Village in Wisconsin, United States
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10 episodes with east troy
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2 episodes with east troy
3 episodes with east troy
3 episodes with east troy
Hill Valley Dairy, a family-run cheese company from East Troy, Wisconsin, is bringing its farm-to-table experience to Milwaukee with their newest cheese bar. Charitee Seebecker asks "what’s a cheese bar"? Cheesemaker Ron Henningfield shares how their cheese bar offers a unique space for people to gather, learn, and enjoy high-quality, locally made cheese.Another windy day today after a stormy night in Wisconsin. Stu Muck updates us on what geography was impacted overnight, and what to expect today.Liberation Day happened Wednesday when the president signed into effect a 10% tariff on ALL global trade partners. Agricultural organizations, commodity groups and elected officials all reacted. Pam Jahnke highlights comments from Zippy Duvall, President of the American Farm Bureau, on their hopes for a speedy resolution to trade disputes. Ethan Allan from the National Cattlemen's Beef Association says that U.S. beef has been discriminated against globally for years. He cites tariff's U.S. beef incurs from Brazil, Uruguay, Vietnam and Thailand. He says beef producers hope this helps open avenues so U.S. beef can compete with Australia. There's also the overhanging issue of penalties against foreign built vessels that bring goods to the U.S.. Mike Davis has an update on that financial measure and its impact on agriculture. Bryce Windecker, dairy risk manager for EverAg, joins Pam Jahnke from his dairy in upstate New York. Dairy markets are anxious about starting trade on Thursday. Windecker says the U.S. is still the cheapest dairy source, but we're sitting on higher supplies of cheese and dairy ingredients. One area to watch may be an outbreak of hoof and mouth disease in Slovakia impacting about 4,000 animals so far.See omnystudio.com/listener for privacy information.
Your next chance to WIN is tomorrow at 7:20am!
Your next chance to WIN is tomorrow at 7:20am!
Hill Valley Dairy, a family-run cheese company from East Troy, Wisconsin, is bringing its farm-to-table experience to Milwaukee with their newest cheese bar. Located in the Walker's Point neighborhood, the cheese bar offers a unique space for people to gather, learn, and enjoy high-quality, locally made cheeses. Founder and cheesemaker Ron Henningfield grew up on a dairy farm and always felt a deep connection to farming. "I loved working with my family on the farm – with the animals, crops, and machinery," Henningfield said. "Cheese making became a way to stay connected to that farming heritage while growing a new business." The idea for a cheese bar took shape when a neighboring storefront opened next to Hill Valley Dairy's Lake Geneva location. The family envisioned a welcoming space where customers could gather around cheese, much like they would at a bar. "We wanted a place where people could enjoy cheese with friends or family, or even just on their own," Henningfield explained. "The cheese bar lets them connect with their food, learn something new, and savor the experience."See omnystudio.com/listener for privacy information.
It's National FFA Week and Wisconsin chapters will be celebrating in fine fashion. Jill Welke was a part of the crowd at the 2025 Wisconsin FFA Alumni and Supporters state convention in Stevens Point. She caught up with Wisconsinite Mary Schreiber who is currently serving as a National FFA Regional Vice President. Schreiber, who hails from East Troy, said it's been a busy few months since she was elected. Now that we've got the snow - here comes bone chilling temperatures. Stu Muck tallies up the snow totals and tells us about the wind chills on the way. Dairy Farmers of Wisconsin are focused on helping teachers share the dairy message. Charitee Seebecker visits with dairy farmer and board member, Virgil Haag fro Mount Horeb, about some new educational aids that are not only fun - but carry the dairy messages. Paid for by Dairy Farmers of Wisconsin. Markets are closed for the President's Day holiday, but a brand new business is open in a Milwaukee suburb. Ron Henningfeld from Hill Valley Dairy in East Troy has just opened a new 'cheese bar' and explains his connection to the Milwaukee location. Compeer Financial has selected a Fond du Lac County dairyman for their 2025 GroundBreaker award. Presented to a farmer under the age of 35 that's been farming less than 10 years, Compeer highlighted producers from Minnesota, Illinois and Wisconsin. Evan Schrauth of ClovenView Farms talks with Pam Jahnke about his dedication to farming since he was two.See omnystudio.com/listener for privacy information.
Your next chance to win is tomorrow at 7:20am or ticket info at 991themix.com
Your next chance to win is tomorrow at 7:20am or ticket info at 991themix.com
It's all uphill from here! This week, our hosts FiG and Knob are headed to Wisconsin. It's July 6th, 1984 and the Grateful Dead are playing at the Alpine Valley Music Theatre in East Troy, Wisconsin. Discussions abound about Graham's donor rap, a solid Little Red Rooster, and the history of FiG and Knob's friendship. Iko Iko Jack Straw > Big Railroad Blues Little Red Rooster Candyman Me & My Uncle > Mexicali Blues Bird Song Let It Grow China Cat Sunflower > I Know You Rider Ship of Fools Women Are Smarter Drums > Space > Dear Mr. Fantasy > The Other One > Black Peter > Why Don't We Do It In The Road > Around & Around Jam Sugar Magnolia Touch Of Gray
Farmers deal with all types of stress. Weather, prices. Monica McConkey is a rural mental health specialist and one of two state-funded farm counselors in Minnesota. She has some advice for us on how and when to get help before you or a loved one goes into crisis mode. After all, the agriculture community is even more susceptible to stress and depression due to the weather and crop prices. She discusses it with Stephanie Hoff.Windy conditions could take more leaves off Wisconsin trees. Stu Muck, ag meteorologist, says mild weather is still a part of the week.Wisconsin has a new National FFA Officer! Mary Schrieber from East Troy was selected as the Central Region Vice President at the National FFA Convention in Indianapolis. Jill Welke visits with her on the path that led her to the post.Financial requests far outstripped available monies for the second round of the Agriculture Road Improvement Program grant system. Joel Nilsesteun, Deputy Executive Secretary at the WI Dept. of Transportation, shares a few statistics on requests.With the harvest now in the rear view mirror, Wisconsin farmers got a few surprises this year. So did UW-Extension Soybean Specialist, Dr. Shawn Conley. He visits with Pam Jahnke about some of the disappointments he found in his own research plots, and where growers need to pivot going into 2025. Paid for by the Wisconsin Soybean Marketing Board.See omnystudio.com/listener for privacy information.
Your next chance to win is tomorrow at 9:20am or ticket info at 991themix.com
Your next chance to win is tomorrow at 9:20am or ticket info at 991themix.com
Your next chance to win is tomorrow at 7:20am or ticket info at 991themix.com
Your next chance to win is tomorrow at 7:20am or ticket info at 991themix.com
My name is Christian Cliffgard, my pomeranian canine is Molly. I live in Elkhorn, WI, and grew up in East Troy, WI, next to the airport in East Troy. I am 51, Molly is 11 years old. I am married, my wife is Deb, and we also have 2 other dogs (Winter and Javi, both are heeler mixes.) I am an independent business owner/operator, performing tile installations mainly, and consulting for some companies and architects out there. Just trying to keep it simple. My background is in building construction, light engineering, and being resourceful in fixing vehicles. I grew up in the country, near a stream and small forest. As kids, my pops had us learn a bit of wild life, and we also had horses growing up. When my pops bought a new horse, I would test him/her out in the field. We also raised a raccoon from a baby (eyes not open yet,) to an adult. The raccoon was one of the gang of us kids. My family consisted of my 2 brothers and 1 sister. We also raised a hawk from a hatchling, rescued an owl, and had some cats and a couple dogs growing up. Growing up, being the oldest, my pops always utilized me to work on vehicles, home projects and more, so I would learn, and gain a better knowledge of building and fixing things. Our entire life was under the landing approach of the East Troy Airport, and we would see planes, helicopters, skydivers, and specialty craft every so often on their way to EAA Oshkosh. After high school in a small town, I got into college, and did some construction as well, which was part of my degree I was pursuing. In the end, I ended up making my leap in construction management, without finishing my degree, or the last half year of school. I had also went through an officer program for the USMC, which gave you the option to join as an officer upon graduation, without having to be obligated, since it wasn't a scholarship or program to fund my schooling. I passed the program, but in the end, it wasn't for me in the long term, so I accepted an honorable discharge for the program I completed. After school, my activities included whitewater kayaking, rodeo boat style, motorcycles, a little on mountain bikes. I had always been interested in motorcycles and flying. I got super interested in motorcycles after watching the movie TRON. As for flying, the steven speilberg movie '1941' with Wild Bill Kelsoe (John Belushi,) as the crazy army air corps P-40 pilot, is what initially caught my eye to flying, then of course STAR WARS was the next one to hit home. In 2001, after many attempts to get friends to go skydiving, and everyone backing out, I went by myself, and after that first jump (which was AFF, Accelerated Freefall,) I was hooked, and kept going to attain my license. Years later, 2008, I actually rented the house on the dropzone in East Troy for about 8 years, before getting married, and merging into one household. In 2013, I lost my dog of 18 years to old age, and within 2 days, I looked into Molly through a breeder in Foster City, Michigan (the UP.) She was 4 weeks at the time, and I came back 3 weeks later to bring her home. She became my shadow, and keeps me in her site at all times. She has a bit of separation anxiety, so I take her almost everywhere. I had her riding motorcycles within 3 months. After a year, and being fully grown, I started constructing a harness system for her to skydive with me. After having it all completed and set with doggles, we went, and she was secure , as long as she was with me. That first jump, she thought it would be like a car window, but then we jumped and she froze for a couple seconds, trying to figure this out. After that, she pushed her paws against the air flow of freefall, and just started looking around. After we landed, she was excited, and running circles around me, trying to figure out what was next. A few years later, 2018, I started looking into paramotoring, as I saw it on the net, and was interested. Shortly after, I found an instructor, and started training to become an ultrlight pilot. The training was easy, because I had over 10 years experience in the air under a canopy/wing. Molly went to all my training, and once I was ready to solo fly, I just kept on going, eventually taking Molly all the time I could. Only time she is not up is when it is under 45 degrees on the ground. After flying for years, I started going to Fly-ins, meeting others in this discipline, and enjoying the culture. (Every sport has a culture to it, like kayaking or skydiving..) You can talk about the sport with minimal detail, and others in that sport understand you without too much explanation. Want to create live streams like this? Check out StreamYard: https://streamyard.com/pal/d/50885107...
Phish A Song I Heard The Ocean Sing 15:30 2024/07/28 East Troy, WI Phish Theme from the Bottom > 16:11 2024/07/30 St Louis, MO Phish Vultures 6:09 2024/07/30 St Louis, MO Phish Chalk Dust Torture > 13:49 2024/07/28 East Troy, WI Phish Dirt 4:17 2024/07/28 East Troy, WI Phish Peaches En Regalia 3:31 2024/08/16 Dover, […]
A Festival Odyssey: Phish, Mondegreens, and Moments with My SonLarry Mishkin reflects on his recent experience attending the Mondegreen Festival, a Phish festival in Dover, Delaware, with his son and friends. He shares his enthusiasm for the event, highlighting the performances and the significance of certain songs, including "The MoMA Dance" and "NICU," which have deep ties to Phish's history and fan culture. Larry provides a detailed history of Phish festivals, from the Clifford Ball in 1996 to the most recent Mondegreen Festival, noting memorable moments, attendance figures, and unique aspects of each event. The episode also includes a brief discussion on the 60th anniversary of The Beatles' performance at Red Rocks Amphitheatre in Denver, Colorado. Larry expresses his excitement about attending the festival with his son and reminisces about the special bond they shared during the event.MONDEGREENPhishAugust 15 – 18, 2024The WoodlandsDover Delaware Band's 11th festival, NOT counting Curveball set for 2018 that was canceled at the last minute due to contaminated water supply due to heavy rains and flooding. Nine year gap between MagnaBall in March, 2015 and Mondegreen, biggest gap between festivals in band's history. INTRO: Moma Dance Night One, August 15, 2024 First Night, First Set, First Song (into Back On The Train) Phish @ The Woodlands, Mondegreen Festival, Dover DE 2024-08-15 : Free Download, Borrow, and Streaming : Internet Archive Track #2 2:31 – 4:05 By: Anastasio/Fishman/Gordon/McConnell/MarshallPlayed:First Played: 6/30/98 in Copenhagen, DenmarkMost recent: August 15, 2024 (Mondegreen)Current Gap: 3 shows The title of “Moma” is another example of Phish Phonetics, cleverly transforming the moment ends lyric into a reference to a display of “The Rhombus” at New York City's Museum of Modern Art (MoMA).Mondegreen: are they saying, “The Moma Dance” OR “the Moment Ends”?? SHOW No 1: NICU Night One, August 15, 2024 First Set, 6th song (out of Roggae and into A Wave of Hope) Phish @ The Woodlands, Mondegreen Festival, Dover DE 2024-08-15 : Free Download, Borrow, and Streaming : Internet Archive Track #7 3:00 – 4:56 By: Anastasio/MarshallPlayed 156 timesFirst Played: 3.6.92 at The Music Hall in Portsmouth, NHMost Recent: August 15, 2024 (Mondegreen)Gap: 3 shows Has any Phish song had as many names with as many explanations as “NICU”? At its debut in Portsmouth, New Hampshire, Trey introduced the song as “In an Intensive Care Unit.” Shortly thereafter, the name was changed to “NICU,” which some considered a play on a line from the backing vocals in the chorus (“and I see you”) and others noted was the abbreviation for the Neonatal Intensive Care Unit.Shortly thereafter, the “controversy” began, as controversy can only begin among rabid Phish fans. Some called the song “And I See You.” Some stuck with the original “In an Intensive Care Unit.” Other interesting theories developed, including one from the Internet where a fan noted that the elements Nickel (NI) and Copper (Cu) are side-by-side on the Periodic Table and that the title “NICU” may thus be a reference to nickels and pennies or, more likely, small change. Title is a Mondegreen for “And I See You” Music News (from Mondegreen) Matthew's crew: Matthew, me, Donny, Jake, Dave and Seth Michigan Crew: ??? NYC Crew: Max & Jess, Joey and Darby, Darby's brother, Brad and Sam, Dan the drummer (and?), Dude from Florida and girlfriend (??), Tesh,WHO ELSE SHOULD I MENTION? CLEVELAND CREW: Kevin, two buddies? Aaron Anyone else? Hot and humid/ AC unitsTents v. RV's/bathrooms/food/water and ice/maintenanceStorm – cut Sunday short Modern weather technology – good and bad Just like 2022 Sacred Rose Festival Secret Set on Aug. 16th second night Driving 12 hours each way SHOW No. 2: I Am Hydrogen > Weekapaug Groove Night 3, August 17, 2024 – Second set opener traditional Mike's Groove>Theme From The Bottom November 11, 2012, MSG, NYNY Mike's>Chalk Dust Torture>I Am Hydrogen>Weekapaug Phish | 12.29.11 | Mike's Song → Chalk Dust Torture → I Am Hydrogen → Weekapaug Groove - YouTube 15:44 – 17.43 I Am HydrogenBy: Daubert/Marshall/AnastasioPlayed: 350 timesFirst: April 6, 1985 at Finbar's in Burlington, VTMost Recent: August 17, 2024 (Mondegreen Night 3)Gap: 1 show The story of “I Am Hydrogen” is a love story. Conceived by Tom Marshall and Marc Daubert around 1984-85 on piano and acoustic guitar, they brought their creation over to Trey's house, where it was recorded. Trey added a harmony to it on his electric guitar, and the “Hydrogen” we have come to know was born. Initially intended for Tom, Marc, and Trey's band Bivouac, “Hydrogen” ended up in the Phish lineup and made its debut, all alone, on 4/6/85. After a few years, it became the connector between Mike's Song and Weekapaug Groove. Into Weekapaug GrooveBy: Anastasio/Fishman/McConnell/GordonPlayed: 523 timesFirst: 7.23.1988 at Pete's Phabulous Phish Phest in Underhill, VTMost Recent: August 17, 2024 (Mondegreen Night 3)Gap: 1 show “Weekapaug Groove” takes its name from the town of Weekapaug, located on the shores of the Atlantic Ocean in southwestern Rhode Island. According to Mike, the song's lyrics (“Trying to make a woman that you move, sharing in a Weekapaug Groove”) are meaningless. As Mike said in a 9/9/97 interview with Parke Puterbaugh: “So we came back to Boston [from Weekapaug, after playing a gig there at a yacht club], and I guess we were in the van or the Voyager we used to drive in, and that song “Oh What a Night” came on the radio. You know that one? That awful Four Seasons song? We just constantly listened to songs and changed around the words as to what they might sound like. I always had a particularly hard time hearing lyrics anyway, so I always would sing a song on the radio, sing along with the wrong words. So the bridge of that song goes ‘Oh I-I-I trying to something,' but I was singing it, ‘Oh I-I-I trying to make a woman that you move,' which means nothing, 'sharing in a Weekapaug groove.' So we all just started singing that, as complete nonsense: ‘trying to make a woman that you move.' It never occurred to any of us that it had any meaning, ever. There was a period of time that we were singing it, and I used to just yell out the lyrics, between singing them I would just yell them out as if I was preaching them, just to sort of make it more ironic that they have no meaning.” SHOW No. 3: Yamar Night 4, August 18, 2024 – First set 10th song out of Stash and into Timber August 17, 1996, Clifford Ball, Plattsburgh AFB, Plattsburgh, NY (1st Phish Festival) into It's Ice Phish-Ya Mar-Clifford Ball (youtube.com) 0:13 – 1:45 By: Cyril Ferguson 27th November 1951 - Cyril 'Dry Bread' Ferguson was born in Nassau, New Providence, Bahama Islands.Ferguson was a Bahamian musician and entertainer. He composed songs in the genres of goombay, calypso and Bahamian pop music.Some of his more popular songs include: Ya Mar, Sunshine On My Body, Bahamian Music and Don't Squeeze The Mango.Ferguson died of complications related to diabetes on 9th April 2009. “Ya Mar” resides as a favorite in the hearts of many fans. It represents one of Phish's few forays into calypso and is among the most playful and danceable songs in the band's repertoire. And anytime Trey screams for Page to take the reins – “Play it, Leoooooo!” – the crowd is apt to go wild. Page's nickname actually comes from this line in the original, where The Mustangs urged their own piano man to step into the spotlight. The title seems to reference the slurred interpretation of “your ma,” as the singer recounts the disdain his lover's family has for him. Phish put their own unique stamp on it by often changing the “no good pa” lyric in the chorus to mimic their own “oh kee pa” phrase. Played: 232 timesFirst: 2.21.1987 at Slade Hall, UV, Burlington, VTMost Recent: 8.18.2024Gap: 0 shows Marijuana News Senator Says Harris Will ‘Be Ready To Sign' Marijuana Reform Bills If Elected PresidentGOP Senators Claim Marijuana Is A ‘Gateway Drug' As They Oppose Rescheduling And Legalization3. People Who Use Marijuana Are Less Likely To Be Obese, New Study Shows SHOW No. 4: Simple Night 4, August 18, 2024 – First set second to last song of Izabella and into Golden Age July 27, 2024, Alpine Valley, East Troy, WI second set out of Sigma Oasis and into The Howling Phish - 7/27/2024 - Simple (4K HDR) (youtube.com) 0:18 – 1:28 By: GordonPlayed: 209 timesFirst: 5.27.1994 at the Warfield Theater in San FranciscoMost Recent: August 18, 2024 (Mondegreen Night 4)Gap: 0 shows "Simple" was first written and recorded by Mike Gordon in a four-track medium in the Doo-wop style and introduced to the band during the studio sessions forHoist. This version reflected the country and bluegrass writing style of many previous Gordon compositions. The song was left off of the albumand the band showed hesitation in performing it live. Then, on 5/27/94, “Simple” debuted in a very strange and raw fashion during the “Mike's Song” at the Warfield in San Francisco. In contrast to the song we know today, the debut version of “Simple” was Mike's original lyrics sung by the band members over a jam that had emerged from “Mike's.” Three weeks later, “Simple” was played for a second time at the historic 6/17/94 gig, the same night that much of the country was watching the low-speed police chase of O.J. Simpson's white Ford Bronco through L.A. This version was significantly reworked and sounded much like the “Simple” we are accustomed to hearing today, with the exception of a minor humoristic augmentation providing the line “We've got O.J., cause we've got a band.” Mondegreen: We've got a cymbal (simple) cause we've got a band OUTRO: Twee Pri Night 3, August 17, 2024 – Encore out of YEM into end of show April 20, 2024, The Sphere, Las Vegas, NV Encore out of A Life Beyond the Dream into end of show Tvidler 202202 11 by Ryan Maguire (youtube.com) 0:00 – end By: Anastasio/Fishman/Gordon/McConnellPlayed: 321 tiesFirst: 2.1.1991 at Alumnae Hall, Brown University — Providence, RIMost Recent: 8.17.2024 Mondegreen Night 3Gap: 1 show A "reprise" is a sort of musical afterthought – basically a reintroduction of and variation on the main theme of a piece of music. Thus, “Tweezer Reprise” is a slight variation – a condensation of sorts – of “Tweezer.” As it does on the album A Picture of Nectar, the “Reprise” often follows “Tweezer” in concert, most frequently as an encore song. It is also common as a second set closer following an earlier “Tweezer.” A few times, the “Reprise” has even been spewed out of some long, monster “Tweezer,” serving as the thrilling exclamation point at the end of a raging, set-long sentence (e.g. 5/7/94, 6/22/95).On occasion, “Tweezer Reprise” has shown up as a surprise in a show where there has been no performance of “Tweezer” proper. Although usually this occurs because the “Reprise” will be referring back to a non-reprised “Tweezer” at the previous night's show (e.g. 12/30/96's “Tweezer” was reprised on 12/31/96), the song has been known to appear, albeit rarely, completely free from its Granddaddy counterpart, like on 9/29/99. The most interesting example of this, and perhaps the most unusual “Tweezer Reprise” ever performed, was on 12/8/99, which featured an a cappella version that came out of a “YEM” vocal jam to close the second set. The band later finished off the show with a traditional “Tweezer Reprise” to end the encore. Other interesting versions include 10/27/94 and 10/21/95. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast
Send us a Text Message.Hi everybody and welcome to this week's episode of Attendance Bias. I am your host, Brian Weinstein. You know, everybody has their own standards for what constitutes a “special” Phish show: a killer setlist, monster jams, rarities, meeting up with old friends, making new friends, going to your hometown venue, and more. I mean, that's the entire premise of this podcast! But every now and again, Phish plays a show that is an undisputed SPECIAL SHOW. A show that encapsulates all of the above, and maybe even a little more. Today's episode with guest Chris Bojar revisits such a show from the recent past: July 14, 2019 at Alpine Valley in East Troy, Wisconsin. There can be little doubt that Phish has a special affinity for the summertime shed, as they've played several great shows there. However, few shows are as explicit as this one, where the band went out of their way to tell the crowd how much they love playing at Alpine Valley, both directly and through goofy antics and banter, including a breakout version of Ruby Waves and putting the pressure on a certain couple to get married. Throw in the fact that Chris is from Wisconsin, and was able to have a buddies weekend at the height of summer and the table is set for an all time great show. And, boy, did Phish deliver. So let's join Chris to talk about planning setlists, Spock's Brain, and getting harassed by Kentucky police as we discuss July 14, 2019 at Alpine Valley.
Phish Llama 3:41 2024/07/26 East Troy, WI Phish Maze 10:03 2024/07/24 Uncasville, CT Phish Golden Age 16:09 2024 07 23 – Uncasville Phish Walls Of The Cave 11:09 2024 07 23 – Uncasville Phish The Horse 1:25 2024/07/26 East Troy, WI Phish Silent In The Morning 5:12 2024/07/26 East Troy, WI Phish The Curtain 6:58 […]
This is the 2nd hour of The Land of Make Believe with Old Man Ratchet that aired on Saturday August 10th, 2024 from 9 to 10 pm (est) on WOZO-LP 103.9 FM Knoxville, TN and streamed online at wozoradio.com. This hour featured the band Phish and was mixed, edited, and produced with Audacity Freeware for noncommercial use. WOZO is a non-commercial radio station that relies on listener support. To help us stay on the air, please consider a donation through Venmo @WozoFM Thank You!Track List: Station IDPSA - WOZO Dance Party August 24thSUNO AI - On Air Tonight Instrumental(Show Intro)Phish - Tweezer (7.30.24 St. Louis)SUNO AI - The Nightly Groove Instrumental(Show interlude)Phish - First Tube (7.31.24 St. Louis)Phish - Also Sprach Zarathustra (7-28-24 East Troy, MI)SUNO AI - Radio Vibes Instrumental(Show Outro)PSA - Protect Press Freedom
Your next chance to win is tomorrow at 7:20am or ticket info at 991themix.com
Your next chance to win is tomorrow at 7:20am or ticket info at 991themix.com
Phish Axilla (Part II) 6:28 2024/07/26 East Troy, WI 2024 White Canyon & The 5th Dimension Stone of The Kingdom 11:17 The Golden Key To The Kingdom Of No Return 2024 Traum Infraterrestrial Dub 4:28 Traum 2024 Drew Gardner Polaris 7:11 Cygnus A 2024 Feedy Zappelkackmann 16:38 Xxn Vldz 2024 David McCallum The Edge 2:50 […]
Two-time Olympian Stephanie Roble talks about the joys of sailing as well as her roots on Wisconsin’s Lake Beulah. The East Troy native is competing in the 2024 Summer Olympics Games in Paris in sailing on a 49erFX boat with teammate Maggie Shea of Illinois.
Lori Nickel joins the program and the coolest part about the Olympics is of course the local stories. She profiles a
On August 25th and 26th, 1990, Alpine Valley Music Festival hosted 2 sold-out shows featuring headliner Eric Clapton, along with special guests, Stevie Ray Vaughan & Double Trouble, and the Robert Cray Band. Both shows played to 40,000 strong, and the second show ended with one of the most legendary collections of guiratists on one stage at the same time, when Clapton was joined on stage by Stevie Ray Vaughan, Robert Cray, Jeff Healy, Buddy Guy, and Stevie's brother, Jimmie Vaughan. The concert turned out to be Stevie Ray's final show, as by the end of the night he would be dead, and the music world left stunned and saddened. What exactly happened on that night? And why, almost 35 years later, do people who witnessed the show still talk about Stevie appearing almost supernatural... as if almost already a ghost? Scott and Mickey discuss one of the most iconic shows in rock music history, its aftermath, and Stevie Ray Vaughan's life, one that ended way too soon, on the side of a ski hill in East Troy, WI. Hear it all, on episode 41 of Badger Bizarre, "Stevie Ray Vaughan." Facebook Twitter Website Email us: badgerbizarre@outlook.com Opening Trailer: Ed Gein Sound Byte : "Hard Copy" - Paramount Domestic/CBS Televsion Frank Lloyd Wright and Jeffery Dahmer Sound Byte - WISN 12 News - Milwaukee, WI Jeffery Dahmer Quotes: "Inside Edition" - King World/CBS Television/CBS Media Attribution for Music: Trailer: Composer: Adam Phillip Zwirchmayr https://www.pond5.com/ Intro: https://pixabay.com/ Outro: Composer: Viacheslav Sarancha https://www.pond5.com/ Attribution for logo design: Red Claw Scratch Photo Sources: Aledort, Andy; Alan, Paul; "Texas Flood; The Inside Story of Stevie Ray Vaughan" "Amplified; Stevie Ray Vaughan - Rise of a Texas Bluesman" Cahoon, Colin P; "The Truth About What Really Killed Stevie Ray Vaughan" Huffington Post https://srvarchive.com/
"A Day on the Green: Celebrating 35 Years Since the Legendary Concert"Larry Mishkin highlights a significant Grateful Dead concert from May 27, 1989, at Oakland Alameda County Stadium, part of an AIDS benefit organized by Bill Graham. The event featured artists like Tracy Chapman, John Fogerty, Los Lobos, Joe Satriani, and the Grateful Dead. Larry delves into Fogerty's set, backed by Jerry Garcia and Bob Weir, sharing insights and historical context. He also touches on the canceled Neil Young concert due to illness, expressing disappointment and hope for rescheduling. The episode mixes personal anecdotes, music history, and current events in the music world. Grateful DeadMay 27, 1989Oakland Alameda County StadiumOakland, CAGrateful Dead Live at Oakland-Alameda County Stadium on 1989-05-27 : Free Borrow & Streaming : Internet ArchiveA Day On The Green: Aids Benefit Concert:Tracy Chapman an American singer-songwriter, widely known for her hit singles "Fast Car" from her debut album “Tracy Chapman” (1988) and "Give Me One Reason" from her fourth album which on that day was still a few years awat, “New Beginning” (1995). Fast Car has enjoyed a resurgence thanks to Country star, Luke Combs, who's cover version went platinum in 2023 and by September that year was a No 1 country hit making Chapman the first black woman with a sole songwriting credit at No. 1 on the Country charts.John Fogerty Of Credence Clearwater Revival fameLos LobosJoe Satriani an American rock guitarist, composer, and songwriter. Early in his career he worked as a guitar instructor, with many of his former students achieving fame, including Steve Vai, Larry LaLonde, Rick Hunolt, Kirk Hammett, Andy Timmons, Charlie Hunter, Kevin Cadogan, and Alex Skolnick. Satriani went on to have a successful solo music career, starting in the mid-1980s. He is a 15-time Grammy Award nominee and has sold over ten million albums, making him the bestselling instrumental rock guitarist of all time.[3]In 1988, Satriani was recruited by Mick Jagger as lead guitarist for his first solo tour.[4] Satriani briefly toured with Deep Purple, joining shortly after another departure of Ritchie Blackmore from the band in November 1993.[5] He has worked with a range of guitarists during the G3 tour, which he founded in 1995.Tower of Power, and, last but not least Dead INTRO: Althea Track #3 4:51 – 6:21 From the Go To Heaven album (April, 1980), Garcia and Hunter masterpiece. Always a Jerry favorite and loved by Deadheads everywhere, this was the third song of the show following the Touch of Grey opener (of course) and Greatest Story. Great guitar work, lovely vocals, this song really launches the show and gets everyone in the groove. Played 273 timesFirst: August 4, 1979 at Oakland Civic Auditorium, Oakland, CA, USALast: July 8, 1995 at Soldier Field, Chicago The weather for the Day On The Green concert was perfect. Bill Graham, apparently, had an exclusive arrangement with some greater power, so that it never, ever rained when he was having a major outdoor show, and his deal remained in place for the May '89 AIDS Benefit. Another oddity about the AIDS Benefit was that there were no less than five opening acts for the Grateful Dead, which I think was some kind of record for a Bay Area Grateful Dead show. To see that whole event would mean at least 12 hours in the sun, just to wipe yourself out for what we all really wanted to see at the very end. It seems shocking today that a Benefit concert for a terrible disease would be seen as a progressive political act, but such was the Reagan 80s. At least in San Francisco, efforts to prevent AIDS and provide care for those suffering from it had finally expanded beyond the gay community into the general culture. Nonetheless it was still significant when major rock bands headlined a large benefit concert in the Bay Area's biggest venue. Concern for AIDS had finally reached parity with Amnesty International and the Rain Forest, which was a welcome thing. The Coliseum benefit was the largest of several events around the Bay Area, all organized by Bill Graham Presents, and meant to raise awareness as well as money. Originally the Oakland show was supposed to have joint headliners, with both the Grateful Dead and Huey Lewis and The News. A few weeks before the show, however, Huey Lewis had to drop out of the show. Rather sheepishly, his management publicly conceded that the stadium show was cutting into ticket sales for Lewis around Northern California, and they couldn't afford to work for what was effectively nothing. The Dead, of course, had no such concerns. At a press conference, Jerry Garcia graciously said that Huey had to listen to his management, it was part of the business. Huey Lewis And The News were the biggest act in the Bay Area at the time with respect to record sales, and yet the Dead outdrew them by several multiples. The Dead were no longer an aging hippie band who hadn't broken up--they were the biggest draw in town. By 1989, the Dead were huger than ever, thanks to "Touch Of Grey" – which the Dead opened with - and the Coliseum show was an opportunity for a lot of people who had always wanted to see the Dead but hadn't been been able to get tickets. Frost and Shoreline shows sold out pretty rapidly, so regular rock fans who wanted to see the Dead were out of luck. Thus the crowd was very Dead-positive, with plenty of Deadheads, but far less like the insular club of Deadhead veterans that were characteristic of Bay Area shows at the time. There were many fascinating aspects to this event, but in retrospect the most fascinating was that former Creedence Clearwater Revival frontman John Fogerty was second on the bill, and it was known before the show that Jerry Garcia and Bob Weir would be part of his backing group. Creedence had been hugely, titanically popular, but Fogerty had been in a bitter dispute with his record company since the mid-70s, and as a result had refused to play any of his great Creedence songs in concert. By 1989, however, although Fogerty's ire towards Fantasy Records had not subsided, for various reasons he had come to terms with his old songs, so it was widely known that not only would Garcia and Weir be backing Fogerty, but that they would be playing Creedence classics as well. Everything pointed towards an event of historic proportions. There is a You Tube video of the entire Fogerty set that I encourage you to view. Fogerty had a unique status in the Bay Area at the time, and everyone was reminded of that when word was unofficially "leaked", I believe through Joel Selvin's Chronicle column, that not only would Garcia and Weir back Fogerty, but that Fogerty would be playing old Creedence songs. John Fogerty hit the stage in the late afternoon, last up before the Grateful Dead. His band, previously announced, wasJohn Fogerty-lead guitar, vocalsJerry Garcia-guitarBob Weir-guitarRandy Jackson-bassSteve Jordan-drumsJackson and Jordan were well-known and well regarded as session players. Randy Jackson was a working member of Santana's band at the time, among many other gigs. Today, of course, Jackson is best known as a judge for the TV show American Idol, but that was far in his future. Jordan had played the Bay Area recently, on the 1988 tour with Keith Richards, whose album he had co-produced. Fogerty played 11 songs in about 45 minutes. Born On The BayouGreen RiverDown On The CornerRock And Roll GirlCenterfieldProud MaryMidnight SpecialBad Moon RisingFortunate Sonencores with Clarence Clemons-tenor saxophoneSuzie QLong Tall Sally The question many would most like to have answered about this show is "who rehearsed?" From watching the video, it is clear that John Fogerty had run through the songs with Randy Jackson and Steve Jordan. Now, Creedence songs are delightfully basic, as well as famous worldwide, so pros like Jackson and Jordan hardly needed many takes. On every song, however, Jackson and Jordan both provide a funky bottom and plenty of accent. They knew the tunes, and they knew how to make them swing, so I think they had worked on them with Fogerty. Jerry Garcia, however, was notorious for never wanting to rehearse. Weir is far less notorious for avoiding rehearsals, though it is also known that he is famously not on time, so it may amount to something similar. Since John Fogerty wasn't particularly close to any members of the Dead, it's clear that Bill Graham was the one who got Garcia and Weir to accompany Fogerty, and in so doing make it "an event," in classic Graham style. Could Graham have persuaded Garcia to rehearse? The alternative is strange, namely playing a show in front of 40,000 people with at least two band members completely flying blind. On the day of the show the story is that Garcia and Weir had a dressing room run-through with Fogerty and the rhythm section, agreeing on the tempos and the intros. Sandy Rothman has described how the Jerry Garcia Acoustic Band did not really practice songs, they just agreed on an intro and tempo and sang a chorus together. Granted, Rothman, Garcia and David Nelson had played all those songs before, but it was usually twenty years earlier. Still, one chorus run through was sufficient. So I think Fogerty talked Garcia and Weir through the planned songs, but they had never really played together until they got on stage. Creedence songs have a nice groove, but they aren't jamming platforms, so of course Garcia just plunks away through the entire show, maybe not his most memorable performance. On one hand, Jerry Garcia's health in 1989 was as good as it had been in at least a decade, nor it would ever be that good again. Yet the stunning success of "Touch Of Grey," gratifying as it must have been, insured that the bubble of Garcia's life meant that he was more insulated than ever. Garcia wasn't just a legend to Deadheads, he was in the pantheon now, the biggest rock star in the Bay Area, in a beautiful cage with no escape.When Fogerty kicks off the familiar, booming riff of "Born On The Bayou," Garcia is tucked back on stage left, next to Steve Jordan's drums. Randy Jackson is on the other side of Jordan, and Weir is right next to Jackson. Although Garcia plays a very simple figure behind Fogerty for "Bayou," his eyes are on Jordan, and Jerry has a big, happy grin on his face. I'm not imagining this--Garcia has a big grin on his face throughout the entire set, and he mugs happily with Jordan as the drummer plays fills and accents through the set. Weir seems to be having the same kind of fun with Randy Jackson over on stage right. Fogerty is the star, front and center, but the band is getting their own groove on behind him. SHOW No. 1: Down On The Corner (and Band introductions) John Fogerty (w. Jerry and Bobby) JERRY GARCIA JOHN FOGERTY CLARENCE CLEMMONS AND BOB WEIR 5-27-1989 AIDS BENEFIT OAKLAND CA (youtube.com) 10:49 – 12:42 "Down on the Corner" is a song by the American band Creedence Clearwater Revival. It appeared on their fourth studio album, Willy and the Poor Boys (1969). The song peaked at No. 3 on the Billboard Hot 100 on 20 December 1969. The flip side, "Fortunate Son", reached No. 14 on the United States charts on 22 November 1969, the week before Billboard changed its methodology on double-sided hits. The Fogerty set isn't a big deal to Deadheads, but it's hard to get around the fact that Garcia is having a great time. Whether Fogerty was "bigger" than Garcia is beside the point. Fogerty is a genuine star, with genuine hits, so he is the center of attention while he is on stage. For any singer less important than Fogerty--as in, just about all of them--Garcia could not hang back, but he can do so here. For 45 minutes, it's like Garcia is at the Keystone Berkeley or something, hanging out with his peers, playing the guitar parts that are dictated by the music, simple though they may be. When they got to "Down On The Corner," Jerry is practically jumping up and down. In a small but fascinating moment, he steps up to the mic to sing the backing vocals. Now granted, the whole English speaking world knows that it goes "Down on the corner/Out in the street/Willie and The Poor Boys are playing/Bring a nickel, tap your feet," but Jerry actually steps up to sing. Over the years, Deadheads have seen and heard Garcia make lots of guest appearances with various artists. Yet how often did he sing the chorus of other people's hit songs? After "Down On The Corner," Fogerty introduces the band, and Garcia's back is turned when it is his turn, as he's tuning up. Fogerty says "wake him up!' and Garcia turns around. "On guitar, Jerry Garcia!" Garcia grins and goes back to tuning, and Fogerty says "Genius at work." This is just musicians goofing around, albeit goofing around on stage in front of 40,000 people, but Garcia gets to be just another dude on stage, perhaps for one of the last times. A few months later (August 2, 1989), he would share the stage with Carlos Santana and Ruben Blades but that was for a TV special where he was a featured guest. At the Oakland Coliseum, he's just a hired gun playing a bunch of top 40 songs. As Deadheads, we always wanted certain things from Jerry. When Garcia didn't give us what we want, we grumbled, and thanks to the magic of tape and digital recording, we can collectively complain about it for decades. Good times! But we have to keep in mind that what we wanted wasn't always what Jerry wanted. For a Memorial Day Saturday, Garcia wanted to be in a band, playing songs the way they were written, singing his parts when they came around, grooving with the drummer and letting the front man do the heavy lifting. Did it ever come around again that Jerry got to play simple, popular songs with a front man with enough gravitational pull so that it wasn't All About Jerry? In that sense, Garcia's role as John Fogerty's backing musician is a last look backwards for Garcia, a time when he could just be in the band, if only for 45 minutes. Or, as I like to think of it, the Fogerty set was a big pre-show jam session for Bobby and Jerry who soon came back out with the Dead for their standard 3+ hour performance. However you look it at it, the Fogerty set was a fun throwback for Deadheads and a chance to see Jerry and Bobby play with another legend. MUSIC NEWS: Neil Young show in Chicago canceled 90 minutes before show time May 23, 2024 at Northerly Island in Chicago.Going to see Dead & Co. this Saturday, June 1, at the Sphere with a bunch of good friends including good buddy Marc from St. Louis. I hope to be able to have a report on the show for next week's episode but with travel the next day, it may be hard to get the story ready in time. If so, there will be a big report in two weeks. Very excited to see the boys, the Sphere and all my good buddies.The Music Plays the Band – new Dead cover album SHOW No. 2: Iko Iko w/Clarence Clemmons Track #5 5:09 – 6:11 The classic Dead cover of the Dixie Cups tune joined by the Big Man wailing on the sax. Clarence had played a few tunes during Fogerty's set and joined the boys for this tune and a few others during the show. In '89 the Boss was as big as ever and Clarence was a big part of that success. But he enjoyed playing in the improv style embraced by the Dead. Clarence first played with the Dead at their New Year's run on December 27 and December 31, 1988 in Oakland and soon after this how, on June 21, 1989 at Shoreline Amphitheater. He also played a number of times with JGB. And it turns out that one of Clarence's final live performance was playing a show with Phil and Friends a few years back. When the E Street Band went on hiatus at the end of the Eighties, Clemons, who by then had moved to the Bay Area, went in search of work and new musical experiences. In 1989, he toured with the first version of Ringo Starr's All Starr Band, cut an album with producer Narada Michael Walden, and — not surprisingly, given his new home base — befriended members of the Dead.Starting in early 1989, Clemons sat in with both the Dead and the Jerry Garcia Band (JGB) at several shows. With the Dead, he joined in on songs like “Estimated Prophet” and “Eyes of the World” and partook of the overall Dead vibe. “Clarence was an old pal, a soulful bro,” Bob Weir told RS in 2011, right after Clemons' death from complications of a stroke. “He was a good hang. Back in the late Eighties and early Nineties, he was living out here in Marin County. He was in moving-on mode, and he, Jerry, and I mixed it up a bit. We were dropping by clubs like Sweetwater and sitting in with various bands.”The association wasn't just musical. “Jerry and I were both single at that time, and Clarence suggested the three of us move in together and have a bachelor pad,” Weir recalled bemusedly. “Jerry and I almost went for it. It would've been a lot of fun, but I don't think anyone would have survived. Jerry was in good shape, but we were doing a little drinking.” SHOW No. 3: Stuck Inside of Mobile w.the Memphis Blues Again w/Clarence Track #6 2:26 – 3:51 "Stuck Inside of Mobile with the Memphis Blues Again" (also listed as "Memphis Blues Again") is a song by American singer-songwriter Bob Dylan from his seventh studio album, Blonde on Blonde (1966). The song was written by Dylan and produced by Bob Johnston. It has nine verses, each featuring a distinct set of characters and circumstances. All 20 takes of "Stuck Inside of Mobile with the Memphis Blues Again" were recorded in the early hours of February 17, 1966, at Columbia Records's A Studio in Nashville, Tennessee, with the last take selected for the album. This version also appears on Dylan's second compilation album, Bob Dylan's Greatest Hits Vol. II (1971). Dylan played the song live in concert 748 times from 1976 to 2010. A live version recorded in May 1976 was included on the live album from that tour, Hard Rain (1976), and was also released as a single with "Rita May" as the B-side. The first live performance was at the University of West Florida, Pensacola, on April 28, 1976,[32] during the Rolling Thunder Revue tour. Played 70 times by the Dead. Part of Bobby's first set rotation of Dylan tunes with Queen Jane Approximately, Desolation Row, Masterpiece and Ballad of a Thin Man.First: March 17, 1988 at Henry J. Kaiser Convention Center, Oakland, CA, USALast: April 2, 1995 at The Pyramid Arena, Memphis, TN, USA MJ NEWS SHOW No. 4: Blow Away Track #11 7:37 – 9:10 A Brent tune, lyrics by John Barlow (? – seems like a lot of Brent rapping during the song) When you listen to (and read, thanks to the transcription efforts of careful listeners like Alex Allan of The Grateful Dead Lyric and Song Finder site) to Brent's closing rap / rant from the version of “Blow Away” captured on Dozin' at the Knick, you have to acknowledge that, whether the words were improvised or not, they come from the heart, and have a strong sense of immediacy and urgency. Played 23 timesFirst: June 20, 1988 at Alpine Valley Music Theatre, East Troy, WI, USALast: July 16, 1990, Rich Stadium, Orchard Park (Buffalo), NY – it died with Brent OUTRO: Wharf Rat Track #17 3:59 – 5:26 Not the closer this night, or most nights, but it could have been a perfect closer. Hunter/Garcia masterpiece. Wharf Rats are a group of concert-goers who have chosen to live drug and alcohol-free. They arose out of the environment around the rock group the Grateful Dead and their followers the Deadheads, both of which were rooted in the drugs-embracing counterculture of the 1960s.[1]Their primary purpose is to support other concert goers who choose to live drug-free, like themselves. They announce their presence with yellow balloons, signs, and the Wharf Rats information table. At a set break during Grateful Dead (and related) concerts they hold self help style meetings but are not affiliated specifically with any 12-Step organization and have no requirement for attendance at one of their meetings besides providing some helpful drug free fellowship.[2] Like Deadheads, members of Wharf Rats come from all walks of life.[3] By 1990, the Wharf Rats mailing list had some 3,000 names.[1]The Wharf Rats began during the early 1980s[2] as a group of Deadheads under the name "The Wharf Rat Group of Alcoholics Anonymous". The Wharf Rats originally came from a small group of Narcotics Anonymous members who went to a Grateful Dead concert in Philadelphia and located each other by their Yellow balloons with the NA symbol drawn on in Magic Marker.[4] However due to operational differences they soon split off from Narcotics Anonymous, and are not affiliated with them, AA, or any other twelve-step program (though many of members of the Wharf Rats are members of AA, NA or other 12-step programs). The Wharf Rats see themselves as "a group of friends sharing a common bond, providing support, information and some traction in an otherwise slippery environment." The relationship between the Wharf Rats and more traditional such groups has been studied in the academic journal Deviant Behavior.[1]While the Wharf Rats originated at Grateful Dead concerts, they now have a presence at other concerts as well. Similar groups include The Phellowship for Phish, The Gateway for Widespread Panic, The Jellyfish for The String Cheese Incident, Much Obliged for Umphrey's McGee, Happy Hour Heroes for moe., the Digital Buddhas for The Disco Biscuits, Better Than Before for The Werks, the Hummingbirds for Bassnectar, and the Sunny Bunny Recovery for Ween, Dustie Baggies for Billy Strings and The Hot Tea Party for Goose—all based on the Wharf Rats, which remain the best-known.[2]The name of this group comes from the 1971 Dead song "Wharf Rat" (written by Jerry Garcia and Robert Hunter and appearing on Skull & Roses), which contains the self-told story of August West, a down-and-out dockside wino Played: 399 timesFirst: February 18, 1971 at Capitol Theatre, Port Chester, NY, USALast: June 25, 1995 at RFK Stadium in D.C. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast
Adapting to the Grateful Dead Culture: Mark Karan discusses the welcoming yet challenging atmosphere stepping into a tight-knit group like the Grateful Dead.Larry Mishkin is joined by special guest, Mark Karan, a musician well known in Grateful Dead circles. They discuss Mark's experience playing with "The Other Ones" after Jerry Garcia's passing, as well as his time with Ratdog and reflections on the dynamics within these groups. They touch on topics such as the challenges of stepping into Jerry Garcia's shoes, the camaraderie among band members, and the influence of substances on musical performance. Additionally, they explore the enduring legacy of Grateful Dead music and fan reactions to different types of songs performed in concerts. Mark expresses his frustration with some Deadheads' reluctance to embrace non-Grateful Dead music, emphasizing the band's eclectic influences and the importance of openness to new sounds.https://markkaran.com/https://www.facebook.com/mark.karan.79/ The Other Ones, Alpine Valley Music Center, East Troy, WIThe Other Ones Live at Alpine Valley Music Center on 1998-07-11 : Free Download, Borrow, and Streaming : Internet ArchiveINTRO: Dark Star Track #2 7:00 - 8:30SHOW No. 1: Sugaree Track #4 0:40 – 2:193SHOW No. 2: Sugaree Mark Karan and Robin Sylvester (RatDog bassist, passed away in 2022) Terrapin Crossroads San Rafael, CA September 1, 2013 Grateful Dead - "Ship Of Fools" - by Mark Karan & Robin Sylvester (youtube.com) 0:30 – 2:00 SHOW No. 3: The Other One Mark Karan and Scott Guberman, et al Cage Brewing St. Petersburg, FL November 16, 2023 Mark Karan, Scott Guberman, Other One~ Cage Brewing St Pete 11/16/23 - YouTube 3:50 – 5:20SHOW No. 4: The Eleven Track #16 (Other One's Link at the top) 2:30 – 4:06OUTRO: OUTRO: Rodeo Mark Karan 0:00 – 1:29 .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast
Would it be easier for NFL players to jump over and play in the NBA, or NBA players to jump over and play in the NFL? Tausch's answer may surprise you. Also, a very convoluted ending to Double Wisconsin Geography Trivia Wednesday. And Whoa Nelly! featuring a league that has ACTUALLY implemented Tausch's postseason idea!
Your next chance to win is tomorrow at 9:20am or ticket info at 991themix.com
The Cabin is presented by the Wisconsin Counties Association and this week we're featuring Barron County; https://www.wicounties.org/counties/barron-county/The Cabin is also presented by Group Health Trust: www.wcaght.orgCampfire Conversation: Hop aboard as we explore the fascinating world of train travel in Wisconsin! Did you know that Wisconsin boasts over 3,980 railroad public crossings and 3,300 miles of active train tracks? Join us as we uncover the state's rich railroad heritage, from the historic East Troy Electric Railroad, preserving the last seven miles of interurban rail, to the Tiffany Bottoms Train in Durand, offering an open-car ride through the picturesque Tiffany Wildlife Area, perfect for birdwatching enthusiasts. Experience the charm of yesteryears with a journey on the Mid-Continent Railway Museum's vintage railcars through the scenic Baraboo Hills, or delve into the Northwoods' history aboard the Lumberjack Steam Train in Laona. Discover more hidden gems like the National Railroad Museum in Green Bay, the Osceola & St. Croix Valley Railway, and the Wisconsin Great Northern Railroad in Spooner, offering unique experiences for every rail enthusiast. Join us as we traverse through Wisconsin's captivating landscapes and storied past on unforgettable train rides!Hop Aboard a Train Here: East Troy Electric Railroad, East Troy: https://www.easttroyrr.org/Tiffany Bottoms Train, Durand: https://act.sierraclub.org/events/details?formcampaignid=7013q000001rV0BAAUMid-Continent Railway Museum, North Freedom: https://www.midcontinent.org/Lumberjack Steam Train, Laona: https://www.lumberjacksteamtrain.com/National Railroad Museum, Green Bay: https://nationalrrmuseum.org/Osceola & St. Croix Valley Railway, Osceola: https://transportationmuseum.org/Empire Builder, St. Croix River Valley: https://transportationmuseum.org/Riverside & Great Northern Railroad, Wisconsin Dells: https://www.dellstrain.com/Wisconsin Great Northern Railroad, Spooner: https://spoonertrainride.com/Inside Sponsors:Jolly Good Soda: https://bit.ly/3TSFYY4 WCA: https://www.wicounties.org/
The coldest show in Pearl Jam history located in East Troy, Wisconsin was so cold that it was dubbed the nickname 'The Ice Bowl'. When you think of cold weather areas, Wisconsin makes a lot of sense to have held the coldest show ever. But the second coldest show? If you had Birmingham, Alabama on your bingo card, I will assume you've cheated. Yes, you've heard correctly. On a cold night in April of 2003, Pearl Jam played in front of a smaller capacity crowd in 40 degree weather... in deep south Alabama. It's kind of crazy to say aloud, but the storyline for this show is how both band and crowd react to the situation, and the put together a very good show despite all that transpired. Our Patron Tasker Hewitt will join us for the episode to talk about his experience of being in the crowd on that night. The weather isn't the complete story here, because had they of sold well for original venue Birmingham-Jefferson Convention Complex Arena, they wouldn't have had to worry about the rough temperatures. The original plan was for them to play in the same arena which they played in 1998, a larger capacity building than the amphitheater they'd end up moving to, but tickets were not in very high demand and that's what forced the switch. This led to a great crowd full of hardcore fans that all filled up the GA ready to make it a memorable night. In ways it was. They have some great stretches of songs in which the band purposefully made sure that the crowd stay energetic, the best example being a stretch of Even Flow, Daughter and Better Man played as the 4th 5th and 6th songs of the night. There are some great moments in this set. We'll spend a lot of time on songs such as Thumbing My Way and Animal, and Black will be a massive discussion point as well. But if there is one thing to take away from this night, it's the way they ended this show. After Yellow Ledbetter, the band still has their instruments strapped in. A tease of Sweet Home Alabama from McCready at the end of Ledbetter would potentially make this crowd think there was more ahead. Instead, it was one of the weirdest troll jobs in the history of this band. Matt clicks his sticks four times, the band strums one note, and everyone walks off as if everything was normal. We'll get into this at full detail and try to figure out what the hell was going on. Javier returns to the show this week for segments focusing on both Even Flow and Black! Visit the Concertpedia - http://liveon4legs.com Contact the Show - liveon4legspodcast@gmail.com Donate to the Show - http://patreon.com/liveon4legs
Phish Maze 10:49 Phish 94-11-12 Kent, OH 1994 Phish Wilson > (2010-08-07 Berkeley, CA) 4:25 Live Bait 02 2010 Phish Light > (2010-08-07 – Berkeley, CA) 17:15 Live Bait 02 2010 Phish Twenty Years Later (2010-08-07 Berkeley, CA) 7:17 Live Bait 02 2010 Phish Bug (2010-08-14 East Troy, WI) 9:19 Live Bait 02 2010 Phish […]
For Nan Calvert's final program of 2023, she brought to our studios Erin Houlihan and Ellie Barbeau, who are with the Humble Oak Folk School .... which operates under the auspices of the Humble Oak Outdoor Learning and Arts Collective in East Troy.
"Ruby's Groovy Journey: Cannabis, Music, and the Deadhead Show"Larry Mishkin shares his excitement about the birth of his granddaughter, Ruby. He discusses how the song "Ruby Waves" by the band Phish may have inspired her name and how the family is already introducing her to great music. Larry also dives into Grateful Dead, sharing details about a 1979 concert from the Spectrum in Philadelphia and highlighting the song "Jack Straw."Larry then talks about recent Grateful Dead releases and encourages listeners to consider subscribing to annual releases for access to exclusive content. He provides insights into the song "Jack Straw," its lyrics, and the band's performance of it throughout the years. The episode also features the Jerry Garcia Band's song "Rubin and Cherise" and its connection to the love story of Ruby..Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast INTRO: Ruby Waves Phish July 14, 2019 Alpine Valley, East Troy, WI Phish - 7/14/2019 - Ruby Waves - YouTube 0:09 – 1:35 Part of today's show is in honor of my first grandchild, Ruby, born late last month in Georgia. My son Matt is a huge Phish fan and his wife Elena enjoys them too if not quite to the same degree. But they both love this song which may or may not have been the inspiration for their daughter's name. Regardless, Ruby is wonderful and her father is already playing this clip by her bassinet – she lays there and smiles! Phish first played the song on June 18, 2019 at the Budweiser Stage in Toronto. Of the 164 Phish shows since that debut, the band has only performed it a total of 27 times (less than 2% of the Phish shows played since its debut), most recently October 11, 2023 at the Erwin Nutter Center on the campus of Wright State University in Dayton, OH. So not only was seeing this song a rarity, but this version is particularly well known as it is from a legendary show at Alpine Valley a few years ago. This particular version of Ruby Waves runs an incredible 38 minutes and was only one of the many highlights from that show (which featured a huge Olivia's Pool breakout among other big moments). Check out the clip, check out the show, and when you hear Ruby Waves think of little Ruby making her appearance into the world. DeadAlso featuring the Dead from The Spectrum in Philly 44 years ago today. A year of big transition, Jim Marty's first Dead show, and some almost under the radar amazing shows, including this one. An eleven song first set followed up by a four song second set (plus drums and space; who do these guys think they are, Phish?) and strong encore. Here is how it all started SHOW #1: Alabama Getaway Track No. 1 0:10 – 1:35 This is only the second time the Dead played this song in concert, the first being two nights earlier on Nov. 4th at the Providence Civic Center in Rhode Island. Song would first be released six months later (4.28.1980) on Dead's album, Go To Heaven. Ultimately played by the Dead 143 times, with an almost five year gap from 1990 – 1994, Jerry brought it back to the stage for a handful of performances in 1995, including the last one on June 2, 1995 at Shoreline Amphitheatre in Mountain View, CA. Great cultural references to Alabama's complicated legacy, Bill Bojangles, the Twenty Third Psalm from the Bible and more. Great up-tempo tune usually played as a show opener, although it was known to move around from time to time. Extended this clip to catch the Brent breakout during the jam. Still new to the group Brent was not shy and made his presence known with authority even in the first year. SHOW #2: Jack Straw Track No. 10 3:16 – 4:47 One of the highlights of this show, fantastic version of this crowd pleaser and great jamming tune. Brent again jumping into the mix with his backing vocals and his strong keyboard work filling in the gaps. Written by Bobby and Robert Hunter, was never released on a studio album but was released on Europe '72 album. Originally, Bobby sang all the vocals, but at a show in Paris on May 3, 1972, Bobby and Jerry began trading off vocals on different verses and it stayed that way until the end. The song appeared in both the first and second sets until the band's short hiatus in 1974-1975. After re-forming, the song almost exclusively appeared in the first set. After Brent Mydland joined the band in 1979, the song almost exclusively opened the band's first set. The band also often extended the jam after the second verse after Mydland's joining, often extending the song to over six minutes. Dead and Company have also further extended the song, often adding an abstract opening jam prior to the song's first verse. Bob Weir stated in a 2004 interview that the song's lyrics were partly based on John Steinbeck's novel Of Mice and Men.[2] The song's themes include riding the rails, the Great Depression, and hobo (homeless) camps of the era. Jack Straw is also—perhaps coincidentally—the name of the original plantation owner, who lived controversially with his gay lover, Peter Ochello, in Tennessee Williams's play Cat on a Hot Tin Roof. Long a staple of live Dead shows, the song was first heard live on October 19, 1971 at Northrop Auditorium in Minneapolis (another legendary show due to it being Keith Godchaux's first show with the band AND the large number of breakout tunes including Tennessee Jed, Mexicali Blues, Comes A Time, One More Saturday Night, and Ramble On Rose – continuation and new wrinkles to their Americana style that began a year earlier with the releases of American Beauty and Workingman's Dead and now reflected Keith's newly introduced input from the grand piano). Ultimately played by the Dead a total of 476 times putting it very high up on the list of most played Dead tunes. Last played on July 8, 1995 at Soldier Field in Chicago. Time for more Ruby SHOW #3: Ruben and Cerise Grateful Dead March 17, 1991 Cap Center, Landover, MD Grateful Dead Live at Capitol Centre on 1991-03-17 : Free Borrow & Streaming : Internet Archive 2:05 – 2:29 Sweet Ruby dressed in Red is one of the main characters in this Garcia/Hunter song that was first released in April as the opening tune on the JBG's only studio album, Cats Under The Stars (Run For The Roses is considered a “studio album”). Although played with some frequency by the Jerry Garcia Band (76 times), the Grateful Dead only played it four times in concert, this clip being their breakout. Last played on June 19, 1991 at Buckeye Lake Music Theater in Thornville, OH. A classic tale of love found and lost set in the Carnival season in New Orleans. Beautiful lyrics for a sad and cautionary tale. Sorry to say I never saw it live by the Dead or JGB. I have seen it since by Phil, JRAD and others. Nice but not close to the same. Back to the Dead SHOW #4: Terrapin Station Track No. 12 8:00 – 9:31 Beautiful Hunter/Garcia epic mulit-part suite with Hunter composing the lyrics during a single sitting one night during a rare Bay Area lightning storm.On the same day, driving across the Richmond–San Rafael Bridge, lead guitarist Jerry Garcia was struck by the idea for a singular melodic line. He turned his car around and hurried home to set it down in notation before it escaped him. Hunter said "When we met the next day, I showed him the words and he said, 'I've got the music.' They dovetailed perfectly and Terrapin edged into this dimension."[10] Hunter based the lyrics for the "Lady with a Fan" section on a traditional English folk song known variously as "The Lady of Carlisle", "The Bold Lieutenant" and "The Lion's Den". The ballad is No. 396 on the Roud Folk Song Index. It is also O 25 on the Laws list, which synopsizes "The lady decides to choose between two brothers who love her by determining which is braver. She tosses her fan into a lion's den and asks them to retrieve it."[11] Hunter, who was also influenced by Sir Walter Scott, had composed "Terrapin Station" in two parts, the second never recorded or performed by the Grateful Dead.Drummer Bill Kreutzmann ironed out the arrangement, explaining "We sat down and mapped it out. I said, 'This is how the song goes.' I showed [Mickey] all the parts that I felt worked really well, he added a couple, and that's what the song is today. We went back into the studio the next night and got it right. With the drum parts worked out, everything else snapped together like puzzle pieces. As the opener of a four song second set, this is a strong version, jammed out, but not too much is a show highlight. Barely two years old (Terrapin Station album released on July 27, 1977, first performed a few months earlier on Feb. 26, 1977 at the Swing Auditorium in San Bernardino, CA) at this point, you can still hear Garcia playing around with the timing of the lyrics. Ultimately played in concert by the Dead 303 times with the last rendition on July 8, 1995 in Chicago. An song for fans of fun tales of all ages, I suspect young Ruby will become quite familiar with this tune over time! OUTRO: Goodbye Ruby Tuesday Rolling Stones Live – 1991 The Rolling Stones - Ruby Tuesday (Live) - Official 1991 - YouTube 1:52 – 3:12
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In this episode of the Cover Crop Strategies podcast, brought to you by Go Seed, a panel of 3 farmers discuss how they use cover crops with their varying tillage practices. Jim Stute of East Troy, Wis.; Tim Recker of Arlington, Iowa; and Jacob Bolson of Hubbard, Iowa, talk about their own trial and error periods of adopting cover crops and what they've learned through the process.
Your next chance to win is Monday at 7:20am!
Valerie takes us back to the mid-1980s starting with back-to-back concerts as well as her experience at The Lumineers concert just weeks before the Covid shutdown.Bands Mentioned: Aerosmith, The Rolling Stones, Steppenwolf, Black Crows, Jimmy Page, Doobie Brothers.Venues Mentioned: Poplar Creek (Hoffman Estates, IL), Aragon Ballroom (Chicago, IL), Rosemont Horizon (Rosemont, IL), Alpine Valley (East Troy, WI). PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708
Intro song: The Squirming Coil (Lawn Boy)50. Golgi ApparatusStudio clip (Junta)Live clip (Atlanta 2.21.93)49. First TubeLive clip (East Troy 7.8.00)48. Pebbles and MarblesStudio clip (Round Room)47. Split Open and MeltStudio clip (Lawn Boy)Live clip (Toronto 12.12.92)46. Theme From the BottomLive clip (New York City 12.29.97)Studio clip (Billy Breathes)Outro song: Boogie on Reggae Woman (Hampton 11.21.98)
Join No-Till Farmer on a road trip across southern Wisconsin in this week's episode of the podcast, brought to you by SOURCE®️ by Sound Agriculture. Michaela Paukner, managing editor at No-Till Farmer, and Jim Stute, a no-tiller and independent research agronomist, traveled from Stute's East Troy, Wis., farm to a meeting in the southwestern part of Wisconsin near the border with Illinois. Ride along as they talk about herbicide-resistant weeds, Stute's Wisconsin operation and research trials, the history of phosphorus use in agriculture, and more.
This podcast takes you to the blissful retreat that is Camp Kettlewood! We have my sister, Haley, on as a guest host. This beautiful camp made for the most incredible sister trip and sits just 17 minutes from the Mukwonago home Haley and I grew up in. Tune in to hear all about the luxuries of Camp Kettlewood, their beautiful group campsites, our “Parent Trap” photoshoot, and recommendations in the surrounding areas from two former locals. CLICK HERE FOR AN EPISODE RECAP AND ALL THE LINKS!IG: @thatwisconsincoupleFB: @thatwisconsincoupleLeave us your feedback here!
A now-former East Troy middle school music teacher is accused of touching female students. But it's how the school district handled the allegations that prompted four families to reach out to the FOX6 Investigators. In this episode of Open Record, Bryan Polcyn breaks down his latest investigation into the case against John Rash. You'll hear about when the allegations first came to light and why it took years for Rash to be charged. Plus, Bryan explains his conversation with several families who are unhappy with how the school handled the whole thing.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Alpine Valley has been a staple of the Pearl Jam touring route going all the way back to Lollapalooza in 1992. In the seven instances in which they've played there, there's no lack of unforgettable shows and unforgettable moments. A few of the shows even have monikers that they go by such as PJ20, when they played there for their 20th anniversary, and the Ice Bowl in 2000 where they played a full show in freezing cold weather. In this episode, we're gonna go back to 25 years ago where they played their first headlining gig in East Troy. To help us tell the story, we've enlisted our Patron Aaron Redmon who requested this show. This was very early in Matt Cameron's tenure with the band, and there are some things that we'll hear out of Matt that show that he was still getting adjusted to being on tour with them. Songs like Do The Evolution and Brain Of J feature a harder edge than we're accustomed to today. This show will feature technical difficulties, botched lyrics and early indications that certain songs were ready to become massive crowd friendly moments. The two big moments to look out for are Black with a highly intense We Belong Together tag and Alive with an improv within the solo. With Alpine Valley being such a historic venue, we asked you to share your favorite moments from seeing shows there, which we'll share during our question of the week segment. And our Gear Guru segments this week will feature Mike's clean guitar sound on Even Flow, well deserved love for Jeff Ament and a tag of Jimi Hendrix's Machine Gun at the end of Yellow Ledbetter. Visit the Concertpedia - http://liveon4legs.com Purchase the Tour Shirt! - http://liveon4legs.com/2023tour Donate to the Show - http://patreon.com/liveon4legs
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How did this dog do it? (Photo credit Eva Blanco)
History of Erik Buell Motorcycle Company, featuring music from Scorched Waves, and a review of Point Brewing "Drop Dead Blonde Ale"
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Welcome back to HFPod On Tour (Live)! Today we recap Night 21 of Phish's 2022 Summer Tour in East Troy, WI! RJ, Megan & Jonathan are joined by Justin Green to discuss the show.---Tune into our LIVE SHOWS every Monday & Wednesday at 4:30pm ET + 1pm ET following each show of Summer Tour!Please subscribe to OSIRIS MEDIA on Apple Podcasts to hear BONUS HFPod Episodes as well as all of Osiris Media Ad Free!Osiris Live is coming to the Larimer Lounge in Denver, CO on Wednesday, August 31 for a night of music & conversation w/ Taper's Choice. Please visit Osirispod.com/Denver to buy tickets!Visit Sunset Lake CBD and enter the promo code HFPOD for 20% off your order.Please visit PassionHouseCoffee.com to try their coffee today. Use the code OSIRIS for free shipping on every order. We're thrilled to be sponsored by PHRE. To get involved in PHRE's education, outreach, and community partnership programs, sign up to volunteer and share in the groove at the PHRE table during a show - they'll be at every venue for the rest Phish's summer tour!---HFPod On Tour is hosted and produced by Jonathan Hart, Brian Brinkman, RJ Bee, and Megan Glionna. Brought to you by Osiris Media. Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.
Welcome back to HFPod On Tour (Live)! Today we recap Night 21 of Phish's 2022 Summer Tour in East Troy, WI! Brian is joined by Scott Marks to discuss the show.---Tune into our LIVE SHOWS every Monday & Wednesday at 4:30pm ET + 1pm ET following each show of Summer Tour!Please subscribe to OSIRIS MEDIA on Apple Podcasts to hear BONUS HFPod Episodes as well as all of Osiris Media Ad Free!Osiris Live is coming to the Larimer Lounge in Denver, CO on Wednesday, August 31 for a night of music & conversation w/ Taper's Choice. Please visit Osirispod.com/Denver to buy tickets!Visit Sunset Lake CBD and enter the promo code HFPOD for 20% off your order.Please visit PassionHouseCoffee.com to try their coffee today. Use the code OSIRIS for free shipping on every order. We're thrilled to be sponsored by PHRE. To get involved in PHRE's education, outreach, and community partnership programs, sign up to volunteer and share in the groove at the PHRE table during a show - they'll be at every venue for the rest Phish's summer tour!---HFPod On Tour is hosted and produced by Jonathan Hart, Brian Brinkman, RJ Bee, and Megan Glionna. Brought to you by Osiris Media. Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.
Welcome back to HFPod On Tour (Live)! Today we recap Night 20 of Phish's 2022 Summer Tour in Toronto, ON! Brian, RJ & Jonathan are joined by Scott Marks to discuss the show.---Tune into our LIVE SHOWS every Monday & Wednesday at 4:30pm ET + 1pm ET following each show of Summer Tour!Please subscribe to OSIRIS MEDIA on Apple Podcasts to hear BONUS HFPod Episodes as well as all of Osiris Media Ad Free!Osiris Live is coming to the Larimer Lounge in Denver, CO on Wednesday, August 31 for a night of music & conversation w/ Taper's Choice. Please visit Osirispod.com/Denver to buy tickets!Visit Sunset Lake CBD and enter the promo code HFPOD for 20% off your order.Please visit PassionHouseCoffee.com to try their coffee today. Use the code OSIRIS for free shipping on every order. We're thrilled to be sponsored by PHRE. To get involved in PHRE's education, outreach, and community partnership programs, sign up to volunteer and share in the groove at the PHRE table during a show - they'll be at every venue for the rest Phish's summer tour!---HFPod On Tour is hosted and produced by Jonathan Hart, Brian Brinkman, RJ Bee, and Megan Glionna. Brought to you by Osiris Media. Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.
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