the stories that were passed down. The idea of a kami taking a "wife" and connecting that to the idea of women holding these priestly positions seems to fall in line with much of what we see, though, as I said, we only hear occasionally about the appointment of royal princesses to the position until the reign of Ohoama.  That's when we see specifics about appointments, the purification palace in Hase, and other arrangements.  It makes you wonder more than a little bit if Royal Princess Ohoku was, perhaps, the first royal princess to actually be appointed.  It would have been easy enough to add in previous "shrine princesses" into the lineage, especially far enough back that nobody could really fact check it.  We also see Royal Princess Taki journey to Ise with her companions, Princess Yamashiro no Hime and Lady Ishikawa. It is intriguing that this practice was temporarily interrupted during the reign of Uno no Sarara, as I mentioned last episode.  Could this have something to do with a female ruler on the throne and a corresponding lack of urgency about having a female representative at Ise? And in stories about Amaterasu, she is frequently shown with certain masculine qualities.  When she confronts her younger brother, Susano'wo, she is concerned that he might try to take her authority from her, so she meets him decked out in armor, her hair tied up in a typical male fashion, with a bow, ready for a fight.  It would be just as easy to imagine that Amaterasu and Susano'wo were brothers, contending over rulership.  Add to all of that the idea that kami were often personifications of various natural phenomena or ideas, and Japanese is not a naturally gendered language, and there are those that believe that the stories of Amaterasu were not necessarily about a female deity in the beginning, but a male deity, similar to Ohomono Nushi and others, who then took on a feminine persona.  On the other hand there are passages in the old stories recounted in the Chronicles that clearly make Amaterasu out to be a woman. To start with the activities she is associated with, such as weaving, are often associated with women as something they do in the home.  This is a tradition carried over from the continent, along with silk and the techniques to weave it.  In the lands where silk production started, there are silkworm goddesses and the gendered nature of silk production and weaving appears to have come over to Japan as well.  There is also the fact that Amaterasu is said to have another name:  Oho-hiru-me no muchi.  In this case, it would seem to mean something like Great Noontime Female Possessor.  And in the weaving hall it is sometimes Amaterasu that is weaving and sometimes Waka Hirume.  "Hirume" certainly feels like a feminine name. There is the distinct possibility that the stories of Amaterasu as recorded were actually about two or more different kami, so Amaterasu and Ohohirume could have been separate deities having to do with the sun that were rolled into a single kami.  As mentioned before, it is also possible that Amaterasu ended up with some stolen valor taken from the other Ise deity worshiped at Tsubaki, Saruta-hiko no Kami.   Teeuwen and Breen also note that the name "Amaterasu" is hardly unique, noting at least ten other shrines with a kami called "Amateru" or "Amaterasu", mostly in Yamato, but some as far away as Kyushu and Tsushima.  Nine of those shrines were dedicated to Ame no Hoakari, an ancestor deity of the Owari lineage who was also closely tied to metalworking.  It is worth remembering that it was Owari who helped support Ohoama during the Jinshin no Ran, and who may have even fostered Ohoama for a while when he was just a young prince.  All that to say there may have been several different traditions that were all contributing different elements to the story. And then there is the connection between Amaterasu and Uno no Sarara. Herman Ooms, in his book: "Imperial Politics and Sybmolics in Ancient Japan", notes the similarities between Amaterasu and Uno no Sarara, talking about the differences between the Kojiki and the Nihon Shoki, both of which had events that mirrored Uno no Sarara's own life.  According to Ooms, "The Kojiki's Amaterasu is a transparent double of the female tennou Jitou".  He points out that Uno no Sarara, besides her posthumous title of Jitou Tennou, also had a title making reference to Takamanohara:  Takama no Hara Hirono no Hime—the Princess High-Heaven-Plain.  But beyond that, we also see other linkages between the stories.  For instance, it isn't Amaterasu's son, Ame no Oshihomimi who is given the realm, but rather her grandchild, Ninigi.  This parallels the way that Uno no Sarara's son, Kusakabe, didn't ascend to the throne, but instead Uno no Sarara was holding the seat for his son, her grandson.  So one sees how Uno no Sarara could be seen as Amaterasu, and her grandson, Prince Karu, could be seen as Ninigi, the August grandchild.  Teeuwen and Breen also note that during this same time, we see the rise of a new institution: the Jingikan.  Again, we touched on this last episode, so just a quick recap:  The Jingikan was a government organization set up specifically to oversee the shrines, rituals, ceremonies, and other such things pertaining to the kami matters.  It does not appear in the initial stand-up of the new, bureaucratic government, wherein is created the bureaus, ministries, or departments, depending on your chosen vernacular, which make up the Dajokan, the Great Council of State.  Instead, the Jingikan is a separate organization, specifically organized around kami matters. The term "Jingi" is also a shorthand for "Ama-tsu-kami, Kuni-tsu-kami", or the kami of Heaven and the Kami of the earth.  "Ama-tsu-kami", meaning Kami of Heaven, was written with two characters meaning "Heaven" and "Kami", pronounced "Tenjin".  "Kuni-tsu-kami", or the Kami of the Earth, was written as "Earth" and "Earth Spirit", which was then pronounced "Chigi".  By taking the last character of each compound Tenjin-Chigi becomes just Jingi, for short.  Throughout the Chronicles, this term, "Jingi" is thrown around when they want to quickly note all the kami, together, though sometimes it is fully written out as "Tenjin Chigi", as well.  Interestingly, "Tenjin" or "Ama tsu Kami", sometimes appears alone, especially in the chapters on the Age of the Gods.  However, "Chigi" seems to only be used in the whole phrase.  There are a few instances, however, of "Chijin" being used, but they are few. That said, the term "Jingikan", also read as "Kami Tsukasa" or even "Kan Zukasa",  doesn't appear until 690, in the reign of Uno no Sarara.  This probably means that it was part of the reforms encompassed by the Kiyomihara codes.  The head of the Jingikan is known as the Jingihaku or "Kan-zukasa no Kami".  This term actually shows up well in advance of the Jingikan itself, initially referring to an unnamed official or officials in charge of kami worship at the court.  Nakatomi no Kamatari is said to have been offered the position in the first reign of Takara, aka Kougyoku Tennou, though the first confirmed individual appears to be Nakatomi no Ohoshima, during the reign of Uno no Sarara. This appears to be a distinctly Yamato invention in the bureaucratic system.  It leverages the language and structure of the Tang dynasty, but in its own way.  There was a Tang department of shrines, but it was described differently, as befits a different spiritual environment focused on ancestor worship and Confucian and Taoist ideas.  The Jingikan system  seems to have been a deliberate re-organization of the indigenous kami worship, incorporating what was probably traditional roles into the new bureaucratic system.  In so doing, however, it also gave the court greater control, and given that this was happening at the same time as the establishment of various stories and myths around Ise and the foundation more generally, it appears to be part of a concerted and deliberate effort to construct a new narrative. All of this points to them architecting much of what was going on, from the stories to the landscape.  Ohoama likely built the inner shrine as we know it.  If it really was an obscure, out-of-the-way shrine, perhaps that also meant that there weren't any other powerful court factions that were enhanced by it.  And then, over time, the Ise shrine and the deity there could be better incorporated into the overall myths and stories that surrounded the formation of Yamato.  A new Yamato, one that would soon enough be referring to itself as the origin of the Sun:  Nippon, a name often attributed to Ohoama and Uno no Sarara, though not found in the record of their reigns in the Chronicles. Another aspect to all of this, however, is what happened immediately after Uno no Sarara's reign, and into the 8th and early 9th centuries.  In the 8th century—the Nara period—Buddhism started to merge with a lot of the local practices.  This was not uncommon.  Buddhism had been born in a land with myriad deities and styles of worship, and it had the means to incorporate local deities into its cosmological worldview.  Kami were just other beings, stuck in the cycle of rebirth, who, as sentient beings, could equally benefit from the Buddha's teachings.  They became guardians of Buddhist institutions, and the lines between shrines and temples were often blurred.  At the same time, kami worship was also taking on various concepts from continental worship, such that even today we find a lot of what we might consider Taoist practices influencing Shinto worship. Had this continued, worship of the kami may have been completely subsumed into the Buddhist ritual practices, but there were areas where kami worship remained distinct.  One of these was at Ise. Early on, there was an attempt to build a temple at Ise, but it didn't last long.  The temple was eventually moved out of the shrine complex, and then eventually it was removed altogether.  Later writings from the Shrine would include certain Buddhist terms among the things that were taboo within the shrine grounds, considering Buddhism as something of a corrupting or polluting influence.  Shrine Princeses, during their tenure, had to devote themselves to the kami, and though they might retire as nuns, later in life, during their appointment they were to be free of any Buddhist influences.  In many ways this would make Ise a prime example of what would eventually be termed "Shinto", which gave it, and the worship of Amaterasu, a certain pride of place.  Of course, it didn't hurt that it was also intertwined with the State and the founding myths of the nation.  As such, Ise Shrine and its worship would become a template for many others to follow, helping to shape what we know as "Shinto" today. There are still a lot of questions.  We don't exactly know what Uno no Sarara did on her trip to Ise Shrine, and we don't know how things surrounding the worship at Ise and of Amaterasu herself changed in the intervening years between when these events happened and when, about two to three decades later, the Chronicles were finalized and published.  Certainly some of this seems tied to the Fujiwara capital, which was no longer populated at that point, the move to Heijo-kyo, in Nara, occurring between 708 and 710, two years before the Kojiki and a decade before the Nihon Shoki would come out.  And yet, the three sacred mountains that were incorporated into the plan of the Fujiwara Capital, Mt. Kagu, Mt. Miminashi, and Mt. Unebi, seem to continue to be important.  This is especially true of  Mt. Kagu, whose heavenly counterpart, Ame no Kaguyama—literally Heavenly Mt. Kagu— continues to play a major role in the stories surrounding Amaterasu and the Heavenly Rock Cave.  In addition,Mt. Unebi is closely tied to the story of Iware-biko, aka Jimmu, conquering and settling the land—perhaps to draw attention away from the stories about Mimaki and Ikume iribiko, aka Sujin and Suinin, who were both associated more with Mt. Mimoro, aka Mt. Miwa.  So even though the physical presence was moved, by that point we know that foundation of many of these stories were likely laid down around the time that the Fujiwara capital was in operation.  What does seem clear is that, just as there were clear efforts to set up the new State government, including the new capital, the court were also taking control of other levers of power and influence.  We previously talked about how they had created National Temples and included government positions to oversee Buddhist affairs more generally.  With Ise and the creation of the Jingikan, it appears as though that trend continued with the traditional kami worship. Many of the elite families still had connections to their own shrines, with their own kami.  Through the stories collected and written down—with a few editorial additions to help place them in an approved context—they were able to construct a narrative from separate or divergent traditions.  These traditions had already accreted to themselves various stories and culture-ways, some of them with clear links to the continent and others with overlapping portfolios.  The kami, and the ability to intercede with them for their blessings or to avert their wrath, were a form of power that was being structured for the purpose of supporting the new State.  A state now under the control of one Uno no Sarara. And we don't exactly have to wonder about this… the preface of the Kojiki all but says it.  They put the words in the mouth of Ohoama, or, as they call him, the Sovereign of the Kiyomihara Palace.  But the words are pretty clear: "I hear that the Imperial Records and Ancient Writing handed down by the various houses have come to differ from the truth and that many false hoods have been added to them. If these errors are not remedied at this time, their meaning will be lost before many years have passed. This is the framework of the state, the great foundation of the imperial influence. Therefore, recording the Imperial Records and examining the Old Writings, discarding the mistaken and establishing the true, I desire to hand them on to later generations." With that, 28 year old Hieda no Are was given the command to learn all the stories and presumably to recite them for the court.  And several decades later, Oho no Yasumaro was given the task to take Are's stories and write them down.  I imagine that Hieda no Are, or perhaps someone else who had learned the stories well enough, would be called into court or banquets to present some of the stories, or would be asked questions if there was any need for precedence.  Thus creating a single source for truth, according to the administration.  At the same time, the court had a problem.  They couldn't control all of the sources of written material, with all of the various contradictions, so we also would eventually get the more comprehensive—but also less narratively direct—Nihon Shoki as well.  After all, the game of propaganda was being played at many levels, and while the royal household had their motivations—primarily to support the legitimacy of their claim to power and the system within which that claim was validated— other families wanted to ensure that they were properly recorded as having connections to traditional nexuses of power—be that the ancient kami of Heaven or Earth, or their relationship to the royal family.  This is because precedence was important, even as new traditions were being created.  Like the way that the Mononobe and the Nakatomi played important roles in Uno no Sarara's ascension ceremony despite the actual individuals using new or different names, like Isonokami or Fujiwara.  See Episode 151 for the explanation, there.  And new traditions were much easier to justify if you could connect them with older traditions—whether those older traditions were truly ancient or newly made inventions. And all of this suggests that this was not an accident and it wasn't simply being imposed from the top down.  One could be charitable and suggest that those involved felt that this got them closest to what the truth actually was, given that they had now been inculcated in a new worldview and they were trying to view the ancient stories through the interpretive lens of that worldview.  On the other hand, they were ultimately doing it to structure power and authority that favored them and the government they had created.  A government that they hoped would outlast them, and be passed on to their descendants. Next episode, we will continue our discussion of Uno no Sarara's life and reign and the incredible steps she took to ensure that her line would continue to rule Yamato for decades. Until then if you like what we are doing, please tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website,  SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to reach out to our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  Thank you, also, to Ellen for their work editing the podcast. And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.

In this short installment of 7MS Presents: The Storytelling University, Aaron sits down with Bill Moyer, host of the Reconnect America podcast and one of the driving voices behind Solutionary Rail. On the surface, this is a conversation about trains, rail corridors, freight, electrification, and infrastructure. But underneath all of that is a much bigger storytelling lesson. Bill talks about how he first got into rail not simply because of transportation policy, but because he saw an opportunity to build alliances across divides. What began as a challenge from someone on the other side of an issue eventually became a broader vision for how rail could reconnect communities, reduce harm, move freight more efficiently, and create a more resilient future. Partner with Storytelling University: reach a global audience of thoughtful, highly engaged listeners across generations, from parents and professionals to creators, leaders, and lifelong learners, all connected by a deep appreciation for powerful stories, meaningful ideas, and human connection. ⁠⁠Reach out to us for exclusive sponsorship opportunities⁠⁠ TSU Team: Created & Hosted by: Aaron Calafato Produced and Edited by: Brooks Borden Guest Coordinator: Dania Khalife Love 7MS & TSU? Here's how to support: *Follow the pod wherever you're listening *Tap 5 Stars *Text one person you love a link to your favorite episode.

Tricia Rose Burt is a storyteller, TEDx speaker, longtime instructor for The Moth, podcast host, consultant, and creator of No Time To Be Timid. In this episode of 7MS Presents: The Storytelling University, Trisha joins Aaron to talk about courage, craft, finding the story already inside you, and why the riskiest thing you can do is play it safe. Tricia shares how she moved from the corporate world into art school, live performance, The Moth, and a life built around storytelling. She also breaks down her process for shaping personal stories out loud, finding the emotional change inside an experience, and turning a funny anecdote into something meaningful. And near the end of the conversation, Tricia tells an unforgettable story about saying goodbye to her mother by bringing her ashes home to the University of Tennessee. It is funny, poignant, deeply human, and a beautiful masterclass in how personal storytelling works when something inside the storyteller changes. *Learn more about Tricia and No Time to be Timid Partner with Storytelling University: reach a global audience of thoughtful, highly engaged listeners across generations, from parents and professionals to creators, leaders, and lifelong learners, all connected by a deep appreciation for powerful stories, meaningful ideas, and human connection. ⁠Reach out to us for exclusive sponsorship opportunities⁠ TSU Team: Created & Hosted by: Aaron Calafato Produced and Edited by: Brooks Borden Guest Coordinator: Dania Khalife Love 7MS & TSU? Here's how to support: *Follow the pod wherever you're listening *Tap 5 Stars *Text one person you love a link to your favorite episode.

In this episode of Storytelling University, Aaron sits down with James Whitemore, Chief Marketing Officer of Indeed, for a conversation about the stories we tell through work, resumes, interviews, and the future of hiring. James shares how early learning difficulties shaped the way he listens, communicates, and leads, and why storytelling is not separate from job seeking but deeply connected to it. Together, Aaron and James explore how the traditional resume often fails to capture the full human story: curiosity, adaptability, emotional intelligence, initiative, and the hidden genius people bring to their careers. They also discuss how AI is changing the job search, how Indeed is rethinking the way job seekers and employers connect, and why the future of hiring may depend less on simply uploading a resume and more on helping people show up as complete, authentic human beings. *Create your Indeed profile: ⁠https://www.indeed.com/⁠ *Follow James on LinkedIn: ⁠https://www.linkedin.com/in/jwhitemore ⁠ Partner with Storytelling University: reach a global audience of thoughtful, highly engaged listeners across generations, from parents and professionals to creators, leaders, and lifelong learners, all connected by a deep appreciation for powerful stories, meaningful ideas, and human connection. Reach out to us for exclusive sponsorship opportunities TSU Team: Created & Hosted by: Aaron Calafato Produced and Edited by: Ken Wendt Editorial by Brooks Borden & Aaron Calafato Guest Coordinator: Dania Khalife Love 7MS & TSU? Here's how to support: *Follow the pod wherever you're listening *Tap 5 Stars *Text one person you love a link to your favorite episode.

#DrKenyattaCavil #SportsLab #HBCUsports"Inside the HBCU Sports Lab" episode 823 with Doc, AD Drew, and Bryan Fulford discussing HBCU news and sports.Bryan joins the show during the third segment.Special guest: Harold Ellis, Morehouse College's Director of Athletics, joins during the fourth segment.00:00 - Intro - 04:20 - Sixth Annual Minority Prospects HBCU Baseball Game and Fourth Annual Minority Prospects HBCU Softball Game14:45 - Support the Black College Sports Network11:55 - New Black College Hall of Fame Inductees13:47 - 1st commercial break17:00 - 2nd segment -- 17:40 - SWAC Announces 2026 ESPN Football Schedule26:06 - Discussion about the Labor Day Classic between TSU and Prairie View 33:11 - 2nd commercial break36:17 - 3rd segment - 37:19 - These football games were already on the schedule42:55 - HBCU Football games on SWAC TV in 2026 57:41 - 3rd commercial break01:00:55 - Special guest: Harold Ellis, Morehouse College Director of Athletics01:21:17 - 4th commercial break01:22:55 - Final segment01:25:35 - ConclusionTOPICSSWAC Announces 2026 ESPN Football ScheduleLouisiana anti-hazing act signed into law inspired by death of HBCU band student from HBCUSports.comTennessee State athletic director under fire following no-confidence letter from HBCUSports.comHBCU Financial Grades '26: Forbes grades the privates from HBCUGameday.comGideon Smith, Bill Hayes, Eddie Hurt, and Rod Broadway have all been named to the 2026–2027 College Football Hall of Fame ballot, released Monday by the National Football Foundation@InsidetheHBCUSportsLab on Facebook Live and Spreaker.‬Contributions welcome at CashApp $JafusCavil

"Inside the HBCU Sports Lab" episode 823 with Doc, AD Drew, and Bryan Fulford discussing HBCU news and sports.Bryan joins the show during the third segment.Special guest: Harold Ellis, Morehouse College's Director of Athletics, joins during the fourth segment.00:00 - Intro - 04:20 - Sixth Annual Minority Prospects HBCU Baseball Game and Fourth Annual Minority Prospects HBCU Softball Game14:45 - Support the Black College Sports Network11:55 - New Black College Hall of Fame Inductees13:47 - 1st commercial break17:00 - 2nd segment -- 17:40 - SWAC Announces 2026 ESPN Football Schedule26:06 - Discussion about the Labor Day Classic between TSU and Prairie View 33:11 - 2nd commercial break36:17 - 3rd segment - 37:19 - These football games were already on the schedule42:55 - HBCU Football games on SWAC TV in 2026 57:41 - 3rd commercial break01:00:55 - Special guest: Harold Ellis, Morehouse College Director of Athletics01:21:17 - 4th commercial break01:22:55 - Final segment01:25:35 - ConclusionTOPICSSWAC Announces 2026 ESPN Football ScheduleLouisiana anti-hazing act signed into law inspired by death of HBCU band student from HBCUSports.comTennessee State athletic director under fire following no-confidence letter from HBCUSports.comHBCU Financial Grades '26: Forbes grades the privates from HBCUGameday.comGideon Smith, Bill Hayes, Eddie Hurt, and Rod Broadway have all been named to the 2026–2027 College Football Hall of Fame ballot, released Monday by the National Football Foundation@InsidetheHBCUSportsLab on Facebook Live and Spreaker.‬Contributions welcome at CashApp $JafusCavil#DrKenyattaCavil #SportsLab #HBCUsports

J.T. Moore Middle School in Nashville is named after John Trotwood Moore, an author and prominent landowner. He was also openly racist, a proponent of lynching, and an apologist for the "Old South". This sparked a question to Curious Nashville:Please help us understand why schools in Metro are named after people with such heinous records and what can be done to correct this.The answer, in part, has ties to the state's Tennessee Heritage Protection Act. (You may recall this prior episode: Why is it so hard to alter Confederate monuments in Tennessee?)Today, WPLN Education Reporter Camellia Burris hears from Larry Woods, a parent of former J.T. Moore students (he's also a civil rights attorney and professor of criminal justice at Tennessee State University) and fellow TSU professor and Davidson County Historian Learotha Williams.

In this bonus episode of 7 Minute Stories Presents: The Storytelling University, Aaron sits down with Rainn Wilson, the award-winning actor, New York Times bestselling author, and host of the Soul Boom podcast, for a conversation about storytelling, spirituality, anxiety, faith, and the inner narratives that shape our lives. From vivid childhood memories in Nicaragua to Alice in Wonderland, The Office, the meaning of suffering, and the search for God, Rainn reflects on creativity, the soul, and whether storytelling might be one of humanity's oldest ways of finding meaning. Team: Created & Hosted by: Aaron Calafato Audio Engineer & Lead Editorial: Ken Wendt Produced and Edited by Brooks Borden & Aaron Calafato Guest Coordinator: Dania Khalife Here's the 7 Minute Stories Universe schedule, so you know what's on the feed and when to expect new episodes! Love 7MS & TSU? Here's how to support: *Follow the pod wherever you're listening *Tap 5 Stars *Text one person you love a link to your favorite episode. Partner with us and reach millions! Become a sponsor of TSU. ⁠Reach out to us!

7MS Presents: The Storytelling University returns with a heartfelt and deeply human conversation about storytelling, purpose, creativity, and the moments that quietly shape our lives. This week, Randall Kenneth Jones joins Aaron Calafato for a special dual-release episode shared across both podcast feeds. Randall is the host of On the Knows and the author of books including Show Me and Ruby. Together, Aaron and Randall explore the deeper architecture of story through unforgettable encounters with icons like Pat Benatar, Norman Lear, Erin Brockovich, Stedman Graham, Jenifer Lewis, Suze Orman, and more. You'll hear: The unbelievable story of how Randall met Pat Benatar in 1982 Why a former Ringling Bros. clown performing for 20 people changed Randall's life Aaron's story about nearly canceling a performance for an audience of two Lessons from Olympia Dukakis on reverence, teaching, and receiving knowledge Why the smallest stories often carry the greatest meaning Reflections on aging, reinvention, authenticity, and creative purpose At its heart, this episode is about paying attention. To stories. To people. To moments that could easily pass us by. *The Storytelling University is part of the 7 Minute Stories Universe Team:Created & Hosted by: Aaron Calafato Produced and Edited by Aaron Calafato & Brooks BordenAudio Engineer: Ken Wendt Guest Coordinator: Dania Khalife Love 7MS & TSU? Here's how to support: *Follow the pod wherever you're listening *Tap 5 Stars *Text one person you love a link to your favorite episode. Want to become a sponsor of TSU? Reach out to us!

GP opens on the NBA Playoffs where Mike Conley turned back the clock last night in the Timberwolves Game 1 upset over the Spurs + the Knicks blasted the Sixers (34:40) Aaron Bradshaw to TSU, UAB takes shot at Memphis over recruit, Met Gala, and Delta cut a service which leads to a major vent session. (1:26:40) GP's Carry Out 

In this bonus episode of 7 Minute Stories Presents: Storytelling University, Aaron Calafato sits down with David Moulton to explore the unexpected intersection of storytelling and cybersecurity. At first glance, cybersecurity feels purely technical. But underneath it? It is a story as old as time. As Senior Director of Content and Thought Leadership at Palo Alto Networks and host of the Threat Vector podcast, David works at the center of how complex cybersecurity ideas are translated into stories that leaders, teams, and organizations can actually understand and act on. He breaks down how storytelling transforms invisible threats into something tangible, helping influence decisions from the SOC to the C suite. From product strategy to executive communication, this conversation reveals how narrative becomes the bridge between technical reality and human behavior. You will hear: Why cybersecurity is fundamentally a human story, not just a technical one How storytelling helps organizations make better decisions under pressure The difference between facts that inform and stories that move people A powerful framework for telling effective stories in business Special Guest: David Moulton | https://www.davidrmoulton.com/ Team: *Audio Engineer: Ken Wendt *The Storytelling University is part of the 7 Minute Stories Universe Created, Produced and Edited by Aaron Calafato & Brooks Borden Love 7MS & TSU? Here's how to support: *Follow the pod wherever you're listening *Tap 5 Stars *Text one person you love a link to your favorite episode.

In this episode, we are joined by Idris Robinson to unpack his book, The Revolt Eclipses Whatever the World Has to Offer, a searing meditation on race, revolt, civil war, and the psychic wreckage of American life. Reflecting on the 2020 uprisings, Robinson challenges the myth of Black leadership, reframes racial violence through the lens of a "morbid libidinal economy," and argues that revolution is as much a transformation of the human spirit as it is a political event. Drawing on the legacies of Black insurgency, Robinson interrogates liberalism, identity politics, and the hollowing out of American cities—while pondering on what it would take to make life human again in a society built to dehumanize. He argues that racial violence, especially spectacular acts of white supremacist brutality. cannot be adequately explained by frameworks like identity politics, intersectionality, or privilege theory. Instead, these acts emerge from repressed desires and psychic forces intrinsic to white supremacy. The 2020 uprisings, in this sense, exposed both emancipatory and repressive violence rooted in these deeper libidinal dynamics. Robinson also reflects on his personal trajectory, from Occupy Wall Street through development as a theorist, where he grounds his meditation on revolt as humanizing forces. He argues that American capitalism produces profound isolation, psychic damage, and undead social beings, hollowed out by commodification. Uprisings momentarily restore humanity by breaking atomization and re‑creating collective meaning.   On strategy, Robinson challenges traditional socialist models of seizing the "means of production," arguing instead that modern revolt must focus on logistics and infrastructure: transport hubs, electrical grids, supply chains, and urban circulation. He emphasizes blockades, control of space, and understanding the built environment as key to sustaining insurrection in a post‑industrial economy. We devote substantial attention to Robinson's provocative argument that civil war is not a future possibility but a current condition in the United States. Drawing on classical theory, Black radical thought, and historical analogy, he frames civil war as the collision of public (political) and private (libidinal, racial, familial) spheres. While acknowledging its violence and trauma, Robinson argues that fracture and decentralization may paradoxically make revolutionary transformation more achievable, pointing to Reconstruction after the U.S. Civil War as the most emancipatory period in American history. Idris Robinson is a philosopher from the New York hinterlands. For over a decade, he has written extensively on crisis and revolt. He is the author of The Revolt Eclipses Whatever the World Has to Offer (MIT Press / Semiotext(e)) and Escritos desde la tierra baldía (Irrupción Ediciones). He is currently an Assistant Professor of Philosophy at Texas State University, where he is completing a monograph-length study on the progression of Ludwig Wittgenstein's philosophy. He is currently undergoing a legal battle with TSU after the school violated his constitutional rights by ending his contract after he gave an off-campus Pro-Palestine talk.    If you like what we do and want to support our ability to have more conversations like this. Please consider becoming a Patron at patreon.com/millennialsarekillingcapitalism. You can do so for as little as a 1 Dollar a month.    Links: Order the book from Massive Bookshop   IdrisRobinson.me    About Idris Robinson's case against Texas State University   Support Idris Robinson's Legal Fund  

We are almost finished setting up the new TSU/VIU/TeHEP Archaeology Research Center!In the last episode, we showed a bit of the ARC, while we were still moving things around. We look forward to showing it off all finished and moved in, very soon!In this episode, Gary and Dr. Collins have time to sit down and rest a bit, and discuss a bit about what is going to take place in it. They also bring up a very interesting new theory about why many Early Bronze Age civilizations collapsed. Thanks for joining us!Follow Tall-el Hammam and TSU on Social Media:Facebook: X:Instagram: Substack:

There's just something magical about walking through a sea of blooms. Plus the local news for March 19, 2026 and TSU's president on the financial plans for the HBCU. Credits: This is a production of Nashville Public RadioHost/producer: Nina CardonaEditor: LaTonya TurnerAdditional support: Mack Linebaugh, Tony Gonzalez, Megan Jones and the staff of WPLN and WNXP

IN the second hour of the Chase & Big Joe Show, the guys discussed college basketball and TSU's HC Nolan Smith. Where will he coach next if he doesn't stay at TSU? Later in the hour, Chase & Big Joe answered some calls and texts about their question of the day. Are you getting a vasectomy this week? Listen to hear more.

In this episode of 7MS Presents: The Storytelling University, Aaron sits down with writer, activist, and Grammy-certified songwriter Ani Zonneveld, founder of Muslims for Progressive Values, an international human rights organization advocating for equality, freedom of expression, and inclusive interpretations of Islam. Ani shares the remarkable story of a moment that changed someone's heart at a music festival, revealing how storytelling, music, and human connection can dissolve fear and misunderstanding. The conversation explores Ani's global upbringing as the daughter of a Malaysian ambassador, the spiritual power of music, and how storytelling can create empathy across cultures, religions, and political divides. Along the way, Ani reflects on how narrative shapes faith, identity, and social change, and why stories often reach people in ways arguments never can. Ani is also the author of the memoir An Unlikely Social Justice Warrior: Making My Life Count as a Muslim Feminist. *The Storytelling University is part of the 7 Minute Stories Universe Created & Produced by Aaron Calafato & Brooks Borden Love 7MS & TSU? Here's how to support: *Follow the pod wherever you're listening *Tap 5 Stars *Text one person you love a link to your favorite episode.

In the second hour, Tennessee State Basketball Head Coach Nolan Smith joins DVD to discuss TSU making the tourney, and more. They also discuss all things Preds and what they did or didn't do during the trade deadline. 

Tennessee State Basketball Head Coach Nolan Smith joins DVD to discuss TSU making the tourney, and more. 

Introducing our new Archaeology Research Center, a.k.a. The ARC!Gary and Dr. Collins give you a short tour of the brand new facility for studying the Tall el-Hammam Excavation Project. This is very exciting for us. We hope for you, too!Follow Tall-el Hammam and TSU on Social Media:Facebook: X: Instagram: Substack:

Artists and fans from around the world are welcome at Nashville's music venues — unless they're disabled, in which case, obstacles abound. Dr. Cynthia George, a.k.a. Dr. Cyn, is a TSU professor, brain injury survivor, and literal rock star who leads the Disabled to the Front Advisory Group, working to promote disabled people's access to nightlife in Nashville. From finding parking to getting on stage, she's here to help us understand the barriers, and how she and her friends are fighting to break them down. Get more from City Cast Nashville when you become a City Cast Nashville Neighbor. You'll enjoy perks like ad-free listening, invitations to members only events and more. Join now at membership.citycast.fm/nashville Want some more City Cast Nashville news? Then make sure to sign up for our City Cast Nashville newsletter.  Follow us @citycastnashville You can also text us or leave a voicemail at: 615-200-6392 Interested in advertising with City Cast? Find more info HERE.

Brad Roberts, lead singer and songwriter of Crash Test Dummies, sits down with Aaron for a wide-ranging conversation about songwriting, philosophy, and the unexpected afterlife of a hit song. From the improvisational process behind “Mmm Mmm Mmm Mmm” to the outsider themes that shaped his lyrics, Brad shares how studying philosophy and English literature influenced the questions embedded in his music. This bonus episode of 7MS Presents: The Storytelling University explores 90s alternative rock, lyrical storytelling, and the deeply personal stories fans have carried with them for decades. *The Storytelling University is part of the 7 Minute Stories Universe Created & Produced by Aaron Calafato & Brooks Borden Love 7MS & TSU? Here's how to support: *Follow the pod wherever you're listening *Tap 5 Stars *Text one person you love a link to your favorite episode.

Whew! What a month January was!Gary and Dr. Collins will fill you in on some of what has been going on. And, as a first, there is no discussion of Sodom!Watch this episode, just to see how messy Dr. Collins' shirt is, after a hard day of painting!Follow Tall-el Hammam and TSU on Social Media:Facebook X InstagramSubstack

start TSU v. JSU in the John Merritt Classic00:13:00 Andrew Body's transfer portal journey00:21:00 Huddle Spotlight: Morehouse with Bill Jones00:40:00 Sherm the Fashion CorrespondentMVSU women's basketball gifted Ja'sBenedict women's basketball gets A'OnesDid Nike mess up?00:51:00 Pick 6: Favorite Songs of 2016

start TSU v. JSU in the John Merritt Classic00:13:00 Andrew Body's transfer portal journey00:21:00 Huddle Spotlight: Morehouse with Bill Jones00:40:00 Sherm the Fashion CorrespondentMVSU women's basketball gifted Ja'sBenedict women's basketball gets A'OnesDid Nike mess up?00:51:00 Pick 6: Favorite Songs of 2016

A show that swings from Somali pirates and Houston shootings to TSU’s audit troubles and the magic of Jerry Jeff Walker, Manny Gammage hats, and the everyday heroes who keep America running.See omnystudio.com/listener for privacy information.

In this Storytelling University bonus episode, Aaron sits down with John Telich, who spent four decades shaping how Northeast Ohio experienced sports on television. Together, they explore the quiet craft behind covering wins, losses, heartbreak, and hope—and why sports stories, at their best, are rarely just about the score. *Special thanks to the Medina UCC for hosting! *Learn more about the Greater Cleveland Sports Hall of Fame *Follow John Telich on X The Storytelling University is part of the 7 Minute Stories Universe Created & Produced by Aaron Calafato & Brooks Borden Love 7MS & TSU? Here's how to support: 1. Follow the pod wherever you're listening 2. Tap 5 Stars 3. Text one person you love a link to your favorite episode.

What happens when government funding is withheld from a public university that's served generations of Black Tennesseans? And what could be possible if that debt were finally paid?Today's This is Nashville call-in episode is a companion to the one-hour radio special from WPLN News and the Tennessee Lookout. Listen now or though the WPLN podcast feed.From Nashville Public Radio and the Tennessee Lookout, The Debt traces Tennessee State University's decades-long fight for fair funding — through an overlooked Civil Rights lawsuit, a historic merger with a predominantly white university, a dramatic student hunger strike, and a lawmaker who discovered his father's old research on underfunding.This episode was produced by Camellia Burris.Guests: Dr. Learotha “Dr. Lee” Williams, Jr., Scholar of African-American Civil War and Reconstruction, and Public History at Tennessee State University Dr. George Pruitt, retired university administrator; former president, TESU; former vice-president of student affairs at TSU; author, From Protest to President Camellia Burris, Education reporter, WPLN Emily Siner, Contributing reporter, WPLN

Our final regular podcast of the season travels to Abu Dhabi for a three-way title fight between a bull and a pair of orange fruits. SHOW NOTES What happens in Ireland, stays in Ireland (feat. iPhone cable) TSU on joining Red Bull during an internal war The-Race's analysis of Marko's exit Support the show on Patreon and get all our bonus episodes! Follow us on the socials Email us at shiftf1podcast@gmail.com Join our fantasy league with invite code P46XBLLQJ06 New to F1? Check out our primer episode Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode concludes our series on the treatments for Sodom Derangement Syndrome. In it, Dr. Collins points out that even ancient writers used figurative and metaphorical language, especially regarding the ruination and destruction of civilizations. Now for our (air)burst of inspiration!Symptom #10: ignorance of or ignoring the interpretation of biblical destruction-annihilation language in its ancient Near Eastern contextTreatment: studying and comprehending the nature of destruction-annihilation language in the Old TestamentFor expanded information on this episode's topic, look up Dr. Steven Collins on Substack and become a subscriber.Follow Tall-el Hammam and TSU on Social Media:Facebook: X: Instagram: Substack:

this week's pick is the 1973 action(?) film Wonder Women. Dr. Tsu's wonder women brings the world's greatest athletes to her Philippine lab via kidnapping, where their body parts are removed for resale to the rich. Mike Harber is on the case to rescue a jai alai player. Featuring Sid Haig and the legendary Vic Diaz.

Brett Anderson, formerly the lead singer of the groundbreaking band The Donnas, sits down with Aaron for a deeply personal conversation about aging, identity, and the power of reinvention. Now following a new path in the world of Gerontology, Brett shares how her journey through music, personal grief, palliative care, and end-of-life work reshaped her understanding of longevity and mental health. This bonus episode of 7MS Presents: The Storytelling University episode explores the branching paths of a human life and why no single narrative can ever define what it means to grow older. The Storytelling University is part of the 7 Minute Stories Universe Created & Produced by Aaron Calafato & Brooks Borden Love 7MS & TSU? Here's how to support: 1. Follow the pod wherever you're listening 2. Tap 5 Stars 3. Text one person you love a link to your favorite episode.

Tall el-Hammam was a very large city-state, during the Middle Bronze Age. This fact is further indication that it is the city of Sodom. In this episode, Dr. Collins continues his diagnosis and treatment of Sodom Derangement Syndrome.Symptom #9: Ignorance of or ignoring the primary and secondary geographical data for the location of Zoar Treatment: A good dose of proper hermeneutics on all the biblical passages relevant to the location of Zoar, as well as the archaeological and secondary geographical indicatorsFor expanded information on this episode's topic, look up Dr. Steven Collins on Substack and become a subscriber.Follow Tall-el Hammam and TSU on Social Media:FacebookXInstagram Substack

Are we "homers?" Yes. Are we "Drinking the Kool-Aid?" Yes. Are our expectations on this squad "higher than Marty during the third encore of a Springsteen show?" Yes, and YES. But tune into this week's episode and we'll explain why! This team goes 11 deep! And that's just at the wing! We'll discuss starting line-up shenanigans, lock down defense, Warley's warpath and the inevitable metamorphosis of Davis Fogle into McLovin'. Delve into the depths of the TSU victory and explore the possibilities of a front line takeover against Oklahoma and Creighton, two teams with talented scorers but who lack reliable front court defenders. Then stick around for Crazy/Not Crazy, in which Adam fails to deliver the appropriate drops. It's everthing you could hope for in an episode of Free Ira Brown: THE Gonzaga Hoops Podcast. Support the show at patreon.com/freeirabrown!

Introduction (0:00:00). Invincibility.The Break (0:03:49). Results from TOC, Davis MLK, and Buffalo-Niagara -- and special congrats to TSU's Tim Adams.Report from Tournament of Champions (0:07:20). Our correspondent (okay, it's just Justin) talks about the best things he saw, the worst things, the food, and the end of UCLA's streak. Most importantly, did Judge Roberts win the case balance wager? Or did he gamble away his seat on the TOC board?Main Interview: Marian Braccia (0:15:47). Professor Braccia talks about Temple's LLM Program and gender bias in the courtroom. And we have some fun: her wedding planning business, the time when Eddie Ohlbaum wouldn't speak to her, the top 10 Ohlbaum-isms!, meeting her husband in law school, the "hall pass" he doesn't know about, her remarkable GPA -- and her impression of Jules Epstein.Mailbag (1:19:10). Two questions! One about rankings, one about AI cheating.

On Today's Menu on Marsha's Plate We talk with Josie Pickens, a Houston, TX-based organizer, educator, journalist, professor at TSU, and culture critic whose many works focus on race, gender, and sexuality. Josie IG https://www.instagram.com/jonubian/ Listen on all streaming Platforms https://pod.link/1293033444 Here we talk about cultural events, entertainment news, and gender politics from a Black Trans feminist lens. This is Diamond Stylz archival work that preserves the histories, experiences, and contributions of a marginalized community that has been historically erased, overlooked, or misrepresented. We focus on people who identitfy as Black, trans, gay, or woman...or any combination of all of them. We have merch as well if you wanna support Marsha's Plate https://teespring.com/stores/marshasplate Reading Recommendations https://bookshop.org/shop/DiamondStylz #marshasplate #girlslikeus #boyslikeus #transgender #podcast #podsincolor #podernfamily #transisbeautiful #houston #lgbt #transmen #transwomen #blackfeminism #trans101 #trans #blacktranswomen #blacktransmen #houstonpride #indiepodcast #blacktranslivesmatter #lgbtqia #lgbtq #genderidentity #pride #blackgirlmagic #blackboyjoy #podcast

It's a Roundabout episode with guest host and familiar voice Nina Cardona. This panel spanning the political spectrum helps you think about the news — sometimes from a different lane.This week we welcome former speaker of the Tennessee House of Representatives, Beth Harwell. Former congressional candidate Kiran Sreepada and TSU political science professor Ian Shapiro are also back. Together, we'll mourn the loss of life in the Bucksnort explosion, dissect the building presence of federal agents in Memphis, and look at the congressional races getting active, even a year out.

It's The Ranch It Up Radio Show! Join Jeff Tigger Erhardt, Rebecca Wanner AKA BEC and their crew as they find out exactly what the cow herd needs for bulls. Dialing genetics in with genomically testing the cow herd. Plus, market & sale reports, news and lots more on this all-new episode of The Ranch It Up Radio Show. Be sure to subscribe on your favorite podcasting app or on the Ranch It Up Radio Show YouTube Channel. Ideal Beef Genetics:  The Power Of Genomics In The Cow Herd   The Science of Selection With GEPDs from the Ideal Beef Evaluation, selecting replacement females becomes a science, not an art. Using 15 different traits, and custom indexes that combine and simplify them, phenotype and pedigree are no longer the only tools at your disposal to guide the future of your herd. Prove Your Pedigree Genotyping your herd with IBG allows parentage verification so you know where your herd comes from. All Herd and AI sires available from Jorgensen Land and Cattle are genotyped and available for sire match, and all of your genotyped females will match with their progeny. The Power of Genomic Analytics Visualize Your Results Enrolling your cattle in the IBG service gives you access to AgBoost, a revolutionary technology that turns confusing genomic results into easy to understand visualizations. This allows you to cut through the clutter and focus on your herd's future. Matings Made Easy Females enrolled in IBG are eligible for breeding suggestions powered by industry leading analytics. You pick your desired breeding outcomes, and your females will be analyzed next to Jorgensen Land and Cattles 5000+ Herd and AI sire battery, ensuring the bulls you turn out are the best for your herd's future. Enroll Cow Herd In Genomic Testing With Jorgensen Land & Cattle Gather Tissue Samples:  TSU's and Collectors are available at no charge upon request Send Samples & Data:  We handle ordering test, shipping samples & delivery of results Review Your Results: Evaluation results are loaded into your AgBoost Profile, so you are sure to have the most up to date & accurate GEPD's at your disposal Select Your Females: Use your herd's genomics to pick the best females to keep Select Your Bulls: We work with you to determine the breeding outcomes best for your herd and pick bulls that best meet those needs Crawford Livestock Makes History: 39 Barn, 25 State & 13 National Records Crawford Livestock Market made history with a blockbuster sale that broke 39 barn records, 25 state records, and 13 national records—one of the greatest livestock sales ever held. Nearly half of all barn record categories were reset, including top prices for 3–8 weights, with multiple all-time highs. Featured Experts in the Cattle Industry Larry Gran – Jorgensen Land & Cattle https://jorgensenfarms.com/ Follow on Facebook: @JorLandCat Mark Vanzee – Livestock, Equine, & Auction Time Expert https://www.auctiontime.com/ https://www.livestockmarket.com/ https://www.equinemarket.com/ Follow on Facebook: @LivestockMkt | @EquineMkt | @AuctionTime Kirk Donsbach – Financial Analyst at StoneX https://www.stonex.com/ Follow on Facebook: @StoneXGroupInc Shaye Wanner – Host of Casual Cattle Conversation https://www.casualcattleconversations.com/ Follow on Facebook: @cattleconvos Contact Us with Questions or Concerns Have questions or feedback? Feel free to reach out via: Call/Text: 707-RANCH20 or 707-726-2420 Email: RanchItUpShow@gmail.com Follow us: Facebook/Instagram: @RanchItUpShow YouTube: Subscribe to Ranch It Up Channel: https://www.youtube.com/c/RanchItUp Catch all episodes of the Ranch It Up Podcast available on all major podcasting platforms. Discover the Heart of Rural America with Tigger & BEC Ranching, farming, and the Western lifestyle are at the heart of everything we do. Tigger & BEC bring you exclusive insights from the world of working ranches, cattle farming, and sustainable beef production. Learn more about Jeff 'Tigger' Erhardt & Rebecca Wanner (BEC) and their mission to promote the Western way of life at Tigger and BEC. https://tiggerandbec.com/ Industry References, Partners and Resources For additional information on industry trends, products, and services, check out these trusted resources: Allied Genetic Resources: https://alliedgeneticresources.com/ American Gelbvieh Association: https://gelbvieh.org/ Axiota Animal Health: https://axiota.com/multimin-campaign-landing-page/ Imogene Ingredients: https://www.imogeneingredients.com/ Jorgensen Land & Cattle: https://jorgensenfarms.com/#/?ranchchannel=view Medora Boot: https://medoraboot.com/ RFD-TV: https://www.rfdtv.com/ Rural Radio Network: https://www.ruralradio147.com/ Superior Livestock Auctions: https://superiorlivestock.com/ Transova Genetics: https://transova.com/ Westway Feed Products: https://westwayfeed.com/ Wrangler: https://www.wrangler.com/ Wulf Cattle: https://www.wulfcattle.com/

Tall el-Hammam was a very large city-state, during the Middle Bronze Age. This fact is further indication that it is the city of Sodom. In this episode, Dr. Collins continues his diagnosis and treatment of Sodom Derangement Syndrome.Symptom #8: ignorance of or ignoring the primary biblical texts in terms of the architectural features of Sodom, and the sophisticated landscape utilization of this Middle Bronze Age city-stateTreatment: an adequate understanding of what archaeology reveals about the city-state constituting the Land of the KikkarFor expanded information on this episode's topic, look up Dr. Steven Collins on Substack and become a subscriber.Follow Tall-el Hammam and TSU on Social Media:FacebookXInstagram Substack

The fight is not over when it comes to our right as American citizens. The current administration does not care about the right of American people. We will also be discussing what happened at TSU. We are also going to be discussing the two people who were just named in the Epstein files. We hope you enjoy this episode of Same Cast Different Day Podcast. Here is a link to take look at our merch store and more.https://direct.me/samecastdifferentdaypodcastSocialsFacebookhttps://www.facebook.com/samecastdifferentdaypodcast/Instagramhttps://www.instagram.com/scddpodcast/#Youtubehttps://www.youtube.com/channel/UCZA-Ib8DmQwG4o9wAFvpBDw

Rachel and Van start the show off by talking about Stephen A. Smith's response to our comments last show before getting into the removal of ‘Fearless Debaters' from TSU's campus and Jimmy Kimmel's successful return. Then, Tyriq Withers joins the show to talk about his new movie, ‘Him'; the different reactions to the film; the realism of the athleticism showcased in it; and biracial identity. 00:00 - Welcome! 07:29 - Stephen A.'s response to Higher Learning 32:32 - Pandering to Black women 37:47 - ‘Fearless Debaters' removed from TSU's campus 48:13 - Jimmy Kimmel's return 1:10:03 - The missing PS5 1:16:38 - Kamala Harris's appearance on 'The Rachel Maddow Show' 1:20:52 - Tyriq Withers joins us! 1:52:25 - Thanks for watching! Hosts: Van Lathan and Rachel Lindsay Guest: Tyriq Withers Producers: Donnie Beacham and Ashleigh Smith Video Supervision: Chris Thomas Learn more about your ad choices. Visit podcastchoices.com/adchoices

Tennessee State University students mobbed a group of peaceful “Fearless Debaters” in MAGA hats, forcing them to pack up and leave campus, when their intention was simply to discuss DEI in a civil way. On this episode of “Fearless,” Jason Whitlock explains why the TSU students look like racist white people from the 1950s and '60s and why so many black people in America are racist. Political commentator David Khait joins the show to weigh in on the TSU incident. Later in the show, T.J. Moe and Steve Kim discuss with Whitlock C.J. Stroud upsetting Texans and Astros fans by sporting hats from other teams; Bill Belichick embarrassing himself, again, by appearing on the cover of US Weekly with his 24-year-old girlfriend, Jordon Hudson; broadcasters criticizing Matt Shaw for missing a game to attend Charlie Kirk's memorial; and Keith Olbermann apologizing for threatening Scott Jennings on X, only to continue insulting him online. Hyper-dynamic show today! ​​Today's Sponsors: Kindred Harvest Unlike most teas loaded with microplastics and heavy metals from China, Kindred Harvest offers pure, American-blended, third-party lab-tested tea with biodegradable bags, free of toxins, for a clean, all-natural experience. Go to https://KindredHarvest.co and use my code FEARLESS for 20% off. Share the Arrows Share the Arrows, a one-day event on October 11th in Dallas, Texas, hosted by BlazeTV's Allie Beth Stuckey, offers women worship, teaching, and real conversation with bold voices like Jinger Duggar Vuolo and Francesca Battistelli to encourage and equip them with biblical truth in a challenging culture; tickets, including VIP options, are available at https://sharethearrows.com. SHOW OUTLINE 00:00 Intro Want more Fearless content? Subscribe to Jason Whitlock Harmony for a biblical perspective on everyday issues at https://www.youtube.com/@JasonWhitlockHarmony?sub_confirmation=1 Jeffery Steele and Jason Whitlock welcome musical guests for unique interviews and performances that you won't want to miss! Subscribe to https://youtube.com/@JasonWhitlockBYOG?sub_confirmation=1  We want to hear from the Fearless Army!! Join the conversation in the show chat, leave a comment or email Jason at FearlessBlazeShow@gmail.com Get 10% off Blaze swag by using code Fearless10 at https://shop.blazemedia.com/fearless Make yourself an official member of the “Fearless Army!” Support Conservative Voices! Subscribe to BlazeTV at https://www.fearlessmission.com and get $20 off your yearly subscription. Visit https://TheBlaze.com. Explore the all-new ad-free experience and see for yourself how we're standing up against suppression and prioritizing independent journalism. CLICK HERE to Subscribe to Jason Whitlock's YouTube: https://bit.ly/3jFL36G CLICK HERE to Listen to Jason Whitlock's podcast: https://apple.co/3zHaeLTCLICK HERE to Follow Jason Whitlock on X: https://bit.ly/3hvSjiJ Learn more about your ad choices. Visit megaphone.fm/adchoices

Jimmy Kimmel, Tylenol, TSU, Late Night Hosts, Golden Bachelor, Russell Wilson., BB27

In this episode of The Rickey Smiley Morning Show Podcast, listeners got a mix of joyful news, celebrity drama, and campus confrontation. The RSMS crew celebrated the arrival of Rihanna and A$AP Rocky’s third child, a daughter named Rocki Irish Mayers, born on September 13, 2025—a girl after two sons. The talk then shifted to JT’s public response to Cardi B, where she defended her man against accusations and confronted Cardi’s insults with blunt comparisons and support for his character. Tension peaked when a group of MAGA supporters calling themselves “Fearless Debaters” trespassed onto Tennessee State University’s campus, arriving with signs reading “DEI should be illegal” and “Deport all illegals now.” They were quickly escorted off campus by TSU police, but the incident ignited debate on free speech, political provocation, and how Black institutions are treated in today’s climate. Website: https://www.urban1podcasts.com/rickey-smiley-morning-show See omnystudio.com/listener for privacy information.

Tension peaked when a group of MAGA supporters calling themselves “Fearless Debaters” trespassed onto Tennessee State University’s campus, arriving with signs reading “DEI should be illegal” and “Deport all illegals now.” They were quickly escorted off campus by TSU police, but the incident ignited debate on free speech, political provocation, and how Black institutions are treated in today’s climate. See omnystudio.com/listener for privacy information.

In this episode of The Clay Edwards Show, host Clay Edwards kicks things off with an enthusiastic discussion about the power of talk radio in Mississippi, highlighting its edge over music stations in delivering live, local content that resonates with listeners. He reflects on why traditional music radio is fading in the era of streaming apps and on-demand playlists, questioning if anyone still calls in song requests or tunes into non-local DJs. Clay dives into a nostalgic rant about Mississippi's vibrant local music scene, reminiscing about legendary bands from the '80s and '90s like Lillian Axe, Charade, Cyrus, and Vandevere, and how the landscape evolved into nu-metal and college rock acts in the 2000s, including Storage 24, Max Cherry, Geronimo Rex, and Absence of Concern. He laments the shift toward cover bands and country acts today, while shouting out current standouts like The Stephens Brothers, Miles Flat, and Burnham Road for their crowd-drawing prowess. Clay poses a key question to the audience: Do you still listen to local radio for music, or have you switched entirely to apps like Spotify, Apple Music, or XM? The conversation takes a sharp turn into current events as Clay breaks down a chaotic incident at Tennessee State University (TSU), an HBCU, where two conservative debaters set up a table with signs reading "DEI should be illegal" and "Deport all illegals now—let's talk." What started as an invitation to debate escalated into what Clay describes as a "race riot," with students reacting dramatically, stealing signs, and mobbing the visitors' vehicles. He critiques the university's official statement for downplaying the chaos and coddling the students, calling it enabling and gaslighting. Clay argues that HBCUs like TSU should be defunded if they foster division, pointing out their permanent funding under the Trump administration and questioning the need for segregated institutions in modern America. He challenges listeners on topics like DEI (which he claims primarily benefits certain groups over Black communities), illegal immigration, and the double standards in media coverage of similar incidents if roles were reversed at a majority-white school. Throughout the episode, Clay fields calls and texts from listeners sharing their views on radio habits, XM subscriptions, and the TSU controversy, emphasizing accountability, situational awareness, and rejecting what he sees as forced narratives on race and equality. He touches on broader themes like the thin line between order and anarchy in communities, the dangers of ignoring threats from unstable individuals, and why he takes personal safety seriously in light of recent high-profile incidents. Later, Clay previews upcoming segments, including a story about a violent attack at an NBA YoungBoy concert and an interview with the director of the Sanderson Farms Championship golf tournament. He shares details on the event's logistics, player lineup (featuring stars like Max Homa, Zach Johnson, and local talents like Chad Ramey and Davis Riley), and how it brings world-class PGA Tour action to Jackson, Mississippi, with affordable tickets and family-friendly access. Join Clay for unfiltered takes on media, culture, politics, and local history in this lively, opinionated episode that sparks debate and reflection. Perfect for fans of raw talk radio—tune in and decide where you stand!

Conservatives Attacked On TSU Campus For Attempting To Engage In Civil Debate...Tennessee's Appalling Backlog Of Unprocessed Evidence...GOP Outperforming Dems At Polls Except In This 1 TN County...The Tennessee Conservative's Olivia Lupia joins Yaffee LIVE to discuss all this & More!Check out more from Yaffee HERE -https://www.wgow.com/2025/05/12/yaffee-live-2/

Dan gives the latest update on the TSU student freak-out and the Dallas ICE facility shooting | aired on Thursday, September 25thm 2025 on Nashville's Morning News with Dan Mandis. See omnystudio.com/listener for privacy information.

start Southern Heritage Classic preview00:06:00 Week 4 picks00:20:00 A look back at the 2023 Southern Heritage Classic00:24:00 Culture Maker: Air Max 95 "HBCU Pack" w/ Sherm00:31:00 Box To Row Polls00:38:00 HBCU Awareness HBCU Coaches and High School Coaches Clinic recap00:42:00 Bad faith agitators on TSU campus00:54:00 Pick 6: Favorite Comedians

Hut, hut, hike!   The annual Davey Mac Sports Program Football Preview Special is here as Chris "Pepper" Stanley (Bennington & High Society Radio) once again joins the show to give his pigskin expertise!   Micah Parsons traded from the Cowboys to the Packers--who won the deal?   How will Aaron Rodgers do in Pittsburgh?   Do the Chiefs take a step backwards this year?   Will Josh Allen or Lamar Jackson finally win a Super Bowl?   And more!   Plus, the guys look at College Football as well as ESPN's Lee Corso retires on College Game Day after 35 years on-air!   We look at Notre Dame Vs. Miami, LSU Vs. Clemson, Alabama Vs. Florida State, Ohio State Vs. Texas, and Bill Belichick making his North Carolina coaching debut tonight as the Tarheels take on TSU!   It's a big, boisterous, and bananas 399th episode of the DMSP that you need to enjoy right now!   BOOM!