Podcasts about bassomatic

En 1998, Madonna passe enfin à l'âge adulte. L'ex-Matérial Girl devient maman, découvre Londres, pratique le yoga et s'entoure de la fine fleur de la musique électronique pour entamer ce qui s'annonce être une révolution.L'album Ray of Light prend tout le monde de court. De “Substitute for Love” à “The power of goodbye” en passant par “Ray of Light” et “Frozen”, Madonna nous embarque dans un voyage à la fois spirituel et musical, rock et techno. Ray of Light va s'écouler à plus de 20 millions d'exemplaires et remporter non pas un, mais 3 Grammy awards ! La queen of pop signe son grand retour au sommet de charts et va marquer la musique pop pour une décennie supplémentaire. On ne compte plus d'ailleurs le nombre d'artistes qui citent aujourd'hui cet album comme influence : Adèle, Lady Gaga, Alison Goldfrapp ou encore FKA Twigs.On vous raconte la story de Louise Veronica Ciccone avec Olivia, Greg Cook nous emmène en studio avec William Orbit, et Fanny revient sur le clip mystique de “Frozen” réalisé par Jonas Åkerlund.Crédits :Générique : Dr Alban "Sing Hallelujah"Titres écoutés dans l'émission : “Drowned World”, “Substitute For Love”, “Swim”, “Ray Of Light”, “Candy Perfume Girl”, “Skin”, “Nothing Really Matters”, “Sky Fits Heaven”, “Shanti / Ashtangi”, “Frozen”, “The Power Of Good-Bye”, “To Have And Not To Hold”, “Little Star”, “Mer Girl”, “Like A Virgin”, “Lucky Star”, “Material Girl”, “Papa Don't Preach”, “True Blue”, “Like A Prayer”, “Deeper And Deeper”, “Secret”, “Found World (Drowned World/Substitute For Love - Instrumental Demo)”. Breakfast Club “Shit on the ground”, William Orbit “Don't look now”, “Bassomatic”, “Strange Cargo 3”, All Saints “Pure Shores”. Extraits : “Madonna chante "Holiday" en France” (H.I.P H.O.P, 1983, Ina), “Evita (1996) Trailer” (Youtube), “JT France 2 20h du 18 février 1998” (Archive INA), “Madonna, Lenny Kravitz - Ray Of Light - MTV VMAS” (Youtube), “Un tube de Madonna, plagiat d'une chanson belge, interdit par un tribunal (RTS, 2005), “On the Set of Madonna's “Frozen” (MTV News, 1998, Youtube).LAISSEZ UN MESSAGE APRÈS LE BIP !Vous pouvez nous appeler au 01 89 16 75 31, pour suggérer un album, donner votre avis ou chanter en karaoké avec nous ! Promis, on diffusera les messages au prochain épisode !Et restez connectés : — Instagram : @radio_k7— Twitter : @RadioK7Podcast— Facebook : @Radiok7podcastHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

**It's The Pacman Show Replay On traxfm.org. This Week The Pacman Gave Us Dance/Hindi/Hip Hop/R&B/Boogie/Bollywood/Bhangra Classics From Culture Club's "Do You Really Want To Hurt Me" (Remix), Gat Decor, Kishore Kumar & Asha Bhosle - "Jaane Jaan Dhoondata" (Trax FM Allstars Remix), Planet Patrol, K. K. - "Tu Hi Meri Shab Hai", The O'Jays, Rose Royce, Trax FM Allstars Feat Steph - "Better", White Town, Kishore Kumar - "Pyar Diwana Hota Hai", Kleeer, The Quick, Toney Lee, Trax FM Allstars Feat Nazia - "Disco D", Bassomatic's "Fascinating Rhythm" (Trax FM Allstars Bhangra Mix), Windjammer's "Tossing & Turning" (Trax FM Allstars Remix), & More Catch The Pacman Live Every Monday From 9:00 PM UK Time #traxfm #tThePacman #DoinItToYa #Soul #Funk #Hindi #Bollywood #Reggae #HipHop #R&B #Boogie #DanceClassics Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : facebook.com/original103.3 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Tune In Radio : tunein.com/radio/Trax-FM-s225176 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**

**Graham D'Silva's House & Dance Classics Replay On traxfm.org. This Week Graham Gave Us Dance/Club/Future House/House Classics From Lizzie Curious, Slipmatt & Chelsea Singh Feat Sol Brothers, Raw, Block & Crown & Hutch, Bad Intentions, Julio Bashmore, Congress's "40 Miles" (2007 Edit), Wh0 & Folkness, Hardsoul & CASSIMM, Bassomatic's "Fascinating Rhythm" (Lizzie Curious Remix), Lovely Laura & Ben Santiago & More. Graham D'Silvas House & Dance Classics Show Every Saturday From 6PM UK Time #traxfm #house #dance #clubclassics #danceclassics #futurehouse Listen Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE : sbee.link/9yjqfaw3bn Free Trax FM Android App: sbee.link/9akben3qhx The Trax FM Facebook Page : sbee.link/pk3yv84d7t Trax FM Live On Hear This: sbee.link/3acxf6yuwv Tunerr: sbee.link/uf9dbt8yg4 Tune In Radio : sbee.link/paxg6r4dtu OnLine Radio Box: sbee.link/mhry9v4f6n Radio Deck: sbee.link/fqyceatwbv sbee.link/ut4nfd69ge: sbee.link/b3xchkavnr Stream Radio : sbee.link/pwtg6784qy Live Online Radio: sbee.link/vn7kurpq3b**

**It's The Pacman Show Replay On traxfm.org. This Week The Pacman Gave Us Dance/Hindi/Hip Hop/R&B/Boogie/Bollywood Classics From Coolio, BB&Q Band, Evelyn Champagne King, C.O.D, Bruce Hornsby & The Range, Salim Sulaiman, Sonu Nigam, Trax FM Allstars Feat Nazia - "Someone Just Like You", OutKast, The Fatback Band, Puff Daddy, Kishor Kumar/RD Burman - O Mere Dil Ke Chain (From Mere Jeevan Saathi), Chaz Jankel, Bali & Bina, Bassomatic's "Fascinating Rhythm" (Trax FM Bounty Remix) & More Catch The Pacman Live Every Monday From 9:00 PM UK Time #traxfm #tThePacman #DoinItToYa #Soul #Funk #Hindi #Bollywood #Reggae #HipHop #R&B #Boogie #DanceClassics Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : facebook.com/original103.3 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Tune In Radio : tunein.com/radio/Trax-FM-s225176 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**

**It's The Pacman Show Replay On traxfm.org. This Week The Pacman Gave Us Dance/Hindi/Hip Hop/R&B/Boogie/Bollywood Classics From Nazia Hassan's Aap Jaisa Koi (Trax FM Allstars Remix), "Salaam Namaste" (DJ Anamica X DJ Ali Mumbai Remix), Gat Decor, London Rhyme Syndicate, Lighthouse Family, SOS Band' "The Finest" (Remix), Bassomatic's "Fascinating Rhythm" (Trax FM Remix), Bob Marley, Kishore Kumar's "Yeh Shem Mastani", Young MC, New Experience, Change, Sonali Bajpayee's "Dil To Hai Dil" & More Kishore Kumar & Asha Bhosle & More Catch The Pacman Live Every Monday From 9:00 PM UK Time #traxfm #tThePacman #DoinItToYa #Soul #Funk #Hindi #Bollywood #Reggae #HipHop #R&B #Boogie #DanceClassics Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : facebook.com/original103.3 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Tune In Radio : tunein.com/radio/Trax-FM-s225176 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**

Karsten Jahnke ist unter Veranstaltern eine Legende – so darf man den Hamburger mit 60 Jahren Erfahrung ruhig nennen. In unserer ersten Folge aus dem Studio Bassomatic erzählt der Geschäftsführer der gleichnamigen Konzertagentur Anekdoten von Pink Floyd und Uriah Heep, spricht über Geld verlieren mit Bigbands, die Marotten der beiden Herbies (Hancock und Grönemeyer), Frauen im Veranstaltungsbusiness und welche Facetten das Wetter auf seiner Lieblingsinsel Irland annehmen kann. Vielen Dank an Cord Vorhauer und Krisz Kreuzer von Bassomatic! 

**It's The Pacman Show Replay On traxfm.org. This Week The Pacman Gave Us Dance/Hindi/Hip Hop/R&B/Boogie/Bollywood Classics From The Sugarhill Gang's "The Lover In You" (Trax FM Remix), Midnight Star, Bassomatic's "Fascinating Rhythm" (Pacman Remix), The Fatback Band, Wrecks N Effect, Charo & The Salsoul Orchestra, Two From Asha Bhosle, Wilbert Longmire, Shurjo Bhattacharya & Pamela Jain - "Laila Main Laila", Axwell & Max'C, Five Star, Ollie & Jerry & More Kishore Kumar & Asha Bhosle & More Catch The Pacman Live Every Monday From 9:00 PM UK Time #traxfm #tThePacman #DoinItToYa #Soul #Funk #Hindi #Bollywood #Reggae #HipHop #R&B #Boogie #DanceClassics Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : facebook.com/original103.3 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Tune In Radio : tunein.com/radio/Trax-FM-s225176 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**

**The David RB Show Replay On www.traxfm.org. This Week The Badger Featured New Cuts From Kappekoff, Al Lindsey, Critchfield Jones, Alikazam & Frankie Roar Plus Cuts from Chemise - "She Don't Love You" (Remix), Antonelli Ferrari, Sartorial, Bassomatic's "Fascinating Rhythm" (Trax FM Remix), La Riff, Booker T & The Kings Of Soul, Michael Jackson's "Rock With You" (Remix), Marcia Griffiths, Pokey Gold, Jady Kurrent Band, Future Sound Of London & More. The David RB Show Live Every Wednesday From 8PM UK Time The Station: traxfm.org #traxfm #davidrbshow #soul #funk #urban #hiphop #remixes #house #danceclassics #oldschool #nusoul #rnb #reggae Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE : mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : facebook.com/original103.3 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Tune In Radio : tunein.com/radio/Trax-FM-s225176 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**

"My real gift is arrangement." William Orbit opens up on his 40-year career. Share Born in Hackney, London, in 1956, Orbit has been writing, producing and arranging music for four decades. With almost 1,200 credits to his name on Discogs, his vast and varied body of work spans classical, pop and electronic. He produced for some of pop music's most seminal artists—Madonna, All Saints, Blur, Robbie Williams, Pink—as well as being, as his interviewer Matt McDermott explains, "one of the most prolific electronic music remixers of the '90s." He released 11 solo albums and seven collaborative albums—as part of Torch Song, Strange Cargo and Bassomatic—and founded Guerilla Studios in the '80s, working with artists like Cabaret Voltaire and Gary Numan. In 1995, Orbit released the Pieces In A Modern Style LP, which paved the way for musicians like Nils Frahm and Jon Hopkins, who bring together classical arrangements with electronic production in revelatory ways. The journalist Kate Hutchinson described Orbit as "the Mark Ronson or Jack Antonoff of his day." But as this conversation with RA highlights, Orbit is once again enjoying his day. Having, in his own words, "spent 20 years becoming disengaged," he has just put out his first solo release in seven years—the Sunbeam EP on Anjunadeep—and things are feeling good. "I know how to have fun," he said. In conversation with McDermott, Orbit shares stories about his fascinating career, how to make a great record, working with Madonna and how to stay relevant in a fickle industry. Tracklist: William Orbit - Diso [Anjunadeep] William Orbit - Wordsworth [Anjunadeep] @williamorbit

"Live from New York...it's the films of Saturday Night Live!" Tonight the gang each bring their favorite film featuring a cast member of Saturday Night Live. Talk about a cornucopia of choices. So many great cast members, so many choices. Watch and let us know what you think of our choices and feel free to offer your own. Now a message from the Bassomatic!

I was giving a talk at DefCon one year and this guy starts grilling me at the end of the talk about the techniques Apple was using to encrypt home directories at the time with new technology called Filevault. It went on a bit, so I did that thing you sometimes have to do when it's time to get off stage and told him we'd chat after. And of course he came up - and I realized he was really getting at the mechanism used to decrypt and the black box around decryption. He knew way more than I did about encryption so I asked him who he was. When he told me, I was stunned. Turns out that like me, he enjoyed listening to A Prairie Home Companion. And on that show, Garrison Keillor would occasionally talk about Ralph's Pretty Good Grocery in a typical Minnesota hometown he'd made up for himself called Lake Wobegon. Zimmerman liked the name and so called his new encryption tool PGP, short for Pretty Good Privacy. It was originally written to encrypt messages being sent to bulletin boards.  That original tool didn't require any special license, provided it wasn't being used commercially. And today, much to the chagrin of the US government at the time, it's been used all over the world to encrypt emails, text files, text messages, directories, and even disks. But we'll get to that in a bit.  Zimmerman had worked for the Nuclear Weapons Freeze Campaign in the 80s after getting a degree in computer science fro Florida Atlantic University in 1978. And after seeing the government infiltrate organizations organizing Vietnam protests, he wanted to protect the increasingly electronic communications of anti-nuclear protests and activities.  The world was just beginning to wake up to a globally connected Internet. And the ARPAnet had originally been established by the military industrial complex, so it was understandable that he'd want to keep messages private that just happened to be flowing over a communications medium that many in the defense industry knew well. So he started developing his own encryption algorithm called BassOmatic in 1988. That cipher used symmetric keys with control bits and pseudorandom number generation as a seed - resulting in 8 permutation tables. He named BassOmatic after a Saturday Night Live skit. I like him more and more.  He'd replace BassOmatic with IDEA in version 2 in 1992. And thus began the web of trust, which survives to this day in PGP, OpenPGP, and GnuPG. Here, a message is considered authentic based on it being bound to a public key - one that is issued in a decentralized model where a certificate authority issues a public and private key where messages can only be encrypted or signed with the private key and back then you would show your ID to someone at a key signing event or party in order to get a key. Public keys could then be used to check that the individual you thought was the signer really is. Once verified then a separate key could be used to encrypt messages between the parties.  But by then, there was a problem. The US government began a criminal investigation against Zimmerman in 1993. You see, the encryption used in PGP was too good. Anything over a 40 bit encryption key was subject to US export regulations as a munition. Remember, the Cold War. Because PGP used 128 bit keys at a minimum. So Zimmerman did something that the government wasn't expecting. Something that would make him a legend. He went to MIT Press and published the PGP source code in a physical book. Now, you could OCR the software, run it through a compiler. Suddenly, his code was protected as an exportable book by the First Amendment.  The government dropped the investigation and found something better to do with their time. And from then on, source code for cryptographic software became an enabler of free speech, which has been held up repeatedly in the appellate courts. So 1996 comes along and PGP 3 is finally available. This is when Zimmerman founds PGP as a company so they could focus on PGP full-time. Due to a merger with Viacrypt they jumped to PGP 5 in 1997.  Towards the end of 1997 Network Associates acquired PGP and they expanded to add things like intrusion detection, full disk encryption, and even firewalls. Under Network Associates they stopped publishing their source code and Zimmerman left in 2001. Network Associates couldn't really find the right paradigm and so merged some products together and what was PGP commandline ended up becoming McAfee E-Business Server in 2013.  But by 2002 PGP Corporation was born out of a few employees securing funding from Rob Theis to help start the company and buy the rest of the PGP assets from Network Associates. They managed to grow it enough to sell it for $300 million to Symantec and PGP lives on to this day.  But I never felt like they were in it just for the money. The money came from a centralized policy server that could do things like escrow keys. But for that core feature of encrypting emails and later disks, I really always felt like they wanted a lot of that free. And you can buy Symantec Encryption Desktop and command it from a server, S/MIME and OpenPGP live on in ways that real humans can encrypt their communications, some of which in areas where their messages might get them thrown in jail. By the mid-90s, mail wasn't just about the text in a message. It was more. RFC934 in 1985 had started the idea of encapsulating messages so you could get metadata. RFC 1521 in 1993 formalized MIME and by 1996, MIME was getting really mature in RFC2045. But by 1999 we wanted more and so S/MIME went out as RFC 2633. Here, we could use CMS to “cryptographically enhance” a MIME body. In other words, we could suddenly encrypt more than the text of an email and it since it was an accepted internet standard, it could be encrypted and decrypted with standard mail clients rather than just with a PGP client that didn't have all the bells and whistles of pretty email clients.  That included signing information, which by 2004 would evolve to include attributes for things like singingTime, SMIMECapabilities, algorithms and more.  Today, iOS can use S/MIME and keys can be stored in Exchange or Office 365 and that's compatible with any other mail client that has S/MIME support, making it easier than ever to get certificates, sign messages, and encrypt messages. Much of what PGP was meant for is also available in OpenPGP. OpenPGP is defined by the OpenPGP Working Group and you can see the names of some of these guardians of privacy in RFC 4880 from 2007. Names like J. Callas, L. Donnerhacke, H. Finney, D. Shaw, and R. Thayer. Despite the corporate acquisitions, the money, the reprioritization of projects, these people saw fit to put powerful encryption into the hands of real humans and once that pandoras box had been opened and the first amendment was protecting that encryption as free speech, to keep it that way. Use Apple Mail, GPGTools puts all of this in your hands. Use Android, get FairEmail. Use Windows, grab EverDesk.  This specific entry felt a little timely. Occasionally I hear senators tell companies they need to leave backdoors in products so the government can decrypt messages. And a terrorist forces us to rethink that basic idea of whether software that enables encryption is protected by freedom of speech. Or we choose to attempt to ban a company like WeChat, testing whether foreign entities who publish encryption software are also protected. Especially when you consider whether Tencent is harvesting user data or if the idea they are doing that is propaganda. For now, US courts have halted a ban on WeChat. Whether it lasts is one of the more intriguing things I'm personally watching these days, despite whatever partisan rhetoric gets spewed from either side of the isle, simply for the refinement to the legal interpretation that to me began back in 1993. After over 25 years we still continue to evolve our understanding of what truly open and peer reviewed cryptography being in the hands of all of us actually means to society.  The inspiration for this episode was a debate I got into about whether the framers of the US Constitution would have considered encryption, especially in the form of open source public and private key encryption, to be free speech. And it's worth mentioning that Washington, Franklin, Hamilton, Adams, and Madison all used  ciphers to keep their communications private. And for good reason as they knew what could happen should their communications be leaked, given that Franklin had actually leaked private communications when he was the postmaster general. Jefferson even developed his own wheel cipher, which was similar to the one the US army used in 1922. It comes down to privacy. The Constitution does not specifically call out privacy; however, the first Amendment guarantees the privacy of belief, the third, the privacy of home, the fourth, privacy against unreasonable search and the fifth, privacy of of personal information in the form of the privilege against self-incrimination. And giving away a private key is potentially self-incrimination. Further, the ninth Amendment has broadly been defined as the protection of privacy.  So yes, it is safe to assume they would have supported the transmission of encrypted information and therefore the cipher used to encrypt to be a freedom. Arguably the contents of our phones are synonymous with the contents of our homes though - and if you can have a warrant for one, you could have a warrant for both. Difference is you have to physically come to my home to search it - whereas a foreign government with the same keys might be able to decrypt other data. Potentially without someone knowing what happened. The Electronic Communications Privacy Act of 1986 helped with protections but with more and more data residing in the cloud - or as with our mobile devices synchronized with the cloud, and with the intermingling of potentially harmful data about people around the globe potentially residing (or potentially being analyzed) by people in countries that might not share the same ethics, it's becoming increasingly difficult to know what is the difference between keeping our information private, which the framers would likely have supported and keeping people safe. Jurisprudence has never kept up with the speed of technological progress, but I'm pretty sure that Jefferson would have liked to have shared a glass of his favorite drink, wine, with Zimmerman. Just as I'm pretty sure I'd like to share a glass of wine with either of them. At Defcon or elsewhere!

In Folge 2 von Musiktape mit 16 unterhalte ich mich ausführlich mit Martin (Twitter: @Mykx) über seine Leidenschaft für elektronische Musik. Ich bewege mich dabei außerhalb meiner Komfortzone, werde aber durchaus von dem einen oder anderen Lied positiv überrascht. Eine Richtigstellung vorweg: ich behaupte fälscherlicher Weise, das Clint Mansell den Soundtrack von Mad Max: Fury Road geschrieben hat, richtig ist viel mehr, dass dieser von Junkie XL komponiert wurde. Und, der Form halber, sei auch noch erwähnt, dass Kraftwerk die Single Musique Non Stop im Jahr 1986 veröffentlicht haben. Dies ist das Mykxtape von Martin, das ihr euch bedauerlicherweise nur teilweise auf Spotify anhören könnt. Die mit einem "*" markierten Lieder sind dort leider nicht oder nur als ein anderer Mix erhältlich. Ihr findet aber sämtliche Stücke auf YouTube. Seite A Anne Clark - Abuse (Long Mix) The Overlords – Organic! Renegade Soundwave - Probably a Robbery Pop Will Eat Itself - Nightmare at 20.000 Ft. The Beloved - The Sun Rising (LP Version) Man Machine - Set Me Free * Bassomatic - Set the Controls for the Heart of the Bass * Outlander - Vamp The Prodigy - Everybody in the Place (Fairground Remix) Seite B E-Zee Possee - Everything Starts with an E (Edit) Exit 100 - Liquid (Bubble One) Blind Vision - Don't Look at Me Tragic Error - Umbaba * The Weathermen - Bang! * Front 242 - Tragedy (For You) Format - Solid Session LA Style - James Brown is Dead Bizarre Inc - Playing with Knives (Radio Edit) * Candy Flip - Can You Feel the Love * Mehr Musik von Martin könnt ihr euch auf seiner Mixcloud anhören. Mixtape mit 16 findet ihr auch auf Twitter und Instagram. Schickt mir gerne eine Nachricht, wenn ihr mit mir über euer persönliches Mixtape mit 16 reden wollt. Dabei ist es egal, ob es eine reale oder nachträglich zusammengestellte Kassette ist, es geht darum was die Musik euch damals und/oder heute bedeutet hat.Du möchtest deinen Podcast auch kostenlos hosten und damit Geld verdienen? Dann schaue auf www.kostenlos-hosten.de und informiere dich. Dort erhältst du alle Informationen zu unseren kostenlosen Podcast-Hosting-Angeboten. kostenlos-hosten.de ist ein Produkt der Podcastbude. Gern unterstützen wir dich bei deiner Podcast-Produktion.

Os nossos combatentes da Liberdade invadem uma das grandes corporações atrés do Project ET-01, que pode ter pistas quanto a Transformation De La Tèrre Olá! Na Mesa Predestinada 10, apresentamos mais aventuras de Remy e Jean-Jacques, os combatentes da La Resisténce, enfrentando o opressor governo de Paris Nouveau e procurando derrubar o mesmo, com o auxílio de novos personagens: a Blueblood Camile Desjardins e o Officer Martin Le Marteur. Nosso contato para esse podcast é o email mesaspredestinadas@gmail.com, entre outros contatos a serem estipulados. Link para o programa em MP3 Participantes: Fábio Emilio Costa (Narrador) Luiz Cavalheiro (Jean-Jacques le Blanc) Paulo “Meirense” França (Remy Fayat) César Hitos Araújo (Camille Lejardins) Silas Marques de Lima (Martin Le Marteur) Duração: 175min Cronologia do Podcast: 00:00:11 - Introdução e apresentação dos novos personagens 00:02:24 - O que Jean-Jacques e Remy fizeram no meio-tempo 00:05:54 - Todos os personagens são convocados 00:10:37 - No Moulin Rouge, Leandra e Said passam a missão aos personagens 00:27:10 - Começam as preparações com Martin enviando seus homens para investigar o prédio da Sun Biotech 00:31:15 - Jean-Jacques se infiltra como faxineiro na Sun Biotech como preparação 00:34:38 - Camille procura obter informações ao usar seus contatos para achar alguém responsável pela segurança 00:38:01 - Remy recorre a uma das Elitès, o Duque, e consegue uma série de códigos, senhas e metadados para invasão de sistemas… Mas a que custo? 00:48:44 - Camille obtêm informações extras por meio de uma engenharia social 00:52:32 - Começa a missão com os personagens chegando na Sun Biotech e conseguindo forjar uma reunião, passando uma primeira barreira de segurança 01:08:49 - No segundo nível, eles passam a barreira de segurança e conseguem obter uma forma de acessar o laboratório automatizado para buscar o ET-01 01:40:24 - No terceiro nível, eles tem mais problemas devido às excessivas notificações da A/R de experiências 01:55:23 - Remy filtra as tags A/R até encontrar o Project ET-01 02:02:59 - Remy descobre um novo Projeto Simuta para tornar a droga da V/R mais poderosa 02:13:30 - Jean-Jacques percebe algo errado quando o elevador falha… E o guarda descobre que “alguém” emperrou o elevador… 02:17:30 - Começa o debrief e as acusações de traição, com Remy e Jean-Jacques revelando seus segredos 02:36:31 - Comentários Finais da Aventura Links Relacionados: Ficha da Remy Ficha do Jean-Jacques Ficha do Martin Marteur Ficha do Camille Desjardins Ficha Final do Governo Ficha Final da La Resistènce Link para a comunidade do Google+ do Mesas Predestinadas Comente esse post no site do Mesas Predestinadas! Assine no iTunes Trilha Sonora do Podcast: Lewd Day por Canton Becker Gorgonzola por Canton Becker Anmbient Gourd por Canton Becker Trumpet Backdrone por Canton Becker Mary M's Space Music por Canton Becker Where the Honey Is por Canton Becker Bassomatic por Canton Becker 303x909 (Remix) por Canton Becker Gourd Travel por Canton Becker Cost of Difference por Canton Becker Floodwater por Canton Becker Map of the Cosmos por Canton Becker Schvisen por Canton Becker Stringy por Canton Becker Sunflower por Canton Becker The Great River por Canton Becker

Uma simples Invasão de Armazém se mostra muito mais complexa no fundo Olá! Na Mesa Predestinada 9, começam as aventuras de Remy e Jean-Jacques, os combatentes da La Resisténce, enfrentando o opressor governo de Paris Nouveau e procurando derrubar o mesmo. Nosso contato para esse podcast é o email mesaspredestinadas@gmail.com, entre outros contatos a serem estipulados. Link para o programa em MP3 Participantes: Fábio Emilio Costa (Narrador) Luiz Cavalheiro (Jean-Jacques le Blanc) Paulo “Meirense” França (Remy Fayat) Duração: 110min Cronologia do Podcast: 00:00:08 - Introdução à aventura e ao cenário da aventura 00:03:18 - Jean-Jacques e Remy se encontram no Cemitério Père-Lachaise 00:22:37 - Said e Leandra aparecem e passam para Jean-Jacques e Remy a missão, e a desconfiança rola solta 00:39:15 - Jean-Jacques e Remy fazem as suas preparações na prep scene 00:42:07 - Remy decide preparar alguma vantagem de fuga por meio de Metadados Falsos 00:46:18 - Jean-Jacques observa o armazém e com isso compreende os Turnos e Métodos do mesmo que possam ser explorados na hora de entrar e/ou sair 00:46:18 - Jean-Jacques observa o armazém e com isso compreende os Horários e Métodos que possam ser explorados na hora de entrar e/ou sair 00:56:12 - A Missão começa com Jean-Jacques e Remy recebendo de La Resistènce oferecendo um furgão e alguns Naturels como Funcionários Fantasmas 00:59:19 - Após entrar no Armazém, Remy se conecta a um ponto de acesso e se torna “invisível” aos leitores de metadados e obtem a localização dos guardas 01:03:19 - Remy gera um Manifesto de Carga Falso para pegar a carga, enquanto os Naturals fazem a carga do furgão 01:09:04 - Jean-Jacques procura o Chefe de Segurança Rodriguez para ele assinar o Manifesto de Carga Falso e tenta ver mais sobre o Project ET-01 01:18:40 - Remy não consegue se segurar e deixa uma mensagem para trás… E são descoberto poucos instantes depois de sairem do armazém! Estão sendo caçados! 01:20:19 - Os membros de La Resistence descaracterizam o furgão 01:20:19 - Os membros de La Resistence conseguem arrastar a carga roubada pelos esgotos e jogam o furgão no Seine 01:32:30 - Começa o debrief, e Leandra não está nada satisfeita com a bagunça feita pelos nossos “heróis” 01:33:22 - É revelado o fato de Remy ter deixado uma mensagem para trás 01:34:52 - Remy é acusada de traição e revela o fato de que ela se levou pela paixão 01:37:28 - Encerramento da Aventura com os Avanços de La Resistènce e do Governo 01:39:30 - Comentários finais sobre a aventura Links Relacionados: Ficha da Remy Ficha do Jean-Jacques Cemitério Père-Lachaise Link para a comunidade do Google+ do Mesas Predestinadas Comente esse post no site do Mesas Predestinadas! Assine no iTunes Trilha Sonora do Podcast: Lewd Day por Canton Becker Gorgonzola por Canton Becker Anmbient Gourd por Canton Becker Trumpet Backdrone por Canton Becker Mary M's Space Music por Canton Becker Where the Honey Is por Canton Becker Bassomatic por Canton Becker 303x909 (Remix) por Canton Becker Gourd Travel por Canton Becker Cost of Difference por Canton Becker Floodwater por Canton Becker Map of the Cosmos por Canton Becker Schvisen por Canton Becker Stringy por Canton Becker Sunflower por Canton Becker The Great River por Canton Becker

Preparando o terreno para as Mesas Predestinadas de Dystopian Universe Olá! A Oitava Mesa Predestinada é um tanto diferente, onde apresentamos a primeira Mesa Predestinada (na verdade, a Sessão 0) Nosso contato para esse podcast é o email mesaspredestinadas@gmail.com, entre outros contatos a serem estipulados. Link para o programa em MP3 Participantes: Fábio Emilio Costa (Narrador) Luiz Cavalheiro (Jean-Jacques le Blanc) Paulo “Meirense” França (Remy Fayat) Duração: 49min Cronologia do Podcast: 00:00:08 - Introdução às Mesas Predestinadas de Dystopian Universe e explicação de Sessão 0 00:01:24 - Introdução ao Cenário de Dystopian Universe e aos primeiros jogadores 00:04:03 - Criando La Resistènce, escolhendo Manifesto, Fraqueza e os Avanços da mesma 00:22:01 - Criando o Governo, escolhendo Slogan, Escândalo e Avanços 00:34:01 - Escolhendo os segredos iniciais dos Personagens do Luiz e do Meirense Links Relacionados: Interface Zero TekWar Ficha da Remy Ficha do Jean-Jacques Ficha Inicial do Governo Ficha Inicial da La Resistènce Link para a comunidade do Google+ do Mesas Predestinadas Comente esse post no site do Mesas Predestinadas! Assine no iTunes Trilha Sonora do Podcast: Lewd Day por Canton Becker Gorgonzola por Canton Becker Anmbient Gourd por Canton Becker Trumpet Backdrone por Canton Becker Mary M's Space Music por Canton Becker Where the Honey Is por Canton Becker Bassomatic por Canton Becker 303x909 (Remix) por Canton Becker Gourd Travel por Canton Becker

Jimmy Hayes scores in the second period.

"I am sworn to life, I am bound to death" - Professor X * (but never the college dropout) Thought I'd take the opportunity to show a little something I did this month :o) As it happens, three of the acts on this photo collage are included in this month's selection. Which ones, you ask? Well, read the show notes for the detail! RIP Dr Geraldine Connor...

Medium-fast breaks. Deep resonant (squirty!) basslines and a catchy melody. Inspirational bass-blending music. The post Bassomatic appeared first on Canton Becker.