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History of Art at the University of Oxford draws on a long and deep tradition of teaching and studying the subject. The core academic staff of the History of Art Department work on subjects from medieval European architecture to modern Chinese art. Over fifty associated academic staff (e.g. in Anthropology, Classics, History, Oriental Studies, and the Ruskin School of Drawing) include teachers and researchers across the full global and historical range of art and visual culture. This offers students exciting possibilities to take courses and receive supervision on a very wide range of topics, and to develop their own interests in art history.

Oxford University


    • Jun 14, 2021 LATEST EPISODE
    • infrequent NEW EPISODES
    • 53m AVG DURATION
    • 32 EPISODES


    Latest episodes from History of Art

    Slade Lecture Series: Hunting in the Borderlands: Translations

    Play Episode Listen Later Jun 14, 2021 52:00


    Material Histories of Medieval Iberia, held on Wednesday 2 June 2021, part of the Slade Professor of Fine Art, Annual Lecture Series, 2021. Jerrilynn Dodds is Harlequin Adair Dammann Chair in the History of Art at Sarah Lawrence College. Prof. Dodds' scholarly work has centered on issues of transculturation, and how groups form identities through art and architecture. Among her publications are: Arts of Intimacy: Christians, Jews and Muslims in the Making of Castilian Culture, co-authored with Prof. Mara Menocal and Abigail Krasner Balbale; Architecture and Ideology of Early Medieval Spain; and New York Masjid, the Mosques of New York City. She was editor of the catalogue Al Andalus: The Arts of Islamic Spain (Metropolitan Museum of Art) and served as curator of the exhibition of the same name, at the Alhambra in Granada and in New York; co-editor and curatorial consultant of The Arts of Medieval Spain (with Little, Moralejo and Williams, Metropolitan Museum of Art); co-editor and consulting curator for Convivencia. The Arts of Jews, Christians and Muslims in Medieval Iberia (ed., with Glick and Mann, 1992); and, with Edward Sullivan, co-editor and curator for Crowning Glory, Images of the Virgin in the Arts of Portugal( Newark Museum). She has written and directed films in conjunction with museum exhibitions (Journey to St. James (MMA); An Imaginary East (MMA); NY Masjid (Storefront) and for wider audiences (Hearts and Stones: The Bridge at Mostar). Professor Dodds was the recipient of the Cruz de la Orden de Mérito Civil (Cross of the Order of Civil Merit) from the Government of Spain (2018).

    Slade Lecture Series: The Virgin as Colonial Agent

    Play Episode Listen Later Jun 14, 2021 45:20


    Material Histories of Medieval Iberia, held on Wednesday 26 May 2021, part of the Slade Professor of Fine Art, Annual Lecture Series, 2021. Jerrilynn Dodds is Harlequin Adair Dammann Chair in the History of Art at Sarah Lawrence College. Prof. Dodds' scholarly work has centered on issues of transculturation, and how groups form identities through art and architecture. Among her publications are: Arts of Intimacy: Christians, Jews and Muslims in the Making of Castilian Culture, co-authored with Prof. Mara Menocal and Abigail Krasner Balbale; Architecture and Ideology of Early Medieval Spain; and New York Masjid, the Mosques of New York City. She was editor of the catalogue Al Andalus: The Arts of Islamic Spain (Metropolitan Museum of Art) and served as curator of the exhibition of the same name, at the Alhambra in Granada and in New York; co-editor and curatorial consultant of The Arts of Medieval Spain (with Little, Moralejo and Williams, Metropolitan Museum of Art); co-editor and consulting curator for Convivencia. The Arts of Jews, Christians and Muslims in Medieval Iberia (ed., with Glick and Mann, 1992); and, with Edward Sullivan, co-editor and curator for Crowning Glory, Images of the Virgin in the Arts of Portugal( Newark Museum). She has written and directed films in conjunction with museum exhibitions (Journey to St. James (MMA); An Imaginary East (MMA); NY Masjid (Storefront) and for wider audiences (Hearts and Stones: The Bridge at Mostar). Professor Dodds was the recipient of the Cruz de la Orden de Mérito Civil (Cross of the Order of Civil Merit) from the Government of Spain (2018).

    Slade Lecture Series: Mudejar and Romanesque. Romanesque and Islam

    Play Episode Listen Later Jun 14, 2021 48:15


    Material Histories of Medieval Iberia, held on Wednesday 19 May 2021, part of the Slade Professor of Fine Art, Annual Lecture Series, 2021. Jerrilynn Dodds is Harlequin Adair Dammann Chair in the History of Art at Sarah Lawrence College. Prof. Dodds' scholarly work has centered on issues of transculturation, and how groups form identities through art and architecture. Among her publications are: Arts of Intimacy: Christians, Jews and Muslims in the Making of Castilian Culture, co-authored with Prof. Mara Menocal and Abigail Krasner Balbale; Architecture and Ideology of Early Medieval Spain; and New York Masjid, the Mosques of New York City. She was editor of the catalogue Al Andalus: The Arts of Islamic Spain (Metropolitan Museum of Art) and served as curator of the exhibition of the same name, at the Alhambra in Granada and in New York; co-editor and curatorial consultant of The Arts of Medieval Spain (with Little, Moralejo and Williams, Metropolitan Museum of Art); co-editor and consulting curator for Convivencia. The Arts of Jews, Christians and Muslims in Medieval Iberia (ed., with Glick and Mann, 1992); and, with Edward Sullivan, co-editor and curator for Crowning Glory, Images of the Virgin in the Arts of Portugal( Newark Museum). She has written and directed films in conjunction with museum exhibitions (Journey to St. James (MMA); An Imaginary East (MMA); NY Masjid (Storefront) and for wider audiences (Hearts and Stones: The Bridge at Mostar). Professor Dodds was the recipient of the Cruz de la Orden de Mérito Civil (Cross of the Order of Civil Merit) from the Government of Spain (2018).

    Slade Lecture Series: Babylon in Flames

    Play Episode Listen Later Jun 14, 2021 50:15


    Material Histories of Medieval Iberia, held on Wednesday 12 May. Part of the Slade Professor of Fine Art, Annual Lecture Series, 2021. Jerrilynn Dodds is Harlequin Adair Dammann Chair in the History of Art at Sarah Lawrence College. Prof. Dodds' scholarly work has centered on issues of transculturation, and how groups form identities through art and architecture. Among her publications are: Arts of Intimacy: Christians, Jews and Muslims in the Making of Castilian Culture, co-authored with Prof. Mara Menocal and Abigail Krasner Balbale; Architecture and Ideology of Early Medieval Spain; and New York Masjid, the Mosques of New York City. She was editor of the catalogue Al Andalus: The Arts of Islamic Spain (Metropolitan Museum of Art) and served as curator of the exhibition of the same name, at the Alhambra in Granada and in New York; co-editor and curatorial consultant of The Arts of Medieval Spain (with Little, Moralejo and Williams, Metropolitan Museum of Art); co-editor and consulting curator for Convivencia. The Arts of Jews, Christians and Muslims in Medieval Iberia (ed., with Glick and Mann, 1992); and, with Edward Sullivan, co-editor and curator for Crowning Glory, Images of the Virgin in the Arts of Portugal( Newark Museum). She has written and directed films in conjunction with museum exhibitions (Journey to St. James (MMA); An Imaginary East (MMA); NY Masjid (Storefront) and for wider audiences (Hearts and Stones: The Bridge at Mostar). Professor Dodds was the recipient of the Cruz de la Orden de Mérito Civil (Cross of the Order of Civil Merit) from the Government of Spain (2018).

    Slade Lecture Series: The Great Mosque of Cordoba as Center and Periphery

    Play Episode Listen Later Jun 14, 2021 47:29


    Material Histories of Medieval Iberia, held on Wednesday 5 May 2021. Part of the Slade Professor of Fine Art, Annual Lecture Series, 2021. Jerrilynn Dodds is Harlequin Adair Dammann Chair in the History of Art at Sarah Lawrence College. Prof. Dodds' scholarly work has centered on issues of transculturation, and how groups form identities through art and architecture. Among her publications are: Arts of Intimacy: Christians, Jews and Muslims in the Making of Castilian Culture, co-authored with Prof. Mara Menocal and Abigail Krasner Balbale; Architecture and Ideology of Early Medieval Spain; and New York Masjid, the Mosques of New York City. She was editor of the catalogue Al Andalus: The Arts of Islamic Spain (Metropolitan Museum of Art) and served as curator of the exhibition of the same name, at the Alhambra in Granada and in New York; co-editor and curatorial consultant of The Arts of Medieval Spain (with Little, Moralejo and Williams, Metropolitan Museum of Art); co-editor and consulting curator for Convivencia. The Arts of Jews, Christians and Muslims in Medieval Iberia (ed., with Glick and Mann, 1992); and, with Edward Sullivan, co-editor and curator for Crowning Glory, Images of the Virgin in the Arts of Portugal( Newark Museum). She has written and directed films in conjunction with museum exhibitions (Journey to St. James (MMA); An Imaginary East (MMA); NY Masjid (Storefront) and for wider audiences (Hearts and Stones: The Bridge at Mostar). Professor Dodds was the recipient of the Cruz de la Orden de Mérito Civil (Cross of the Order of Civil Merit) from the Government of Spain (2018).

    Slade Lecture Series: An Agonistic History of Art

    Play Episode Listen Later Jun 14, 2021 53:45


    Material Histories of Medieval Iberia, held on Wednesday 28 April 2021. Jerrilynn Dodds is Harlequin Adair Dammann Chair in the History of Art at Sarah Lawrence College. Prof. Dodds' scholarly work has centered on issues of transculturation, and how groups form identities through art and architecture. Among her publications are: Arts of Intimacy: Christians, Jews and Muslims in the Making of Castilian Culture, co-authored with Prof. Mara Menocal and Abigail Krasner Balbale; Architecture and Ideology of Early Medieval Spain; and New York Masjid, the Mosques of New York City. She was editor of the catalogue Al Andalus: The Arts of Islamic Spain (Metropolitan Museum of Art) and served as curator of the exhibition of the same name, at the Alhambra in Granada and in New York; co-editor and curatorial consultant of The Arts of Medieval Spain (with Little, Moralejo and Williams, Metropolitan Museum of Art); co-editor and consulting curator for Convivencia. The Arts of Jews, Christians and Muslims in Medieval Iberia (ed., with Glick and Mann, 1992); and, with Edward Sullivan, co-editor and curator for Crowning Glory, Images of the Virgin in the Arts of Portugal( Newark Museum). She has written and directed films in conjunction with museum exhibitions (Journey to St. James (MMA); An Imaginary East (MMA); NY Masjid (Storefront) and for wider audiences (Hearts and Stones: The Bridge at Mostar). Professor Dodds was the recipient of the Cruz de la Orden de Mérito Civil (Cross of the Order of Civil Merit) from the Government of Spain (2018).

    The Terra Lectures in American Art Part 1: Regarding the Portrait: The Primers

    Play Episode Listen Later Oct 16, 2020 85:04


    Professor Amy M. Mooney, Terra Foundation Visiting Professor in American Art Hosted by TORCH. Moderator; Alastair Wright: Alastair Wright is Head of the History of Art Department and Tutorial Fellow in Art History at St John's College, Oxford. Regarding the Portrait: The Primers In this four-part lecture series, Professor Amy Mooney examines the central role portraiture played in fostering social change in the United States from the 1890s through the 1950s. Drawing from her forthcoming book, Portraits of Noteworthy Character, Professor Mooney considers the strategic visual campaigns generated by individuals and social institutions that used the portrait to advance their progressive political ideologies. From the etiquette texts used at historically black colleges to the post cards produced by Hull House to the Harmon Foundation's exhibition of “Portraits of Outstanding Americans of Negro Origin,” this series explores the ways in which the portrait was employed to build social relationships and negotiate modern subjectivity. This lecture examines the factors that influenced the development of pedagogical strategies for reading and realizing the portrait as conceived for students at Historically Black Colleges and Universities during the post-bellum era. Through engravings illustrating etiquette books and early photography, Professor Mooney traces the precedents for the ideological situating of black subjectivity within the politics of respectability that later inform the rhetorical trope of the New Negro.

    The Terra Lectures in American Art Part 3: Regarding the Portrait: The Progressives

    Play Episode Listen Later Oct 16, 2020 76:49


    Professor Amy M. Mooney, Terra Foundation Visiting Professor in American Art Hosted by TORCH. Moderator: Melanie Chambliss, Assistant Professor in the Humanities, History, and Social Sciences Department at Columbia College Chicago. In this four-part lecture series, Professor Amy Mooney examines the central role portraiture played in fostering social change in the United States from the 1890s through the 1950s. Drawing from her forthcoming book, Portraits of Noteworthy Character, Professor Mooney considers the strategic visual campaigns generated by individuals and social institutions that used the portrait to advance their progressive political ideologies. From the etiquette texts used at historically black colleges to the post cards produced by Hull House to the Harmon Foundation's exhibition of “Portraits of Outstanding Americans of Negro Origin,” this series explores the ways in which the portrait was employed to build social relationships and negotiate modern subjectivity. At the turn of the twentieth century, U.S. national consciousness was challenged by both migration and immigration. White progressives, such as Jane Addams, sought to improve the conditions of newly arrived immigrants and borrowed strategies for racial, adapting them to encourage assimilation. Looking at images generated by Joseph Stella, Norah Hamilton and Lewis Hine, Professor Mooney considers how portraits from the progressive era contributed to the emerging constructs of race and ethnicity across the color line.

    The Terra Lectures in American Art Part 2: Regarding the Portrait: The Photographers

    Play Episode Listen Later Oct 16, 2020 76:30


    Professor Amy M. Mooney, Terra Foundation Visiting Professor in American Art. Hosted by TORCH. Moderator: Professor Deborah Willis, Department of Photography and Imaging at the Tisch School of the Arts at New York University. In this four-part lecture series, Professor Amy Mooney examines the central role portraiture played in fostering social change in the United States from the 1890s through the 1950s. Drawing from her forthcoming book, Portraits of Noteworthy Character, Professor Mooney considers the strategic visual campaigns generated by individuals and social institutions that used the portrait to advance their progressive political ideologies. From the etiquette texts used at historically black colleges to the post cards produced by Hull House to the Harmon Foundation's exhibition of “Portraits of Outstanding Americans of Negro Origin,” this series explores the ways in which the portrait was employed to build social relationships and negotiate modern subjectivity. Through the advancements in technology and printing, photography becomes the most accessible form through which individuals could determine how they wanted to be seen. The burgeoning black media ensured the publication and circulation of photographic portraits, as well as the development of a modern criticality through the act of representation. In this lecture, Professor Mooney explores how, in collaboration with their patrons, African American commercial photographers generated a body politic that fostered racial equality through portraiture.

    The Terra Lectures in American Art Part 4: Regarding the Portrait: The Pragmatists

    Play Episode Listen Later Oct 16, 2020 73:19


    Professor Amy M. Mooney, Terra Foundation Visiting Professor in American Art Hosted by TORCH. Regarding the Portrait: The Pragmatists In this four-part lecture series, Professor Amy Mooney examines the central role portraiture played in fostering social change in the United States from the 1890s through the 1950s. Drawing from her forthcoming book, Portraits of Noteworthy Character, Professor Mooney considers the strategic visual campaigns generated by individuals and social institutions that used the portrait to advance their progressive political ideologies. From the etiquette texts used at historically black colleges to the post cards produced by Hull House to the Harmon Foundation's exhibition of “Portraits of Outstanding Americans of Negro Origin,” this series explores the ways in which the portrait was employed to build social relationships and negotiate modern subjectivity. The final lecture examines an exhibition generated by the Harmon Foundation in 1944 called “Portraits of Outstanding Americans of Negro Origin.” This group of commissioned portraits toured the US for nearly ten years with the intention of not only celebrating the contributions of successful African Americans, but also modeling social integration and the possibilities of civil rights. Considering the aesthetics and logistics of the exhibition, Professor Mooney explores the ways in which the philosophies of Alain Locke informed the unabating optimism that portraiture could generate social change.

    Terra Foundation Lectures in American Art 2019 - A Contest of Images: American Art as Culture War (4) The Stones of Civil War

    Play Episode Listen Later Jun 5, 2019 43:52


    Dr John Blakinger speaks about iconoclasm in American history and the vandalism of Confederate monuments. Iconoclasm is an enduring American value. In 1776, a mob destroyed a statue of King George III in Bowling Green, New York, establishing the new American Republic as a nation built on image destruction. More recent acts of visual violence have targeted Confederate monuments, transforming them both physically and digitally. Images of vandalism that circulate online are powerful enough to re-cast bronze and shatter stone.

    Terra Foundation Lectures in American Art 2019 - A Contest of Images: American Art as Culture War (3) Dismantling the Gallows

    Play Episode Listen Later Jun 5, 2019 40:54


    Dr John Blakinger discusses 'Scaffold', Sam Durant's contentious sculpture. Sam Durant's controversial sculpture Scaffold, a wooden structure recalling specific gallows from American history, ignited a firestorm at the Walker Art Center in Minneapolis in 2017. The work resembled the scaffold used in nearby Mankato, Minnesota, where 38 Dakota men were executed just days after President Lincoln signed the Emancipation Proclamation - it was the largest mass execution ever held on American soil. This historical reference prompted a backlash from Native communities, who called for the work's removal. Can art help us dismantle the past and loosen its shackles? Or are we always forced to remember?

    Terra Foundation Lectures in American Art 2019 - A Contest of Images: American Art as Culture War (2) The Body of Emmett Till

    Play Episode Listen Later Jun 5, 2019 41:38


    Dr John Blakinger speaks about the controversy surrounding Dana Shutz's painting of the body of Emmett Till exhibited at the 2017 Whitney Biennnial. Who has the right to see in an age of image overload? At the 2017 Whitney Biennial, a painting by the artist Dana Schutz depicting the body of Emmett Till, a fifteen-year-old African-American boy lynched in Mississippi in 1955, incited outrage. The artists Hannah Black and Parker Bright condemned the work as "black death spectacle." The episode resuscitated debates over the use and abuse of traumatic pictures, and the way visual images propelling the Civil Rights movement also exploited their subjects.

    Terra Foundation Lectures in American Art 2019 - A Contest of Images: American Art as Culture War (1) Warhol in Safariland

    Play Episode Listen Later Jun 5, 2019 50:32


    Dr John Blakinger talks about demonstrations against the Whitney Museum of American Art related to its connections with the tear gas manufacturer Safariland. In November 2018, an image of migrants fleeing tear gas at the US-Mexico border ricocheted across the internet, inspiring protests against the Trump administration's immigration policies but also against a more unlikely target: the Whitney Museum of American Art. The artist-activist collective Decolonize This Place stormed the museum in demonstration against the Whitney's connections to Safariland, a manufacturer of tear gas. Andy Warhol's silkscreen canvases, then on view for a major retrospective, took on new meanings during these events. The artist's “Death in America” paintings depicting turmoil in the 1960s came to life in the gallery.

    Research Seminar: Aesop, Velazquez and War

    Play Episode Listen Later Oct 30, 2018 71:12


    This lecture was delivered at the University of Oxford History of Art Department's Research Seminar series by T.J Clark Professor Emeritus, UC Berkeley.

    Terra Foundation Lectures in American Art 2018: The Body of a Nation: (4) The great disappearing George Washington: history and the head of state in contemporary American art

    Play Episode Listen Later Jun 28, 2018 51:20


    Professor Miguel de Baca gives his final Terra Foundation Lecture in American Art on Gilbert Stuart's unfinished painting of George Washington.

    Terra Foundation Lectures in American Art 2018: The Body of a Nation: (3) Modernism disfigured: cult and illicit ritual in New Mexico in the works of Georgia O'Keeffe and Martha Graham

    Play Episode Listen Later Jun 28, 2018 47:22


    Professor Miguel de Baca gives his third Terra Foundation Lecture in American Art on the works of Georgia O'Keeffe and Martha Graham. Miguel de Baca joins the History of Art Department as the Terra Foundation Visiting Professor of American Art in 2017-18 from Lake Forest College, where he is the chair of the Department of Art and Art History. Miguel studies modern and contemporary American art; he is especially interested in issues of memory-making and the representation of history as they intersect the history of abstraction. Among his other interests are video and digital art, culture jamming, protest, artistic collaborations, and critical studies of race, ethnicity, gender, and sexuality. Miguel's monograph, Memory Work: Anne Truitt and Sculpture, was published by the University of California Press in 2015. His current book project, Video Art and Public Culture, is about activist uses of video and digital art from the 1960s forward. Miguel was the recipient of an Andrew W. Mellon Foundation grant for his contribution to “Digital Chicago,” a multimedia online platform investigating Chicago's cultural history from 1892 to 1933. He is an Advisory Editor for the American National Biography online, published by the Oxford University Press with the support of the American Council of Learned Societies, and serves as the Co-Chair of the Association of Historians of American Art.

    Terra Foundation Lectures in American Art 2018: The Body of a Nation: (2) Skin and absence: the radical ceramics and poetry of the enslaved Dave the Potter

    Play Episode Listen Later Jun 28, 2018 40:17


    Professor Miguel de Baca gives his second Terra Foundation Lecture in American Art on the work of Dave the Potter. Miguel de Baca joins the History of Art Department as the Terra Foundation Visiting Professor of American Art in 2017-18 from Lake Forest College, where he is the chair of the Department of Art and Art History. Miguel studies modern and contemporary American art; he is especially interested in issues of memory-making and the representation of history as they intersect the history of abstraction. Among his other interests are video and digital art, culture jamming, protest, artistic collaborations, and critical studies of race, ethnicity, gender, and sexuality. Miguel's monograph, Memory Work: Anne Truitt and Sculpture, was published by the University of California Press in 2015. His current book project, Video Art and Public Culture, is about activist uses of video and digital art from the 1960s forward. Miguel was the recipient of an Andrew W. Mellon Foundation grant for his contribution to “Digital Chicago,” a multimedia online platform investigating Chicago's cultural history from 1892 to 1933. He is an Advisory Editor for the American National Biography online, published by the Oxford University Press with the support of the American Council of Learned Societies, and serves as the Co-Chair of the Association of Historians of American Art.

    Terra Foundation Lectures in American Art 2018: The Body of a Nation: (1) Suicide in white and black: Thomas Cole's Destruction and the American empire

    Play Episode Listen Later Jun 28, 2018 57:15


    Professor Miguel de Baca gives his first Terra Foundation Lecture in American Art on two depictions of suicide. Miguel de Baca joins the History of Art Department as the Terra Foundation Visiting Professor of American Art in 2017-18 from Lake Forest College, where he is the chair of the Department of Art and Art History. Miguel studies modern and contemporary American art; he is especially interested in issues of memory-making and the representation of history as they intersect the history of abstraction. Among his other interests are video and digital art, culture jamming, protest, artistic collaborations, and critical studies of race, ethnicity, gender, and sexuality. Miguel's monograph, Memory Work: Anne Truitt and Sculpture, was published by the University of California Press in 2015. His current book project, Video Art and Public Culture, is about activist uses of video and digital art from the 1960s forward. Miguel was the recipient of an Andrew W. Mellon Foundation grant for his contribution to “Digital Chicago,” a multimedia online platform investigating Chicago's cultural history from 1892 to 1933. He is an Advisory Editor for the American National Biography online, published by the Oxford University Press with the support of the American Council of Learned Societies, and serves as the Co-Chair of the Association of Historians of American Art.

    Slade Lectures 2018 (7): Barocci: The Madonna del Popolo

    Play Episode Listen Later May 9, 2018 55:11


    Professor David Ekserdjian gives his seventh Slade Lecture on Barocci's drawings for the Madonna del Popolo. David Ekserdjian is the Slade Professor 2017-18 and he presented a series of lectures titled 'From Drawing to Painting in the Italian Renaissance'. David Ekserdjian is a world-renowned authority on Italian Renaissance painting, with particular specialities in the artists Correggio and Parmigianino, the subjects of two Yale monographs of 1998 and 2006. He is also an expert on the history of collecting and this informs his work as an adviser to auction houses like Sotheby's and Christie's, international museums and galleries such as the National Gallery and Tate Britain, as well as private collectors. Bronze sculpture is another of his areas of expertise and it formed the topic of the most recent of the many exhibitions that he has conceived and curated. 'Bronze' at the Royal Academy (co-curated with Cecilia Treves) drew international acclaim and almost a quarter of a million visitors. His book of the exhibition was described by the Wall Street Journal as "the most beautiful book published anywhere in the world this year", and went on to win the Association for Cultural Enterprises award for best new publication.

    Slade Lectures 2018 (5): Parmigianino: The Madonna of the Long Neck

    Play Episode Listen Later May 9, 2018 58:58


    Professor David Ekserdjian gives his fifth Slade Lecture on Parmigianino's drawings for the Madonna of the Long Neck. David Ekserdjian is the Slade Professor 2017-18 and he presented a series of lectures titled 'From Drawing to Painting in the Italian Renaissance'. David Ekserdjian is a world-renowned authority on Italian Renaissance painting, with particular specialities in the artists Correggio and Parmigianino, the subjects of two Yale monographs of 1998 and 2006. He is also an expert on the history of collecting and this informs his work as an adviser to auction houses like Sotheby's and Christie's, international museums and galleries such as the National Gallery and Tate Britain, as well as private collectors. Bronze sculpture is another of his areas of expertise and it formed the topic of the most recent of the many exhibitions that he has conceived and curated. 'Bronze' at the Royal Academy (co-curated with Cecilia Treves) drew international acclaim and almost a quarter of a million visitors. His book of the exhibition was described by the Wall Street Journal as "the most beautiful book published anywhere in the world this year", and went on to win the Association for Cultural Enterprises award for best new publication.

    Slade Lectures 2018 (4): Correggio: The Dome of Parma Cathedral

    Play Episode Listen Later May 9, 2018 55:24


    art, drawing, painting, visual arts, italy David Ekserdjian is the Slade Professor 2017-18 and he presented a series of lectures titled 'From Drawing to Painting in the Italian Renaissance'. David Ekserdjian is a world-renowned authority on Italian Renaissance painting, with particular specialities in the artists Correggio and Parmigianino, the subjects of two Yale monographs of 1998 and 2006. He is also an expert on the history of collecting and this informs his work as an adviser to auction houses like Sotheby's and Christie's, international museums and galleries such as the National Gallery and Tate Britain, as well as private collectors. Bronze sculpture is another of his areas of expertise and it formed the topic of the most recent of the many exhibitions that he has conceived and curated. 'Bronze' at the Royal Academy (co-curated with Cecilia Treves) drew international acclaim and almost a quarter of a million visitors. His book of the exhibition was described by the Wall Street Journal as "the most beautiful book published anywhere in the world this year", and went on to win the Association for Cultural Enterprises award for best new publication.

    Slade Lectures 2018 (3): Raphael: The Stanza della Segnatura

    Play Episode Listen Later May 9, 2018 56:12


    Professor David Ekserdjian gives his third Slade Lecture on Raphael's drawings for the Stanza della Segnatura in the Vatican Palace. David Ekserdjian is the Slade Professor 2017-18 and he presented a series of lectures titled 'From Drawing to Painting in the Italian Renaissance'. David Ekserdjian is a world-renowned authority on Italian Renaissance painting, with particular specialities in the artists Correggio and Parmigianino, the subjects of two Yale monographs of 1998 and 2006. He is also an expert on the history of collecting and this informs his work as an adviser to auction houses like Sotheby's and Christie's, international museums and galleries such as the National Gallery and Tate Britain, as well as private collectors. Bronze sculpture is another of his areas of expertise and it formed the topic of the most recent of the many exhibitions that he has conceived and curated. 'Bronze' at the Royal Academy (co-curated with Cecilia Treves) drew international acclaim and almost a quarter of a million visitors. His book of the exhibition was described by the Wall Street Journal as "the most beautiful book published anywhere in the world this year", and went on to win the Association for Cultural Enterprises award for best new publication.

    Slade Lectures 2018 (2): Michelangelo: The Sistine Chapel Ceiling

    Play Episode Listen Later May 9, 2018 56:59


    Professor David Ekserdjian gives his second Slade Lecture on Michelangelo's drawings for the Sistine Chapel Ceiling. David Ekserdjian is the Slade Professor 2017-18 and he presented a series of lectures titled 'From Drawing to Painting in the Italian Renaissance'. David Ekserdjian is a world-renowned authority on Italian Renaissance painting, with particular specialities in the artists Correggio and Parmigianino, the subjects of two Yale monographs of 1998 and 2006. He is also an expert on the history of collecting and this informs his work as an adviser to auction houses like Sotheby's and Christie's, international museums and galleries such as the National Gallery and Tate Britain, as well as private collectors. Bronze sculpture is another of his areas of expertise and it formed the topic of the most recent of the many exhibitions that he has conceived and curated. 'Bronze' at the Royal Academy (co-curated with Cecilia Treves) drew international acclaim and almost a quarter of a million visitors. His book of the exhibition was described by the Wall Street Journal as "the most beautiful book published anywhere in the world this year", and went on to win the Association for Cultural Enterprises award for best new publication.

    Slade Lectures 2018 (1): Drawing in Italy before 1500

    Play Episode Listen Later May 9, 2018 51:35


    Professor David Ekserdjian gives his first Slade Lecture on Drawing in Italy before 1500. David Ekserdjian is the Slade Professor 2017-18 and he presented a series of lectures titled 'From Drawing to Painting in the Italian Renaissance'. David Ekserdjian is a world-renowned authority on Italian Renaissance painting, with particular specialities in the artists Correggio and Parmigianino, the subjects of two Yale monographs of 1998 and 2006. He is also an expert on the history of collecting and this informs his work as an adviser to auction houses like Sotheby's and Christie's, international museums and galleries such as the National Gallery and Tate Britain, as well as private collectors. Bronze sculpture is another of his areas of expertise and it formed the topic of the most recent of the many exhibitions that he has conceived and curated. 'Bronze' at the Royal Academy (co-curated with Cecilia Treves) drew international acclaim and almost a quarter of a million visitors. His book of the exhibition was described by the Wall Street Journal as "the most beautiful book published anywhere in the world this year", and went on to win the Association for Cultural Enterprises award for best new publication.

    Core Course: Architects or Artisans? The Builders of the Medieval Cathedrals

    Play Episode Listen Later Dec 7, 2017 60:38


    This lecture forms part of series entitled Introduction to the History of Art, a core course taught to the first year undergraduate History of Art students.

    Terra Foundation Lectures in American Art 2017: Picturing a Nation: (4) Frozen in History: The Arrival of the Kennedys at Love Field

    Play Episode Listen Later Jun 28, 2017 55:23


    Professor David Lubin gives his final Terra Lecture in American Art on the Kennedys. David M. Lubin is the Terra Foundation for American Art Visiting Professor 2016-17 at Oxford University, as well as the Charlotte C. Weber Professor of Art at Wake Forest University in Winston-Salem, North Carolina. Professor Lubin is the author of Act of Portrayal (Yale, 1985), Picturing a Nation (Yale, 1994), Titanic (BFI, 1999), and Shooting Kennedy (California, 2003), which was awarded the Smithsonian American Art Museum's Eldredge Prize for distinguished scholarship in American art. His most recent book is Grand Illusions: American Art and the First World War (Oxford, 2016). He also co-edited World War I and American Art (Princeton, 2016), the exhibition catalogue for a blockbuster show at the Pennsylvania Academy of Fine Arts and later the New-York Historical Society.

    Terra Foundation Lectures in American Art 2017: Picturing a Nation: (3) The Ashcan Goes to War: George Bellows, Belligerence, and the Rape of Belgium

    Play Episode Listen Later Jun 28, 2017 47:30


    Professor David Lubin gives his third Terra Lecture in American Art on painter George Bellows. David M. Lubin is the Terra Foundation for American Art Visiting Professor 2016-17 at Oxford University, as well as the Charlotte C. Weber Professor of Art at Wake Forest University in Winston-Salem, North Carolina. Professor Lubin is the author of Act of Portrayal (Yale, 1985), Picturing a Nation (Yale, 1994), Titanic (BFI, 1999), and Shooting Kennedy (California, 2003), which was awarded the Smithsonian American Art Museum's Eldredge Prize for distinguished scholarship in American art. His most recent book is Grand Illusions: American Art and the First World War (Oxford, 2016). He also co-edited World War I and American Art (Princeton, 2016), the exhibition catalogue for a blockbuster show at the Pennsylvania Academy of Fine Arts and later the New-York Historical Society.

    Terra Foundation Lectures in American Art 2017: Picturing a Nation: (2) Buried Treasure: America's Great Book Illustrator Howard Pyle and the Silver Screen

    Play Episode Listen Later Jun 28, 2017 41:30


    Professor David Lubin gives his second Terra Lecture in American Art on Howard Pyle's illustrations of Robin Hood and pirates and their representation in movies. David M. Lubin is the Terra Foundation for American Art Visiting Professor 2016-17 at Oxford University, as well as the Charlotte C. Weber Professor of Art at Wake Forest University in Winston-Salem, North Carolina. Professor Lubin is the author of Act of Portrayal (Yale, 1985), Picturing a Nation (Yale, 1994), Titanic (BFI, 1999), and Shooting Kennedy (California, 2003), which was awarded the Smithsonian American Art Museum's Eldredge Prize for distinguished scholarship in American art. His most recent book is Grand Illusions: American Art and the First World War (Oxford, 2016). He also co-edited World War I and American Art (Princeton, 2016), the exhibition catalogue for a blockbuster show at the Pennsylvania Academy of Fine Arts and later the New-York Historical Society.

    Terra Foundation Lectures in American Art 2017: Picturing a Nation: (1) Riding into History, Marching into Oblivion: The Civil War, Racial Justice, and the Shaw Memorial

    Play Episode Listen Later Jun 28, 2017 49:57


    Professor David Lubin gives his first Terra Lecture in American Art on the Shaw Memorial in Boston. David M. Lubin is the Terra Foundation for American Art Visiting Professor 2016-17 at Oxford University, as well as the Charlotte C. Weber Professor of Art at Wake Forest University in Winston-Salem, North Carolina. Professor Lubin is the author of Act of Portrayal (Yale, 1985), Picturing a Nation (Yale, 1994), Titanic (BFI, 1999), and Shooting Kennedy (California, 2003), which was awarded the Smithsonian American Art Museum's Eldredge Prize for distinguished scholarship in American art. His most recent book is Grand Illusions: American Art and the First World War (Oxford, 2016). He also co-edited World War I and American Art (Princeton, 2016), the exhibition catalogue for a blockbuster show at the Pennsylvania Academy of Fine Arts and later the New-York Historical Society.

    Special Lecture: Art, Architects, Books and Buildings: Sir Robert Taylor & his Collection at the Taylor Institution

    Play Episode Listen Later Sep 17, 2014 46:26


    A collaborative venture between the University of Oxford's Edgar Wind Society and the Taylor Institution Library, this lecture discusses Sir Robert Taylor and his collection of architectural books & included a display of selected items from the collection

    Not Vital: Art is Global

    Play Episode Listen Later Dec 13, 2011 37:57


    International artist, Not Vital, gives a talk about his art and his work.

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