Podcasts about YEM

Rachel Walker MasonEver since I can remember I've been able to see music as colours when I listen to music or compose a song. I've since learned that this condition is called synaesthesia and people often refer to it as “my superpower”.I always felt my happiest and most fulfilled when I was singing or writing music so it felt natural to make it my career path. I've never wanted to do anything else as a job and am very lucky that I've been able to live my dream, pursuing music through school, my undergraduate degree then a masters in songwriting before starting my career as a freelance songwriter, musical director and vocal coach.During my career, I've performed all over the world, coached hundreds of singers from beginners to west end performers, run an artist management company and worked extensively in my community to encourage different generations to bond through the arts. For this, I was crowned Freelancer Of The Year and Woman of the Year. Throughout my life, I've struggled with my mental health and when my children were born I was diagnosed with postnatal depression. After recovering I set up Lyrical Light as a songwriting workshop for those struggling with their mental health after becoming parents. It's a real honour to be able to help people through music.My work now encompasses both of these aspects from co-writing and songwriting, working as a Maternal Mental Health Ambassador and with parents who are suffering from Post-Natal Depression. Eloise Hodder is the HE Programme Co-ordinator for BA (Hons) Performing Arts - Acting at University Centre Weston (UCW). Eloise delivers on the BA Hons degree in Performing Arts which is validated by Bath Spa University.  Eloise also works as a guest lecturer and examiner both nationally and internationally encompassing a range of institutions from The Brit School, to consultant Actor/Director at L'Ecole d'Architecture Universite de Montreal. Eloise trained as an actor and holds BA (Hons) from Royal Welsh College of Music and Drama (Franchise University of South Wales) and has a Postgraduate Diploma from Royal Central School of Speech and Drama Applied Theatre specialising in Directing. Eloise is also a member of Royal Academy of Dance and the Institute for Learning. Eloise is an actor, director, interdisciplinary performer and educator. She has worked as the director/creator of Trapped (Donmar and Endeavour), received the Jack Petchey Youth Community Project Award for Delicate Rose tour and has been nominated for a Royal Television Society Award for Gannin' Yem. Eloise has been an Education Associate for the Donmar, Bush Theatre and Michael Grandage Theatre Company.

This week's guest is Diego Rodriguez! We talked about how he got into Phish and the jam band scene back in his high school days and also heard about his first show experience at Austin City Limits back in 2010. We talked about some of his favorite jams, including the YEM from Dick's 2012, and the Tahoe Tweezer. Diego also shared what song he wants to hear Phish cover, and shared some fun stories from the road!

What does it really take to pivot careers and thrive in tech?

Ms Yem and Mr Forster talk about the extract we used for the 2025 Trial exam on Helena and Demetrius in Act 2 Scene 1. Don't forget to download the handout here.

Ms Yem and Mr Forster discuss an extract from the opening to 2.1 on the following question: How does Shakespeare present the fairy world at this moment in the play?Don't forget to download the handout with the question, thesis, and essay plan here.

Send us a textHi everybody and welcome to today's episode of Attendance Bias. I am your host, Brian Weinstein. Today's guest, Cris Coey, chose to speak about Phish's show at the Rupp Arena in Lexington, Kentucky from November 7, 1996. It's a show that is famous in Phish history for mostly one reason–the long, multi-faceted version of Bathtub Gin that is jammed out in the middle of the 2nd set. The has been released twice on soundboard by LivePhish, and for good reason: widely known as the “Rupp Gin,” the jam perfectly encapsulates everything that was great about Phish in 1996. There are innumerable great Phish jams, but this is a rare one that gets a specific name based on its location. Yeah, one of those jams.However, this episode is not just about that Bathtub Gin. As Cris and I discuss, Phish had a lot to offer in 1996 as they embraced their newfound dominance in arenas and large-scale venues, coast to coast. They were done with theaters and the occasional arena. With Billy Breathes demonstrating their maturing songwriting skills and expertise in the studio, as well as having conquered the abstract rock madness of 1995, Phish had one foot in the past and one in the future, when they had yet to destroy America. Although the Bathtub Gin is the centerpiece of the show, there's much more to it.As we talked, it became obvious that Cris is a fan's fan. He's obviously attended a lot of great Phish shows in his time, and we had a lot in common, but also some disagreements in our opinions. It was really a pleasure to hear some new points of view when I took my opinions for granted. But I don't want to get ahead of myself.Let's join Cris to chat about Frankenstein, the YEM vocal jam, and whether or not northeast Ohio is Phish country as we break down November 7, 1996 at The Rupp Arena in Lexington.

Israel anunció ayer que "eliminó" a quien venía desempeñándose como líder de Hamás, Yahya Sinwar, en una operación que tuvo lugar el miércoles de esta semana en la Franja de Gaza. Sinwar, de 61 años, fue nombrado jefe político de Hamás a principios de agosto, luego de la muerte de Ismail Haniyeh, asesinado el 31 de julio en Teherán, la capital de Irán, en un atentado atribuido a Israel. El líder islamista ejecutado ayer era señalado como el autor intelectual de los atentados del 7 de octubre de 2023 en suelo de Israel, en los que murieron más de mil israelíes, decenas fueron torturados y otros 251 fueron secuestradeos como rehenes. "Yahya Sinwar está muerto. Fue matado en Rafah por los valientes soldados de las Fuerzas de Defensa Israelíes", declaró el primer ministro, Benjamín Netanyahu, en un video en inglés divulgado por su oficina. En su mensaje, Netanyahu agregó que "si bien no es el fin de la guerra en Gaza, es el comienzo del fin", aseguró. "Me gustaría decirlo de nuevo, de la manera más clara: Hamás ya no gobernará Gaza. Este es el comienzo del día después de Hamás y esta es una oportunidad para que vosotros, los residentes de Gaza, finalmente se liberen de su tiranía", sentenció el líder israelí en un videomensaje grabado. Netanyahu y el presidente estadounidense, Joe Biden, consideraron que la desaparición del líder de Hamás ofrece "una oportunidad para promover la liberación de los rehenes" y acordaron "cooperar para lograr ese objetivo", indicó la oficina de Netanyahu en un comunicado. Por su lado, el jefe del Estado Mayor israelí, Herzi Halevi, dijo que su país "no se detendrá" hasta capturar a todos los autores del ataque del 7 de octubre y lograr la vuelta de "todos los rehenes", afirmó La eliminación de Sinwar se produjo en un contexto explosivo en Oriente Medio, donde Israel tiene varios frentes abiertos. A la guerra de Gaza se sumó la intensificación de lo combates entre fuerza israelíes y milicias de Hezbolá, en el Líbano. Irán, aliado de Hezbolá y Hamas, lanzó un ataque con misiles sobre Israel el 1 de octubre. Ayer El jefe de los Guardianes de la Revolución de Irán, Hosein Salami, advirtió que su país responderá con un ataque "doloroso", en caso de que se produzca una represalia israelí. A su vez, Estados Unidos, principal aliado de Israel, lanzó varios ataques con bombarderos B-2 contra depósitos de armas utilizados por rebeldes hutíes en Yemén. Este grupo también es aliado de Irán, Hezbolá y Hamás. La Mesa Internacional con Gustavo Calvo y Leo Harari.

Ms Yem and Mr Forster discuss a question on the following: How does Shakespeare make this a humorous moment in the play? A deceptively tricky question so a bit of a stretch-and-challenge episode. Don't forget to download the revision handout here with the question, key vocabulary we use, and essay plan.

Ms Yem and Mr Forster discuss a question on the dramatic opening of Act 1, Scene 1 of 'A Midsummer Night's Dream'.Don't forget to download the revision handout here: AMND - Act 1 scene 1 -Dramatic Moment.docx

A Festival Odyssey: Phish, Mondegreens, and Moments with My SonLarry Mishkin reflects on his recent experience attending the Mondegreen Festival, a Phish festival in Dover, Delaware, with his son and friends. He shares his enthusiasm for the event, highlighting the performances and the significance of certain songs, including "The MoMA Dance" and "NICU," which have deep ties to Phish's history and fan culture. Larry provides a detailed history of Phish festivals, from the Clifford Ball in 1996 to the most recent Mondegreen Festival, noting memorable moments, attendance figures, and unique aspects of each event. The episode also includes a brief discussion on the 60th anniversary of The Beatles' performance at Red Rocks Amphitheatre in Denver, Colorado. Larry expresses his excitement about attending the festival with his son and reminisces about the special bond they shared during the event.MONDEGREENPhishAugust 15 – 18, 2024The WoodlandsDover Delaware Band's 11th festival, NOT counting Curveball set for 2018 that was canceled at the last minute due to contaminated water supply due to heavy rains and flooding. Nine year gap between MagnaBall in March, 2015 and Mondegreen, biggest gap between festivals in band's history.  INTRO:                                 Moma Dance                                                Night One, August 15, 2024                                                First Night, First Set, First Song (into Back On The Train)                                                Phish @ The Woodlands, Mondegreen Festival, Dover DE 2024-08-15 : Free Download, Borrow, and Streaming : Internet Archive                                                Track #2                                                2:31 – 4:05 By:  Anastasio/Fishman/Gordon/McConnell/MarshallPlayed:First Played:  6/30/98 in Copenhagen, DenmarkMost recent: August 15, 2024 (Mondegreen)Current Gap:  3 shows The title of “Moma” is another example of Phish Phonetics, cleverly transforming the moment ends lyric into a reference to a display of “The Rhombus” at New York City's Museum of Modern Art (MoMA).Mondegreen:  are they saying, “The Moma Dance” OR “the Moment Ends”??                               SHOW No 1:                     NICU                                                Night One, August 15, 2024                                                First Set, 6th song (out of Roggae and into A Wave of Hope)                                                Phish @ The Woodlands, Mondegreen Festival, Dover DE 2024-08-15 : Free Download, Borrow, and Streaming : Internet Archive                                                Track #7                                                3:00 – 4:56 By:         Anastasio/MarshallPlayed 156 timesFirst Played: 3.6.92 at The Music Hall in Portsmouth, NHMost Recent:  August 15, 2024 (Mondegreen)Gap: 3 shows Has any Phish song had as many names with as many explanations as “NICU”? At its debut in Portsmouth, New Hampshire, Trey introduced the song as “In an Intensive Care Unit.” Shortly thereafter, the name was changed to “NICU,” which some considered a play on a line from the backing vocals in the chorus (“and I see you”) and others noted was the abbreviation for the Neonatal Intensive Care Unit.Shortly thereafter, the “controversy” began, as controversy can only begin among rabid Phish fans. Some called the song “And I See You.” Some stuck with the original “In an Intensive Care Unit.” Other interesting theories developed, including one from the Internet where a fan noted that the elements Nickel (NI) and Copper (Cu) are side-by-side on the Periodic Table and that the title “NICU” may thus be a reference to nickels and pennies or, more likely, small change.  Title is a Mondegreen for “And I See You” Music News (from Mondegreen) Matthew's crew:  Matthew, me, Donny, Jake, Dave and Seth Michigan Crew:  ??? NYC Crew: Max & Jess, Joey and Darby, Darby's brother, Brad and Sam, Dan the drummer (and?), Dude from Florida and girlfriend (??), Tesh,WHO ELSE SHOULD I MENTION? CLEVELAND CREW:  Kevin, two buddies?  Aaron   Anyone else? Hot and humid/ AC unitsTents v. RV's/bathrooms/food/water and ice/maintenanceStorm – cut Sunday short                        Modern weather technology – good and bad                        Just like 2022 Sacred Rose Festival Secret Set on Aug. 16th second night Driving 12 hours each way                                                  SHOW No. 2:                    I Am Hydrogen > Weekapaug Groove                                                Night 3, August 17, 2024 – Second set opener traditional Mike's Groove>Theme From The Bottom                                                November 11, 2012, MSG, NYNY                                                Mike's>Chalk Dust Torture>I Am Hydrogen>Weekapaug                                                Phish | 12.29.11 | Mike's Song → Chalk Dust Torture → I Am Hydrogen → Weekapaug Groove - YouTube                                                15:44 – 17.43 I Am HydrogenBy: Daubert/Marshall/AnastasioPlayed: 350 timesFirst: April 6, 1985 at Finbar's in Burlington, VTMost  Recent: August 17, 2024 (Mondegreen Night 3)Gap: 1 show The story of “I Am Hydrogen” is a love story. Conceived by Tom Marshall and Marc Daubert around 1984-85 on piano and acoustic guitar, they brought their creation over to Trey's house, where it was recorded. Trey added a harmony to it on his electric guitar, and the “Hydrogen” we have come to know was born. Initially intended for Tom, Marc, and Trey's band Bivouac, “Hydrogen” ended up in the Phish lineup and made its debut, all alone, on 4/6/85.  After a few years, it became the connector between Mike's Song and Weekapaug Groove. Into Weekapaug GrooveBy:  Anastasio/Fishman/McConnell/GordonPlayed: 523 timesFirst: 7.23.1988 at Pete's Phabulous Phish Phest in Underhill, VTMost Recent:  August 17, 2024 (Mondegreen Night 3)Gap: 1 show “Weekapaug Groove” takes its name from the town of Weekapaug, located on the shores of the Atlantic Ocean in southwestern Rhode Island. According to Mike, the song's lyrics (“Trying to make a woman that you move, sharing in a Weekapaug Groove”) are meaningless. As Mike said in a 9/9/97 interview with Parke Puterbaugh: “So we came back to Boston [from Weekapaug, after playing a gig there at a yacht club], and I guess we were in the van or the Voyager we used to drive in, and that song “Oh What a Night” came on the radio. You know that one? That awful Four Seasons song? We just constantly listened to songs and changed around the words as to what they might sound like. I always had a particularly hard time hearing lyrics anyway, so I always would sing a song on the radio, sing along with the wrong words. So the bridge of that song goes ‘Oh I-I-I trying to something,' but I was singing it, ‘Oh I-I-I trying to make a woman that you move,' which means nothing, 'sharing in a Weekapaug groove.' So we all just started singing that, as complete nonsense: ‘trying to make a woman that you move.' It never occurred to any of us that it had any meaning, ever. There was a period of time that we were singing it, and I used to just yell out the lyrics, between singing them I would just yell them out as if I was preaching them, just to sort of make it more ironic that they have no meaning.”  SHOW No. 3:                    Yamar                                                Night 4, August 18, 2024 – First set 10th song out of Stash and into Timber                                                August 17, 1996, Clifford Ball, Plattsburgh AFB, Plattsburgh, NY (1st Phish Festival) into It's Ice                                                Phish-Ya Mar-Clifford Ball (youtube.com)                                                0:13 – 1:45 By:  Cyril Ferguson                27th November 1951 - Cyril 'Dry Bread' Ferguson was born in Nassau, New Providence, Bahama Islands.Ferguson was a Bahamian musician and entertainer. He composed songs in the genres of goombay, calypso and Bahamian pop music.Some of his more popular songs include: Ya Mar, Sunshine On My Body, Bahamian Music and Don't Squeeze The Mango.Ferguson died of complications related to diabetes on 9th April 2009. “Ya Mar” resides as a favorite in the hearts of many fans. It represents one of Phish's few forays into calypso and is among the most playful and danceable songs in the band's repertoire. And anytime Trey screams for Page to take the reins – “Play it, Leoooooo!” – the crowd is apt to go wild. Page's nickname actually comes from this line in the original, where The Mustangs urged their own piano man to step into the spotlight. The title seems to reference the slurred interpretation of “your ma,” as the singer recounts the disdain his lover's family has for him. Phish put their own unique stamp on it by often changing the “no good pa” lyric in the chorus to mimic their own “oh kee pa” phrase.  Played: 232 timesFirst: 2.21.1987 at Slade Hall, UV, Burlington, VTMost Recent:  8.18.2024Gap: 0 shows Marijuana News Senator Says Harris Will ‘Be Ready To Sign' Marijuana Reform Bills If Elected PresidentGOP Senators Claim Marijuana Is A ‘Gateway Drug' As They Oppose Rescheduling And Legalization3.      People Who Use Marijuana Are Less Likely To Be Obese, New Study Shows                 SHOW No. 4:                    Simple                                                Night 4, August 18, 2024 – First set second to last song of Izabella and into Golden Age                                                July 27, 2024, Alpine Valley, East Troy, WI second set out of Sigma Oasis and into The Howling                                                Phish - 7/27/2024 - Simple (4K HDR) (youtube.com)                                                0:18 – 1:28 By:         GordonPlayed:  209 timesFirst:     5.27.1994 at the Warfield Theater in San FranciscoMost Recent:  August 18, 2024 (Mondegreen Night 4)Gap: 0 shows "Simple" was first written and recorded by Mike Gordon in a four-track medium in the Doo-wop style and introduced to the band during the studio sessions forHoist. This version reflected the country and bluegrass writing style of many previous Gordon compositions. The song was left off of the albumand the band showed hesitation in performing it live. Then, on 5/27/94, “Simple” debuted in a very strange and raw fashion during the “Mike's Song” at the Warfield in San Francisco. In contrast to the song we know today, the debut version of “Simple” was Mike's original lyrics sung by the band members over a jam that had emerged from “Mike's.” Three weeks later, “Simple” was played for a second time at the historic 6/17/94 gig, the same night that much of the country was watching the low-speed police chase of O.J. Simpson's white Ford Bronco through L.A. This version was significantly reworked and sounded much like the “Simple” we are accustomed to hearing today, with the exception of a minor humoristic augmentation providing the line “We've got O.J., cause we've got a band.” Mondegreen:  We've got a cymbal (simple) cause we've got a band   OUTRO:                               Twee Pri                                                Night 3, August 17, 2024 – Encore out of YEM into end of show                                                April 20, 2024, The Sphere, Las Vegas, NV Encore out of A Life Beyond the Dream into end of show                                                Tvidler 202202 11 by Ryan Maguire (youtube.com)                                                0:00 – end By:  Anastasio/Fishman/Gordon/McConnellPlayed:  321 tiesFirst:  2.1.1991 at Alumnae Hall, Brown University — Providence, RIMost Recent: 8.17.2024 Mondegreen Night 3Gap: 1 show A "reprise" is a sort of musical afterthought – basically a reintroduction of and variation on the main theme of a piece of music. Thus, “Tweezer Reprise” is a slight variation – a condensation of sorts – of “Tweezer.” As it does on the album A Picture of Nectar, the “Reprise” often follows “Tweezer” in concert, most frequently as an encore song. It is also common as a second set closer following an earlier “Tweezer.” A few times, the “Reprise” has even been spewed out of some long, monster “Tweezer,” serving as the thrilling exclamation point at the end of a raging, set-long sentence (e.g. 5/7/94, 6/22/95).On occasion, “Tweezer Reprise” has shown up as a surprise in a show where there has been no performance of “Tweezer” proper. Although usually this occurs because the “Reprise” will be referring back to a non-reprised “Tweezer” at the previous night's show (e.g. 12/30/96's “Tweezer” was reprised on 12/31/96), the song has been known to appear, albeit rarely, completely free from its Granddaddy counterpart, like on 9/29/99. The most interesting example of this, and perhaps the most unusual “Tweezer Reprise” ever performed, was on 12/8/99, which featured an a cappella version that came out of a “YEM” vocal jam to close the second set. The band later finished off the show with a traditional “Tweezer Reprise” to end the encore. Other interesting versions include 10/27/94 and 10/21/95. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

1:34:10 – Frank in New Jersey, plus the Other Side. Topics include: Cell phone lot, spaghetti-like roadways, spam calls, Kalki 2898 AD (2024), learning pills, my grandparents’ old house, Betty Booze, Route 1, Detective Synthetic, 555, Marvel Snap, YEM, and much more… plus the Other Side (at 54:04)… CBS Skylab Promo/ Z Channel Open. West World Movie […]

1:34:10 – Frank in New Jersey, plus the Other Side. Topics include: Cell phone lot, spaghetti-like roadways, spam calls, Kalki 2898 AD (2024), learning pills, my grandparents’ old house, Betty Booze, Route 1, Detective Synthetic, 555, Marvel Snap, YEM, and much more… plus the Other Side (at 54:04)… CBS Skylab Promo/ Z Channel Open. West World Movie […]

Yeməklərdən, festivallardan və "streetfood"dan danışdıq

"La guerra de Ucrania no va bien para la OTAN ni para los aliados de Zelensky". Juan Antonio AguilarUna guerra que se está librando en siete frentes diferentes. Líbano se niega a retirar las tropas de Hezbolá; Arabia Saudí que afirma no recuperar las relaciones con Israel si no se establecen los dos estados, y en Yemén plena crisis de ataques que han hecho a Reino Unido retirar sus buques ante los ataques de los hutíes. "Perspectiva mala, porque en cualquier momento puede haber una escalada mayor", sostiene Juan Antonio Aguilar, director del instituto español de geopolítica. Twitter y Elon Musk son conscientes de la atención pública de la entrevista en abierto de Tucker Carlson. "No se puede ocultar a la gente todo el tiempo la realidad de las cosas", no tanto qué dice Putin, sino también qué dice el otro lado. "No va a haber ayuda para Ucrania", a medida que Ucrania se deteriora y las tropas de Rusia avanzan, la guerra avanza, "no va bien para la OTAN ni los aliados de Ucrania". Mayor deterioro de las posiciones de Biden y de cualquier contrincante de Donald Trump. Las tropas rusas amenazan con más invasiones en ciudades ucranianas. Y en el mar Rojo, la escalada en Oriente Medio y la guerra de Israel tensiona a los hutíes y el apoyo de Irán. "Un desgaste poco a poco", como los pasados ataques a EEUU y británicos. #ucrania #otan #zelensky #guerra #rusia #putin #invasionrusa #ayudas #europa #biden #eeuu #carlson #negociostv #aguilar #vizner Si quieres entrar en la Academia de Negocios TV, este es el enlace: https://www.youtube.com/channel/UCwd8Byi93KbnsYmCcKLExvQ/join Síguenos en directo ➡️ https://bit.ly/2Ts9V3pSuscríbete a nuestro canal: https://bit.ly/3jsMzp2Visita Negocios TV https://bit.ly/2Ts9V3pMás vídeos de Negocios TV: https://youtube.com/@NegociosTVSíguenos en Telegram: https://t.me/negociostvSíguenos en Instagram: https://bit.ly/3oytWndTwitter: https://bit.ly/3jz6LptFacebook: https://bit.ly/3e3kIuy

Estejuevesfueelprimerdíaparapresentarargumentosinicialesen la acusación que presentó Sudáfrica contra Israel en la Corte Internacional de Justicia. El gobierno sudafricano acusa al Estado judío de genocidio por la guerra que ya ha rebasado los tres meses en Gaza. Por su parte, el gobierno israelí se defendió diciendo que Sudáfrica está funcionando como el brazo legal de Hamás.● Ymientrasunosjuiciosempiezan,otrosacaban.Ayersepresentaron los alegatos finales en el juicio civil por fraude contra la Trump Organization. El expresidente de Estados Unidos se paró en el tribunal y se lanzó contra la fiscal, Letitia James, y el juez, Arthur Engoron.● Además... El pleito entre Ricardo Salinas Pliego y el presidente López Obrador; Reino Unido y Estados Unidos atacarán a los houthies en Yemén, Washington investigará a Boeing; y Taylor Swift podría ser la única opción para que las elecciones europeas de este año no sean un fracaso.● Ypara#ElVasoMedioLleno...Ungrupodeconservaciónqueestá salvando a un ave endémica de Hawaii.● Para enterarte de más noticias como estas, síguenos en nuestras redes sociales. Estamos en todas las plataformas como @telokwento. Hosted on Acast. See acast.com/privacy for more information.

Chequia fue informada con antelación del ataque a los hutíes en Yemén. Un detector de disparos protegerá las calles checas. Expondrán en Chequia el pozo de madera más antiguo del mundo. Un siglo de relaciones bilaterales entre República Checa y Argentina.

EE.UU. y Reino Unido lanzan ataques aéreos contra blancos hutíes en Yemén; EE.UU. promete ayuda a Ecuador tras escalada de la narcoviolencia; Banco Central de Reserva del Perú recortó tasas; JIm Wyss (@jimwyss), corresponsal para el Caribe de Bloomberg News, explica por qué los "pasaportes dorados" disgustan a la Unión Europea.  Para leer la nota de Jim sobre los pasaportes, haga clic acá. Locución: Ivana Bargués (@ivanabargues) Producción: Eduardo Thomson (@ethomson1) Haga clic acá para suscribirse al newsletter Cinco Cosas de Bloomberg News en Español.See omnystudio.com/listener for privacy information.

Chequia fue informada con antelación del ataque a los hutíes en Yemén. Un detector de disparos protegerá las calles checas. Expondrán en Chequia el pozo de madera más antiguo del mundo. Un siglo de relaciones bilaterales entre República Checa y Argentina.

"Tunes of the Season: Phish, Grateful Dead, and Merry Jams"Larry Mishkin   discusses Christmas-themed songs performed by various artists, including The Who and Grateful Dead. Larry delves into The Who's rock opera "Tommy," particularly focusing on the song "Christmas" and its critical reception. He transitions to discussing Grateful Dead's rendition of Chuck Berry's "Run, Rudolph, Run" performed at the Felt Forum in 1971 and analyzes its significance in the band's repertoire.Larry further explores the potential residency of bands like Dead & Company at the Sphere in Las Vegas, following U2's shows there. He touches on Phish's upcoming performances at the same venue and discusses the difficulty in acquiring tickets for these highly anticipated shows.Later, Larry reminisces about New Year's Eve shows by various bands, specifically mentioning Grateful Dead's memorable performances during the countdown. He also features unconventional Christmas renditions by Phish and Jerry Garcia with David Grisman..Produced by PodConx   Theme – Rock n Roll ChristmasIf you were in the Mishkin household earlier this morning, you might have heard this blasting out of the speakers:INTRO:               ChristmasThe WhoFebruary 14, 1970University of Leeds, Leeds, England  aka  “Live At Leeds”The Who - Christmas - Live At Leeds (with Footage) (youtube.com)2:00 – 3:17 "Christmas" is a song written by Pete Townshend and is the seventh song on The Who's rock opera Tommy. On the original LP, it opens the second side of the album.  Tommy is the fourth studio album by the English rock band the Who, first released on 19 May 1969.[2] Primarily written by guitarist Pete Townshend, Tommy is a double album and an early rock opera that tells the story of Tommy Walker and his experiences through life. The song tells how on Christmas morning, Tommy's father is worried about Tommy's future, and soul. His future is jeopardized due to being deaf, dumb, and blind.[2] The lyrics contrast religious themes such as Christmas and Jesus Christ with Tommy's ignorance of such matters. The rhetorical question, "How can he be saved from the eternal grave?" is asked about Tommy's condition and adds speculation as to the nature of original sin and eternal salvation. In the middle of the song, "Tommy can you hear me?" is repeated, with Tommy responding, "See me, feel me, touch me, heal me." "Christmas" was praised by critics. Richie Unterberger of AllMusic called it an "excellent song."[5]Rolling Stone's Mac Randall said it was one of several "prime Pete Townshend songs" on the album.[6] A review in Life by Albert Goldman considered it beautiful and highlighted the song's "croaking chorus".[7] James Perone said it was "perhaps one of the best sleeper tracks of the collection." Townshend came up with the concept of Tommy after being introduced to the work of Meher Baba, and he attempted to translate Baba's teachings into music. Recording on the album began in September 1968, but took six months to complete as material needed to be arranged and re-recorded in the studio. Tommy was acclaimed upon its release by critics, who hailed it as the Who's breakthrough. Its critical standing diminished slightly in later years; nonetheless, several writers view it as an important and influential album in the history of rock music. The Who promoted the album's release with an extensive tour, including a live version of Tommy, which lasted throughout 1969 and 1970. Key gigs from the tour included appearances at Woodstock, the 1969 Isle of Wight Festival, the University of Leeds, the Metropolitan Opera House, and the 1970 Isle of Wight Festival. The live performances of Tommy drew critical praise and revitalised the band's career. Live at Leeds is the first live album by English rock band the Who. It was recorded at the University of Leeds Refectory on 14 February 1970, and is their only live album that was released while the group were still actively recording and performing with their best-known line-up of Roger Daltrey, Pete Townshend, John Entwistle and Keith Moon. The album was released on 11 May 1970 by Decca and MCA in the United States,[2] and by Track and Polydor in the United Kingdom. It has been reissued on several occasions and in several different formats. Since its release, Live at Leeds has been ranked by several music critics as the best live rock recording of all time SHOW No. 1:                   Run Rudolph RunGrateful DeadFelt Forum at MSG, NYCDecember 7, 1971Track No. 10Grateful Dead Live at Felt Forum, Madison Square Garden on 1971-12-07 : Free Borrow & Streaming : Internet Archive0:11 – 1:54 Run Rudolph Run"[2][3][4] is a Christmas song written by Chuck Berry but credited to Johnny Marks and M. Brodie due to Marks' trademark on the character of Rudolph the Red-Nosed Reindeer.[5][note 1] It was published by St. Nicholas Music (ASCAP) and was first recorded by Berry in 1958, released as a single on Chess Records.It has since been covered by numerous other artists, sometimes with the title "Run Run Rudolph".[16] The song is a 12-bar blues, musically similar to Berry's popular and recognizable song "Johnny B. Goode", and melodically similar to his song "Little Queenie", the latter of which was released shortly after, in 1959.During its initial chart run, Berry's 1958 recording peaked at number 69 on the Billboard Hot 100 chart in December 1958.[22] Sixty years later, the single re-entered the Hot 100 chart at number 45 (on the week ending January 5, 2019), reaching an overall peak position of number 10 on the week ending January 2, 2021, following its third chart re-entry, becoming Berry's third top-ten hit and his first since 1972's "My Ding-a-Ling". In doing so, it broke the record for the longest climb to the top 10 since its first entry in December 1958, at 62 years and two weeks.This Ciip:Out of Brokedown Palace and into You Win AgainPlayed a total of 7 times.This was the first timeLast:  December 15, 1971 Hill Auditorium, Ann Arbor, MI  SHOW No. 2:     Little Drummer BoyPhishJuly 3, 1999Coca Cola Lakewood Amphitheatre, Atlanta, GAPhish - The Little Drummer Boy - 7/3/1999 - Atlanta, GA (youtube.com)Start to 1:30 Out of Contact to close the second set.  Played it again as the first encore (into, Won't You Come Home Bill Bailery starring Page's dad, Jack, on vocals and kazoo. "The Little Drummer Boy" (originally known as "Carol of the Drum") is a Czechoslovakian popular Christmas song written by American composer Katherine Kennicott Davis in 1941.[1] First recorded in 1951 by the Austrian Trapp Family, the song was further popularized by a 1958 recording by the Harry Simeone Chorale; the Simeone version was re-released successfully for several years, and the song has been recorded many times since.[2] In the lyrics, the singer relates how, as a poor young boy, he was summoned by the Magi to the Nativity of Jesus. Without a gift for the Infant, the little drummer boy played his drum with approval from Jesus' mother, Mary, recalling, "I played my best for him" and "He smiled at me". Phish has only performed the song three times during the month of December – the debut performance segueing out of “Mike's Song” and into “Whipping Post,” a tease during the 12/28/94 “Weekapaug Groove,” and jammed out of the “YEM” vocal jam (12/2/99) (which melted down until Jon was left singing it to close the set). But the song was jammed out of season during “My Friend, My Friend” (3/18/93) and “Stash” (7/15/93), and teased during “Weekapaug Groove” and “Big Ball Jam” (4/9/94), “Wilson” (8/13/97), “Silent in the Morning” (7/4/99), and "Wilson" (4/16/04). This version is generally considered to be Fishman's most memorable version.  SHOW No. 3:     God Rest Ye Merry GentlemenJerry Garcia and David GrismanNovember 9, 1991Warfield Theater, S.F.God Rest Ye Merry Gentlemen - Jerry Garcia - Bing videoStart – 1:37Out of The Two Sisters to close second set "God Rest You Merry, Gentlemen" is an English traditional Christmas carol. It is in the Roxburghe Collection (iii. 452), and is listed as no. 394 in the Roud Folk Song Index. It is also known as "Tidings of Comfort and Joy", and by other variant incipits. An early version of this carol is found in an anonymous manuscript, dating from the 1650s it appeared in a parody published in 1820 by William Hone.               Story here is the way Jerry and David play so tight, trading off leads and filling in gaps.  A great sound for a traditional tune.  There are many sides of Jerry and we don't get to see all of them.  Nice to take a break from the traditional Dead stuff and take a look in at what else Garcia was doing during that creative period of his life. SHOW No. 4:                   Stagger LeeGrateful DeadDecember 30, 1985Track No. 6Grateful Dead Live at Oakland Coliseum on 1985-12-30 : Free Borrow & Streaming : Internet ArchiveStart – 1:32 As is made clear by the opening lyrics, this is a tale about events that unfolded and played out on Christmas: “1940 Xmas Eve with a full moon over town”.  On some occasions, Jerry was  known to substitute in “Christmas” Eve. "Stagger Lee", also known as "Stagolee" and other variants, is a popular American folk song about the murder of Billy Lyons by "Stag" Lee Shelton, in St. Louis, Missouri, at Christmas 1895. The song was first published in 1911 and first recorded in 1923, by Fred Waring's Pennsylvanians, titled "Stack O' Lee Blues". A version by Lloyd Price reached number one on the Billboard Hot 100 in 1959. The historical Stagger Lee was Lee Shelton, an African-American pimp living in St. Louis, Missouri, in the late 19th century. He was nicknamed Stag Lee or Stack Lee, with a variety of explanations being given: he was given the nickname because he "went stag" (went to social events unaccompanied by a person of the opposite sex); he took the nickname from a well-known riverboat captain called Stack Lee; or, according to John and Alan Lomax, he took the name from a riverboat owned by the Lee family of Memphis called the Stack Lee, which was known for its on-board prostitution.[2] Shelton was well known locally as one of the Macks, a group of pimps who demanded attention through their flashy clothing and appearance.[3] In addition to those activities, he was the captain of a black Four Hundred Club, a social club with a dubious reputation. On Christmas night in 1895, Shelton and his acquaintance William "Billy" Lyons were drinking in the Bill Curtis Saloon. Lyons was also a member of St. Louis' underworld, and may have been a political and business rival to Shelton. Eventually, the two men got into a dispute, during which Lyons took Shelton's Stetson hat.[5]Subsequently, Shelton shot Lyons, recovered his hat, and left.[6] Lyons died of his injuries, and Shelton was charged, tried, and convicted of the murder in 1897. He was paroled in 1909, but returned to prison in 1911 for assault and robbery. He died in incarceration in 1912. The Grateful Dead frequently played and eventually recorded a version of the tale which focuses on the fictionalized hours after the death of "Billy DeLyon", when Billy's wife Delia tracks down Stagger Lee in a local saloon and "she shot him in the balls" in revenge for Billy's death. Based on the traditional song "Stagger Lee", "Stagolee" or "Stack O'Lee." Robert Hunter wrote a version that he performed solo, and Jerry Garcia subsequently re-ordered the lyrics and rewrote the music for the Grateful Dead's version. More recently Bob Weir has also been performing some of the older traditional versions with Ratdog. Dead released it on Shakedown Street, Nov. 8, 1978 Played 146 times by the Dead1st:  August 30, 1978Last:  June 18, 1995 Giants Stadium  OUTRO:              Santa Clause Is Coming To TownBruce Springsteen and the E Street BandCW Post University, Greenvale, NYDecember, 19756Santa Claus Is Comin' to Town (Live at C.W. Post College, Greenvale, NY - December 1975) - Bing video2:15 - 4:00               Santa Claus Is Comin' to Town" is a Christmas song featuring Santa Claus, written by J. Fred Coots and Haven Gillespie and first recorded by Harry Reser and His Band.[1] When it was covered by Eddie Cantor on his radio show in November 1934 it became a hit; within 24 hours, 500,000 copies of sheet music and more than 30,000 records were sold.[2][3] The version for Bluebird Records by George Hall and His Orchestra (vocal by Sonny Schuyler) was very popular in 1934 and reached the various charts of the day.[4] The song has been recorded by over 200 artists including Bing Crosby and the Andrews Sisters, the Crystals, Neil Diamond, Fred Astaire, Bruce Springsteen, Frank Sinatra, Bill Evans, Chris Isaak, the Temptations, The Pointer Sisters, the Carpenters, Michael Bublé, Luis Miguel, and the Jackson 5 A rock version by Bruce Springsteen & the E Street Band was recorded on December 12, 1975, at C. W. Post College in Brookville, New York, by Record Plant engineers Jimmy Iovine and Thom Panunzio.[14][15] This version borrows the chorus refrain from the 1963 recording by the Crystals.[16] It was first released as a track on the 1981 Sesame Street compilation album, In Harmony 2, as well as on a 1981 promotional, radio-only, 7-inch single (Columbia AE7 1332).[17][18] Four years later, it was released as the B-side to "My Hometown," a single off the Born in the U.S.A. album.[19] Springsteen's rendition of the song has received radio airplay perennially at Christmastime for years; it appeared on Billboard magazine's Hot Singles Recurrents chart each year from 2002 to 2009 due to seasonal air play. Live performances of the song often saw the band encouraging the audience to sing some of the lyrics with—or in place of—the band's vocalists (usually the line "you'd better be good for goodness sake", and occasionally the key line "Santa Claus is Comin' to Town" as well). Sometimes, concert crowds would sing along with the entire song, and the band, who were known to encourage this behavior for the song, would do nothing to dissuade those audiences from doing so, instead welcoming the crowds' enthusiasm. This version remains a Springsteen concert favorite during the months of November and December (often concluding the show), and the band is among the few that keep it in their roster of songs during the holidays. Dead & Co at the Sphere?Phish – sold out fast Merry ChristmasHappy Holidays .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Pour ce 5e épisode de la saison 3, Les beaux quartiers enfilent les gants et protège-dents, direction le Boxer Inside Club, situé dans l'ancienne salle de sports des ouvriers de Peugeot PSA à Aulnay-sous-Bois (93). La patronne des lieux se nomme Sarah Ourahmoune et elle est - n'ayons pas peur des mots - une véritable légende du sport tricolore. Celle qui fut la première Française à participer aux JO dans sa discipline détient un palmarès record : vice-championne olympique, championne du monde, trois fois championne d'Europe et dix fois championne de France. Dès lors, à quelques mois seulement des Jeux de Paris 2024, qui mieux que Sarah Ourahmoune, entourée des entraîneurs et élèves de son club, pour évoquer le rôle éducatif, social et émancipateur du sport dans les quartiers populaires ? Et au côté de cette immense championne de boxe, Raphäl Yem reçoit aussi au centre du ring : - Shéhérazade Cheurfa, directrice de l'association Sport'Alim- Mourad Merzouki, chorégraphe, fondateur de la Compagnie Käfig et ancien directeur du Centre Chorégraphique National de Créteil - François Gautret, commissaire de l'expo Spot24 et fondateur de l'Urban Films FestivalProgrammation musicale : - “Going The Distance” (Rocky) - Bill Conti - “Comme une fille” — Oxmo Puccino - “Boxe avec les mots ” – Arsenik - “Right Off (Take 11)” – Miles DavisUne émission soutenue par la Fondation BNP Paribas Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

"İman edenlerin Allah'ı zikretmekten ve inen haktan dolayı kalplerinin saygı ile ürpermesinin zamanı gelmedi mi? Daha önce kendilerine kitap verilip de üzerinden uzun zaman geçen, böylece kalpleri katılaşanlar gibi olmasınlar. Onlardan birçoğu fasık kimselerdir." (Hadid 16) “Müminler o kimselerdir ki, Allah'ın adı anıldığında yürekleri titrer, kendilerine Allah'ın âyetleri okunduğunda bu onların imanlarını arttırır.” Enfal 2 “Belki de, bir kavmin içinde, ileri derecede huşu sahibi kimseler bulunuyordu. Daha sonra bu kimselerden, o mükemmel huşu zail olup silindi de, böylece onlar, bu ayetle o huşûyu yeniden elde etmeye teşvik edildiler. Çünkü A'meş, şöyle demektedir: "Sahabe, Medine'ye gelince, bolluk ve refaha kavuştular. Böylece de, daha önce üzerinde bulundukları dinî hal ve tavırlar konusunda bir gevşeklik gösterdiler. Bu sebeple de, bu ayetle kınandılar." Hz. Ebû Bekir (r.a)'in de şöyle dediği rivayet edilmiştir: "Bu ayet, Resûlüllah'ın huzurunda okundu. O sırada, onun yanında Yemâmeliler'den bir grup bulunuyordu. Bunun üzerine onlar, adamakıllı ağladılar. Bunun üzerine de Ebû Bekir onlara baktı da, "Biz de böyleydik; ama kalblerimiz katılaştı artık..." dedi. Onların, Tevrat ve İncil'i duyup dinlemelerinden sonra, aradan çok uzun zaman geçti. Böylece de, Tevrat ve İncil'in saygınlığı onların kalblerinden zail oldu. Derken de, kaçınılmaz olarak kalbleri katılaştı" demektir. Böylece Cenâb-ı Hakk adeta mü'minleri, böyle olmaktan men etmiştir. Daha sonra Cenâb-ı Hak, "Onlardan birçoğu fasıklardır" buyurmuştur. Bu, "Onlar dinlerinden çıkmışlar ve her iki kitabta olan şeyi terketmişlerdir" demektir. Bu adeta, işin başında huşû'un bulunmamasının, neticede, fıska götüreceğine dair bir işarettir.” Razi Reisi cumhur, birini saraya davet ettiğinde, davetiyede lütfen cevap veriniz yazmaz! Bu davet bir emirdir. Onun yönetiminde yaşayan herkes bu davete gitmek zorundadır. Allah bize bu daveti her gün beş kez yapıyor ve bizi muhatab alıyor. Allah'ın davetiyesi Kuran'dır. Bu davetiyede de l.c.v. Yazmıyor! Namaz davetine gelmeyenin, ateşin davetine gideceğini yazıyor. Tavuk bile insana hizmet ediyor. Bir kadın hayatında ortalama iki üç çocuk doğurur. Tavuksa hergün yumurta doğuruyor. Bu yüksek miktardaki acıya hergün insan için katlanıyor ve vazifesini yapıyor. Vazifesini yapmayan bir tek insan görünüyor! “Ben cehennemden korkuyorum” cümlesi benim ateşten korktuğumu isbat eder mi? Yanmaktan korktuğumu delillendiren işler yapmalıyım Size verdiğim tüm nimetleri geçici olarak verdim. Ev verdim, araba verdim, sağlık verdim, çocuk verdim, para verdim. Bu verdiklerimi bana geri vermeniz gerekiyordu ama siz onları sahiplendiniz! Ölümü kendıne yakıştıramıyor kimse. Babam nüktedan bir adamdı. Kardeşim rüyasında ön dişinin düştüğünü görmüş. Babam tabir yapmış; amcana söyle ölecek, hazırlık yapsın kızım. Çöpçüler, sokakları temiz tutmaları sebebiyle halkı bulaşıcı hastalıklardan korudukları için en az doktorlar kadar sevap kazanırlar Cenâb-ı Hakk, "zikr" ile elde edilen bir huşûyu, nazil olan Kur'ân'la elde edilen huşû'dan önce getirmiştir. Çünkü, "huşu" ve haşyet ancak Allah anıldığı zaman elde edilir. Bunların, Kur'ân dinlenirken elde edilmelerine gelince, bu, Kur'ân'ın da yine, "Allah'ın zikr"ini şâmil olması sebebiyledir. "Allah'ın yaratmasını görüp durduğu halde. Allah'ın varlığından şüphe eden kimseye çok şaşarım; ilk yaratılmayı bildiği halde (kıyametin kopmasından sonraki) dirilmeyi inkâr edene şaşarım; her gün ve gece ölüyor ve tekrar diriİiyorken yani uyuyup tekrar uyanıyorken ölümden sonra tekrar dirilmeyi ve haşrı inkâr edene şaşarım. Cennete ve oradaki nimetlere inandığı halde, (sadece) aldanış yurdu olan bu dünya için koşuşturana şaşanm ve başlangıcının atılmış bir damla meni, sonunun da tiksindirici bir leş olduğunu bildiği halde kibirlenen ve övünen kimseye şaşarım." Hadi

Un bombardeo en el campo de refugiados de Jabalia, en el norte de Gaza, resultó en al menos 50 muertos y 150 heridos, según el Hospital Indonesia y el Ministerio de Salud de Gaza. Hamás acusó a Israel de estar detrás del ataque, que después asumió la responsabilidad de los hechos, confirmando la eliminación de un alto comandante del grupo terrorista. Mientras eso ocurría en Gaza, desde Yemén, la milicia hutí declaró guerra contra Israel y advirtió que los ataques continuarán hasta que cese la "agresión israelí". Con esta declaración, queda en claro que las 3 milicias financiadas por Irán en el Medio Oriente, le están entrando de lleno a la guerra contra Israel. AMLO señaló que, para navidad, Acapulco habrá quedado rehabilitado por los daños del huracán Otis. Esto a pesar que hay datos que señalan que la reparación de daños podría tardar de cinco a diez años…Además… Jesús Sesma, el líder del PVEM en la CDMX, advirtió que su partido romperá la coalición con Morena si Omar García Harfuch no es el candidato a la jefatura de gobierno; Rusia detuvo a dos de sus soldados porque asesinaron a nueve civiles en la Ucrania ocupada; este sería raro reconocimiento por parte del Kremlin que sus soldados estarían cometiendo crímenes de guerra; tras la renuncia de Australia, Arabia Saudita se convirtió en el candidato único para albergar la Copa del Mundo 2034 de la FIFA; Kendrick Lamar se convirtió en el primer artista confirmado para el Axe Ceremonia 2024, que se realizará en el Parque Bicentenario de la CDMX el 23 y 24 marzo; yéndonos al norte de Francia, se realizó un descubrimiento revolucionario que podría cambiar el futuro de la energía limpia.Para enterarte de más noticias como estas, síguenos en nuestras redes sociales. Estamos en todas las plataformas como @telokwento. Hosted on Acast. See acast.com/privacy for more information.

Cenâb-ı Hâkk, Kur'ân-ı Kerîm'in bir çok âyetinde Resûlullâh (s.a.v.)'in Ashâbı (r.a.e.)'ni övmüştür: “Ey Resûlüm! İyiliği emreder, fenalıktan alıkorsunuz ve Allâh (c.c.)'a îmânınızda devam edersiniz.” (Al-i İmrân s. 110) Bu âyetin açık delâletinden de anlaşılacağı üzere, Ashâb-ı Kirâm'ın bu ümmetin en iyileri ve en hayırlıları olmasında şüphe yoktur. Bazılarının lakâbları şöyledir: ERKEK SAHABİLER Hz. Ebû Bekir (SIDDIK - Doğru sözlü, hakkı tasdik eden) Hz. Ömer (FARUK - Hâk ile batıla ayıran) Hz. Osman (ZÜNNÛRAYN - İki nur sahibi) Hz. Ali (ESEDULLAH - Allâh (c.c.)'un aslanı) Halid b. Velid (SEYFULLAH - Allâh (c.c.)'un kılıcı) Hz. Hamza (SEYYİDÜ'Ş-ŞÜHEDÂ - Şehitlerin efendisi) Abdullah b. Ravâha (SEYYİDÜ'Ş-ŞUARÂ - Şairlerin efendisi) Muaviye (KÂTİBU VAHYİ'R-RASÛL - Resûlullâh (s.a.v.)'in vahiy katibi) Huzeyfe b. el-Yemân (SÂHİBU SIRR-I RASÛLİLLÂH - Resûlullâh (s.a.v.)'in sırdaşı) Zeyd b. Hârise (HİBBU RASÛLİLLÂH - Resûlullâh (s.a.v.)'in bitanesi) Bilal-i Habeşî (MÜEZZİNÜ'R-RASÛL - Resûlullâh (s.a.v.)'in müezzini) Enes b. Malik (HÂDİMU'R-RASÛL - Resûlullâh (s.a.v.)'in hizmetkarı) Zübeyr b. Avvam (HAVÂRİ'R-RASÛL - Resûlullâh (s.a.v.)'in havarisi) Hasan b. Sâbit (ŞAİRU'R-RASÛL - Resûlullâh (s.a.v.)'in şairi) Sabit b. Kays (r.a.) (HATÎBU'R-RASÛL - Resûlullâh (s.a.v.)'in hatibi) Radıyallâhü anhüm ecmain (Allâh onlardan razı olsun) (www.mevlanatakvimi.com

"Meqapolis adamı"nda qonaq aşpaz Carulla Carullazadə oldu.Azərbaycan və dünya mətbəxinin oxşarlığı və fərqləri hansılardır?Yemək hazırlayarkən doğru bildiyimiz yalnışlar nələrdir?Hansı ədviyyatları bir yerdə istifadə etmək olmaz?"Onun əlinin duzu varyoxdur" ifadəsi düzgündür? və s. kimi daha çox sualları qonağımız ətraflı cavabladı.

On the podcast: whether or not to increase your price, how to execute if you do, and why price increases often impact growth more than retention.Top Takeaways

Les Beaux Quartiers, épisode 2, saison 3, ça s'passe à Argenteuil dans le 95 pour parler réussite au féminin dans les quartiers populaires. Ça tombe bien parce que le Val d'Oise, c'est aussi et surtout le fief de notre invitée: Lyna Mahyem. Artiste, chanteuse, c'est l'une des plus belles voix du R&B et de la pop urbaine made in France. Mais avant d'ambiancer les foules, l'Argenteuillaise a passé beaucoup de temps au sein du centre culturel Conjugue, où Hamou Aguini, directeur de cette structure implantée au Val nord, nous accueille pour l'occasion. Raphäl Yem reçoit également Aïssata Anne, membre fondatrice de l'association Générations Solidaires qui œuvre sur le terrain pour l'insertion sociale et professionnelle en direction du public féminin. Et Samia El Bouche, fondatrice de l'association Jeun'Espoir qui a pour but de valoriser les jeunes du quartiers Fossés-Jean à Colombes (92) et de renforcer la solidarité entre les habitants.Programmation musicale:Demain - Lyna MahyemEmmène moi - Lyna Mahyem et ZahoUne émission soutenue par la Fondation BNP Paribas. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Les Beaux Quartiers saison 3, c'est parti! Direction Hérouville-Saint-Clair dans la banlieue de Caen et plus précisément le Café des Images, lieu culturel où se retrouvent les jeunes du coin et les associations locales. Notre animateur Raphäl Yem y accueille un invité tranchant. Dans un jargon publicitaire, on dirait: "disruptif". Après 15 disques dont 8 albums - qui ne laissent jamais indifférents - Médine, venu en voisin du Havre, revient sur toutes ces années où à travers sa musique comme ses prises de positions il s'est jouait de injonctions faites à un français d'origine immigré et issu des quartiers populaires. A ses côtés, pour discuter au micro des clichés autour des banlieusards des voisins et des voisines du quartier qui eux-aussi cassent les codes. A commencer par Elise Mignot, la directrice du cinéma le Café des Images qui nous reçoit pour ce bel événement. On prend ensuite un peu de hauteur avec Tatiana Mosio-Bongonga, l'une des rares femmes, noires, banlieusardes à avoir gagné la médaille d'or du festival Mondial du Cirque de demain. On parle philo avec Nadia Mazari, qui co-dirige l'AQJ, l'Association Quartier Jeunes - incontournable dans le domaine de l'éducation populaire - développant le projet Socrate pour faire rimer banlieue avec philosophie. Et enfin vient parler du manque de diversité dans nos médias, Yannis Habachou, journaliste et signataire de la charte pour une association des journalistes antiracistes et racisé.e.s. Programmation musicale: - Médine - Allons Zenfants- Médine - Barbapapa Une émission soutenue par la Fondation BNP Paribas. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Les Beaux Quartiers filent en direction les Izards à Toulouse, pour un enregistrement en public !Pour cet épisode sur la transmission, Raphäl Yem reçoit Mouss & Hakim, qui se sont fait connaître du grand public il y a plus de 20 ans avec leur groupe Zebda. Le célèbre duo toulousain est accompagné d'Isabelle Giordano, déléguée générale de la Fondation BNP Paribas, de leur sœur Nadia Amokrane, militante associative, ainsi que de leur frère, Salah Amokrane, co-fondateur du Tactikollectif. On croise également Yamina Aïssa Abdi, de l'association de soutien scolaire Izards Attitude, et enfin Samuel Girardeau, chargé de développement enseignement supérieur au sein de l'association Afev Toulouse, qui travaille sur l'engagement des jeunes dans leur quartier grâce à des colocations solidaires. Et surprise : on y entend d'autres grandes voix toulousaines, de Claude Nougaro à Oli, du duo Bigflo & Oli !– RDV le mercredi 21 septembre à 18 heures, sur So good Radio – Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Mahmûd-ı Gaznevî, azâmeti, tavırları, yiğitliği, ve adâleti ile tanınır. Türk ordularının başında bulunduğu tarih, İslâm Asya'sının en şerefli bir devresidir. Mahmûd-ı Gaznevî, cesâret ve atılganlığı nispetinde dînî meselelerde üstün idi. Bir taraftan putperestler arasında dîni yaymaya çalışırken, diğer taraftan İran ve Horasan bölgelerini karışıklık içinde bırakan çok çeşitli mezheplerin zararlı propagandalarını ortadan kaldırmağa uğraşmıştır. İran ve Irak'ta Şiîliği yaymağa ve güçlendirmeğe çalışan Büveyhoğulları'na indirdiği darbe İslâm'ın tevhîd gayesini hedeflemiş bulunuyordu. On yediye varan Hindistan seferlerini ise dini yaymak gibi mukaddes bir maksat uğrunda yapmıştı. Gazneli Mahmûd'un İslâm'ı yükseltmek hususundaki bu parlak gayret ve fedakârlığı, kendine İslâm âleminin ebedî minnet ve şükranını kazandırmış, Abbasî hâlifesi bu İslâm serdarına “Emînü'd-devlet (Devletin Güvencesi)” ve “Yemînü'd-devlet (Devletin Uğuru)” unvanlarını vermek sûretiyle ortak hislere tercüman olmuştur. Gaznelî Mahmud Hindistan hakkındaki düşüncelerini gerçekleştirmek için, hicretin 404'üncü senesinde, cihâd istikâmetini yine o zengin kıta'ya yöneltti. Bu defa putperestliğe kat'î darbeyi indirmeğe azmetmişti. Hintlilerin inanışlarınca 40 bin senelik olan büyük putun bulunduğu şehir üzerine yürüdü. Putperestler asırlık ma'budlarını kurtarmak için, kudurmuşçasına bir gayretle karşı koymaya başladılar. Fakat siyâsî ustalığı nisbetinde askerî taktik ilminde de eğitimli olan Gazneli Mahmûd, askerî kültürü ile Hintlileri aciz bıraktı. 3 büyük heykelin bulunduğu Mardiye şehrini zapt etti ve bu meşhur putu parçaladı. Lahor, Konuç, Gelçent, Delhi, Şirve, Keşmir gibi büyük beldeleri İslâm havzasına soktu. Merhum Sultan Gazneli Mahmûd, hicretin 416 senesinde, dillere destan olan meşhur Sumnat'ın fethedilmesiyle neticelenen seferi başlattı. Hind seferlerinin en meşhuru ve en büyüğü Sumnat seferidir. Bu seferle Hindistan'ın en büyük putunu ortadan kaldırdı ve Hintliler arasında İslâm yayılmaya daha hızlı bir şekilde devam etti. (Ziya Nur Aksun, İslâm Tarihi, c.2, s.38)

-Primer debate entre Alejandra del Moral y Delfina Gómez -Estampida humana deja más de 80 muertos en Yemén-Elon Musk felicita al equipo de Space X-Más información en nuestro podcast

Ep 142 Berita Besar: Prestasi Cip Apple A17 Bionic Mungkin Direndahkan Kerana Isu Dengan Pengeluaran TSMC Apa Lagi: WhatsApp Groups Kini Memberikan Lebih Kawalan Kepada “Admin” Teman Amanz: Apakah Cyber sekuriti Untuk Masa Depan - Jepun Membangunkan Satelit Pertahanan Yang Menghalang Serangan Ke Atas Satelit Komunikasi Ramalan: Masa depan pengiklanan - Instagram Mula Memaparkan Iklan Pada Bahagian Carian Pula Baik: 5 Lebuhraya Akan Menyokong Pembayaran Guna Kad Kredit Dan Debit, Selain TNG Menjelang September 2023 Buruk: Apple Watch Kelak Akan Memberikan Amaran Jika Tali Jam Tidak Asli Digunakan Dipersembahkan oleh Jibby dan Yem (@ibrahimsaninet). Kalau anda berminat untuk mendengar perbualan mengenai isu-isu kewangan, ekonomi, dan syarikat, cari Podcast Rnggt hari ini. https://open.spotify.com/show/3KKWhcO70rNhufE12LFY0G?si=e0c6f22a245c4515

Ep 140 Berita Besar: BNM Minta Orang Ramai Kaji Dan Teliti Dahulu Terma Dan Syarat Shopee SLoan Sebelum Memohon Apa Lagi: Instagram Bakal Perkenal “Meta Verified” – Langganan Berbayar Yang Berikan Lencana “Verified” Pada Profil Teman Amanz: Apakah ciri2 baharu bank untuk kurangkan kad, sms, aplikasi - Kemaskini Aplikasi Maybank Ke Untuk Perkongsian Resit Terus Melalui WhatsApp Ramalan: Adakah Ini gimik untuk tarik engagement - TikTok Trivia Dilancarkan Dengan Hadiah $500,000 TikTok TV Kini Tersedia Untuk Pengguna Di Malaysia Baik Sooka Menawarkan Penstriman Liga Malaysia 2023 Dengan Harga Serendah RM4.90 Harga Pelan Asas Netflix Kini Dikurangkan Ke RM28 Sebulan WhatsApp iOS Menerima Ciri Panggilan Video Gambar-Dalam-Gambar Buruk: Elon Musk : Kecerdasan Buatan (AI) Merupakan Salah Satu Risiko Untuk Peradaban Dipersembahkan oleh Jibby dan Yem (@ibrahimsaninet). Kalau anda berminat untuk mendengar perbualan mengenai isu-isu kewangan, ekonomi, dan syarikat, cari Podcast Rnggt hari ini. https://open.spotify.com/show/3KKWhcO70rNhufE12LFY0G?si=e0c6f22a245c4515

Ep 139 Berita Besar: Google Dilaporkan Membayar Apple Sebahagian Pendapatan Carian Yang Dijana Melalui Google Chrome Apa Lagi: Netflix Menamatkan Ciri “Play Something” Yang Memainkan Kandungan Secara Rawak Teman Amanz: Legasi Susan Wojcicki, Akan Meletakkan Jawatan Sebagai CEO YouTube Pada Bulan Mac Ini Ramalan: Apple Mungkin Akan Mengembalikan MacBook 12-Inci Baik: MahirTutor Menawarkan Akses Kepada Video Pembelajaran Tingkatan 1-6, Bermula RM10 Sebulan Untuk Satu Subjek Buruk: Kiub Terbesar Dunia The Mukaab Setinggi 400 Meter Akan Dibina Di Riyadh Dipersembahkan oleh Jibby dan Yem (@ibrahimsaninet). Kalau anda berminat untuk mendengar perbualan mengenai isu-isu kewangan, ekonomi, dan syarikat, cari Podcast Rnggt hari ini. https://open.spotify.com/show/3KKWhcO70rNhufE12LFY0G?si=e0c6f22a245c4515

Ep 137 Berita Besar: Rangka kerjasama ekonomi digital Malaysia-Singapura boleh jadi contoh kepada negara ASEAN Apa Lagi: Mungkin hanya model iPhone 15 Pro akan sokong Wifi 6E Teman Amanz: Tesla Cybertruck akan dihantar ke pelanggan menjelang 2024 Ramalan: Akankah Tech Masih Terus Buang Pekerja? Baik: Pengguna Samsung Galaxy Watch 5 di Malaysia kini boleh guna ciri pemantauan tekanan darah dan ECG Buruk: Facebook didakwa sengaja melakukan ujian yang menyebabkan bateri peranti cepat habis Dipersembahkan oleh Jibby dan Yem (@ibrahimsaninet). Kalau anda berminat untuk mendengar perbualan mengenai isu-isu kewangan, ekonomi, dan syarikat, cari Podcast Rnggt hari ini. https://open.spotify.com/show/3KKWhcO70rNhufE12LFY0G?si=e0c6f22a245c4515

Ep 134 Berita Besar: Pelaburan SoftBank Kini Pada Kadar Terendah, Syarikat-Syarikat Pemula Ketandusan Apa Lagi: Unjuran Malap Microsoft Beri Amaran Sektor Tech Semakin Gering Teman Amanz: [apa alternatif kepada MS Office?] Microsoft cloud pitam Ramalan: Telefon Coca-Cola Dijangka Dilancarkan Di India Pada Tahun Ini Baik: Muat naik gambar hidangan sebelum makan selamatkan lelaki dari maut Buruk: Perkhidmatan Microsoft Teams, Outlook, Dan OneDrive Mengalami Gangguan Di Peringkat Global Dipersembahkan oleh Jibby dan Yem (@ibrahimsaninet). Kalau anda berminat untuk mendengar perbualan mengenai isu-isu kewangan, ekonomi, dan syarikat, cari Podcast Rnggt hari ini. https://open.spotify.com/show/3KKWhcO70rNhufE12LFY0G?si=e0c6f22a245c4515

Substack's Reid DeRamus talks about growing newsletter audiences. Reid and I have spoken for the past two years on this topic, going back to before Substack bought his company Yem, which was focused on building a growth engine for newsletter writers. The thing about growth, at least I've found, is it takes a long time for most people. It's taken me over two years to get 12,700 subscribers. I always tell people to take with a grain of salt the overnight success stories of newsletters that amass 250,000 subscribers in less than a year. They are remarkable because they are unusual, and the people running them are likely experts in marketing while most of us writing are not. Recommendations is Substack's No. 1 feature it has rolled out. It needed to provide that distribution function to publishers. Otherwise it would just be a newsletter CMS with Stripe integration. Recommendations are now responsible for 40% of new free subscriptions to Substack-hosted publications. Reid and I discussed that dynamic and other features Substack is rolling out to increase the number of people who covert to paid subscribers.

Join us as we talk to Chris Best, co-founder and CEO at Substack, a leading newsletter subscription platform. Five years ago, email newsletters sound downright archaic. Today, reading email newsletters is society's coolest hobby. From Pulitzer-Prize-winning journalist Glenn Greenwald's newest take on current events, to Yem's newsletter that sends 2 hours of music everyday at 3am to kickstart your day, Substack is creating an alternate universe of trusted, high quality content shipped right to your inbox. In this episode, Chris discusses the transition from the attention economy to one where time and attention is a rare commodity. We talk about how Substack is enabling consumers to be more protective of their attention and helping writers do the work they believe in. Investments in growing quality content through Substack Grow and the newly launched mobile app have empowered people to turn their side passion in writing into a value-creating profession. In the final minutes of the episode, we wrap up with anecdotes of people who've done a great job at becoming creator entrepreneurs via Substack as well as Chris' take on transformational trends for the next decade. What is quality content? As Chris describes it, you should have the power to decide. Though we can confidently say that this episode definitely exceeds the *quality* bar.

Bu video 30/10/2016 tarihinde yayınlanan " VUSLAT İŞTİYÂKI VE TEMİZ KALBLERİN NİYAZI" isimli bamtelinden alınmıştır. Tamamı burada: https://www.herkul.org/bamteli/bamtel... “Yâ Rasûlallah, artık Sana görünebilir miyim?!.” Allah Rasûlü, “Bana sık görünme; amcam Hamza'yı hatırlarım, içimde -elimde olmayarak- sana karşı bir rahatsızlık hâsıl olur!” demiş ona. Bir insan… Allah Rasûlü'nün inceliği açısından bunu düşüneceksiniz.. Hamza'nın fedakârlığı açısından düşüneceksiniz. Amca olması açısından düşüneceksiniz. Çocukluklarını beraber yaşamaları açısından düşüneceksiniz. Amcanın, yeğeninin dinine girmesinin çok zor olmasına rağmen, seve seve o dine girmesi açısından düşüneceksiniz. Bedir'in âbide şahsiyeti olması açısından düşüneceksiniz. Seve seve yurdunu-yuvasını terk edip Medine'ye hicreti açısından düşüneceksiniz. Ve Uhud'da şehâdeti açısından düşüneceksiniz. Allah Rasûlü, bütün bu mülahazalar ve daha niceleri zaviyesinden, “Bana sık görünme; amcam Hamza'yı hatırlarım…” (radıyallahu anhu elfe merrâtin) diyor. Ne kadar seviyorum bilemezsiniz onu, ne kadar, ne kadar… Ama bilmem, köpeğin sevmesi onun nezdinde bir kıymet ifade eder mi? Ashâb-ı Bedir'i okurken, her adı geldiğinde, “Sana kurban olayım!” geçiyor içimden, “Sana kurban olayım!” İşte Allah Râsulü de o mülahazalar ile, “Böyle çok sık görünme, hatırlarım, elimde olmayarak!..” diyor. Siyer ve menkıbe kitaplarında deniyor ki: O da bir fırsat yakalıyor, Hazreti Ebu Bekir döneminde. Yemâme şeytanı Müseylemetü'l-kezzâb, ilk fitne çıkaran insanlardan. Kitabü'l-fiten'de bahsedilen fitneleri, o dönem açısından, o dönem zaviyesinden, o döneme ait hususiyetleriyle, renkleriyle, desenleriyle temsil eden gaddâr u hattâr. “Kezzâb!” denmiş ona. Evet, Hazreti Vahşî tam bir fırsatını kolluyor. Kezzâb'ın saklanmak isteyip sığındığı bir yerde kendisini müdafaa ettiğini görüyor. Mızrağını -ki Hazreti Hamza'nın bağrına sapladığı mızrak diyorlar- Müseyleme'nin bağrına saplıyor. Sonra hemen orada yere kapanıyor. O zaman artık Efendimiz yeryüzünde yok. -Canım çıksın.- “Yâ Rasûlallah, artık görünebilir miyim Sana!” diyor. Hayatı böyle yaşama, böyle derin yaşama… Tûl-i emel ve tevehhüm-i ebediyyet, nice Harun görünümlüleri Kârun'laştırmıştır.

In this special episode, Ekemini is joined by global superstar and Yemi Alade. With four albums, one EP and many smash hits such as Johnny, Ferrari, NaGode and Bum Bum under her belt, Yemi Alade is the #1 Afropop female artist on the African continent. Nigerian afropop/R&B artiste, singer/songwriter, composer, actress and entertainer, she is popularly referred to as the “Ghen ghen babe” and “the Yoruba-Ibo girl” by virtue of her electrifying stage-craft, music, edgy and un-matched style, evolving African style and her bi-tribal descent. She is a BET Awards 2015 and 2016 nominee for Best International Act Africa, a two-times nominee MOBO Awards for Best International Act 2014 and 2015, Winner MTV Africa Music Awards (MAMAs) for Best Female 2015 and 2016. She has received several awards and nominations, including MTV African Music, African Music Video awards, City people Entertainment, MOBO, YEM and Eloy awards. Yemi Alade is also the first African female afropop artist to hit over 100 million views on Youtube and VEVO with her Smash hit single “Johnny”, which is now the most viewed video from an African female artiste. Amongst all these, she is the first African female to hit one million subscribers on YouTube. In July 2019, Yemi Alade was featured on “My Power” and “Don't Jealous Me”, tracks from Beyoncé's compilation album The Lion King: The Gift. She appeared on the track alongside Mr Eazi and Tekno. In September 2020, Yemi Alade was made a UNDP Goodwill ambassador. Purchase our new book! Truth's Table: Black Women's Musings on Life, Love, and Liberation: https://www.amazon.com/Truths-Table-Womens-Musings-Liberation/dp/0593239733/ Truth's Table listeners can join the #DebtFreeDegree Patreon Community at either level, send me a message in Patreon to Dr. Roz, mention Truth's Table, and receive a refund half of your first month's membership fee www.Patreon.com/DebtFreeDegree Support Truth's Table: Patreon: https://www.patreon.com/TruthsTable PayPal: https://www.paypal.me/TruthsTable Merchandise: https://teespring.com/truthstable

This week's guest is Tim Bangert! After a few failed attempts by some friends to get Phish to stick in Tim's ears he finally took the plunge and went to The Great Went, and the rest is history! After The Great Went, the majority of Tim's Phish shows fell into the years of '98 & '99. We talked about Tim's First show experience, some of his favorite jams, the songs he is chasing, and what member of Phish he would most like to meet. To be featured on a future episode, shoot an email to sttf.weareeverywhere@gmail.com Tim summed up his trip to The Great Went in an essay that you can read below.   How did I end up in Limestone, Maine, in August of 1997 to see a band in which I had relatively little interest? I will start the tale of my first Phish show a few years prior to that. I did know a little of the band and had a few friends loan me their music telling me how great they were, but even with all the music I chased down in used music stores and played on a weekly college radio shows, Phish was a barely part of it. The first time I recall hearing the name of the band was in 1992 in a local radio ad for a Santana concert. Funny story there is that the announcer said, “with special guest Phish,” over Santana's “All I Ever Wanted.” I only knew the few Santana songs in K-SHE 95's rotation (“Black Magic Woman,” “Oye Como Va”), so my brain immediately associated “All I Ever Wanted” with Phish. Thinking about it, that might be a fun cover for Phish to play. Phish obviously wasn't getting played on local commercial stations in St. Louis, so that was that. The following winter in college a guy named Joe who lived across the hall from me told me I had to listen to Phish. He handed me a copy of A Picture of Nectar. I am not certain how much of it I listened to, but I think I thought it was too goofy and underproduced as it jumped from the manic “Llama” to gentle “Eliza” and so on. I still think it's goofy and underproduced but in a much more endearing way. A short while later my cousin came to visit me at school. She was a senior in high school and brought a copy of Junta along. I remember hearing “Fee” and once again thinking what a goofy band this was. Why were people recommending them to me? What was I missing here? Later that year she made me a mix tape that include The Mango Song. A strange one to hand anyone to say, hey, listen to this band! Somehow it wound its daft way into my brain with every listen. I think I thought the piano had a bit of Vince Guaraldi's sound from all the Charlie Brown specials. In the fall of 1994, a fellow RA named Matt asks me if I play any music by Phish on my weekly college radio show. I tell him I had heard a bit, but they never did it for me. He hands me a copy of the just-released Hoist and says to give it another shot. I immediately liked the opening track “Julius” and played it on my show. I recall liking “Down with Disease,” “Sample in a Jar,” and possibly “Wolfman's Brother” enough that I dubbed the whole thing and had it on a steady rotation in my car's cassette deck. There were a few songs I always skipped past. “Lifeboy,” “Dog Faced Boy,” and “Demand” come to mind. I'm still not big on them and oddly enough they are the three that I have never seen live (“Riker's Mailbox” and “Yerushalayim Shel Zahav” notwithstanding). Jump ahead to spring of 1996 and Andy Rosenhack, who worked in the dorms with me and showed me how to run the board and queue up songs at WRBU, returned to Peoria for Senior Walk (that's a whole different story). We were out to lunch with a group of friends and he starts telling me about going to see Phish and how great it was. His first show was the 12/7/95 Niagara Falls show. He was also talking a lot about seeing DMB and how great they were, which I think steered the conversation because by that point DMB was pretty big on the radio. I'm pretty sure I was evangelizing for Wilco around that point in time, which seemed pretty not-Phish. That summer I moved out to Colorado for a short time. Phish was in the news, as their four-night stand at Red Rocks was marred by the weird clashes taking place in Morrison by fans unable to get tickets to the shows. I was nowhere near it and Phish still was not really on my radar. I moved back to Illinois in early 1997, bounced around looking for work, and ended up with a contract job in the suburbs of Chicago. It was a pretty dreary time and I was looking for a way to get out of the rut that was surely forming in the 8-to-5 world of I.T. Andy contacts me and says I should come see Phish with him. Where are they playing? Why, in Maine! It's a festival! I tell him sure, why not. I've been at my job a few months and deserve some time off, right? He sent me two 90-minute cassettes to prep me for the show. The first was set 2 of the first night of the Clifford Ball 1. It's an interesting set covering a wide range of styles. The second tape was a doozy that probably made me say “What the hell is this?” It was the Bomb Factory Tweezerfest set. Really, is that what you hand somebody when you want them to listen to live Phish for the first time? It was out there. We wrangled another college friend Bill Korbecki to come along for the road trip. Bill lived near Chicago, so I had company for the drive to Rochester. If I recall correctly, we drove the northern route through Detroit and Niagara to get to Andy's place in Rochester, New York. Ah, for the days when crossing into and out of Canada didn't require a passport or a lot of suspicion. We didn't head straight up to the show, though. Andy was working as a day camp counselor that summer. Bill and I tagged along to help out, as they were making tie-dye t-shirts that day. I made mine out of a Sugar 1994 Tour shirt 2. That evening Bill and I hung out at Andy's place because he had tickets to take his girlfriend to see James Taylor. When he returned from the JT show we took off for Maine. It couldn't be that far, right? It's just getting to Massachusetts and then through a sliver of New Hampshire. Ha. Little did I realize how remote this concert would be. The route couldn't be easier. Take I-90 east until it hits I-95 outside Boston. Head north on I-95 until the final exit before New Brunswick. Hop off and go north on US-1 and follow the traffic jam to the decommissioned Loring Air Force Base. I remember hearing on the radio local kids in Arastook County were out of school for potato harvest. The residents in the area were curious about the parade of cars winding northward, but they were gracious nonetheless. Getting to the lot the morning of the show we were parked far back on the right side of the runway. The scale of it was overwhelming. Where the heck was the stage? Attempting to piece together the first day of music here. The walk to the concert grounds was far but did not feel that way. Too many interesting people and too much interesting merchandise being hawked. I don't remember much of the festival area. Andy did paint on one of the wooden planks flanking the area. Those planks would become part of the sculpture that evolved on the scaffolding to the right of the stage. I think Andy met Page in that time, too. I had no clue who any of the band were. 1 Split Open and Melt, Sparkle, Free, The Squirming Coil, Waste, Talk, Train Song, Strange Design, Hello My Baby, Mikes Song, Simple, Contact & Weekapaug Groove. 2 I can't believe I did that. My apologies to Bob Mould. The show started late that afternoon. “Makisupa Policeman” holds the honor of the first live song I saw Phish play. Keyword? “Goo balls.” Me being the neophyte I am, I thought Trey said “blue balls.” Ha. I had no idea the significance of the partial “Harpua” that followed. That day warped me for how long an opening set should be at around 100 minutes. I later learned listening to the tapes that the first few songs were a de facto soundcheck. Looking back it's strange to think I got a daytime YEM (it's hard to think of it without the lights) and a beautiful solo to end “Squirming Coil.” Page's words after his bow? “Stick around.” I knew only two songs they played that day. “Wolfman's Brother” to open the second set and “Julius” to close it out. That helped keep things familiar for me. I was worn out late in the third set and told the guys I would meet them back at the car, so I listened to the encore from afar. Not knowing much of anything, I obviously missed the late-night DJ set the band put on in the disco tent. The next morning was crisp and bright. Flyers had been circulating requesting participants for a mass photo shoot. The catch? It called for folks to doff their clothes. Anyone hearing this story would think I was the one who had to be dragged into such an event, but the opposite is the case. I told Bill and Andy that we should be in the photo. They thought I was bluffing and said if I was in, they'd be in, too. So sometime late that morning I led them to the staging area to sign waivers, drop our clothes near some bike racks, and parade out onto an empty stretch of runway in our birthday suits with 1,100 other people. It was not as nerve-wracking as I thought it might be. For our participation, we were supposed to be sent a copy of the photo, but unfortunately, I was bouncing between addresses at the time and mine never made it to me. Andy did receive his. The photo is rather morbid in my eyes. It's monochrome and looks like a thousand corpses lined up on pavement, which completely belies the festive atmosphere of the shoot. While I did not receive the poster, there is proof of me in one of the pictures in 1998's The Phish Book. Yep. My caveat for anyone seeing that page in the book is that northern Maine mornings are chilly. ;) We meandered about that day. I was amazed at all the vending taking place, though I was still too green to understand references to songs or other cultural touchstones. I did buy a lot shirt, though. It was tie-dye, had a Phish logo with Summer Tour 97 around it, and on the back a faux Maine license plate with GR8-WENT. It cost me $5 because it had some rips in the front and was the last of the vendor's lot. I don't think I ever wore it, but it's still stowed away too cherished to be thrown out. I remember much more of the second day of music. I loved the song “The Wedge” the moment they opened with it. Limestone blocks so large, indeed. After the set we wandered a bit for food and water. Getting back into the concert area we ended up about 20 to 25 rows back Page side. The place was buzzing as the night and cool air creeped in. One anomaly of this show that I did not realize was Fish not wearing his trademark donut dress. He was in jeans that weekend. For the second night he had on a fleece adorned winter hat. Trey also had on a warm striped beanie for the second set. They kicked off the set with “Down With Disease” which I knew from good old Hoist. The song raged on for twenty minutes and then dropped down to a simple little guitar and bass conversation between Trey and Mike, as Page and Fish stepped to two easels on the stage. We could see the two of them painting on shaped boards, similar to those Andy had painted on in the festival area. Trey played the chords of “Bathtub Gin” as Fish found his way back to the drum kit. The song was new to me, but it's so catchy. The cadence of lyrics at first reminded me of Bob Dylan's “Subterranean Homesick Blues” and of course was familiar with its Gershwin quotes throughout. Something clicked for me right then and there. Little did I know this would be one of the signature live jams of the band's career, but I did know something special was happening. It's a version that never loses steam and never grows stale on repeated listenings. There's a group on Facebook called “The Great Went Bathtub Gin Changed My Life.” I did not start the group, but I certainly understand why it was created. The song is 20 minutes of inspired playing and improvisation. As Gin wound down and melted into the quick bluegrass fix of “Uncle Pen,” we were only halfway through the set. The next 45 minutes would be just as inspired. The next song was just as familiar because Strauss' “Also Sprach Zarathustra” is embedded in the DNA of anyone alive after 2001: A Space Odyssey. More painting, this time Trey and Mike stepping to the easels while Fish and Page keep the jam going. What's up with all this painting, anyway? As 2001 fades into what becomes known as “Art Jam” on tapes, Trey tells us about creating art with the audience. The band's planks are crowd surfed over to the scaffolding where all the planks painted by festival-goers hang in one crazy pile. The spotlight is on the newly created sculpture as the band kicks into “Harry Hood.” Another new one for me, but it's a glorious swell. As “Hood” drops into the post “Thank you, Mr. Miner” jam, Trey asks Chris Kuroda to cut the lights because the moon is bright and the sculpture is growing in beauty with every passing second. With that, the air begins to fill with colored lights. A glowstick war breaks out. Without the usual concert lights to dampen things, the sticks take on an epic feel. The jam seems to rise and fall with the number in the air. It was exhilarating. I couldn't imagine being anywhere else. As “Hood” ended Trey tells the crowd to go get more of those things because they look amazing. 90 minutes had gone by in what seemed like 9. The crowd was floating. And we still had another set to go. Over the course of the second set the crowd grew more dense. We had nowhere to go between sets. I remember gallon jugs of water being passed around the crowd. I was so thankful for a few sips. It sustained me through the end of the show in an incredibly cramped space. The final set was not as epic, but introduced me to a few more facets of the band. I remember each song, but specifics of only a few. We were still pinned in with the crowd and hadn't had a chance to sit down in hours (maybe we did? I remember standing the whole time). I'm sure a lot of people took “Dirt” to be a chance to rest after the intricate “Guyute,” but it hit me just right. Combined with the cold air, Trey's whistling and the simple guitar line were an emotional high point for me. The same goes with the set closing “Prince Caspian.” I was thrilled hearing “When the Circus Comes” as the encore, since I am a big fan of the old Los Lobos tune. I didn't realize its lyric “the day I burn this whole place down” would soon become a reality as they tore into “Tweezer Reprise.” A huge timber dressed up as a match was lit and tipped against the sculpture that an hour or two earlier we had been admiring during “Harry Hood.” The whole thing went up in an intense blaze as the encore raged. The crowd was going crazy. Wow. Is this what every Phish show is like? Maybe so, maybe not. One of the great things about the fest were all the folks vending from their vehicles. I was famished after the nighttime sets. As we strolled back up the runway I hear a voice singing out “15 ingredient veggie burritos!” A burrito sounded like it would be perfect, so we stopped to grab one. As the woman is wrapping one up I can't resist asking, “So, what are the 15 ingredients in this burrito?” Here's how Andy recalls her reply: “Rice, 5 kinds of beans, cilantro, cheese, cilantro, rice, cilantro, 5 kinds of beans, cheese, rice, and cilantro.” Ha! Who am I to question that? It was delicious. We took time to rest at the car and headed out of the base the next morning. Traffic was heavy, but moved pretty well. When we hopped on I-95 again one of the strangest things I've ever seen happened. Troopers were pulling cars over en masse. We were not among those targeted by the state patrol, but it was weird. The only other Maine thing we really did when we were up that way was a stop at the L.L. Bean flagship store. I bought a wool plaid cap that I recently passed on to my daughter. The rest of the ride back to Rochester I remember mainly for Andy introducing us to the music of Ani Difranco. As the rest of the year went along, I got a bit more into Phish, but really sought out Ani's stuff. Two completely different sounds, but artists who completely do things their own way. The drive to Chicago is a bit of a blur to me now. I'm guessing exhaustion was setting in and we were looking forward to getting home.  

Welcome back to HFPod On Tour (Live)! Today we recap the seventh night of Phish's 2022 Spring Tour in Noblesville, IN! Brian, Jonathan and Megan are joined by David Schlesinger (@slesss) to discuss the vibe at Deer Creek, the fun micro jams from Set I, the brilliant YEM > A Wave of Hope, and the joy of reinvention in the Slow Maze encore.---Tune into our LIVE SHOWS every Monday & Wednesday at 4:30pm ET.Please subscribe to OSIRIS MEDIA on Apple Podcasts to hear BONUS HFPod Episodes as well as all of Osiris Media Ad Free!Visit Sunset Lake CBD and enter the promo code HFPOD for 20% off your order.We're thrilled to be sponsored by Cash or Trade! See acast.com/privacy for privacy and opt-out information.

Finally setting foot on the planet of Toydaria, the crew of the Titan's Mercy and Davith set out to retrace Davith and Yem's steps with the hopes of finding some trace of the group who made them smugglers.... All Music : Joshua Empyre (FreeSound and BandCamp) Donate For Destiny: https://childsplay.salsalabs.org/childsplayonlinedonationwidget/p/StarBirdsPodcast/index.html NightCast Discord: https://discord.gg/K8PYcFG  

Join us this week as we talk about Yemọja, the patron deity of the ocean, the essence of motherhood, and the protector of children, the inspiration behind our painting 'Take Me To The River. We also tell our favourite folktales which feature a few animals acting mad!Stick around to hear our African proverb of the week.Cover art by @adeche.atelierMusic by @RichardFemi_ of @MutualSoundz Hosted on Acast. See acast.com/privacy for more information.

Join us this week as we talk about Yemọja, the patron deity of the ocean, the essence of motherhood, and the protector of children, the inspiration behind our painting 'Take Me To The River. We also tell our favourite folktales which feature a few animals acting mad!Stick around to hear our African proverb of the week.Cover art by @sa_art_uk , saartuk.comMusic by @RichardFemi_ of @MutualSoundz

“Il n'est pas question de communautariser les choses. Il n'est pas question de communautarisme. Il est question d'une représentation. Il est question de gens qui comprennent la société dans laquelle on vit, et c'est pas plus que ça.” C'est le dernier épisode de la saison 1 de Banh mi podcast. Dans ce 20ème épisode, Linda rencontre Linh-lan Dao, Marie Palot et Raphäl Yem. Un épisode spécial, une table ronde pour échanger et questionner sur la représentation des asiatiques dans les médias. Ils sont journalistes, animateur.ices à la télévision, sur Youtube ou Twitch. Linh-lan écrit pour France Info et illustratrice. Elle anime une chronique dans l'émission “C Jamy” et a créé sa chaîne youtube “Draw my news”. Marie anime l'émission “Zine! Zine!” sur France 4, “Pop corn” sur la chaîne de Domingo sur Twitch, “Sneakers Spirit”, on la retrouve régulièrement dans les vidéos Youtube de Louis-San pour parler du Japon et de la Corée. Raphäl est présentateur télé, cofondateur du magazine “Fumigène”, il a animé la quotidienne “Ensemble c'est mieux” sur France 3, on le retrouve sur CULTUREBOX tous les soirs co présenté avec Daphné Burki. On discute de leur passion d'écrire depuis l'enfance, avec la création du journal du collège pour chacun.es, du parcours en école de journalisme de Linh-Lan, les études à HEC - Hautes Etudes du Culot de Raphäl et sa persévérance pour en faire son métier, la lettre de motivation de Marie avec une photo de son chien pour entrer chez J-One, première chaîne sur la japanimation. On s'interroge sur la représentation des asiatiques dans les médias qui était quasi inexistante il y a 10 ans. On évoque aussi ce parallèle entre la télévision et Youtube qui offre plus de liberté de parole et de visibilisation des minorités et des cultures comme la culture manga, ou hip hop, de faire évoluer les mentalités des dirigeants de chaîne. On déconstruit ensemble les clichés asiatiques qui se sont amplifiés avec la crise sanitaire, on discute de leur lien avec leur pays d'origine, le Vietnam, la Corée et le Cambodge et de ces médias et compte insta qui parlent de cultures asiatiques. Un épisode exceptionnel avec des invités d'exception qui insuffle un regard nouveau sur les médias de demain avec plus de représentations, plus de diversité dans les cultures manga, hip hop, plus de diversité qui nous ressemble et nous rassemble... Pour la version filmée, RDV sur la chaîne Youtube Banh Mi podcast. Pour suivre Linh-lan, Marie et Raphäl: @linhlandao @mariecpalot @raphal_yem Pour suivre Banh Mi podcast: @banhmi.podcast/ banhmiculture.com/ Musique Intro : Benjamin Pham Musique générique de fin: BTS, Dynamite Références citées dans l'émission Ne me dites plus jamais "tching tchong" Marie et Louis San sur Youtube www.fumigene.org/ Recommandations d'épisodes: #19 - Être asiatique dans le cinéma français avec Stéphane, Mike et Leanna #23 - Frédéric Chau, où sont les représentations asiatiques dans l'humour et au cinéma ? Banh Mi est un podcast crée et réalisé par Linda Nguon. Partagez cet épisode à ceux que vous aimez.

Fall '99 hits the ground running! Phish opens tour in Vancouver, Canada, and 9-9-1999 is my third favorite show of the whole tour. FWIW, I rank 9-12 in Portland first, and 9-14 in Boise second. Pretty impressive for the first week of a tour, eh? Jams from Mozambique, Stash, Ghost, Tweezer, and YEM are included in this episode. Listen to the full show at phish.in and read the set list and reviews at Phish.net.

My 4th favorite show of Winter '99 Tour. Phish is low-key, cohesive, and Big Cypress-ready. DWD, Gin, YEM, Free, and Reba jams are included in this episode. Listen to the full show at phish.in and read the set list and reviews at Phish.net.

Welcome to Ticket To Gamehendge, The podcast where we discuss our favorite band Phish and our ultra top secret mission On this episode we discuss: - If someone came to you an said "I've never heard Phish before, can you play me something?", what song would them? We discuss our answers and why, based on this definition, YEM is a middle of the road song - Kinda special guest appearance by Dr. K's wife, Dr. Rachelle! - Trey's new "live" performances from The Beacon Theatre - is it even real? - And, much more...

Applications are re-opening soon! The Youth Entrepreneur Movement (YEM) is an exclusive Facebook community for passionate young entrepreneurs who want to create change in the world. Through the community you have access to mentorship and coaching from industry experts, networking events, access to live podcasts, carefully curated content related to topics around entrepreneurship and mental well being and webinars. This is a great opportunity for young entrepreneurs (under 25), who are building business, charities or other organisation or even entrepreneurs who have a great idea they want to work on. Find out more details about the YEM on our social media: https://linktr.ee/thehumanentrepreneur Hope you have a great day!

So how do you follow up one of the most legendary Phish shows of all time? Well the next night you play only 14 songs TOTAL! Among those are all time versions of "Ghost" and "DWD" and a great "YEM". Dave Calarco aka Mr. Miner is back with me to try and break it all down. The soundcheck includes a rare version of "The Happy Whip and Dung" and a hilarious look behind what was going on with the Phish stage crew taking place in "Windora Bug". Hosted on Acast. See acast.com/privacy for more information.