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Send us a Text Message.Welcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Thriller by Michael Jackson (1982)Song 1: Jacket by Sam Evian (2024)Song 2: Peaches en Regalia by Frank Zappa (1969)Song 3: Another Love by Tom Odell (2012)Song 4: Manteca by Dizzy Gillespie (1947)Song 5: Mucho by Dopapod (2017)Song 6: Boogie On Reggae Woman by Stevie Wonder (1974)Song 7: Baby I Lost My Way, (But I'm Goin' Home) by Nathaniel Rateliff & the Night Sweats (2018)Song 8: Energy by The Apples in Stereo (2007)Song 9: Fainted Love by Conan Gray (2024)Song 10: Ya Mar by Cyril "Dry Bread" Ferguson (1974)
A Festival Odyssey: Phish, Mondegreens, and Moments with My SonLarry Mishkin reflects on his recent experience attending the Mondegreen Festival, a Phish festival in Dover, Delaware, with his son and friends. He shares his enthusiasm for the event, highlighting the performances and the significance of certain songs, including "The MoMA Dance" and "NICU," which have deep ties to Phish's history and fan culture. Larry provides a detailed history of Phish festivals, from the Clifford Ball in 1996 to the most recent Mondegreen Festival, noting memorable moments, attendance figures, and unique aspects of each event. The episode also includes a brief discussion on the 60th anniversary of The Beatles' performance at Red Rocks Amphitheatre in Denver, Colorado. Larry expresses his excitement about attending the festival with his son and reminisces about the special bond they shared during the event.MONDEGREENPhishAugust 15 – 18, 2024The WoodlandsDover Delaware Band's 11th festival, NOT counting Curveball set for 2018 that was canceled at the last minute due to contaminated water supply due to heavy rains and flooding. Nine year gap between MagnaBall in March, 2015 and Mondegreen, biggest gap between festivals in band's history. INTRO: Moma Dance Night One, August 15, 2024 First Night, First Set, First Song (into Back On The Train) Phish @ The Woodlands, Mondegreen Festival, Dover DE 2024-08-15 : Free Download, Borrow, and Streaming : Internet Archive Track #2 2:31 – 4:05 By: Anastasio/Fishman/Gordon/McConnell/MarshallPlayed:First Played: 6/30/98 in Copenhagen, DenmarkMost recent: August 15, 2024 (Mondegreen)Current Gap: 3 shows The title of “Moma” is another example of Phish Phonetics, cleverly transforming the moment ends lyric into a reference to a display of “The Rhombus” at New York City's Museum of Modern Art (MoMA).Mondegreen: are they saying, “The Moma Dance” OR “the Moment Ends”?? SHOW No 1: NICU Night One, August 15, 2024 First Set, 6th song (out of Roggae and into A Wave of Hope) Phish @ The Woodlands, Mondegreen Festival, Dover DE 2024-08-15 : Free Download, Borrow, and Streaming : Internet Archive Track #7 3:00 – 4:56 By: Anastasio/MarshallPlayed 156 timesFirst Played: 3.6.92 at The Music Hall in Portsmouth, NHMost Recent: August 15, 2024 (Mondegreen)Gap: 3 shows Has any Phish song had as many names with as many explanations as “NICU”? At its debut in Portsmouth, New Hampshire, Trey introduced the song as “In an Intensive Care Unit.” Shortly thereafter, the name was changed to “NICU,” which some considered a play on a line from the backing vocals in the chorus (“and I see you”) and others noted was the abbreviation for the Neonatal Intensive Care Unit.Shortly thereafter, the “controversy” began, as controversy can only begin among rabid Phish fans. Some called the song “And I See You.” Some stuck with the original “In an Intensive Care Unit.” Other interesting theories developed, including one from the Internet where a fan noted that the elements Nickel (NI) and Copper (Cu) are side-by-side on the Periodic Table and that the title “NICU” may thus be a reference to nickels and pennies or, more likely, small change. Title is a Mondegreen for “And I See You” Music News (from Mondegreen) Matthew's crew: Matthew, me, Donny, Jake, Dave and Seth Michigan Crew: ??? NYC Crew: Max & Jess, Joey and Darby, Darby's brother, Brad and Sam, Dan the drummer (and?), Dude from Florida and girlfriend (??), Tesh,WHO ELSE SHOULD I MENTION? CLEVELAND CREW: Kevin, two buddies? Aaron Anyone else? Hot and humid/ AC unitsTents v. RV's/bathrooms/food/water and ice/maintenanceStorm – cut Sunday short Modern weather technology – good and bad Just like 2022 Sacred Rose Festival Secret Set on Aug. 16th second night Driving 12 hours each way SHOW No. 2: I Am Hydrogen > Weekapaug Groove Night 3, August 17, 2024 – Second set opener traditional Mike's Groove>Theme From The Bottom November 11, 2012, MSG, NYNY Mike's>Chalk Dust Torture>I Am Hydrogen>Weekapaug Phish | 12.29.11 | Mike's Song → Chalk Dust Torture → I Am Hydrogen → Weekapaug Groove - YouTube 15:44 – 17.43 I Am HydrogenBy: Daubert/Marshall/AnastasioPlayed: 350 timesFirst: April 6, 1985 at Finbar's in Burlington, VTMost Recent: August 17, 2024 (Mondegreen Night 3)Gap: 1 show The story of “I Am Hydrogen” is a love story. Conceived by Tom Marshall and Marc Daubert around 1984-85 on piano and acoustic guitar, they brought their creation over to Trey's house, where it was recorded. Trey added a harmony to it on his electric guitar, and the “Hydrogen” we have come to know was born. Initially intended for Tom, Marc, and Trey's band Bivouac, “Hydrogen” ended up in the Phish lineup and made its debut, all alone, on 4/6/85. After a few years, it became the connector between Mike's Song and Weekapaug Groove. Into Weekapaug GrooveBy: Anastasio/Fishman/McConnell/GordonPlayed: 523 timesFirst: 7.23.1988 at Pete's Phabulous Phish Phest in Underhill, VTMost Recent: August 17, 2024 (Mondegreen Night 3)Gap: 1 show “Weekapaug Groove” takes its name from the town of Weekapaug, located on the shores of the Atlantic Ocean in southwestern Rhode Island. According to Mike, the song's lyrics (“Trying to make a woman that you move, sharing in a Weekapaug Groove”) are meaningless. As Mike said in a 9/9/97 interview with Parke Puterbaugh: “So we came back to Boston [from Weekapaug, after playing a gig there at a yacht club], and I guess we were in the van or the Voyager we used to drive in, and that song “Oh What a Night” came on the radio. You know that one? That awful Four Seasons song? We just constantly listened to songs and changed around the words as to what they might sound like. I always had a particularly hard time hearing lyrics anyway, so I always would sing a song on the radio, sing along with the wrong words. So the bridge of that song goes ‘Oh I-I-I trying to something,' but I was singing it, ‘Oh I-I-I trying to make a woman that you move,' which means nothing, 'sharing in a Weekapaug groove.' So we all just started singing that, as complete nonsense: ‘trying to make a woman that you move.' It never occurred to any of us that it had any meaning, ever. There was a period of time that we were singing it, and I used to just yell out the lyrics, between singing them I would just yell them out as if I was preaching them, just to sort of make it more ironic that they have no meaning.” SHOW No. 3: Yamar Night 4, August 18, 2024 – First set 10th song out of Stash and into Timber August 17, 1996, Clifford Ball, Plattsburgh AFB, Plattsburgh, NY (1st Phish Festival) into It's Ice Phish-Ya Mar-Clifford Ball (youtube.com) 0:13 – 1:45 By: Cyril Ferguson 27th November 1951 - Cyril 'Dry Bread' Ferguson was born in Nassau, New Providence, Bahama Islands.Ferguson was a Bahamian musician and entertainer. He composed songs in the genres of goombay, calypso and Bahamian pop music.Some of his more popular songs include: Ya Mar, Sunshine On My Body, Bahamian Music and Don't Squeeze The Mango.Ferguson died of complications related to diabetes on 9th April 2009. “Ya Mar” resides as a favorite in the hearts of many fans. It represents one of Phish's few forays into calypso and is among the most playful and danceable songs in the band's repertoire. And anytime Trey screams for Page to take the reins – “Play it, Leoooooo!” – the crowd is apt to go wild. Page's nickname actually comes from this line in the original, where The Mustangs urged their own piano man to step into the spotlight. The title seems to reference the slurred interpretation of “your ma,” as the singer recounts the disdain his lover's family has for him. Phish put their own unique stamp on it by often changing the “no good pa” lyric in the chorus to mimic their own “oh kee pa” phrase. Played: 232 timesFirst: 2.21.1987 at Slade Hall, UV, Burlington, VTMost Recent: 8.18.2024Gap: 0 shows Marijuana News Senator Says Harris Will ‘Be Ready To Sign' Marijuana Reform Bills If Elected PresidentGOP Senators Claim Marijuana Is A ‘Gateway Drug' As They Oppose Rescheduling And Legalization3. People Who Use Marijuana Are Less Likely To Be Obese, New Study Shows SHOW No. 4: Simple Night 4, August 18, 2024 – First set second to last song of Izabella and into Golden Age July 27, 2024, Alpine Valley, East Troy, WI second set out of Sigma Oasis and into The Howling Phish - 7/27/2024 - Simple (4K HDR) (youtube.com) 0:18 – 1:28 By: GordonPlayed: 209 timesFirst: 5.27.1994 at the Warfield Theater in San FranciscoMost Recent: August 18, 2024 (Mondegreen Night 4)Gap: 0 shows "Simple" was first written and recorded by Mike Gordon in a four-track medium in the Doo-wop style and introduced to the band during the studio sessions forHoist. This version reflected the country and bluegrass writing style of many previous Gordon compositions. The song was left off of the albumand the band showed hesitation in performing it live. Then, on 5/27/94, “Simple” debuted in a very strange and raw fashion during the “Mike's Song” at the Warfield in San Francisco. In contrast to the song we know today, the debut version of “Simple” was Mike's original lyrics sung by the band members over a jam that had emerged from “Mike's.” Three weeks later, “Simple” was played for a second time at the historic 6/17/94 gig, the same night that much of the country was watching the low-speed police chase of O.J. Simpson's white Ford Bronco through L.A. This version was significantly reworked and sounded much like the “Simple” we are accustomed to hearing today, with the exception of a minor humoristic augmentation providing the line “We've got O.J., cause we've got a band.” Mondegreen: We've got a cymbal (simple) cause we've got a band OUTRO: Twee Pri Night 3, August 17, 2024 – Encore out of YEM into end of show April 20, 2024, The Sphere, Las Vegas, NV Encore out of A Life Beyond the Dream into end of show Tvidler 202202 11 by Ryan Maguire (youtube.com) 0:00 – end By: Anastasio/Fishman/Gordon/McConnellPlayed: 321 tiesFirst: 2.1.1991 at Alumnae Hall, Brown University — Providence, RIMost Recent: 8.17.2024 Mondegreen Night 3Gap: 1 show A "reprise" is a sort of musical afterthought – basically a reintroduction of and variation on the main theme of a piece of music. Thus, “Tweezer Reprise” is a slight variation – a condensation of sorts – of “Tweezer.” As it does on the album A Picture of Nectar, the “Reprise” often follows “Tweezer” in concert, most frequently as an encore song. It is also common as a second set closer following an earlier “Tweezer.” A few times, the “Reprise” has even been spewed out of some long, monster “Tweezer,” serving as the thrilling exclamation point at the end of a raging, set-long sentence (e.g. 5/7/94, 6/22/95).On occasion, “Tweezer Reprise” has shown up as a surprise in a show where there has been no performance of “Tweezer” proper. Although usually this occurs because the “Reprise” will be referring back to a non-reprised “Tweezer” at the previous night's show (e.g. 12/30/96's “Tweezer” was reprised on 12/31/96), the song has been known to appear, albeit rarely, completely free from its Granddaddy counterpart, like on 9/29/99. The most interesting example of this, and perhaps the most unusual “Tweezer Reprise” ever performed, was on 12/8/99, which featured an a cappella version that came out of a “YEM” vocal jam to close the second set. The band later finished off the show with a traditional “Tweezer Reprise” to end the encore. Other interesting versions include 10/27/94 and 10/21/95. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast
With Anna not giving the Canucks their due, Chris gloats as the Canucks get the three wins he predicted. The pair also discuss the impact of the Garland's new "named" line, and if the team is playoff ready. Also included in this episode are a few thoughts of the "new" rules coming out of the GM meetings, and how the league continues to bury it's collective head in the sand regarding traumatic brain injuries.
Hi Everybody, and welcome to Attendance Bias. I am your host, Brain Weinstein. This is not a full episode of Attendance Bias, as it's more of an announcement and a request. And then of course, one of my favorite tracks because I could not in good conscience ask you to listen to an episode of Attendance Bias without any Phish music.First and foremost, Attendance Bias is a true labor of love. I never expect to get any sort of monetary profit out of it, and that doesn't bother me for a second. My priority now remains the same as when I began this podcast during the early summer of 2020: to meet people who had a story about Phish, and who were eager to talk shop about the most unique live music experience possible in our lifetime. In terms of satisfaction, Attendance Bias has paid for itself a million times over.Like any other hobby or new venture, podcasting comes with its own costs. Without going into too much detail, a lot goes into the back-end of producing an episode of Attendance Bias. Many of the services that I utilize run on a subscription basis, meaning that there is a monthly cost that makes it a somewhat expensive hobby. Unlike a hobby such as painting or playing the guitar, where there's a startup cost and then the rest of what you spend is by choice, podcasting has recurring costs on a monthly basis. To be clear, I don't mind paying these costs. Attendance Bias has been one of the most satisfying creative projects of my life. I would pay double the amount to do it, if I had to. But some of the services that I signed up for two years ago have recently upped their subscription costs, and like a toll bridge or a Ticketmaster surcharge, once the price goes up, it's a safe assumption that it's not going to come back down. It's here where the hopeful begging comes in. I signed up for a page on BuyMeACoffee.com to accept donations from listeners, and I'm asking you to donate anything you can to help keep the lights on at Attendance Bias. I didn't set a price point or a monetary goal because like I said, costs are part of the deal when creating something that people enjoy. But now that some costs are rising for essential piece of the podcast, I see the writing on the wall and would appreciate any help any of you could provide to offset the costs and make it financially easier for me to keep the show up to the standard that you deserve. Seeing as this is just me in my apartment, I don't foresee advertisements on Attendance Bias, and aside from the guest or guests on each episode, this is a one man show from start to finish. If you enjoy Attendance Bias and have the ability to donate even a small amount of money, please go to buymeacoffee.com/attendancebias. The website is spelled exactly as it sounds. Once you visit there, there are options for how much you want to donate, and believe me, every cent is appreciated and will 100% go toward the operating costs of Attendance Bias. I want to thank everyone who has already contributed, and thank you in advance to anybody who contributes in the future. Again, if I'm lucky enough to receive your contribution, the website is buymeacoffee.com/attendance bias. Thank you a million times over.Audio used in today's episodeBuymeacoffee.com
Li-Ya is a climate organizer, a yoga and meditation teacher, and works in higher education. She currently serves as the chair at the Climate Reality Project DFW Chapter. As a social science educator, Li-Ya is taking part in the climate movement by doing what she does best – coaching, training, organizing and engaging people, especially youth and college students. Her goal in climate advocacy is that we are always aware that every aspect of our society and our lives, including social justice, is interconnected with the health of the natural world and of our communities. Li-Ya is fighting for a better world to save all we can. She knows we will act together to solve the climate crisis and transform our communities to a fairer and cleaner reality. To learn about and support her organization's work, visit: https://www.climaterealitydfw.org/ & her interview with Voyage Dallas. --- Support this podcast: https://podcasters.spotify.com/pod/show/grayson-mask/support
María Gómez lanza desde Anda Ya la petición recordando los mejores momentos del programa justo cuando "El diario de Patricia" cumple años.
María Gómez nos trae el mejor recopilatorio de canciones para celebrar la semana del orgullo.
María Gómez conmemora el cumplea´ños del ogro más querido de la televisión.
María va a parir libro, así que nos ha traído una sección especial pelis sobre autores.
No te pierdas los mejores sonidos de nuestra historia
No te pierdas los mejores sonidos de nuestra historia
No te pierdas los mejores sonidos de nuestra historia
No te pierda los mejores sonidos de nuestro cine de la mano de María Gómez
No te pierdas los mejores momentos del programa
No te pierdas los mejores sonidos de nuestra historia
No te pierdas los mejores sonidos de nuestro cine y nuestra música
Episode Description: Join two friends on their journey through the "12 Jams of Phishmas" while enjoying some dark beers for the holiday season. Happy Phishmas to all and a Happy New Year! Songs: 11.27.20: Pebbles and Marbles - Beacon Theater, NYC 12.5.95: Harry Hood - Mullins Center/UOM, Amherst MA 12.28.12: Wolfman's Brother > Little Drummer Boy - MSG, NYC 12 Jams of Phishmas 12/2/97: Mikes Song > Simple > Dog Faced Boy > Ya Mar > Weekapaug Groove 12/14/95: Halley's Comet > NICU > Slave 12/6/92: Stash! 12/6/19: Scents and Subtle Sounds (w/ into) > No Quarter 12/6/97: Tweezer > Isabella > Twist 12/5/95: Harry Hood 11/28/09: Seven Below 12/11/99: Ghost > 2001 12/11/97: Drowned > Roses Are Free 12/3/94: HYHU > Touch Me > HYHU (With GCH) 12/2/03: Rock n Roll > Weekapaug > Tweeprize 12/6/96: Harpua > Wildwood Weed > Harpua > I Want to be a Cowboy's Sweetheart > Harpua BEERS: Dark is Beautiful... Schilling - Dunkel Landbier (Dunkel Lager) Threes/Schilling - Precipice (Oak-Aged Dark Czech Lager) *Grimm Ales - Lithos (Schwarzbier)
Cada semana nos sorprende con un repaso a los momentazos que nos deja la música y el cine
No te pierdas los mejores sonidos de nuestra historia de la mano de María Gómez
No te pierdas los mejores sonidos de nuestra historia
María Gómez nos da un paseo por los grandes personajes de la historia de nuestro país
María Gómez nos trae el repaso a los mejores sonidos de nuestra historia
Phish.net Show PagePhish.com Show PageRoxy Website Hosted on Acast. See acast.com/privacy for more information.
This week's guest is Tom Wassell, a Phish fan and sports radio host who joins us for the first time. Tom shares how he fell into, out of, and back into love with Phish. We share one of his favorite sets, from 11.26.97 in Hartford (more info below).If you have a minute, give us a review on iTunes. It helps other people discover the podcast.As mentioned in the episode, HF Pod is part of the Osiris podcasting family. Osiris is a growing community of music and culture podcasts, connecting music fans with conversation, commentary and music. Osiris works in partnership with Relix, check them out for music news and information.--Phish, 11.26.97, Hartford Civic Center, Hartford, CTSet 2: Character Zero -> 2001 -> Cities -> Ya Mar > Punch You In the Eye > Prince Caspian, Poor Heart > Tweezer RepriseE: Cavern See acast.com/privacy for privacy and opt-out information.
Soundcheck "Foam"Bonus "Ya Mar" and ensuing banterPhoto of Clarke Memorial Fountain where Phish playedStory from Twitter user @Lost_Reflector Hosted on Acast. See acast.com/privacy for more information.
We couldn't let the 20th anniversary of the Fall '97 tour pass us by without spending a bit of time reflecting on the shows. This week, we revisit the Philly shows from that historic tour, from 12/2 and 12/3. Tracks we highlight are below. Listen to the episode here! Going to MSG on 12/29? Come to American Beauty beforehand to hang out with us and stay to hear the band Polyvamp! More information here and here. We'll bring stickers. Also, if you haven't yet, please take a moment to review us on iTunes. Thanks for your support! -- 12/2/97 Mike's Song -> Simple -> Dog Faced Boy -> Ya Mar -> Weekapaug Groove 12/3/97 David Bowie -> Possum > Jam -> Prince Caspian See acast.com/privacy for privacy and opt-out information.
Episode 019 - September 2017 Set 2The Oh Kee Pah Ceremony[1] > ACDC Bag -> Buried Alive[1] -> Take the 'A' Train[1] > Sparks[1] (1990-09-13) Ya Mar (1988-05-24) Suzy Greenberg[1] (1989-05-06) The Price of Love[1] (1989-03-30) Dazed and Confused[1] (1989-05-21) Bold As Love[1] (1989-04-14) McGrupp and the Watchful Hosemasters (1989-05-05) You Enjoy Myself (1990-11-26) Contact (1989-05-20) Halley's Comet (1989-08-17) Alumni Blues > Letter to Jimmy Page > Alumni Blues (1989-01-26) Minute By Minute[1] (1990-09-13) Run Like An Antelope (1989-05-26) Icculus[1] (1989-08-12) If I Only Had a Brain (1990-03-12) Harpua (1989-03-14) David Bowie (1989-02-06) [1] Phish Phantasy Debut
Episode 012 - June 2017 Set 1Soul Shakedown Party[1] (2011-07-03)ACDC Bag[1] (2011-07-03)Sparkle[1] (1998-08-09)Alumni Blues[1] > Letter to Jimmy Page[1] > Alumni Blues (2010-06-25)Party Time[1] (2016-07-08)Cars Trucks Buses[1] (1998-07-15)Water in the Sky[1] (1999-07-190)Ya Mar (1996-11-02)Summer of '89[1] (2010-06-25)Blaze On[1] (2016-09-03)Simple (2016-09-03)Mercury[1] (2015-07-22)Divided Sky (2000-07-07)Run Like An Antelope (1999-12-02)[1] Phish Phantasy Debut
Episode 007 - April 2017 Set 1Brian And Robert (1999-05-17)Stealing Time From the Faulty Plan (2011-02-19)Army of One (2003-04-11)Strange Design (2003-04-11)Shine (2008-08-02)Let Me Lie (2008-07-06)Tide Turns (2017-03-10)Rubberneck Lions (2017-03-10)Valentine (2011-02-19)Liquid Time (2011-02-23)Heavy Things (2011-02-23)Clone (2002-11-10)The Collins Missle (2002-11-10)My Friend, My Friend-> Wilson (2010-10-09)Guelah Papyrus (2011-02-19)Wingsuit (2017-03-11)Miss You (2017-03-08)Ya Mar (2005-09-19)Tiny Dancer-> Levon (2003-04-11)Dirt (2017-03-11)Pebbles And Marbles (2002-05-21)The Inlaw Josie Whales (2002-10-29)Time Turns ElasticMore (2017-03-08)Billy Breathes (1999-05-17)
This week we are joined by our friend and guest host Jonathan, who brought us back to a wonderful show from 1989, from "Ian's House" (or "Ian's Party" at someone else's house). Either way, Ian was awesome. This show is historic, fun, and filled with really excellent playing. Trey's tone and precision in playing is just crisp, clear and on point, and as Jonathan pointed out, this is among the finest banter you'll ever hear in a Phish show. Very entertaining listen. But even more than entertaining, it's a reminder of how musically mature Phish was even by 1989—26 years ago. A great sounding show, taboot (taboot). This is part 2 of this episode. Here's Charlie Dirksen's review of the YEM. We mentioned Matt Burnham's Phish Hall of Fame voting project, check it out! And please review us on iTunes and send comments and feedback to helpingfriendlypodcast at gmail dot com, and follow us on Twitter. And check out CashorTrade.org for face value tickets to shows across the country. If you are on Stitcher, give us a review! Chapter 1 0:00 Sets 2 & 3 Phish 5.28.89 Chapter 2 2:44:08 Sets 2 & 3 Breakdown -- Phish 5.28.89, "Ian's House", Hebron, NY Set 2: Fire, Mike's Song > I Am Hydrogen > Weekapaug Groove, Bathtub Gin, Sanity, Ride Captain Ride, Peaches en Regalia, Take the 'A' Train, Possum, Contact, Funky (Breakdown) -> The Price of Love, Funky Bitch, Split Open and Melt, The Mango Song, Harry Hood Set 3: Jam -> La Grange Jam, The Sloth, Sneakin' Sally Through the Alley > Ya Mar, Jesus Just Left Chicago See acast.com/privacy for privacy and opt-out information.
This week we have a long overdue guest, CJ, who is a longtime fan of the podcast and Mainer exiled in London. But we'll have him back for this Summer Tour, which we discuss on this show, along with lots of other things. The timing of this pick was stellar -- we'll be discussing and listening to the first day of the first Phish festival, the Clifford Ball, from 1996. This discussion comes just days after the latest festival announcement, Magnaball, coming in August 2015. Set 1 this week, chapter markers below. And please review us on iTunes and send comments and feedback to helpingfriendlypodcast at gmail dot com, and follow us on Twitter. And check out CashorTrade.org for face value tickets to shows across the country. If you are on Stitcher, give us a review! Chapter 1 0:00 Chat w/CJ Chapter 2 27:38 Phish 8.16.96 Set 1 Chapter 3 1:50:03 Set 1 Breakdown -- Phish 8.16.96, The Clifford Ball, Plattsburgh, NY Set 1: Chalk Dust Torture, Bathtub Gin, Ya Mar, AC/DC Bag > Esther > Divided Sky, Halley's Comet > David Bowie See acast.com/privacy for privacy and opt-out information.
This week we have another guest pick—this one is from Rob Mitchum (@robmitchum & @phishcrit), 4.24.94 from Charlotte, NC. The setlist is below, and visit http://hfpod.blogspot.com/ for more information. Below are the chapter markers for this episode, for your reference (you should be able to skip chapters on most podcast apps/devices, please let us know if it doesn't work for you): Chapter 1 0:00-40:39 Conversation with Rob Mitchum Chapter 2 40:39-1:43:31 Set 1 Phish 4.24.94 Chapter 3 1:43:31-2:04:05 Set 1 Breakdown Chapter 4 2:04:05-3:22:30 Set 2 Phish 4.24.94 Chapter 5 3:22:30-End Set 2 Breakdown Please take a moment and review us on iTunes! -- Phish 4.24.94, Grady Cole Center, Charlotte, NC Set 1: My Friend, My Friend, Ya Mar, Axilla (Part II) > Maze, Bathtub Gin -> Jump Monk -> Bathtub Gin > Dog Faced Boy, Paul and Silas > It's Ice > Slave to the Traffic Light Set 2: Demand > David Bowie, The Mango Song > Julius, Colonel Forbin's Ascent > Fly Famous Mockingbird, Chalk Dust Torture, Contact, Good Times Bad Times E: Sweet Adeline See acast.com/privacy for privacy and opt-out information.
Hope everyone had a great Thanksgiving. This week we have another guest pick, this time from our friend Scott. We had a great conversation, and we discussed and played Phish 11.16.91, from Washington, DC. The show's setlist is below, and visit http://hfpod.blogspot.com/ for our Listener Notes and for more information. One quick appeal: Please review us on iTunes! -- Phish 11.16.91, The Bayou, Washington, DC Set 1: The Landlady, Uncle Pen, Wilson > Runaway Jim, It's Ice > Sparkle > Fluffhead, Foam, Stash, Ya Mar, Cavern Set 2: Tube > My Sweet One > Bathtub Gin, Brother, You Enjoy Myself, Horn > Chalk Dust Torture, Hold Your Head Up > Terrapin > Hold Your Head Up, Llama E: Glide, Rocky Top See acast.com/privacy for privacy and opt-out information.
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