Podcasts about Andy Warhol

London's Blitz club in 1980 had a huge impact on the way the decade looked and sounded, the launchpad for Boy George, Spandau Ballet, a new age of electro-pop and many writers, designers and photographers. The author and broadcaster Robert Elms was one of its cornerstones, “a place for people who'd outgrown the 20th Century”. We talk here about his book ‘Blitz: the Club That Created the ‘80s' with all of this on the dancefloor … … the Blitz Club rules, “unspoken until Steve Strange spoke them”. And the door policy: “Look at yourself, darling. Would YOU let yourself in?” … first nights “with a Space Cossack shirt and asymmetric wedge” and the origin of the term New Romantic … the rise of the “home-made Macaronis” (dictionary definition: “over-dressed popinjays of dubious sexuality”) … Bowie's Starman, Roxy, soul, disco, Weimar, Max Ernst, Otto Dix, Edith Piaf, Swinging London, Andy Warhol and other keys strands of Blitz DNA … its anti-rock stance and impact on the mid-‘80s American charts … the news-friendly night Mick Jagger was barred entry … “I was spat at by an old lady at a bus stop for wearing eyeliner and a kilt” … when Island offered Spandau a deal after just three numbers … the role of the Face, Smash Hits and the new full-colour media … the author's “dilettante” passage through skinhead, suedehead, soul boy and punk … and the night Bowie appeared, “like Jesus walking into your local church and sitting in a pew”. Order ‘Blitz: The Club That Created the 80s' here:https://uk.bookshop.org/p/books/blitz-the-club-that-created-the-eighties-robert-elms/e672041a84e0cde9?ean=9780571394180&next=t&next=tFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

In this special Birthday Crossover Episode of Dennis Anyone and Dennis Hensley's Happy & Gay, Dennis breaks down his five days of birthday activities, which included two films (Almost Famous & Magnolia), one museum excursion (the Queer Lens exhibit at the Getty Center), one game day at Lawless Brewery and one marvelous outdoor play; Wine in the Wilderness by Alice Childress at the Will Geer Theatricum Botanicum. Dennis also sings the praises of the returning TV shows The Morning Show and English Teacher as well as his friend David Kittredge's wonderful new feature film documentary Boorman and the Devil, which is about the director John Boorman and his movie Exorcist 2: Heretic. In the Observation Deck segment, Dennis's recent podcast guest Rob Loveless, host of the A Jaded Gay podcast, recalls a time he felt totally starstruck. Dennis ends the episode with two happiness-related quotes from Andy Warhol and shares a recent experience related to his new game Search Party where he had to put on his big boy pants and lived to tell about it.

Matthew Rolston describes his big break into editorial photography, which came through Andy Warhol and *Interview* magazine. His first significant assignment was photographing Steven Spielberg, who was a rising director at the time, having just completed *Jaws* and with *Close Encounters of the Third Kind* about to be released. Rolston also reflects on the decline of print magazines and the shift towards digital and experiential media.Show Clip from The Paris Chong Show with Matthew Rolstonhttps://youtu.be/SGbg4x9LIG8https://www.theparischongshow.com

Visit our Substack for bonus content and more: https://designbetterpodcast.com/p/rewind-paola-antonelli Design Better has been on the road recently, recording a live episode in Manhattan for design search firm Wert & Co's 30th anniversary. Guests for the episode included Paola Antonelli (senior curator in the Department of Architecture and Design at MoMA) Mike Davidson (VP of Design and User Research at Microsoft AI), Kate Aronowitz (Design Partner at Google Ventures), Meaghan Choi (Product Designer at Anthropic), & Mark Wilson (Global Design Editor at Fast Company). While Aarron and I are catching up from travel, and as a lead-in to the live episode airing next week, we're rewinding to our interview with Paola Antonelli. We hope you enjoy the episode. And if you haven't checked it out yet, did you know you can save over $1600 on popular productivity tools and design and AI courses with the Design Better Toolkit? Just head over to dbtr.co/toolkit to learn more. *** The Museum of Modern Art brings to mind images of Van Gough's Starry Night, Salvador Dali's Persistence of Memory, and Andy Warhol's Campbell Soup Cans. But thanks to Paola Antonelli, senior curator in the Department of Architecture and Design, MoMA exhibitions also encompass the role design has played in shaping culture and the human experience. We talk with Paola about how we can look at digital design through a historic lens, some of the most important design movements in the past 100 years, and how the creative process has evolved through these different movements. We also talk about the history of the @ symbol, why craftsmanship is necessary to experimentation, and some of the current challenges in design education. We hope you enjoy this episode which is a part of our series on design history, with upcoming episodes on typography with Jonathan Hoefler, and the history and philosophy of design with Professor Barry Katz. Paola Antonelli joined The Museum of Modern Art in 1994 and is the Museum's Senior Curator in the Department of Architecture and Design, as well as MoMA's founding Director of Research and Development. Her work investigates design in all its forms, from architecture to video games, often expanding its reach to include overlooked objects and practices. An architect trained at the Polytechnic of Milan and a pasionaria of design, Antonelli has been named one of the 25 most incisive design visionaries in the world by TIME magazine, has earned the Design Mind Smithsonian Institution's National Design Award, has been inducted in the US Art Directors Club Hall of Fame, and has received the AIGA (American Institute of Graphic Artists,) the London Design Medal, and the German Design Award, among other accolades.

In this week's episode of the Rich Habits Podcast, Robert Croak and Austin Hankwitz sit down with Ilya Pozin, the co-founder and CEO of Telly. Telly's business model is simple: give away premium TVs for free, then make money on the backend with ads. To learn more about Ilya Pozin, follow him on X and Instagram. To sign up for Telly's waitlist, visit their website. ---

Italian artist created wry, but serious, works Piero Manzoni, who became famous in Italy before his death in 1963 at age 29, challenged conceptions of art as Marshall Plan funds flowed in after World War II and his nation shifted from agrarian to industrial. He also lampooned celebrity and consumer culture, worked with non-traditional materials and believed that the creator alone determined what is art. As chronicled in a video on display at a new exhibit, Total Space, at Magazzino Italian Art in Philipstown, Manzoni dipped his thumb in ink, imprinted hard-boiled eggs and placed them in small boxes. He blew up balloons for his Artist's Breath series but really grabbed attention with 90 tins of Artist's Shit. No one knows what's inside the cans; even before Warhol, Manzoni made a bold statement about the art world and its pretenses. "Many a truth is told in jest," says Greg Slick, the museum's chief docent. "He lets us into his art with a smile, but he was dead serious about it." Several examples of Manzoni's iconoclastic approach are on view at Magazzino, which specializes in the Arte Povera movement that emerged in the late 1960s and early 1970s. Manzoni exerted a major influence on the loosely affiliated group of artists who expanded his ideas into new frontiers. In a cavernous gallery with booming echo and the statement "Stand Here You Are Art" in bold black on the back wall, Manzoni's "Magical Base" (a wood pedestal) offers visitors the chance to play statue and get a good photo op. Also included are six works from the artist's Achrome series, a word he concocted that translates to "anti-color." All the work is whiteish, but the focus is on texture. They are differentiated by dates. A folded canvas created in 1958-59 looks like undulating water. Another, made in 1958 from plaster and kaolin on canvas, resembles a slab of stone; a 1960 piece frames a stack of eight polystyrene squares. Two significant works on display are the roughly 10-foot cubic spaces commissioned by the artist's family foundation in conjunction with the gallery Hauser & Wirth, based on a concept briefly mentioned in a letter the artist wrote to a friend in 1961. In the Lower Gallery Three decanters visible as visitors descend the stairs into Magazzino's lower gallery provide a harbinger of the heart-stopping works in the exhibition Yoichi Ohira: Japan in Murano. Ohira studied in Venice and designed elaborate vessels after becoming artistic director of de Majo glassworks on the island of Murano in 1987. Drawings outlining his intentions hang on the wall. Italian craftsmen executed the details with precision, and Ohira credited the glassblowers and the carvers, as well. The work, primarily executed by maestro Livio Serena, evokes a wide range of textures, some of which resemble wood or ceramics. Several vessels present optical illusions: In the Pasta vitrea series, some of the shapes appear to rise from the surface. Others are specked with colorful chips that seem to be recessed, but everything is flat. For fans of the glassblower's art, run, don't walk. The museum owns the rooms, designed by architect Stephanie Goto. During a preview opening, RAI, the Italian public broadcast outlet, interviewed curator Nicola Lucchi, who is the museum's director of research and education. The patterns in "Hairy Room," whose interior consists of faux white fur, are almost psychedelic. In the also-trippy "Phosphorescent Room," the light switches on and off every 30 seconds. In one mode, the walls and ceiling are fluorescent neon green; the other flips the tint to beige-yellow as the light emanates from the floor. Manzoni may have equated art with excrement to pull people in but, for better or worse, his provocations helped push the philosophical boundaries of conceptual creativity to its extremes during his lifetime. Magazzino, at 2700 Route 9, is open Friday to Monday from 11 a.m. to 5 p.m. Admission is $20 ($10 seniors, students, disabled visitors; $5 ages 5 to 10...

Paris hosts renowned photographer Matthew Rolston, delving into his illustrious career that began in editorial photography with Interview Magazine and Rolling Stone. Rolston shares anecdotes about working with iconic figures like Michael Jackson and Madonna, revealing his conceptual approach to celebrity portraits, such as his Marlene Dietrich-inspired shoot with Madonna and Michael Jackson's "King of Pop" request. He also discusses his extensive work in advertising for major cosmetic brands like Revlon and L'Oréal, and his transition into directing music videos during the MTV era, highlighting how these commercial ventures fueled his creative pursuits.Rolston reflects on the evolving media landscape, expressing his views on the decline of print magazines and the rise of social media and AI imagery. He emphasizes that while traditional platforms are changing, the essence of powerful image-making remains, and sees AI as a tool that can both lower and raise the bar for creative output. The conversation also touches on his early influences, including his childhood experiences in Los Angeles, his grandfather's connections to MGM stars, as well as his education at Art Center, all of which shaped his artistic vision.Finally, Rolston discusses his shift from commercial work to personal art projects, driven by a desire to create a lasting legacy. He introduces his conceptual projects like the ventriloquist dummies series, “Talking Heads” and his exploration into art artmaking with "Art People," and details his upcoming "Vanitas" exhibition, which will be spread across four venues in Los Angeles, including ArtCenter and Leica Gallery, Los Angeles. He expresses his excitement for this new chapter and his love of teaching, giving him the opportunity to share his knowledge with the next generation of visual artists.Show Notes:www.theparischongshow.com/episodes/matthew-rolston-an-unparalleled-career-from-pop-culture-iconography-to-fine-artUpcoming Shows:Hollywood Royale: Out of the School of Los Angeles: https://www.hollywoodroyale.comTalking Heads: The Vent Haven Portraits: https://matthewrolstontalkingheads.combeautyLIGHT: Pictures at a Magazine: https://www.beautylight.comArt People: The Pageant Portraits: https://www.matthewrolstonartpeople.comVanitas: The Palermo Portraits: https://www.vanitasproject.comTHE POWER OF PLEASURE, ARTCENTER CLASShttps://www.thepowerofpleasure.comChapters:(00:00:00) Intro(00:00:30) Matthew Rolston(00:00:54) Editorial Work(00:07:50) Who's who of the 80's(00:11:38) Sunny, Cher or Chastity(00:12:54) Bucket List(00:13:55) Advertising(00:16:22) MTV & Music Videos(00:17:35) Teaching(00:22:30) Social Media(00:24:45) AI(00:29:01) Early Influences(00:35:43) LA(00:37:02) Andy Warhol & the Factory(00:40:34) Long Live Print(00:45:11) Disaster Story(00:49:11) Shifting Focus(00:56:04) Vanitas & Upcoming Shows(01:03:04) What's The Most Important Thing You Are?(01:05:36) Outro

Our five senses constantly make adjustments and compromises—an observation that explains a cryptic comment by Andy Warhol. Get in touch: podcast@gretchenrubin.com Visit Gretchen's website to learn more about Gretchen's best-selling books, products from The Happiness Project Collection, and the Happier app. Find the transcript for this episode on the episode details page in the Apple Podcasts app. See omnystudio.com/listener for privacy information.

Brian Walshe: The Anatomy of An Alleged Narcissistic Killer From one case of hidden horror to another, the show transitions to the tragic murder of Ana Walshe at the hands of her husband, Brian Walshe. This segment meticulously pieces together the final days of their unraveling marriage. Ana, a successful real estate executive, was ready to leave. Brian, a convicted art fraudster on house arrest, was watching his world collapse. We delve into Brian Walshe's shocking history of manipulation and deceit, from selling fake Andy Warhol paintings to being explicitly disinherited by his neurosurgeon father, who called him "dishonest" in his will. The hosts explore the complex and toxic psychology of the Walshe relationship. Why did Ana stay for so long? Using the "frog in the boiling pot" analogy, Stacy Cole explains how abuse can escalate so gradually that the victim doesn't realize the danger until it's too late. The discussion also highlights the bizarre family dynamics, including the allegation that Brian's own mother hired a private investigator to tail Ana, seemingly more concerned with her daughter-in-law's rumored affair than her own son's criminal behavior. This is a deep dive into the anatomy of a narcissistic mindset and the catastrophic breakdown of a marriage that ended in murder. Hashtags: #AnaWalshe #BrianWalshe #TrueCrime #Murder #Investigation #Narcissist #Psychology #HiddenKillers #Massachusetts #ToxicRelationship Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspod Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/tonybpod Listen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872

Brian Walshe: The Anatomy of An Alleged Narcissistic Killer From one case of hidden horror to another, the show transitions to the tragic murder of Ana Walshe at the hands of her husband, Brian Walshe. This segment meticulously pieces together the final days of their unraveling marriage. Ana, a successful real estate executive, was ready to leave. Brian, a convicted art fraudster on house arrest, was watching his world collapse. We delve into Brian Walshe's shocking history of manipulation and deceit, from selling fake Andy Warhol paintings to being explicitly disinherited by his neurosurgeon father, who called him "dishonest" in his will. The hosts explore the complex and toxic psychology of the Walshe relationship. Why did Ana stay for so long? Using the "frog in the boiling pot" analogy, Stacy Cole explains how abuse can escalate so gradually that the victim doesn't realize the danger until it's too late. The discussion also highlights the bizarre family dynamics, including the allegation that Brian's own mother hired a private investigator to tail Ana, seemingly more concerned with her daughter-in-law's rumored affair than her own son's criminal behavior. This is a deep dive into the anatomy of a narcissistic mindset and the catastrophic breakdown of a marriage that ended in murder. Hashtags: #AnaWalshe #BrianWalshe #TrueCrime #Murder #Investigation #Narcissist #Psychology #HiddenKillers #Massachusetts #ToxicRelationship Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspod Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/tonybpod Listen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872

In this week's episode of the Rich Habits Podcast, Robert Croak and Austin Hankwitz explain how $9.99 tricks your brain into buying more subscriptions than you need. By simply investing the $194 / month the average American has in subscriptions they don't use at 12% over 30 years, you'll have $678K in retirement. ---

Brian Walshe: The Anatomy of An Alleged Narcissistic Killer From one case of hidden horror to another, the show transitions to the tragic murder of Ana Walshe at the hands of her husband, Brian Walshe. This segment meticulously pieces together the final days of their unraveling marriage. Ana, a successful real estate executive, was ready to leave. Brian, a convicted art fraudster on house arrest, was watching his world collapse. We delve into Brian Walshe's shocking history of manipulation and deceit, from selling fake Andy Warhol paintings to being explicitly disinherited by his neurosurgeon father, who called him "dishonest" in his will. The hosts explore the complex and toxic psychology of the Walshe relationship. Why did Ana stay for so long? Using the "frog in the boiling pot" analogy, Stacy Cole explains how abuse can escalate so gradually that the victim doesn't realize the danger until it's too late. The discussion also highlights the bizarre family dynamics, including the allegation that Brian's own mother hired a private investigator to tail Ana, seemingly more concerned with her daughter-in-law's rumored affair than her own son's criminal behavior. This is a deep dive into the anatomy of a narcissistic mindset and the catastrophic breakdown of a marriage that ended in murder. Hashtags: #AnaWalshe #BrianWalshe #TrueCrime #Murder #Investigation #Narcissist #Psychology #HiddenKillers #Massachusetts #ToxicRelationship Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspod Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/tonybpod Listen Ad-Free On Apple Podcasts Here: https://podcasts.apple.com/us/podcast/true-crime-today-premium-plus-ad-free-advance-episode/id1705422872

Todo empezó con Andy Warhol, que fue el que descubrió que lo mejor es enemigo de lo bueno. ¿Para qué aprender a hacer las cosas bien si te consideran un genio haciéndolas mal? Warhol no sabía pintar y se forró vendiendo como pintura sus fotocopias en color.

Cʹest un film pas tout à fait comme les autres qui nous permet dʹévoquer un cinéaste pas tout à fait comme les autres. Faster, Pussycat! Kill! Kill! est un film américain de Russ Meyer, sorti en 1965. Russ Meyer vous le connaissez peut-être, cʹest le chantre de la sexploitation, un vrai cinéaste indépendant qui développe une esthétique particulière, très colorée, érotique, avec des contre-plongées magnifiques. Lʹhomme montre un amour certain pour les actrices à très forte poitrine et pour les décolletés dans lesquels on peut se perdre. Russ Meyer est considéré comme un auteur majeur du cinéma de série B à tendance X. Il a influencé de nombreux réalisateurs et artistes, que ce soit Andy Warhol ou John Waters. Quentin Tarantino est même son fan numéro 1. Russ Meyer est connu pour ses films Vixen, Supervixens, Up et Beneath The Valley of the Utlra-Vixens mais également pour Faster, Pussycat ! Kill ! Kill ! qui raconte lʹhistoire de trois femmes sauvages, dans trois voitures de sport, qui, avec violence, férocité, et sensualité, vont braquer un homme infirme et ses deux fils dans leur ranch, tout en ayant kidnappé et drogué la petite amie dʹun homme qui a eu le malheur de croiser leur chemin. Mettant en scène des actrices sulfureuses, dont la très iconique Tura Satana, le film séduit un public tant masculin que féminin. Car pour la première fois, à lʹécran, ce sont des femmes très fortes, véritables Virago, qui sont montrées, capables de plaquer au sol, de briser des vertèbres, de gagner au bras de fer, et qui sont fières de leur sexualité quʹelles exhibent comme une arme. Et ça plaît. Tant aux misogynes quʹaux féministes. Les féministes américaines en font, à lʹépoque, leur film étendard. Vous vous ferez votre propre opinion. Aujourdʹhui dans Travelling, nous allons parler de Russ Meyer, de Tura Satana, de Faster Pussycat ! Kill ! Kill. Nous parlons de films érotiques, sensuels. Vous verrez que Russ Meyer est souvent volontairement provocateur dans les archives. Mais tout va bien se passer. Enfin jʹespère. Puisque nous allons croiser la route de trois femmes, de trois furies, et le monde du cinéma changera radicalement. REFERENCES RUSS MEYER, IN THE LATE NIGHT 1993 https://www.youtube.com/watch?v=2XdYcyuikcU TURA SATANA EN INTERVIEW https://www.youtube.com/watch?v=Km5K6UklFPU

In Part Two of our late-night conversation, Bad at Sports digs deeper into the remarkable trajectory of Kenny Schachter. From law school dropout to autodidact philosopher, from Sotheby's bidder to artist and teacher, Schachter traces the unlikely path that brought him into the heart of the art world — a place he insists remains strangely conservative despite all its pretenses of progress. The discussion moves between personal history and systemic critique. Schachter recounts the role of art in surviving trauma, loss, and addiction, and why surrounding himself with works by others has been both solace and education. He reflects on the stubborn conservatism of the market, celebrity crossovers from Johnny Depp to Julian Schnabel, and the tension between wanting freedom and the systems that resist it. For Schachter, art is both a lifeline and a way to comment on the world's chaos — a practice rooted in generosity, curiosity, and contradiction. This episode captures him at his most reflective and most biting, moving from humor to vulnerability and back again. Highlights • Schachter's first encounters with Twombly, Rauschenberg, and Frankenthaler at the National Gallery. • The shock of Andy Warhol's estate sale in 1988. • Dealer-to-dealer hustling as an unlikely entry into art. • Why “there are no rules” is his best definition of being an artist. • The paradox of an art world that markets rebellion but runs on tradition. Names Dropped Andy Warhol I.M. Pei, https://www.pcf-p.com/about/i-m-pei/ Chase Manhattan Bank, https://www.jpmorganchase.com/about/art-collection Christie's, https://www.christies.com/en Sotheby's, https://www.sothebys.com/en/ Phillips Auction House, https://www.phillips.com/ Patrick Drahi, https://www.artnews.com/art-collectors/top-200-profiles/patrick-drahi/ Leonard Lauder, https://www.artnews.com/art-news/news/leonard-lauder-sothebys-klimt-matisse-1234751922/ The Pritzker family, https://www.artnews.com/art-news/news/pritzker-art-collection-sothebys-breuer-1234751864/ Elaine Wynn, https://www.christies.com/en/events/the-collection-of-elaine-wynn Wyatt Kline, https://unframed.lacma.org/2014/01/28/contemporary-friends-acquire-ten-new-works-by-artists-from-around-the-world Alex Burns, Felix Reuter (Ryder), https://felixreuter.bandcamp.com/ Guerrilla Girls, https://www.guerrillagirls.com/ Old Friends Gallery, https://www.oldfriendsgallery.com/ David Letterman, https://en.wikipedia.org/wiki/David_Letterman The Suburban, http://www.thesuburban.org/

This week on Bad at Sports, Duncan MacKenzie and Ryan Peter Miller find themselves in Chicago with curator Bianca Bova and the indefatigable Kenny Schachter — artist, writer, teacher, collector, and provocateur. What begins as a conversation about Schachter's exhibition at Old Friends Gallery — featuring chicken-assisted artworks and bronze casts forged in Slovenia — quickly expands into a meditation on the art world itself. Schachter reflects on his collaborations, his obsession with foundries, and his refusal to keep resources secret. The group debates the zero-sum mentality of the art market, why artists sabotage themselves, and how absurd projects (sometimes with actual chickens) can be the most serious acts of art-making. Equal parts candid and comedic, the conversation cuts across auctions, art fairs, and the everyday realities of teaching. Expect reflections on generosity vs. gatekeeping, the fragility of the art system, and what it means to make art that is more conceptual than commercial. Highlights • Chickens as collaborators and muses. • The foundry in Slovenia that casts Rudolf Stingel's panels. • Why keeping fabricators secret is a sign of weakness. • Auctions as democratizing, even anarchic, art spaces. • The necessity of art in a divided and compassion-starved world. Names Dropped Kenny Scharf, https://kennyscharf.com/ Kenny Schachter, https://www.kennyschachter.art/ Bianca Bova, https://www.biancabovagallery.com/ Billy Connolly, https://en.wikipedia.org/wiki/Billy_Connolly Rudolf Stingel, https://gagosian.com/artists/rudolf-stingel/ Tobias Rehberger, https://pedrocera.com/artists/tobias-rehberger Paul Thek, https://whitney.org/exhibitions/paul-thek Giacometti, https://www.moma.org/artists/2141-alberto-giacometti Jerry Saltz, https://nymag.com/author/jerry-saltz/ Cy Twombly, https://cytwombly.org/ Jasper Johns, https://whitney.org/artists/653 Robert Rauschenberg, https://www.rauschenbergfoundation.org/ Joan Mitchell, https://www.joanmitchellfoundation.org/joan-mitchell Helen Frankenthaler, https://gagosian.com/artists/helen-frankenthaler/ Georgia O'Keeffe, https://www.okeeffemuseum.org/ Andy Warhol, https://www.warhol.org/ Joseph Beuys, https://walkerart.org/collections/artists/joseph-beuys Sigmar Polke, https://www.tate.org.uk/art/artists/sigmar-polke-2213 John Cage, https://www.johncage.org/ Devendra Banhart, https://devendrabanhart.com/ Brad Pitt, https://www.theartnewspaper.com/2022/09/19/brad-pitt-debuts-his-sculptures-in-finland Cindy Sherman, https://www.hauserwirth.com/hauser-wirth-exhibitions/cindy-sherman/ Robert Longo, https://www.robertlongo.com/ Julian Schnabel, https://www.julianschnabel.com/ Old Friends Gallery, https://www.oldfriendsgallery.com/

A MODERN FORM OF WORSHIP—Name the five photographers who, more than any others, defined the dramatic shift in the approach to magazine photography in the late eighties and early nineties. There's Herb Ritts, Bruce Weber, Steven Meisel. Richard Avedon, of course. Who's missing? I'm getting to that.Today's guest was discovered while still a student at ArtCenter College of Design in Los Angeles, by Andy Warhol no less, whose upstart (and budget-deficient) team at "Interview" couldn't afford to send a crew to LA for a shoot. His first subject, newbie director Steven Spielberg, launched his photography career, and soon he was shooting for every magazine you could imagine.We're talking, of course, about Matthew Rolston. He, and his fellow rebels, changed everything by bringing both a sensuality and a sexuality to newsstands that big publishing hadn't seen before. Readers ate it up. Ask him to explain this transformation and you'll get a hot take that will completely change how you think about media and celebrity:“I think glamour—and glamour photography—is a substitute for god and goddess worship. The altar is the photo studio. So the goddess comes to the dressing room like she would've come to the preparation chamber of a temple. She's anointed with oils and potions—that would be the hair and makeup team. She's dressed in symbolic raiment—that would be the styling. And she's led to the altar where the adherents kneel before her—that would be me on the floor with my camera. It is really the same thing. It's just a modern, twisted version of the same impulses that we have to idolize people and worship them.” Just this year ArtCenter, his alma mater, presented the photographer, director, author, artist, and educator with its prestigious Lifetime Achievement Award, honoring both his creative legacy and his role as a mentor to the next generation. It's the perfect moment to look back on his remarkable career, and to hear directly from Rolston himself.Our Anne Quito caught up with Matthew in the lead up to the premiere of an evocative new body of work, "Vanitas: The Palermo Portraits," a site-specific installation at ArtCenter, which premieres this weekend.—This episode is made possible by our friends at Commercial Type and Freeport Press. A production of Magazeum LLC ©2021–2025

Per Magnus Johansson och Jonas Gilbert samtalar kring surrealismen och vår samtid, drygt 100 år efter att den skapades. Är det en konstnärlig rörelse som hör det förflutna till, eller kan surrealismens idéer också säga något till vår samtid? En följdfråga är också hur detta relaterar till psykoanalysen? Vi vet att Freud inte svarade på surrealisternas uppvaktningar, men senare uppstod en klar förbindelse mellan surrealismen och psykoanalysen. Och slutligen, vad skulle Andy Warhol ha sagt om AI?   Jonas Gilbert är bibliotekarie och bibliotekschef på Högskolan i Borås. Per Magnus Johansson är psykoanalytiker, docent i idé- och lärdomshistoria och författare. Samtalet är inspelat på Per Magnus Johanssons mottagning 13 september 2025.   Arche Podcast drivs av tidskriften Arche, läs mer här: https://www.arche.se/

Obelisk och Olympia press gav ut böcker ingen annan vågade röra. Några blev odödliga klassiker. Gabriella Håkansson berättar den vilda historien om Parisförlagen som förändrade litteraturhistorien. Lyssna på alla avsnitt i Sveriges Radio Play. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna. Först publicerad 2017. William S Burroughs, Samuel Beckett, Jean Genet, Henry Miller och James Joyce: alla har de en sak gemensamt – de har publicerat sig på ett obskyrt litet förlag i Paris, som under 1950-talet gav ut engelskspråkig litteratur i små gröna pocketböcker i serien ”Traveller's Companion”. Bakom den gemytliga rubriken dolde sig all den litteratur som inga andra förlag i Europa eller USA ville ta i med tång, av rädsla för att bli stämda. Allt började med att den brittiske dandyn Jack Kahane 1914 trampade på en landmina i Ypern (Ieper) i Belgien och entledigades från sin krigstjänstgöring. Under konvalescensen träffade han sin fru, fransyskan Marcelle Girodias, flyttade till Paris och började skriva böcker. Kahanes produktion var medelmåttig och innehöll lite för många erotiska anspelningar för att de engelska biblioteken skulle känna sig bekväma, så böckerna plockades bort och han fick dåligt rykte. Samtidigt började romanerna efterfrågas i bokhandeln. Kahane fick en insikt. Minsta inslag av erotik och den mest mediokra bok börjar sälja. I USA och England rådde fortfarande ålderdomliga censurlagar som satte stopp för allt som uppfattades som moraliskt eller erotiskt utmanande, men i Frankrike var situationen en annan, och nu hade Kahane fått en affärsidé. Han registrerade en fransk firma under namnet Obelisk Press och hyrde sunkig kontorslokal på vänstra stranden, nu gällde det bara att hitta sexuellt frispråkiga författare. Det var lättare sagt än gjort. I slutet av 20-talet kontaktar Kahane Sylvia Beach på bokhandeln Shakespeare & Co och får henne att förmedla kontakt med James Joyce, som några år tidigare gjort skandalsuccé på hennes förlag med den frispråkiga ”Ulysses”. Hade Joyce möjligen något mer som kunde publiceras? Det hade han. Experimentboken ”Haveth Childers Everywhere” blev Kahanes första framgångsrika publikation, snabbt åtföljd av Radcliffe Halls lesbiska roman ”Ensamhetens brunn”, som precis blivit förbjuden i England. Även D H Lawrences indragna ”Lady Chatterley's älskare” lades till på utgivningslistan, och nu rullade det på. Kahane fick snabbt rykte om sig att ge ut sånt som ingen annan vågade publicera, och snart köade folk utanför kontoret. Först ut var en helt okänd författare som hette Henry Miller och hade skrivit en bok med en titel som lät som något som handlade om cancer. Det var ”Kräftans vändkrets”. Snart hade även hans vänner Anaïs Nin och Lawrence Durrell fått manus antagna och Kahane var på banan, men när ”Kräftans vändkrets” efter många turer väl skulle ut, ja, då hade Kahane slut på pengar. Ett mönster som skulle komma att upprepa sig. Anaïs Nin visade handlingskraft och finansierade via sin psykoanalytiker Otto Rank trycket av både Millers och Durrells böcker. Som en gentjänst betalade sedan Durrell tryckningen av hennes bok ”Incest”. Sedan hann inte Kahane ge ut mer. Han dog oväntat 1939 vid bara 52-års ålder. Och med det kunde allt ha tagit slut. Det gjorde det inte. Hans 27-årige son Maurice Girodias hade hjälpt pappa på förlaget sedan han var liten, och när andra världskriget var över bestämde han sig för att blåsa liv i verksamheten igen. Nu skulle kampen för den sexuella frispråkigheten stegras ytterligare. Han började med att byta förlagsnamn till Olympia Press och kontaktade sedan faderns gamla författare för att sondera terrängen. Miller skickar in ”Plexus” men sedan var det stopp, så Girodias låter översätta alla franska erotiska böcker han hittar; Genet, Apollinaire, de Sade, Bataille, Queaneau, Reage men det räcker inte, läsarna går inte igång på litterär erotika, de vill ha hederlig porr som kan läsas med vänsterhanden. Girodias gör nu ett genidrag. Han kontaktar klicken kring avantagardetidskriften Merlin som som var de som hade översatt de franska erotiska böckerna, och frågar om de kan tänka sig att börja skriva pornografi istället. Naturligtvis under pseudonym, och gärna med lite kinky inslag. På så vis skulle de kunna finansiera sin tidskrift. Det vill de gärna. Merlin består av ett gäng jazzdansande, amfetaminsnortande utlänningar av båda könen, ledda av författaren Alexander Trocchi och finansierade av amerikanskan Jane Lougee. Kvinnor som män tar sig an uppgiften med förtjusning, och nu börjar Olympia Press glanstid. Merlin flyttar in på kontoret och redaktionen blir förlagets hårda kärna av redaktörer, sekreterare, korrekturläsare och allmänna hangaroaunds. Ur tryckpressarna spottas heta titlar som ”Tender was my flesh” och ”The Loins of Amon”. Olympia Press billiga gröna pocketböcker förses med myndigheternas varning att de inte får säljas i England eller USA, och sprids sedan till turister, matroser, soldater och pornografer som smugglar dem över gränserna en masse. Inkomsterna flödar, men Girodias är ännu värre än sin far vad gäller det ekonomiska. Han vägrar skriva kontrakt och betalar ut royalties lite när det passar. Författarna får köa utanför hans kontor när han är på gott humör, och hoppas på det bästa. Inte heller för han bok över hur många utgåvor han trycker. Ibland ger han ut en censurerad version för bokhandeln, och en annan för illegal spridning. Allt detta fungerar till en början väl med Merlins glada pornografer, men det går inte med riktiga författare som J.P. Donleavy och Vladimir Nabokov. De rasar och drar honom inför rätta. Inte heller går det att betala skatt med vänsterhanden. Bara några år in på det nya äventyret är Maurice Girodias skuldsatt, belånad och åtalad för såväl brott mot obscenitetslagarna som obetalda royalties. Och så här håller det på. Mygel, skulder, porr, åtal – allt i en eskalerande spiral, tills Girodias mot slutet av sextiotalet tröttnar på myndigheternas hetsjakt och författarnas pengatjat, och flyttar till USA för att starta ett amerikanskt Olympia Press. Där går det ännu sämre. Valerie Solanas, som författaren heter, går tre kvarter bort och skjuter Andy Warhol istället. Förläggaren som hela sitt liv bekämpat censuren verkar ha grävt sin egen grav. Den nya tidens libertiner behövde inte längre hans förlag, och när han 1968 struntar i att publicera en av sina nya författare som det är bestämt, så går hon upp på kontoret för att skjuta honom. Girodias är inte på plats och Valerie Solanas, som författaren heter, går tre kvarter bort och skjuter Andy Warhol istället. Girodias är inte sen att utnyttja publiciteten och får snabbt iväg SCUM-manifestet till tryck, det blir hans sista viktiga utgivning, innan allt går utför i ett träsk av hårdporr, scientologi och boxningsböcker. Hans livshistoria kan låta tragisk, men den ledde faktiskt fram till en av 1900-talets stora landvinningar: avskaffandet av censuren. De många och långa rättsprocesserna Girodias drogs inför och tappert utkämpade blev prejudicerande, och satte stopp för en puritanism som präglat bokbranschen i flera hundra år. Vi har familjen Kahane/Girodias att tacka för den frihet litteraturen åtnjuter idag. Och för att banbrytande böcker som Millers ”Kräftans vändkrets”, Burroughs ”Den nakna lunchen”, Trocchis ”Young Adam” och Nabokovs ”Lolita” överhuvudtaget kom i tryck. Och de gröna pocketböckerna som på 50-talet kostade några kronor när de kom ut, betingar idag skyhöga priser på den antikvariska marknaden. Samlarna dammsuger gamla lumplådor och porraffärer för att hitta kvarglömda Olympia Press, och granskar sedan böckernas omslag med lupp för att avgöra vilken utgåva det kan röra sig om. Finns påklistrade prislappar, myndighetsstämplar och korrekta tryckorter där, kan de ha stött på en äkta förstautgåva. Är det någon av klassikerna, som till exempel ”Lolita” kan de räkna med att vara 100 000 kronor rikare. Maurice Girodias dör utblottad och bitter 1990 och begravs på Père-Lachaisekyrkogården i Paris. På hans gravsten låter brodern Eric Kahane gravera ”Une journée sur la Terre”. En dag på jorden. Gabriella Håkansson, författare LitteraturJohn de St Jorre – Venus Bound. The Erotick Voyage of the Olympia Press and its Writers, Random House, 1994.A Life in Pieces. Reflections on Alexander Trocchi. Edited by Alan Campbell & Tim Niel, Rebel Inc, 1977.Lawrence Durrell and Henry Miller. A Private Correspondance. Edited by George Wickes, Faber&Faber, 1962.Sylvia Beach – Shakespeare and Company, översättning ERik Andersson, Ellerström, 2008. Ett urval av berömda Olympia Press-titlar från Parisåren:Samuel Beckett Watt (1953)Henry Miller Plexus (1953)D.A.F. de Sade 120 Days of Sodom (1953)Jean Genet The Thief's Journal (1953)Pauline Reage The Story of O (1954)Vladimir Nabokov Lolita (1955)J.P. Donleavy The Ginger Man (1955)Jean Cocteau The White Paper (1957)William S. Burroughs The Naked Lunch (1959)Lawrence Durrell The Black Book (1959)Raymond Queneau Zazie dans la Métro (1959)

Long time supporter Kent has picked the 1965 experimental film Empire for this week!. True to form in the year of the stitch-up, Kent has chosen a film that's as unconventional and divisive as it gets. Directed by Andy Warhol, Empire exemplifies the avant-garde spirit of mid-1960s New York, pushing the boundaries of traditional cinema with radical minimalism, extreme duration, and an obsessive focus on observation as art.The production of Empire was as audacious as the film's concept. Warhol employed a static 8-hour continuous shot of the Empire State Building, with no camera movement or dialogue, letting the mere passage of time become the centerpiece. Shot at Warhol's Factory studio, the production encouraged collaboration among artists and performers, embracing monotony and stillness as creative tools. Though challenging for conventional audiences, Empire has secured its place as a landmark in experimental filmmaking and continues to influence artists interested in perception, endurance, and the art of cinematic patience.If you enjoy the show, we have a Patreon, so become a supporter ⁠⁠here⁠⁠.Referral links also help out the show if you were going to sign up:⁠⁠NordVPN⁠⁠⁠⁠NordPass⁠⁠Trailer Guy Plot SummaryImagine… eight hours.A single frame.A building.From the legendary Andy Warhol comes the film that redefines patience, perception, and what it means to watch a movie. Empire — the Empire State Building like you've never stared at it before, daring you to survive the longest cinematic gaze in history. Will you sit… or will time sit on you?Empire — it's not just a film, it's a test.Fun FactsOriginally shot in 6.5 hours – The film was filmed over approximately 6 hours and 36 minutes, from 8:06 p.m. to 2:42 a.m. on July 25–26, 1964.Extended to 8 hours in projection – By projecting the film at 16 frames per second instead of the standard 24 fps, Warhol extended the runtime to roughly 8 hours.Andy Warhol's experimental movie – Empire is a landmark in avant-garde cinema, cementing Warhol's reputation as a pioneer in minimalist filmmaking.Filmed at The Factory – Production took place at Warhol's famous New York studio, a hub for artists, musicians, and performers.No camera movement – The camera remains completely static for the entire duration, emphasizing stillness and observation.No dialogue or actors – The film features no spoken lines, with the Empire State Building itself as the “star” of the work.Endurance viewing experience – Original screenings required audiences to sit for the full 8 hours, turning watching into a performance art experience.Influence on experimental cinema – Empire inspired future filmmakers and artists interested in minimalist cinema and long-duration art films.Screened in galleries and museums – Rather than conventional cinemas, Empire is often exhibited in art institutions, highlighting its status as both visual art and film.Historical record of 1960s New York – The film captures the Empire State Building and surrounding skyline before major renovations, preserving a piece of mid-1960s Manhattan.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thevhsstrikesback@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠

Hello, everyone! Gabe is back for a rare treat: an interview with David Warhol, a man of many achievements but in this case, the composer of music for the DnD computer games Pool of Radiance and Curse of the Azure Bonds. Come along and hear Gabe and David talk about game development, music composition, and more!

This week, Ceri is delighted to introduce you to the extraordinary Ben Luke, who has spent three decades at the heart of the art world, his voice shaping how we hear from artists—now it's his turn to share what shaped him. A writer, broadcaster and host of A Brush With… and The Week in Art, his new book What is Art For?, published by HENI, gathers 25 conversations with established international artists including Michael Armitage, Phyllida Barlow, Jeremy Deller, Ellen Gallagher, Theaster Gates, Julie Mehretu and Doris Salcedo. You'll hear about his early life in suburban Kent, how drama classes shaped his voice, why Warhol and Dalí obsessed him as a teenager, the critics and pop stars who influenced his style, and the moments that pushed him to stop painting and start writing. Most of all, they unpack what drives and motivates him after 30 years in the art world—and why he believes artists hold the keys to how we see and live. KEY TAKEAWAYS Encounters with Warhol, Dalí, Bowie and Eno, changed Ben´s outlook and sparked his imagination. They inspired him to embrace creativity and explore new ideas. Ben's parents nurtured his creative ambitions and never curtailed his dreams, while his father's strong political values instilled in him a sense of curiosity, openness, and commitment that shaped his path as a writer and critic. Criticism doesn't have to come from cynicism. It can come from love. Interviews can be collaborations rather than interrogations. The true measure of art is whether it helps us see differently, feel differently. So keep following the references and going down the rabbit holes, because art, as Ben suggests, isn't just for looking, it's for living. BEST MOMENTS “I remember everybody I ever liked being described as pretentious, so I saw people being called pretentious as being a badge of honour.” “Fund culture. It makes us better. It makes us more human. It makes us more alive. It makes us understand each other better.” “The responsibility of the critic is to engage as deeply as possible with the work before writing about it.” GUEST RESOURCES Ben´s Book - published by HENI - https://heni.com/shop/books/what-is-art-for https://www.theartnewspaper.com https://podcasts.apple.com/gt/podcast/a-brush-with/id1525997434 https://podcasts.apple.com/gb/podcast/the-week-in-art/id1280469178 HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. **** Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership **** Unlock Your Artworld Network Self Study Course Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network **** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com **** Discover Your Extraordinary Creativity Visit www.cerihand.com to learn how we can help you become an extraordinary creative. This Podcast has been brought to you by Disruptive Media https://disruptivemedia.co.uk

En el nuevo episodio de Cine de barra, nos adentramos en un fenómeno cultural que solo podía ocurrir en España: el Tamarismo. Sí, hablamos de la mismísima Tamara (o Yurena, o Ámbar, según el momento televisivo). Porque si algo tiene nuestra diva es la capacidad de reinventarse más veces que Crónicas Marcianas cambiando de secciones. tamarismo blog Esta vez, Benalmadelman, Luigi Vercotti y Daniel Barranquero se juntan para comentar Superestar y Sigo siendo la misma, esa mezcla de serie y documental que explica cómo una artista se convirtió en icono, musa involuntaria y fenómeno de masas y para nada demigrante. Spoiler: la culpa la tuvo medio país, y unas cuantas noches de Crónicas Marcianas. Entre cañas y aceitunas, debatimos si el Tamarismo fue una broma colectiva, un experimento sociológico o simplemente España abrazando con cariño su lado más kitsch. ¿Era Tamara la Andy Warhol del karaoke? ¿O el equivalente pop de un zapping a medianoche? Lo cierto es que el documental nos recuerda que, en pleno cambio de siglo, mientras todos mirábamos a Operación Triunfo, también teníamos a Tamara cantando No cambié en discotecas, bodas y, sobre todo, en el plató de Sardá, donde cada madrugada se fabricaban mitos y marcianadas a partes iguales. Si quieres reírte, recordar y, sobre todo, brindar por ese maravilloso esperpento que llamamos cultura pop patria, dale al play. Eso sí, cuidado: después de escuchar el episodio es probable que te sorprendas tarareando Sigo siendo la misma en la ducha. Y ahí sí que no hay quien te salve del Tamarismo.

La fotografía que marcó la contracultura: Andy Warhol y The Velvet Underground (1966) es mucho más que una simple imagen. En este video exploramos el retrato histórico realizado en la Factory de Nueva York, donde el Pop Art, la música experimental y la contracultura de los años 60 se encontraron en un instante único. Andy Warhol, ya consagrado como pionero del arte pop, apadrinó a The Velvet Underground, la banda liderada por Lou Reed y John Cale, con la enigmática Nico como musa central. Junto a Gerard Malanga y otros protagonistas de la escena underground, esta fotografía se convirtió en un testimonio del poder del arte para transformar generaciones. Descubre el contexto, los secretos y la influencia de esta imagen que marcó un antes y un después en la historia de la fotografía, la música y la cultura visual del siglo XX.#AndyWarhol #TheVelvetUnderground #FotografíaHistórica #PopArt #Contracultura #LouReed #JohnCale #Nico #HistoriaDelArte #FotografíaIcónica

Hoy, con dos documentales. Warhol-Vijande: Más que pistolas, cuchillos y cruces, de Sebastián Galán, que se ha presentado esta semana en la Academia de Cine. Y Caja de resistencia, de Concha Barquero y Alejandro Alvarado, que se estrenó el viernes.Escuchar audio

For one of our first episodes back in 2018 (S1E3), we discussed 'Hunky Dory' by David Bowie with then co-host Barry Stock. Honestly, though, for our first 20 episodes or so we were still finding our way and weren't even playing any music clips at that point. So when this week's guest, musician David J (Bauhaus, Love and Rockets), suggested taking on Bowie's fourth studio album, we couldn't resist revisiting this stone cold classic with such a thoughtful, well-informed guest. Essential listening! Songs discussed in this episode: Changes (David Bowie cover) - The Muffs/Robyn Hitchcock/Shawn Mullins/Cybernauts/Bananarama; Bela Lugosi's Dead - Bauhaus; No New Tale To Tell - Love and Rockets; Mambo Sun - T Rex; 10538 Overture - Electric Light Orchestra; The Shape Of Things To Come - Slade; You Can Get It If You Really Want - Desmond Dekker; Ziggy Stardust, Starman, Changes - David Bowie; Sheep (Pink Floyd cover) - Arthur Brown, Rick Wakeman, Jan Akkerman, David J., Carmine Appice; Oh! You Pretty Things - David Bowie; Oh! You Pretty Things - Peter Noone; The Bewlay Brothers, Eight Line Poem - David Bowie; My Way - Frank Sinatra; Life On Mars - David Bowie; Judy Teen - Steve Harley & Cockney Rebel; Kooks - David Bowie; This Guy's In Love With You - Burt Bacharach; Exquisite Corpse - Bauhaus; Quicksand - David Bowie; An Old Fashioned Love Song - Paul Williams; Fill Your Heart, Andy Warhol, Song For Bob Dylan - David Bowie; Ziggy Stardust (David Bowie cover) - Bauhaus; Waiting For The Man - The Velvet Underground; Amsterdam (Live, Olympia 1964) - Jacques Brel; Queen Bitch, The Bewlay Brothers - David Bowie; Oh No! Not Another Songwriter! - David J  

R.U. Sirius, Founding Editor of Mondo 2000 and author, discusses how intentional weirdness is a powerful tool for community and resistance when the fight for reality is being waged.Names referenced in this episode:Alex Jones, Art Bell, Richard Linklater, Robert Anton Wilson, Abby Hoffman, Paul Krasner, Lyndon Johnson, John F. Kennedy, Alfred E. Newman, Timothy Leary, Genesis P-Orridge, Joe Coleman, Aaron Black, Donna Haraway, David Byrne, Jesus, Bob Dylan, Naomi Klein, Astra Taylor, Cory Doctorow, Sandy Pearlman, Lester Bangs, Frank Zappa, Gomez Addams, Andy Warhol, Jerry Garcia, Mark Andreessen, Elvis Presley, David Bowie, Marty Balin, Susan Sarandon, Charlie Manson, Donald Trump, Patty Hearst, Joseph Stalin, Ben Goertzel, Elon Musk, Peter Thiel, Perry Farrell, Jacques Vallée, Kathy Acker, John Barlow, John Oswald, Sam Altman, Walter KirnTeam Human is proudly sponsored by Everyone's Earth.Learn more about Everyone's Earth: https://everyonesearth.com/Change Diapers: https://changediapers.com/Cobi Dryer Sheets: https://cobidryersheets.com/Use the code “rush10” to receive 10% off of Cobi Dryer sheets: https://cobidryersheets.com/Support Team Human on Patreon: https://www.patreon.com/teamhumanFollow Team Human with Douglas Rushkoff:Instagram: https:/www.instagram.com/douglasrushkoffBluesky: https://bsky.app/profile/rushkoff.comGet bonus content on Patreon: patreon.com/teamhuman Hosted on Acast. See acast.com/privacy for more information. Hosted on Acast. See acast.com/privacy for more information.

Jeff Copeland talks with Emmy Winner Charlotte Robinson host of OUTTAKE VOICES™ about his new book “Love You Madly, Holly Woodlawn” published by Feral House. The memoir depicts how an unlikely friendship evolved between a young gay writer and Holly Woodlawn one of Andy Warhol's superstars from the films “Trash” and “Women in Revolt” as well as being Lou Reed's Holly in the hit glam rock song "Walk on the Wild Side". The book is based on the lengthy collaboration between Jeff and Holly as they created the bestselling 1991 autobiography “A Low Life in High Heels: The Holly Woodlawn Story”. For the trash mondo fans this must-read book is a pure delight and a refreshing escape from current affairs. Holly is the embodiment of Auntie Mame and Bette Davis fueled by chardonnay introducing Jeff to the glamorous and sometimes larcenous world of a Warhol Superstar. In turn Jeff uses his writing and typing talent to give Holly the second chance at the fame she craves. This wild read that you just can't put down takes you on a ride through Hollywood in the late 1980's through the 90's. Many of the named people in this literary extravaganza are real and some are famous so you'll probably recognize those but other names have been changed to protect the innocent and not so innocent's privacy. The layout and design by Ron Kretsch illustrating Copeland's journey also adds a timeless dimension with fabulous Hollywood montages and rare photos. We talked to Jeff about his inspiration for writing “Love You Madly, Holly Woodlawn” and his spin on moving forward in the current political climate.  Jeff Copeland served as a writer/producer for almost thirty years in Hollywood for a variety of TV networks and film studios including Discovery, Animal Planet, HGTV, ABC, FOX and Sony Pictures Home Entertainment. Copeland also spent two years working with Garry Shandling which led to a corporate position with Sony Pictures Television. Jeff additionally devoted years developing scripts to be made into feature films. Currently he's turning some of those scripts into literary applications.  For More Info…  LISTEN: 600+ LGBTQ Chats @OUTTAKE VOICES

In this special bonus episode of Book Lounge by Libby, Joe sits down with Daniel Henning to dive deep into the writings and ideas of Andy Warhol. From The Philosophy of Andy Warhol to Popism: The Warhol Sixties to a: a novel, this conversation explores the iconic artist's impact on art, culture, and how we see the world today. Whether you're a longtime Warhol fan or new to his work, you'll walk away seeing his brilliance—and contradictions—in a whole new light. You can find out more about Daniel and his work on his website. Time Stamps:  00:00:00 Title  00:00:16 Intro  00:01:52 Interview with Daniel Henning 01:00:20 Outro Readers can sample and borrow the titles mentioned in today's episode in ⁠Libby⁠. Library friends can add these titles to their digital collections for free in OverDrive Marketplace and Kanopy. Check out our ⁠Cumulative List⁠ for the whole season, or ⁠this list for today's episode⁠!  Looking for more bookish content? Check out the ⁠Libby Life Blog⁠!  We hope you enjoy this episode of Book Lounge by Libby. Be sure to rate, review and subscribe on ⁠Apple Podcasts⁠, ⁠Spotify⁠, or wherever you listen! You can watch the video version of our show on the ⁠Libby App YouTube channel⁠. Keep up with us on social media by following the ⁠Libby App on Instagram⁠!   Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, we had Oklahoman thrift legend, artist, and all around rad dude @bobdale in the studio. We talked shopping at department stores, pop art, Warhol, uniforms, the aroma and etiquette of thrifting, the inspirations and aspirations of his art, clowns, living in the Central Time Zone, the Tulsa music scene, and much more!

To celebrate one of the most popular shows in television history, ABC's "The Love Boat," Frank sits down with author and historian Jim Colucci ("Love Boat Forever: An Unauthorized Tour of the Lido Deck"), actor-comedian Murray Hill ("Somebody Somewhere") and Vicki Stubing herself, actress Jill Whelan, for a lighthearted (and revealing!) conversation about the long-running romantic comedy-drama. In this episode, the panel discusses the generosity of Aaron Spelling, the innocence (and absurdity) of the show's storylines, the gallery of legendary guest stars and the series' lasting impact on popular culture. Also, Murray teams with Arnold Schwarzenegger, Jill remembers Leslie Nielsen (and "Airplane!"), Jim shares a special moment with Ricky Martin and Frank shares a very special Jack Jones duet. PLUS: Remembering Ernie Anderson! Jill hangs with Andy Warhol! Debbie Reynolds works blue! Carol Channing eats a Twinkie! And "The Love Boat" inspires the "Amazing Colossal Podcast"!  Subscribe now on  Apple ⁠⁠⁠⁠https://podcasts.apple.com/us/podcast/fun-for-all-ages-with-frank-santopadre/id1824012922⁠⁠⁠⁠ Spotify ⁠⁠⁠⁠https://open.spotify.com/show/18EQJNDwlYMUSh2uXD6Mu6?si=97966f6f8c474bc9⁠⁠⁠⁠ Amazon ⁠⁠⁠⁠https://music.amazon.com/podcasts/13b5ed88-d28d-4f0c-a65e-8b32eecd80f6/fun-for-all-ages-with-frank-santopadre⁠⁠⁠⁠ YouTube ⁠⁠⁠⁠https://www.youtube.com/playlist?list=PLgvlbF41NLLPvsrcZ9XIsYKkH_HvUXHSG⁠⁠⁠⁠ iHeart ⁠⁠⁠⁠https://www.iheart.com/podcast/269-fun-for-all-ages-with-fran-283612643/⁠⁠⁠⁠ TuneIn ⁠⁠⁠⁠http://tun.in/pxOWO Learn more about your ad choices. Visit megaphone.fm/adchoices

An expansive volume featuring over two decades of incisive reflections on race, art and pop culture by one of the greatest artists working today This long-awaited and essential volume collects writings and interviews by Glenn Ligon, whose canonical paintings, neons and installations have been delivering a cutting examination of race, history, sexuality and culture in America since his emergence in the late 1980s. No stranger to text, the artist has routinely utilized writings from James Baldwin, Zora Neale Hurston, Richard Pryor, Gertrude Stein and others to construct work that centers Blackness within the historically white backdrop of the art world and culture writ large. Ligon began writing in the early 2000s, engaging deeply with the work of peers such as Julie Mehretu, Chris Ofili and Lorna Simpson, as well as with artists who came before him, among them Philip Guston, David Hammons and Andy Warhol. Interweaving a singular voice and a magical knack for storytelling with an astute view of art history and broader cultural shifts, this collection cements Ligon's status as one of the great chroniclers of our time. Glenn Ligon was born in the Bronx in 1960. He began as an abstract painter but shifted to text-based works which often incorporate quotes from Black authors. His work can be found in the collections of the Art Institute of Chicago, the Baltimore Museum of Art and the Museum of Modern Art, New York. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

(00:59) Das Theater Basel läutet die neue Saison ein mit einer Neuinszenierung des Stücks «Aufstieg und Fall der Stadt Mahagonny». Das Theater verspricht eine spektakuläre Rauminszenierung von Intendant und Regisseur Benedikt von Peter. Weitere Themen: (06:12) 100 Jahre Hildegard Knef: Schweizer Chansonnier Michael von der Heide widmet der deutschen Schauspiel- und Musik-Ikone ein Album. (11:03) Happige Vorwürfe gegen Basler Kulturförderer und Dirigent: Paul Sacher soll mit Nazi-Deutschland sympathisiert haben. (15:15) Grosse Kunst im kleinen Reihenhaus: Am Flurweg in Ostermundigen sind Kunstwerke von Andy Warhol, Marc Chagall und Meret Oppenheim zu sehen. (19:24) 60 Jahre Katastrophe von Mattmark: Buch von Historikerin Elisabeth Joris «Mattmark 1965. Erinnerungen, Gerichtsurteile, italienisch-schweizerische Verflechtungen» beleuchtet Tragödie von Gletscherabbruch im Walliser Saastal.

This week it's a double bill of absurd comedic 70s Frankenstein adaptations! Sam Pancake joins Mike to discuss Mel Brooks' iconic and loving homage, Young Frankenstein, then Dan Martin drops by to discuss a lesser known cult hit, Andy Warhol's Flesh For Frankenstein!  Hosted, Produced and Edited by Mike Muncer Music by Jack Whitney.  Artwork by Mike Lee-Graham Get ad free episodes and weekly bonus content on our Patreon! www.patreon.com/evolutionofhorror  Mike Muncer is a producer, podcaster and film journalist and can be found on BLUE SKY and INSTAGRAM Visit our website www.evolutionofhorror.com  Buy tickets for our UPCOMING SCREENINGS & EVENTS Buy yourself some brand new EOH MERCH! Email us!  Follow EOH on INSTAGRAM Like EOH on FACEBOOK Join the EOH DISCUSSION GROUP Join the EOH DISCORD Follow EOH on LETTERBOXD  

On this episode of The Adam Carolla Show, comedian Adam Yenser joins Adam in the studio! Adam kicks things off by venting about his ongoing communication struggles with everyone in his life, before discussing a frustrating encounter at Home Depot's Pro Counter, which sparks a conversation about the absurdities of everyday errands. Adam Yenser reflects on performing stand-up comedy on cruise ships and why those audiences aren't always the sharpest, while the two riff on everything from Ozempic for dogs to Andy Warhol's BMW art car worth tens of millions.Elisha Krauss stops by to cover the latest news headlines, starting with Joy Reid's controversial claim that white men are incapable of inventing anything. Her comments spark a spirited back-and-forth about race, culture, and historical achievements. The crew also weighs in on a viral Reddit debate about whether it's rude to ask for a to-go box when someone else is footing the bill, and they cap it off by reacting to Rosie O'Donnell's harsh criticism of Jay Leno after Netflix's Biggest Loser docuseries revealed his cruel behavior toward a contestant.Finally, candidate for Governor of California Leo Zacky joins the show to share his campaign platform and vision for the state. He outlines his plan to undo what he calls the destructive policies of liberal progressives, citing corruption, wasteful spending, and failed projects like the high-speed rail. Adam suggests that fixing California could be as simple as doing the opposite of Gavin Newsom, which leads to a broader discussion about racial issues, political dysfunction, and the urgent need for stronger leadership in California.Get it on.FOR MORE WITH ADAM YENSER:Show with Yakov Smirnoff – The GROVE IN ARKANSAS September 5th-6thMcCurdy's in Sarasota September 10th-14thYOUTUBE Show: The Cancelled NewsINSTAGRAM: @adamyenserTWITTER: @cleancomedian69FOR MORE WITH LEO ZACKY: Running for CA GovernorINSTAGRAM & TIKTOK: @leoszackyWEBSITE: www.leozacky.comFOR MORE WITH ELISHA KRAUSS: INSTAGRAM: @elishakraussWEBSITE: elishakrauss.com JOURNAL: https://www.washingtonexaminer.com/author/elisha-krauss/Thank you for supporting our sponsors:BetOnlineIf you're 21 or older, get 25% OFF your first order + free shipping @IndaCloud with code Adam at https://inda.shop/Adam! #indacloudpodMINTMOBILE.com/ADAMoreillyauto.com/ADAMPluto.tvLIVE SHOWS: August 29 - Provo, UTAugust 31 - Torrance, CASeptember 6 - Charlotte, NCSeptember 12-13 - El Paso, TX (4 Shows)See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

An expansive volume featuring over two decades of incisive reflections on race, art and pop culture by one of the greatest artists working today This long-awaited and essential volume collects writings and interviews by Glenn Ligon, whose canonical paintings, neons and installations have been delivering a cutting examination of race, history, sexuality and culture in America since his emergence in the late 1980s. No stranger to text, the artist has routinely utilized writings from James Baldwin, Zora Neale Hurston, Richard Pryor, Gertrude Stein and others to construct work that centers Blackness within the historically white backdrop of the art world and culture writ large. Ligon began writing in the early 2000s, engaging deeply with the work of peers such as Julie Mehretu, Chris Ofili and Lorna Simpson, as well as with artists who came before him, among them Philip Guston, David Hammons and Andy Warhol. Interweaving a singular voice and a magical knack for storytelling with an astute view of art history and broader cultural shifts, this collection cements Ligon's status as one of the great chroniclers of our time. Glenn Ligon was born in the Bronx in 1960. He began as an abstract painter but shifted to text-based works which often incorporate quotes from Black authors. His work can be found in the collections of the Art Institute of Chicago, the Baltimore Museum of Art and the Museum of Modern Art, New York. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

An expansive volume featuring over two decades of incisive reflections on race, art and pop culture by one of the greatest artists working today This long-awaited and essential volume collects writings and interviews by Glenn Ligon, whose canonical paintings, neons and installations have been delivering a cutting examination of race, history, sexuality and culture in America since his emergence in the late 1980s. No stranger to text, the artist has routinely utilized writings from James Baldwin, Zora Neale Hurston, Richard Pryor, Gertrude Stein and others to construct work that centers Blackness within the historically white backdrop of the art world and culture writ large. Ligon began writing in the early 2000s, engaging deeply with the work of peers such as Julie Mehretu, Chris Ofili and Lorna Simpson, as well as with artists who came before him, among them Philip Guston, David Hammons and Andy Warhol. Interweaving a singular voice and a magical knack for storytelling with an astute view of art history and broader cultural shifts, this collection cements Ligon's status as one of the great chroniclers of our time. Glenn Ligon was born in the Bronx in 1960. He began as an abstract painter but shifted to text-based works which often incorporate quotes from Black authors. His work can be found in the collections of the Art Institute of Chicago, the Baltimore Museum of Art and the Museum of Modern Art, New York. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

An expansive volume featuring over two decades of incisive reflections on race, art and pop culture by one of the greatest artists working today This long-awaited and essential volume collects writings and interviews by Glenn Ligon, whose canonical paintings, neons and installations have been delivering a cutting examination of race, history, sexuality and culture in America since his emergence in the late 1980s. No stranger to text, the artist has routinely utilized writings from James Baldwin, Zora Neale Hurston, Richard Pryor, Gertrude Stein and others to construct work that centers Blackness within the historically white backdrop of the art world and culture writ large. Ligon began writing in the early 2000s, engaging deeply with the work of peers such as Julie Mehretu, Chris Ofili and Lorna Simpson, as well as with artists who came before him, among them Philip Guston, David Hammons and Andy Warhol. Interweaving a singular voice and a magical knack for storytelling with an astute view of art history and broader cultural shifts, this collection cements Ligon's status as one of the great chroniclers of our time. Glenn Ligon was born in the Bronx in 1960. He began as an abstract painter but shifted to text-based works which often incorporate quotes from Black authors. His work can be found in the collections of the Art Institute of Chicago, the Baltimore Museum of Art and the Museum of Modern Art, New York. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In this week's episode of the Rich Habits Podcast, Robert Croak and Austin Hankwitz share with you how to 70X, 26X, and 10X your money over time. Remember, investing doesn't mean you're taking thousands of dollars at once and putting it in the markets – but sometimes $5 or $10. When you have compound interest on your side, investing any amount of money moves the needle over time. You can find this money in your weekend spending, your car payment, or even your monthly mortgage. Have a plan, stick to it, and stay consistent!—

In this episode of Crazy Wisdom, Stewart Alsop talks with Paul Spencer about the intersection of AI and astrology, the balance of fate and free will, and how embodiment shapes human experience in time and space. They explore cultural shifts since 2020, the fading influence of institutions, the “patchwork age” of decentralized communities, and the contrasts between solar punk and cyberpunk visions for the future. Paul shares his perspective on America's evolving role, the symbolism of the Aquarian Age, and why philosophical, creative, and practical adaptability will be essential in the years ahead. You can connect with Paul and explore more of his work and writings at zeitvillemedia.substack.com, or find him as @ZeitvilleMedia on Twitter and You Tube.Check out this GPT we trained on the conversationTimestamps00:00 Stewart Alsop and Paul Spencer open with a discussion on AI and astrology, exploring fate versus free will and how human embodiment shapes the way we move through time and space.05:00 Paul contrasts the human timeline, marked by death, with AI's lack of finality, bringing in Brian Johnson's transhumanism and the need for biological embodiment for true AI utility.10:00 They explore how labor, trade, food, and procreation anchor human life, connecting these to the philosophical experience of space and time.15:00 Nietzsche and Bergson's ideas on life force, music, and tactile philosophy are discussed as alternatives to detached Enlightenment thinking.20:00 The conversation shifts to social media's manipulation, institutional decay after 2020, and the absence of an “all clear” moment.25:00 They reflect on the chaotic zeitgeist, nostalgia for 2021's openness, and people faking cultural cohesion.30:00 Paul uses Seinfeld as an example of shared codes, contrasting it with post-woke irony and drifting expectations.35:00 Pluto in Aquarius and astrological energies frame a shift from heaviness to a delirious cultural mood.40:00 Emotional UBI and the risks of avoiding emotional work lead into thoughts on America's patchwork future.45:00 They explore homesteading, raw milk as a cultural symbol, and the tension between consumerism and alternative visions like solar punk and cyberpunk.50:00 Paul highlights the need for cross-tribal diplomacy, the reality of the surveillance state, and the Aquarian Age's promise of decentralized solutions.Key InsightsPaul Spencer frames astrology as a way to understand the interplay of fate and free will within the embodied human experience, emphasizing that humans are unique in their awareness of time and mortality, which gives life story and meaning.He argues that AI, while useful for shifting perspectives, lacks “skin in the game” because it has no embodiment or death, and therefore cannot fully grasp or participate in the human condition unless integrated into biological or cybernetic systems.The conversation contrasts human perception of space and time, drawing from philosophers like Nietzsche and Bergson who sought to return philosophy to the body through music, dance, and tactile experiences, challenging abstract, purely cerebral approaches.Post-2020 culture is described as a “patchwork age” without a cohesive zeitgeist, where people often “fake it” through thin veneers of social codes. This shift, combined with Pluto's move into Aquarius, has replaced the heaviness of previous years with a chaotic, often giddy nihilism.America is seen as the primary arena for the patchwork age due to its pioneering, experimental spirit, with regional entrepreneurship and cultural biodiversity offering potential for renewal, even as nostalgia for past unity and imperial confidence lingers.Tensions between “solar punk” and “cyberpunk” visions highlight the need for cross-tribal diplomacy—connecting environmentalist, primitivist, and high-tech decentralist communities—because no single approach will be sufficient to navigate accelerating change.The Aquarian Age, following the Piscean Age in the procession of the equinoxes, signals a movement from centralized, hypnotic mass programming toward decentralized, engineering-focused solutions, where individuals must focus on building beauty and resilience in their own worlds rather than being consumed by “they” narratives.

Oh boy fuckbuddies, this one is a sausagefest! Two queer femmes walk into a Pittsburgh greasy spoon… and immediately find themselves in the middle of a flirtatious restaurant encounter, the halls of a haunted hot dog king, and the Warhol Museum's most wonderfully weird exhibits. Roll through the Hot Dog Country of Jersey with Jen + Lillian, waxing rhapsodic over being clocked as femmes, retro butch cruising, and Pittsburgh potties. Plus: cutting class to get YOCCO'D, ditz camp, and the tale of the Worst Lobster Ever Painted by Warhol and Basquiat.It's equal parts queer joy, hot dog rapture, and forever-weird Pennsylvania (served with a side of mustard relish).

Generative AI is testing the limits of copyright law — and the courts are starting to weigh in. Teddy Downey speaks with Keith Kupferschmid, CEO of the Copyright Alliance, about:The legal stakes of AI training on copyrighted works-Conflicting rulings in California courts-How the Warhol decision could influence AI copyright cases-The importance of a healthy licensing market-What's at risk for creators and the economy

Jason Hollis is a visual artist, entrepreneur, music producer, trailblazer, and now the owner of one of Nashville's historic and legendary music venues, formerly known as Douglas Corner, and now The Eighth Room. Hollis and his wife Erin have transformed the venue, while preserving and respecting its rich history while also drawing inspiration from The Viper Room and Max's Kansas City. The Eighth Room is a hybrid of historical charm and modern flamboyance, thanks to Erin's incredible design vision. From vintage chandeliers to Versace wallpaper, licensed Andy Warhol prints as well as Hollis' original rock n' roll artwork, the venue is a visual masterpiece, making it the go-to venue in Nashville. Hollis is in the early stages of developing his own vodka, American lager as well as a branded room scent spray.  On any given night, customers can expect celeb sightings and random pop-up shows with legendary bands, including Queen. Known simply as ‘Hollis'; he has collaborated with legends like Justin Timberlake and Pharrell, and played a significant role in pioneering and directing the music TV series, "Motown Magic" (Netflix) as well as YouTube's first branded music show, "Best Cover, Ever" (featuring Katy Perry, Keith Urban). He has been instrumental in helping bands like The Fray achieve their fullest potential and oversaw The Pink Spiders' bi-coastal bidding war.     Want to watch: YouTube Meisterkhan Pod (Please Subscribe)

Was Brian Walshe a criminal mastermind with a sinister endgame or just a reckless idiot who thought he could cover his tracks with Google and charm? In this explosive new update to a case Annie has covered before, shocking new details have surfaced: a connection to stolen Andy Warhol paintings, as well as Michael Proctor, the former Massachusetts State Police trooper who served as lead investigator in the Karen Read trial. From suspicious searches to bizarre behavior and chilling evidence, we're diving back into the twisted saga of Brian and Ana Walshe. And this time, Brian's defense team is coming out swinging…

 …the Hollywood and true crime spinoff from the award winning music and true crime podcast, DISGRACELAND, and the newest expansion from the folks at Double Elvis. The most dramatic non-fiction stories ever heard come from the world of entertainment. Specifically the dark side of entertainment. The true crime stories from Hollywood; the mysterious death of Brittany Murphy. The vicious, real-life murder that inspired David Lynch's Twin Peaks. The three conspiracies surrounding Marilyn Monroe's death. The indecent arrest of John Waters. Dennis Hopper's easy riding and excessive 70s Hollywood. Woody Harrelson's Dad's connection to the JFK assassination. The obsessive murder of Dorothy Stratten. Bill Murray's bust. Chris Farley burning out too soon. Al Pacino's armed robbery. The serial killer and Gianni Versace. Heath Ledger's overdose. The list is endless and now all of these stories and more are available for you to listen to in the Hollywoodland podcast. Hollywoodland is hosted by Jake Brennan, creator and host of the award winning music and true crime podcast, Disgraceland. In Hollywoodland you can expect the same deep research, immersive sound design, and edge-of your seat scripted storytelling that myself and the team at Double Elvis have brought you over the years in Disgraceland.  Right now you can binge over thirty episodes of Hollywoodland on James Dean, Paris Hilton, Andy Warhol, River Phoenix, Alfred Hitchcock and more.  Episodes of Hollywoodland are released every monday and are available everywhere. Follow and subscribe on the Audacy app, Apple Podcasts and or wherever you get your podcasts. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Nothing says Tori Spelling like Rocky IV, The Punisher, Universal Soldier, and Masters of the Universe, but she LOVES Dolph Lundgren and he is here for a surprisingly heartfelt chat about fame, fatherhood, and why tough guys like him always end up with daughters (a.k.a. the “fighter’s curse”). He spills behind-the-scenes sTORIes from Rocky IV, dishes on his wild days with Grace Jones, and that one time he crossed paths with Andy Warhol. Plus, Dolph talks about launching his own vodka brand, insuring his biceps, and TORI goes where no conversation has gone before … IKEA Swedish meatballs. Come for the nostalgia, stay for the Stallone impression. And, see Tori try to BREAK this He-Man {PS… think she warmed his heart!}See omnystudio.com/listener for privacy information.

Nothing says Tori Spelling like Rocky IV, The Punisher, Universal Soldier, and Masters of the Universe, but she LOVES Dolph Lundgren and he is here for a surprisingly heartfelt chat about fame, fatherhood, and why tough guys like him always end up with daughters (a.k.a. the “fighter’s curse”). He spills behind-the-scenes sTORIes from Rocky IV, dishes on his wild days with Grace Jones, and that one time he crossed paths with Andy Warhol. Plus, Dolph talks about launching his own vodka brand, insuring his biceps, and TORI goes where no conversation has gone before … IKEA Swedish meatballs. Come for the nostalgia, stay for the Stallone impression. And, see Tori try to BREAK this He-Man {PS… think she warmed his heart!}See omnystudio.com/listener for privacy information.