Podcasts about alain locke

In March of 1924, more than 100 Black and white attendees were at a dinner party in downtown Manhattan. The party was organized by prominent thinkers Charles S. Johnson and Alain Locke and included people like W.E.B. DuBois. Their goal was to bring together Harlem’s young Black writers with white publishers to help the writers’ work find a national audience. The party was a success. So much so that it’s often considered the start of the period known as the Harlem Renaissance. The Harlem Renaissance saw a boom in the popularity of Black writers, just as the party’s organizers hoped. Writers like Langston Hughes and Zora Neale Hurston might get the most attention, but the period was not just about writing— music and visual arts also flourished. This hour, we’re listening back to our episode exploring the legacy of the Harlem Renaissance. UConn professor Erika Williams joins us to explain what the Harlem Renaissance was and to help us understand how people thought about queerness during the Harlem Renaissance. We’ll also hear from Denise Murrell who curated a recent exhibition at the Metropolitan Museum of Art called "The Harlem Renaissance and Transatlantic Modernism." She says exhibits like this one can help expand the museum-going public. GUESTS: Erika Williams: Associate Professor of English and Africana Studies at the University of Connecticut. Denise Murrell: Merryl H. & James S. Tisch Curator at Large at the Metropolitan Museum of Art. She recently curated an exhibit called "The Harlem Renaissance and Transatlantic Modernism," which was on view at the Metropolitan Museum of Art in 2024. Brandon Hutchinson: Associate Professor of English, Affiliate Faculty of Women and Gender Studies and Co-Coordinator of the Africana Studies Program at Southern Connecticut State University. Jonah Craggett: one of Brandon Hutchinson's former students John Guillemette: one of Brandon Hutchinson's former students Frankie Devevo: one of Erika Williams' former students and former CT Public intern To learn more about Zora Neale Hurston, you can listen to our interview with Tracy Heather Strain. This episode originally aired on December 20, 2024.See omnystudio.com/listener for privacy information.

This year marks the 100th anniversary of Alain Locke's classic essay "The New Negro" and the literary anthology featuring the work of Langston Hughes, Zora Neale Hurston, Countee Cullen and other significant black writers of the day.The rising artistic scene would soon be known as the Harlem Renaissance, one of the most important cultural movements in American history. And it would be centered within America's largest black neighborhood -- Harlem, the "great black city," as described by Wallace Thurman, with a rising population and growing political and cultural influence.During the 1920s, Harlem became even more. Along "Swing Street" and Lenox Avenue, nightclubs and speakeasies gave birth to American music and fostered great musical talents like Count Basie, Billie Holiday and Duke Ellington. Ballrooms like the Savoy and the Alhambra helped turn Harlem into a destination for adventure and romance.What were these two worlds like -- the literary salons and the nightclubs? How removed were these spheres from the everyday lives of regular Harlem residents? How did the neighborhood develop both an energetic and raucous music scene and a diverse number of churches -- many (like the Abyssinian Baptist Church) still around today?Visit the website for more details and more podcastsGet tickets to our March 31 City Vineyard event Bowery Boys HISTORY LIVE! hereAnd join us for our Gilded Age Weekend in New York, May 29-June 1, 2025. More info here.This episode was edited by Kieran Gannon

"Healthcare attracts a lot of good people, but it also attracts a lot of morally unscrupulous people who consistently demonstrate their willingness to do horribly unethical stuff to make a lot of money."Join us for many mic-drop moments with recording artist-turned-healthcare-investor D.A. Wallach, who tells it like it is—but in a nice way only someone who grew up in the Midwest can.From questioning the "doctor" honorific to calling large health systems "the root of evil," D.A. challenges healthcare's sacred cows and offers a provocative vision for the future.We cover:

In March of 1924, more than 100 Black and white attendees were at a dinner party in downtown Manhattan. The party was organized by prominent thinkers Charles S. Johnson and Alain Locke and included people like W.E.B. DuBois. Their goal was to bring together Harlem’s young Black writers with white publishers to help the writers’ work find a national audience. The party was a success. So much so that it’s often considered the start of the period known as the Harlem Renaissance. The Harlem Renaissance saw a boom in the popularity of Black writers, just as the party’s organizers hoped. Writers like Langston Hughes and Zora Neale Hurston might get the most attention, but the period was not just about writing— music and visual arts also flourished. This hour, we’re exploring the legacy of the Harlem Renaissance in honor of its 100th anniversary. UConn professor Erika Williams joins us to explain what the Harlem Renaissance was and to help us understand how people thought about queerness during the Harlem Renaissance. We’ll also hear from Denise Murrell who curated a recent exhibition at the Metropolitan Museum of Art called "The Harlem Renaissance and Transatlantic Modernism." She says exhibits like this one can help expand the museum-going public. GUESTS: Erika Williams: Associate Professor of English and Africana Studies at the University of Connecticut. Denise Murrell: Merryl H. & James S. Tisch Curator at Large at the Metropolitan Museum of Art. She recently curated an exhibit called "The Harlem Renaissance and Transatlantic Modernism," which was on view at the Metropolitan Museum of Art earlier this year. To learn more about Zora Neale Hurston, you can listen to our interview with Tracy Heather Strain.See omnystudio.com/listener for privacy information.

Fundraiser link here: https://www.eventbrite.com/e/1026719635067?aff=oddtdtcreator On October 29th, 1931, The Rochester Philharmonic in New York State presented the world premiere of a new symphony by the composer William Grant Still. A symphonic premiere is always something to look out for in musical history, but this one had an even greater significance. The premiere of Wiliam Grant Still's First Symphony, subtitled  “Afro American,” was the first time a symphony written by a Black American composer was performed by a leading orchestra. William Grant Still was a man of many firsts, whether he was the first Black American conductor to conduct a major orchestra, the first to have an opera performed by a major company, the first Black American to conduct an orchestra in the South of the United States, and much more. Today we're going to focus in on Grant Still's first symphony, a symphony that Grant Still had long thought about, conceptualized, and dreamed of. It was also a symphony wrapped up in the roiling currents of Black America at the time, with the Harlem Renaissance in full swing and Alain Locke's tract The New Negro sparking discussion and debate all over the country. It was a symphony that attempted to do something no one had ever done before; that is, to marry together the genre of the Blues with that of symphonic music. Until 1950, it was THE most performed symphony written by an American composer. But until 10 or 15 years ago, it had all but disappeared from the stage, but due to the explosion of interest in Black American composers of the past and present, this brilliant symphony is making its way back onto stages all over the world. The way that Grant Still constructed this meeting of two genres of music was ingenious and innovative from start to finish, and so today on the show we'll explore all of the historical context of the symphony, what Grant Still was trying to do with his monumental new endeavor, and of course, all of the music itself. I want to thank John McWhorter for his brilliant contributions to this episode, as well as the Aalborg Symphony for embarking on a fantastic recording of the symphony, which you will hear throughout this episode.  

Welcome to the Instant Trivia podcast episode 1156, where we ask the best trivia on the Internet. Round 1. Category: That Old Time Television 1: This 1950s Nelson family sitcom ran for 14 years. Ozzie and Harriet. 2: 2 of the 3 full-time "Tonight Show" hosts before Jay Leno. (2 of 3) Steve Allen, Jack Paar and Johnny Carson. 3: This actress' TV character Alexis Carrington was once described as "starts with B, rhymes with rich". Joan Collins. 4: With boxing as her category, Dr. Joyce Brothers won the top prize on this TV quiz show. The $64,000 Question. 5: Jeepers, Dr. Smith! On TV's "Lost in Space", this actor played the youngest Robinson. Billy Mumy. Round 2. Category: Soccer 1: At the beginning of a game, the choice of goal and kickoff is decided by this. a toss of a coin. 2: =. =. 3: Like a castle, a soccer field in Rio is surrounded by this to keep out overzealous fans. a moat. 4: First held in Uruguay in 1930, it's the largest single-sport tournament in the world. the World Cup. 5: International competition for this trophy began in 1930. World Cup. Round 3. Category: African-American Biography 1: "The Road to Freedom" is the subtitle of Catherine Clinton's bio of this 19th century woman. Harriet Tubman. 2: Jonathan Eig's bio of this champ who passed away in 2016 is one of the "Greatest" sports biographies. Ali. 3: "The New Negro" is "The Life of Alain Locke", the first African American to earn this honor that sent him to Oxford. a Rhodes Scholarship. 4: "Talking at the Gates" is "A Life of" this "If Beale Street Could Talk" novelist. James Baldwin. 5: Published in 2007, "Supreme Discomfort" is a portrait of this jurist. Clarence Thomas. Round 4. Category: Country Groups 1: The "Lady" in this group that won 5 2010 ACM Awards is Hillary Scott, daughter of country singer Linda Davis. Lady Antebellum. 2: Randy Owen fronted this "stately" group whose hits include "Christmas in Dixie" and "Born Country". Alabama. 3: This organization was formed in April 1949 to counter the Soviet Union. NATO. 4: This country group stays in motion with hits like "I'm Movin' On" and "Life Is A Highway". Rascal Flatts. 5: In 1981 they burned up the pop and country charts singing, "My heart's on fire, Elvira". The Oak Ridge Boys. Round 5. Category: Where It'S At. With At in quotation marks 1: Goldthwait's moniker. Bobcat. 2: It's his political party. Democrat. 3: Omar Khayyam's handiwork. "The Rubaiyat". 4: This neck scarf is named for its resemblance to one worn by Croatian soldiers. Cravat. 5: The Captain and Tennille sang of this kind of beastly love. "Muskrat Love". Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used

After the requisite amount of Taylor Swift & Super Bowl talk, we kick off our Black History Month episodes! Indy recounts some of his favorite novels from the Harlem Renaissance, from authors like Zora Neale Hurston, James Baldwin, Richard Wright, & others, Samantha recommends Michelle Obama's memoir Becoming, and we preview the 1967 classic In The Heat Of The Night! I Love This You Should Too is hosted by Samantha & Indy Randhawa The Harlem Renaissance was an intellectual and cultural revival of African American music, dance, art, fashion, literature, theater, politics and scholarship centered in Harlem, Manhattan, New York City, spanning the 1920s and 1930s. At the time, it was known as the "New Negro Movement", named after The New Negro, a 1925 anthology edited by Alain Locke. The movement also included the new African American cultural expressions across the urban areas in the Northeast and Midwest United States affected by a renewed militancy in the general struggle for civil rights, combined with the Great Migration of African American workers fleeing the racist conditions of the Jim Crow Deep South, as Harlem was the final destination of the largest number of those who migrated north.   Michelle LaVaughn Robinson Obama (born January 17, 1964) is an American attorney and author who served as the first lady of the United States from 2009 to 2017, being married to former president Barack Obama.   In the Heat of the Night is a 1967 American neo-noir mystery drama film directed by Norman Jewison, produced by Walter Mirisch, and starring Sidney Poitier and Rod Steiger. It tells the story of Virgil Tibbs (Poitier), a Black police detective from Philadelphia, who becomes embroiled in a murder investigation in a small town in Mississippi. The film was adapted by Stirling Silliphant from John Ball's 1965 novel of the same name. Released by United Artists in August 1967, the film was a widespread critical and commercial success. At the 40th Academy Awards the film was nominated for seven Oscars, winning five including Best Picture, Best Adapted Screenplay, and Best Actor for Rod Steiger. Quincy Jones' score, featuring a title song performed by Ray Charles, was nominated for a Grammy Award. The success of the film spawned two film sequels featuring Poitier, and a television series of the same name, which aired from 1988 to 1995. In The Heat Of The Night Trailer: https://www.youtube.com/watch?v=d15DhX_ltls&ab_channel=MGM

On October 29th, 1931, The Rochester Philharmonic presented the world premiere of a new symphony by the composer William Grant Still. A symphonic premiere is always something to look out for in musical history, but this one had an even greater significance. The premiere of Wiliam Grant Still's First Symphony, subtitled  “Afro American,” was the first time a symphony written by a Black American composer was performed by a leading orchestra. William Grant Still was a man of many firsts, whether he was the first Black American conductor to conduct a major orchestra, the first to have an opera performed by a major company, the first Black American to conduct an orchestra in the South of the United States, and much more.  Today we're going to focus in on Grant Still's first symphony, a piece that Grant Still had long thought about, conceptualized, and dreamed of. It was also a symphony wrapped up in the roiling currents of Black America at the time, with the Harlem Renaissance in full swing and Alain Locke's tract The New Negro sparking discussion and debate all over the country. It was a symphony that attempted to do something no one had ever done before, that is, to marry together the genre of the Blues with that of symphonic music. At the time of its premiere and afterwards, it was quite a success, and until 1950, it was THE most performed symphony written by an American composer. After 1950, the symphony practically disappeared from concert stages, but due to the explosion of interest in Black American composers of the past and present, this brilliant symphony is making its way back into the repertoire of orchestras all over the world. The way that Grant Still constructed this meeting of two genres of music was ingenious and innovative from start to finish, and so today on the show we'll explore all of the historical context of the symphony, what Grant Still was trying to do with his monumental new endeavor, and of course, all of the music itself. I'm also joined today by the great writer and linguist John McWhorter, who discusses the 4 Paul Laurence Dunbar poems Grant Still added to each movement as epigraphs, as well as their cultural context. Join us!

This episode will discuss the age old questions of what is Black theatre? What is a Black play? How do you know one when you see it? Leticia Ridley and Jordan Ealey provide an overview of the some of the most popular commentary on this question from Black theatre theorists of the past such as W.E.B Dubois, Alain Locke, and Alice Childress.

Alain Locke was born on September 13, 1885. He was best known for his influential work during the Harlem Renaissance. He also graduated with honors from Harvard University in 1907 and became the first African American to be selected as a Rhodes Scholar. Locke's contributions extended beyond his academic achievements, as he also played a significant role in advancing civil rights and advocating for LGBTQ rights, notably being an openly gay man during a time when such openness was often met with societal prejudice and discrimination. Locke's groundbreaking work included 1925's "The New Negro," which showcased the artistic and intellectual contributions of Black artists and writers during the Harlem Renaissance. He believed in the power of culture and the arts to uplift and empower marginalized communities. In 1954, he passed away at 68 years old. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's poem is Alain Locke in Stoughton Hall by John Keene. The Slowdown is your daily poetry ritual. In this episode, Major writes… “Today's dramatic monologue reminds me that poets are also archivists, storytellers who celebrate the past. We go beyond our self as subject matter to become humanity's finest chroniclers.” Celebrate the power of poems with a gift to The Slowdown today. Every donation makes a difference: https://tinyurl.com/rjm4synp

Dr. Greg Carr is on the road at the burial grounds of Alain Leroy Locke. During this class, he also pays tribute to Charles Blockson who made transition June 14, 2023. #Inclasswithcarr #CharlesBlockson #AlainLockeFor more breadcrumbs (and a full meal) JOIN KNARRATIVE: https://www.knarrative.com it's the only way to get into #Knubia, where these classes are held live with a live chat.To shop Go to:TheGlobalMajoritySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This episode covers the Harlem Renaissance.  Harlem was once inhabited by Native Americans and was mainly farmland. Over time it evolved to what we know today.  I do not want to spoil all of the terrific information that Jeananne goes into, but to whet your appetite, you can look forward to learning about Strivers Row, The Apollo Theater, Langston Hughes, Aaron Douglas, WEB Dubois, Alain Locke, and Marcus Garvey to name just a few headliners in this podcast.    There is always more to learn, talk to you all soon! -Jimmy & Jean

Guest: Jeffrey C. Stewart, Professor of Black Studies at the University of California, Santa Barbara and winner of the National Book Award for Nonfiction and the Pulitzer Prize in Biography for his book The New Negro: The Life of Alain Locke. The post Alain Locke & and the Harlem Renaissance appeared first on KPFA.

“Faith Ringgold” Black is bautifulau Musée national Picasso, Parisdu 31 janvier au 2 juillet 2023Interview de Cécile Debray, présidente du Musée national Picasso-Paris et commissaire de l'exposition,par Anne-Frédérique Fer, à Paris, le 30 janvier 2023, durée 8'15.© FranceFineArt.https://francefineart.com/2023/01/31/3375_faith-ringgold_musee-national-picasso/Communiqué de presse Commissariat :Cécile Debray, conservatrice générale du patrimoine, présidente du Musée national Picasso-ParisLe Musée national Picasso-Paris accueille la première exposition en France réunissant un ensemble d'oeuvres majeures de Faith Ringgold. Figure emblématique d'un art engagé et féministe américain, depuis les luttes pour les droits civiques jusqu'à celles des Black Lives Matter, auteur de très célèbres ouvrages de littérature enfantine, Faith Ringgold a développé une oeuvre qui relie le riche héritage de la Harlem Renaissance à l'art actuel des jeunes artistes noirs américains. Elle mène, à travers ses relectures de l'histoire de l'art moderne, un véritable dialogue plastique et critique avec la scène artistique parisienne du début du XXème siècle, notamment avec Picasso et ses Demoiselles d'Avignon.Née à New York en 1930, Faith Ringgold a grandi à Harlem, quartier nord de Manhattan devenu, dans l'entre-deux guerres, la capitale symbolique de l'éveil culturel des communautés noires, encouragé notamment par l'ouvrage The New Negro (1925) de l'écrivain et philosophe Alain Locke. Elle a passé son enfance dans une communauté florissante de créateurs, de musiciens, d'écrivains et de penseurs. Elle a continué à y vivre et à y travailler en tant qu'artiste et enseignante dans les écoles publiques pendant des décennies. C'est là où se sont formés ses engagements artistiques, culturels et familiaux. L'ensemble du parcours de l'artiste témoigne de sa quête et de sa création de formes singulières propres à l'exploration radicale de l'identité sexuelle et raciale. Cette exposition est la première à réunir, en France, un ensemble d'oeuvres majeures de Faith Ringgold. Elle prolonge la rétrospective que lui a consacré le New Museum au début de l'année 2022 et est organisée en collaboration avec cette institution new-yorkaise.Catalogue de l'exposition Faith Ringgold aux éditions Musée national Picasso-Paris – RMN-Grand-Palais#RinggoldPicasso Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

This episode, we are honored to be joined by the incredible, Turner Prize-nominated artist and filmmaker, Isaac Julien. Born in 1960 in London, Isaac is one of the leading artists working in film and video today. His 1989 film Looking for Langston garnered a cult following with this poetic exploration of Langston Hughes and the Harlem Renaissance. Over the past three decades he has made work using multi-screen installations to express fractured narratives exploring memory and desire. Earlier this year, he was commissioned by the Barnes Foundation in Philadelphia to create a work to celebrate the museums' centennial. Titled Once Again . . . (Statues Never Die), the immersive five-screen installation b explored the relationship between the museum's founder, Dr. Albert C. Barnes, and the famed philosopher and cultural critic Alain Locke. In even more exciting news, next year, Isaac will be the subject of a solo exhibition at London's Tate Britain in April, presenting a survey of his work from the last 40 years. Isaac was appointed Commander of the Order of the British Empire (CBE) in 2017 and was knighted by the Queenin the 2022 for services to diversity and inclusion in art. Some artists, curators, and actors discussed in this episode: Sankofa Film and Video Collective Maggie Cheung David Bowie and Marc Bolan Barry Jenkins Mark Nash James Franco Tilda Swinton For images, artworks, and more behind the scenes goodness, follow @artfromtheoutsidepodcast on Instagram. Enjoy!

El escritor y filósofo Alain Locke, un destacado portavoz crítico y artístico del Renacimiento de Harlem, llamó al jazz "clásico" "una de las principales contribuciones culturales de los negros, es la esperanza actual de una música norteamericana seriamente representativa". Con José Manuel Corrales.

In An American Friendship: Horace Kallen, Alain Locke, and the Development of Cultural Pluralism (Cornell UP, 2022), David Weinfeld presents the biography of an idea, cultural pluralism, the intellectual precursor to modern multiculturalism. He roots its origins in the friendship between two philosophers, Jewish immigrant Horace Kallen and African American Alain Locke, who advanced cultural pluralism in opposition to both racist nativism and the assimilationist "melting pot." It is a simple idea—different ethnic groups can and should coexist in the United States, perpetuating their cultures for the betterment of the country as whole—and it grew out of the lived experience of this friendship between two remarkable individuals. Kallen, a founding faculty member of the New School for Social Research, became a leading American Zionist. Locke, the first Black Rhodes Scholar, taught at Howard University and is best known as the intellectual godfather of the Harlem Renaissance and the editor of The New Negro in 1925. Their friendship began at Harvard and Oxford during the years 1906 through 1908 and was rekindled during the Great Depression, growing stronger until Locke's death in 1954. To Locke and Kallen, friendship itself was a metaphor for cultural pluralism, exemplified by people who found common ground while appreciating each other's differences. Weinfeld demonstrates how this understanding of cultural pluralism offers a new vision for diverse societies across the globe. An American Friendship provides critical background for understanding the conflicts over identity politics that polarize US society today. Hettie V. Williams Ph.D., is an Associate Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In An American Friendship: Horace Kallen, Alain Locke, and the Development of Cultural Pluralism (Cornell UP, 2022), David Weinfeld presents the biography of an idea, cultural pluralism, the intellectual precursor to modern multiculturalism. He roots its origins in the friendship between two philosophers, Jewish immigrant Horace Kallen and African American Alain Locke, who advanced cultural pluralism in opposition to both racist nativism and the assimilationist "melting pot." It is a simple idea—different ethnic groups can and should coexist in the United States, perpetuating their cultures for the betterment of the country as whole—and it grew out of the lived experience of this friendship between two remarkable individuals. Kallen, a founding faculty member of the New School for Social Research, became a leading American Zionist. Locke, the first Black Rhodes Scholar, taught at Howard University and is best known as the intellectual godfather of the Harlem Renaissance and the editor of The New Negro in 1925. Their friendship began at Harvard and Oxford during the years 1906 through 1908 and was rekindled during the Great Depression, growing stronger until Locke's death in 1954. To Locke and Kallen, friendship itself was a metaphor for cultural pluralism, exemplified by people who found common ground while appreciating each other's differences. Weinfeld demonstrates how this understanding of cultural pluralism offers a new vision for diverse societies across the globe. An American Friendship provides critical background for understanding the conflicts over identity politics that polarize US society today. Hettie V. Williams Ph.D., is an Associate Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In An American Friendship: Horace Kallen, Alain Locke, and the Development of Cultural Pluralism (Cornell UP, 2022), David Weinfeld presents the biography of an idea, cultural pluralism, the intellectual precursor to modern multiculturalism. He roots its origins in the friendship between two philosophers, Jewish immigrant Horace Kallen and African American Alain Locke, who advanced cultural pluralism in opposition to both racist nativism and the assimilationist "melting pot." It is a simple idea—different ethnic groups can and should coexist in the United States, perpetuating their cultures for the betterment of the country as whole—and it grew out of the lived experience of this friendship between two remarkable individuals. Kallen, a founding faculty member of the New School for Social Research, became a leading American Zionist. Locke, the first Black Rhodes Scholar, taught at Howard University and is best known as the intellectual godfather of the Harlem Renaissance and the editor of The New Negro in 1925. Their friendship began at Harvard and Oxford during the years 1906 through 1908 and was rekindled during the Great Depression, growing stronger until Locke's death in 1954. To Locke and Kallen, friendship itself was a metaphor for cultural pluralism, exemplified by people who found common ground while appreciating each other's differences. Weinfeld demonstrates how this understanding of cultural pluralism offers a new vision for diverse societies across the globe. An American Friendship provides critical background for understanding the conflicts over identity politics that polarize US society today. Hettie V. Williams Ph.D., is an Associate Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In An American Friendship: Horace Kallen, Alain Locke, and the Development of Cultural Pluralism (Cornell UP, 2022), David Weinfeld presents the biography of an idea, cultural pluralism, the intellectual precursor to modern multiculturalism. He roots its origins in the friendship between two philosophers, Jewish immigrant Horace Kallen and African American Alain Locke, who advanced cultural pluralism in opposition to both racist nativism and the assimilationist "melting pot." It is a simple idea—different ethnic groups can and should coexist in the United States, perpetuating their cultures for the betterment of the country as whole—and it grew out of the lived experience of this friendship between two remarkable individuals. Kallen, a founding faculty member of the New School for Social Research, became a leading American Zionist. Locke, the first Black Rhodes Scholar, taught at Howard University and is best known as the intellectual godfather of the Harlem Renaissance and the editor of The New Negro in 1925. Their friendship began at Harvard and Oxford during the years 1906 through 1908 and was rekindled during the Great Depression, growing stronger until Locke's death in 1954. To Locke and Kallen, friendship itself was a metaphor for cultural pluralism, exemplified by people who found common ground while appreciating each other's differences. Weinfeld demonstrates how this understanding of cultural pluralism offers a new vision for diverse societies across the globe. An American Friendship provides critical background for understanding the conflicts over identity politics that polarize US society today. Hettie V. Williams Ph.D., is an Associate Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

In An American Friendship: Horace Kallen, Alain Locke, and the Development of Cultural Pluralism (Cornell UP, 2022), David Weinfeld presents the biography of an idea, cultural pluralism, the intellectual precursor to modern multiculturalism. He roots its origins in the friendship between two philosophers, Jewish immigrant Horace Kallen and African American Alain Locke, who advanced cultural pluralism in opposition to both racist nativism and the assimilationist "melting pot." It is a simple idea—different ethnic groups can and should coexist in the United States, perpetuating their cultures for the betterment of the country as whole—and it grew out of the lived experience of this friendship between two remarkable individuals. Kallen, a founding faculty member of the New School for Social Research, became a leading American Zionist. Locke, the first Black Rhodes Scholar, taught at Howard University and is best known as the intellectual godfather of the Harlem Renaissance and the editor of The New Negro in 1925. Their friendship began at Harvard and Oxford during the years 1906 through 1908 and was rekindled during the Great Depression, growing stronger until Locke's death in 1954. To Locke and Kallen, friendship itself was a metaphor for cultural pluralism, exemplified by people who found common ground while appreciating each other's differences. Weinfeld demonstrates how this understanding of cultural pluralism offers a new vision for diverse societies across the globe. An American Friendship provides critical background for understanding the conflicts over identity politics that polarize US society today. Hettie V. Williams Ph.D., is an Associate Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

In An American Friendship: Horace Kallen, Alain Locke, and the Development of Cultural Pluralism (Cornell UP, 2022), David Weinfeld presents the biography of an idea, cultural pluralism, the intellectual precursor to modern multiculturalism. He roots its origins in the friendship between two philosophers, Jewish immigrant Horace Kallen and African American Alain Locke, who advanced cultural pluralism in opposition to both racist nativism and the assimilationist "melting pot." It is a simple idea—different ethnic groups can and should coexist in the United States, perpetuating their cultures for the betterment of the country as whole—and it grew out of the lived experience of this friendship between two remarkable individuals. Kallen, a founding faculty member of the New School for Social Research, became a leading American Zionist. Locke, the first Black Rhodes Scholar, taught at Howard University and is best known as the intellectual godfather of the Harlem Renaissance and the editor of The New Negro in 1925. Their friendship began at Harvard and Oxford during the years 1906 through 1908 and was rekindled during the Great Depression, growing stronger until Locke's death in 1954. To Locke and Kallen, friendship itself was a metaphor for cultural pluralism, exemplified by people who found common ground while appreciating each other's differences. Weinfeld demonstrates how this understanding of cultural pluralism offers a new vision for diverse societies across the globe. An American Friendship provides critical background for understanding the conflicts over identity politics that polarize US society today. Hettie V. Williams Ph.D., is an Associate Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

In An American Friendship: Horace Kallen, Alain Locke, and the Development of Cultural Pluralism (Cornell UP, 2022), David Weinfeld presents the biography of an idea, cultural pluralism, the intellectual precursor to modern multiculturalism. He roots its origins in the friendship between two philosophers, Jewish immigrant Horace Kallen and African American Alain Locke, who advanced cultural pluralism in opposition to both racist nativism and the assimilationist "melting pot." It is a simple idea—different ethnic groups can and should coexist in the United States, perpetuating their cultures for the betterment of the country as whole—and it grew out of the lived experience of this friendship between two remarkable individuals. Kallen, a founding faculty member of the New School for Social Research, became a leading American Zionist. Locke, the first Black Rhodes Scholar, taught at Howard University and is best known as the intellectual godfather of the Harlem Renaissance and the editor of The New Negro in 1925. Their friendship began at Harvard and Oxford during the years 1906 through 1908 and was rekindled during the Great Depression, growing stronger until Locke's death in 1954. To Locke and Kallen, friendship itself was a metaphor for cultural pluralism, exemplified by people who found common ground while appreciating each other's differences. Weinfeld demonstrates how this understanding of cultural pluralism offers a new vision for diverse societies across the globe. An American Friendship provides critical background for understanding the conflicts over identity politics that polarize US society today. Hettie V. Williams Ph.D., is an Associate Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In An American Friendship: Horace Kallen, Alain Locke, and the Development of Cultural Pluralism (Cornell UP, 2022), David Weinfeld presents the biography of an idea, cultural pluralism, the intellectual precursor to modern multiculturalism. He roots its origins in the friendship between two philosophers, Jewish immigrant Horace Kallen and African American Alain Locke, who advanced cultural pluralism in opposition to both racist nativism and the assimilationist "melting pot." It is a simple idea—different ethnic groups can and should coexist in the United States, perpetuating their cultures for the betterment of the country as whole—and it grew out of the lived experience of this friendship between two remarkable individuals. Kallen, a founding faculty member of the New School for Social Research, became a leading American Zionist. Locke, the first Black Rhodes Scholar, taught at Howard University and is best known as the intellectual godfather of the Harlem Renaissance and the editor of The New Negro in 1925. Their friendship began at Harvard and Oxford during the years 1906 through 1908 and was rekindled during the Great Depression, growing stronger until Locke's death in 1954. To Locke and Kallen, friendship itself was a metaphor for cultural pluralism, exemplified by people who found common ground while appreciating each other's differences. Weinfeld demonstrates how this understanding of cultural pluralism offers a new vision for diverse societies across the globe. An American Friendship provides critical background for understanding the conflicts over identity politics that polarize US society today. Hettie V. Williams Ph.D., is an Associate Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history. Learn more about your ad choices. Visit megaphone.fm/adchoices

In An American Friendship: Horace Kallen, Alain Locke, and the Development of Cultural Pluralism (Cornell UP, 2022), David Weinfeld presents the biography of an idea, cultural pluralism, the intellectual precursor to modern multiculturalism. He roots its origins in the friendship between two philosophers, Jewish immigrant Horace Kallen and African American Alain Locke, who advanced cultural pluralism in opposition to both racist nativism and the assimilationist "melting pot." It is a simple idea—different ethnic groups can and should coexist in the United States, perpetuating their cultures for the betterment of the country as whole—and it grew out of the lived experience of this friendship between two remarkable individuals. Kallen, a founding faculty member of the New School for Social Research, became a leading American Zionist. Locke, the first Black Rhodes Scholar, taught at Howard University and is best known as the intellectual godfather of the Harlem Renaissance and the editor of The New Negro in 1925. Their friendship began at Harvard and Oxford during the years 1906 through 1908 and was rekindled during the Great Depression, growing stronger until Locke's death in 1954. To Locke and Kallen, friendship itself was a metaphor for cultural pluralism, exemplified by people who found common ground while appreciating each other's differences. Weinfeld demonstrates how this understanding of cultural pluralism offers a new vision for diverse societies across the globe. An American Friendship provides critical background for understanding the conflicts over identity politics that polarize US society today. Hettie V. Williams Ph.D., is an Associate Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

This week, we're featuring Alain Lock, the Father of the Harlem Renaissance and an incredible trail blazer for African Americans in the academic, philosophical, and cultural realms! We examine the tensions of his legacy and reflect on the incredible advancements that he and others alongside him were able to achieve in a world determined to hold them back. 

Leonard Harris explains how Locke's value theory was the basis for his aesthetics and theories of democracy and race. 

The aesthetics of Alain Locke and its basis in his theory of value judgments.

Caitasprophy... :20 - Shoutout to the girls, the gays and the Theys...shoutout to the listeners in various markets Be sure to follow us on IG @anythingabouteveythingpog  5:34 - The Drink of the Pod - The official drink of the bougie auntie delegation....Prosecco  6:40 - Songs of the Pod - Susan Carol - "Ride or Die"; Iman Omari - "Energy"; DJ Khaled feat. Cardi B. - "Big Paper"; THE POSSIBLE - Young M.A. - "Whahlin" 16:10 - Sh%^ From the Shade Room - HAPPY MOTHERS DAY...YOU ARE APPRECIATED!!! Verzuz came through once again....verzuz has not missed....SWV vs. Xscape are no exception. It was always SWV for me Nicki Minage has something coming and the internet is shook!!!! J.Lo spotted with Ben....you mad lol Caitlyn....gggiiiiirrrrrrrlllll shut up!!! 37:40 - We pay respects to the father of the Harlem Renaissance and the first African American Rhodes Scholar, Alain Locke.  48:50 - You've Got Mail - What makes a good Dominant anyway? 1:00:10 - Mitch McConnell....douche canoa....DO YOUR JOB!!!! 1:05:10 - Exit Song - Portrait - "Here We Go"

Creative memoir of emeritus professor of English Eugene B. Redmond. Dr Treasure Shields Redmond and her well-known father Dr Eugene B. Redmond have created 24 episodes of The Memoir My Dad Wouldn't Writ‪e‬ and are going strong. This case study is radically honest and touching! ⇨ YOU WILL LEARN: * Why Treasure started the project with her English professor father * How the Mississippi native records the show * Treasure's top tips for starting a life-story project * Flick the On-Air switch like Treasure and her father to record a loved one's stories today! ⇨ FULL ARTICLE Click to read: https://www.foreveryoungautobiographies.com/poet/ ⇨ VIDEO PODCAST Click to watch: https://youtu.be/0C_oUb8zl_s ⇨ FREE GIFT Your Family Stories System: Easily capture your loved ones' memories for future generations - FREE sections, click to sign up: https://wp.me/P8NwjM-b5 ⇨ YOUR SAY Who are you thinking of interviewing or sitting down to write about? Leave me a comment below or here https://www.foreveryoungautobiographies.com/contact/ ⇨ RELATED LINKS Why you should listen to audiobooks and podcasts today ... you'll be happy you did! https://www.foreveryoungautobiographies.com/why-you-should-listen-to-audiobooks/ Life-story interview: How to set-up an interview + family interview tips https://www.foreveryoungautobiographies.com/family-stories/ Book review: New York Times Best Seller The Yellow House by Sarah M. Broom https://www.foreveryoungautobiographies.com/sarah-m-broom/ Transcription: How to make writing easier with 3 transcription writing tools https://www.foreveryoungautobiographies.com/transcription/ Book review: Pulitzer Prize winner The New Negro: The Life of Alain Locke by Jeffrey C. Stewart https://www.foreveryoungautobiographies.com/the-new-negro/ ♡ Thanks for listening - PLEASE SUBSCRIBE if you are new and SHARE THE SHOW if you found it helpful! Happy writing! ⇨ ABOUT ME Hi and welcome! My name is Nicola and I help you learn how to write and self-publish life stories for family and friends so that unique memories live on. For decades I've told thousands of people's stories as a print journalist and would love to hear yours! ⇨ WEBSITE https://www.foreveryoungautobiographies.com ⇨ FACEBOOK https://www.facebook.com/foreveryoungautobiographies ⇨ YOUTUBE https://www.youtube.com/channel/UC6nfZWWTeRpBWMcxluLDa-w

A tiny, fastidiously dressed man emerged from Black Philadelphia around the turn of the century to mentor a generation of young artists including Langston Hughes, Zora Neale Hurston, and Jacob Lawrence and call them the New Negro — the creative African Americans whose art, literature, music, and drama would inspire Black people to greatness. Professor Jeffrey Stewart brought Alain Locke’s story to the forefront with his Pulitzer Prize-winning biography, The New Negro: The Life of Alain Locke. In celebration of its paperback release, Stewart joined us in conversation with Northwest African American Museum’s LaNesha DeBardelaben to explore Locke’s legacy and his impact in promoting the cultural heritage of Black people. Stewart narrated the education of Locke and explored both Locke’s professional and private life, including his relationships with his mother, his friends, and his white patrons, as well as his lifelong search for love as a gay man. Stewart and DeBardelaben considered Locke’s promotion of the literary and artistic work of African Americans—buoyed by looking to Africa to find the proud and beautiful roots of the race—and examined how he helped establish the idea that Black urban communities could be crucibles of creativity. Don’t miss this thought-provoking conversation about the man who became known as the Father of the Harlem Renaissance. Jeffrey Stewart is a professor of Black Studies at the University of California, Santa Barbara. He is the author of Paul Robeson: Artist and Citizen and 1001 Things Everyone Should Know About African American History. LaNesha DeBardelaben is Executive Director of the Northwest African American Museum and serves as National President of the Board of Directors of the Association of African American Museums (AAAM). Buy the Book: https://bookshop.org/books/the-new-negro-the-life-of-alain-locke/9780195089578  Presented by Northwest African American Museum and Town Hall Seattle. To make a donation or become a Town Hall Seattle member click here. 

Hubert Harrison: The Struggle for Equality, 1918-1927 (Columbia University 2020) by Jeffrey B. Perry, independent scholar and archivist, is an extensive intellectual history of the life and work of Black radical and autodidact Hubert Harrison. Perry is also editor of A Hubert Harrison Reader (Wesleyan, 2001) and author of Hubert Harrison: The Voice of Harlem Radicalism, 1883-1918 (Columbia, 2008). He is the chief biographer of Hubert Harrison and Hubert Harrison: The Struggle for Equality is a follow up to his aforementioned text on Harrison. (these two volumes can be ordered from Columbia University Press at 20% discount by using Code CUP20). Perry's volume on Harrison's life from 1883 to 1918 is considered to be the first volume of an Afro-Caribbean “and only the fourth of an African American after those of Booker T. Washington, W.E.B. Du Bois, and Langston Hughes” (1). This current text is a continuation of the argument advanced in Perry's initial text on Harrison. Harrison is often left out of major surveys of the Harlem Renaissance and New Negro Era, as Perry notes, and this is likely because the Renaissance is often viewed as a movement of Black intellectual elites with formal higher education. That said, Harrison was a working-class self-taught man who wrote reviews, essays, orations and was recognized by intellectual elites of his day and a member of the Socialist Party of America. Harrison was born in Saint Croix, U.S. Virgin Islands in 1883 but relocated to the Harlem section of New York City in 1900, at age seventeen, where he eventually became a recognized writer, cultural critic, orator, editor and political activist including working with Marcus Garvey's Universal Negro Improvement Association (UNIA). Perry defines Harrison as “the voice” of Harlem radicalism and also a “radical internationalist.” This is a challenge to standard views of the New Negro Era that tend to place intellectuals such as Alain Locke and W.E.B. Du Bois at the helm of Black thought and culture during the Harlem Renaissance moment in African American history. That said, Harrison was also involved with Garvey's UNIA as editor of the Negro World and in labor activism. Harrison formed the Liberty League in 1917 and The Voice that helped to lay the foundation of the Garvey Movement and the Rise of the UNIA. He was involved in the major debates of his day including discussions about class consciousness, Black nationalism, internationalism, freethought and trade unionism. This second volume by Perry is very necessary given Harrison's extensive engagement with the ideas and the production of knowledge as a self-taught organic intellectual with deep concerns about human liberation across class and race. Hubert Harrison: The Struggle for Black Equality is organized into four major sections divided by twenty chapters including an “Epilogue.” It is a far-reaching text of more than 700 pages. Part I focuses on Harrison's work with The Voice and his political activities in places such as Washington, D.C. and Virginia, In Part II, Harrison's role as editor of the Negro World is assessed with a discussion of his debates and writings. Part III concerns Harrison's work as a “freelance educator” and his work as a writer and speaker, while the final part of the text Part IV covers his role as a Black radical internationalist. This is a critically important text. Scholars of the Harlem Renaissance will find it difficult to dismiss Hubert Harrison as a major voice of the New Negro Era with the publication of this text. Perry's painstaking coverage of Harrison gives him his rightful place in history as “the voice of Harlem radicalism.” Hettie V. Williams Ph.D., is an Assistant Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history.

Hubert Harrison: The Struggle for Equality, 1918-1927 (Columbia University 2020) by Jeffrey B. Perry, independent scholar and archivist, is an extensive intellectual history of the life and work of Black radical and autodidact Hubert Harrison. Perry is also editor of A Hubert Harrison Reader (Wesleyan, 2001) and author of Hubert Harrison: The Voice of Harlem Radicalism, 1883-1918 (Columbia, 2008). He is the chief biographer of Hubert Harrison and Hubert Harrison: The Struggle for Equality is a follow up to his aforementioned text on Harrison. (these two volumes can be ordered from Columbia University Press at 20% discount by using Code CUP20). Perry’s volume on Harrison’s life from 1883 to 1918 is considered to be the first volume of an Afro-Caribbean “and only the fourth of an African American after those of Booker T. Washington, W.E.B. Du Bois, and Langston Hughes” (1). This current text is a continuation of the argument advanced in Perry’s initial text on Harrison. Harrison is often left out of major surveys of the Harlem Renaissance and New Negro Era, as Perry notes, and this is likely because the Renaissance is often viewed as a movement of Black intellectual elites with formal higher education. That said, Harrison was a working-class self-taught man who wrote reviews, essays, orations and was recognized by intellectual elites of his day and a member of the Socialist Party of America. Harrison was born in Saint Croix, U.S. Virgin Islands in 1883 but relocated to the Harlem section of New York City in 1900, at age seventeen, where he eventually became a recognized writer, cultural critic, orator, editor and political activist including working with Marcus Garvey’s Universal Negro Improvement Association (UNIA). Perry defines Harrison as “the voice” of Harlem radicalism and also a “radical internationalist.” This is a challenge to standard views of the New Negro Era that tend to place intellectuals such as Alain Locke and W.E.B. Du Bois at the helm of Black thought and culture during the Harlem Renaissance moment in African American history. That said, Harrison was also involved with Garvey’s UNIA as editor of the Negro World and in labor activism. Harrison formed the Liberty League in 1917 and The Voice that helped to lay the foundation of the Garvey Movement and the Rise of the UNIA. He was involved in the major debates of his day including discussions about class consciousness, Black nationalism, internationalism, freethought and trade unionism. This second volume by Perry is very necessary given Harrison’s extensive engagement with the ideas and the production of knowledge as a self-taught organic intellectual with deep concerns about human liberation across class and race. Hubert Harrison: The Struggle for Black Equality is organized into four major sections divided by twenty chapters including an “Epilogue.” It is a far-reaching text of more than 700 pages. Part I focuses on Harrison’s work with The Voice and his political activities in places such as Washington, D.C. and Virginia, In Part II, Harrison’s role as editor of the Negro World is assessed with a discussion of his debates and writings. Part III concerns Harrison’s work as a “freelance educator” and his work as a writer and speaker, while the final part of the text Part IV covers his role as a Black radical internationalist. This is a critically important text. Scholars of the Harlem Renaissance will find it difficult to dismiss Hubert Harrison as a major voice of the New Negro Era with the publication of this text. Perry’s painstaking coverage of Harrison gives him his rightful place in history as “the voice of Harlem radicalism.” Hettie V. Williams Ph.D., is an Assistant Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hubert Harrison: The Struggle for Equality, 1918-1927 (Columbia University 2020) by Jeffrey B. Perry, independent scholar and archivist, is an extensive intellectual history of the life and work of Black radical and autodidact Hubert Harrison. Perry is also editor of A Hubert Harrison Reader (Wesleyan, 2001) and author of Hubert Harrison: The Voice of Harlem Radicalism, 1883-1918 (Columbia, 2008). He is the chief biographer of Hubert Harrison and Hubert Harrison: The Struggle for Equality is a follow up to his aforementioned text on Harrison. (these two volumes can be ordered from Columbia University Press at 20% discount by using Code CUP20). Perry's volume on Harrison's life from 1883 to 1918 is considered to be the first volume of an Afro-Caribbean “and only the fourth of an African American after those of Booker T. Washington, W.E.B. Du Bois, and Langston Hughes” (1). This current text is a continuation of the argument advanced in Perry's initial text on Harrison. Harrison is often left out of major surveys of the Harlem Renaissance and New Negro Era, as Perry notes, and this is likely because the Renaissance is often viewed as a movement of Black intellectual elites with formal higher education. That said, Harrison was a working-class self-taught man who wrote reviews, essays, orations and was recognized by intellectual elites of his day and a member of the Socialist Party of America. Harrison was born in Saint Croix, U.S. Virgin Islands in 1883 but relocated to the Harlem section of New York City in 1900, at age seventeen, where he eventually became a recognized writer, cultural critic, orator, editor and political activist including working with Marcus Garvey's Universal Negro Improvement Association (UNIA). Perry defines Harrison as “the voice” of Harlem radicalism and also a “radical internationalist.” This is a challenge to standard views of the New Negro Era that tend to place intellectuals such as Alain Locke and W.E.B. Du Bois at the helm of Black thought and culture during the Harlem Renaissance moment in African American history. That said, Harrison was also involved with Garvey's UNIA as editor of the Negro World and in labor activism. Harrison formed the Liberty League in 1917 and The Voice that helped to lay the foundation of the Garvey Movement and the Rise of the UNIA. He was involved in the major debates of his day including discussions about class consciousness, Black nationalism, internationalism, freethought and trade unionism. This second volume by Perry is very necessary given Harrison's extensive engagement with the ideas and the production of knowledge as a self-taught organic intellectual with deep concerns about human liberation across class and race. Hubert Harrison: The Struggle for Black Equality is organized into four major sections divided by twenty chapters including an “Epilogue.” It is a far-reaching text of more than 700 pages. Part I focuses on Harrison's work with The Voice and his political activities in places such as Washington, D.C. and Virginia, In Part II, Harrison's role as editor of the Negro World is assessed with a discussion of his debates and writings. Part III concerns Harrison's work as a “freelance educator” and his work as a writer and speaker, while the final part of the text Part IV covers his role as a Black radical internationalist. This is a critically important text. Scholars of the Harlem Renaissance will find it difficult to dismiss Hubert Harrison as a major voice of the New Negro Era with the publication of this text. Perry's painstaking coverage of Harrison gives him his rightful place in history as “the voice of Harlem radicalism.” Hettie V. Williams Ph.D., is an Assistant Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Hubert Harrison: The Struggle for Equality, 1918-1927 (Columbia University 2020) by Jeffrey B. Perry, independent scholar and archivist, is an extensive intellectual history of the life and work of Black radical and autodidact Hubert Harrison. Perry is also editor of A Hubert Harrison Reader (Wesleyan, 2001) and author of Hubert Harrison: The Voice of Harlem Radicalism, 1883-1918 (Columbia, 2008). He is the chief biographer of Hubert Harrison and Hubert Harrison: The Struggle for Equality is a follow up to his aforementioned text on Harrison. (these two volumes can be ordered from Columbia University Press at 20% discount by using Code CUP20). Perry’s volume on Harrison’s life from 1883 to 1918 is considered to be the first volume of an Afro-Caribbean “and only the fourth of an African American after those of Booker T. Washington, W.E.B. Du Bois, and Langston Hughes” (1). This current text is a continuation of the argument advanced in Perry’s initial text on Harrison. Harrison is often left out of major surveys of the Harlem Renaissance and New Negro Era, as Perry notes, and this is likely because the Renaissance is often viewed as a movement of Black intellectual elites with formal higher education. That said, Harrison was a working-class self-taught man who wrote reviews, essays, orations and was recognized by intellectual elites of his day and a member of the Socialist Party of America. Harrison was born in Saint Croix, U.S. Virgin Islands in 1883 but relocated to the Harlem section of New York City in 1900, at age seventeen, where he eventually became a recognized writer, cultural critic, orator, editor and political activist including working with Marcus Garvey’s Universal Negro Improvement Association (UNIA). Perry defines Harrison as “the voice” of Harlem radicalism and also a “radical internationalist.” This is a challenge to standard views of the New Negro Era that tend to place intellectuals such as Alain Locke and W.E.B. Du Bois at the helm of Black thought and culture during the Harlem Renaissance moment in African American history. That said, Harrison was also involved with Garvey’s UNIA as editor of the Negro World and in labor activism. Harrison formed the Liberty League in 1917 and The Voice that helped to lay the foundation of the Garvey Movement and the Rise of the UNIA. He was involved in the major debates of his day including discussions about class consciousness, Black nationalism, internationalism, freethought and trade unionism. This second volume by Perry is very necessary given Harrison’s extensive engagement with the ideas and the production of knowledge as a self-taught organic intellectual with deep concerns about human liberation across class and race. Hubert Harrison: The Struggle for Black Equality is organized into four major sections divided by twenty chapters including an “Epilogue.” It is a far-reaching text of more than 700 pages. Part I focuses on Harrison’s work with The Voice and his political activities in places such as Washington, D.C. and Virginia, In Part II, Harrison’s role as editor of the Negro World is assessed with a discussion of his debates and writings. Part III concerns Harrison’s work as a “freelance educator” and his work as a writer and speaker, while the final part of the text Part IV covers his role as a Black radical internationalist. This is a critically important text. Scholars of the Harlem Renaissance will find it difficult to dismiss Hubert Harrison as a major voice of the New Negro Era with the publication of this text. Perry’s painstaking coverage of Harrison gives him his rightful place in history as “the voice of Harlem radicalism.” Hettie V. Williams Ph.D., is an Assistant Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hubert Harrison: The Struggle for Equality, 1918-1927 (Columbia University 2020) by Jeffrey B. Perry, independent scholar and archivist, is an extensive intellectual history of the life and work of Black radical and autodidact Hubert Harrison. Perry is also editor of A Hubert Harrison Reader (Wesleyan, 2001) and author of Hubert Harrison: The Voice of Harlem Radicalism, 1883-1918 (Columbia, 2008). He is the chief biographer of Hubert Harrison and Hubert Harrison: The Struggle for Equality is a follow up to his aforementioned text on Harrison. (these two volumes can be ordered from Columbia University Press at 20% discount by using Code CUP20). Perry’s volume on Harrison’s life from 1883 to 1918 is considered to be the first volume of an Afro-Caribbean “and only the fourth of an African American after those of Booker T. Washington, W.E.B. Du Bois, and Langston Hughes” (1). This current text is a continuation of the argument advanced in Perry’s initial text on Harrison. Harrison is often left out of major surveys of the Harlem Renaissance and New Negro Era, as Perry notes, and this is likely because the Renaissance is often viewed as a movement of Black intellectual elites with formal higher education. That said, Harrison was a working-class self-taught man who wrote reviews, essays, orations and was recognized by intellectual elites of his day and a member of the Socialist Party of America. Harrison was born in Saint Croix, U.S. Virgin Islands in 1883 but relocated to the Harlem section of New York City in 1900, at age seventeen, where he eventually became a recognized writer, cultural critic, orator, editor and political activist including working with Marcus Garvey’s Universal Negro Improvement Association (UNIA). Perry defines Harrison as “the voice” of Harlem radicalism and also a “radical internationalist.” This is a challenge to standard views of the New Negro Era that tend to place intellectuals such as Alain Locke and W.E.B. Du Bois at the helm of Black thought and culture during the Harlem Renaissance moment in African American history. That said, Harrison was also involved with Garvey’s UNIA as editor of the Negro World and in labor activism. Harrison formed the Liberty League in 1917 and The Voice that helped to lay the foundation of the Garvey Movement and the Rise of the UNIA. He was involved in the major debates of his day including discussions about class consciousness, Black nationalism, internationalism, freethought and trade unionism. This second volume by Perry is very necessary given Harrison’s extensive engagement with the ideas and the production of knowledge as a self-taught organic intellectual with deep concerns about human liberation across class and race. Hubert Harrison: The Struggle for Black Equality is organized into four major sections divided by twenty chapters including an “Epilogue.” It is a far-reaching text of more than 700 pages. Part I focuses on Harrison’s work with The Voice and his political activities in places such as Washington, D.C. and Virginia, In Part II, Harrison’s role as editor of the Negro World is assessed with a discussion of his debates and writings. Part III concerns Harrison’s work as a “freelance educator” and his work as a writer and speaker, while the final part of the text Part IV covers his role as a Black radical internationalist. This is a critically important text. Scholars of the Harlem Renaissance will find it difficult to dismiss Hubert Harrison as a major voice of the New Negro Era with the publication of this text. Perry’s painstaking coverage of Harrison gives him his rightful place in history as “the voice of Harlem radicalism.” Hettie V. Williams Ph.D., is an Assistant Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hubert Harrison: The Struggle for Equality, 1918-1927 (Columbia University 2020) by Jeffrey B. Perry, independent scholar and archivist, is an extensive intellectual history of the life and work of Black radical and autodidact Hubert Harrison. Perry is also editor of A Hubert Harrison Reader (Wesleyan, 2001) and author of Hubert Harrison: The Voice of Harlem Radicalism, 1883-1918 (Columbia, 2008). He is the chief biographer of Hubert Harrison and Hubert Harrison: The Struggle for Equality is a follow up to his aforementioned text on Harrison. (these two volumes can be ordered from Columbia University Press at 20% discount by using Code CUP20). Perry’s volume on Harrison’s life from 1883 to 1918 is considered to be the first volume of an Afro-Caribbean “and only the fourth of an African American after those of Booker T. Washington, W.E.B. Du Bois, and Langston Hughes” (1). This current text is a continuation of the argument advanced in Perry’s initial text on Harrison. Harrison is often left out of major surveys of the Harlem Renaissance and New Negro Era, as Perry notes, and this is likely because the Renaissance is often viewed as a movement of Black intellectual elites with formal higher education. That said, Harrison was a working-class self-taught man who wrote reviews, essays, orations and was recognized by intellectual elites of his day and a member of the Socialist Party of America. Harrison was born in Saint Croix, U.S. Virgin Islands in 1883 but relocated to the Harlem section of New York City in 1900, at age seventeen, where he eventually became a recognized writer, cultural critic, orator, editor and political activist including working with Marcus Garvey’s Universal Negro Improvement Association (UNIA). Perry defines Harrison as “the voice” of Harlem radicalism and also a “radical internationalist.” This is a challenge to standard views of the New Negro Era that tend to place intellectuals such as Alain Locke and W.E.B. Du Bois at the helm of Black thought and culture during the Harlem Renaissance moment in African American history. That said, Harrison was also involved with Garvey’s UNIA as editor of the Negro World and in labor activism. Harrison formed the Liberty League in 1917 and The Voice that helped to lay the foundation of the Garvey Movement and the Rise of the UNIA. He was involved in the major debates of his day including discussions about class consciousness, Black nationalism, internationalism, freethought and trade unionism. This second volume by Perry is very necessary given Harrison’s extensive engagement with the ideas and the production of knowledge as a self-taught organic intellectual with deep concerns about human liberation across class and race. Hubert Harrison: The Struggle for Black Equality is organized into four major sections divided by twenty chapters including an “Epilogue.” It is a far-reaching text of more than 700 pages. Part I focuses on Harrison’s work with The Voice and his political activities in places such as Washington, D.C. and Virginia, In Part II, Harrison’s role as editor of the Negro World is assessed with a discussion of his debates and writings. Part III concerns Harrison’s work as a “freelance educator” and his work as a writer and speaker, while the final part of the text Part IV covers his role as a Black radical internationalist. This is a critically important text. Scholars of the Harlem Renaissance will find it difficult to dismiss Hubert Harrison as a major voice of the New Negro Era with the publication of this text. Perry’s painstaking coverage of Harrison gives him his rightful place in history as “the voice of Harlem radicalism.” Hettie V. Williams Ph.D., is an Assistant Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hubert Harrison: The Struggle for Equality, 1918-1927 (Columbia University 2020) by Jeffrey B. Perry, independent scholar and archivist, is an extensive intellectual history of the life and work of Black radical and autodidact Hubert Harrison. Perry is also editor of A Hubert Harrison Reader (Wesleyan, 2001) and author of Hubert Harrison: The Voice of Harlem Radicalism, 1883-1918 (Columbia, 2008). He is the chief biographer of Hubert Harrison and Hubert Harrison: The Struggle for Equality is a follow up to his aforementioned text on Harrison. (these two volumes can be ordered from Columbia University Press at 20% discount by using Code CUP20). Perry’s volume on Harrison’s life from 1883 to 1918 is considered to be the first volume of an Afro-Caribbean “and only the fourth of an African American after those of Booker T. Washington, W.E.B. Du Bois, and Langston Hughes” (1). This current text is a continuation of the argument advanced in Perry’s initial text on Harrison. Harrison is often left out of major surveys of the Harlem Renaissance and New Negro Era, as Perry notes, and this is likely because the Renaissance is often viewed as a movement of Black intellectual elites with formal higher education. That said, Harrison was a working-class self-taught man who wrote reviews, essays, orations and was recognized by intellectual elites of his day and a member of the Socialist Party of America. Harrison was born in Saint Croix, U.S. Virgin Islands in 1883 but relocated to the Harlem section of New York City in 1900, at age seventeen, where he eventually became a recognized writer, cultural critic, orator, editor and political activist including working with Marcus Garvey’s Universal Negro Improvement Association (UNIA). Perry defines Harrison as “the voice” of Harlem radicalism and also a “radical internationalist.” This is a challenge to standard views of the New Negro Era that tend to place intellectuals such as Alain Locke and W.E.B. Du Bois at the helm of Black thought and culture during the Harlem Renaissance moment in African American history. That said, Harrison was also involved with Garvey’s UNIA as editor of the Negro World and in labor activism. Harrison formed the Liberty League in 1917 and The Voice that helped to lay the foundation of the Garvey Movement and the Rise of the UNIA. He was involved in the major debates of his day including discussions about class consciousness, Black nationalism, internationalism, freethought and trade unionism. This second volume by Perry is very necessary given Harrison’s extensive engagement with the ideas and the production of knowledge as a self-taught organic intellectual with deep concerns about human liberation across class and race. Hubert Harrison: The Struggle for Black Equality is organized into four major sections divided by twenty chapters including an “Epilogue.” It is a far-reaching text of more than 700 pages. Part I focuses on Harrison’s work with The Voice and his political activities in places such as Washington, D.C. and Virginia, In Part II, Harrison’s role as editor of the Negro World is assessed with a discussion of his debates and writings. Part III concerns Harrison’s work as a “freelance educator” and his work as a writer and speaker, while the final part of the text Part IV covers his role as a Black radical internationalist. This is a critically important text. Scholars of the Harlem Renaissance will find it difficult to dismiss Hubert Harrison as a major voice of the New Negro Era with the publication of this text. Perry’s painstaking coverage of Harrison gives him his rightful place in history as “the voice of Harlem radicalism.” Hettie V. Williams Ph.D., is an Assistant Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hubert Harrison: The Struggle for Equality, 1918-1927 (Columbia University 2020) by Jeffrey B. Perry, independent scholar and archivist, is an extensive intellectual history of the life and work of Black radical and autodidact Hubert Harrison. Perry is also editor of A Hubert Harrison Reader (Wesleyan, 2001) and author of Hubert Harrison: The Voice of Harlem Radicalism, 1883-1918 (Columbia, 2008). He is the chief biographer of Hubert Harrison and Hubert Harrison: The Struggle for Equality is a follow up to his aforementioned text on Harrison. (these two volumes can be ordered from Columbia University Press at 20% discount by using Code CUP20). Perry’s volume on Harrison’s life from 1883 to 1918 is considered to be the first volume of an Afro-Caribbean “and only the fourth of an African American after those of Booker T. Washington, W.E.B. Du Bois, and Langston Hughes” (1). This current text is a continuation of the argument advanced in Perry’s initial text on Harrison. Harrison is often left out of major surveys of the Harlem Renaissance and New Negro Era, as Perry notes, and this is likely because the Renaissance is often viewed as a movement of Black intellectual elites with formal higher education. That said, Harrison was a working-class self-taught man who wrote reviews, essays, orations and was recognized by intellectual elites of his day and a member of the Socialist Party of America. Harrison was born in Saint Croix, U.S. Virgin Islands in 1883 but relocated to the Harlem section of New York City in 1900, at age seventeen, where he eventually became a recognized writer, cultural critic, orator, editor and political activist including working with Marcus Garvey’s Universal Negro Improvement Association (UNIA). Perry defines Harrison as “the voice” of Harlem radicalism and also a “radical internationalist.” This is a challenge to standard views of the New Negro Era that tend to place intellectuals such as Alain Locke and W.E.B. Du Bois at the helm of Black thought and culture during the Harlem Renaissance moment in African American history. That said, Harrison was also involved with Garvey’s UNIA as editor of the Negro World and in labor activism. Harrison formed the Liberty League in 1917 and The Voice that helped to lay the foundation of the Garvey Movement and the Rise of the UNIA. He was involved in the major debates of his day including discussions about class consciousness, Black nationalism, internationalism, freethought and trade unionism. This second volume by Perry is very necessary given Harrison’s extensive engagement with the ideas and the production of knowledge as a self-taught organic intellectual with deep concerns about human liberation across class and race. Hubert Harrison: The Struggle for Black Equality is organized into four major sections divided by twenty chapters including an “Epilogue.” It is a far-reaching text of more than 700 pages. Part I focuses on Harrison’s work with The Voice and his political activities in places such as Washington, D.C. and Virginia, In Part II, Harrison’s role as editor of the Negro World is assessed with a discussion of his debates and writings. Part III concerns Harrison’s work as a “freelance educator” and his work as a writer and speaker, while the final part of the text Part IV covers his role as a Black radical internationalist. This is a critically important text. Scholars of the Harlem Renaissance will find it difficult to dismiss Hubert Harrison as a major voice of the New Negro Era with the publication of this text. Perry’s painstaking coverage of Harrison gives him his rightful place in history as “the voice of Harlem radicalism.” Hettie V. Williams Ph.D., is an Assistant Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history. Learn more about your ad choices. Visit megaphone.fm/adchoices

What books a life-story coach is reading and reviewing into 2021. The Forever Young Autobiographies best life stories of 2020 book list is out and filled with great holiday reading. Certainly there is a must-read, best book recommendation to interest you! ⇨ YOU WILL LEARN: * An ARIA Award-winning singer's no-holds-barred memoir * A football legend's letter to the grandchildren he'll never get to know * The dramatic story of the trial of 'God's treasurer' * Lisa Taddeo's highly revealing bestseller Three Women * The epic biography of Malcolm X * An emblematic writer of the American twentieth century * Easily pick and start reading a quality new book! ⇨ FULL ARTICLE Click to read: https://www.foreveryoungautobiographies.com/best-life-stories-of-2020/ ⇨ VIDEO PODCAST Click to watch: https://youtu.be/0LQPGIlwiWo ⇨ FREE GIFT Structure Success video training: Four steps to plan your life-story book chapters - FREE training, click to sign up: https://wp.me/P8NwjM-3o ⇨ YOUR SAY What are you reading or planning to read over the holiday season? Will you pick one of the listed best life stories of 2020? Leave me a comment below or here https://www.foreveryoungautobiographies.com/contact/ ⇨ RELATED LINKS Best books of 2019: Must-read books about life stories to enjoy this summer https://www.foreveryoungautobiographies.com/must-read-2019/ Best books of 2018: Must-read books about life stories to enjoy these holidays https://www.foreveryoungautobiographies.com/best-books-2018/ Book review: Working Class Boy by Cold Chisel's Jimmy Barnes https://www.foreveryoungautobiographies.com/working-class-boy/ Book review: Johnathan Thurston - The Autobiography, with James Phelps https://www.foreveryoungautobiographies.com/johnathan-thurston/ Book review: Educated by historian Tara Westover https://www.foreveryoungautobiographies.com/tara-westover/ How to start writing: The ultimate guide about planning to write life stories https://www.foreveryoungautobiographies.com/how-to-start-writing/ Book review: Pulitzer Prize winner The New Negro: The Life of Alain Locke by Jeffrey C. Stewart https://www.foreveryoungautobiographies.com/the-new-negro/ Book review: New York Times Best Seller The Yellow House by Sarah M. Broom https://www.foreveryoungautobiographies.com/sarah-m-broom/ ♡ Thanks for listening - PLEASE SUBSCRIBE if you are new and SHARE THE SHOW if you found it helpful! Happy writing! ⇨ ABOUT ME Hi and welcome! My name is Nicola and I help you learn how to write and self-publish life stories for family and friends so that unique memories live on. For decades I've told thousands of people's stories as a print journalist and would love to hear yours! ⇨ WEBSITE https://www.foreveryoungautobiographies.com

In episode 52 of The Great Women Artists Podcast, Katy Hessel interviews the renowned art historian Rebecca K. VanDiver on the trailblazing and legendary LOIS MAILOU JONES (1905–1998) !!!! [This episode is brought to you by Alighieri jewellery: www.alighieri.co.uk | use the code TGWA at checkout for 10% off!] Born in Boston, had her first exhibition aged 17, and found herself in the midst of the Harlem Renaissance in the 1920s, Lois Mailou Jones had an EXTENSIVE artistic career that spanned almost an entire century, and an oeuvre that ranged from traditional portraits, Haitian landscapes, to African-themed abstraction. Born to accomplished, upper-middle-class, professional parents in Boston, Jones spent her early years surrounded by the cultural elite on the island of Martha’s Vineyard, including sculptor Meta Warwick Fuller, a mentor to the young Jones and encouraging her to study in Paris. Continuously awarded scholarships to the School of the Museum of Fine Arts associated with the Boston Museum, the always highly determined Jones originally pursued textiles (however soon retracted after finding out that designers’ names weren’t recognised in the same as painters). An educator for nearly 50 years, she first got a job at PalmerMemorial School (which she would drive down to in her sports car, as well as coach basketball!), and in 1930 was personally recruited to teach at Howard University, the epicentre of Black intellectualism (her students included Elizabeth Catlett, and painter Alma Thomas was her neighbour in DC!). Spending many summers of the 1920s immersed in the Harlem Renaissance, between 1937–8 Jones ventured to Paris on sabbatical, where she adopted an impressionist-like style, painting ‘en plein air’. Like so many of her contemporaries of the Harlem Renaissance, Jones felt welcome as an artist in Paris. Developing her negotiations with African themes in her work, such as Les Fetiches, 1937, a small painting of African masks, it was on her return to America that she was encouraged by Harlem Renaissance gatekeeper, Alain Locke, to further embrace the everyday life of African American people. Honoured by numerous presidents, granted a Lois Mailou Jones Day AND Avenue in America, it wasn't until her elderly age that she took America by storm. And WOW. Has she had an impact on American art. ENJOY!!!! Rebecca K Vandiver is a RENOWNED scholar, and has just written a book on LMJ! See here: https://www.waterstones.com/book/designing-a-new-tradition/rebecca-vandiver//9780271086040 FURTHER LINKS! https://www.rebeccavandiver.com/ https://americanart.si.edu/artist/lo%C3%AFs-mailou-jones-5658 https://nmwa.org/art/artists/lois-mailou-jones/ https://hyperallergic.com/600201/lois-mailou-jones-an-artist-and-educator-who-made-history/ Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Laura Hendry  Artwork by @thisisaliceskinner Music by Ben Wetherfield https://www.thegreatwomenartists.com/

A quick and easy review of the Grove Press memoir set in New Orleans East. The Yellow House is possibly like nothing you have read before. It will show you how to write with care and love about the people and places of your heart. ⇨ YOU WILL LEARN: * A fresh view of New Orleans through the centuries * How the National Book Awards winner's family survived Hurricane Katrina * Tips and ideas from this bestseller to apply to our writing * Follow Broom's lead and take the first step towards writing your own family stories. ⇨ FULL ARTICLE Click to read: https://www.foreveryoungautobiographies.com/sarah-m-broom/ ⇨ VIDEO PODCAST Click to watch: https://youtu.be/5uGLr-lUBxI ⇨ BLACK FRIDAY 2020 DEAL ** LAST DAYS!! ** Your Family Stories System 50% off plus free 30-minute coaching call available here https://www.foreveryoungautobiographies.com/deal/ ⇨ FREE GIFT Your Family Stories System: Easily capture your loved ones' memories for future generations - FREE sections, click to sign up: https://wp.me/P8NwjM-b5 ⇨ YOUR SAY What are you reading at the moment? Have you got a great life-story book to share? Leave me a comment below or here https://www.foreveryoungautobiographies.com/contact/ ⇨ RELATED LINKS Best books of 2019: Must-read books about life stories to enjoy this summer https://www.foreveryoungautobiographies.com/must-read-2019/ Book review: Pulitzer Prize winner The New Negro: The Life of Alain Locke by Jeffrey C. Stewart https://www.foreveryoungautobiographies.com/the-new-negro/ Writing time: How to schedule time for writing https://www.foreveryoungautobiographies.com/writing-schedule/ Story outline: How to make an outline and have topics to write about https://www.foreveryoungautobiographies.com/story-outline/ Writing tips: The ultimate guide of life-story tips for new writers https://www.foreveryoungautobiographies.com/writing-tips/ ♡ Thanks for listening - PLEASE SUBSCRIBE if you are new and SHARE THE SHOW if you found it helpful! Happy writing! ⇨ ABOUT ME Hi and welcome! My name is Nicola and I help you learn how to write and self-publish life stories for family and friends so that unique memories live on. For decades I've told thousands of people's stories as a print journalist and would love to hear yours! ⇨ WEBSITE https://www.foreveryoungautobiographies.com ⇨ FACEBOOK https://www.facebook.com/foreveryoungautobiographies ⇨ YOUTUBE https://www.youtube.com/channel/UC6nfZWWTeRpBWMcxluLDa-w

Biography of a Rhodes Scholar and the father of the Harlem Renaissance by Oxford University Press. The New Negro: The Life of Alain Locke by Jeffrey C. Stewart is a formidable biography on the life and influence of this leading professor, art critic and aesthete. Read it to be awed, inspired and see the world slightly differently. ⇨ YOU WILL LEARN: * What the biography of the father of the Harlem Renaissance is all about * Interesting facts about the life of the first African-American Rhodes Scholar * What this Pulitzer Prize for Biography winning read can teach us as life-story writers * Let the broad reach of Locke's legacy move you to start work on your own! ⇨ FULL ARTICLE Click to read: https://www.foreveryoungautobiographies.com/the-new-negro/ ⇨ VIDEO PODCAST Click to watch: https://youtu.be/X5bMzWJ6y80 ⇨ FREE GIFT Your Family Stories System FREE sections are available here https://wp.me/P8NwjM-b5 ⇨ YOUR SAY Planning to read The New Negro? Or what did you think of the book? Leave me a comment below or here https://www.foreveryoungautobiographies.com/contact/ ⇨ RELATED LINKS Best books of 2019: Must-read books about life stories to enjoy this summer https://www.foreveryoungautobiographies.com/must-read-2019/ Book review: Working Class Man by Cold Chisel's Jimmy Barnes https://www.foreveryoungautobiographies.com/working-class-man/ First draft: Don't start writing a first draft before reading this! https://www.foreveryoungautobiographies.com/first-draft/ Everything you need to know about making characters sparkle in your memoir https://www.foreveryoungautobiographies.com/writing-characters/ Life-story interview: How to set-up an interview + family interview tips https://www.foreveryoungautobiographies.com/family-stories/ Tell the truth: The surefire way to out skeletons in the family closet https://www.foreveryoungautobiographies.com/tell-the-truth/ ♡ Thanks for listening - PLEASE SUBSCRIBE if you are new and SHARE THE SHOW if you found it helpful! Happy writing! ⇨ ABOUT ME Hi and welcome! My name is Nicola and I help you learn how to write and self-publish life stories for family and friends so that unique memories live on. For decades I've told thousands of people's stories as a print journalist and would love to hear yours! ⇨ WEBSITE https://www.foreveryoungautobiographies.com ⇨ FACEBOOK https://www.facebook.com/foreveryoungautobiographies ⇨ YOUTUBE https://www.youtube.com/channel/UC6nfZWWTeRpBWMcxluLDa-w

This week we feature an archival interview from the City University of New York’s (CUNY) Leon Levy Center for Biography. Pulitzer Prize-winning authors Jeffrey C. Stewart and David Levering Lewis discussed […]

Professor Amy M. Mooney, Terra Foundation Visiting Professor in American Art Hosted by TORCH. Regarding the Portrait: The Pragmatists In this four-part lecture series, Professor Amy Mooney examines the central role portraiture played in fostering social change in the United States from the 1890s through the 1950s. Drawing from her forthcoming book, Portraits of Noteworthy Character, Professor Mooney considers the strategic visual campaigns generated by individuals and social institutions that used the portrait to advance their progressive political ideologies. From the etiquette texts used at historically black colleges to the post cards produced by Hull House to the Harmon Foundation's exhibition of “Portraits of Outstanding Americans of Negro Origin,” this series explores the ways in which the portrait was employed to build social relationships and negotiate modern subjectivity. The final lecture examines an exhibition generated by the Harmon Foundation in 1944 called “Portraits of Outstanding Americans of Negro Origin.” This group of commissioned portraits toured the US for nearly ten years with the intention of not only celebrating the contributions of successful African Americans, but also modeling social integration and the possibilities of civil rights. Considering the aesthetics and logistics of the exhibition, Professor Mooney explores the ways in which the philosophies of Alain Locke informed the unabating optimism that portraiture could generate social change.

COVID 19 is impacting us in ways that were expected and some that were not. Major events, concerts and gatherings have been postponed or cancelled A friend had his elective but necessary surgery pushed back. In a most personal way COVID 19 has had a major impact on me. I was scheduled to get married next Friday but after several days of agonizing we decided that responsible thing to do was to put it off until it makes sense to schedule. We've heard about all the big events but I wonder how many smaller gatherings like mine have been impacted. I've love to hear from you. You can leave a short message at 610-784-5255.We offer some news you can use about COVID 19.Have you ever been touched by a special nurse? Someone who took such great care of you or a loved one – who eased a difficult hospital stay. Independence Blue Cross is doing something pretty cool and that is honoring these outstanding nurses. We'll tell you how you can nominate. I spoke to Koleen Cavanaugh Vice President of Marketing Independence Blue Cross.https://www.ibx.com/htdocs/custom/celebrate-caring/index.htmlI had the best time at a special breakfast at Locke Community School to reward students with the best attendance sponsored by the American Heart Association, Grain Berry Cereal and iHeart, I spoke with Peter Harris, President of Grain Berry Cereals and Silver Palate and Pamela Evans, Community Schools Coordinator for the Alain Locke Community School.I speak with Dr. Jay Greenspan, CEO of Nemours Children's Health Systems Delaware Valley and Greater Delaware Valley Mission Initiative Chair for the March of Dimeshttps://www.marchofdimes.org/

COVID 19 is impacting us in ways that were expected and some that were not. Major events, concerts and gatherings have been postponed or cancelled A friend had his elective but necessary surgery pushed back. In a most personal way COVID 19 has had a major impact on me. I was scheduled to get married next Friday but after several days of agonizing we decided that responsible thing to do was to put it off until it makes sense to schedule. We've heard about all the big events but I wonder how many smaller gatherings like mine have been impacted. I've love to hear from you. You can leave a short message at 610-784-5255.We offer some news you can use about COVID 19.Have you ever been touched by a special nurse? Someone who took such great care of you or a loved one – who eased a difficult hospital stay. Independence Blue Cross is doing something pretty cool and that is honoring these outstanding nurses. We'll tell you how you can nominate. I spoke to Koleen Cavanaugh Vice President of Marketing Independence Blue Cross.https://www.ibx.com/htdocs/custom/celebrate-caring/index.htmlI had the best time at a special breakfast at Locke Community School to reward students with the best attendance sponsored by the American Heart Association, Grain Berry Cereal and iHeart, I spoke with Peter Harris, President of Grain Berry Cereals and Silver Palate and Pamela Evans, Community Schools Coordinator for the Alain Locke Community School.I speak with Dr. Jay Greenspan, CEO of Nemours Children's Health Systems Delaware Valley and Greater Delaware Valley Mission Initiative Chair for the March of Dimeshttps://www.marchofdimes.org/

Can travel change your identity? It certainly did for one man. Alain Locke, nicknamed the 'Dean of the Harlem Renaissance,' traveled back and forth between Washington, D.C. and Berlin, Germany. In doing so, he was able to completely reimagine what it meant to be black and gay in the 1920s.

In 1925, the African-American philosopher Alain Locke (1886-1954) launched a revolutionary black arts movement now known as the Harlem Renaissance. In this episode of The Big Pond, producer Bilal Qureshi traces Alain Locke's ideas back to one city in particular – Berlin.

Briana Conway, director of the UCSB CARE office in Isla Vista shares insights into healing from sexual assault, and raising awareness in April, Sexual Assault Awareness Month. She speaks about resources available to survivors (both students and non-students) in the Isla Vista and Santa Barbara area, as well as some events happening in and around the area. Then, UCSB Professor of Black Studies, Jeffrey Stewart, has been awarded a Pulitzer Prize for his book "The New Negro: The Life of Alain Locke." Professor Stewart is also the creator of "Jeffrey's Jazz Coffeehouse," an occasional pop up event in Isla Vista. Stewart explains his inspiration behind creating Jeffrey's Jazz Coffeehouse.

We start with our remembrances of Notre Dame, after yesterday's terrible fire. Then more from The Edna and Jim "I've Already Been To College" Update on the Admissions Scandal: It's not looking good for Aunt Becky Books: At the wonderful LA Times Festival of Books, which attracts more than 100,000 visitors, Liz went to panels featuring: Frederick Douglass Prophet of Freedom by David W Blight. It just won the Pulitzer for History The New Negro: The Life of Alain Locke by Jeffrey C Stewart. Just won the Pulitzer for Biography. Bad Blood by John Carreyroux, about Theranos, which we have discussed on previous podcasts. Say Nothing by Patrick Radden Keefe about The Troubles in Northern Ireland. Bitter Business Bureau. Wait a sec. The Uber people are going to make $100 million dollars in a IPO for a company that LOST a billion dollars in 2018?? We could think of plenty of business ideas that could LOSE money. We love Abby Wambach and recommend her new book Wolfpack plus two really great interviews with her: TBD with Tina Brown podcast and Norah O'Donnell on CBS This Morning podcast on Stitcher. Stitcher Premium: For ad-free versions of our show and many other great Wondery podcasts, go to www.stitcherpremium.com/wondery and use the promo code wondery Lian announces two great upcoming guests: Poet Kim Dower, author of Sunbathing on Tyrone Power's Grave, and Jennifer Weiner, who's new book coming in June is Mrs. Everything. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We start with our remembrances of Notre Dame, after yesterday's terrible fire. Then more from The Edna and Jim "I've Already Been To College" Update on the Admissions Scandal: It's not looking good for Aunt BeckyBooks: At the wonderful LA Times Festival of Books, which attracts more than 100,000 visitors, Liz went to panels featuring:Frederick Douglass Prophet of Freedom by David W Blight. It just won the Pulitzer for HistoryThe New Negro: The Life of Alain Locke by Jeffrey C Stewart. Just won the Pulitzer for Biography.Bad Blood by John Carreyroux, about Theranos, which we have discussed on previous podcasts.Say Nothing by Patrick Radden Keefe about The Troubles in Northern Ireland.Bitter Business Bureau. Wait a sec. The Uber people are going to make $100 million dollars in a IPO for a company that LOST a billion dollars in 2018?? We could think of plenty of business ideas that could LOSE money.We admire Abby Wambach and recommend her new book Wolfpack plus two really great interviews with her: TBD with Tina Brown podcast and Norah O'Donnell on CBS This Morning podcast on Stitcher..Thanks to the sponsors of today's episode. Please use these urls and promo codes to support them:Ritual: www.ritual.com/sistersOpenFit: Text sisters to 303030Zip Recruiter: www.ziprecruiter.com/sistersThirdLove: www.thirdlove.com/sistersStitcher Premium: For ad free versions of our show and many other great Wondery podcasts, go to www.stitcherpremium.com/wondery and use the promo code wonderyLian announces two great upcoming guests: Poet Kim Dower, author of Sunbathing on Tyrone Power's Grave, and Jennifer Weiner, who's new book coming in June is Mrs. Everything.

Join us at a juke joint just around the corner from Hopper's Nighthawks, as we take a look at Archibald Motley's joyous, yet poignant reaction to World War Two. Transcript, show notes, and the full credits are up on the website. Please check out and support TK in the AM and Weeksvile by Keisha TK Dutes and Conscious, the voices of the patron and James the Bouncer Flyest Fables by Morgan Givens, the voice of Langston Hughes and Gwendolyn Brooks Time Well Spent by Ronald Young Jr., the voice of Alain Locke

In this week’s episode, Kim and Alice share a few last November new books, then jump into a holiday gift guide with recommendations for history buffs, video gamers, wine aficionados, nature lovers and more. This week’s episode of For Real is sponsored by Book Riot Insiders, Homer and the Holiday Miracle by Gwen Cooper, and Bare Minimum Parenting: The Ultimate Guide to Not Quite Ruining Your Child by James Breakwell. Follow Up The Fifth Risk by Michael Lewis The New Negro: The Life of Alain Locke by Jeffrey C. Stewart New Books Stranger’s Pose by Emmanuel Iduma The Woo-Woo by Lindsay Wong Seduction by Karina Longworth We the People by Erwin Chemerinsky Becoming by Michelle Obama Holiday Recommendation Guide: Reader Requests Population 485 by Michael Perry Midnight in the Garden of Good and Evil by John Berendt The Guns of August by Barbara Tuchman Goodbye-to All That by Robert Graves Storm of Steel by Ernst Junger The Lost City of Z by David Grann Skyjack by Geoffrey Gray Salt, Fat, Acid and Heat by Samin Nosrat The Cooking Gene by Michael W. Twitty Love, Loss, and What We Ate by Padma Lakshmi Holiday Recommendation Guide: General Recommendations Cork Dork by Bianca Bosker Tasting the Past by Kevin Begos The Hidden Life of Trees by Peter Wohlleben H is for Hawk by Helen Macdonald The Invention of Nature by Andrea Wulf The Game Console by Evan Amos Console Wars by Blake J. Harris Extra Lives by Tom Bissell Ex Libris by Anne Fadiman Bibliophile by Jane Mount of Ideal Bookshelf Tolstoy and the Purple Chair by Nina Sankovitch Writer’s Under Surveillance Killers of the Flower Moon by David Grann The Boys in the Boat by Daniel James Brown The Family Gene by Joselin Linder Another Day in the Death of America by Gary Younge Reading Now No One Tells You This by Glynnis MacNicol The Immortal Life of Henrietta Lacks by Rebecca Skloot

Brian & Marion dive into the 21st-century Black Renaissance we're blessed to be living in, covering everything from "This Is America" to Beychella to DAMN. Then they throw back to the originator - the Harlem Renaissance - and read each other quotes by Langston Hughes, Zora Neale Hurston, and Alain Locke. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/at-the-intersection/support

In a penetrating interview, LARB Radio host Kate Wolf talks with author Francisco Cantu about his new book The Line Becomes a River, an impressionistic chronicle of his five year stint as an agent for the United States Border Patrol, his emotional fallout from the experience, and his reflections on the humanitarian crisis of the US-Mexico border. Cantu also offers his thoughts on the controversy that has surrounded this book, stemming from criticism from immigration rights activists; as well as his critique of Trump's brutally wrong-headed border wall proposal. Also, LARB Radio's Eric Newman drops in to recommend Jeffrey C Stewart's magisterial 800-page biography The New Negro: The Life of Alain Locke, which transports you to the milieu of one of the Harlem Renaissance's most influential thinkers.

Through his work as a scholar and critic, Alain Locke redefined African American culture and its place in American life. Jeffrey Stewart‘s book The New Negro: The Life of Alain Locke (Oxford University Press, 2018) offers a detailed examination of Locke's life, one that reveals his many achievements and how they changed the nation. Born into a middle-class family in Pennsylvania, his mother worked to ensure that Locke had the best education possible. After graduating from Harvard and spending three years in Europe as the first African American Rhodes Scholar, Locke returned to the United States and took a position at Howard University. In the 1920s he encouraged African Americans to embrace their own cultural past, becoming one of the leading promoters of the Harlem Renaissance then emerging in the country. Though his relationship with its leading figures was often fraught with tension, Locke never gave up his advocacy of Afro-American cultural identity, which he continued for the rest of his life through his writings, his lectures, and his sponsorship of African American artists. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Through his work as a scholar and critic, Alain Locke redefined African American culture and its place in American life. Jeffrey Stewart‘s book The New Negro: The Life of Alain Locke (Oxford University Press, 2018) offers a detailed examination of Locke’s life, one that reveals his many achievements and how they changed the nation. Born into a middle-class family in Pennsylvania, his mother worked to ensure that Locke had the best education possible. After graduating from Harvard and spending three years in Europe as the first African American Rhodes Scholar, Locke returned to the United States and took a position at Howard University. In the 1920s he encouraged African Americans to embrace their own cultural past, becoming one of the leading promoters of the Harlem Renaissance then emerging in the country. Though his relationship with its leading figures was often fraught with tension, Locke never gave up his advocacy of Afro-American cultural identity, which he continued for the rest of his life through his writings, his lectures, and his sponsorship of African American artists. Learn more about your ad choices. Visit megaphone.fm/adchoices

Through his work as a scholar and critic, Alain Locke redefined African American culture and its place in American life. Jeffrey Stewart‘s book The New Negro: The Life of Alain Locke (Oxford University Press, 2018) offers a detailed examination of Locke's life, one that reveals his many achievements and how they changed the nation. Born into a middle-class family in Pennsylvania, his mother worked to ensure that Locke had the best education possible. After graduating from Harvard and spending three years in Europe as the first African American Rhodes Scholar, Locke returned to the United States and took a position at Howard University. In the 1920s he encouraged African Americans to embrace their own cultural past, becoming one of the leading promoters of the Harlem Renaissance then emerging in the country. Though his relationship with its leading figures was often fraught with tension, Locke never gave up his advocacy of Afro-American cultural identity, which he continued for the rest of his life through his writings, his lectures, and his sponsorship of African American artists.

Through his work as a scholar and critic, Alain Locke redefined African American culture and its place in American life. Jeffrey Stewart‘s book The New Negro: The Life of Alain Locke (Oxford University Press, 2018) offers a detailed examination of Locke’s life, one that reveals his many achievements and how they changed the nation. Born into a middle-class family in Pennsylvania, his mother worked to ensure that Locke had the best education possible. After graduating from Harvard and spending three years in Europe as the first African American Rhodes Scholar, Locke returned to the United States and took a position at Howard University. In the 1920s he encouraged African Americans to embrace their own cultural past, becoming one of the leading promoters of the Harlem Renaissance then emerging in the country. Though his relationship with its leading figures was often fraught with tension, Locke never gave up his advocacy of Afro-American cultural identity, which he continued for the rest of his life through his writings, his lectures, and his sponsorship of African American artists. Learn more about your ad choices. Visit megaphone.fm/adchoices

Through his work as a scholar and critic, Alain Locke redefined African American culture and its place in American life. Jeffrey Stewart‘s book The New Negro: The Life of Alain Locke (Oxford University Press, 2018) offers a detailed examination of Locke’s life, one that reveals his many achievements and how they changed the nation. Born into a middle-class family in Pennsylvania, his mother worked to ensure that Locke had the best education possible. After graduating from Harvard and spending three years in Europe as the first African American Rhodes Scholar, Locke returned to the United States and took a position at Howard University. In the 1920s he encouraged African Americans to embrace their own cultural past, becoming one of the leading promoters of the Harlem Renaissance then emerging in the country. Though his relationship with its leading figures was often fraught with tension, Locke never gave up his advocacy of Afro-American cultural identity, which he continued for the rest of his life through his writings, his lectures, and his sponsorship of African American artists. Learn more about your ad choices. Visit megaphone.fm/adchoices

Through his work as a scholar and critic, Alain Locke redefined African American culture and its place in American life. Jeffrey Stewart‘s book The New Negro: The Life of Alain Locke (Oxford University Press, 2018) offers a detailed examination of Locke’s life, one that reveals his many achievements and how they changed the nation. Born into a middle-class family in Pennsylvania, his mother worked to ensure that Locke had the best education possible. After graduating from Harvard and spending three years in Europe as the first African American Rhodes Scholar, Locke returned to the United States and took a position at Howard University. In the 1920s he encouraged African Americans to embrace their own cultural past, becoming one of the leading promoters of the Harlem Renaissance then emerging in the country. Though his relationship with its leading figures was often fraught with tension, Locke never gave up his advocacy of Afro-American cultural identity, which he continued for the rest of his life through his writings, his lectures, and his sponsorship of African American artists. Learn more about your ad choices. Visit megaphone.fm/adchoices

Through his work as a scholar and critic, Alain Locke redefined African American culture and its place in American life. Jeffrey Stewart‘s book The New Negro: The Life of Alain Locke (Oxford University Press, 2018) offers a detailed examination of Locke’s life, one that reveals his many achievements and how they changed the nation. Born into a middle-class family in Pennsylvania, his mother worked to ensure that Locke had the best education possible. After graduating from Harvard and spending three years in Europe as the first African American Rhodes Scholar, Locke returned to the United States and took a position at Howard University. In the 1920s he encouraged African Americans to embrace their own cultural past, becoming one of the leading promoters of the Harlem Renaissance then emerging in the country. Though his relationship with its leading figures was often fraught with tension, Locke never gave up his advocacy of Afro-American cultural identity, which he continued for the rest of his life through his writings, his lectures, and his sponsorship of African American artists. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rebecca Farinas of the Texas State Philosophy department and Other Side Drive Executive Producer, Kimberly Clay, invite you to a new podcast series: Philosophy Mixed, a study of the nature of things. With guest Tafari Robertson, founder of the Pan African Action Committee at Texas State, we dive into the topic of black identity and the role media plays in covering stories of race and free speech. For more studies on this topic, we recommend researching black philosophers W.E.B. DuBois and Alain Locke, and activists like Kimberlé Crenshaw. For interesting events and lectures covering this topic even further, don’t forget to check out the Texas State Philosophy Dialogue series schedule. Featured illustration by Erin Garrigan.

For our annual Founder's Day, Bob Berson shares a special address about a distinguished figure from history who is not as well known as he should be.