Podcast appearances and mentions of Hannah Black

Join me for conversation with Dr. Jaleh Mansoor (Associate Professor of Art History in the Department of Art History, Visual Art, and Theory, University of British Columbia) about her book Universal Prostitution and Modernist Abstraction: A Counterhistory (Duke University Press, 2025). Our discussion brought us to topics like the artists' muse, the modern laborer, and other figures precariously suspended between the object/subject dialectic. In Universal Prostitution and Modernist Abstraction, Dr. Mansoor provides a counternarrative of modernism and abstraction and a reexamination of Marxist aesthetics. Mansoor draws on Marx's concept of prostitution—a conceptual device through which Marx allegorized modern labor—to think about the confluences of generalized and gendered labor in modern art. Analyzing works ranging from Édouard Manet's Olympia and Georges Seurat's The Models to contemporary work by Hito Steyerl and Hannah Black, she shows how avant-garde artists can detect changing modes of production and capitalist and biopolitical processes of abstraction that assign identities to subjects in the interest of value's impersonal circulation. She demonstrates that art and abstraction resist modes of production and subjugation at the level of process and form rather than through referential representation. By studying gendered and generalized labor, abstraction, automation, and the worker, Mansoor shifts focus away from ideology, superstructure, and culture toward the ways art indexes crisis and transformation in the political economic base. Ultimately, she traces the outlines of a counterpraxis to capital while demonstrating how artworks give us a way to see through the abstractions of everyday life. This episode was hosted by Asia Adomanis, a PhD student in the Department of History of Art at Ohio State. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Join me for conversation with Dr. Jaleh Mansoor (Associate Professor of Art History in the Department of Art History, Visual Art, and Theory, University of British Columbia) about her book Universal Prostitution and Modernist Abstraction: A Counterhistory (Duke University Press, 2025). Our discussion brought us to topics like the artists' muse, the modern laborer, and other figures precariously suspended between the object/subject dialectic. In Universal Prostitution and Modernist Abstraction, Dr. Mansoor provides a counternarrative of modernism and abstraction and a reexamination of Marxist aesthetics. Mansoor draws on Marx's concept of prostitution—a conceptual device through which Marx allegorized modern labor—to think about the confluences of generalized and gendered labor in modern art. Analyzing works ranging from Édouard Manet's Olympia and Georges Seurat's The Models to contemporary work by Hito Steyerl and Hannah Black, she shows how avant-garde artists can detect changing modes of production and capitalist and biopolitical processes of abstraction that assign identities to subjects in the interest of value's impersonal circulation. She demonstrates that art and abstraction resist modes of production and subjugation at the level of process and form rather than through referential representation. By studying gendered and generalized labor, abstraction, automation, and the worker, Mansoor shifts focus away from ideology, superstructure, and culture toward the ways art indexes crisis and transformation in the political economic base. Ultimately, she traces the outlines of a counterpraxis to capital while demonstrating how artworks give us a way to see through the abstractions of everyday life. This episode was hosted by Asia Adomanis, a PhD student in the Department of History of Art at Ohio State. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Join me for conversation with Dr. Jaleh Mansoor (Associate Professor of Art History in the Department of Art History, Visual Art, and Theory, University of British Columbia) about her book Universal Prostitution and Modernist Abstraction: A Counterhistory (Duke University Press, 2025). Our discussion brought us to topics like the artists' muse, the modern laborer, and other figures precariously suspended between the object/subject dialectic. In Universal Prostitution and Modernist Abstraction, Dr. Mansoor provides a counternarrative of modernism and abstraction and a reexamination of Marxist aesthetics. Mansoor draws on Marx's concept of prostitution—a conceptual device through which Marx allegorized modern labor—to think about the confluences of generalized and gendered labor in modern art. Analyzing works ranging from Édouard Manet's Olympia and Georges Seurat's The Models to contemporary work by Hito Steyerl and Hannah Black, she shows how avant-garde artists can detect changing modes of production and capitalist and biopolitical processes of abstraction that assign identities to subjects in the interest of value's impersonal circulation. She demonstrates that art and abstraction resist modes of production and subjugation at the level of process and form rather than through referential representation. By studying gendered and generalized labor, abstraction, automation, and the worker, Mansoor shifts focus away from ideology, superstructure, and culture toward the ways art indexes crisis and transformation in the political economic base. Ultimately, she traces the outlines of a counterpraxis to capital while demonstrating how artworks give us a way to see through the abstractions of everyday life. This episode was hosted by Asia Adomanis, a PhD student in the Department of History of Art at Ohio State. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

 Every workday we take a moment to take a step back and take a breath to give us a break to hang out with our friends to talk about the world of Sports, Entertainment and more specifically CrossFit.  Today we clean up everything from the weekend and TFX, I review the newest Capt America movie and does Hiller have a point with the season structure?

Season 8 of Momus: The Podcast launches with Ajay Kurian, an artist, critic, and co-founder of New Crits, a platform for artist mentorship. Kurian speaks with Sky Goodden about a text by Robert Pogue Harrison on the art of the zen garden (Gardens: An Essay on the Human Condition, University of Chicago Press, 2008), and about his artist-writer influences including Robert Smithson, Paul Chan, and Hannah Black. He also touches on his recent response (in Cultured Mag) to Dean Kissick's screed on identity politics (in Harper's), and what it required to “clean the public restroom” in the wake of Kissick's feature going viral. “I think I was more upset by how bad the piece was than the ideas in the piece. […] I think especially for artists of color, like none of that stuff is new to us. And to think that there was massive progress … it could all be taken away in a second. I'm not holding it as new solid ground.”Kurian's solo exhibition Peanuts (Deluxe) is on view at 47 Canal in New York through March 22.  Many thanks for this episode's sponsors, CONTACT Photography Festival, Plural Art Fair, and Workman Arts, for their support of our work.Thank you to Jacob Irish, our editor, and Chris Andrews, for production assistance.

In this live taping of Jacobin's podcast The Dig—recorded at Jewish Currents's recent daylong event and presented in partnership with On the Nose—host Daniel Denvir convened a conversation with scholars Aslı Bâli and Aziz Rana on the past and present of left internationalism. Placing the current eruption of solidarity with Palestine in the context of the rise and fall of Third Worldism, they discuss the history and legacy of that project, the lasting structures of neocolonialism, and the challenge of contesting empire from the heart of empire.This episode was produced by Alex Lewis and Jackson Roach, with music by Jeffrey Brodsky. Thanks also to Jesse Brenneman for additional editing and to Nathan Salsburg for the use of his song “VIII (All That Were Calculated Have Passed).Texts Mentioned and Further Reading:“Left Internationalism in the Heart of Empire,” Aziz Rana, Dissent“Reviving the Language of Empire,” Aziz Rana in conversation with Nora Caplan-Bricker, Jewish Currents“The Disastrous Relationship Among Israel, Palestinians and the U.N.,” Aslı Bâli on The Ezra Klein Show, The New York TimesNeo-Colonialism, the Last Stage of Imperialism by Kwame Nkrumah“What We Did: How the Jewish Communist Left Failed the Palestinian Cause,” Dorothy M. Zellner, Jewish CurrentsEmpire As a Way of Life by William Appleman WilliamsDiscourse on Colonialism by Aimé Césaire“From Minneapolis to Jerusalem,” Hannah Black, Jewish Currents“Charging Israel with Genocide,” On the Nose, Jewish Currents

In this episode of the Wellness Diaries podcast, I have the pleasure of interviewing an old friend, Hannah Black, a competitive CrossFit athlete, about her transition from Olympic weightlifting to CrossFit. We talk about how we met, Hannah's athletic journey, and go into her mindset during competitions. Hannah shares her unexpected entry into individual quarterfinals, her approach to training and recovery, and the importance of mental preparation. She also talks about the influence of certain books on her life and announces the launch of her own weightlifting program.    TIME STAMPS Introduction (00:00:02) Host Ashleigh introduces guest Hannah Black and discusses their shared history in weightlifting and CrossFit. Early Sports Journey (00:02:39) Hannah discusses her early involvement in sports, transition to weightlifting, and entry into competitive CrossFit. Unexpected Entry into Individual Quarterfinals (00:07:20) Hannah shares her initial reluctance and surprise at qualifying for individual quarterfinals in CrossFit. Experience at Quarterfinals (00:10:13) Hannah recounts her experience at the individual quarterfinals, including her unexpected performance and mindset during the competition. Finding Positivity and Personal Success (00:14:31) Hannah reflects on finding positivity and personal success in her CrossFit journey, despite external expectations and challenges. Belief in fate and peace with outcomes (00:17:52) Hannah discusses her belief in fate and finding peace with outcomes, emphasizing the role of faith in her journey. Warm-up process and competition setting (00:22:41) Hannah explains the warm-up process for max lifts in competitions, detailing the timing and environment, and shares her experience. Controversy and competition setting (00:29:05) Hannah addresses controversy surrounding her competition performance, including loading the bar and her approach to the event. Adrenaline and competition experience (00:34:54) Hannah reflects on the adrenaline and excitement of competing, emphasizing the impact of the crowd and the unique experience. Brain Fog on Competition Floor (00:35:11) Hannah describes a moment of confusion during a competition event, highlighting the stress-induced brain fog. Approach to CrossFit Open Workouts (00:36:22) Hannah shares her perspective on the CrossFit Open workouts and her approach to competing in them. Training Focus for Quarterfinals (00:38:06) Hannah discusses her training focus, including burpee training, synchro work, and addressing weaknesses from previous competitions. Joining CrossFit Invictus Team (00:41:18) Hannah explains the opportunity and process of joining the CrossFit Invictus team for the upcoming season. Training Schedule and Routine (00:45:16) Hannah details her training schedule, including multiple daily sessions and the balance with other responsibilities. Nutrition and Recovery Methods (00:48:21) Hannah discusses her nutrition plan, recovery methods, and the importance of sleep in her training regimen. Setting up for Success (00:54:23) Discussion on the importance of recovery, nutrition, and sleep for competitive athletes. Influential Books (00:56:01) Hannah recommends "The Ruthless Elimination of Hurry" and "You Are a Badass" as impactful reads. Mindset and Self-Reflection (00:59:42) Hannah suggests asking the next guest if their ten-year-old self would be proud of where they are now and what advice they would give. Overcoming Challenges (01:01:54) The conversation touches on how being made fun of for lifting weights led to success in CrossFit. New Weightlifting Program (01:02:08) Hannah announces the launch of her weightlifting program, detailing its content and support structure.     HANNAH IG: https://www.instagram.com/h_blackk/   JOIN OUR FB COMMUNITY: https://www.facebook.com/groups/821409229816960   FREEBIES & SPECIAL OFFERS No Brainer Fat Loss Checklist: https://ahubnutrition.myflodesk.com/fatlosschecklist Special 1:1 Coaching Offer for podcast listeners only: https://www.ahubnutrition.com/coachingapplication Group Coaching: https://www.ahubnutrition.com/90days Simple Meal Ideas Freebie: https://view.flodesk.com/pages/626c82f91e8046b220253e1b Join the email list: https://ahubnutrition.myflodesk.com/x8208kqszl FIND ME ON IG: https://www.instagram.com/ashleighmariehubbard/  IG: https://www.instagram.com/ahubnutrition/  IG: https://www.instagram.com/thewellnessdiariespodcast/

If you know the name Hannah Black, it may well be due to her winning the max snatch event in the 2023 CrossFit Games semi finals. She well and truly put herself on the map and made her one to watch going into 2024.After this episode was recorded, it was announced Hannah was going TEAM with Invictus Unconquerable out of CrossFit Invictus - an awesome twist but a fun way to see her hopefully reach the Games later this year.As always, don't forget to like, rate and subscribe to be the first to hear all about our new episodes and content!For the best CrossFit equipment, head over to Murgs.com and enter ‘WOD15' at checkout for 15% off!You can support the Podcast and my work here - https://www.buymeacoffee.com/leahsherlockCheck out HAIRSTRONG - Use code ‘SHERLOCK' - The Best Scrunchies For Workouts: Hairstrong - 10% Off | LinktreeHuge thanks to our partners THIRDZY - https://thirdzy.com- check out their products now, use ‘WODSleeper' for 20% off, and sleep easy!

We catch up with Hannah Black to see how her off-season is going and how she is preparing the the 2024 CrossFit Games Season.  What are her thoughts on the new season structure that would have made her miss Semifinals last year? and does she think she has gotten better enough to not have to worry about it? What's it like to own a Sword? How did she come to her faith?  What are her plans for the rest of the off season?

Cooper and Lab MGMT made a huge splash with their merger, signing new athletes, becoming the preeminent agency in the sport of CrossFit . . . and they're just getting started. We sit down with Cooper to catch up on the partnership, the new athletes he brought on board, when is the best time to sign athletes, and so much more.

Hannah came into semifinals as a backfill from the 62nd position.  She starts the weekend with an amazing performance and didn't let up.  After slipping a bit on Sunday she got the taste of what is possible and we found out what she is going to do to make this a consistent performance. Hannah studies body movement and got her graduate degree in BioMechanics with her thesis studying the movement quality of Isabell. She then worked with NBA Talents trying to get drafted as an internship and expanded into post physical therapy development, then one day she realized she was not cut out for the 8-5 office gig, picked up and moved to Austin, Texas, where she dove into CrossFit head first and is now never looking back.photo cred in thumbnail @emomphoto

Le Centre d'Art Contemporain Genève ouvre la Biennale de l'Image en Mouvement 2021, organisée sous la direction artistique du collectif DIS et d'Andrea Bellini.   Avec les œuvres de : Emily Allan & Leah Hennessey, Theo Anthony, Riccardo Benassi, Will Benedict & Steffen Jørgensen, Hannah Black & Juliana Huxtable & And Or Forever, DIS, Giulia Essyad, Simon Fujiwara, GRAU, Mandy Harris Williams, Camille Henrot, Sabrina Röthlisberger Belkacem, Akeem Smith et TELFAR. A voir jusqu'au  Jusqu'au 30 janvier 2022 Andrea Bellini, directeur général de la biennale nous permet de découvrir quelques artistes.  

Join Luz Cabrales and Desiree Zielinski as they chat with filmmakers Hannah Black & Megan Petersen of the film Drought.Hannah and Megan are awesome female filmmakers who are all about spreading the word that you can make movies where you live; no matter how big or small the town. They won the Seed & Spark Hometown Challenge back in 2017 and got the Duplass Brothers to executive produce their film. Be sure to check out the film and join us for this inspiring conversation.Rent/Purchase Drought on Amazon Prime Video.

Hannah Black and Megan Petersen have taken different roads to their place in the film industry. Once their paths converged in an acting class, it set off a chain of creative events that resulted in the award-winning independent film, Drought. The co-creators, co-directors and co-stars talk about the project's long road from start to finish, the messages they wanted to convey, and the one word not contained in their vocabularies.

Podcasters! Hannah Black and Niki Kottmann, both journalists with the Wyoming Tribune Eagle, joined us for an in depth discussion about their recent research on how government participation, voting, and elected leadership positions represent the minority voice. And if not, why? In short, the overwhelming answer is no. Listen to the episode to hear their thoughts and findings. We appreciate you Niki and Hannah for your precious time!   

This week Hannah Black from Wingate University is going to be joining us to talk all things from how the Lord provides Christian community to loving people and telling them to further the Kingdom! I can't wait for y'all to hear all of the cool things that the Lord has taught Hannah and even the way that He has been working through her new blog, Love Them Tell Them!

This week Liz and Alrik welcome return guests Hannah Black and Megan Petersen to talk about their first feature film Drought, which won Seed and Spark's Hometown Heroes competition back in 2017. Megan and Hannah talk to us about what they have learned from working with Mark and Jay Duplass on their film and the long road they took to getting their film finished once they got their greenlight! We also have international filmmakers (names) to talk about their latest 1980's inspired sci-fi short film ‘Slice of Life' which they made using all the old techniques used on films like Blade Runner and no CGI whatsoever!   Where to Find Megan, Hannah, Dino and Luka! Megan and Hannah's Website! Drought on Facebook! Slice of Life's Website Dino Julius' Website Contact Liz & Alrik Send us an email You can find Liz Manashil @ www.lizmanashil.com You can find Alrik @ www.alrikbursell.com You can now find MMIH @ mmihpodcast on instagram! Leave a comment on our website Find us on our Facebook Community Page Contact us on Twitter and Facebook

Season 2 of Head Above Water rolls on! This week's episode is a Dances With Films festival special!On today's show, we talk with Megan Petersen & Hannah Black from the film Drought about being first-time feature filmmakers, the excitement and subsequent pressure of winning crowdfunding platform Seed & Spark's Hometown Heroes contest, working with Mark & Jay Duplass, and why their filmmaking home will always be Wilmington, North Carolina.Drought's second Dances With Films screening is tomorrow, September 1, 2020, and tickets are still available!!! Watch the trailer and purchase your tickets right now at the festival's virtual box office here:https://dwfla.com/2020/movies/drought/You can follow the film as it makes its way around the virtual circuit on the following social media platforms:Seed & Spark Fundraising PageFacebookTwitterMegan's TwitterHannah's TwitterMegan's IMDb PageHannah's IMDb PageSupport the show (https://www.buymeacoffee.com/HeadAboveWater)

Last year I had the fortune of interviewing Hannah Black & Megan Petersen all about their feature film Drought for Episode 64 of the podcast. As a refresher, this is the creative duo whose debut feature was crowdfunded on Seed & Spark before landing a $50K investment from the Duplass Bros, the film’s Executive Producers. While our first interview was centered around the origin story of this feature film, this time around we talk all about the project’s “second act.” We go into detail on the creative finishing work that went into this movie, the unique challenges of navigating film festivals during these uncertain times, release intentions and strategies for the film, and much more! Links from the show- Drought - Twitter Drought - Facebook Drought - Instagram Drought - Seed & Spark For more content like this visit www.noamkroll.com

Episode summary: What is principal to an art institution when it comes to big commitments such as commissioning? To what extent museums can contribute to the discourse about socio-ecological emergencies and How to remain relevant if people can't physically visit the space? In this week's episode, Suad Garayeva-Maleki, the Artistic Director of YARAT Contemporary Art Space in Baku, Azerbaijan, dives into the interdisciplinary universe of a contemporary art institution and the Politics of Ecology, Social practice and Humanocentrism. In this bold and crucial conversation Suad talks about a museum as a place where people come together and think together, where international artists arrive to create a work in response to regional context in order to become easily translatable to the local communities, and where ambitious projects should be realised focusing on eco- aesthetics and critical social issues.About the speaker: Suad Garayeva-Maleki is the Artistic Director of YARAT Contemporary Art Space, Baku, Azerbaijan. YARAT is a not-for-profit institution with 3 exhibition venues, an international artist residency and a multidisciplinary public and education programme, including lectures, workshops, and festivals. Suad has worked on special commissions and projects by artists such as Goshka Macuga, Neil Beloufa, Hannah Black, Oscar Murillo, Vajiko Chachkhiani, Taus Makhacheva, Babi Badalov, Aida Mahmudova, Pedro Gomez-Egaña, Ilkin Huseynov, Zamir Suleymanov and others, as well as numerous thematic group shows. She also curated "The Union of Fire and Water"- YARAT's critically acclaimed Collateral Event at the 56th Venice Biennale in Palazzo Barbaro with Almagul Menlibayeva and Rashad Alakbarov. Her curatorial activity includes independent projects such as Mike Nelson's "Cloak" for Nouveau Musee National de Monaco (2016) and "It's OK to Change Your Mind: Contemporary Russian Art from the Gazprombank Collection" for MAMbo, Bologna (2018). Prior to joining YARAT in 2014, she was a specialist at Sotheby's London where she curated groundbreaking exhibitions “At The Crossroads: Contemporary Art from Caucasus and Central Asia” (2013) and “At The Crossroads 2: Art from Istanbul to Kabul” (2014), as well as heading up the “Contemporary East” sales. She was a faculty member at Istituto Europeo di Design Venice in 2015-2016 and is a PhD candidate at the European Graduate School, Saas Fee.Hosts: Farah Piriye and Elizabeth ZhivkovaSign up for ZEITGEIST19's newsletter at https://www.zeitgeist19.comFor sponsorship enquiries, comments, ideas and collaborations, email us at info@zeitgeist19.com

Today I talk about the journey of creating a successful independent film with two ladies who've done it with their feature Drought, Megan Peterson and Hannah Black! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/michael-kruger/support

“It’s all about hospitality and inclusivity.” Hannah Black, Carla Perez-Gallardo and Wheeler are partners at Lil Deb’s Oasis in Hudson, New York - a restaurant they imagined would serve as an oasis where people from all over the world could exist. Hannah and Carla, two art school graduates, met while working on a Vietnamese-inspired food truck in the Catskills and quickly realized that their language about cooking and sensibilities were well matched. First running a catering business, then hosting a weekly pop-up dinner series together, the two finally got the opportunity to open up a restaurant of their own. After years of executing on others' visions and feeling like the landscape was impossible to exist in as a person of color or as a woman, they were ready to create something different. Hannah and Carla, semifinalists for the 2020 James Beard Award: Best Chef New York Category, met Wheeler along the way and the duo soon brought them in as a third partner in the oasis. In this episode, we discuss the evolution of Lil Deb's, the type of tropical comfort food and wine they serve up and how they’re adjusting to the current climate. Tune in and follow @lildebsoasis and @fromthegrounduppod on Instagram!

Locked in your room, theres no way out. All thats left, HannaH Black, Aliens, Susan Cinciolo, Global Consciousness Project, why wont capitalism save us anymore. Please let us go to New York, reopen your hearts.

The filmmaking world is not an easy one (to put it extremely lightly) and filmmakers are rarely prepared to cope with the ups and downs of the emotional journey. Hudson chats with actors/writers/directors Megan Peterson & Hannah Black about the insane roller coaster journey they've experienced on their Duplass Brothers produced film, Drought, and what it takes to keep going in the face of smashed expectations. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Hannah Black is a High School teacher, trainer and nutritionist, but for a long time she thought she was going to be an occupational and speech therapy. She says after graduating your career might take some some twists and turns, but it will help you figure out what is the best career choice for you.

This episode is for the mom of a special needs child as well as her friends who wish to support her. As with every difficulty we face in life, there are lies that crop up which hinder you from overcoming the challenge with grace and peace. Listen in while Hannah Black and I discuss several lies that moms of special needs children may be believing.Show NotesI’m undeserving of difficulty (i.e. God isn’t just)Comparing my child to typical/other Angelman Syndrome kids (i.e my life would be better if…)God does not have my child’s best interest at heart (i.e. God is not good)My child’s disorder is my fault (i.e. God is not in control)Music: "Our Great Savior" copyright by Galkin Evangelistic Team. Arrangement copyright by Reba Snyder. Used with permission.

You’ve got a friend or neighbor who has a child with special needs, but honestly, you just have no idea how to interact with her or her kid. What do you say? What do you do? What is her life like each day? In this episode I chat with my friend Hannah Black about her son Benjamin who has Angelman Syndrome. She shares her heart about some of the challenges that she, Benjamin, and her family face each day, and she shares some tips on just how you can be supportive of someone with a different needs child.Show NotesDefinition of Angelman SyndromeWhat Benjamin’s life is likeWhat life is like as a caregiverHow to relate to a caregiver and child with special needs ResourcesTo learn more about genetic therapies, cureangelman.orgFor for general info on AS, angelman.orgParenting or connecting with special needs: Heather Avis’ The Lucky Few,” “Scoot Over and Make Some Room” Andrew and Rachel Wilson’s The Life We Never Expected, Advocate like a Mother podcastMusic: "Our Great Savior" copyright by Galkin Evangelistic Team. Arrangement copyright by Reba Snyder. Used with permission.

On this episode, Sophia Freeman and Pamela C. are joined by Allison Hewitt-Ward, a New York Platypus member and art critic. They discuss the recent crack-up at the Whitney Museum of American Art, and the relationship between art and political protest. In the second segment, Sophia and Pam interview Goldsmiths University’s graduating Masters art students, Alexander Pierce, Lydia Blakeley, Fred Bungay, Paula Pinho Martins Nacif and Sara Rodrigues, about the relationship between art and freedom and if the censorship of art is ever justified. Feedback, criticism, and questions are always welcome. Drop us an e-mail at shitplatypussays@gmail.com. Links: “Art and the Commodity Form”, a Platypus panel at Goldsmiths, University of London (October 11, 2016). The panel brought together Rex Dunn, independent Marxist and writer; Zhoe Granger, a director of the gallery, project space, and art publisher, Arcadia Missa; and Peter Osborne, editor of the journal Radical Philosophy and professor of Modern European Philosophy at Kingston University. Sophia Freeman of Platypus moderated the panel. https://platypus1917.org/2016/12/21/art-commodity-form-3/ "A Whitney Museum Vice Chairman Owns a Manufacturer Supplying Tear Gas at the Border" (November 27, 2018) https://hyperallergic.com/472964/a-whitney-museum-vice-chairman-owns-a-manufacturer-supplying-tear-gas-at-the-border/ "The Tear Gas Biennial" (July 17, 2019) A statement from Hannah Black, Ciarán Finlayson, and Tobi Haslett https://www.artforum.com/slant/a-statement-from-hannah-black-ciaran-finlayson-and-tobi-haslett-on-warren-kanders-and-the-2019-whitney-biennial-80328 "What Warren Kanders’s Defeat at the Whitney Teaches Us About How Protest Works Now" by Ben Davis (July 26, 2019) https://news.artnet.com/opinion/kanders-resignation-whitney-1580551 Spencer Leonard (Platypus) on Adam Smith, an interview with Douglas Lain for Zero Squared https://youtu.be/cApVoE_A-JM Book Review: Ben Davis, 9.5 Theses on Art and Class (Chicago: Haymarket Books, 2013) by Robin Treadwell in Platypus Review 63 (February 2014) https://platypus1917.org/2014/02/01/the-artist-at-work/ Pictured: Sara Rodrigues, "Degrees of Abstraction" (2019), performance & installation. Clip: https://www.youtube.com/watch?v=3o2FztlYeMA

So beautiful to see artworkers on the cover of the paper of record! Too bad NYT whiffs it so hard—for an article about worker struggle they sure showcase a lot of bosses. We discuss how the media frames systemic issues in defeatist or individualist terms, we push against the scarcity mindset, encourage more decentralized actions, … Continue reading "Episode 48 – Unions Rule, New York Times Drools"

Dr John Blakinger speaks about the controversy surrounding Dana Shutz's painting of the body of Emmett Till exhibited at the 2017 Whitney Biennnial. Who has the right to see in an age of image overload? At the 2017 Whitney Biennial, a painting by the artist Dana Schutz depicting the body of Emmett Till, a fifteen-year-old African-American boy lynched in Mississippi in 1955, incited outrage. The artists Hannah Black and Parker Bright condemned the work as "black death spectacle." The episode resuscitated debates over the use and abuse of traumatic pictures, and the way visual images propelling the Civil Rights movement also exploited their subjects.

Dr John Blakinger speaks about the controversy surrounding Dana Shutz's painting of the body of Emmett Till exhibited at the 2017 Whitney Biennnial. Who has the right to see in an age of image overload? At the 2017 Whitney Biennial, a painting by the artist Dana Schutz depicting the body of Emmett Till, a fifteen-year-old African-American boy lynched in Mississippi in 1955, incited outrage. The artists Hannah Black and Parker Bright condemned the work as "black death spectacle." The episode resuscitated debates over the use and abuse of traumatic pictures, and the way visual images propelling the Civil Rights movement also exploited their subjects.

Dr John Blakinger speaks about the controversy surrounding Dana Shutz's painting of the body of Emmett Till exhibited at the 2017 Whitney Biennnial. Who has the right to see in an age of image overload? At the 2017 Whitney Biennial, a painting by the artist Dana Schutz depicting the body of Emmett Till, a fifteen-year-old African-American boy lynched in Mississippi in 1955, incited outrage. The artists Hannah Black and Parker Bright condemned the work as "black death spectacle." The episode resuscitated debates over the use and abuse of traumatic pictures, and the way visual images propelling the Civil Rights movement also exploited their subjects.

On this week’s episode, I interview two amazing filmmakers - Hannah Black and Megan Petersen - who are in post-production for their $50K micro-budget feature Drought. Having never made a feature before, they were able to write an incredible script, raise $25K in crowdfunding through Seed & Spark, and an additional $25K through the Duplass Brothers who are Executive Producers on the project. Over the course of the interview we cover their entire process from A to Z - From the development of their first screenplay draft to shooting the movie in 18 days, and pushing through post-production with their sights set on a festival run - Not letting anything stop them along the way, including a massive hurricane that hit in the middle of production! Links from the show: Mark Duplass SXSW Keynote - https://www.youtube.com/watch?v=nZeWOAliA6Y Hannah on Facebook - http://facebook.com/hannahblack Hannah on Instagram - http://instagram.com/hannahfrazelleblack Megan on Facebook - https://www.facebook.com/megan.petersen.545 Megan on Instagram - http://instagram.com/megan.petersen.ilm Drought The Movie on Facebook - https://www.facebook.com/droughtthemovie Drought The Movie on Instagram - https://www.instagram.com/droughtthemovie Drought The Movie on Twitter - https://twitter.com/droughtthemovie For more content like this visit www.noamkroll.com

Hannah Black and I sit down and discuss her spectacular Masquerade costumes including original and adapted designs for Doctor Who, Legend of the Seeker, The Hobbit and Star Wars! Check it out!

Classic Friendship Podcasts Episode 2 The One With The Lifestyle Featuring Ursula Wild 00:37 // Leslie Kulesh 12:05 // Hannah Black 20:06 and 37:22 // Ann Hirsch 22:08 // Musical indents by Lucy Duncan Visit Classicfriendship.com