Podcasts about Andy Warhol

Andy Warhol was the first artist to achieve rock star status. He was a Beatle with a silkscreen printer. His work and play space, the Factory, attracted people of all ages; rich and poor, straight and gay, sane and…not so sane. It was in the Factory that he was shot by a would-be assassin. He was rushed to a hospital and pronounced clinically dead. But Andy Warhol's second life began the moment he was resurrected on an operating table. As soon as his heart began to beat again, he became a true cultural icon – bigger than his paintings or his Polaroids or his experimental films, bigger than life itself. Andy Warhol became the future.See omnystudio.com/listener for privacy information.

Beautiful by Estée Lauder (1985) + Andy Warhol (1928-1987) + Andy Warhol's Bad (1977, dir. Jed Johnson) with Jordan 7/15/26 S8E44 To hear the complete continuing story of The Perfume Nationalist please subscribe on Patreon. 

Our latest stop on our Summer in the Cities tour is Los Angeles, where sun faded billboards, winding canyons and late night freeways quietly shape the sounds coming out of bedrooms, warehouses and old studios. Don and Dude drop the needle on two Los Angeles born records that trace how the citys haze, tension and restless energy seep into confessional pop and psychedelic rock, turning private struggles and midnight wanderings into full album statements.The AlbumsBillie Eilish – Hit Me Hard and Soft (2024)Billie Eilish and Finneas turn a Los Feliz home studio into an intimate pop laboratory, stitching close micd vocals, detailed dynamics and slow building arrangements into a tight 10 song journey about queerness, self image, fame and tangled relationships. Quiet folk tinged openings bloom into cinematic swells so naturally that the record plays like one late night emotional arc rather than a stack of singles.The Doors – Strange Days (1967)The Doors deepen their Sunset Strip mythology on Strange Days, draping Jim Morrisons surreal poetry over Ray Manzareks carnival organ, Robby Kriegers fluid guitar and John Densmores jazz steeped drums. Tape effects, early synthesizer experiments and club tested songs about alienation, odd crowds and end of the world tension turn this short, eerie set into one of Los Angeles late 60s cornerstone psychedelic rock albums.Diggin AlbumsMary in the Junkyard – Role Model Hermit (2026)London trio Mary in the Junkyard blend indie rock, folk, post punk and art rock into dark fables and richly layered arrangements on their debut Role Model Hermit, marking them as one of Britains most imaginative emerging bands.Red Hot Chili Peppers – Mothers Milk (1989)With John Frusciante and Chad Smith on board, Mothers Milk pairs the Chili Peppers funk energy with heavier guitar and stronger melodies, using songs like Higher Ground and Knock Me Down to launch their shift from cult favorites to mainstream rock forces.Michigander – Over Before You Know It (2026)Jason Singers second full length as Michigander stretches big guitar driven indie rock over reflective lyrics about growing up, doubt and savoring fleeting moments, pushing his once DIY project into full band, arena ready territory.Phoebe Bridgers – Lost Weekend (2026)Los Angeles born Phoebe Bridgers continues her quietly devastating storytelling on third solo album Lost Weekend, folding detailed, intimate songs into a subtly expanded sound that keeps her indie roots while nudging closer to widescreen singer songwriter status.Follow & Support Follow the show on Instagram, Facebook, Threads, and Bluesky @albumnerds, and support the podcast by subscribing, rating, reviewing and sharing it with another music obsessive who still loves hearing whole albums front to back.“I love Los Angeles, and I love Hollywood. Theyre beautiful. Everybodys plastic, but I love plastic. I want to be plastic.” – Andy Warhol

There are only a very few artists from the 20th century who are truly household names, figures like Salvador Dalí, Frida Kahlo, and Andy Warhol. The name M.C. Escher is certainly on that short list. Escher's impact on the wider culture may be as big, or even bigger that of those other figures, even as he remains somewhat hard to classify as an artist. Born Maurits Cornelis Escher, the Dutch artist was a highly skilled maker of woodcuts, lithographs, and engravings, bringing a sense of exquisite precision and intricate geometry to his compositions. But as an artist, Escher is almost synonymous with the idea of visual paradox. You will know him for works like Drawing Hands (from 1953), depicting two hands holding pencils, each seeming to emerge from a piece of paper, where they are each being drawn by the other, in a magical loop. Or for Ascending and Descending (from 1960), showing a palace with a looping set of stairs on its roof, which seem, due to Escher's cleverly realized optical illusion, to be leading tiny pilgrims both upwards and downwards—at the same time. So, is Escher one of the greats, or is he more of a novelty act? My colleague, Jo Lawson-Tancred recently went to see a show currently at Somerset House in London that's called “M.C. Escher: The Exhibition,” which includes 150 of Escher's original works from all the major phases of his career. Art Critic, Ben Davis leapt at the chance to talk to Jo about the show, the artist, and the cultural phenomenon that is M.C. Escher.

There are only a very few artists from the 20th century who are truly household names, figures like Salvador Dalí, Frida Kahlo, and Andy Warhol. The name M.C. Escher is certainly on that short list. Escher's impact on the wider culture may be as big, or even bigger that of those other figures, even as he remains somewhat hard to classify as an artist. Born Maurits Cornelis Escher, the Dutch artist was a highly skilled maker of woodcuts, lithographs, and engravings, bringing a sense of exquisite precision and intricate geometry to his compositions. But as an artist, Escher is almost synonymous with the idea of visual paradox. You will know him for works like Drawing Hands (from 1953), depicting two hands holding pencils, each seeming to emerge from a piece of paper, where they are each being drawn by the other, in a magical loop. Or for Ascending and Descending (from 1960), showing a palace with a looping set of stairs on its roof, which seem, due to Escher's cleverly realized optical illusion, to be leading tiny pilgrims both upwards and downwards—at the same time. So, is Escher one of the greats, or is he more of a novelty act? My colleague, Jo Lawson-Tancred recently went to see a show currently at Somerset House in London that's called “M.C. Escher: The Exhibition,” which includes 150 of Escher's original works from all the major phases of his career. Art Critic, Ben Davis leapt at the chance to talk to Jo about the show, the artist, and the cultural phenomenon that is M.C. Escher.

whole episode only on patreon : www.patreon.com/dopeypodcast Dave and special guest are back for another gloriously ridiculous Dopey Tuesday. This week they celebrate Christmas in July with a twisted holiday song before diving into heroin poppies, opium tea, Bob Dylan rumors, Andy Warhol, Basquiat, and Dave's latest Hollywood masterpiece: Christmas at Katz's. They also kick off a conversation about the first-ever Dopey Short Recovery Film Festival before the paywall comes crashing down.   To hear Ray's full review of the film festival, the birth of "The Dopeys," listener emails, Zoe's voicemail, Elvis, and a whole lot more dumb shit, head over to Patreon and join the Dopey Nation Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Chuck Tingle is one of the most inspiring people I have ever had the chance to talk to. Our first interview changed how I approached interviews entirely. He taught me to come at things from my place with my heart on my sleeve. I owe so much to Chuck Tingle's influence on me, so getting the chance to chat again was a blessing. This time around, we are diving into his new book, Beautiful Bodies. We dive deep into the role of influencers and how what they do is art, through a Warhol lens. We also took some time to talk about Busta Rhymes' brilliance. The interview spans the board, offering a deep conversation about art, humanity, horror, and all the things that make life worth living. LOVE IS REAL! About Beautiful Bodies Poppy Stringer was born to be a star. An aspiring fashion influencer by day, Poppy moonlights as a grave robber to make ends meet, wheeling and dealing dead bodies across Palm Springs. When her hero, the flamboyant, piano-slamming rockstar Eddie Michaels, unexpectedly dies, Poppy gets a call to retrieve his body from the medical examiner's office for a lucrative sum. It could be the last job she'll ever need—if everything goes to plan. But the night's delivery quickly veers off course when Eddie wakes up. Now Poppy must fight for her life if she hopes to survive this blood-soaked joyride of carnage and extravagant entertainment. About Chuck Tingle Chuck Tingle is a USA Today bestselling author, as well as a two-time Hugo Award finalist, Bram Stoker Award nominee, Goodreads Award nominee, Golden Poppy Award finalist, Locus Award winner, Dragon Award winner, Audie Award winner, and the recipient of the 2025 Loud Hands Award for Autistic Storytellers. He is a mysterious force of energy behind sunglasses and a pink mask. He is also an anonymous author of romance, horror, and fantasy. Chuck was born in Home of Truth, Utah, and now lives in Los Angeles, California. Chuck writes to prove love is real, because love is the most important tool we have when resisting the endless cosmic void. Not everything people say about Chuck is true, but the important parts are. Chuck self-publishes erotica and romance, and releases horror novels through Tor Nightfire. 

Josh and Drusilla discuss the middle-aged Elizabeth Taylor melodrama thriller, Indentikit aka The Driver's Seat (1974). From wiki: "The Driver's Seat (also known as Identikit) is a 1974 Italian drama film directed by Giuseppe Patroni Griffi.[1] Based on the 1970 novella The Driver's Seat by Muriel Spark, it is a psychological drama starring Elizabeth Taylor and Ian Bannen, and featuring Andy Warhol.[2]"Also discussed: Maddie's Secret, pools, Marilyn Monroe including Some Like It Hot and Niagara, John Early, Kate Berlant, Vanessa Bayer, Rap World, Connor O' Malley, melodrama, Polyester, Valley of the Dolls, House of Psychotic Women, Muriel Spark, Picnic at Hanging Rock, Secret Ceremony, NEXT WEEK:The Cure for Wellness (2016)Bloodhaus: https://www.bloodhauspod.com/https://www.instagram.com/bloodhauspod/https://letterboxd.com/bloodhaus/Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/https://www.instagram.com/sister__hyde/Joshua Conkelhttps://www.joshuaconkel.com/https://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/  

Joe Flanigan is an actor and writer. He is perhaps best known for his portrayal of the main character Major/Lt. Colonel John Sheppard in STARGATE: ATLANTIS which went into international syndication with 100 episodes. He additionally wrote for the series. Joe started his career in politics working as an advance man at the White House. That was followed by a stint at Andy Warhol's Interview magazine until finally settling At Sanford Meisner's Neighborhood Playhouse in New York.  He was quickly cast in several NBC projects and eventually put under contract there as a series regular for NBC's 'Sisters' alongside Sela Ward and Swoosie Kurtz.  This was followed by another series regular role…... Don Bellisario's First Monday on CBS starring Charles Durning & Joe Mantegna.  He was then cast on Garry Marshal's The Other Sister alongside Diane Keaton, Juliette Lewis, and Giovanni Ribisi. Joe has appeared in other TV shows and movies, including Birds of Prey, Tru Calling, Thoughtcrimes, CSI: Miami, Women's Murder Club, Warehouse 13, Fringe, 6 Bullets, Major Crimes, Dawsons Creek, Providence, Profiler, General Hospital as Dr. Neil Byrne to name a few. Joe can most recently be seen in multiple episodes on the third and final season of Apple's TV show SEE starring Jason Momoa. We chat about Stargate Atlantis, odd cameo requests, being shy and facing his fears, rejection, doing many pilots before Stargate, sticking to your guns, someone stealing his script, integrity, honouring your instincts plus plenty more! Check Joe out on: Instagram: https://www.instagram.com/joeflaniganofficial ------------------------------------------- Follow @Funny in Failure on Instagram and Facebook https://www.instagram.com/funnyinfailure/ https://www.facebook.com/funnyinfailure/  

¡NUEVO FORMATO! Un podcast de música, pero que tiene más libros y literatura que otra cosa.En esta oportunidad nos ocupamos del Disco de la banana. The Velvet Underground y un mundo que ya no es.Andy Warhol, Bob Dylan, Nico, Alain Dellon, Lou Reed, y todo lo que te coparía saber.

Alessandro Carrera"Il vagoncino rosso"Crocetti Editorewww.crocettieditore.itIl “vagoncino rosso” di Alessandro Carrera conduce il lettore in un mondo che spazia dalla campagna lombarda agli Stati Uniti e al Canada, dai miti classici a quelli dei nativi americani, dalla complessità del modernismo all'ironia che ne stempera le pretese. Inizia in Italia, ma è l'incontro con l'America a determinarne la svolta narrativa. L'autore si fa esploratore del nuovo mondo come di sé stesso, di paesaggi e ricordi nei quali il sentimento è sempre mitigato da un consapevole distacco. Che abbia come sfondo la Lombardia o il Texas, New York o Vancouver, la poesia di Carrera indaga il mistero di come giungiamo a essere ciò che siamo, anche quando crediamo di esserci allontanati dalle nostre radici. Per vastità di ambizioni e ricchezza di riferimenti, per forza lirica e disarmante sincerità, rappresenta un'esperienza unica nella poesia italiana contemporanea. Mi hai chiesto se mai inventeranno una macchina del tempo e io ti ho detto no, perché il passato non esiste. Ma in anni remoti guardandoci alle spalle vedremo un cristallo svanire, il cristallo profumato del chissà.Alessandro Carrera è professore di Italian Studies e World Cultures and Literatures all'Università di Houston, in Texas. Ha scritto opere di saggistica, narrativa e poesia. Tra i suoi ultimi libri, Il colore del buio (il Mulino, 2019), Fellini's Eternal Rome: Paganism and Christianity in Federico Fellini's Films (Bloomsbury, 2019) e Lo studente di medicina (Passigli, 2021). Per Feltrinelli ha pubblicato Musica e pubblico giovanile (1980), La voce di Bob Dylan. Una spiegazione dell'America (2001; nuova edizione, 2021), Canzoni d'amore e misantropia (unito al DVD del film Io non sono qui, 2008), La consistenza della luce (2010), ha tradotto le canzoni e le prose di Bob Dylan e ha curato Pop di Andy Warhol.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Get 15% off OneSkin with the code HANNAH at https://www.oneskin.co/HANNAH #oneskinpod  On June 3, 1968, Valerie Solanas walked into Andy Warhol's studio and shot him. Decades later, she has become a feminist icon, her SCUM Manifesto is taught in universities, and Hollywood celebrated her life in a major film that is now returning to theaters in a new restoration. How did an attempted murderer become a cultural hero? In this episode I'm joined by Janice Fiamengo, Tom Golden, and Jim Nuzzo to explore one of the most striking double standards in modern culture: why female violence is so often explained, romanticized, and even celebrated, while male violence is treated as evidence of innate evil. Follow them here: Janice Fiamengo: https://substack.com/@fiamengofile James Nuzzo: https://substack.com/@jameslnuzzo?utm_source=global-search

When the supernatural seeps into our world, it doesn't just leave behind fear—it can also leave sickness. From shadowy visitors to ominous dreams, some eerie paranormal encounters suggest that the price of witnessing the unknown may be paid in flesh and blood.EPISODE BLOG PAGE (includes sources): https://weirddarkness.com/SupernaturalSicknessREAD or DOWNLOAD the full transcript of this episode: https://weirddarkness.tiny.us/hp3ua63cFEATURED STORIES IN THIS EPISODE: When the supernatural intrudes into our lives, it's not just our minds that are affected. We'll delve into a few bizarre cases where individuals fell gravely ill after brushes with the paranormal. Is it coincidence? Or something more sinister? And could these illnesses be due to the paranormal literally draining us of life? (Supernaturally Sick, Paranormally Poisoned) *** Helen Duncan made a living from conducting séances—until her uncanny knowledge of classified World War II tragedies spooked British authorities. (Britain's Last Witch) *** Jeremy Bentham was a philosopher whose ideas about mortality and utility extended beyond death. Bentham's wish for his body to be preserved and displayed as an "auto-icon" – so it could be seen publicly by all. And while his wishes were granted, it came with a few hiccups along the way… mostly with his poor head. (The Strange Story of Mr. Bentham's Corpse) *** Annie Dorman was discovered lifeless with a gunshot wound, sending shockwaves through her tight-knit community. Suicide seemed improbable, leaving detectives baffled and family perplexed. Was it a crime of passion, an accident, murder… or truly suicide? In a similar case, just a few years later, in the serene countryside of Greenwich, New York, the lifeless form of Maggie Hourigan is found, floating in a tranquil pool, speculation runs rampant. Were these cases suicide, as hastily concluded, horrible accidents… or sinister murders? (The Mysterious Deaths of Annie Dorman and Maggie Hourigan) *** AND MORE!CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = The Foreboding00:02:11.442 = Show Open00:04:40.830 = Supernaturally Sick, Paranormally Poisoned00:21:39.741 = The Mysterious Deaths of Annie Dorman and Maggie Hourigan ***00:34:55.265 = Britain's Last Witch ***00:43:19.651 = The Strange Story of Mr. Bentham's Corpse00:54:21.727 = Eccentric Habits of History's Elite ***01:04:25.454 = Show Close*** = Begins immediately after inserted ad breakLISTEN ON PODCAST APPS: Look for this podcast on Apple Podcasts, Spotify, iHeart Radio, Amazon Music, Pandora, TuneIn Radio, and other podcast apps. Get a list of free listening apps here: https://weirddarkness.com/wdapps*No AI Voices Are Used In The Narration Of This Podcast*SOURCES and RESOURCES:“Supernaturally Sick, Paranormally Poisoned” by Nick Redfern for Mysterious Universe:https://weirddarkness.tiny.us/6bu93dju“The Mysterious Deaths of Annie Dorman and Maggie Hourigan” by Robert Wilhelm for Murder By Gaslight:https://weirddarkness.tiny.us/meu37k4m; https://weirddarkness.tiny.us/4y9mn9a4“The Strange Story of Mr. Bentham's Corpse” by Melissa Sartore for Weird History: https://weirddarkness.tiny.us/yt6uetju“Britain's Last Witch” by Parissa Djangi for National Geographic: https://weirddarkness.tiny.us/2p8by87t“Eccentric Habits of History's Elite” by John Munoz for ListVerse: https://weirddarkness.tiny.us/bdh2dw3x(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)WeirdDarkness® is a registered trademark. Copyright ©2026, Weird Darkness.Originally aired: April 17, 2024Weird Darkness gathers five accounts in this episode: people who fell gravely ill within days of a paranormal encounter, two unsolved deaths of young women in the late nineteenth century, a wartime medium jailed for witchcraft, a philosopher who arranged to have his own corpse put on permanent display, and the private oddities of history's most famous figures.It opens with the argument that anemia and anorexia-like wasting can follow a paranormal encounter within hours or days. The Franciscan monk Joseph McCabe, who died in 1955, catalogued dozens of people who developed anemia soon after nighttime visits he blamed on the Mesopotamian demons Lilu and Lilitu. Albert Bender, the Bridgeport, Connecticut man who launched the Men in Black mystery in the early 1950s, endured migraines, stomach pain, memory lapses, and sharp weight loss after three phantom figures ordered him to drop his UFO research, then recovered, married, and lived to 94. In 1982, a fourteen-year-old named Robbie watched a flat black shadow crawl across his bedroom ceiling in Beckenham, Kent, was hospitalized with meningitis, and months later collapsed from acute anemia. Jim Harpur opened his door to two black-eyed children outside Orlando, Florida in March 2008 and was diagnosed with type 2 diabetes three weeks afterward. In Nova Scotia, Michelle came down with severe ulcerative colitis two days after a vivid Slenderman dream in January 2017. The longest case belongs to Alison, a seventeen-year-old in Texas who shed roughly twenty pounds in six weeks in 1998 while a tall, pale Woman in Black appeared at her bedside each night, starting days after she and two friends used a Ouija board; sea salt and sage spread through the house ended the visits, and she recovered.From there, the episode turns to two deaths that juries could not explain. Maggie Hourigan, a 19-year-old servant in Greenwich, New York, was found floating face-down in a roadside pool on October 20, 1889; a first autopsy by Dr. S. Walter Scott ruled drowning and suicide, but a second team found a head wound inflicted before she entered the water, and Dr. Scott later sued the New York Sun for libel over its coverage and won a $6,000 settlement. Eight years later and a state away, 18-year-old Annie Dorman was found shot dead in her half-brother John Dorman's farmhouse near Cobb's Creek, Philadelphia, on September 1, 1897; the rusty pistol that killed her sat unused on a high shelf the five-foot-tall victim could not reach without standing on furniture that had not been moved, it had been fired five times, and the coroner ruled she was shot by a person unknown.Next comes Helen Duncan, the Scottish medium nicknamed Hellish Nell, who produced ectoplasm and channeled spirit guides named Peggy and Albert at séances across wartime Britain. In May 1941 she announced the loss of the H.M.S. Hood before the public knew, and that November she described the sinking of the H.M.S. Barham, which the government withheld until January 1942. Authorities arrested her at a Portsmouth sitting and tried her at London's Old Bailey beginning March 23, 1944 under the 1735 Witchcraft Act; a jury convicted her on April 3, and she became the last person imprisoned under that law, serving her sentence at Holloway Prison while Winston Churchill dismissed the case as obsolete tomfoolery.After that, the episode examines Jeremy Bentham, the English philosopher born in 1748 who asked that his body be dissected, preserved, and displayed as what he called an auto-icon. Dr. Thomas Southwood Smith carried out the dissection three days after Bentham died on June 6, 1832, but his attempt to preserve the head with sulfuric acid and an air pump left it leathery and discolored, so a wax replacement by the French artist Jacques Talrich was fitted to the seated skeleton. The figure went on display at University College London, where students stole the real, shriveled head in 1975 and returned it after the university paid £10 against their £100 charity demand; the head later served as a soccer ball before being moved to a climate-controlled storeroom in 2002.The episode closes with ten eccentric routines of the wealthy and famous. Howard Hughes wore tissue boxes over his feet and wrote a manual instructing employees how to prepare and serve a can of peaches; Nikola Tesla fed pigeons in New York parks and called one white pigeon his muse; Salvador Dalí napped in a chair holding a key over a metal plate so its clatter would wake him; Marlon Brando dropped ice into hot coffee to drink it at once; Queen Elizabeth I whitened her skin with a mix of white lead and vinegar; Andy Warhol ate McDonald's nearly every day for two decades; Benjamin Franklin sat naked by open windows for what he called air baths; Michael Jackson traveled with a pet elephant named Gypsy on his Bad tour; Charles Dickens walked miles through London at night to feed his writing; and Albert Einstein gave up socks because his shoes already covered his feet.

"Beach Bongo Bloodbath" Bob Bert's Beach Bongo Bloodbath might be the most alliterative album title of the year, but it also happens to also be one of the year's very best. Before we get to Beach Bongo Bloodbath, let me give you a little Bob Bert Backstory. The alliteration with Bob is seemingly unavoidable. Influenced by the Beatles, the Stones, Andy Warhol and the band's that packed CBGB's, the New Jersey-born Bob Bert started drumming as a kid, but put it down for a while and became a fine art silkscreen printer who, speaking of Mr. Warhol, had a job printing paintings and print editions for the legendary artist. Bert moved from New York City to Hoboken in '81 and perhaps it was the close proximity of the club Maxwell's or the characters that played there that Bert picked up the sticks again and found himself playing drums for Sonic Youth, Pussy Galore, and the Chrome Cranks. Bob's autobiography I'm Just The Drummer tells his story far better than I can, but good luck finding it--it's out of print, so you're stuck with me for the time being to fill in the gaps. Over the course of his career, Bert has recorded and toured with Bewitched, Action Swingers, Chrome Cranks, Knoxville Girls, Five Dollar Priest, Lydia Lunch Retrovirus and Jon Spencer & the HITmakers and in the early 90s he and Linda Wolfe started the awesome fanzine BB gun. Which brings just to Beach Bongo Bloodbath. A joyful sprint of a record that clocks in at under a half hour and has no guitars or bass, Beach Bongo Bloodbath is smoldering collection of covers and originals that's filled with swagger, groove and delicious percussive stomp. From his take on tracks by everyone from the Modern Lovers to Mountain to his electrifying originals, Beach Bongo Bloodbath is impossibly cool--and so is Bob Bert. www.bar-none.com (http://www.bar-none.com) IG: @therealbobbert www.bombshellradio.com (http://www.bombshellradio.com) www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.alexgreenbooks.com (http://www.alexgreenbooks.com) Stereo Embers: IG + THREADS + BLUESKY: @emberspodcast Email: editor@stereoembersmagazine.com

Nick Leeper SJ joins the pod to discuss his recent art exhibit, Andy Warhol, being a Jesuit, what constitutes sacrilege, and plays a round of "hot or not" with us.Check out his work https://www.nkleepersj.com/Read Stephen's review of his exhibit https://cracksinpomo.substack.com/p/nick-leeper-sj-isnt-pissing-on-the?utm_source=publication-searchAnd follow our Substack https://cracksinpomo.substack.com/

CHARLES BUSCH and their play PSYCHO BEACH PARTY is discussed on this fresh from the grave episode of Death By DVD! We head to Malibu, 1962 and jump into the ocean with a dive into the career of the beautiful Charles Busch, their play Psycho Beach Party, the film iteration, your hosts experience seeing Psycho Beach Party live on stage and more! It's a hip and happening episode you don't want to miss! Don't be a square, hit play and let Death into your day! Don't forget, Death By DVD has its very own all original audio drama voiced almost entirely by Death By DVD!DEATH BY DVD PRESENTS : WHO SHOT HANK?The first of its kind, (On this show, at least) an all original narrative audio drama exploring the murder of this shows very host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK, starting with the MURDER! A Death By DVD New Year Mystery WHO SHOT HANK : PART ONE WHO SHOT HANK : PART TWO WHO SHOT HANK : PART THREE WHO SHOT HANK : PART FOUR WHO SHOT HANK PART 5 : THE BEGINNING OF THE ENDWHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES  ★ Support this podcast on Patreon ★

Ben Morea, Black Mask, Up Against the Wall Motherfuckers, Valarie Solanas, Andy Warhol, Ron Hahne, Morea's mysterious background, anarchism, Morea's influence on America anarchism, Dashiell Hammett, Black Mask, the Pinkertons, Morea's New York Times obit, what was Morea's real name?, Chapita Jewelry, Emmett Grogan, Ringolevio: A Life Played for Keeps, Ford Foundation, the Diggers, Charles Manson, Paul Krassner, The Story of O, S & M/pornography, Frankfurt school, the Frankfurt school's destruction of Marxism, Alex Karp/Palantir, informantsMusic by: Keith Allen Dennishttps://keithallendennis.bandcamp.com/ Hosted on Acast. See acast.com/privacy for more information.

HOT FUN IN THE SUMMERTIME / SLY AND THE FAMILY STONE (EPIC, 1969)The sweltering summer of 2023 is almost over, and all over the world folks are digging themselves out from under the epic disasters of the past months. Listening to this psych-soul ditty from 1969, one may be momentarily transported back to a cozier time of blotter acid and beach coolers. The carefree tone of the record, however, belies the fact that at the same time that he was jamming on this anthem, an ever-increasingly paranoid Sly Stone was starting to hole himself up in his mansion with bowls of cocaine and a drum machine - from which he would emerge 2 years later with THERE'S A RIOT GOIN' ON - transmitting a wholly different vibe. And, also, let's not forget the murderous Altamont concert of 1969 (documented in the Rolling Stone's film GIMME SHELTER), along with the concurrent killings carried out by the Manson kids - and you realize that everywhere you looked there were emblems of a time when chaos reigned, symbolizing an era of psychic climate change in America.Well, nostalgic or not, music has powers to soothe and direct our minds to kinder, gentler regions. It gives us a moment to meditate and reflect - a time out before we have to brave the cacophony once again. Some say “nostalgia” is defined as a sickness - homesickness. We're urged to be forward looking and adapt to whatever the future holds. But, it's ok to take a moment to remember and savor the joys of summers past. Just don't forget to wear your sunblock.SUNLIGHT by The Youngbloods (RCA, 1969)I'm a romantic; I admit it. I believe in true love, and the moments of ecstatic togetherness that enable one to transcend all the struggles and grief of life. And, this song reanimates this awakening each time I hear it: by the rolling chords off the nylon string guitar, eliciting the feeling of a fresh breeze of possibility; Jesse Colin Young's falsetto voice (one of nature's finest) projecting such hopeful innocence; and, the lyrics, which tenderly describe scenes of eternal bliss.  I loved Jesse and The Youngbloods from the first time I put down the needle on Grizzly Bear (the first cut on the debut album). It was a bonus disc from the Columbia Record Club, and since that moment, the relationship with Jesse, Banana, and the boys, during the RCA years, was a meaningful one for me. After they went to Warners, and subsequently split up, the love affair was over.But, the remarkable Elephant Mountain, the last collection from RCA, produced by a young Charlie Daniels, delivered this song, along with Darkness, Darkness - in a collage of Sunlight and Shadow.  Jesse said that this was the first song he wrote after moving to California, and I understand it. As a New Yorker relocating to the Golden State, I too was struck by the quality of the light which casts a spell that makes one unable to sense the passage of time, and the seasons. Years flew by, the mirror mocks me, but the romantic in me remains ever innocent.MILLION DOLLAR BASH by BOB DYLAN with THE BAND (From the Basement Tapes, Columbia, 1967)Ooh, Baby, Ooooh wee!Ooh, baby, oooooh wee!It's that Million Dollar Bash.I hear that chorus and I'm smiling. It's a celebration, a party. Dylan and the boys are off the hard road, and they're just having fun in the Big Pink basement with the Revox tape recorder.  There has been some interpretative gobble dee gook about it being Dylan's satirical payback to Andy Warhol and his pretentious Factory parties, with a salvo to Edie Sedgwick - the (“big dumb blonde) -, who dumped him, but really, that feels like a stretch. Those intimations might be there, but when Bob sings:“Well, I'm hittin' it too hard, my stones won't take-I get up in the morning but it's too early to wake,First it's hello, goodbye, then push and then crash,But we're all gonna make it at that mIllion dollar bash!It feels to me like an expression of sweet release. An appreciation for the moment at hand. And, imagining where the heads of the bar band turned folk-rock players assembled in that bucolic place were at…. -, the men who, for me, comprised the greatest American band in rock history - in the chrysalis from which they were about to emerge to ignite a musical revolution - I can feel the spontaneous energy of joyous creation. Oooh baby, Oooh weeeee!

Em 1985, duas das figuras mais famosas da arte contemporânea apresentam uma exposição que prometia ser histórica. De um lado, Andy Warhol, o artista que ajudou a transformar a cultura de massa em arte. Do outro, Jean-Michel Basquiat, jovem pintor neo-expressionista que saía das ruas de Nova York para se tornar uma das vozes mais importantes de sua geração.O que parecia um encontro criativo entre dois artistas brilhantes rapidamente se transforma em polêmica. A crítica questiona as obras, ataca a parceria e passa a enxergar a relação entre eles através de questões que envolvem fama, mercado, poder e desigualdade racial.Neste episódio do Art Talks, acompanhamos o surgimento dessa amizade, o processo de criação das obras colaborativas e a recepção devastadora da exposição que marcou o início do afastamento entre os dois artistas.Mais do que uma história sobre arte, este episódio propõe uma reflexão sobre reconhecimento, pertencimento e sobre o preço que pode acompanhar uma ascensão meteórica ao sucesso.‘História da Arte sem tédio' é uma série do Art Talks que conta bastidores, conflitos e histórias reais por trás de grandes nomes da arte. É a História da Arte contada de forma acessível, envolvente e sem linguagem acadêmica — para ouvir no dia a dia, mesmo sem ser especialista.Roteiro, produção e locução: Thais de Albuquerque @thais.de.albuquerque

This week the art world descends on Basel, a Swiss city on the Rhine River, where the latest edition of the world's most important modern and contemporary art fair is taking place. We're talking about Art Basel, of course. Its 290 exhibitors include all the top galleries of the world. It's a place where you can see and buy museum-quality Picassos and Warhols next to still-wet-paint by emerging artists, though there's not as many of those lately. Major collectors like Don and Mera Rubell are there, and so are celebrities like Kanye West and James Franco. At the center of it all is Noah Horowitz, who has been CEO of Art Basel since 2022. Noah and senior writer, Katya Kazakina, have known each other for years, throughout which he has stood at the helm of various art fairs, starting with the first online art fair called VIP in 2010. In 2011 he became the executive director of the Armory Show in New York and remained in that role for almost four years until 2015. He then advanced to Art Basel, becoming its head of the Americas, which put him in charge of Art Basel Miami Beach, the largest contemporary art fair in the United States. In 2021 Sotheby's hired Noah to lead the gallery and private dealer services worldwide, but he stayed for just a year before returning to Art Basel triumphantly as its chief executive. Noah is also the author of the book Art of the Deal: Contemporary Art in a Global Financial Market, published in 2011. For many years, Art Basel ran three art fairs, the original one in Basel, second one in Miami Beach, and the third one in Hong Kong, but in the last couple of years it added a fourth fair in Paris, and just this year another one in Qatar, raising questions about its expansion model and sustainability. It also introduced a new platform, Zero 10, for digital art, and the Art Basel Awards. Noah and Katya discussed the changing art market, digital art, and the strain art fairs place on mid-tier galleries.

For this week's Encore Presentation of Revolutions Per Movie, I bring you an incredible discussion with Mark Webber of Pulp, where we discussed everything from Mark's unique path into the band (tin foil, anyone?) and how we can never escape the mighty imprint of The Velvet Underground. Enjoy!(Episode 80 originally aired on March 13th, 2025).ORIGINAL SHOW NOTES:This week, we are joined by PULP's MARK WEBBER to discuss what was to be the most influential documentary of his life, THE SOUTH BANK EPISODE ABOUT THE VELVET UNDERGROUND. We discuss Mark's path from making fanzines (including interviewing Mo Tucker), & running the Pulp fanclub to eventually joining PULP as they embarked on their classsic records (DIFFERENT CLASS, THIS IS HARDCORE & WE LOVE LIFE), how Pulp composes music, being too young to get the Velvet Underground on first listen, the sweet spot of interviewing the Velvet Underground at the time of this documentary, Warhol's Factory, Mark's first time in NYC paying homage to his NYC heroes, Jonas Mekas, record store clerk suggestions, Spaceman 3, Pulp in 1978, the highs and lows of being in your favorite band, Mark's decades-long curation and research of experimental film, David Bowie as a direct line to the Velvet Underground, I Shot Andy Warhol, Bridget Berlin, Cat Power, Mark trying to do his own version of Warhol's Exploding Plastic Inevitable for Pulp called The Day That Never Happened, John Cale and Lou Reed's solo work, Mark getting to witness the Velvet Undeground reunion shows in person, The Pulp People Accommodation Register, Nico and more!!!So let's wrap some trees in tin foil and start the lights strobing on this week's episode of Revolutions Per Movie!MARK WEBBER:hatandbeard.com/products/im-with-pulp-are-you-by-mark-webberhttps://markwebber.org.uk/archive/about/https://welovepulp.info/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film, or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon (over 125 bonus episodes are available and counting). If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes and series such as A Very Opinionated Look At Urgh! A Music War & What Makes The Midnight So Special?, A Devotees Look At New Wave Theater, Exploring The Axis: The Oral History Of Frontier Records With Lisa Fancher, Dips On Chips w/ Jeff McDonald of Redd Kross, physical goods such as a limited edition 7" Flexidisc, and other exclusive goods that I send out to you for supporting the show. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

I'm speaking today with Lea Bischofberger, a Zurich-based gallerist and art dealer whose life and work are bound up with one of the most remarkable legacies in postwar and contemporary art.The Bischofberger name runs through some of the defining artistic relationships of the late twentieth century. Her father, Bruno (who passed away in late spring 2026), was a legendary gallerist who worked with Andy Warhol, Jean-Michel Basquiat and Jean Tinguely, as well as Francesco Clemente, Julian Schnabel, David Salle, George Condo, Miquel Barceló, Enzo Cucchi, Peter Halley and Mike Bidlo.But Lea's story isn't only one of inheritance. It is also one of proximity, intuition, independence and renewal. Having grown up close to the artists, collections and conversations that helped shape art history, she now carries that experience into her own gallery work in Zurich.Through Lea Bischofberger Gallery and Lele Projects, she has shown artists including Kate Daudy, Geraldina Bassani Antivari, Ashkan Sahihi, Roberto Ruspoli, Aryana Sheibani and Ulf Saupe. The programme suggests a more intimate and exploratory chapter, one attentive to memory, materiality, portraiture, language and psychological presence.In this conversation we talk about legacy, taste, the changing role of the art dealer, Zurich as an art-world city, and what it means to carry history forward without being defined by it. Hosted on Acast. See acast.com/privacy for more information.

Today's guest has made a career playing with some of the most avant garde musicians in the world. But he didn't start off with music in mind. Welcome drummer Bob Bert to the podcast. He grew up in a house that wasn't super musical. In fact, his father, Angelo, was more into sports than music. He was so into sports that he won the Heisman trophy in 1943. But Bob had other ideas. Bob played some drums but was more interested in fine art, eventually printing for Andy Warhol. His music career began when his wife volunteered him for an impromptu gig. Bob talks about how he got the Sonic Youth gig, was fired, and then rehired. He talks about some other projects he was in and how Thurston Moore named one of them. Bob discusses his time in Pussy Galore, Chrome Cranks, Jon Spencer & The Hitmakers, Lydia Lunch's Retrovirus, and more. Bob has released his first true solo album called Beach Bongo Bloodbath. And the consensus is…it's a fun album. It's a mix of covers and originals and highlights Bob's singular take on music, like his guitar-free version of Mountain's Mississippi Queen. It's out on Bar None Records. Find it, buy, it, stream it, whatever you need to do. And follow Bob @therealbobbert on Instagram. Follow us @PerformanceAnx and grab some merch at performanceanx.threadless.com. Or just slide us some money at ko-fi.com/performanceanxiety. Now please welcome Bob Bert on Performance Anxiety on the Pantheon Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Shaping Sounds, visionary music producer Robert Margouleff shares his stories of pushing the boundaries of musical innovation, art, and technology while helping create some of the most significant and influential music of our time.Beginning on the set of his first film, Ciao! Manhattan, with Andy Warhol superstar Edie Sedgwick, Margouleff captures the tragic beauty of New York's East Village and Warhol's Factory as he discovers a powerful new way to score his movie: the Moog synthesizer. This discovery leads him to meet a studio engineer who would become his long-time partner, Malcolm Cecil, with whom he would collaborate to invent the world's largest analog synthesizer, 'TONTO' (The Original New Timbral Orchestra). Together, Margouleff and Cecil used TONTO to help unleash Stevie Wonder's genius on his era-defining classic albums Music Of My Mind, Talking Book, Innervisions, and Fulfillingness' First Finale.In legendary studios like Electric Lady and the Record Plant, Margouleff became a pioneering producer and engineer for artists like Billy Preston, Jeff Beck, DEVO, The Isley Brothers, and David Sanborn. A true sonic innovator, he was an early adopter of immersive audio and surround, developing new mixing techniques for home theaters that brought some of Hollywood's biggest blockbusters to life.Shaping Sounds is so much more than a chronicle of music history. It's a story about creativity, collaboration, and artistic courage. Margouleff interweaves his personal experiences with the teachers, friends, mentors, and influences that shaped him, revealing how empathy and curiosity fueled his life's work. This memoir is a rich and entertaining narrative of a key period in music history that brings readers deep into the world of record and film production and will inspire new generations of music-makers and dreamers.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Further reading: https://elephantartgallery.com/blogs/meet Desmond Morris with his favorite Congo painting: Peter/Pierre Brassau and some of his paintings: The so-called donkey painting, and I described it wrong in the episode: Pockets at work: Show transcript: Welcome to Strange Animals Podcast. I'm your host, Kate Shaw. Back in the early days of the podcast I did an episode about animal musicians, which for a long time was my favorite episode. Today let's visit a similar topic, animals who are visual artists. Back in the 1950s through the 60s, researchers studying how humans make art studied monkeys and apes who were taught how to use a brush and paints. The studies caught the public's fancy and it became something of a fad to own a piece of art created by an animal—whether it was a monkey or ape, an elephant, or some other animal. One of the earliest big name animal artists was a chimpanzee named Congo. Zoologist Desmond Morris, who was studying creativity in apes and humans, and who was also an artist himself, offered Congo a pencil and paper when he was two years old in 1956. Congo enjoyed drawing and especially liked to draw circles. When Morris eventually gave the chimp paints, Congo was even more enthusiastic. But while he was considered a novelty, he only had one art exhibition while he was alive, a 1957 event arranged by Morris. It wasn't until 2005 that the remaining paintings were exhibited, along with the art of some other apes, and some of them sold for thousands of dollars. A new exhibit appeared in December of 2019 in the Mayor Gallery in London. One interesting thing is that Morris worked with several apes to see how they drew and painted, but only Congo showed enthusiasm and skill for art. Congo died of tuberculosis in 1964 when he was only ten years old. Also in 1964, a French avant-garde artist named Pierre Brassau exhibited four of his paintings at an art show in Sweden. No one knew who Brassau was, but his paintings were critically acclaimed—except for one critic who wrote, “Only an ape could have done this.” Ahem, yes. That is correct. The artist turned out to be a West African chimpanzee named Peter who lived in a zoo in Sweden. The whole thing started with a Swedish journalist who apparently wasn't much of a fan of modern art. The journalist persuaded a zookeeper to give Peter a canvas, paints, and brush. At first Peter just ate the paint, but eventually he started making marks on the canvas. The journalist ultimately chose four of the paintings and submitted them to the exhibition under the name Pierre Brassau. One of the paintings sold for the equivalent of about $750 today. But animal artists making modern art isn't limited to the 1950s and 60s. In 1905 a painting by an unknown artist, J.R. Boronali, went on display in a Parisian salon. It didn't cause any kind of stir, though, because it was nothing special, until 1910 when word got out that the painting had been made by a donkey. According to the story, an art critic tied a paintbrush to the donkey's tail and fed the donkey carrots, which made it wag its tail, which dabbed paint on a canvas. I've seen the painting, though, and it seems clear that a human artist prepped the canvas by slapping a coat of background paint on it that resembles a red sea and blue sky. There are some dabs and blobs of paint over that in yellow and red, presumably from the donkey. In this case, of course, the donkey wasn't trying to paint a picture and didn't even know what was going on behind it, just that it was getting lots of carrots. An avant-garde Russian school of art named itself The Donkey's Tail in 1912 as a result, though, so that's pretty neat. More recently, a capuchin monkey named Pockets has become a big-name artist in the animal world. Pockets was donated to a Canadian animal sanctuary after his owner finally realized that capuchin monkeys are wild animals and don't actually make very good pets. One of the volunteers at the sanctuary gave Pockets the nickname Warhol because of his white hair, which reminded her of the artist Andy Warhol. That gave her the idea to give Pockets some paints and see what he would do with them. It turns out that Pockets really likes to paint. In 2011 the sanctuary held an exhibit of his paintings to help raise money, and since then his paintings have been exhibited in art shows around the world. He's collaborated with a human artist, who basically paints something and then gives the canvas to Pockets to add to it. His art recently appeared on the cover of an album released by a member of Depeche Mode too. Not all animal artists are apes or monkeys, though. Bini the Bunny stars in a lot of videos where he plays basketball, dances, plays the guitar, and does a lot of other things you would not expect a bunny to do. He also paints. Bini, of course, has been trained to make certain movements, including picking up a paintbrush in his mouth and moving it upward with the paint-covered bristles sometimes touching a canvas, but sometimes not. Bini isn't choosing what paint colors to use and doesn't even really look at the canvas while he's working. He's cute, but he's not making art spontaneously the way Pockets and his predecessors do. Elephants also make art, holding a paintbrush with the tip of the trunk. The most famous elephant artist was named Ruby, an Asian elephant who lived at the Phoenix Zoo in Arizona in the United States, although she was born in Thailand in 1973. When her keepers saw her using a stick to draw in the dirt, they gave her painting supplies to see what she would do with them. Ruby enjoyed painting, choosing her colors carefully, and some of her paintings sold for as much as $25,000. Ruby died from complications of a failed pregnancy in 1998, sadly. So many artists die young. Sometimes you'll see videos of elephants painting a picture of an elephant, but these aren't spontaneously created. The elephant has always been taught to make the same brush strokes, and sometimes the training is cruel. An authentic elephant painting looks abstract, with lines and dots that the elephant places in a shape it finds pleasing, not to resemble something specific. This is the same with ape and monkey artists too. If you listened to the episode about animal musicians, you will probably remember the Thai Elephant Orchestra. Well, the same conservation center that hosts the elephant orchestra also has some elephant artists. The Elephant Art Gallery sells paintings made by various of the elephants who live in the sanctuary. They're allowed to choose their own paints and decide if they want to paint at all that day. Elephants who don't show interest in learning to paint don't have to try, and instead get to do different activities. The main difference between human art and art made by non-human animals is that humans naturally create representational art without being taught. Little kids draw wobbly stick people with big smiles and no one has to show them how. Humans can make abstract art, of course, but a skilled abstract artist chooses colors, textures, and patterns carefully to invoke a feeling in the people who look at the finished painting. This is different from a little kid finger-painting who is just having fun making a mess, although of course you can make art with finger paints too. Animals never create representational art spontaneously, and we can't know if their choice of colors, textures, and patterns is intended to invoke a particular feeling because we can't ask them. (I mean, we can ask them but they wouldn't understand the question and we wouldn't get an answer.) But it does seem obvious that animals who enjoy painting and who make deliberate marks on paper or canvas are taking pleasure from the process of creation. And when you come right down to it, that's the most important thing about making art. Finally, you may remember the court case about the monkey selfie from 2014. Nature photographer David Slater was taking pictures in a nature reserve in Indonesia when he stepped away from his camera, which was set up on a tripod. A Celebes crested macaque monkey investigated the camera and ended up taking a number of photos, one of which was a selfie that became almost instantly famous online. Slater tried to claim copyright to get paid for the photograph as it became more and more popular. In August of 2014 the United States Copyright Office decided that the owner of camera equipment can't claim copyright for a photo taken by an animal. Neither can the owner of an animal who takes a photograph or otherwise produces artwork. Only a human can hold copyright, but if the human doesn't actually create the art, they don't get the copyright. Hey, this would be a great day to make a drawing or a painting! Thanks for your support, and thanks for listening!

We look back on the life of David Hockney - one of the world's most influential modern artists and one of the best-known British contributors to Pop Art. Unlike artists such as Andy Warhol or Roy Lichtenstein, David Hockney's art often focused more on personal experiences, portraits, landscapes and intimate scenes.Also: SpaceX is making its stock market debut in New York, setting Elon Musk on course to be the world's first trillionaire. Iran says major parts of an agreement to end the war with the US have almost been finalised after President Trump claimed a deal was ready to be signed. The UN's top official on HIV and AIDS says massive international aid cuts have left the world's response to the disease "in peril". The number of Palestinians forced from their homes in Occupied East Jerusalem is on the rise. And the American singer Taylor Swift has become the youngest woman ever to be inducted into the prestigious Songwriters Hall of Fame.The Global News Podcast brings you the breaking news you need to hear, as it happens. Listen for the latest headlines and current affairs from around the world. Politics, economics, climate, business, technology, health – we cover it all with expert analysis and insight. Get the news that matters, delivered twice a day on weekdays and daily at weekends, plus special bonus episodes reacting to urgent breaking stories. Follow or subscribe now and never miss a moment. Get in touch: globalpodcast@bbc.co.uk Photo: David Hockney, in front of his own paintings at the Royal Academy's Summer Exhibition in Piccadilly, London in 2004. Credit: Fiona Hanson/PA Wire

The director on her extraordinary docudrama about the near-assassination of an art world superstar. Learn more about your ad choices. Visit megaphone.fm/adchoices

In celebration of the birth anniversary and enduring legacy of Agnès Varda, we are revisiting one of our favourite conversations on The Artists Podcast.Joining us is acclaimed film critic Carrie Rickey, former chief film critic of The Philadelphia Inquirer and author of the acclaimed biography A Complicated Passion: The Life and Work of Agnès Varda.Why did Martin Scorsese call Agnès Varda one of the "gods of cinema"?From photography to filmmaking to installation art, Varda continually reinvented herself and expanded the possibilities of cinema. Long before many of her contemporaries, she explored themes of feminism, memory, labour, aging, immigration, and identity while creating a cinematic language entirely her own.In this conversation, we explore:Varda's relationships with artists, filmmakers, and intellectualsHer transition from photography to cinema and installation artHow she developed her own cinematic grammarThe French New Wave and her place within itHer partnership with Jacques DemyHer friendships with Andy Warhol, Susan Sontag, Jim Morrison, and many othersWhy her work continues to inspire filmmakers across generations, including Martin Scorsese04:15 Varda's relationships with people — Jim Morrison, Susan Sontag & others 14:02 Creating a new cinematic syntax17:25 The challenges of financing films21:00 "Jumping into the swimming pool"23:00 The complicated relationship between Varda and Jacques Demy27:00 Encounters with Andy Warhol, Susan Sontag & other cultural icons29:00 What happens when both husband and wife are filmmakers? How Demy's career affected Varda's trajectory32:00 How Varda bought back her films to own the copyright 33:00 Agnès Varda, Jim Morrison, and a funeral shorter than a Doors song 38:12 Martin Scorsese's admiration for Agnès Varda A conversation about cinema, creativity, artistic independence, and one of the most original artists of the twentieth century.

Leading up to the 250th anniversary of American independence, Rosebud is giving you a series of interviews recorded in New York City. Our first is with the sharpest observer of New York life - the wit, conversationalist and writer, Fran Lebowitz. In this brilliant interview, Fran tells Gyles about her family, who moved to the US from Russia and Eastern Europe to escape the Jewish pogroms. She talks about her happy childhood, cycling on her "freedom machine" around her pretty hometown in New Jersey, where her father owned an upholstery business and her mother had aspirations to be Fred Astaire's dance partner. She tells Gyles about being punished for being a chatterbox at school, about knowing she was gay from a young age, and about moving to New York to become a writer. She talks about Andy Warhol and being paid to write porn. She talks about smoking, the internet, and her enormous collection of books. Finally, Gyles awards Fran a medal from the Oscar Wilde Society, in recognition of her brilliance as a talker. As you might expect, this is a fabulous conversation. It's well worth your time. Enjoy this. Hosted on Acast. See acast.com/privacy for more information.

PopaHALLics #165 "Baaaad People?"If a shepherd is kind to his sheep but combative with humans, is he still a good person? When Iggy Pop rolled around in glass, was he just embodying the spirit of punk rock? And then there's the husband who suddenly abandons his 20-year marriage and his wife and kids ... We discuss all of them, and more, on this episode.Theaters:"The Sheep Detectives." When a devoted shepherd (Hugh Jackman) dies under mysterious circumstances, several of his sheep set out to find his killer in this witty, cute, and weirdly profound movie. With Julia Louis-Dreyfus, Chris O'Dowd, Emma Thompson, Bryan Cranston, Regina Hall, Patrick Stewart, and Bella Ramsey.Streaming:"Marty, Life is Short," Netflix. This documentary about beloved comedian Martin Short explores his career and personal triumphs and tragedies. With Steve Martin, Catherine O'Hara, John Mulaney, Tom Hanks, Steven Spielberg, and more. Directed by writer/director Lawrence Kasdan ("The Big Chill," "Raiders of the Lost Ark," "Body Heat," "The Empire Strikes Back")."Only in Monroe," YouTube. After his last "Late Show" on CBS, Stephen Colbert guest-hosted a public access show in Monroe, Michigan, just as he did in 2015 before starting "The Late Show." With Jeff Daniels, Jack White, and a lot of laughs.Books:"Strangers: A Memoir of a Marriage," by Belle Burden. This 2026 memoir chronicles the collapse of Burden's 20-year marriage during the COVID-19 pandemic, when her husband left her and their three children."Please Kill Me: The Uncensored Oral History of Punk," by Legs McNeil and Gillian McCain. In this ultra-raw blast of sex, drugs, and rock & roll first published in 1996, those who lived it recall the punk rock movement, from its origins at the tail end of Andy Warhol's Factory movement to its demise at '80s corporate rock. One of the great rock & rock books of all time."The Sun Down Motel," by Simone St. James. Both a creepy ghost story and a riveting mystery, this novel follows two women - Viv, who sets out in 1982 to discover who's haunting a run-down motel, and Carly, who sets out in 2017 to solve why her aunt Viv went missing.A Beast Slinks Toward Beijing," by Alice Evelyn Yang. This magic realism debut follows a Chinese family through the 20th century when an estranged daughter is reunited with her father, who is haunted by a prophecy and his past.Music:Raye spent years writing for and producing records for major pop artists like Beyonce, Rhianna, and John Legend. Now she's a solo artist blending pop, jazz, R&B, dance, and soul into her own music. You'll find songs by Raye as well as some of the punk rockers from "Please Kill Me" on PopaHALLics #165 Playlist (Punks).The Fair Use Doctrine of U.S. copyright law allows for the limited unauthorized use of copyrighted material for purposes of comment and criticism.

National Egg day. Entertainment from 1973. Andy Warhol shot by feminist, Willie Nelson hit with $32 million tax bill, 1st baseball uniforms. Todays birthdays - Jimmy Rogers, Tony Curtis, Ian Hunter, Eddie Holman, Deniece Williams, Danny Wilde, David Cole, Doro. Muhammad Ali died.Intro - God did good - Dianna Corcoran      https://www.diannacorcoran.com/Egg Song - Land before timeMy love - Paul McCartney & WingsYou always come back - Johnny RodriguezBirthdays - In da club - 50 Cent     http://50cent.com/Thats all right - Jimmy RogersOnce bitten twice shy - Ian HunterHey there lonely girl - Eddie HolmanLets hear it for the boy - Deniece WilliamsJust the way it is - The RembrandtsI'll be there for you - The RembrandtsGonna make you sweat - C&C Music FactoryAll we are - WarlockExit - Those kind of songs - Brinley Addington    https://www.brinleyaddington.com/History & Factoids about today Playlist on SpotifyHistory & Factoids about today webpagecooolmedia.comcountryundergroundradio.comNational Days - May Puzzle BookGrace & Grit Christian Country Radio

Beauty is one of the most celebrated words in art and faith conversations, but it may also be one of the most misunderstood. Is beauty simply what pleases the eye, or is it something deeper? Can beauty exist alongside suffering, loss, and the grotesque? And what happens when we settle for beauty that comforts us while avoiding the realities that transform us?What if beauty requires darkness, mystery, and even lament in order to reveal its deepest meaning? In this roundtable discussion, Stephen Roach and guests Corey Frey, Liv Ross, and Scott Aasman wrestle with beauty not as sentimentality or surface appeal, but as a force capable of holding together truth, goodness, suffering, and hope.KEY TOPICSWhy beauty can feel inauthentic when it is removed from struggleThe original meaning of "glamour" as a veil designed to trap and deceive, and why that etymology still matters for artists todayHow the three transcendentals — goodness, truth, and beauty — function like a trinity: remove one and the others collapse into vanity, brutality, or cover-upWhat Edmund Burke and Kant meant by the sublime, and why terror and beauty belong together rather than apartThe real context behind Dostoevsky's phrase "beauty will save the world," drawn from The Idiot, and why stripping it from that argument changes everythingThomas Kinkade's stated goal of painting a world where the Fall never happened, and what his private life and Andy Warhol quote reveal about the cost of bypassing Holy SaturdayWhy form without substance is essentially pornographic, and how true beauty requires the material and the spiritual coming togetherHow artistic isolation stunts creative roots the way a tree grown in perfect conditions falls in the first storm and why community, friction, and disagreement strengthen both the artist and the workAbout the Guests:Corey Frey is a multidisciplinary artist, writer, and co-founder of The Well Collaborative, a community dedicated to creativity, curiosity, and culture. He lives in Maryland with his wife and continues to explore the intersections of art, faith, and imagination.Liv Ross is an urban monk, poet, essayist, and Managing Editor of Traces Journal. Writing from the Ozarks, her work explores place, wonder, memory, and spiritual formation. Her first book, The Blackbird Ballad, was published by Solum Literary Press in 2026.Scott Aasman is an award-winning illustrator, educator, and co-founder of Salt Cellar Arts, an arts-focused community for the spiritually attentive and creatively engaged. He lives in Hamilton, Ontario, with his wife and two children.Resources MentionedBeauty Will Save the World by Brian ZahndThe Idiot by Fyodor DostoevskyThe Thought of the Heart and the Soul of the World by James Hillman Works by Flannery O'Connor Works by Cormac McCarthy Paintings of Thomas Kinkade Landscapes of J. M. W. TurnerConnect with Our GuestsCorey Frey coreysfrey.comLiv Ross The Abbey of Curiosity Substack The Blackbird BalladScott Aasman Instagram – San IllustrationSend us Fan MailSupport the showJOIN US FOR BOOK CLUB! Every Tuesday at 8 pm EST in June 2026, we will be reading James's book online in our Patreon community! We'd love to have you with us. Visit patreon.com/makersandmystics to RSVP. Sign Up for Our Newsletter! http://eepurl.com/g49Ks1Give a one-time donation https://buy.stripe.com/9AQeYj7431fD12waEOJoin the Makers & Mystics Creative Collective https://www.patreon.com/c/makersandmystics

Lydia Lunch unpacks the raw origins of No Wave, her squatting-and-surviving New York story, and why after five decades of confrontational art, pleasure remains the ultimate rebellion. Australian tour tickets and show info here. Topics Include: Lydia Lunch is touring Australia and New Zealand in June She's performing Suicide and Alan Vega covers across multiple cities Australia holds deep personal meaning — Roland S. Howard, Tex Perkins, lifelong friends Lydia considers herself a comedian; most people are just too afraid to laugh Words are her primary art — music is just the machine gun She sleeps in two-hour shifts and wakes famished at 5am every day Creativity has no fixed time — she writes song lyrics in five minutes flat She self-publishes through 48-hour printing, selling books for $20, cost $4 True crime forensics and Matthew McConaughey in Magic Mike are her guilty pleasures Daily she rotates between war, politics, and apocalyptic comedy — Dear Ivanka included She's actively promoting new bands: Genra's Death, Bog Creeper, New City Slang Instrumental music — Budos Band, Yusef Lateef, Baba Zula — is her listening diet Suicide and Mars were already playing when she arrived in New York Suicide actually coined the term "punk rock" on flyers back in 1972 No Wave wasn't a movement — it was personal insanity in a decaying city The name "No Wave" just came out of her mouth in one interview If you couldn't play, you had to be brutally tight — or else She taught a homeless man she'd befriended to play drums for Teenage Jesus Teenage Jesus songs were written on a borrowed bass she barely understood She squatted an abandoned Tribeca building, running electricity from neighbours to rehearse Teenage Jesus singles on Migraine Records likely preceded the No New York compilation Beirut Slump was horror rock — described as a slug over a razor blade She arrived in New York with $200, a suitcase, and zero contacts Seeing Suicide at Max's Kansas City with ten people changed everything instantly Martin Rev gave teenage Lydia vitamins; Alan Vega was leather-bound and irresistible She boycotted Bowie and Iggy in Rochester — accidentally saving them from a drug bust Mick Ronson's Slaughter on 10th Avenue: the glam record Bowie quietly stole from Lou Reed — always a dick; Warhol — vapid, but his car crashes were great She owns every recording, every publishing right — everything she's ever made Her reward for a lifetime of rebellion: pleasure, rage, and zero regrets High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Buddhist students riot in Vietnam; Ronald Reagan slams Berkeley; Billy Graham crusades in London; Andy Warhol brings "The Exploding Plastic Inevitable" to San Francisco; a Santa Barbara judge orders sterilization or jail; Muhammad Ali retains his title. Newscaster: Joe Rubenstein.   Support this project on Patreon!

Clem Burke joined Blondie in 1975. He started writing his memoir 20 years ago and just managed to finish it before he died in 2025, encouraged and assisted by his old friend Kathy Valentine of the Go-Go's, “a chance to reflect on all he'd achieved”. We're thrilled she's joined us here to talk about his dramatic life and ‘The Other Side of the Dream', a conversation stopping off at … … falling for her “teenage crush” when she saw Blondie on TV, the man who wore red shoes at his audition … Clem Burke, eternal fan who idolised the Beatles, Bowie and the Stooges, and the brief moment he became Elvis Ramone ... do bands talk to each other?… Blondie was not a democracy … “in fact bands are an example of how democracy doesn't work” … Clem's powerhouse drumming and showmanship: “you couldn't take your eyes off him” … “the night we met we each had a limo and he introduced me to Andy Warhol” … how it felt to hear Blondie record one of her songs … how their lives connected: “we both achieved a dream and had it taken away from us” … why drummers tend to see groups differently … and life in the Go-Go's - “married to four girls!” Order copies of Clem Burke's ‘The Other Side of the Dream: My Life in And Out of Blondie' here: https://lnk.to/theothersideofthedreamHelp us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Leading pop art movement artist... Get cozy and relax! This podcast is funded by advertising. Info and offers from our sponsors: https://linktr.ee/EinschlafenMitPodcast Here's the Wikipedia article (revised): https://en.wikipedia.org/wiki/Andy_Warhol Content was created or edited with the help of artificial intelligence. CC BY-SA 4.0 (https://creativecommons.org/licenses/by-sa/4.0/) Learn more about your ad choices. Visit megaphone.fm/adchoices

Clem Burke joined Blondie in 1975. He started writing his memoir 20 years ago and just managed to finish it before he died in 2025, encouraged and assisted by his old friend Kathy Valentine of the Go-Go's, “a chance to reflect on all he'd achieved”. We're thrilled she's joined us here to talk about his dramatic life and ‘The Other Side of the Dream', a conversation stopping off at … … falling for her “teenage crush” when she saw Blondie on TV, the man who wore red shoes at his audition … Clem Burke, eternal fan who idolised the Beatles, Bowie and the Stooges, and the brief moment he became Elvis Ramone ... do bands talk to each other?… Blondie was not a democracy … “in fact bands are an example of how democracy doesn't work” … Clem's powerhouse drumming and showmanship: “you couldn't take your eyes off him” … “the night we met we each had a limo and he introduced me to Andy Warhol” … how it felt to hear Blondie record one of her songs … how their lives connected: “we both achieved a dream and had it taken away from us” … why drummers tend to see groups differently … and life in the Go-Go's - “married to four girls!” Order copies of Clem Burke's ‘The Other Side of the Dream: My Life in And Out of Blondie' here: https://lnk.to/theothersideofthedreamHelp us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourearHelp us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

In Shaping Sounds, visionary music producer Robert Margouleff shares his stories of pushing the boundaries of musical innovation, art, and technology while helping create some of the most significant and influential music of our time.Beginning on the set of his first film, Ciao! Manhattan, with Andy Warhol superstar Edie Sedgwick, Margouleff captures the tragic beauty of New York's East Village and Warhol's Factory as he discovers a powerful new way to score his movie: the Moog synthesizer. This discovery leads him to meet a studio engineer who would become his long-time partner, Malcolm Cecil, with whom he would collaborate to invent the world's largest analog synthesizer, 'TONTO' (The Original New Timbral Orchestra). Together, Margouleff and Cecil used TONTO to help unleash Stevie Wonder's genius on his era-defining classic albums Music Of My Mind, Talking Book, Innervisions, and Fulfillingness' First Finale.In legendary studios like Electric Lady and the Record Plant, Margouleff became a pioneering producer and engineer for artists like Billy Preston, Jeff Beck, DEVO, The Isley Brothers, and David Sanborn. A true sonic innovator, he was an early adopter of immersive audio and surround, developing new mixing techniques for home theaters that brought some of Hollywood's biggest blockbusters to life.Shaping Sounds is so much more than a chronicle of music history. It's a story about creativity, collaboration, and artistic courage. Margouleff interweaves his personal experiences with the teachers, friends, mentors, and influences that shaped him, revealing how empathy and curiosity fueled his life's work. This memoir is a rich and entertaining narrative of a key period in music history that brings readers deep into the world of record and film production and will inspire new generations of music-makers and dreamers.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

On this fresh from the grave episode of Death By DVD filmmaker Jeremy Berkowitz returns to Death By DVD to discuss their life one year after releasing their debut feature film, Sydney. Filmmaking, mental health, physical health, growth, change, autism and more is discussed on this episode that dives deep into what its like to make movies, and what art means. Quit reading and hit play, now! Dive into this episode celebrating and exploring independent film and life itself. Watch Sydney by Jeremy Berkowitz now on Amazon : https://www.amazon.com/Sydney-Jeremy-Berkowitz/dp/B0GPD3NXTRVisit the official website of Jeremy Berkowitz : https://www.jeremyberkowitz.com/Official website for Sydney : https://www.sydneythefilm.com/CHECK OUT DEATH BY DVD ON YOUTUBE : https://www.youtube.com/@DeathByDVDDon't forget, Death By DVD has its very own all original audio drama voiced almost entirely by Death By DVD!DEATH BY DVD PRESENTS : WHO SHOT HANK?The first of its kind, (On this show, at least) an all original narrative audio drama exploring the murder of this shows very host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK, starting with the MURDER! A Death By DVD New Year Mystery WHO SHOT HANK : PART ONE WHO SHOT HANK : PART TWO WHO SHOT HANK : PART THREE WHO SHOT HANK : PART FOUR WHO SHOT HANK PART 5 : THE BEGINNING OF THE ENDWHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES  ★ Support this podcast on Patreon ★

In this episode of Music Matters host Darrell Craig Harris speaks with percussion outlaw and influential creative Bob Bert, a veteran of Sonic Youth and Pussy Galore among many other determinedly button-pushing ensembles with an interview. Venerable indie label Bar/None Records is releasing his LONG overdue solo album Beach Bongo Bloodbath which was recorded at Deepsea Studios in Bert's hometown Hoboken, NJ About Bob Bob Bert is a highly influential drummer, artist, and multidisciplinary creative whose work helped define the downtown New York art and alternative music scenes. Best known for his groundbreaking drumming with Sonic Youth, Pussy Galore, and Lydia Lunch, Bert also worked within the orbit of Andy Warhol's iconic creative world, contributing to one of the most culturally influential eras in modern art and music. Beyond the stage, Bob's work spans visual art, writing, and storytelling, cementing his legacy as a true creative force whose influence continues to resonate across generations. Social Media www.Instagram.com/therealbobbert About Music Matters with Darrell Craig Harris The Music Matters Podcast is hosted by Darrell Craig Harris, a globally published music journalist, professional musician, and Sports Illustrated photographer. Music Matters is now available on Spotify, iTunes, Podbean, and more. Each week, Darrell interviews renowned artists, musicians, music journalists, and insiders from the music industry. Currently, over 1,000,000 global downloads in 40 countries. Visit us at: www.MusicMattersPodcast.com Follow us on Twitter: www.Twitter.com/musicmattersdh For inquiries, contact: musicmatterspodcastshow@gmail.com Support our mission via PayPal: www.paypal.me/payDarrell  voice over intro by Nigel J. Farmer                  

Drunk French deer, Andy Warhol's Love Boat appearance, Nothing Night at the ballpark and more! Dave & Darren are your two best friends who happen to play your favorite music on your favorite radio station. For over 21 years, this award winning (no really) duo has enjoyed waking up the Quad Cities with a mix of irreverence, information, improvisational talk and humor. They have been described as, "your favorite morning show's favorite morning show assuming that your favorite morning show is in fact, Dave and Darren." Dave and Darren are live weekday mornings 6a-10a on Planet 93.9. Like Dave & Darren on Facebook HERE: https://www.facebook.com/daveanddarren

So folks ask me to do more nonfiction on this podcast, and while I admit that it is a bit of a stretch to call today's book pure nonfiction, I at least think that it's closely aligned. It's not a biography, though. Consider it more of a personal memoir from 1962. In essence, it's the true story of Andy Warhol's extended family, written by one of his nephews. Sadly, James Warhola didn't continue to make much in the way of children's books (though he did make a sequel to this book called Uncle Andy's Cats). We discuss everything from David Bowie's depiction of Andy in the film Basquiat, to creepy ventriloquist dummies, to what you should do if roughly a dozen members of your extended family show up at your door (answer: put them to work). For the full Show Notes of this week's episode, please visit: https://afuse8production.slj.com/2026/05/11/fuse-8-n-kate-uncle-andys-by-james-warhola/

In this podcast episode Mark is joined by two founders of Scottsdale Art Week Trey Brennen, owner of T.H. Brennen Fine Art in Old Town Scottsdale and Amy Gause, Director of the Fair. The four day international art fair took place at WestWorld in Scottsdale and showcased art from more than 110 galleries, daily fashion shows, cultural performances, sculptural installations and other innovative programming. It also included collaborations with institutions, galleries, artists and prominent collectors, as well as off-site after-hours VIP events.More than 21,000 guests made their way through the gates of WestWorld of Scottsdale to view 112 galleries across 123 booths. Ticket sales climbed 133% over its inaugural run, and a Justin BUA painting sold for $1.2 million within the first two hours, setting the tone for an unforgettable four days to follow.The Fair brought together galleries from all over the world, representing 19 countries, with thousands of blue-chip, contemporary, modern, Indigenous, Western, European and LatinX works along with works by Pablo Picasso, Andy Warhol, Salvador Dalí, Marc Chagall, David Hockney, Alex Katz and Maynard Dixon for sale. In addition to art, there were five Ferraris on display, 32 monumental sculptures, an area to listen to daily speaker panels, a concessions dining area and a VIP Lounge. Join us next year - mark your calendars for March 18-21, 2027 https://scottsdaleartweek.com/For photos, videos & more of our past podcasts, visit our podcast page: https://www.candelariadesign.com/inspiring-living-podcastLastly, we have room for one more couple on our 19th annual Italy Tour with Mark Candelaria, September 30 - October 14, 2026. All info is here: https://www.candelariadesign.com/touritaly 

Party favours full of drugs, a hose-down rubber sex balcony, and Bianca Jagger on a real horse. It's often said that the brightest flames burn for the shortest time – and by god did Studio 54 burn bright. Under the helm of Steve Rubell and Ian Schrager, 254 West 54th was the single coolest place on the planet – and set the blueprint for exclusive nightclubs to this day. Bowie, Warhol, the Jaggers, and every other celebrity you could think of felt lucky to set foot on its gigantic dance floor. But what comes up, must come down, and it only took three years for the greatest club on earth to come unstuck. This is the story of sex, drugs, and disco – the rise and fall of Studio 54.--Patreon - Ad-free & Bonus EpisodesYouTube - Full-length Video EpisodesTikTok / Instagram

Meg looks into Andy Warhol's mid life crises and love affair with Jon Gould. Jessica tracks down the shady impresario who originated NY's roving Outlaw parties.Please check out our website, follow us on Instagram, on Facebook, and...WRITE US A REVIEW HEREWe'd LOVE to hear from you! Let us know if you have any ideas for stories HEREThank you for listening!Love,Meg and Jessica

Today, on our inaugural episode of Second Thought, Suzy Weiss sits down with one of the most influential people in YouTube's history: Casey Neistat. Casey has millions of followers and billions of views to his name—and he saw early on that YouTube would change everything. It certainly changed his own life. In this conversation, Casey talks about riding the wave of the YouTube tsunami, his love of old technology, and how his career illustrates Andy Warhol's infamous prediction that “In the future, everyone will be world-famous for 15 minutes.” Plus: the creative power of brothers, Lena Dunham, and who inherited the mantle of Jackass. He also answers some harder questions: Has the rise of the creator economy and the parasocial relationships that came with it been a net positive? Is it possible to win the algorithm without exploiting your audience? Can artistic expression survive the onslaught of artificial intelligence? On all fronts, the man who saw around the corner of our last media revolution isn't so sure. Subscribe to Second Thought for new episodes every week. Follow Suzy Weiss: Twitter: https://x.com/SnoozyWeiss Instagram: https://www.instagram.com/suzyisonline/ Subscribe to The Free Press: https://www.thefp.com/subscribe Learn more about your ad choices. Visit megaphone.fm/adchoices

Keith Rabois was an early executive at PayPal (part of the famous PayPal Mafia), COO at Square, VP of Corporate Development at LinkedIn, and an early investor in Stripe, DoorDash, Airbnb, YouTube, Ramp, and Palantir. Currently he's managing director at Khosla Ventures. Also, he hasn't touched a computer since September 2010 (he does everything from an iPad).In our in-depth conversation, Keith shares:1. The barrels vs. ammunition hiring framework (and how to spot barrels)2. Why talking to customers is actively harmful for consumer products3. How to identify undiscovered talent4. Why the PM role is dying5. The three traits of the best-performing companies right now6. The specific interview question he asks every senior candidate7. Why CMOs (not engineers) are becoming the #1 consumer of tokens—Brought to you by:WorkOS—Modern identity platform for B2B SaaS, free up to 1 million MAUsVanta—automate compliance, manage risk, and accelerate trust with AI—Episode transcript: https://www.lennysnewsletter.com/p/hard-truths-about-building-in-the-ai-era—Archive of all Lenny's Podcast transcripts: https://www.dropbox.com/scl/fo/yxi4s2w998p1gvtpu4193/AMdNPR8AOw0lMklwtnC0TrQ?rlkey=j06x0nipoti519e0xgm23zsn9&st=ahz0fj11&dl=0—Where to find Keith Rabois:• X: https://x.com/rabois• LinkedIn: linkedin.com/in/keith• Website: https://www.khoslaventures.com—Where to find Lenny:• Newsletter: https://www.lennysnewsletter.com• X: https://twitter.com/lennysan• LinkedIn: https://www.linkedin.com/in/lennyrachitsky/—In this episode, we cover:(00:00) Introduction to Keith Rabois(01:59) Why Keith hasn't used a computer since 2010(04:52) The team you build is the company you build(07:40) How Keith learned to identify talent at PayPal(10:05) Tactics for getting better at hiring(15:31) The barrels vs. ammunition framework(18:52) What makes someone a barrel(22:36) How to attract the best talent(26:18) Building companies on undiscovered talent(27:53) Why better performance requires more pressure(32:36) Career advice in the age of AI(35:14) The future of the product triad(41:03) Why design and code are merging(49:35) What practicing law taught Keith about entrepreneurship(51:22) Contrarian takes on customer feedback(1:02:33) Identifying great AI opportunities(1:05:13) Advice for evaluating statrups (1:12:36) Criticizing in public vs. private(1:15:05) Failure corner(1:17:29) Lightning round—Referenced:• Square: https://squareup.com• Jack Dorsey on X: https://x.com/jack• Head of Claude Code: What happens after coding is solved | Boris Cherny: https://www.lennysnewsletter.com/p/head-of-claude-code-what-happens• Simon Willison's Weblog: https://simonwillison.net• Vinod Khosla on X: https://x.com/vkhosla• Peter Thiel on X: https://x.com/peterthiel• Max Levchin on X: https://x.com/mlevchin• David Sacks on LinkedIn: https://www.linkedin.com/in/davidoliversacks• Tony Xu on X: https://x.com/t_xu• David Sze on X: https://x.com/davidsze• Faire: https://www.faire.com• Max Rhodes on X: https://x.com/MaxRhodesOK• Jeffrey Kolovson on LinkedIn: https://www.linkedin.com/in/jeffreykolovson• Uncapped | Comparative Advantages w/ Keith Rabois: https://www.khoslaventures.com/posts/uncapped-comparative-advantages-w-keith-rabois• Lattice: https://lattice.com• Taylor Francis on LinkedIn: https://www.linkedin.com/in/taylor-francis-4ba49640• Building product at Stripe: craft, metrics, and customer obsession | Jeff Weinstein (Product lead): https://www.lennysnewsletter.com/p/building-product-at-stripe-jeff-weinstein• The art of hiring: insights from Khosla Ventures, Airbnb, Ramp and Traba: https://ramp.com/velocity/the-art-of-hiring-insights• Eric Glyman: Seek out super individual contributors (ICs): https://ramp.com/velocity/the-art-of-hiring-insights#Eric-Glyman:-Seek-out-super-individual-contributors-(ICs)• Eric Glyman on X: https://x.com/eglyman• Mike Moore on LinkedIn: https://www.linkedin.com/in/mike-moore-802223177• Brian Chesky's new playbook: https://www.lennysnewsletter.com/p/brian-cheskys-contrarian-approach• Why you should work much harder RIGHT NOW: https://marginalrevolution.com/marginalrevolution/2026/03/why-you-should-work-much-harder-right-now.html• Opendoor: https://www.opendoor.com• The Craft of Early Stage Venture | Peter Fenton, General Partner at Benchmark | Uncapped with Jack Altman: https://www.youtube.com/watch?v=vRiblwiXt-Q• Lovable: https://lovable.dev• The rise of the professional vibe coder (a new AI-era job) | Lazar Jovanovic (Professional Vibe Coder): https://www.lennysnewsletter.com/p/getting-paid-to-vibe-code• Building Lovable: $10M ARR in 60 days with 15 people | Anton Osika (co-founder and CEO): https://www.lennysnewsletter.com/p/building-lovable-anton-osika• Marc Andreessen: The real AI boom hasn't even started yet: https://www.lennysnewsletter.com/p/marc-andreessen-the-real-ai-boom• Jeremy Stoppelman on X: https://x.com/jeremys• The design process is dead. Here's what's replacing it. | Jenny Wen (head of design at Claude): https://www.lennysnewsletter.com/p/the-design-process-is-dead• Andy Warhol: https://en.wikipedia.org/wiki/Andy_Warhol• Curation and Algorithms: https://stratechery.com/2015/curation-and-algorithms• Ernest Hemingway: https://en.wikipedia.org/wiki/Ernest_Hemingway• William Shakespeare: https://en.wikipedia.org/wiki/William_Shakespeare• Evan Moore on X: https://x.com/evancharles• Andrew Mason on X: https://x.com/andrewmason• Read Taylor Swift's Full Viral Speech After Record-Breaking Awards Sweep: https://www.newsweek.com/entertainment/read-taylor-swift-full-acceptance-speech-record-breaking-awards-sweep-11745941• The Chainsmokers: Stories Behind the Songs, AI's Impact on Music, and Venture Investing | Uncapped with Jack Altman: https://www.youtube.com/watch?v=9GMSC-2pYnw&list=PLtpH7YnTL8ihy0nR2BV32n5VkRtqlDAS1&index=16• How to spot a top 1% startup early: https://www.lennysnewsletter.com/p/how-to-spot-a-top-1-startup-early• David Weiden on LinkedIn: https://www.linkedin.com/in/davidweiden• Alfred Lin on LinkedIn: https://www.linkedin.com/in/linalfred• Keith's post about vertical integration on X: https://x.com/rabois/status/870673635375104000• Jon Chu on X: https://x.com/jonchu• Kanu Gulati on X: https://x.com/KanuGulati• Rogo: https://rogo.ai• Profound: https://www.tryprofound.com• Basis: https://www.getbasis.ai• Spellbook: https://www.spellbook.legal• Roelof Botha on X: https://x.com/roelofbotha• Delian Asparouhov on LinkedIn: https://www.linkedin.com/in/delian-asparouhov-87447742• Lessons From Keith Rabois, Essay 1: How to become a Venture Capitalist: https://delian.io/lessons-1• Velocity over everything: How Ramp became the fastest-growing SaaS startup of all time | Geoff Charles (VP of Product): https://www.lennysnewsletter.com/p/velocity-over-everything-how-ramp• Nuremberg on AppleTV+: https://tv.apple.com/us/movie/nuremberg/umc.cmc.3sg4y0382byupy76bfy7307k4• Eight Sleep: https://www.eightsleep.com• “NO DAYS OFF”—Bill Belichick on X: https://x.com/SNFonNBC/status/829036279069364224—Recommended books:• Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration: https://www.amazon.com/Creativity-Inc-Overcoming-Unseen-Inspiration/dp/0812993012• The Jordan Rules: The Inside Story of One Turbulent Season with Michael Jordan and the Chicago Bulls: https://www.amazon.com/Jordan-Rules-Sam-Smith/dp/0671796666• The Upside of Stress: Why Stress Is Good for You, and How to Get Good at It: https://www.amazon.com/Upside-Stress-Why-Good-You/dp/1101982934—Production and marketing by https://penname.co/. For inquiries about sponsoring the podcast, email podcast@lennyrachitsky.com.—Lenny may be an investor in the companies discussed. To hear more, visit www.lennysnewsletter.com