Podcast appearances and mentions of Gus Kahn

Send us Fan MailThe Bad Piano Player returns to a stalwart, a composer everybody knows and nobody knows with our fourth Harry Warren episode. Seven fabulous songs from the master of melody and progression, with Lyrics by Johnny Burke, Gus Kahn, Al Dubin, Ira Gershwin, Edgar Leslie, Mort Dixon and Joe Young. Only the best for my listeners. Tune in for tunefulness!

Send us Fan MailThis week the bad piano player rights a great wrong and finally does a second Gus Kahn episode. The lyricist extraordinaire, who worked with literally every major popular song composer from 1915 to the early 1940s. First featured in season 1,  episode 11, he makes his encore appearance now in season 7, episode 186. Words for the tunes, my friends.

Yes, sir, we're back again with another annual celebration of centennial music! This year, we're talking about 1925's smash hit, Yes, Sir, That's My Baby, by Gus Kahn and Walter Donaldson, as well as the honorifics “sir” and “ma'am.” Along the way, we'll discuss the world of 1925, the social dynamics of English language honorifics and the most polite ways to call people old across the world! You're SIR to learn something new!Find us on instagram here: https://www.instagram.com/gettingdownandwordy/And email us at gettingdownandwordy@gmail.comHuge thanks to Patsy Walker for the use of our theme song “Who's Wordy Now”!This week's promoted podcast is Haunted Moonlight. Find them anywhere you get podcasts or at this link: https://podcasts.apple.com/us/podcast/haunted-moonlight/id1703911242Find them, us, and lots of other great podcasts on our podcast network podmoth.network

Send us a textThe Bad Piano Player presents a special Christmas episode just for you. And you, and you, and you, too. I checked the list twice and you all qualify! We feature Holiday songs you may not know, some you might, and old-friend composers and lyricists like Gus Kahn, Jimmy Van Heusen, Johnny Burke, Meredith Willson. Listen to this one in front of the fire with a full stocking and a hot toddy. Merry Christmas to one and all.

Joy from Sammy and Joya Usually I don't title the episode exactly the same as the album I'm featuring, but this one was just too good not to use. Yes, we will hear the artist I think is the greatest showman who ever lived, but this record is really about Joya. She is not widely known today, despite her significant contributions, because of a combination of historical and social factors that often affected women and African American artists in jazz. But the gang at the Design Label teamed her up in 1957 with a fast rising star in Davis Jr to introduce her solo recordings to the world. So, get ready to hear a voice that brought joy when I saw him on stage and a voice that brought joy when I heard this record in Volume 245: Sammy Jumps With Joya. For more information about this album, see the Discogs webpage for it.  Credits and copyrights Sammy Davis Jr., Joya Sherrill – Sammy Jumps With Joya Label: Design Records  – DLP 22 Format: Vinyl, LP, Album, Mono Released: 1957 Genre: Jazz We will hear 7 of the 10 songs from this album. Sammy Davis Jr. backed by Orchestra under the direction of Morton Stevens  – The Gypsy In My Soul Recorded in February 1953 written by Clay Boland and Moe Jaffe Joya Sherrill – Baby Me written by Lou Handman, Archie Gottler, Harry Harris Joya Sherrill  – Easy Street written by Alan Rankin Jones Joya Sherrill  – Between The Devil And The Deep Blue Sea written by Harold Arlen, Ted Koehler Joya Sherrill  – Thou Swell written by Richard Rodgers, Lorenz Hart Joya Sherrill  – The End Of A Love Affair written by Edward Redding Sammy Davis Jr. – Chloe written by Gus Kahn, Charles N. Daniels This was also recorded in 1957 I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #joyasherrill #sammy #sammydavisjr #musichistory #vinylcollecting #vinylrecords #musicalmemories #fyp

Andy Marx — who Phil and David both first met on the WGA picket lines — is an award-winning writer, photographer and musician and a wonderful storyteller with an amazing story to tell. For one thing, he's Hollywood royalty in film, comedy and music as a “nepo grandbaby.” Just for starters, Andy's two grandfathers were the legendary Groucho Marx of The Marx Brothers and the legendary songwriter Gus Kahn whose classic songs you will hear about here, as well as lots of stories for all the comedy Marxists, too. To learn more about building community through food and "Somebody Feed the People," visit the Philanthropy page at philrosenthalworld.com

We haven't reached into the great Franklin Mint section of my dad's collection for a while. Most of the episodes featuring the Greatest Jazz Recordings of All Time often get blocked by YouTube.  But I've really grown attached to this specific box set lately. It's filled with some great and legendary jazz singers. So get ready to hear a variety of voices with various styles in Volume 224: Big Band Bards Record 2. More information about this album, see the Discogs webpage for it.  Credits and copyrights Various – The Jazz Singers Label: The Franklin Mint Record Society – JAZZ2 Series: Institute Of Jazz Studies Official Archive Collection, The Greatest Jazz Recordings Of All Time Format: 4 x Vinyl, LP, Compilation, Red Vinyl Box Set Released: 1982 Genre: Jazz We will hear 7 of the 12 songs on this record. George Thomas With McKinney's Cotton Pickers - Baby, Won't You Please Come Home? Written by Charles Warfield, Clarence Williams Recorded July 28, 1930 Released on Victor Al Hibbler With Duke Ellington And His Orchestra - I'm Just A Lucky So And So  Written by Duke Ellington, Mack David Recorded November 26, 1945 Released on Victor Bing Crosby And The Mills Brothers - My Honey's Lovin' Arms Written by Joseph Meyer, Herman Ruby Recorded Januray 26, 1933 Released on Brunswick Records Johnny Hartman With The John Coltrane Quartet - Dedicated To You Written by Sammy Cahn, Hy Zaret, Saul Chaplin Recorded Maarch 7, 1963 Released on Impulse Records Ray Charles - It Had To Be You Written by Gus Kahn, Isham Jones Recorded June 23, 1959 Released on Atlantic Cab Calloway And His Orchestra - I Ain't Got Nobody Written by Spencer Williams, Roger Graham Recorded July 2, 1935 Released on Brunswick Records Metronome All Stars Featuring Billy Eckstine - How High The Moon  Written by Morgan Lewis, Nancy Hamilton Recorded July 9, 1953 Released on MGM Records I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #jazzmusic #earlyjazz #musicalmemories #musichistory #vinylcollecting #vinylrecords #fyp

Here's an album I thought was going to be unplayable when I saw the condition of the cover. I have no idea why the back and front are completely separated. And the bigger surprise is that my dad didn't put it back together with his usual black electrical tape patchwork. But I'm glad I didn't overlook it because of the condition of the cover when I listened to the music it wasn't covering very well. This was some great jazz that I didn't mind listening to several times while I was deciding on the songs for this episode. So get ready to hear a couple of musicians who were around for the birth of the cool in Volume 217: Gerry and Chet. More information about this album, see the Discogs webpage for it.  Credits and copyrights Gerry Mulligan Quartet Featuring Chet Baker – Gerry Mulligan Quartet Label: Pacific Jazz – PJ-1207 Series: West Coast Artists Series – 1 Format: Vinyl, LP, Mono Released: 1955 Genre: Jazz Style: Cool Jazz We will hear 7 of the 12 songs on this album. Frenesi written by Alberto Domínguez Lullaby Of The Leaves written by Joe Young and Bernice Petkere I'm Beginning To See The Light written by Duke Ellington, Harry James, Johnny Hodges, and Don George Jeru written by Gerry Mulligan Cherry written by Don Redman and Ray Gilbert Tea For Two written by Don Redman and Ray Gilbert Makin' Whoopee written by Gus Kahn, Walter Donaldson I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #gerrymulligan #chetbaker #cooljazz

durée : 00:58:39 - "I'll See You in My Dreams" (Isham Jones / Gus Kahn) (1924) - par : Laurent Valero - "I'll See You in My Dreams, fait partie des nombreuses chansons que Jones composa avec Gus Khan, qui était l'auteur de grands succès : "It Had to Be You" ou "There Is No Greater Love". Le succès sera immédiat, en se plaçant tout en haut des charts pendant de longues semaines, en 1925" Laurent Valero - réalisé par : Patrick Lérisset

durée : 00:58:39 - "I'll See You in My Dreams" (Isham Jones / Gus Kahn) (1924) - par : Laurent Valero - "I'll See You in My Dreams, fait partie des nombreuses chansons que Jones composa avec Gus Khan, qui était l'auteur de grands succès : "It Had to Be You" ou "There Is No Greater Love". Le succès sera immédiat, en se plaçant tout en haut des charts pendant de longues semaines, en 1925" Laurent Valero - réalisé par : Patrick Lérisset

You've heard of the song "It Had To Be You," haven't you? It's a popular song composed by Isham Jones, lyrics by Gus Kahn, published on May 9, 1924. So, it's an "oldie-but-goodie." It's been covered by many people, including Frank Sinatra and Michael Buble with Barbra Streisand. Well, I'd like to cover "It Had To Be You" in today's content. Read More ... For more resources and tools that inspire and equip you to live well using God's Word in practical ways each day, visit the Alive and Active Life website.

durée : 00:57:54 - "Love me or leave me" (Walter Donaldson / Gus Kahn) (1928) - par : Laurent Valero - "Aime moi ou quitte moi, laisse moi redevenir solitaire... je t'aime tellement que je préfère encore rester seule que d'être heureuse avec un autre... Des paroles extraites de la comédie musicale "Whoopie !" qui ont marqué à l'époque. La chanson fut créée par Ruth Etting." Laurent Valero

Bits and Pieces. In the midst of a collage of sound, music and poetry, we grapple with how to deal with the illogical issues of our country today. All music, lyrics and sound you hear is written and performed by James Harrell and Ilyana Kadushin with the exception of Aint We Got Fun (Lyrics by Gus Kahn) and Ken-L Ration Commercial. noiknowpodcast.com  

"You Stepped Out of a Dream" o Saliste de un sueño, es una canción popular con música escrita por Nacio Herb Brown y letra de Gus Kahn que se publicó en 1940. La canción se ha convertido en un estándar del pop y el jazz, con muchas versiones grabadas. Sarah y Shirley Horn en voz, Sonny Rollins y varios tenores, Joe Pass, varios pianistas el alter. Hosted on Acast. See acast.com/privacy for more information.

Here's an interesting combination from my dad's shellac disks from RCA Victor Records. He had several albums made FOR children and several that seem like they were made BY children. Four sides you'll hear is a familiar story of encouragement, determination and pride. The other four sides are pure musical comedy by the master of the art. So get ready to put these eight sides together in one show with Volume 132: A 78 RPM Railroad Spike. Credits and copyrights Paul Wing / Henri René / Norman Leyden – The Little Engine That Could Label: RCA Victor – Y 384, RCA Victor – 45-5251, RCA Victor – 45-5252 Series: Little Nipper Series Format: 2 x Vinyl, 10", 78 RPM, Album Released: 1949 Genre: Stage & Screen Conductor – Henri René Music By – Norman Leyden Narrator – Paul Wing Orchestra – Frank Milano Spike Jones And His City Slickers – Musical Depreciation Label: RCA Victor – none Format:5 x Shellac, 10", 78 RPM, Album Released:  Genre: Pop Style: Novelty, Parody The Album is generic. Customers could buy the album, and any Spike Jones records available at the time to put in the album. Chloe written by Gus Kahn and Neil Moret Released in March 1945 Hawaiian War Chant Lyrics written by Ralph Freed Originally written by Johnny Noble, Prince Leleiohoku Released in June 1946 Little Engine that Could pts 1-4 based on the book published in 1930 by Platt & Munk Our Hour (The Puppy Love Song) Cover of song originally by: The Modernaires Written-By – Al Hoffman, Jerry Livingston, and Mack David Recorded July 15, 1947 Spike Jones And His City Slickers Old MacDonald A traditional song...meaning nobody knows who wrote it. Released April 1946 I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain.

Deviser contains extreme subject matter, graphic descriptions of violence, self harm and mature themes throughout. Listener discretion is strongly advised. Full Content Warnings available at https://www.deviser.ca/p/content-warnings/ Deviser was written, preformed, edited, and directed by Harlan Guthrie. Original music and themes written and performed by Harlan Guthrie. This episode featured Henry Guthrie. Thank you to Jo Guthrie; my amazing wife, friend, partner and an unending believer in my ideas & Henry Guthrie; my best friend and inspiration. Special thanks to J Strautman, Gregg Hale, Mike Monello, Sarah Rhea Werner, Mac Rogers & Mitch Gerads. If you enjoyed this show please leave a review, it helps tremendously and is the easiest way to help see more of shows like this get created. Additionally, share this show with a friend or loved one. Thank you to all the Patreons who supported this journey, if you enjoyed this please consider joining: https://www.patreon.com/TheINVICTUSStreamMy Buddyby Henry Burr; Gus Kahn; Walter DonaldsonVictor (18930-A)Publication date 1922-06 Hosted on Acast. See acast.com/privacy for more information.

It's a stormy night somewhere in Wales, and three travelers are having a rough go of it: married couple Phillip and Margaret Waverton, and their passenger in the back seat, the dapper Penderel. That's when they come upon a house, which is, shockingly, old… and dark. They manage to gain entrance after convincing the mute, lumbering butler, Morgan, that they are indeed in distress, and are soon greeted by the house's main occupants, the elderly Femms, Horace and his hard of hearing sister Rebecca. The Femms offer the travelers supper, but as the sternly religious Rebecca finds it inappropriate, no beds. As they sit down to eat a meal of meat and potatoes, two more travelers burst in – the jolly Sir William Porterhouse and his personal companion, Gladys Duquesne. Or is it Perkins? As the evening wends from dinner to conversation to an interest in the rest of the house, things take a turn for the weird, and soon, all are ensnared in a trap – not just to make it through the storm, but to get out of the house alive. Intro, Math Club, and Debate Society (spoiler-free) 0:00-27:40 Honor Roll and Detention (spoiler-heavy) 27:41-1:06:53 Superlatives (so. many. spoilers.) 1:06:54-1:26:09 Director James Whale Screenplay Benn W. Levy, with additional dialogue by R.C. Sherriff, based on the novel Benighted by J.B. Priestley Featuring Lilian Bond, Melvyn Douglas, Elspeth Dudgeon, Boris Karloff, Charles Laughton, Raymond Massey, Eva Moore, Gloria Stuart, Ernest Thesiger, Brember Wills Jason Kravits has been appearing on stages and screens, large and small, for over 30 years. Best known for his long-running role as ADA Richard Bay on ABC's “The Practice,” he has appeared in dozens of shows, including memorable roles on “Curb Your Enthusiasm,” “The Kominsky Method,” “30 Rock,” “Everybody Loves Raymond,” “Young Sheldon,” “Grey's Anatomy,” “B Positive,” “NCIS,” and “Gilmore Girls.” He recently appeared opposite Nicole Kidman on HBO's “The Undoing” and Ewan McGregor in Netflix's Halston. Kravits has appeared in several Broadway shows, including The Drowsy Chaperone, Relatively Speaking, and City Center Encores production of The Golden Apple. In 2015, Jason created Off the Top!, a “one-man, completely improvised cabaret.” Since then he has performed the show over a hundred times to sold out crowds in London, Edinburgh, Adelaide, Melbourne, Amsterdam, Washington D.C. and Los Angeles, and regularly plays the world-famous Birdland Theater in New York City. Our theme music is by Sir Cubworth, with embellishments by Edward Elgar. Music under the synopsis is “A Little Street Where Old Friends Meet” by Gus Kahn and Harry Woods, performed by Isham Jones and His Orchestra. For more information on this film, the pod, essays from your hosts, and other assorted bric-a-brac, visit our website, scareupod.com. Please subscribe to this podcast via Apple or Google Podcasts, Stitcher, Spotify, or wherever you get your podcasts. If you like what you hear, please leave us a 5-star rating. Join our Facebook group. Follow us on Instagram. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Zdravo! V poglavju, kjer se zgodi, kar je avtor napovedal, da se bo, je največja zanimivost predvsem to, da je bila fizika precej nezadovoljna z dejanji Arturja in Fenchurch in večkrat besno zmajala z glavo, medtem ko sta onadva v zraku počela marsikatero vragolijo in se ne menila za njene zakone. Še bolj je nad vragolijami, ki sta jih počela na krilu Boeinga 747 bila navdušena gospa Kapelsen iz Bostona. Mi začnemo predigro z debato o šumnikih v domenah (ki obstajajo že od leta 2011, kot smo izvedeli v zapiskih) in vam želimo vesel božič, tudi če ni bil bel. Peli priporoči epizodo podkasta Twenty Thousand Hertz o tem kako narediti zvok za moderno filmsko prikolico (trailer). Sprašujemo se, zakaj je prišlo do poglavja o onegavljenju v katerem smo in kdo je zanj kriv: oboževalci, uredniki ali mali zeleni lističi ali kaj tretjega. Ob koncu se spomnimo in razložimo tudi napravo, ki se ji reče walkman in upamo, da smo jo mlajšim poslušalkam in poslušalcem vsaj približno razumljivo razložili.

A Sentimental Date with Perry (1948) by Perry Como; Russ Case and his Orchestra; B. G. DeSylva; Robert Katcher; Charlie Tobias; Peter De Rose; Benny Davis; Joe Burke; Lloyd Shaffer; Heyman; Sour; Eyton; Green; Irving Berlin; The Satisfiers; Gus Kahn; Walter Donaldson; Joseph McCarthy; Jimmie V. Monaco Publication date 1948 --- Send in a voice message: https://anchor.fm/waldina/message

Pinkie Sings "Dream a Little Dream of Me" Music written by Fabian Andre & Wilbur Schwandt, Lyrics: Gus Kahn

"I'm Through With Love" (Terminé con el amor) fue escrita en 1931 por Fud Livingston, Matty Malneck y Gus Kahn. La canción ha sido popular desde que fue escrita, con grabaciones de Nat Cole, Chet Baker, Dizzy Gillespie y Sarah Vaughan, entre muchas grabaciones. Marilyn Monroe cantó la canción en la película Some Like It Hot de 1959. Escuchamos algunas de ellas, junto a Carmen McRae, Getz, Jarret, Diana Krall, Monheit y hasta Woody Allen. Hosted on Acast. See acast.com/privacy for more information.

Kevin is joined by Andy Marx,  an award-winning writer and photographer, to share stories about old Hollywood, writing for Variety, and tales from growing up with Hollywood royalty.Andy Marx is a writer, producer, composer, musician, and an extraordinary artist & photographer. He is the grandson of famed television and film actor Groucho Marx of the Marx Brothers, and songwriter Gus Kahn whose hits include It Had to be You, Dream a Little Dream, and Makin' Whoopee. Andy's  work has appeared in Variety, The Los Angeles Times, and Entertainment Weekly, among others. He is also the co-founder of the comedy website, Hollywood & Swine, and author of the book, Royalties, a multi-generational, historical romance is based on the lives of his grandfathers, Groucho Marx and  Gus Kahn. The start of audience testing and research from the perspective of a young journalist (3:46)Andy shares his fascination with audience testing, and the fascination with early box office returns in the 1980s among journalists and publicists. Andy and Kevin also touch on the earliest type of audience screening where stars like Chaplin, Buster Keaton, and Harold Lloyd would take comedic sequences to Hollywood Boulevard to test them with audiences.Growing up with Groucho (7:52)Andy discusses his childhood and his relationship with his grandfather, Groucho Marx. He shares inside stories about how he became, with a nudge from Jack Nicholson, the head archivist for Groucho's hit show, You Bet Your Life.Audience test screening in early Hollywood (15:47)The Marx Brothers' A Night at the Opera is one of the Marx Brothers' all-time classic comedies. Andy tells an amazing story about how it had a terrible initial screening, but due to some brilliant behind the scenes maneuvering and a quick change of venue, the screening was saved. Andy and Kevin discuss the timeless lesson of the importance of screening with the right audience.Creative vision and the testing process (22:42)Kevin and Andy discuss how the Director's creative vision can either hurt or help the audience testing process. They delve into the difference between modern-day movie blockbuster projects and how those differ from the old Hollywood studio system.Hollywood and Swine (36:36)Andy and his writing partner, Will McArdle, were responsible for the anonymous website, Hollywood and Swine, where they lampooned Hollywood with articles like Starbucks Bans Screenwriters From All 19,435 Locations Worldwide; Writers Guild of America Vows to Fight the Decision. Andy shares stories from writing parody, and how he doesn't think he could get away with it today. It Had to be You (41:54)Andy sings and plays ukulele as he takes us out with one of his Grandfather Gus Kahn's hits, It Had to be You.Join Kevin and his guest, Andy Marx, and learn about the history of Hollywood and audience research, and enjoy some insider stories on Kevin's podcast, Don't Kill the Messenger!Host: Kevin GoetzGuest: Andy MarxProducer:  Kari CampanoFor more information about Andy's upcoming projects:Website: http://www.andymarx.com/Instagram:  https://www.instagram.com/andymarx/Royalties Book: https://www.amazon.com/Royalties-Andy-Marx-ebook/dp/B08DC2RFHN/ref=tmm_kin_swatch_0For more information about Kevin Goetz:Website:  www.KevinGoetz360.comAudienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678Facebook, Twitter, Instagram: @KevinGoetz360Linked In @Kevin GoetzScreen Engine/ASI Website:  www.ScreenEngineASI.com

Dig the podcast, SUBSCRIBE to VAN SESSIONS on YOUTUBE! Support the show: https://www.buymeacoffee.com/banyanmedia Recorded during Ogden's First Friday Art Stroll. Supported by a generous grant from Ogden City Arts along with love from Roosters Brewing. Thanks to everyone who came out to the live show! Join us every First Friday for recordings at The Monarch Building in Ogden, Utah. SONG "Dream a Little Dream of Me," COVER, by Standards & Substandards on Van Sessions at The Monarch "Dream a Little Dream of Me" is a 1931 song with music by Fabian Andre and Wilbur Schwandt and lyrics by Gus Kahn. It was first recorded in February 1931 by Ozzie Nelson and also by Wayne King and His Orchestra, with vocals by Ernie Birchill. - Wiki MUSICIAN/BAND | Standards & Substandards "We're an easygoing quartet (vocals, piano, bass, drums) that loves to play whimsical re-creations, interesting blends of genres, classic jazz standards, or ironic twists on simple tunes. We'll just as happily perform an upbeat jazz standard as a bluesy torch song, and we'll also blur traditions of funk, pop, rock, and blues as the spirit moves us. In short, we just like playing music as we've reimagined it. It doesn't hurt to have a charismatic vocalist/diva and playful instrumentalists." - Standards & Substandards Website WEBSITE: https://substandards.band/ YOUTUBE: https://www.youtube.com/channel/UCOZ8wFwVuSnLf7fic5Lfu5g FACEBOOK: https://www.facebook.com/StandardsandSubstandards INSTAGRAM: https://www.instagram.com/standards_and_substandards/ SUPPORTERS The Monarch Building: https://themonarchogden.com/ Ogden City Arts: https://www.ogdencity.com/707/Arts Roosters Brewing: https://www.roostersbrewingco.com/ CREDITS Producer / Host: R. Brandon Long, The Banyan Collective Logistics / Bookings: Todd Oberndorfer, The Banyan Collective Audio Mix: Scott Rogers (The Proper Way Band) Video Assistant: Isla Long Photographer: Ruth Silver  FOLLOW Van Sessions Instagram: https://www.instagram.com/vansessions/ Van Sessions Facebook: https://www.facebook.com/thevansessions  Like what you hear, buy us beer: https://www.buymeacoffee.com/banyanmedia  Bookings: todd@thebanyancollective.com A Banyan Collective Production, copyright August 2022

Moving on with unofficial Franklin Mint Month we come across another extremely talented and influential saxophone player. His tragic life may have mirrored another sax player featured in a past episode, but Lester's playing was all his own. So get ready to hear the musician Billie Holiday nicknamed Prez in Volume 90: Sax Master Young. https://www.theguardian.com/music/2015/apr/08/billie-holiday-and-lester-young-friendship-between-lady-day-and-prez Credits and copyrights Various – Jazz Masters Of The Sax Label: The Franklin Mint Record Society – FM JAZZ 014 Series: Institute Of Jazz Studies Official Archive Collection, The Greatest Jazz Recordings Of All Time Format: 4 x Vinyl, LP, Compilation, Red Vinyl Box Set Country: Sweden Released: 1983 Genre: Jazz Jones-Smith Inc. – Shoe Shine Boy Written by Saul Chaplin Tenor Saxophone – Lester Young Trumpet – Carl "Tatti" Smith Piano - Count Basie String Bass - Walter Page Drums - Jo Jones Recorded Autumn 1936 Released on Vocalion Records Billie Holiday & Her Orchestra – I Can't Get Started Music by Vernon Duke and lyrics by Ira Gershwin Trumpet - Buck Clayton Trombone - Dicky Wells  Piano – Margaret "Queenie" Johnson Guitar - Freddie Greene String Bass - Walter Page Drums - Jo Jones Vocals – Billie Holiday Tenor Sax Lestor Young Recorded September 15, 1938 Released on Columbia Records Count Basie & His Orchestra– Clap Hands! Here Comes Charley! written by Billy Rose, Ballard MacDonald and Joseph Meyer Alto Saxophone – Earle Warren Alto Saxophone, Baritone Saxophone – Jack Washington Trombone – Dickey Wells, Benny Morton, and Dan Minor Trumpet – Buck Clayton, Ed Lewis, Harry Edison and Shad Collins Guitar - Freddie Greene String Bass - Walter Page Drums - Jo Jones Piano - Count Basie Alto Sax - Lester Young Recorded August 4, 1939 Released on Vocalion Records Young Quartet– I Never Knew written by Gus Kahn, Ted FioRito Piano - Johnny Guarnieri String Bass - Slam Stewart Drums - Sid Catlett Alto Sax - Lester Young Recorded on December 28, 1943 Released on Kenote Records Young Quintet– Lester Blows Again Written by Lester Young Trombone – Vic Dickenson Piano - Dodo Marmarosa Guitar - Freddy Greene String Bass - Red Callendar Drums - Henry Tucker Green Alto Sax - Lester Young Recorded in October 1945 Released on Alladin Young Quartet– Neenah Could not find the composer on this one Acoustic Bass – Joe Shulman Drums – Bill Clarke Piano – John Lewis Recorded in July of 1950 Released on Clef Records Young-Cole-Rich Trio – I Want To Be Happy written by Vincent Youmans, Otto Harbach, Irving Caesar Piano - Nat King Cole Drums – Buddy Rich Alto Sax - Lester Young Recorded in December 1945 Released on Clef Records I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain.

The jazz standard “Makin' Whoopee” — introduced in a 1928 stage musical with a performance by legendary song-and-dance man Eddie Cantor — is built around the sassiest words ever penned by one of the great lyricists of the Roarin' Twenties.Gus Kahn was born in 1886 in Bruschied, Germany, son of a cattle farmer who emigrated to the United States four years later and moved his family to Chicago.After graduating from high school, Gus worked as a clerk in a mail order business before launching one of the most successful and prolific careers on Tin Pan Alley.In the next 30 years, Kahn contributed to an extraordinary number of Great American Songbook numbers. Like what? you say. Like “Pretty Baby,” “Ain't We Got Fun?,” “Carolina in the Morning,” “Toot, Toot, Tootsie *Goo' Bye!),” “Yes Sir, That's My Baby,” “My Baby Just Cares for Me,” “Dream a Little Dream of Me.”No wonder that in 1951 — 10 years after his death — Gus was featured in a popular movie about his life. “I'll See You in My Dreams” starred Danny Thomas as Kahn opposite Doris Day as Gus's wife, Grace LeBoy. The film was a serious hit, Warner Brothers' second-highest-grossing film of the entire year.Walter DonaldsonGus had a life-long friendship with his main collaborator, composer Walter Donaldson (who you may remember from our earlier post about their “My Blue Heaven.”) Their first collaboration was “My Buddy” in 1922. They went on to compose over one hundred songs together.In 1928, the pair composed all the tunes for a show called “Whoopee!” based on Owen Davis's play, “The Nervous Wreck.” Included in the score was “Makin' Whoopee,” the winking-est and nodding-est number of the season. The title refers to love and marriage. Quickly, though, "making whoopee" becoming a euphemism for recreational love making. Gus's lyrics begin with a sardonic celebration of a wedding (“another bride, another June … a lot of shoes, a lot of rice”), then moves on to the love nest and babies and responsibilities (‘washing dishes and baby clothes, he's so ambitious he even sews…) but then to affairs and confrontations, possible divorce, a visit to a judge…The 1928 show was successful enough, but oh, that song! In the same year that it debuted on Broadway, it also was recorded Bing Crosby and Paul Whiteman and the next year by Rudy Vallée. Then in the 1950s, after that Danny Thomas / Doris Day movie, the song was back in a big way, with versions by Nat King Cole, Gerry Mulligan and Chet Baker, Frank Sinatra, Dinah Washington, Louis Armstrong, Ella Fitzgerald. And that isn't the end. More recently, it has been recorded Dr. John and Rickie Lee Jones, by Cyndi Lauper and Tony Bennett, by Rod Stewart and Elton John.Our Take on the TuneHonestly, we don't know how a band that's been around for nearly half a century — one that has a special love for novelty and good-time tunes of the 1920s and ‘30s — could have missed this one.But the fact is it's only now that The Flood started playing around with this classic. Guess it took our newest members — Veezy Coffman and Danny Cox — to open our ears to it. We're sure glad they did. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

It had to be you (tenías que ser tú) es un standard de 1924 por Isham Jones y Gus Kahn. Recorremos versiones de Billie y Ella y las instrumentales de Artie Shaw, el Hot Club de France y el de Noruega, Johnny Hodges, Harry Carney, Teddy Wilson, Eddie Daniels, la mandolina de Grisman y el violín de la joven Elia Bastida.

Andy Marx is an award-winning photographer, writer, and musician, whose work has appeared in The New York Times, The Los Angeles Times, Variety, The Hollywood Reporter, Billboard, Forbes, The Wall Street Journal, Entertainment Weekly, Premiere, Movieline, and Cigar Aficionado, among others. His photography has been exhibited throughout the world, including in the U.S., Europe, and Israel.In 2020, Andy's first novel, “Royalties,” was published to enthusiastic reviews. The multi-generational, historical romance is based on the lives of his paternal grandfather, the legendary comedian, Groucho Marx, and his maternal grandfather, the renowned songwriter, Gus Kahn, whose hits include "It Had to Be You," "Makin' Whoopee," and "Dream a Little Dream."Andy has produced special programming for Sirius/XM's “Siriusly Sinatra” channel. And he's currently recording an album of many of his grandfather's most famous songs. The first single, “Ukulele Lady,” was recently released.Andy co-founded the popular comedy website, Hollywood & Swine, known for its lampooning of Hollywood. Entertainment Weekly referred to it as "The Onion of the entertainment industry.” He currently serves as an advisor to Paradox, a technology company dedicated to streamlining the dealmaking process for everyone from writers to distributors. 

Today on the Rarified Heir Podcast, we are airing an encore episode of our conversation with Andy Marx, who has not one but two well known grandparents. Yes, you heard that right. Andy is our only guest so far who is the grandchild of a celebrity. One grandfather, as you might have guessed from his last name was indeed Groucho Marx, of, who else, Marx Brothers. What's more, his other grandfather was songwriter Gus Kahn who wrote standards as “It Had To Be You”, “Dream a Little Dream of Me, ”Makin' Whoopie” and many more. Gus was so famous, Andy heard from none other than George Harrison that Gus was one of his favorite songwriters. We talk to Andy about everything from spending time with grampa Groucho at his Beverly Hills house in the late 70s and helping him preserve a truck full of “You Bet Your Life” episode that might have been tossed had it not been for Andy's insistence they stay. We also talk about a wide ranging number of celebrities such as Elton John, Jack Nicholson, Ron Wood and Marcel Marceau who all inhabited the Marx orbit. We even get into the wild and the wacky Erin Fleming who was Groucho's companion for the last years of his life. So say the secret word and stick around…it's all next on the Rarified Heir Podcast.  

(My girlfriend Karen joins me on this episode) When it comes to love songs, one of the voices I often think of first is Nat King Cole. His effortless style, smooth voice and crystal clear lyrics have set the background for many romantic encounters over the years. So get ready to snuggle up to the one you love for Volume 59: Nat's L-O-V-E for Valentine's Day. Credits and copyrights: Nat King Cole – L-O-V-E Label: Capitol Records – T 2195 Format: Vinyl, LP, Album, Mono Released: 1965 Genre: Jazz Style: Easy Listening Three Little Words music by Harry Ruby and lyrics by Bert Kalmar, published in 1930 The Girl From Ipanema written in 1962 by Antônio Carlos Jobim and Vinicius de Moraes Coquette 1928 fox trot jazz standard composed by Johnny Green and Carmen Lombardo, with lyrics by Gus Kahn. Ti Guarderò Nel Cuore (More) written by Riz Ortolani and Nino Oliviero for the 1962 Italian documentary film Mondo Cane How I'd Love To Love You Joe Bailey L-O-V-E composed by Bert Kaempfert with lyrics by Milt Gabler My Kind Of Girl 1961 song written by Leslie Bricusse I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain.

Dzisiaj trochę nie o rybach, o największych ssakach na ziemi żyjących w oceanach, czyli waleniach, czyli potocznie mówiąc wielorybach . No właśnie dziś każde dziecko (no prawie każde) wie, że wieloryby rybami nie chcą być. Sprawa jest oczywista. Dla nas, w XXI wieku. Ale przez całe tysiąclecia ludzkość uznawała walenie za ryby. Przekonanie było bardzo silnie zakorzenione. Sam Karol Linneusz ojciec taksonomii, mimo że zdawał sobie sprawę z różnic anatomicznych między waleniami i rybami, w pierwszych wydaniach swojego opus magnum - „Systema Naturae”, przyporządkował walenie do ryb, a to ze względu na wspólny habitat. Zdanie zmienił w okolicach wydania 9, zainspirowany anatomicznymi badaniami Mathurin-Jacques Brisson, francuskiego zoologa. Zanim świat naukowy zaakceptował myśl Linneusza, zanim Karol Darwin opisał teorię ewolucji, która takiej akceptacji sprzyjała, Sprawą zajęli się amerykańscy prawnicy. Otóż w 1818 roku do sądu w Nowym Jorku trafiła sprawa, która miała rozstrzygnąć czy wieloryb jest rybą. Przepisy stanu Nowy Jork wymagały, aby cały olej rybny sprzedawany w Nowym Jorku był mierzony, kontrolowany i znakowany. Kupiec Samuel Judd kupił trzy beczki oleju wielorybiego i nie poddał się kontroli, za co inspektor James Maurice, nałożył na niego stosowną karę. Judd jednak twierdził, że beczki zawierały olej wielorybi, a nie rybny, a zatem nie podlegały przepisom dotyczącym oleju rybnego. Powołano ekspertów, jeden z nich Dr Mitchill stwierdził nawet „jako naukowiec mogę powiedzieć z przekonaniem, że wieloryb nie jest bardziej rybą niż człowiekiem; w dzisiejszych czasach nikt nie twierdzi, że jest inaczej, z wyjątkiem polityków i prawników”. No właśnie - z wyjątkiem prawników. Werdykt stanowił, że tran wielorybi jest olejem rybnym, czyli jakoby wieloryb rybą był. Taka historia. Zoolodzy zoologami, prawnicy prawnikami, opinia społeczna opinią społeczną, a dla wielorybników wieloryby podobno do dzisiaj pozostały rybami czyli fishes. Jest taka stara XIX wieczna pieśń marynarska, forebitter lub foc'sle song jak mówią Anglicy. Niektórzy twierdzą, że pochodzi z Portugalii, niektórzy że z wybrzeży North Queensland w Australii. Niby nic z wielorybami wspólnego nie ma ale kiedy jej słucham, lub kiedy ją śpiewam zbiera mnie zawsze na spekulacje jak powstała. No więc spekuluję: Podmiot liryczny w refrenie śpiewa „Yo ho little fishies, don't cry, don't cry” – „rybki małe nie płaczcie”. Ja zamykam oczy i widzę wielorybnika, powiedzmy w średnim wieku. Statek płynie ku łowiskom gdzieś na północy. Od tygodni w morzu. Wieczór. On umęczony całodniową harówką stanął na chwilę „przed masztem” czyli na foc'slu zaczerpnąć ostatni haust świeżego powietrza. Zatęsknił za swoja kobietą. W dali usłyszał śpiew wielorybów. A wielorybi śpiew nazywany bywa płaczem. A wieloryby nazywane przez wielorybników są do dziś rybami. Zanucił więc nasz wielorybnik z uśmiechem melancholijnym: rybki małe nie płaczcie. Resztę dośpiewał i mamy piosenkę. Ot taka moja fantazja. Pięknie Yea Ho Little Fishes, przetłumaczył na polski nasz narodowy szantymen Pan Marek Szurawski. Nadał jej tytuł „Rybki małe”. I cudownie przed ponad trzydziestu laty zaśpiewał z przyjaciółmi z zespołu Stare Dzwony. Śpiewa ją czasem do dziś. A zatem: rok 1988 Janusz Sikorski, Jerzy Porębski, Ryszard Muzaj, Marek Szurawski, i Rybki Małe Posłuchajcie Audycja zawiera utwory: "Manuel's love song" z filmu „Captains Courageous” w wykonaniu Spencera Tracy z , słowa i muzyka: Gus Kahn and Franz Waxman na podstawie tradycyjnej pieśni „Yea Ho Little Fishes”. " Rybki małe " w wykonaniu zespołu Stare Dzwony, słowa: Marek Szurawski, muzyka: trad. (oryg. „Yea Ho Little Fishes”.) @jarasaseasongi znajdziesz na Facebooku i YouTube

“My Name Is Sheba,” is the twice monthly fictional story of iconic jazz/R&B artist, Sheba Hawkins, a young artist, who rose from obscurity as an orphan, to superstardom, and created a musical masterpiece. An album that sounds like the iconic records that become the soundtracks of our lives. Except, this one never saw the light of day—until now. In this story, her music's finally being unearthed like buried treasure. “My Name Is Sheba” is written around the original music from the album of the same name, by singer/songwriter Kandace Springs. We suggest starting with episode one, and following along. This chapter of My Name Is Sheba was written, recorded, and produced by Monroe Jones. Original song “Rain Falling” comes from the album, My Name Is Sheba, by Kandace Springs, and can be found at Spotify, Apple, or wherever you stream music. “My Baby Just Cares For Me” was written by Gus Kahn and Walter Donaldson. Other original music in this episode is by Humans Win, BZUR, Jason Donnelly, and Trencher Music, all of whom have royalty free music available at storyblocks.com.   For more behind the scenes info on the creators of the story and the music, visit mynameissheba.com.  Finally, if you like what you're hearing, please subscribe, leave a rating, and tell a friend. My Name Is Sheba is a product of Subplay Creative.

"Love Me Or Leave Me" Nina Simone: Let It All Out (Philips, 1965) Nina Simone, Rudy Stevenson, Lisle Atkinson, Bobby Hamilton. El tema es un clásico de Walter Donaldson y Gus Kahn. © Pachi Tapiz, 2021 En anteriores episodios de JazzX5/HDO/LODLMA/Maltidos Jazztardos... https://www.tomajazz.com/web/?p=28983 Más información sobre Nina Simone en Tomajazz https://www.tomajazz.com/web/?s=nina+simone&submit=Search Más información sobre JazzX5 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. JazzX5 y los podcast de Tomajazz en Telegram En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast. Pachi Tapiz en Tomajazz https://www.tomajazz.com/web/?cat=17847

The ugly: Nazis. The bad: a husband killed in battle. The good: one spunky, silly, kinda-loopy, very brave young woman. Meet Violette Szabo, the secret agent who packed a machine gun…just in case she ran into any Nazis on her mission.    ___ ****STAY IN TOUCH!**** toritelfer.com toritelfer@gmail.com tinyletter.com/toridotgov instagram.com/tori__telfer ___ Support the podcast by supporting its sponsors! Go to calm.com/criminalbroads for 40% off Calm's entire library of soothing meditations. Go to dameproducts.com/criminalbroads for 15% off sitewide. Or become a patron at patreon.com/criminalbroads. Follow on Instagram: Instagram.com/criminalbroads Find sources here: criminalbroads.com/sources/episode68 Music: Matthew Noble and Stereodog Productions (Dan Pierson & Peter Manheim). Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer. Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under Public Domain Mark 1.0.  Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Sharon Wiggins killed a man in a bank robbery gone wrong when she was seventeen. Her state locked her up for life, no chance of parole. Then the Supreme Court stepped in, and Sharon started dreaming. This is the story of a woman with a dubious superlative: the longest-serving juvenile lifer in the world. __ Subscribe to my newsletter: tinyletter.com/toridotgov Support the podcast by supporting its sponsors! Go to dameproducts.com/criminalbroads for 15% off sitewide. Or become a patron at patreon.com/criminalbroads. Follow on Instagram: Instagram.com/criminalbroads Find sources here: criminalbroads.com/sources/episode70 Music: Matthew Noble and Stereodog Productions (Dan Pierson & Peter Manheim). Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer. Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under Public Domain Mark 1.0.  Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

In 1978, a man left Mary Vincent for dead. Ten years later, she told a journalist she'd never get over it. This is a story about surviving and about the narrative of the survivor—what we want from her, what she can't always give us. Support the podcast by supporting its sponsors! Go to dameproducts.com/criminalbroads for 15% off sitewide. Or become a patron at patreon.com/criminalbroads. Follow on Instagram: Instagram.com/criminalbroads Find sources here: criminalbroads.com/sources/episode69 Music: Matthew Noble and Stereodog Productions (Dan Pierson & Peter Manheim). Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer. Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under Public Domain Mark 1.0.  Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

In the 1950s, two lonely, imaginative teenage girls became best friends. Before long they had convinced themselves that they were the most mad, genius girls in the world. And then they began to dream of murder. — Support the podcast by supporting its sponsors! Go to calm.com/criminalbroads for 40% off Calm's entire library of soothing meditations. Or become a patron at patreon.com/criminalbroads. Follow on Instagram: Instagram.com/criminalbroads Find sources here: criminalbroads.com/sources/episode68 Music: Matthew Noble and Stereodog Productions (Dan Pierson & Peter Manheim). Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer. Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under Public Domain Mark 1.0.  Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

“Imagine at the age of 16 being sex-trafficked by a pimp named Kutthroat.” That was how the meme about Cyntoia Brown started. Cyntoia herself couldn't believe it when she heard Kim Kardashian was tweeting about her. After a lifetime of being thought of as a bad kid—people were suddenly on her side? Cyntoia's Instagram: https://www.instagram.com/cyntoiabrownofficial/?hl=en Falicia Blakely episode: https://www.criminalbroads.com/episodes/2018/11/28/episode-14-teenager-in-love-falicia-blakely Support the podcast by supporting its sponsors! Go to dameproducts.com/criminalbroads for 15% off sitewide, and modernfertility.com/criminalbroads for $20 off your fertility test. Or become a patron at patreon.com/criminalbroads. Follow on Instagram: Instagram.com/criminalbroads Find sources here: criminalbroads.com/sources/episode66 Music: Matthew Noble and Stereodog Productions (Dan Pierson & Peter Manheim). Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer. Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under Public Domain Mark 1.0.  Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

One night in September, a white lady in a long green dress reported that she'd been the victim of a horrific crime. Her story transformed Hawaii—some people were outraged, some were sure she was lying. And then her mother got involved. Read David Stannard's book on the Massie case here: https://www.penguinrandomhouse.com/books/291248/honor-killing-by-david-e-stannard/ Become a patron: patreon.com/criminalbroads Follow on Instagram: Instagram.com/criminalbroads Find sources here: criminalbroads.com/sources/episode66 Music: Matthew Noble and Stereodog Productions (Dan Pierson & Peter Manheim). Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer.      Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

“Classic-Pop Standards” is a one-hour program inspired by the Great American Songbook. This series of podcasts features the singers, the lyricists, and the composers of the music we call “American Standards.” Come along with us as we honor the great songwriters by never forgetting their music. These are songs with not only a history, but with a future; Songs born along Tin Pan Alley, on 42nd Street, at the Brill building, and down Broadway. Danny Lane brings new life to the Great American Songbook on “Classic-Pop Standards”. Comments to: dannymemorylane@gmail.com In this episode, you'll hear:1)     I've Got The World On A String by Celine Dion / Harold Arlen (music) & Ted Koehler (lyrics) [1932]2)     I Could Have Danced All Night by Jamie Cullum / Alan Jay Lerner (lyrics) & Frederick Loewe (music) [1956]3)     Straighten Up And Fly Right by Linda Ronstadt (with Nelson Riddle & His Orchestra) / Nat King Cole & Irving Mills (words and music) [1943]4)     Night And Day by Frank Sinatra / Cole Porter (words & music) [1932]5)     Where Do I Go From You by Nancy Wilson / Diane Warren (words & music) [1994]6)     The Music Of The Night by Michael Crawford & Barbra Streisand / Andrew Lloyd Webber (music) & Charles Hart and Richard Stilgoe (lyrics) [1986]7)     I Could Write A Book by Harry Connick, Jr. / Richard Rodgers & Lorenz Hart [1940]8)     Buttons And Bows by Dinah Shore / Jay Livingston (music) & Ray Evans (lyrics) [1947]9)     Don't Get Around Much Anymore by Rod Stewart / Duke Ellington (music) & Bob Russell (lyrics) [1940]10) I Got Rhythm by Ella Fitzgerald (with Nelson Riddle's Orchestra) / George Gershwin (music) & Ira Gershwin (lyrics) [1930]11) Gee Baby, Ain't I Good To You by Sammy Davis Jr. / Don Redman (music) & Andy Razaf (lyrics) [1929]12) Let's Do It by Eydie Gormé / Cole Porter (music & lyrics) [1928]13) Dream (When You're Feeling Blue) by Roy Orbison / Johnny Mercer (words & music) [1944]14) Time After Time by Deana Martin (duet with Jerry Lewis) / Sammy Cahn (lyrics) & Jule Styne (music) [1947]15) Love Theme from St. Elmo's Fire (Subtitled "For Just A Moment") by Donny Gerrard & Amy Holland / David Foster (music) & Cynthia Weil (lyrics) [1984]16) Maybe This Time by Tony Bennett / John Kander (music) & Fred Ebb (lyrics) [1964] 17) True Love by Elvis Presley / Cole Porter [1956]18) It Had to Be You by Benny Goodman & His Orchestra / Isham Jones (music) & Gus Kahn (lyrics) [1924]

Welcome to week two of SISTER MONTH. Today we're traveling to the midcentury Dominican Republic, where three of the four Mirabal sisters are facing off against notorious dictator Rafael Trujillo. Who wins? That depends on whether or not you take the long view. Email your sister stories to criminalbroads@gmail.com. *** Support the podcast by supporting its sponsors! Go to athenaclub.com/criminalbroads for 20% off your new favorite razor.  Head to Onmolecule.com and use promo code criminal for 20% off the best mattress ever. Or become a patron at patreon.com/criminalbroads! *** Follow on Instagram: Instagram.com/criminalbroads Find sources here: criminalbroads.com/sources/episode59 Music: Stereodog Productions (Dan Pierson & Peter Manheim). Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer. Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under Public Domain Mark 1.0. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Welcome to SISTER MONTH. We’re starting in 1930s France, where Christine and Lea Papin do everything together. They work together. They live together. They ignore everyone else together. They kill together. *** Support the podcast by supporting its sponsors! Go to dipseastories.com/criminalbroads for a free month of sensual stories! And go to dailyharvest.com and enter promo code criminalbroads to get twenty-five dollars off your first box! Or become a patron at patreon.com/criminalbroads! *** Follow on Instagram: Instagram.com/criminalbroads Find sources here: criminalbroads.com/sources/episode58 Music: Matthew Noble. Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer. Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under Public Domain Mark 1.0.  Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

We’ve covered over fifty broads on this podcast, from serial killers and cult leaders to lady lawyers and forensic artists. But their stories don’t end when the episode does. Today we’re taking a look at what some of our most infamous broads—Amy Bishop, Jasmuheen, Caril Ann Fugate, and more—have been doing lately. This episode contains everything from war crimes to nine nights spent in a dark cave with a “guru.” Buckle up. Want to send some money to Lloyd Dean? Venmo me @tori-telfer (or Paypal/Chase Quickpay: toritelfer@gmail.com), note that it’s for LLOYD DEAN, and let’s get him a nice little gift! Thanks to Darius Johnson for reading Lloyd Dean’s letter! Read Amy Bishop’s short story here: https://pen.org/man-of-few-words/ *** Support the podcast by supporting its sponsors! *Go to hellofresh.com/criminalbroads12 and use promo code criminalbroads12 for TWELVE FREE MEALS! *And go to sundayscaries.com and use promo code criminal for 25% off your order… *Or go to patreon.com/criminalbroads to become a patron!  *** Follow on Instagram: Instagram.com/criminalbroads Find sources here: criminalbroads.com/sources/episode56 Music: Stereodog Productions (Dan Pierson & Peter Manheim). Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer. Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under Public Domain Mark 1.0. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

“Classic-Pop Standards” is a one-hour program inspired by the Great American Songbook. This series of podcasts features the singers, the lyricists, and the composers of the music we call “American Standards.” Come along with us as we honor the great songwriters by never forgetting their music. These are songs with not only a history, but with a future; Songs born along Tin Pan Alley, on 42nd Street, at the Brill building, and down Broadway. Danny Lane brings new life to the Great American Songbook on “Classic-Pop Standards”. Comments to: dannymemorylane@gmail.com In this episode, you’ll hear: 1) You're The Top by Louis Armstrong / Cole Porter (words & music) [1934] 2) Manhattan by Ella Fitzgerald / Richard Rodgers (music) & Lorenz Hart (lyrics) [1925] 3) Pick Yourself Up by Nat King Cole / Jerome Kern (music) & Dorothy Fields (lyrics) [1936] 4) Have You Met Miss Jones? By Sarah Vaughan / Richard Rodgers (music) & Lorenz Hart (lyrics) [1937] 5) The More I See You by Michael Bublé / Harry Warren (music) & Mack Gordon (lyrics) [1945] 6) Embraceable You by Frank Sinatra & Lena Horne / George Gershwin (music) & Ira Gershwin (lyrics) [1930] 7) The Best Is Yet To Come by Diane Schuur / Cy Coleman (music) & Carolyn Leigh (lyrics) [1959] 8) Makin' Whoopee by Dr. John w/ Rickie Lee Jones, duet vocal / Walter Donaldson (music) & Gus Kahn (lyrics) [1928] 9) Fools Fall In Love by John Pizzarelli / Jerry Leiber & Mike Stoller [1956] 10) Nice 'N' Easy by Rosemary Clooney / Lew Spence (music) & Alan Bergman and Marilyn (Keith) Bergman (lyrics) [1960] 11) They All Laughed by Toni Tennille / George Gershwin (music) & Ira Gershwin (lyrics) [1937] 12) Since I Fell For You by Dinah Washington (w/ Quincy Jones) / Buddy Johnson (words & music) [1945] 13) I Get A Kick Out Of You by Tony Bennett / Cole Porter (music & lyrics) [1934] 14) On The Sunny Side Of The Street by Steve Tyrell / Dorothy Fields (lyrics) & Jimmy McHugh (music) [1930] 15) Let's Fall In Love by Diana Krall / Ted Koehler (lyrics) & Harold Arlen (music) [1933] 16) What'll I Do by Johnny Mathis / Irving Berlin [1923] 17) I Can't Get Started by Al Hirt / Vernon Duke (music) & Ira Gershwin (lyrics) [1936]

One of the most powerful offices in the country is up for grabs this year, and it’s never been held by a woman. It’s the office of Manhattan District Attorney. And Eliza Orlins wants the job. She’s a public defender who’s represented over 3000 New Yorkers and now she’s ready to cross the courtroom aisle and reimagine criminal justice across the US. Oh: and she almost won Survivor. Join the fight at elizaorlins.com! Tell your friends about Eliza on social: instagram.com/eorlins and twitter.com/elizaorlins *** Support the podcast by supporting today’s sponsor. Go to athenaclub.com/criminalbroads for 20% off your new favorite razor.  Or check out: patreon.com/criminalbroads *** Follow on Instagram: Instagram.com/criminalbroads Find sources here: criminalbroads.com/sources/episode55 Music: Matthew Noble. Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer. Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under Public Domain Mark 1.0. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Last time we encountered Marie Hilley, she was running from the FBI. Now, she’s changed her name and her backstory and (eventually) even her hair color. Meet Robbi. No, meet Teri. You’ll like her. She’ll MAKE you like her.  *** Thanks to Alex Taylor and Anna Telfer for the great voiceover work. :) Support the podcast by supporting its sponsors! *Go to dailyharvest.com and enter promo code criminalbroads to get twenty-five dollars off your first box… *And go to sundayscaries.com and use promo code criminal for 25% off your order… *Or go to patreon.com/criminalbroads to become a patron!  *** Follow on Instagram: Instagram.com/criminalbroads Find sources here: criminalbroads.com/sources/mariehilley Music: Stereodog Productions (Dan Pierson & Peter Manheim). Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer. Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under Public Domain Mark 1.0. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Marie Hilley grew up thinking she was special. Marie Hilley spent a lot of money. Marie Hilley said she had a twin in Texas. Marie Hilley started carrying around hypodermic syringes. MEET MARIE. PART ONE OF TWO. *** Support the podcast by supporting its sponsors! *hellofresh.com/criminalbroads12 and use promo code criminalbroads12 for TWELVE FREE MEALS! *betterhelp.com/criminalbroads for 10% off affordable online counseling! *patreon.com/criminalbroads to become a patron! *** Follow on Instagram: Instagram.com/criminalbroads Find sources here: criminalbroads.com/sources/mariehilley Music: Stereodog Productions (Dan Pierson & Peter Manheim). Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer. Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under Public Domain Mark 1.0. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

This week, the Bad Piano Player learns about lyricist Gus Kahn, who penned some of the best songs in the American songbook. 

Welcome to Glenn Robison's Rapidly Rotating Records, bringing you vintage music to which you can't *not* tap your toes, from rapidly rotating 78 RPM records of the 1920s and '30s. On this evening's show we'll celebrate the birthdays of Harry Roy and Arthur Johnston, have an interlude, play some cardiac songs, and some songs about ducks (as an added bonus, you’ll learn what a grinnel is too). Enjoy the show! Here’s the complete playlist: Segment 1: Harry Roy January 12 marked the birth in 1900 in London, England of Harry Lipman. You may know him better as bandleader Harry Roy. In the early 50’s Harry disbanded and was running his own restaurant, but at age 69, led a quartet in London's Lyric Theaters show “Oh, Clarence”. He died in London on February 1, 1971. How Could Red Riding Hood – Southern State Dance Band Crazy People – Harry Roy and His R. K. Olians / Bill Currie, v. I'm Silly, I'm Daffy, It's No Use, I'm In Love – Harry Roy and His Café Anglais Orchestra / Harry Roy, Bill Currie and Ivor Morton, v. Segment 2: Hearts Tomorrow is the third anniversary of my little cardiac bypass procedure, but this segment of heart songs is dedicated to KISL's own Steve-o, who along with Rambo, hosts Radio Free Catalina. Take My Heart – Dick McDonough AHO / Chick Bullock, v. Your Heart and Mine – Roy Fox and his orch / Denny Dennis, v. My Heart – Louis Armstrong and His Hot Five Segment 3: Interludes Strange Interlude – Harold White AHO / Will Osborne Blue Interlude – Chocolate Dandies Riff Interlude – Count Basie AHO Segment 4: Ducks You were promised the meaning of ‘grinnel’ (the context will make sense in a moment). In the Missouri Arkansas boot-heel area a “trash fish” is called grinnel, also known as bowfin, mudfish or dogfish. In the spring, the locals would catch grinnel in backwater ponds by spearing them with a three-pronged fork, a practice known as gigging. Band members of a certain band, most of whom were cotton farmers and fishermen, actually had done gigging. Duck Shoes Rag – Grinnel Giggers The Duck's Quack (A Barnyard Jazzboree) / Gilbert Girard, Animal Imitations – Kaplan's Melodists Huckleberry Duck – Raymond Scott and His New Orchestra Segment 5: Arthur Johnston Last week, January 10 marked the birth in 1898 in New York City of composer Arthur Johnston. He began his career as a movie theater pianist and later as a pianist and musical director for Irving Berlin's stage productions. He moved to Hollywood in 1929 and wrote the scores for films such as College Humor, Too Much Harmony, Hello Everybody, Murder At The Vanities, Thanks A Million, Pennies From Heaven and Double Or Nothing. His most notable collaborators were Sam Coslow, Gus Kahn and Johnny Burke. Arthur Johnston died in Corona del Mar, California on May 1, 1954. Buckin' The Wind – Anson Weeks AHO / Carl Ravazza, v. Thanks – Leo Reisman AHO / Frank Luther, v. The Spell Of The Blues – Dorsey Brothers and Their Orchestra / Bing Crosby, v. Just One More Chance – Gus Arnheim and His Coconut Grove Orchestra / Donald Novis, v. THANKS FOR LISTENING! If you enjoy the show, please let us know by leaving a comment on the website or the Facebook page or sending an email to Glenn@RapidlyRotatingRecords.com And remember, your requests and topic segments are always welcome.RRR is also available as a podcast on iTunes, Spotify, Stitcher, TuneIn and Google Play Music. Simply enter Rapidly Rotating Records in the search box in any of those apps and a link to the show will appear. If you listen to the podcast, please subscribe and leave a rating and comment. THANK YOU!We are proud and happy that Rapidly Rotating Records is also part of Global Community Radio, supplying campus and community radio stations worldwide with hosted music and spoken word programming from sources including public broadcasters, other community radio stations, and independent producers from around the globe.The Rapidly Rotating Records telephone request line is now OPEN! In addition to sending cards or letters, sending email, or posting to the the show's website or Facebook page, you can now call in to request a particular artist, song or topic segment, leave feedback about the show, or ask questions or comment about the music. Of course, I'd be happy if you just call in to say “Hi!” and let me know you're out there listening. The easy-to-remember number is 234-PLAY 78s or 234-752-9787.If you're a member of Facebook, but haven't “liked” the show, won't you please consider doing so? Just go to http://www.facebook.com/rapidlyrotatingrecordsAnd finally, please consider becoming a member of KISL. A basic membership is just $20 and a premium membership is $50. While most of you are not on Catalina Island and can't take advantage of the merchant discounts and offers that go with membership, you'll be supporting community radio on Catalina Island and beyond. I am not paid for the show, nor is it underwritten. I do the show because I love the music and the people, stories and culture behind it. Visit http://www.kislavalon.com/membership. Thanks! The post Rapidly Rotating Records 78 RPM Show – 15 January 2012 appeared first on Glenn Robison's Rapidly Rotating 78 RPM Records.

Welcome to Glenn Robison's Rapidly Rotating Records, bringing you vintage music to which you can't *not* tap your toes, from rapidly rotating 78 RPM records of the 1920s and '30s. On this evening's all birthday show, we'll celebrate the birthdays of Jean Schwartz, Gus Kahn, Ethel Waters, Harry M. Woods and Jan Garber. Between them are stories of triumph, overcoming adversity and decades of amazing music. Enjoy the show! Here’s the complete playlist: Segment 1: Jean Schwartz Born on 4th November 1878 in Budapest, Hungary was pianist and composer Jean Schwartz Chinatown, My Chinatown – Georgia Washboard Stompers / Jake Fenderson, v. Lovable Eyes – Club Royal Orchestra (Clyde Doerr) Au Revoir, Pleasant Dreams – The Rhythmic Troubadours (Stan Greening) / Tom Barratt, v. Segment 2: Harry M. WoodsComposer, lyricist and pianist Harry McGregor Woods was born 4 November 1896 in North Chelmsford, Massachusetts No One Knows What Its All About – The Varsity Eight Try A Little Tenderness – Ted Lewis and His Band I'm Riding To Glory – The Piccadilly Players When Polly Walks Through The Hollyhocks – Ben Bernie and His Hotel Roosevelt Orch/ Scrappy Lambert & Billy Hillpot, v. Segment 3: Jan Garber Born in 1894, on November 5 was bandleader and violinist Jan Garber. Guess Who – Jan Garber AHO / Unidentified, v. Odds And Ends – Jan Garber AHO / Lee Bennett, v. Seminola – Jan Garber AHO Segment 4: Gus Kahn Lyricist Gus Kahn was born Gustav Gerson Kahn in Coblenz, Germany on November 6th 1886. My Baby Just Cares For Me – Isham Jones' Orch Let's Talk About My Sweetie – Abe Lyman's California Orchestra / Charles Kaley, v. She's Wonderful – Harry Shalson Segment 5: Ethel Waters Happy birthday to Ethel Waters, born in Chester, Pennsylvania on 31 October 1896.The New York Glide – Ethel Waters Go Back Where You Stayed Last Night – Ethel Waters I Like The Way He Does It – Ethel Waters THANKS FOR LISTENING! If you enjoy the show, please let us know by leaving a comment on the website or the Facebook page or sending an email to Glenn@RapidlyRotatingRecords.com And remember, your requests and topic segments are always welcome.RRR is also available as a podcast on iTunes, Spotify, Stitcher, TuneIn and Google Play Music. Simply enter Rapidly Rotating Records in the search box in any of those apps and a link to the show will appear. If you listen to the podcast, please subscribe and leave a rating and comment. THANK YOU!We are proud and happy that Rapidly Rotating Records is also part of Global Community Radio, supplying campus and community radio stations worldwide with hosted music and spoken word programming from sources including public broadcasters, other community radio stations, and independent producers from around the globe.The Rapidly Rotating Records telephone request line is now OPEN! In addition to sending cards or letters, sending email, or posting to the the show's website or Facebook page, you can now call in to request a particular artist, song or topic segment, leave feedback about the show, or ask questions or comment about the music. Of course, I'd be happy if you just call in to say “Hi!” and let me know you're out there listening. The easy-to-remember number is 234-PLAY 78s or 234-752-9787.If you're a member of Facebook, but haven't “liked” the show, won't you please consider doing so? Just go to http://www.facebook.com/rapidlyrotatingrecordsAnd finally, please consider becoming a member of KISL. A basic membership is just $20 and a premium membership is $50. While most of you are not on Catalina Island and can't take advantage of the merchant discounts and offers that go with membership, you'll be supporting community radio on Catalina Island and beyond. I am not paid for the show, nor is it underwritten. I do the show because I love the music and the people, stories and culture behind it. Visit http://www.kislavalon.com/membership. Thanks! The post Rapidly Rotating Records 78 RPM Show – 6 November 2011 appeared first on Glenn Robison's Rapidly Rotating 78 RPM Records.

Welcome to Glenn Robison's Rapidly Rotating Records, bringing you vintage music to which you can't *not* tap your toes, from rapidly rotating 78 RPM records of the 1920s and '30s. On this evening's show we'll celebrate the birthdays of Jan Garber, Gus Kahn and Harry M. Woods and do some coming and going. Enjoy the show! Here’s the complete playlist: Segment 1: Harry M. Woods November 4 marked the birth in 1896 in North Chelmsford, Massachusetts of composer, lyricist and pianist Harry McGregor Woods. I'm Looking Over A Four Leaf Clover – Al Goering's Collegians / Scrappy Lambert, v. When The New Moon Shines – Billy Cotton and His Band / Alan Breeze and Harold “Chips” Chippendall, v. All Of A Sudden – Glen Gray and The Casa Loma Orchestra / Kenneth Sargent, v. What A Day! – Mason Dixon Orchestra Segment 2: Jan GarberNovember 5 marked the birth in 1894 in Indianapolis, Indiana of bandleader and violinist Jan Garber. Ain't We Carryin' On ? – JG / Harry Goldfield & Band, v. Positively – Absolutely (Does She Love Me?) – JG AHO / Harry Goldfield, v. Under The Moon – JG AHO / Leroy Montesanto, v. Segment 3: Gus KahnNovember 6th marked the birth in Coblenz, Germany of lyricist Gus Kahn. You're Telling Me – Charlie Palloy AHO / Charlie Palloy, v. Eliza – Austin Wylie's Golden Pheasant Orch That's What I Call Keen – Charley Straight Orch / Frank Sylvano, v. Whoopee! – Paul Specht AHO / Johnny Morris, v. Segment 4: Come HomeLast weeks tribute to Annette Hanshaw, inspired Ian Whitcomb to wonder if there were any other recordings of “Daddy, Won't You Please Come Home.” Which lead to this set. Daddy, Won't You Please Come Home – High Hatters / Belle Mann, v. Come Home, Daddy – Lillian Glinn Baby, Won't You Please Come Home – Eva Taylor (Acc. Clarence Williams, piano) Segment 5: Going Home Show Me The Way To Go Home – Tennessee Happy Boys I Want To Go Home – Coon-Sanders Orchestra / Joe Sanders, v. I Don't Wanna Go Home – Ray Starita and His Band THANKS FOR LISTENING! If you enjoy the show, please let us know by leaving a comment on the website or the Facebook page or sending an email to Glenn@RapidlyRotatingRecords.com And remember, your requests and topic segments are always welcome.RRR is also available as a podcast on iTunes, Spotify, Stitcher, TuneIn and Google Play Music. Simply enter Rapidly Rotating Records in the search box in any of those apps and a link to the show will appear. If you listen to the podcast, please subscribe and leave a rating and comment. THANK YOU!We are proud and happy that Rapidly Rotating Records is also part of Global Community Radio, supplying campus and community radio stations worldwide with hosted music and spoken word programming from sources including public broadcasters, other community radio stations, and independent producers from around the globe.The Rapidly Rotating Records telephone request line is now OPEN! In addition to sending cards or letters, sending email, or posting to the the show's website or Facebook page, you can now call in to request a particular artist, song or topic segment, leave feedback about the show, or ask questions or comment about the music. Of course, I'd be happy if you just call in to say “Hi!” and let me know you're out there listening. The easy-to-remember number is 234-PLAY 78s or 234-752-9787.If you're a member of Facebook, but haven't “liked” the show, won't you please consider doing so? Just go to http://www.facebook.com/rapidlyrotatingrecordsAnd finally, please consider becoming a member of KISL. A basic membership is just $20 and a premium membership is $50. While most of you are not on Catalina Island and can't take advantage of the merchant discounts and offers that go with membership, you'll be supporting community radio on Catalina Island and beyond. I am not paid for the show, nor is it underwritten. I do the show because I love the music and the people, stories and culture behind it. Visit http://www.kislavalon.com/membership. Thanks! The post Rapidly Rotating Records 78 RPM Show – 7 November 2010 appeared first on Glenn Robison's Rapidly Rotating 78 RPM Records.