Podcasts about Medieval art

As Notre Dame reopens after its catastrophic fire, Patrick Geoghegan looks at the construction and re-construction of one of the most iconic cathedrals in the world. Joining him are: Dr Emily Guerry, Senior Lecturer in Medieval European History at the University of Kent, Dr Caroline Bruzelius, Professor Emerita of Art and Art History at Duke University, Dr Jennifer M. Feltman, Associate Professor of Art History and Medieval Art at the University of Alabama, and Dr Meredith Cohen, Associate Professor of Medieval Art and Architecture at UCLA.

SUMMARYFrom medieval itineraries to modern livestreams, Christian pilgrimage is often, if not always experienced through an imaginative transposal from a physical reality to a spiritual truth. In this episode, hosts Lindsay Pereira and Ella Jando-Saul explore the concept of virtual pilgrimage through conversations with two guests: Michael Van Dussen, a professor in the Department of English at McGill University in Tiohtià:ke/Montreal, teaches us about the medieval experience of pilgrimage in the British Isles while Simon Coleman, a professor in the Department for the Study of Religion at the University of Toronto teaches us about the modern reconstruction of pilgrimage to Walsingham in Norfolk, England.Simon Coleman's latest book, Powers of Pilgrimage: Religion in a World of Movement, can be found here.*VOICE AND SOUND CREDITSInterviewees:Dr. Michael Van Dussen, Professor of English Literature, McGill University.Dr. Simon Coleman, Professor of Anthropology and Religion, University of Toronto.Theme music:“Ai Tal Domna”: composed by Berenguier de Palou, recorded by Zep Hurme ©2014. Licensed under Creative Commons BY-NC. Available at https://ccmixter.org/files/zep_hurme/38429Voice credits:Stephen Yeager, voice of the HostGhislaine Comeau, voice of the MillerAndre Furlani, voice of the Reeve, drunkard, beggar, and donation collectorSound credits:Magical Minstrelsy: Where Medieval Meets Modern Through Mimesis, Season 1 Episode 1: Virtual Pilgrimage uses sounds from Freesound. All sound samples that were used in this episode are licensed under CC0 1.0:Footsteps on dirt: https://freesound.org/people/lzmraul/sounds/389454/Birds: https://freesound.org/people/MATRIXXX_/sounds/519110/Water: https://freesound.org/people/BurghRecords/sounds/415151/Cows: https://freesound.org/people/Nontu_Lwazi00/sounds/541920/Sheep: https://freesound.org/people/rent55/sounds/709921/Horse on dirt: https://freesound.org/people/Ornery/sounds/233345/Horse with cart: https://freesound.org/people/bruno.auzet/sounds/538438/Footsteps on cobblestone: https://freesound.org/people/SpliceSound/sounds/260120/Medieval city: https://freesound.org/people/OGsoundFX/sounds/423119/Church bells: https://freesound.org/people/Audeption/sounds/425172/Coins: https://freesound.org/people/husky70/sounds/161315/Blacksmith: https://freesound.org/people/Emmaproductions/sounds/254371/Music: https://ccmixter.org/files/asteria/2615Church coins: https://freesound.org/people/scripsi/sounds/335191/Gregorian chant: https://commons.wikimedia.org/wiki/File:Ecce.lignum.Crucis.oggCrowd gasping: https://freesound.org/people/craigsmith/sounds/480774/Baby crying: https://freesound.org/people/the_yura/sounds/211527/Breath: https://freesound.org/people/launemax/sounds/274769/Heartbeat: https://freesound.org/people/newlocknew/sounds/612642/Works Cited and ConsultedAhmed, Sara. The Cultural Politics of Emotion. Routledge, 2015.Arsuaga, Ana Echevarría. “The shrine as mediator: England, castile, and the pilgrimage to Compostela.” England and Iberia in the Middle Ages, 12th–15th Century, 2007, pp. 47–65, https://doi.org/10.1057/9780230603103_4.Arvay, Susan M. “Private passions: The contemplation of suffering in medieval affective devotions.” (2008).Bailey, Anne E. “Reconsidering the Medieval Experience at the Shrine in High Medieval England.” Journal of Medieval History, vol. 47, no. 2, Mar. 2021, pp. 203–29. DOI.org (Crossref), https://doi.org/10.1080/03044181.2021.1895874.Beckstead, Zachary. “On the way: Pilgrimage and liminal experiences.” Experience on the Edge: Theorizing Liminality, 2021, pp. 85–105, https://doi.org/10.1007/978-3-030-83171-4_5.Beebe, Kathryne. Reading Mental Pilgrimage in Context: The Imaginary Pilgrims and Real Travels of Felix Fabri's “Die Sionpilger.” West Virginia University Press, 2009.Benjamin, Walter. “The work of art in the age of mechanical reproduction.” Modern Art and Modernism: A Critical Anthology, 2018, pp. 217–220, https://doi.org/10.4324/9780429498909-39Cassidy-Welch, Megan. “Pilgrimage and embodiment: Captives and the cult of saints in late medieval bavaria.” Parergon, vol. 20, no. 2, 2003, pp. 47–70, https://doi.org/10.1353/pgn.2003.0101.Coleman, Simon, and John Elsner. “Tradition as play: Pilgrimage to ‘England's Nazareth.'” History and Anthropology, vol. 15, no. 3, 2004, pp. 273–288, https://doi.org/10.1080/0275720042000257430.Coleman, Simon, Ellen Badone, and Sharon R. Roseman. “Pilgrimage to ‘England's Nazareth': Landscapes of Myth and Memory at Walsingham.” Intersecting Journeys: The Anthropology of Pilgrimage and Tourism, University of Illinois Press, Urbana, IL, 2004, pp. 52–67.Coleman, Simon, and Marion Bowman. “Religion in Cathedrals: Pilgrimage, Heritage, Adjacency, and the Politics of Replication in Northern Europe.” Religion, vol. 49, no. 1, Jan. 2019, pp. 1–23. Taylor and Francis+NEJM, https://doi.org/10.1080/0048721X.2018.1515341.Coleman, Simon, and John Elsner. “Pilgrimage to Walsingham and the Re-Invention of the Middle Ages.” Pilgrimage Explored, edited by J. (Jennie) Stopford, York Medieval Press, 1999. WorldCat Discovery Service, https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=16637.Díaz-Vera, Javier E. “Exploring the relationship between emotions, language and space: Construals of awe in medieval English language and pilgrimage experience.” Studia Neophilologica, vol. 88, no. 2, 2015, pp. 165–189, https://doi.org/10.1080/00393274.2015.1093918.Foster, Elisa A. “As You Came from the Holy Land: Medieval Pilgrimage to Walsingham and Its Crusader Contexts.” Crusading and Ideas of the Holy Land in Medieval Britain, edited by Kathryn Hurlock and Laura J. Whatley, Brepols, Turnhout, Belgium, 2022, pp. 91– 114.Gertsman, Elina, and Marian Bleeke. “The Eve Fragment from Autun and the Emotionalism of Pilgrimage.” Crying in the Middle Ages: Tears of History, Routledge, New York, NY, 2013, pp. 23–41.Grazia Di Stefano, Laura. “How to be a time traveller: Exploring Venice with a fifteenth-century pilgrimage guide.” Making the Medieval Relevant, 2019, pp. 171–190, https://doi.org/10.1515/9783110546316-008.Gregg, Melissa, and Gregory J. Seigworth. The Affect Theory Reader. Duke University Press, 2010.Hill, Joyce. “Rome in Ripon: St Wilfrid's Inspiration and Legacy.” History, vol. 105, no. 367, 2020, pp. 603–25. Wiley Online Library, https://doi.org/10.1111/1468-229X.13027.Hill‐Smith, Connie. “Cyberpilgrimage: The (virtual) reality of online pilgrimage experience.” Religion Compass, vol. 5, no. 6, 2011, pp. 236–246, https://doi.org/10.1111/j.1749-8171.2011.00277.x.Hundley, Catherine. “Pilgrims in the Parish: A Method and Two Herefordshire Case Studies.” Peregrinations: Journal of Medieval Art and Architecture, vol. 8, no. 3, Oct. 2022, pp. 40–87.Hurlock, Kathryn. “Virtual Pilgrimage.” Medieval Welsh Pilgrimage, C1100-1500, Palgrave Macmillan, New York, NY, 2018, pp. 145–174.Jenkins, John. “Replication or Rivalry? The ‘Becketization' of Pilgrimage in English Cathedrals.” Religion, vol. 49, no. 1, Jan. 2019, pp. 24–47. DOI.org (Crossref), https://doi.org/10.1080/0048721X.2018.1515327.Kempe, Margery, and Anthony Paul Bale. The Book of Margery Kempe. Oxford University Press, 2015.Kuefler, Mathew. The Making and Unmaking of a Saint: Hagiography and Memory in the Cult of Gerald d'Aurillac. University of Pennsylvania Press, 2014.Langland, William, and Schmidt A. V. C. Piers Plowman: A New Translation of the B-Text. Oxford University Press, 2009.Nickell, S. A. The Limits of Embodiment: The Implication of Written and Artistic Portrayals of Mary at the Foot of the Cross for Late Medieval Affective Spirituality, Graduate Theological Union, United States -- California, 2011. ProQuest, https://lib-ezproxy.concordia.ca/login?qurl=https%3A%2F%2Fwww.proquest.com%2Fdissertations-theses%2Flimits-embodiment-implication-written-artistic%2Fdocview%2F875240824%2Fse-2%3Faccountid%3D10246.Ousterhout, Robert. “‘Sweetly Refreshed in Imagination': Remembering Jerusalem in Words and Images.” Gesta, vol. 48, no. 2, Jan. 2009, pp. 153–68. www-journals-uchicago-edu.lib-ezproxy.concordia.ca (Atypon), https://doi.org/10.2307/29764905.Powell, Hilary. “Saints, Pilgrimage and Landscape in Early Medieval Kent, c. 800-1220.” Early Medieval Kent, 800-1220, Boydell Press, 2016, pp. 133–53.Sinnett-Smith, Jane. “Ætheldreda in the North: Tracing Northern Networks in the Liber Eliensis and the Vie de Seinte Audree.” Late Medieval Devotion to Saints from the North of England: New Directions, edited by Christiania Whitehead et al., Brepols, Turnhout, Belgium, 2022, pp. 285–303.Wynn, Mark. “God, pilgrimage, and acknowledgement of Place.” Religious Studies, vol. 43, no. 2, 2007, pp. 145–163, https://doi.org/10.1017/s0034412506008778.

To celebrate the spooky season, the girlies explore the world of psychics and spiritual mediums. They consider crucial questions such as: are psychics gifted visionaries or just talented scammers? Can ghosts be seen in photographs? Did spirits from the other side really endorse feminism? Is celebrity medium Tyler Henry the only true spiritualist? Digressions include things psychics should under no circumstances be allowed to tell you, our experience with spiritual scams, and one listener's spooky premonition. This episode was produced by Julia Hava and Eliza McLamb and edited by Allison Hagan. Research assistance from Penelope Spurr. To support the podcast on Patreon and access 50+ bonus episodes, mediasodes, zoom hangouts and more, visit patreon.com/binchtopia and become a patron today. SOURCES Beyond the Veil: Spiritualism in the 19th Century Hollywood Medium Tyler Henry Has a Waiting List 600,000 People Long Inside the Secret Sting Operations to Expose Celebrity Psychics Man Who Gave Psychics $718,00 ‘Just Got Sucked In' Mary Lincoln's Seance at the Soldiers' Home Séances and Spirits: The Spiritual Movement and Tracing Family History Sensing the Extraordinary Spiritual Physiologies Spiritualism in the 19th Century That's the Spirit The Body as Medium in Medieval Art and Culture The Middle Ages, Ch. 10: Medieval Christian Mysticism The Middle Ages, Ch. 11: Hildegard of Bingen and Women's Mysticism Things That Go BUMP in the Parlor: Spiritualism, Lincoln, and a Happy Hallowe'en Who are ‘spiritual but not religious' Americans?  

Send us a Text Message.The early 1400's in Italy saw the transition from the Gothic to the Renaissance style in painting. In major areas of patronage, be it for churches or wealthy patrons, a new style flourished that was representative of the interconnectivity between European cultures and the wider Mediterranean, one that bridges the Gothic and Renaissance styles - the International Gothic. Looking at two masterworks, one from Lorenzo Monaco and one from Gentile da Fabriano, this episode examines the historical moment and the stylistic factors that unify and separate the Gothic and International Gothic in Italy. Further, through Giorgio Vasari, we can look at how historical shifts in artistic style were perceived by later Renaissance writers, who looked to organize the trajectory of Italian art as a series of quantifiable improvements. These two artists help us bridge the end of the medieval period with the developments that will become Renaissance art. Works discussed:  Lorenzo Monaco, Coronation of the Virgin - https://www.uffizi.it/en/artworks/coronation-of-the-virginGentile da Fabriano, Adoration of the Magi - https://www.uffizi.it/en/artworks/adoration-of-the-magiInstagram: italian_renaissance_podcast Get additional content by becoming a Patron: patreon.com/TheItalianRenaissancePodcast Support the Show.

Art in service to religion was joined by a new aesthetic, reflected in grand city halls and fanciful tapestries celebrating life's earthly pleasures. For European travel information, visit https://www.ricksteves.com.

Art in service to religion was joined by a new aesthetic, reflected in grand city halls and fanciful tapestries celebrating life's earthly pleasures. For European travel information, visit https://www.ricksteves.com.

Ep.208 Dr. Andrea Myers Achi is trained as a Byzantinist, and her curatorial practice focuses on Byzantine art of the Mediterranean Basin and Northeast Africa. She graduated from Barnard College in 2007 with a BA in Ancient Studies. She thought she would become a Classics Professor but fell in love with Byzantine art and archaeology her senior year during a study abroad program on an excavation in Egypt. Dr. Achi went on to receive two Masters' of Arts degrees from New York University, the first in Ancient Near Eastern and Egyptian Studies with a concentration in archaeology and the second in Byzantine Art. In2018, she earned a Ph.D. in Art History and Archaeology from the Institute of Fine Arts, New York University.  Currently, Dr. Achi is the Mary and Michael Jaharis Associate Curator of Byzantine Art in the Department of Medieval Art and The Cloisters at The Metropolitan Museum of Art. In her role, she specializes in the art and archaeology of Late Antiquity and Byzantium, with a particular interest in illuminated manuscripts and ceramics. She has brought this expertise to bear on exhibitions like Art and Peoples of the Kharga Oasis (2017), Crossroads: Power and Piety(2020), The Good Life (2021),  Africa& Byzantium (2023), and Afterlives: Contemporary Art in the Byzantine Crypt (2024) at The Met and in numerous presentations and publications.  Portrait credit Eileen Travell  Metropolitan Museum https://www.metmuseum.org/exhibitions/afterlives-contemporary-art-in-the-byzantine-crypt https://www.metmuseum.org/perspectives/articles/2024/05/afterlives-conversation https://www.metmuseum.org/about-the-met/collection-areas/medieval-art-and-the-cloisters/staff-list https://www.metmuseum.org/met-publications/africa-and-byzantium Yale University Press https://yalebooks.yale.edu/book/9781588397713/africa-and-byzantium/ Center for Curatorial Leadership https://www.curatorialleadership.org/participants/ccl-smh-curators-forum/ Washington Post https://www.washingtonpost.com/entertainment/art/2024/01/04/africa-byzantium-exhibit-met-review/?_pml=1 Barnard Magazine https://www.bgc.bard.edu/about/news/1003/08-feb-2024-exhibiting-africa https://barnard.edu/magazine/winter-2024/andrea-myers-achi-07 Princeton https://humanities.princeton.edu/event/africa-byzantium-at-the-met/ Church Times https://www.churchtimes.co.uk/articles/2024/23-february/books-arts/book-reviews/book-review-africa-and-byzantium-edited-by-andrea-myers-achi Tiwana Contemporary https://www.tiwani.co.uk/publications/26-africa-and-byzantium-the-museum-of-metropolitan-art/ The National Herald https://www.thenationalherald.com/hacf-presented-dr-andrea-achi-lecture-on-africa-and-byzantium-on-feb-1/  Artnet https://news.artnet.com/career-stories/andrea-achi-1933101  National Endowment for the Humanities https://www.neh.gov/article/marvels-byzantine-africahttps://www.neh.gov/news/disorienting-beauty-africa-byzantium  Apollo Magazine https://www.apollo-magazine.com/andrea-myers-achi-40-under-40-usa-the-thinkers/  LinkedIn https://www.linkedin.com/in/andrea-myers-achi-9b575168

Ahead of the reopening of Notre Dame later this year, Patrick Geoghegan looks at the construction and re-construction of one of the most iconic cathedrals in the world. Joining him are: Dr Emily Guerry, Senior Lecturer in Medieval European History at the University of Kent, Dr Caroline Bruzelius, Professor Emerita of Art and Art History at Duke University, Dr Jennifer M. Feltman, Associate Professor of Art History and Medieval Art at the University of Alabama, and Dr Meredith Cohen, Associate Professor of Medieval Art and Architecture at UCLA.

Rachel is Gilkison Distinguished Professor of Art History at Taylor University. She has been a Visiting Scholar at the American Academy in Rome on two occasions, a participant in NEH Summer Seminars on Medieval Art in Paris and York, has been a seminar leader for artists and scholars in the US and abroad, and has taught in South Africa, China, Italy, and British Columbia. Rachel is a founding director and current President of the Board of The Association of Scholars of Christianity in the History of Art. The recipient of the Best Article of the Year Award from the journal Explorations in Renaissance Culture, she publishes on a wide range of topics in the arts. ​In this episode, Rachel and I discussed questions around the place and role of spirituality in contemporary art. We talked about her recent book on the subject and her various projects across a broad range of projects and exhibitions. We also explored how diverse artists navigate spirituality, cultural differences, and environmental consciousness through their artwork.

Sculptor Alceo Dossena was an impactful figure in the art world of the early 20th century because he created forged masterpieces capable of fooling even the most expert of experts. Critics attributed his pieces to famous classical and Renaissance artists, and his works were sold through dealers and purchased by museums and collectors. But in an unexpected turn of events, the forger sued the dealers who sold his work. Executive Producers: Maria Trimarchi and Holly FreyProducer & Editor: Casby BiasSee omnystudio.com/listener for privacy information.

In this inaugural episode of the Weird Medieval Guys podcast, Olivia and Aran discuss why medieval art is so intriguing to modern viewers and what makes so much of it so weird. Also discussed are Galaxy Quest, Mel Gibson's crimes against the Middle Ages, and the future historic legacy of explicit images of Garfield the cat.For more information about some of what we cover:Listen to Ira Glass and Michael Camille at Medieval TimesAmusing Ourselves to Death by Neil PostmanRead more about visual puns in the 13th century Rutland PsalterRead "The Wonders of the East" online to learn about giant ants, pepper-loving snakes, and moreFollow us on Twitter!Weird Medieval Guys @WeirdMedievalOlivia @olivia__msAran @aranptappers

This podcast is a commentary and does not contain any copyrighted material of the reference source. We strongly recommend accessing/buying the reference source at the same time. ■Reference Source https://www.ted.com/talks/michelle_brown_what_is_a_butt_tuba_and_why_is_it_in_medieval_art ■Post on this topic (You can get FREE learning materials!) https://englist.me/92-academic-words-reference-from-michelle-brown-what-is-a-butt-tuba-and-why-is-it-in-medieval-art-ted-talk/ ■Youtube Video https://youtu.be/zl2N0ihzbeU (All Words) https://youtu.be/132FQi29KCY (Advanced Words) https://youtu.be/hb1kuWpZomU (Quick Look) ■Top Page for Further Materials https://englist.me/ ■SNS (Please follow!)

The purpose of the present volume, Dindshenchas Érenn (U College Cork, 2022), is to provide an accessible overview and entry into the complex literary creation known as Dindshenchas Érenn ‘History of the Notable Places of Ireland'. The five chapters in the book consider different aspects of the Dindshenchas corpus, ranging from the manuscript sources; the format and structure of the various texts so labelled; an overview of the scholarship published to date; the dating of the corpus; the Dindshenchas as a branch of aetiological literature; and an analysis of the literary connections between the Dindshenchas and medieval Irish literature generally. Dindshenchas Érenn was published as a part of the series, Cork Studies in Celtic Literatures, in 2023. Dr. Marie-Luise Theuerkauf is a Leverhulme Trust postdoctoral fellow on the 'Mapping the Medieval Mind' project, with Prof. Máire Ní Mhaonaigh and Dr David McCay, in the Department of Anglo-Saxon, Norse, and Celtic at the University of Cambridge. Her academic interests include Celtic languages and literatures, with a specialisation in medieval Irish; dindshenchas (placename history), Irish metrics; Medieval Welsh literature; and Arthurian literature and folklore. She is also the editor of the forthcoming volume, Dublaídi Dindshenchais: Proceedings of a Conference on the Medieval Irish Place-name Tradition, which is being published by the Dublin Institute for Advanced Studies. Dr. Danica Ramsey-Brimberg is a multidisciplinary researcher, who is currently the Coordinator for Digital Engagement for the International Center of Medieval Art and an assistant editor for the journal, Church Archaeology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The purpose of the present volume, Dindshenchas Érenn (U College Cork, 2022), is to provide an accessible overview and entry into the complex literary creation known as Dindshenchas Érenn ‘History of the Notable Places of Ireland'. The five chapters in the book consider different aspects of the Dindshenchas corpus, ranging from the manuscript sources; the format and structure of the various texts so labelled; an overview of the scholarship published to date; the dating of the corpus; the Dindshenchas as a branch of aetiological literature; and an analysis of the literary connections between the Dindshenchas and medieval Irish literature generally. Dindshenchas Érenn was published as a part of the series, Cork Studies in Celtic Literatures, in 2023. Dr. Marie-Luise Theuerkauf is a Leverhulme Trust postdoctoral fellow on the 'Mapping the Medieval Mind' project, with Prof. Máire Ní Mhaonaigh and Dr David McCay, in the Department of Anglo-Saxon, Norse, and Celtic at the University of Cambridge. Her academic interests include Celtic languages and literatures, with a specialisation in medieval Irish; dindshenchas (placename history), Irish metrics; Medieval Welsh literature; and Arthurian literature and folklore. She is also the editor of the forthcoming volume, Dublaídi Dindshenchais: Proceedings of a Conference on the Medieval Irish Place-name Tradition, which is being published by the Dublin Institute for Advanced Studies. Dr. Danica Ramsey-Brimberg is a multidisciplinary researcher, who is currently the Coordinator for Digital Engagement for the International Center of Medieval Art and an assistant editor for the journal, Church Archaeology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The purpose of the present volume, Dindshenchas Érenn (U College Cork, 2022), is to provide an accessible overview and entry into the complex literary creation known as Dindshenchas Érenn ‘History of the Notable Places of Ireland'. The five chapters in the book consider different aspects of the Dindshenchas corpus, ranging from the manuscript sources; the format and structure of the various texts so labelled; an overview of the scholarship published to date; the dating of the corpus; the Dindshenchas as a branch of aetiological literature; and an analysis of the literary connections between the Dindshenchas and medieval Irish literature generally. Dindshenchas Érenn was published as a part of the series, Cork Studies in Celtic Literatures, in 2023. Dr. Marie-Luise Theuerkauf is a Leverhulme Trust postdoctoral fellow on the 'Mapping the Medieval Mind' project, with Prof. Máire Ní Mhaonaigh and Dr David McCay, in the Department of Anglo-Saxon, Norse, and Celtic at the University of Cambridge. Her academic interests include Celtic languages and literatures, with a specialisation in medieval Irish; dindshenchas (placename history), Irish metrics; Medieval Welsh literature; and Arthurian literature and folklore. She is also the editor of the forthcoming volume, Dublaídi Dindshenchais: Proceedings of a Conference on the Medieval Irish Place-name Tradition, which is being published by the Dublin Institute for Advanced Studies. Dr. Danica Ramsey-Brimberg is a multidisciplinary researcher, who is currently the Coordinator for Digital Engagement for the International Center of Medieval Art and an assistant editor for the journal, Church Archaeology. Learn more about your ad choices. Visit megaphone.fm/adchoices

The purpose of the present volume, Dindshenchas Érenn (U College Cork, 2022), is to provide an accessible overview and entry into the complex literary creation known as Dindshenchas Érenn ‘History of the Notable Places of Ireland'. The five chapters in the book consider different aspects of the Dindshenchas corpus, ranging from the manuscript sources; the format and structure of the various texts so labelled; an overview of the scholarship published to date; the dating of the corpus; the Dindshenchas as a branch of aetiological literature; and an analysis of the literary connections between the Dindshenchas and medieval Irish literature generally. Dindshenchas Érenn was published as a part of the series, Cork Studies in Celtic Literatures, in 2023. Dr. Marie-Luise Theuerkauf is a Leverhulme Trust postdoctoral fellow on the 'Mapping the Medieval Mind' project, with Prof. Máire Ní Mhaonaigh and Dr David McCay, in the Department of Anglo-Saxon, Norse, and Celtic at the University of Cambridge. Her academic interests include Celtic languages and literatures, with a specialisation in medieval Irish; dindshenchas (placename history), Irish metrics; Medieval Welsh literature; and Arthurian literature and folklore. She is also the editor of the forthcoming volume, Dublaídi Dindshenchais: Proceedings of a Conference on the Medieval Irish Place-name Tradition, which is being published by the Dublin Institute for Advanced Studies. Dr. Danica Ramsey-Brimberg is a multidisciplinary researcher, who is currently the Coordinator for Digital Engagement for the International Center of Medieval Art and an assistant editor for the journal, Church Archaeology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

The purpose of the present volume, Dindshenchas Érenn (U College Cork, 2022), is to provide an accessible overview and entry into the complex literary creation known as Dindshenchas Érenn ‘History of the Notable Places of Ireland'. The five chapters in the book consider different aspects of the Dindshenchas corpus, ranging from the manuscript sources; the format and structure of the various texts so labelled; an overview of the scholarship published to date; the dating of the corpus; the Dindshenchas as a branch of aetiological literature; and an analysis of the literary connections between the Dindshenchas and medieval Irish literature generally. Dindshenchas Érenn was published as a part of the series, Cork Studies in Celtic Literatures, in 2023. Dr. Marie-Luise Theuerkauf is a Leverhulme Trust postdoctoral fellow on the 'Mapping the Medieval Mind' project, with Prof. Máire Ní Mhaonaigh and Dr David McCay, in the Department of Anglo-Saxon, Norse, and Celtic at the University of Cambridge. Her academic interests include Celtic languages and literatures, with a specialisation in medieval Irish; dindshenchas (placename history), Irish metrics; Medieval Welsh literature; and Arthurian literature and folklore. She is also the editor of the forthcoming volume, Dublaídi Dindshenchais: Proceedings of a Conference on the Medieval Irish Place-name Tradition, which is being published by the Dublin Institute for Advanced Studies. Dr. Danica Ramsey-Brimberg is a multidisciplinary researcher, who is currently the Coordinator for Digital Engagement for the International Center of Medieval Art and an assistant editor for the journal, Church Archaeology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/geography

The purpose of the present volume, Dindshenchas Érenn (U College Cork, 2022), is to provide an accessible overview and entry into the complex literary creation known as Dindshenchas Érenn ‘History of the Notable Places of Ireland'. The five chapters in the book consider different aspects of the Dindshenchas corpus, ranging from the manuscript sources; the format and structure of the various texts so labelled; an overview of the scholarship published to date; the dating of the corpus; the Dindshenchas as a branch of aetiological literature; and an analysis of the literary connections between the Dindshenchas and medieval Irish literature generally. Dindshenchas Érenn was published as a part of the series, Cork Studies in Celtic Literatures, in 2023. Dr. Marie-Luise Theuerkauf is a Leverhulme Trust postdoctoral fellow on the 'Mapping the Medieval Mind' project, with Prof. Máire Ní Mhaonaigh and Dr David McCay, in the Department of Anglo-Saxon, Norse, and Celtic at the University of Cambridge. Her academic interests include Celtic languages and literatures, with a specialisation in medieval Irish; dindshenchas (placename history), Irish metrics; Medieval Welsh literature; and Arthurian literature and folklore. She is also the editor of the forthcoming volume, Dublaídi Dindshenchais: Proceedings of a Conference on the Medieval Irish Place-name Tradition, which is being published by the Dublin Institute for Advanced Studies. Dr. Danica Ramsey-Brimberg is a multidisciplinary researcher, who is currently the Coordinator for Digital Engagement for the International Center of Medieval Art and an assistant editor for the journal, Church Archaeology. Learn more about your ad choices. Visit megaphone.fm/adchoices

Clonmacnoise was among the busiest, most economically complex, and intensely sacred places in early medieval Ireland. In Animals and Sacred Bodies in Early Medieval Ireland: Religion and Urbanism at Clonmacnoise (Lexington Books, 2021), John Soderberg argues that animals are the key to understanding Clonmacnoise's development as a thriving settlement and a sacred space. At this sanctuary city on the River Shannon, animal bodies were an essential source of food and raw materials. They were also depicted extensively on religious objects. Drawing from new theories about the intersections between religion and economics, John Soderberg explores how transformations emerging from animal encounters made Clonmacnoise a sacred settlement and created the sacred bodies of early medieval Ireland.  Dr. John Soderberg is an assistant professor in the Department of Sociology and Anthropology at Denison University and holds his degrees from Middlebury College, Boston College (MA), and the University of Minnesota (PhD). He has excavated sites in Ireland, Scotland, and Wales. His main research interest is the archaeology of religion, with a focus on the development of large religious centers in Ireland from the Iron Age into the Middle Ages. Other interests include the development of cities, medieval Northern Europe, zooarchaeology, and three-dimensional scanning of artifacts. Dr. Danica Ramsey-Brimberg is a multidisciplinary researcher, who is currently the Coordinator for Digital Engagement for the International Center of Medieval Art and an assistant editor for the journal, Church Archaeology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Clonmacnoise was among the busiest, most economically complex, and intensely sacred places in early medieval Ireland. In Animals and Sacred Bodies in Early Medieval Ireland: Religion and Urbanism at Clonmacnoise (Lexington Books, 2021), John Soderberg argues that animals are the key to understanding Clonmacnoise's development as a thriving settlement and a sacred space. At this sanctuary city on the River Shannon, animal bodies were an essential source of food and raw materials. They were also depicted extensively on religious objects. Drawing from new theories about the intersections between religion and economics, John Soderberg explores how transformations emerging from animal encounters made Clonmacnoise a sacred settlement and created the sacred bodies of early medieval Ireland.  Dr. John Soderberg is an assistant professor in the Department of Sociology and Anthropology at Denison University and holds his degrees from Middlebury College, Boston College (MA), and the University of Minnesota (PhD). He has excavated sites in Ireland, Scotland, and Wales. His main research interest is the archaeology of religion, with a focus on the development of large religious centers in Ireland from the Iron Age into the Middle Ages. Other interests include the development of cities, medieval Northern Europe, zooarchaeology, and three-dimensional scanning of artifacts. Dr. Danica Ramsey-Brimberg is a multidisciplinary researcher, who is currently the Coordinator for Digital Engagement for the International Center of Medieval Art and an assistant editor for the journal, Church Archaeology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/archaeology

Clonmacnoise was among the busiest, most economically complex, and intensely sacred places in early medieval Ireland. In Animals and Sacred Bodies in Early Medieval Ireland: Religion and Urbanism at Clonmacnoise (Lexington Books, 2021), John Soderberg argues that animals are the key to understanding Clonmacnoise's development as a thriving settlement and a sacred space. At this sanctuary city on the River Shannon, animal bodies were an essential source of food and raw materials. They were also depicted extensively on religious objects. Drawing from new theories about the intersections between religion and economics, John Soderberg explores how transformations emerging from animal encounters made Clonmacnoise a sacred settlement and created the sacred bodies of early medieval Ireland.  Dr. John Soderberg is an assistant professor in the Department of Sociology and Anthropology at Denison University and holds his degrees from Middlebury College, Boston College (MA), and the University of Minnesota (PhD). He has excavated sites in Ireland, Scotland, and Wales. His main research interest is the archaeology of religion, with a focus on the development of large religious centers in Ireland from the Iron Age into the Middle Ages. Other interests include the development of cities, medieval Northern Europe, zooarchaeology, and three-dimensional scanning of artifacts. Dr. Danica Ramsey-Brimberg is a multidisciplinary researcher, who is currently the Coordinator for Digital Engagement for the International Center of Medieval Art and an assistant editor for the journal, Church Archaeology. Learn more about your ad choices. Visit megaphone.fm/adchoices

Clonmacnoise was among the busiest, most economically complex, and intensely sacred places in early medieval Ireland. In Animals and Sacred Bodies in Early Medieval Ireland: Religion and Urbanism at Clonmacnoise (Lexington Books, 2021), John Soderberg argues that animals are the key to understanding Clonmacnoise's development as a thriving settlement and a sacred space. At this sanctuary city on the River Shannon, animal bodies were an essential source of food and raw materials. They were also depicted extensively on religious objects. Drawing from new theories about the intersections between religion and economics, John Soderberg explores how transformations emerging from animal encounters made Clonmacnoise a sacred settlement and created the sacred bodies of early medieval Ireland.  Dr. John Soderberg is an assistant professor in the Department of Sociology and Anthropology at Denison University and holds his degrees from Middlebury College, Boston College (MA), and the University of Minnesota (PhD). He has excavated sites in Ireland, Scotland, and Wales. His main research interest is the archaeology of religion, with a focus on the development of large religious centers in Ireland from the Iron Age into the Middle Ages. Other interests include the development of cities, medieval Northern Europe, zooarchaeology, and three-dimensional scanning of artifacts. Dr. Danica Ramsey-Brimberg is a multidisciplinary researcher, who is currently the Coordinator for Digital Engagement for the International Center of Medieval Art and an assistant editor for the journal, Church Archaeology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Clonmacnoise was among the busiest, most economically complex, and intensely sacred places in early medieval Ireland. In Animals and Sacred Bodies in Early Medieval Ireland: Religion and Urbanism at Clonmacnoise (Lexington Books, 2021), John Soderberg argues that animals are the key to understanding Clonmacnoise's development as a thriving settlement and a sacred space. At this sanctuary city on the River Shannon, animal bodies were an essential source of food and raw materials. They were also depicted extensively on religious objects. Drawing from new theories about the intersections between religion and economics, John Soderberg explores how transformations emerging from animal encounters made Clonmacnoise a sacred settlement and created the sacred bodies of early medieval Ireland.  Dr. John Soderberg is an assistant professor in the Department of Sociology and Anthropology at Denison University and holds his degrees from Middlebury College, Boston College (MA), and the University of Minnesota (PhD). He has excavated sites in Ireland, Scotland, and Wales. His main research interest is the archaeology of religion, with a focus on the development of large religious centers in Ireland from the Iron Age into the Middle Ages. Other interests include the development of cities, medieval Northern Europe, zooarchaeology, and three-dimensional scanning of artifacts. Dr. Danica Ramsey-Brimberg is a multidisciplinary researcher, who is currently the Coordinator for Digital Engagement for the International Center of Medieval Art and an assistant editor for the journal, Church Archaeology. Learn more about your ad choices. Visit megaphone.fm/adchoices

Clonmacnoise was among the busiest, most economically complex, and intensely sacred places in early medieval Ireland. In Animals and Sacred Bodies in Early Medieval Ireland: Religion and Urbanism at Clonmacnoise (Lexington Books, 2021), John Soderberg argues that animals are the key to understanding Clonmacnoise's development as a thriving settlement and a sacred space. At this sanctuary city on the River Shannon, animal bodies were an essential source of food and raw materials. They were also depicted extensively on religious objects. Drawing from new theories about the intersections between religion and economics, John Soderberg explores how transformations emerging from animal encounters made Clonmacnoise a sacred settlement and created the sacred bodies of early medieval Ireland.  Dr. John Soderberg is an assistant professor in the Department of Sociology and Anthropology at Denison University and holds his degrees from Middlebury College, Boston College (MA), and the University of Minnesota (PhD). He has excavated sites in Ireland, Scotland, and Wales. His main research interest is the archaeology of religion, with a focus on the development of large religious centers in Ireland from the Iron Age into the Middle Ages. Other interests include the development of cities, medieval Northern Europe, zooarchaeology, and three-dimensional scanning of artifacts. Dr. Danica Ramsey-Brimberg is a multidisciplinary researcher, who is currently the Coordinator for Digital Engagement for the International Center of Medieval Art and an assistant editor for the journal, Church Archaeology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/christian-studies

In this latest publication in the TII Heritage series, the long prehistory of Kells and its hinterland is shown to be written on the landscape in foundation trenches and boundary ditches, pits, post-holes, hearths, and myriad other marks of human life, which were discovered along the route of the M3 Clonee to Kells motorway project and recorded by an archaeological team from Irish Archaeological Consultancy Ltd. The story begins with Mesolithic hunter-gatherers and continues, chapter by chapter, over a span of c. 5,000 years, recording the homes, burial grounds, work and worship of Neolithic, Bronze Age and Iron Age communities and bringing us at last to the threshold of history, in the Iron Age/early medieval transition period. Kells was not yet the seat of a famous monastery at that time but had already become a central place in the region, with a tribal capital at Commons of Lloyd, on the hill that overlooks the town today. The Road to Kells: Prehistoric Archaeology of the M3 Navan to Kells and N52 Kells Bypass Road Project, is available now through Wordwell Books and Transport Infrastructure Ireland. Fintan Walsh has been a professional field archaeologist for over 20 years. He studied Archaeology and Palaeoecology at Queen's University Belfast, where he graduated with a Bachelor of Science degree in 1997. He has published numerous papers and reports on his fieldwork in Ireland and is especially interested in Early Neolithic and early medieval archaeology. Fintan currently works as a full-time archaeological project manager and lives in Limerick City. Dr. Danica Ramsey-Brimberg is a multidisciplinary researcher of the early medieval period, who is the Coordinator for Digital Engagement of the International Society of Medieval Art and an Adjunct Professor at Roger Williams University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this latest publication in the TII Heritage series, the long prehistory of Kells and its hinterland is shown to be written on the landscape in foundation trenches and boundary ditches, pits, post-holes, hearths, and myriad other marks of human life, which were discovered along the route of the M3 Clonee to Kells motorway project and recorded by an archaeological team from Irish Archaeological Consultancy Ltd. The story begins with Mesolithic hunter-gatherers and continues, chapter by chapter, over a span of c. 5,000 years, recording the homes, burial grounds, work and worship of Neolithic, Bronze Age and Iron Age communities and bringing us at last to the threshold of history, in the Iron Age/early medieval transition period. Kells was not yet the seat of a famous monastery at that time but had already become a central place in the region, with a tribal capital at Commons of Lloyd, on the hill that overlooks the town today. The Road to Kells: Prehistoric Archaeology of the M3 Navan to Kells and N52 Kells Bypass Road Project, is available now through Wordwell Books and Transport Infrastructure Ireland. Fintan Walsh has been a professional field archaeologist for over 20 years. He studied Archaeology and Palaeoecology at Queen's University Belfast, where he graduated with a Bachelor of Science degree in 1997. He has published numerous papers and reports on his fieldwork in Ireland and is especially interested in Early Neolithic and early medieval archaeology. Fintan currently works as a full-time archaeological project manager and lives in Limerick City. Dr. Danica Ramsey-Brimberg is a multidisciplinary researcher of the early medieval period, who is the Coordinator for Digital Engagement of the International Society of Medieval Art and an Adjunct Professor at Roger Williams University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In this latest publication in the TII Heritage series, the long prehistory of Kells and its hinterland is shown to be written on the landscape in foundation trenches and boundary ditches, pits, post-holes, hearths, and myriad other marks of human life, which were discovered along the route of the M3 Clonee to Kells motorway project and recorded by an archaeological team from Irish Archaeological Consultancy Ltd. The story begins with Mesolithic hunter-gatherers and continues, chapter by chapter, over a span of c. 5,000 years, recording the homes, burial grounds, work and worship of Neolithic, Bronze Age and Iron Age communities and bringing us at last to the threshold of history, in the Iron Age/early medieval transition period. Kells was not yet the seat of a famous monastery at that time but had already become a central place in the region, with a tribal capital at Commons of Lloyd, on the hill that overlooks the town today. The Road to Kells: Prehistoric Archaeology of the M3 Navan to Kells and N52 Kells Bypass Road Project, is available now through Wordwell Books and Transport Infrastructure Ireland. Fintan Walsh has been a professional field archaeologist for over 20 years. He studied Archaeology and Palaeoecology at Queen's University Belfast, where he graduated with a Bachelor of Science degree in 1997. He has published numerous papers and reports on his fieldwork in Ireland and is especially interested in Early Neolithic and early medieval archaeology. Fintan currently works as a full-time archaeological project manager and lives in Limerick City. Dr. Danica Ramsey-Brimberg is a multidisciplinary researcher of the early medieval period, who is the Coordinator for Digital Engagement of the International Society of Medieval Art and an Adjunct Professor at Roger Williams University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/archaeology

In this latest publication in the TII Heritage series, the long prehistory of Kells and its hinterland is shown to be written on the landscape in foundation trenches and boundary ditches, pits, post-holes, hearths, and myriad other marks of human life, which were discovered along the route of the M3 Clonee to Kells motorway project and recorded by an archaeological team from Irish Archaeological Consultancy Ltd. The story begins with Mesolithic hunter-gatherers and continues, chapter by chapter, over a span of c. 5,000 years, recording the homes, burial grounds, work and worship of Neolithic, Bronze Age and Iron Age communities and bringing us at last to the threshold of history, in the Iron Age/early medieval transition period. Kells was not yet the seat of a famous monastery at that time but had already become a central place in the region, with a tribal capital at Commons of Lloyd, on the hill that overlooks the town today. The Road to Kells: Prehistoric Archaeology of the M3 Navan to Kells and N52 Kells Bypass Road Project, is available now through Wordwell Books and Transport Infrastructure Ireland. Fintan Walsh has been a professional field archaeologist for over 20 years. He studied Archaeology and Palaeoecology at Queen's University Belfast, where he graduated with a Bachelor of Science degree in 1997. He has published numerous papers and reports on his fieldwork in Ireland and is especially interested in Early Neolithic and early medieval archaeology. Fintan currently works as a full-time archaeological project manager and lives in Limerick City. Dr. Danica Ramsey-Brimberg is a multidisciplinary researcher of the early medieval period, who is the Coordinator for Digital Engagement of the International Society of Medieval Art and an Adjunct Professor at Roger Williams University. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this latest publication in the TII Heritage series, the long prehistory of Kells and its hinterland is shown to be written on the landscape in foundation trenches and boundary ditches, pits, post-holes, hearths, and myriad other marks of human life, which were discovered along the route of the M3 Clonee to Kells motorway project and recorded by an archaeological team from Irish Archaeological Consultancy Ltd. The story begins with Mesolithic hunter-gatherers and continues, chapter by chapter, over a span of c. 5,000 years, recording the homes, burial grounds, work and worship of Neolithic, Bronze Age and Iron Age communities and bringing us at last to the threshold of history, in the Iron Age/early medieval transition period. Kells was not yet the seat of a famous monastery at that time but had already become a central place in the region, with a tribal capital at Commons of Lloyd, on the hill that overlooks the town today. The Road to Kells: Prehistoric Archaeology of the M3 Navan to Kells and N52 Kells Bypass Road Project, is available now through Wordwell Books and Transport Infrastructure Ireland. Fintan Walsh has been a professional field archaeologist for over 20 years. He studied Archaeology and Palaeoecology at Queen's University Belfast, where he graduated with a Bachelor of Science degree in 1997. He has published numerous papers and reports on his fieldwork in Ireland and is especially interested in Early Neolithic and early medieval archaeology. Fintan currently works as a full-time archaeological project manager and lives in Limerick City. Dr. Danica Ramsey-Brimberg is a multidisciplinary researcher of the early medieval period, who is the Coordinator for Digital Engagement of the International Society of Medieval Art and an Adjunct Professor at Roger Williams University. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this latest publication in the TII Heritage series, the long prehistory of Kells and its hinterland is shown to be written on the landscape in foundation trenches and boundary ditches, pits, post-holes, hearths, and myriad other marks of human life, which were discovered along the route of the M3 Clonee to Kells motorway project and recorded by an archaeological team from Irish Archaeological Consultancy Ltd. The story begins with Mesolithic hunter-gatherers and continues, chapter by chapter, over a span of c. 5,000 years, recording the homes, burial grounds, work and worship of Neolithic, Bronze Age and Iron Age communities and bringing us at last to the threshold of history, in the Iron Age/early medieval transition period. Kells was not yet the seat of a famous monastery at that time but had already become a central place in the region, with a tribal capital at Commons of Lloyd, on the hill that overlooks the town today. The Road to Kells: Prehistoric Archaeology of the M3 Navan to Kells and N52 Kells Bypass Road Project, is available now through Wordwell Books and Transport Infrastructure Ireland. Fintan Walsh has been a professional field archaeologist for over 20 years. He studied Archaeology and Palaeoecology at Queen's University Belfast, where he graduated with a Bachelor of Science degree in 1997. He has published numerous papers and reports on his fieldwork in Ireland and is especially interested in Early Neolithic and early medieval archaeology. Fintan currently works as a full-time archaeological project manager and lives in Limerick City. Dr. Danica Ramsey-Brimberg is a multidisciplinary researcher of the early medieval period, who is the Coordinator for Digital Engagement of the International Society of Medieval Art and an Adjunct Professor at Roger Williams University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

In this latest publication in the TII Heritage series, the long prehistory of Kells and its hinterland is shown to be written on the landscape in foundation trenches and boundary ditches, pits, post-holes, hearths, and myriad other marks of human life, which were discovered along the route of the M3 Clonee to Kells motorway project and recorded by an archaeological team from Irish Archaeological Consultancy Ltd. The story begins with Mesolithic hunter-gatherers and continues, chapter by chapter, over a span of c. 5,000 years, recording the homes, burial grounds, work and worship of Neolithic, Bronze Age and Iron Age communities and bringing us at last to the threshold of history, in the Iron Age/early medieval transition period. Kells was not yet the seat of a famous monastery at that time but had already become a central place in the region, with a tribal capital at Commons of Lloyd, on the hill that overlooks the town today. The Road to Kells: Prehistoric Archaeology of the M3 Navan to Kells and N52 Kells Bypass Road Project, is available now through Wordwell Books and Transport Infrastructure Ireland. Fintan Walsh has been a professional field archaeologist for over 20 years. He studied Archaeology and Palaeoecology at Queen's University Belfast, where he graduated with a Bachelor of Science degree in 1997. He has published numerous papers and reports on his fieldwork in Ireland and is especially interested in Early Neolithic and early medieval archaeology. Fintan currently works as a full-time archaeological project manager and lives in Limerick City. Dr. Danica Ramsey-Brimberg is a multidisciplinary researcher of the early medieval period, who is the Coordinator for Digital Engagement of the International Society of Medieval Art and an Adjunct Professor at Roger Williams University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Fantasy has never been more popular. Game of Thrones, The Lord of the Rings, and even the Harry Potter series has made sword and sorcery commonplace. For the sci-fi fans out there, the Star Wars movies are filled with Jedi lightsaber battles, complete with the same parries, thrusts, and disarms found on the medieval battlefield. […]

Fantasy has never been more popular. Game of Thrones, The Lord of the Rings, and even the Harry Potter series has made sword and sorcery commonplace. For the sci-fi fans out there, the Star Wars movies are filled with Jedi lightsaber battles, complete with the same parries, thrusts, and disarms found on the medieval battlefield. […]

Kevin shares an awkward moment where his kid gets sick in the hardware store and he wasn't sure what the proper reaction should be. Jesse goes to the cardiologist and the results are… he needs more tests to rule out his athletic heart. He's still freaking out. We discus having blood taken and everyone shares their blood types. Jon talks about the time he got on a yellow school bus and a fake nurse stuck a needle in his arm to help get over a hangover. Kevin and Jesse do homework with their kids. We call bullshit on high school math and the rest of the bullshit subjects they make you take that have nothing to do with anything you'll use in real life. So we decide to fix the education system. Jesse shares how he learned from the baddest mofo in the planet, his dad, how to be successful in business. Kevin shares his vulnerability over making the full time leap into being a comedian and creating more content. More Kanye West talk as the creative director of Supreme speaks out about Ye using Virgil Abloh's name as of recent to further his own fashion agenda. We look back on the OJ Simpson case and remember how outrageous of a time it was. Kurt gets schooled on the art of bottle service and trendy nightclubs. And finally, instagram models exposed. See ya next week!

Episode 145: Landscape and Identity in Medieval Morocco  In this podcast, Dr. Abbey Stockstill asks the question why does Marrakesh look the way that it does? The 'Red City' is the topic of her forthcoming book, in which she discusses the medieval city's relationship with its founding dynasties, the local landscape, and Berber politics in the eleventh and twelfth centuries. As the notion of what it meant to be 'Berber' was being defined, the city of Marrakesh emerged as a metropolis that actively engaged the multivalent identities of Almoravids and Almohad dynasties. Rather than taking individual monuments in isolation, Dr. Stockstill's work looks at how those monuments worked with each other and the local landscape to create a stage for these identities to be expressed. What emerges is a city that is both paradigmatic in its structure, yet innovative in its social and historical context. Dr. Abbey Stockstill received her Ph.D. in the History of Art & Architecture from Harvard University (2018), and is currently an assistant professor of Islamic art and architecture at Southern Methodist University in Dallas, Texas. She has contributed essays to academic journals such as Muqarnas and Hésperis-Tamuda, as well as to a number of edited volumes. She is also an assistant editor for the International Journal of Islamic Architecture, and serves on various committees within the International Center for Medieval Art and the Historians of Islamic Art Association.  This episode was recorded on July 21st, 2022 at the Tangier American Legation Institute for Moroccan Studies (TALIM).  Posted by Hayet Lansari, Librarian, Outreach Coordinator, Content Curator (CEMA).

This episode is also available as a blog post: https://thecitylife.org/2022/07/14/the-metropolitan-museum-of-art-appoints-shirin-fozi-as-the-paul-and-jill-ruddock-associate-curator-in-the-department-of-medieval-art-and-the-cloisters/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

The Story of the Haggadah is synonymous with the story of the Jewish people. Observe how this most famous Jewish liturgical work has evolved in its appearance from one generation to the next. Yes, things do change, but they also stay the same. Evolution of the Haggadah: A Pictorial History, from the Cairo Genizah, to the Medieval Art Workshop, to the Modern Printing Press

Join our founder and host Sandra Hindman as she discusses the monstrous, marginalia and determining the center with Sherry Lindquist, co-author of Medieval Monsters: Terrors, Aliens, Wonders. This interview coincides with the topic of our Chicago gallery exhibition, “The Margins of Medieval Art: Questioning the Center,” which is open through March 30th. What are Sandra and Sherry's favorite monsters? What determines if an image or subject is “central” to a manuscript folio or pushed to its borders? How does gender, sex, and “monsterizing” play a role in creating margins that frame, subvert, or support the center? Find out on this episode of the Les Enluminures podcast.    Resources: Sherry C. M. Lindquist and Asa Simon Mittman: Medieval Monsters: Terrors, Aliens, Wonders The Margins of Medieval Art: questioning the Center, Chicago

Today I talked to Anne F. Harris. Anne wears two hats: she's a medieval art historian and president of Grinnell College. We talked about her new book Medieval Art 250-1450: Matter, Making, and Meaning (Oxford University Press, 2021), which she co-authored with Nancy M. Thompson. We also discussed the significance and relevance of Medieval art today, the transition from teaching to administration, what it's like to head a premiere liberal arts college in the age of Covid (and all else), and her vision for Grinnell.  Marshall Poe is the founder and editor of the New Books Network. He's also a graduate of Grinnell College. He can be reached at marshallpoe@newbooksnetwork.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today I talked to Anne F. Harris. Anne wears two hats: she's a medieval art historian and president of Grinnell College. We talked about her new book Medieval Art 250-1450: Matter, Making, and Meaning (Oxford University Press, 2021), which she co-authored with Nancy M. Thompson. We also discussed the significance and relevance of Medieval art today, the transition from teaching to administration, what it's like to head a premiere liberal arts college in the age of Covid (and all else), and her vision for Grinnell.  Marshall Poe is the founder and editor of the New Books Network. He's also a graduate of Grinnell College. He can be reached at marshallpoe@newbooksnetwork.com.

Today I talked to Anne F. Harris. Anne wears two hats: she's a medieval art historian and president of Grinnell College. We talked about her new book Medieval Art 250-1450: Matter, Making, and Meaning (Oxford University Press, 2021), which she co-authored with Nancy M. Thompson. We also discussed the significance and relevance of Medieval art today, the transition from teaching to administration, what it's like to head a premiere liberal arts college in the age of Covid (and all else), and her vision for Grinnell.  Marshall Poe is the founder and editor of the New Books Network. He's also a graduate of Grinnell College. He can be reached at marshallpoe@newbooksnetwork.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today I talked to Anne F. Harris. Anne wears two hats: she's a medieval art historian and president of Grinnell College. We talked about her new book Medieval Art 250-1450: Matter, Making, and Meaning (Oxford University Press, 2021), which she co-authored with Nancy M. Thompson. We also discussed the significance and relevance of Medieval art today, the transition from teaching to administration, what it's like to head a premiere liberal arts college in the age of Covid (and all else), and her vision for Grinnell.  Marshall Poe is the founder and editor of the New Books Network. He's also a graduate of Grinnell College. He can be reached at marshallpoe@newbooksnetwork.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Si on remonte un peu plus loin, en ancien et moyen français, le mot gauche est dérivé d'un verbe francique wankjan qui signifie vaciller, soit, « de travers », « contourné » ou encore « qui a perdu sa forme ». Adhérez à cette chaîne pour obtenir des avantages : https://www.youtube.com/channel/UCN4TCCaX-gqBNkrUqXdgGRA/join Pour soutenir financièrement la chaîne, trois choix: 1. Cliquez sur le bouton « Adhérer » sous la vidéo. 2. Patreon: https://www.patreon.com/hndl 3. UTip: https://utip.io/lhistoirenousledira Avec: Laurent Turcot, professeur en histoire à l'Université du Québec à Trois-Rivières, Canada Réalisation et script: Laurent Turcot Montage: DeadWill https://www.youtube.com/channel/UCtLkNuzB2_j2z7SFdvkiCww 0:00 • Introduction 3:33 • Pourquoi la droite ? 7:26 • La bible et le Moyen Âge 12:52 • Répression et civilité 16:54 • 19e siècle 19:38 • 20e siècle 21:03 • Aujourd'hui Abonnez-vous à ma chaine: https://www.youtube.com/c/LHistoirenousledira Facebook: https://www.facebook.com/histoirenousledira Instagram: https://www.instagram.com/laurentturcot Les vidéos sont utilisées à des fins éducatives selon l'article 107 du Copyright Act de 1976 sur le Fair-Use.   Pour aller plus loin: Pierre-Michel Bertrand, Histoire des gauchers, des gens à l'envers, Paris, Imago, 2001. James Hall, The Sinister Side. How left-right Symbolism shaped Western Art, Oxford, Oxford University Press, 2008. Michel Pastoureau, « Tous les gauchers sont roux », Le Genre humain, vol. 1, no 16-17, 1988, p. 343-354. Robert Couzin, Right and Left in Early Christian and Medieval Art, Leiden and Boston, Brill, 2021. Chris McManus , Mike Nicholls & Giorgio Vallortigara, « Introduction: The right hand and the left hand of history », Laterality: Asymmetries of Brain, Behaviour, and Cognition, Volume 15, 2010, p. 1-3. V. Llaurens, M. Raymond and C. Faurie "Review : Why are some people left-handed? An evolutionary perspective" Phil. Trans. R. Soc. B (2009) 364, 881–894 #histoire #documentaire #gaucher

Delve Into The Greenwood and the world of The Twa Sisters with Rosie and Cathy. In this episode, we're taking an in-depth look at a folktale where sibling rivalry takes a turn both fatal and gruesome. CONTENT WARNING: This episode explores themes of murder and body horror. Thanks to Rosie and Cathy for presenting this week and to Linley for this week's stunning artwork! Check out our socials to keep in the loop!
 facebook.com/FolkloreScotland
 twitter.com/FolkloreScot 
instagram.com/folklorescotland Folklore Scotland is a Scottish registered charity whose aim is to connect the tales of the past with the technology of today. You can visit our website and explore your local folklore at www.folklorescotland.com. If you would like to become one of our voluntary contributors or would like to get in touch, email us at info@folklorescotland.com SOURCES The Folklore Podcast – Episode 44 ‘Grind the Corn' – Guest lecture from Jeremy Heart Pitman, Joanna (2003), On Blondes, New York City and London: Bloomsbury, ISBN 978-1-58234-402-7 Marshall, C. W. (2006), The Stagecraft and Performance of Roman Comedy, Cambridge, England: Cambirdge Unviversity Press, ISBN 978-0-521-86161-8 Sherrow, Victoria (2006), "Hair color", Encyclopedia of Hair: A Cultural History, Westport, Connecticut and London, ISBN 978-0-313-33145-9 Milliken, Roberta (2012), Ambiguous Locks: An Iconology of Hair in Medieval Art and Literature, Jefferson, North Carolina and London, England: MacFarlane & Company, Inc., Publishers, ISBN 978-0-7864-4870-8 Katharine Briggs, An Encyclopedia of Fairies, Hobgoblins, Brownies, Boogies, and Other Supernatural Creatures, "Golden Hair", p. 194. ISBN 0-394-73467-X Six, Abigail Lee (2014), "Chapter Five: Spinning Straw into Gold: Blond Hair and the Autobiographical Illusion in the Fiction of Esther Tusquets", in Molinaro, Nina L.; Pertusa-Seva, Inmaculada (eds.), Esther Tusquets: Scholarly Correspondences, Cambridge, England: Cambridge Scholars Publishing, ISBN 978-1-4438-5908-0 https://www.springthyme.co.uk/ballads/balladtexts/10_TwaSisters.html

Matthew Holford, Tolkien Curator of Medieval Manuscripts, and Martin Kauffmann, Head of Early and Rare Collections, in conversation about the artists, patrons and significance of three extraordinary manuscripts. Some of the greatest treasures of medieval painting are not displayed on museum walls but lie hidden – relatively speaking – in manuscript books. Our experts at our introduce some of the lesser-known treasures of the Bodleian and leaf through the pages during the live event recorded on Zoom. Sessions will include manuscripts from German-speaking lands which are being shared online for the first time as part of a Polonsky Foundation digitization project.

Maps from Medieval Europe are littered with strange lands, monsters and mythical races. On them you can find the Tower of Babel, the Minotaur's Labyrinth, unicorns and men with the heads of dogs. Find out what these maps can tell us about how medieval European's saw the world in the latest episode of the History and Folklore Podcast.    Sources: B.L Gordon, 'Sacred Directions, Orientations, and the Top of the Map' History of Religions Vol. 10, No. 3 (Feb., 1971), pp. 211-227 British Museum, 'Tablet' https://www.britishmuseum.org/collection/object/W_1882-0714-509 Chet Van Durez, 'Sea Monsters on Medieval and Renaissance Maps' (2014). Edward Brooke-Hitching, 'The Phantom-Atlas: The Greatest Myths, Lies and Blunders on Maps' (2016). Gerhard Dorhn-van Rossum 'Al-Idrisi and His World Map (1154)' (2011) http://www.cliohworld.net/onlread/wg2/wg2.pdf#page=209 Intergovernmental Committee on Surveying and Mapping, 'History of Mapping' https://www.icsm.gov.au/education/fundamentals-mapping/history-mapping John Block-Friedman, 'The Monstrous Races in Medieval Art and Thought' (2000). John Mandeville, 'The Complete Works of John Mandeville (Shrine of Knowledge, 2020) 'Mappa Mundi Hereford Cathedral.' https://www.themappamundi.co.uk/ Paul B. Sturtevant, 'A Wonder of the Multicultural Medieval World: The Tabula Rogeriana' (2017) https://www.publicmedievalist.com/greatest-medieval-map/ Richard Barber, 'Bestiary MS Bodley 764' (1999). Richard Jones, 'The Medieval Natural World' (2013). Robert Bartlett, 'The Natural and the Supernatural in the Middle Ages' (2006). Thomas Wright, 'Travels of Marco Polo, the Venetian.' http://public-library.uk/ebooks/60/81.pdf   Transcript: ‘Whatever Part of the Earth that Men dwell, either above or beneath, it seemeth always to them, that they go more up-right than any other Folk. And right as it seemeth to us that they be under us, right so it seemeth to them that we be under them.'   Hello, welcome to the History and Folklore podcast, where we look at different folk beliefs through history and how these beliefs shape people's perceptions of nature. Today we're looking at historical maps and the strange creatures and the mythical races found within them. This is a huge subject, so I am only going to be able to really give an overview of the subject, but am happy to make more indepth episodes on any of the different topics if there is any interest.   I find this topic really fascinating as maps, despite what we like to tell ourselves, very rarely show the world how it actually is. Instead they are excellent sources to show us the preconceptions, assumptions and prejudices of the map maker and the society the map is made in.    It has also been claimed that maps can affect the perception of people who view the map. We like to tell ourselves that maps are entirely neutral records of landscapes and settlements but this is not entirely true. Even today there are issues with our world map that are believed to affect  the way we see the world. The most well-known example is the Mercator Projection, invented in 1569 as a way of displaying a globe on a 2D surface. Because of the way the projection works, countries at the top are distorted to become larger, while those closer to the equator appear smaller. The creator of this method, Gerardus Mercator, also chose to orientate the map with North at the top, which is the way we still orientate maps today. It has been argued that, while this map is useful for navigation, the location and relatively large size of northern countries gives them a more prominent place in the mind of the viewer.   While there is still a lot of discussion as to whether this is actually true, it is clear that maps have traditionally been used as a means of communicating ideas and values to the viewer. The earliest maps that survive today depict very local places that highlight sites of interest. There were no real conventions in cartography yet and so the layout and orientation of these maps was pretty much all over the place.    While it seems normal and obvious to us, it is only really quite recently in human history that maps have been oriented with North at the top. In Europe, East was often placed as the highest point as in early Christian tradition heaven was located in the east. This is an idea that was likely borrowed from ancient Jewish traditions which saw the east as a particularly holy direction. Likewise, South was often seen as a desirable direction as it was associated with warmer, more hospitable weather. North, on the other hand, was considered a dark and sinister direction.   Ancient Egyptians also tended to orientate maps with east at the top, as this is the direction in which the sun rises. Early Islamic cartographers often placed south at the top of the map, as these mapmakers often resided in countries that were north of Mecca and they envisioned they were looking up towards it when they prayed. In Ancient China, compasses were oriented to point south, which was considered a more desirable direction as it was believed to be where the winds came from. However, maps in ancient China tended to place north at the top as the Emperor resided in the north of the country and the people were expected to look towards him. So it appears that there is a tendency among people everywhere to place that which they consider the most important at the top or centre of the image.    The oldest surviving world map is the Imago Mundi, which was created between 500-700 BCE in a town called Sippar in Iraq. This map placed Babylon in the centre, as this was probably the most important city to the map maker. The Euphrates is also shown and circles surround Babylon to show other cities and districts, including Assyria, Der and Habban. These cities are surrounded by a circular ‘bitter river' in which other districts are located. These represent the unknown or unexplored world, and are labelled with descriptions such as ‘where shamash (the sun deity) is not seen, reflecting the belief that the sun does not pass through the northern lands. The map is accompanied by accounts of Babylonian myths, written in conform script, with the corresponding locations in which they happened.    Early medieval maps are remarkably similar in design to the Imago Mundi. Known as TO maps, they show the world as a round disc. Inside this disc the known world is split into three segments, with the East orientated at the top. Asia fills up the top half of the circle, and is separated from Europe in the bottom left quarter and Africa in the bottom right quarter by a river that starts as the Don or Tanais in the left and turns into the Nile half way through. Europe and Africa are separated by the meditteranean sea, depicted as a line that meets the rivers at the half way point to make a T shape. The rivers and continents are surrounded by a circle of sea, the O of the TO map.    It is unclear where this style of map originated from. Similarities can be drawn with the Imago Mundi, but some historians think that they may originate in the Ancient Greece or Rome. Others argue that they probably have a Judaic origin, due to the habit of labelling each continent in association with one of Noah's sons - Asia often has the label of Shem, Africa is labelled with Ham and Europe tagged with Japhet.    TO maps are only concerned with recording areas of the world that were known to be habitable. Maps that showed all habitable and uninhabitable land on the globe were portrayed in a different way, based on the subdivision of the world created by Ptolemy in the second century and built on by Macrobius in the fifth century. In this, the world was divided into five latitudinal zones that varied in climate. The poles were the two frigid zones and considered to be too cold to sustain life. The fiery zone was located at the equator and was too hot to sustain life. Between these two extremes were the temperate zones, which were both theoretically habitable although it was believed that the southern temperate zone was uninhabited by humans.    The subdivision of the world in this way was still being used as late as the fifteenth century. It was also used as the basis for maps created by influential Islamic geographers and cartographers, such as al-Muqaddasi and al-Biruni, who developed this technique and further broke the inhabited world down into seven climes, which differed by half an hour each. These cartographers also believed that only the northern part of the world was inhabited and was separated by the rest of the globe by inhospitable climates that could not be crossed by humans. Islamic scholar Abu Rayhan al-Biruni claimed that the ‘sea separates the inhabitable world from whatever continents or inhabitable islands there may be beyond it, both towards West and East; for it is not navigable on account of the darkness of the air and the thickness of the water.'   This method of dividing the world was used in what was the most influential map of its time, the Tabulana Rogeriana, translated in English as the ‘Book of Roger', which proves that everything sounds more impressive in Latin. This was created by Muhammad al-Idrisi in 1154 for King Roger II of Siciliy in a book containing 70 smaller regional maps which, when put together, created a huge rectangular map of the world. This incredibly detailed map was broken down into seven different climatic zones and ten geographical sections. As well as this al-Idrisi was able to calculate the circumference of the globe within ten percent of its actual size. To achieve this, al-Idrisi poured over Arabic, Latin and Classical records, as well as conducting extensive interviews with contemporary travellers, endeavouring to dismiss the fantastical and include only what could be corroborated or proven. While this technique was not foolproof, and popular mythical elements such as the islands of Gog and Magog were still included, it was by far the most accurate world map of its day, and was used and distributed for three hundred years after its creation.   Despite the creation and popularity of the Book of Roger, new maps continued to be made and distributed. One of the most well-known today is the Hereford Mappa Mundi, which was created around the year 1300. This was created at a time when European maps were becoming more complex, showing serrated coastlines and individual islands. Despite these details, it still keeps the early ‘TO' format with Asia at the top, Europe on the bottom left and Africa on the bottom right. Christ sits above the world, looking over God's creation, and paradise and the garden of Eden can be found just below him. Jerusalem sits prominently in the centre of the inhabited world.    As well recording existing cities and landscape elements we would expect to see on modern maps, the Hereford Mappa Mundi also depicts stories from the bible such as Eden, Noah's Ark and the Tower of Babel, all located in the top half of the map, as well as stories from Classical Greece and Rome. The columns of Hercules, the golden fleece and the labyrinth can all be seen on the map. This reflects a method of map making that leaned more towards symbolism than accuracy. The purpose of maps such as this was not to create an accurate geographical record to assist travellers. They were instead created the greatness and expanse of God's creation and the viewers place within it spatially, culturally, temporally and spiritually. Medieval maps were created to measure time and culture as well as space.    For this reason the anomalies in early maps can give a real insight into the mindset, worldview and values of the time. We already know that places like Eden and the Minotaur's labyrinth were placed on maps due to their spiritual, cultural and historical importance. But some other elements are less easily explained. Strange islands and creatures pepper the seas and the margins of early maps.    Sometimes these were recorded through simple error, especially non-existant islands and land formations. Other times weather conditions such as low forming clouds could appear to sailors as an island, which would later be recorded on maps. Anomalies were sometimes included on purpose as a type of copyright protection. If an incorrect detail was found on a different map, the original cartographer would know they had been plagiarised.    I think the most amusing incidents were when islands were included on a whim. In 1659 Peter Helyn recorded a story about the explorer Pedro Sarmiento when he was captured by Walter Raleigh. Raleigh asked him about a particular island that was depicted on one of his maps, which Raleigh had never seen but which may have had some tactical advantage to him. Sarmiento explained that that island was known as ‘painters island' because when the painter was drawing the map, his wife asked him to add an island for her, so that in her imagination she could have an island of her own. A really lovely story, but not very helpful to people trying to actually navigate.   I think that the monsters and so called monstrous races that were recorded in maps, bestiaries and encyclopedias of the time are even more interesting than mysterious island stories as they raise so many questions about medieval assumptions of the foreign, otherness and humanity itself.    Strange creatures were also often believed to be found in far flung lands. Dragons fought elephants in India, hyenas mimicked and ate humans in Africa, leopards were the ferocious offspring of lions and pards and birds the colour of fire and with razor sharp wings soar through the air in Asia. These creatures all give an impression of foriegn countries as strange and dangerous places to be, as though the further you get from the known world the more fantastic and deadly nature becomes, a reflection of understandable anxieties and real dangers involved in travel during this period.    Probably the most fascinating are the so called ‘monstrous races' that are depicted on the edges of world maps, reflecting their perceived status as being just on the edge of civilisation.  Many of these races were taken from the writings of Pliny the Elder and were even further embellished over the years by explorers and traders, missionaries and pilgrims who would come back with tales of the strange lands, creatures and people they had seen on their travels.  Monstrous races that were commonly recorded included the Blemmyes, a warlike people found in Africa, notable in that they had no head but whos faces were instead located on their torso. Sciapods could be found in India. They had only one leg which they would use to hop about, and would use their one giant foot to shade them from the sun. Panotti had long ears that they used to wrap around themselves to keep warm at night. The Astomis were found by the Ganges river, they had no mouths but gained nourishment through pleasant smells. The cynocephalli were humans with the heads of dogs that were widely recorded from Scandinavia to Syria to India. In some accounts they were depicted as bloodthirsty fighters, while other writers claimed they were relatively shy and kept to themselves in peaceful communities.    While some believe that these people were solely the creation of overactive imaginations and tall tales spun by travellers, others think that there may have been a grain of truth in the stories, filtered through the perceptions of reporters trying to understand what they saw through the filter of a very ethnocentric worldview. For example, the Sciapods may have simply been people practicing yoga, lifting their feet above their heads as though to shade from the sun. While the true origins of these stories is not known, the fact that the stories exist at all raise a lot of interesting insights into the medieval European worldview.   There was a fair amount of contemporary discussion as to whether any of these races could be considered human, or whether they were closer to animals. This debate was based on the medieval Christian worldview that God created three different types of living spirit. Angels, which are not bound to a physical body, humans which are bound to a physical body but do not die with it and animals, which are bound to a physical body and who die with the body. It was believed that what separated humans from animals was their rationality. The issue then lay in defining and identifying rationality in the behaviour of the monstrous races.    The answer to this question had practical as well as theological implications. In the ninth century a missionary in Scandinavia wrote to a monk named Ratramnus asking whether he should preach to the dog headed people in order to win human souls for Christ, or whether it would be wasted effort, akin to trying to convert mice or birds. Ratramnus responded by stating that the dog heads should be viewed as human. He claimed that while certain elements of their behaviour, such as their barking speech, pointed more towards the animal, other behavioural aspects placed them firmly in the realms of the human. The fact they covered themselves with clothes showed they had a sense of shame and decency. They could farm and make tools and, according to Ratramnus, ‘knowledge of technical skills is granted only to the rational soul.' The main point in their favour though was that they lived in communities and therefore had laws and were able to create and keep to the rules of society.   Personally I find Ratramnus' answer unstatisying when looking at perceptions of other mythical creatures. Trolls, for example, were considered different from humans as they were not Christians and were, in fact, often believed to be angels that had remained neutral in the war between God and Satan and so fell to earth. Trolls could be killed and it was not believed that they had the promise of eternal life, as humans did. However, like other hidden people, they were portrayed as rational, they lived in societies that mimicked humans, wore clothes and used tools. It was not rationality or mortality, but lack of Chritian belief and immortal soul that separated the trolls from humans or angels, but Ratramnus made no suggestion of this possibility for the cynocephalli.   During the twelfth century Europe and Asia became linked in a way that it had never been before, largely due to the expansion of the Mongol Empire that spanned from Korea to Persia, Poland to Vietnam. This overarching administration facilitated merchants trading across borders and was also a tempting target for Christian missionaries, as the Mongols were not originally Muslim and appeared to be widely accepting of Christianity - employing Asian Christians as advisors and administrators.   As such a greater number of Europeans than ever before began travelling to places that they previously had either non-existent or very weak contact with. You may think that as explorers, traders and missionaries came to be more familiar with distant lands, and as travellers from across Asia came to be a more familiar sight in European cities, that medieval Europeans would quickly realise that the monstrous races on maps and monsters in bestiaries did not exist. In some cases doubt did begin to creep in. In 1253 William of Rubruck recalled a conversation he had with a group of Mogul people during his travels in India saying ‘I asked about the monsters or monstrous humans but they had never seen such beings, wherefore we wonder very much whether it were true.'   But belief in monsters and monstrous races was surprisingly tenacious amongst the general population. This was partly because returning travellers could not resist telling fantastic tales of ferocious and strange beasts to impress people back home. However, even when travellers wanted to present a more realistic view of the world their efforts could be undermined. Marco Polo's Travels, for example, was published in 1298 and presented a fairly subdued and down to earth picture of Asia that was somewhat sabotaged by illustrators who added monsters and wonders to the margins, likely trying to meet the expectations of the readers.   In other cases, when monsters were not found where they were expected to be, it was sometimes assumed that they did exist but their location had been recorded wrong. As European travellers became more familiar with the wider world the monstrous races were pushed further, always pushed the edges of the known world, and those that were once believed to reside in India were later thought to reside in the habitable southern hemisphere, where humans did not live. An early example of this was the Panotti people with long ears. Around 43 CE Roman writer Pomponius Mela claimed they lived on the Orkney islands. When the Orkney islands became part of the civilised world they were recorded as living in Scythia and later, when Scythia was no longer considered particularly distant, it was believed that they resided in southern Asia.    It is probable that the belief in monstrous races reflects a need in people to create a recognised ‘other' against which they can define themselves. Through these stories, they were able to explore what it meant to be civilised, what it meant to be human and understand and define their place in the world.    It is also apparent that this belief in strange and monstrous races was not just limited to Europeans. John de Marignollis  travelled extensively through China and India in the 1330s. Although he was originally sent by the Pope he extended his travels in order to search for the monstrous races he had heard about. He wrote ‘I travelled through all the provinces of India with great curiosity. . . never was I able to track down such peoples in the world in reality; instead people asked me whether there were such creatures.'    As well as giving the impression that medieval Asia was filled with people wandering round asking each other if they knew where the dog-heads were, de-Marignollis statement, and the quote from John Mandeville at the beginning of this episode, suggests that people around the world created their own kinds of strange and monstrous people, living in far away lands. I think it is likely that such stories were important in helping people strengthen their identity at a time of increased travel and exploration. Through these tales people could examine who they were, who belonged to their group, who were outside it and why. They could even be used to examine what it meant to be human at all.    Thank you for listening to this episode of the History and Folklore podcast. I hope you enjoyed it and found it interesting. An extra thank you goes to my new patreons DD Storyteller, the Fairy Folk Podcast, Louise, Vanessa, Ben and John. My supporters on patreon help make these episodes possible and I am so grateful.  If you would like to support the History and Folklore Podcast tiers range from £1-£5 a month in exchange for benefits including early access to podcast episodes, a monthly zine with more information about the episode topic, chance to vote on episode topics, recorded folktales and how to train your house elf fact files. Patrons help pay towards the cost of running the podcast and are greatly appreciated. You can also follow the podcast on Instagram at history and folklore, twitter at HistoryFolklore and Facebook at the History and Folklore podcast where I post hopefully interesting history and folklore facts pretty much daily and answer any questions or feedback. Thank you so much for listening, and I look forward to seeing you next time.

Buffy the Vampire Slayer takes place on a hellmouth, so this week we dive into the historical and religious origins of hellmouths, as well as their representation in art and theater. This one gets wild—we'd like to officially apologize to our moms. . Resources: Schmidt, G. (1985) The Mouth of Hell in Medieval Art and Thought. Schapiro, M. (1942) “Cain's Jaw-Bone that Did the First Murder.” Rust, K. (2018) “Welcome to the Medieval Hellmouth: Hellmouth Illuminations and their Correlation to Fantasy and Pop Culture.” Konstantinova, I. (2013) “Borgesian libraries and librarians in television popular culture.” Music: "Dance Robot ACTIVATE" by Loyalty Freak Music. [All views expressed are our own and do not represent the opinions of any entity with which we are affiliated.]

 In this episode, I'll be focussing on the final four of the eight styles that impacted on Medieval Art.  I like to call them The Influencers.  In Part 1 I covered Romanesque, Viking, Byzantine and Gothic Art.  Now in Part 2, I'm featuring Islamic, Celtic, Carolingian and Ottonian Art.  Together these eight styles synthesised into that sometimes ambiguous term ‘Medieval Art, Art of the Middle Ages or Dark Age Art.'  

Ever wondered why babies in medieval paintings often resemble miniature adults with uncanny features? Explore the historical, artistic, and cultural reasons behind these eerie depictions of infants from the medieval era to the Renaissance in this enlightening episode. #MedievalPaintings #ArtHistory #WeirdHistory #medievalart #Renaissance #historicalart #babydepictions #oldpaintings #artcharacteristics Learn more about your ad choices. Visit podcastchoices.com/adchoices

Medieval Art - a period when embroidery was King.  It's time, fellow followers of needlework and stitch to embrace the stunning aesthetic of Medieval art and embroidery.