Podcast appearances and mentions of William Orbit

I was in Bournemouth on an assignment but arrived early to have a mooch about the town. I hadn't visited since 1999 and that was under the cover of darkness as we were going raving at an all nighter, although I forget which club it was we went to. What I do remember is that it was the first time I heard the Ferry Corsten remix of William Orbit's version of Samuel Barber's Adagio for Strings. Anyway, I digress. Today it was calm and the sea had large gentle swells with non-boarded paddle boarders bobbing about. I loitered about under the zip line that goes from a tower at the end of the pier to the beach and after a few minutes some excited peoples zipped overhead.

755 William Orbit-Strange Cargo III

En 1998, Madonna passe enfin à l'âge adulte. L'ex-Matérial Girl devient maman, découvre Londres, pratique le yoga et s'entoure de la fine fleur de la musique électronique pour entamer ce qui s'annonce être une révolution.L'album Ray of Light prend tout le monde de court. De “Substitute for Love” à “The power of goodbye” en passant par “Ray of Light” et “Frozen”, Madonna nous embarque dans un voyage à la fois spirituel et musical, rock et techno. Ray of Light va s'écouler à plus de 20 millions d'exemplaires et remporter non pas un, mais 3 Grammy awards ! La queen of pop signe son grand retour au sommet de charts et va marquer la musique pop pour une décennie supplémentaire. On ne compte plus d'ailleurs le nombre d'artistes qui citent aujourd'hui cet album comme influence : Adèle, Lady Gaga, Alison Goldfrapp ou encore FKA Twigs.On vous raconte la story de Louise Veronica Ciccone avec Olivia, Greg Cook nous emmène en studio avec William Orbit, et Fanny revient sur le clip mystique de “Frozen” réalisé par Jonas Åkerlund.Crédits :Générique : Dr Alban "Sing Hallelujah"Titres écoutés dans l'émission : “Drowned World”, “Substitute For Love”, “Swim”, “Ray Of Light”, “Candy Perfume Girl”, “Skin”, “Nothing Really Matters”, “Sky Fits Heaven”, “Shanti / Ashtangi”, “Frozen”, “The Power Of Good-Bye”, “To Have And Not To Hold”, “Little Star”, “Mer Girl”, “Like A Virgin”, “Lucky Star”, “Material Girl”, “Papa Don't Preach”, “True Blue”, “Like A Prayer”, “Deeper And Deeper”, “Secret”, “Found World (Drowned World/Substitute For Love - Instrumental Demo)”. Breakfast Club “Shit on the ground”, William Orbit “Don't look now”, “Bassomatic”, “Strange Cargo 3”, All Saints “Pure Shores”. Extraits : “Madonna chante "Holiday" en France” (H.I.P H.O.P, 1983, Ina), “Evita (1996) Trailer” (Youtube), “JT France 2 20h du 18 février 1998” (Archive INA), “Madonna, Lenny Kravitz - Ray Of Light - MTV VMAS” (Youtube), “Un tube de Madonna, plagiat d'une chanson belge, interdit par un tribunal (RTS, 2005), “On the Set of Madonna's “Frozen” (MTV News, 1998, Youtube).LAISSEZ UN MESSAGE APRÈS LE BIP !Vous pouvez nous appeler au 01 89 16 75 31, pour suggérer un album, donner votre avis ou chanter en karaoké avec nous ! Promis, on diffusera les messages au prochain épisode !Et restez connectés : — Instagram : @radio_k7— Twitter : @RadioK7Podcast— Facebook : @Radiok7podcastHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Episode 152 Chapter 13, Edgard Varèse and The Listener's Experiment. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Playlist: CLASSICAL MUSIC WITH ELECTRONICS Time Track Time Start Introduction –Thom Holmes 01:28 00:00 1.     Edgard Varèse, “Déserts” (1954). Early combination of live orchestra with magnetic tape. 24:49 01:36 2.     Maurice Blackburn and Norman McClaren, “Blinkity Blank” (1955). Film score for five instrumentalists and sounds created by etching directly onto the soundtrack. 05:07 26:28 3.     Morton Subotnick, “Laminations” (1966). Live orchestra with electronic sounds on tape. 10:29 31:24 4.     Mario Davidovsky, “Synchronisms No. 5” (1969). For percussion quintet and electronic sounds on tape.  08:39 41:50 5.     Wendy Carlos, “A Clockwork Orange” (1971). Early analog synthesis of orchestral and choir sounds. 07:03 50:36 6.     Jacob Druckman, “Animus III” (1971). For clarinet and tape. 15:44 57:34 7.     Isao Tomita, opening four tracks from The Bermuda Triangle (1979) including themes by Prokofiev and Sibelius.  Analog electronic orchestration. 12:52 01:13:18 8.     Wendy Carlos, “Genesis” from Digital Moonscapes (1984). Completely digital orchestration. 07:10 01:25:58 9.     Robert Ashley, “Superior Seven” (1988). Live instruments with MIDI instrument accompaniment. 30:15 01:33:10 10.   William Orbit, “Adagio for Strings” (2000). Electronic realization of Samuel Barber orchestral work. 09:34 02:03:26     Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

Kenny and Mark re-string their banjos to break down BOTH versions of this fan favorite ballad (?) from MDNA. Topics include family prenups, Sex and the City's Bunny MacDougal (as well as Charlotte and Trey's doomed marriage), Marian Seldes, Lynn Cohen, Muni Long, Free School, the veteran Alain Whyte, Morrissey's Your Arsenal, MIKA, Benjamin Franklin, Abraham Lincoln, corsets, J Lo and Ben Affleck, Elizabeth Taylor and Richard Burton, Ricky Gervais, Larry David, William Orbit's rewriting remixes, and the appeal of a Classic Six on the Upper East Side. Plus, Madonna starts soliciting cash from her audiences - and appears on The Marriage Ref. “Wondering where it all went” indeed!

Mark and Kenny get down on their knees to discuss the sparkling and oh-so-Catholic shoulda-been single fromMDNA. Topics include Kelis and the album she co-wrote with Jean Baptiste Flesh Tone, the return of poppy William Orbit, the Pet Shop Boys, Thomas Aquinas, Mark's grandfather, ICE CREAM, Kenny's play about miracles and Golda Meir, and the potential first Millennial saint. Plus, the transformative Orbit remix and Madonna's prayer in front of 10,000 fans in St. Louis - I like it that way!

Kenny and Mark strap on their pumps and dance with one of the darker, secret tracks on MDNA. Topics include William Orbit, the brilliant Klas Åhlund & his collaborations with Robyn, lyrical weaponry, the sleaze of the Rolling Stones, the return of Dita Parlo, and a special three song story (across three albums) about vengeance. Quiet in the limousine!

Mark and Kenny explore the dark and vengeful corners of MDNA on this audacious and visceral story song. Topics include sunset trickery, transforming a demo, studio nerd-dom, William Orbit, Demolition Crew, the power of dubstep, the arrival of a new Madonna voice going there, Tori Amos' Strange Little Girls album, the emergence of musical mash-ups, and another reckoning with Madonna's visual (and lyrical) obsession with guns. Plus, Kenny and Mark figure out who wound up with all of THEIR jack and also rescue a lost unofficial Tracy Young. Now DRIVE, bitch!

Kenny and Mark kick off a packed Season Six assessing the many non-musical ventures Madonna embarks on into the second decade of the 21st century including clothing lines, fragrances and gyms. Plus, a deep dive conversation about W.E. and its official theme song “Masterpiece”. Topics include: the emergence of Lourdes Leon, Taylor Momson, Zendaya and the rest of the Material Girl models, Madonna as stylist, the departures of Tracy Anderson and Caresse Henry, co-writing with Alex Keshishian, Wallis Simpson as played by Andrea Riseborough, Oscar Isaac, the aloofness of Abbie Cornish, David Harbour, the silent songwriting team of Julie Frost and Jimmy Harry, the Stephen Sondheim auction, the matchmaking prowess of William Orbit, Abel Korzeniowski, Henry Mancini, Dimitry from Paris, Hagen Bogdanski, HYDRANGEAS!, the spat at the Golden Globes with David Furnish and Sir Elton John, it's all so reductive… We are thrilled to be back and to be hanging in the Louvre - totes mcgotes!

#timetotalkaustralia Music is the eighth studio album by American singer Madonna, released on 2000 by Maverick Records. Following the success of her previous album Ray of Light (1998), she intended to embark on a tour. However, her record company encouraged her to return to the studio and record new music before going on the road. Her collaboration with producers Mirwais Ahmadzaï and William Orbit resulted a more experimental direction for the album. Music has an overall dance-pop and electronicavibe, with influnces from rock, country and folk. The album was mostly recorded at Sarm West and East Studios in London, England. Elaborating on the country theme for the album, Madonna reinvented her image as a cowgirl.

"Strange Cargo III" is a mesmerizing sonic journey crafted by electronic music pioneer William Orbit. Released in 1993, this album seamlessly blends ambient, downtempo, and electronic elements to create a lush and immersive listening experience. Orbit's masterful production weaves together intricate layers of synths, samples, and beats, evoking a dreamlike atmosphere that transports listeners to ethereal realms. Each track unfolds like a cinematic vignette, filled with hypnotic rhythms and ethereal melodies that captivate the imagination. From the tranquil beauty of "Water From a Vine Leaf" to the pulsating energy of "The Story of Light," "Strange Cargo III" is a timeless masterpiece that showcases Orbit's innovative approach to electronic music.Listen to the album: ⁠SpotifyApple MusicCheck out Taking It DownLinks:Official websiteContactSupport us on PatreonDISCLAIMER: Due to copyright restrictions, we are unable to play pieces of the songs we cover in these episodes. Playing clips of songs are unfortunately prohibitively expensive to obtain the proper licensing. We strongly encourage you to listen to the album along with us on your preferred format to enhance the listening experience. Support this podcast at — https://redcircle.com/polyphonic-press1229/donations

Episode 110 Before and After Ambient, Part 1 Playlist Erik Satie, “Vexations” (1893-94), First, we will hear two piano versions (1 and 4) of this short work that was intended to be played repeatedly in one sitting 840 times in succession. The piano version was performed by Jeroen van Veen on the album Satie, Complete Piano Music (2016 Brilliant Classics). Then, we will hear an electronic version by Bhutan from Vexations (2016 Venado). Argentinean group Bhutan realized this electronic version of the Erik Satie piece in 2016. I thought it would be fitting to open the program with this because Satie's was one of the first works to be recognized in recent times as a kind of proto ambient composition. Satie preferred the term “furniture music” and thought that it would be suitable for background sound during a dinner party. The Bhutan version, realized in electronic instrumentation, is a fitting bridge of the old and the new when it comes to ambient compositions. John Cage, “In A Landscape” (1948) from In A Landscape played by Victoria Jordanova (2007 Arpaviva Recordings). This early Cage work was originally arranged either for piano or harp. It is very much the interpretation that makes this akin to ambient music. I selected this version for electric harp because it maintains the original's sense of suspended time and energy. I also like William Orbit's version but he took the orchestration to greater lengths and transforming it into something not so ambient. There is also a really quiet piano version by Stephen Drury which remains true to Cage's original intent of being “soft and meditative” with “resonances” being sustained by depressing both pedals throughout the performance. But I included this version for electric harp by Jordanova because it is more in tune with the electronic nature of the music we feature in this program. Morton Feldman, “Projection 1” (1950) from Arne Deforce, Yutaka Oya, Patterns In A Chromatic Field (2009 Aeon). Cello, Arne Deforce; Piano, Yutaka Oya; composed by, Morton Feldman. This is an acoustic work by Feldman (I couldn't find any electronic renditions) but I include it to draw similarities to the work of Harold Budd, also a pianist. In fact, Feldman was a long-standing favorite of Budd. Raymond Scott, “Sleepy Time” from Soothing Sounds for Baby, Volume 1 (1964 Epic). This legendary work is from a set of electronic and ambient records that Scott produced in the early 1960s as background music to help babies go to sleep. The electronic music was produced with his own creation, the Electronium, a from-scratch built custom synthesizer that combines electronic sequencing with tone generation and various filters. Eliane Radigue, “Vice - Versa, Etc. (Mix 1)” (1970) from (2013 Vice - Versa, Etc.). Processed tape reorder feedback. Realized at the composer's studio in Paris. Premiered in 1970 at Galerie Lara Vincy in Paris, on the occasion of a group exhibition. The stereo synthesis presented here was made in Lyon at Studio Fluorescent between 2010 and 2011 by Emmanuel Holterbach. Produced, composed, recorded using feedback by Eliane Radigue. Originally conceived as a sound installation, using several reel-to-reel tape players controlled through a mixing desk. The tapes could be played at different speeds, either forward or backward, right channel only, left channel only or simultaneously. The audience could create their own mix. Teresa Rampazzi (N.P.S.), “Environ” (1970) from Musica Endoscopica (2008 Die Schachtel). Created in 1970, this work represents a kind of reproduction in electronic sound of an ambient environment, peppered with noise and even voice. Rampazzi was a pioneering female composer of electronic music who founded the N.P.S. (Nuove Proposte Sonore) group and studio, where this was realized. Harmonia, “Hausmusik” from Harmonia (1974 Brain). Recorded and produced June - November '73 in the Harmonia home studio. Guitar, Piano, Organ, electronic percussion, Michael Rother; Organ, Keyboards, Guitar, electronic percussion, J. Roedelius; Synthesizer, Guitar, electronic percussion, D. Moebius. Brian Eno, “Discreet Music” (excerpt) from Discreet Music (1976 Obscure). Synthesizer with Digital Recall System, Graphic Equalizer, Echo Unit, Delay, Tape, Brian Eno. Brian Eno (b. 1948) worked with tape delay much in the manner defined by Oliveros for I of However, he expressed a somewhat indifferent attitude toward the outcome. He described the realization of Discreet Music (1975): “Since I have always preferred making plans to executing them, I have gravitated toward situations and systems that, once set into operation, could create music with little or no intervention on my part. That is to say, I tend toward the roles of planner and programmer, and then become an audience to the results.” Eno's composition consisted of a diagram of the devices used to generate the music. His approach was identical to that of Oliveros except that the sound material was specifically melodic and he did not modify or interact with the sound once the process was set in motion. The result in Discreet Music is the gradual transformation of a recognizable musical phrase. These 10 minutes are excerpted from the beginning of the extended work lasting 31 minutes. Brian Eno, “Through Hollow Lands (For Harold Budd)” from Before and After Science (1977 Island). Bass, Paul Rudolph; Vocals, Bell, Mini-Moog, CS80, AKS synthesizers, piano, guitar, Brian Eno. This is one of the only tracks that I would consider to be ambient from this album. Robert Ashley, “Automatic Writing” (excerpt) (1974–79) from Automatic Writing (1979 Lovely Music). This work was much talked about when it was released on record by Lovely Music Ltd. in 1979. Ashley wrote it over a five-year period after having just come back from his self-imposed exile from composing in the early 1970s. He performed it many times in various formative stages with the Sonic Arts Union before finally committing it to disc. It does indeed have a vocal, but it is also imbued with quiet, ASMR kinds of sounds that mesmerize. The basic musical material of Automatic Writing was the spoken voice, closely miked, uttering what Ashley characterized as “involuntary speech”: random, seemingly rational comments that might not make sense at all, depending on the context in which they were heard. These 10 minutes are excerpted from the beginning of the extended work lasting 46 minutes. Sri Dinesh, “Le Chant Des Étoiles” from Para Symphonie (1978 Alain Grima). French album of music to accompany meditation. It consists largely of short, repeated organ patterns and falls within the frame of mind for which ambient music was intended. Brian Eno, “2/2” from Ambient 1: Music for Airports (1978). Engineer, Conny Plank (yes, the producer of Kraftwerk). Composed, conceptualized, produced and engineered by Brian Eno. Theresa Rampazzi, “Atmen Noch” (1980) from from Musica Endoscopica (2008 Die Schachtel). Conrad Schnitzler, “Control B” from Control (1981 Dys). Edition of 1000 copies. An electronic work by Schnitzler, who played the devices, produced, and recorded the music. Opening background music: Brian Eno and Peter Chilvers, Bloom 3.2 (10) (2014 Opal Ltd.). Bloom is a generative music application that composes ambient music. This recording was made using Bloom running in “Classic” mode on a Macbook Pro running Ventura 13.5.2. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations.  

Award winning Music Producer William Orbit chews the fat with David & Joe. He's sold 200 million recordings worldwide but has a few tech issues getting on zoom. William walks them around his flat in Venice and shows them the view out of his window before giving them a history lesson. He's been writing some new tracks which he's excited about as his assistant has been bopping to them. William tells them about working on a drum loop with Madonna. He tells them how he got into music at the age of 23 playing dusty old instruments in a squat. David tells him about his song Happy Happy Girl. Williams new album: https://www.williamorbit.com/ Follow Chatabix on Twitter & Instagram: twitter.com/chatabix1 www.instagram.com/chatabixpodcast/ Patreon for early access to our eps: https://www.patreon.com/chatabix Crunchy fresh tees and hoodies: https://chatabixshop.com/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Georgia - "Give It Up For Love," a 2023 single from Domino Records UK artist Georgia shares a single from her forthcoming full-length, Euphoric, out July 28th via Domino Records. The album marks the first time she has worked with an outside producer on her own work, and she couldn't have chosen better than Rostam (formerly of Vampire Weekend, and now collaborator/producer for Haim, Carly Rae Jepsen, Clairo).  Today's Song of the Day was inspired by Danny Boyle's 2000 film The Beach, and legendary producer William Orbit (who appears on the film's soundtrack). The single's accompanying video — directed by production duo Mathy & Fran — captures that weightlessness conveyed in her song. “We wanted to explore the song's themes of caution and bravery, through the act of diving. Abandoning stability to leap into the unknown, diving feels like both descending and soaring, and the perfect analogy for 'Give It Up For Love.' Creating a feeling of infinite free-fall for the choruses, our goal was to show ‘giving up' as something that leaves you weightless, rather than broken. The sunrise colour worlds are a nod to the Californian skies where Georgia recorded the track.” Read the full story at KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

While waiting for today's guest, music producer William Orbit, David sings some of his songs to Joe and they talk about the amazing people William has worked with. William seems to have got the dates muddled and doesn't appear on zoom. To fill time they talk about the 'Derek' prank they played on Paul McCaffrey and come up with a list of potential comedy mates they could play the same prank on. When William's assistant pops up to lets them know that he has actually forgotten they turn the ep into pranky time. They call Sean Walsh and ask him how he feels about the prank then get carried away sending the prank to comedian Jarred Christmas. Follow Chatabix on Twitter & Instagram: twitter.com/chatabix1 www.instagram.com/chatabixpodcast/ Patreon for early access to our eps: https://www.patreon.com/chatabix Crunchy fresh tees and hoodies: https://chatabixshop.com/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Can you hear what we hear? It's calling you, my dear. This is our very first All Saints episode and your 2000s pop explorers are headed to The Beach for a deep-dive into the "Saints & Sinners" album. In the 90s and early 2000s, this British girl group were the epitome of cool, renowned for their impeccable vocal harmonies, timeless tunes and enviable street style fashion. Join Joel and David as they look back at this rollercoaster era in the spotlight for Shaznay Lewis, Mel Blatt, Nicole and Natalie Appleton. Much has changed since All Saints' multi-million-selling debut album catapulted them into global prominence; the follow-up album is an 'eclectic body of work' featuring contributions from critics-darling producer William Orbit. "Saints & Sinners" was a UK chart-topper with two No.1 singles - the iconic 'Pure Shores' (from Leo DiCaprio's cult classic film "The Beach") and 'Black Coffee'. As always, it wouldn't be a RBAY episode without a few colourful twists along the way! You know what we're like. Follow Right Back At Ya! https://www.instagram.com/rightbackpod/ https://twitter.com/rightbackpod https://www.facebook.com/rightbackpod Follow Joel https://www.instagram.com/dr_joelb/ https://twitter.com/DR_JoelB Follow David https://www.instagram.com/lovelimmy/ https://twitter.com/lovelimmy Email us rightbackpod@gmail.com

German legend Tom Wax is our guest this week on Bonzai Basik Beats and, once again he brings the noise with an explosive set to whet the appetite for the weekend ahead. Tracks and remixes from Eli Brown, Wehba, Roman Avan, Broken Robot, William Orbit, Alex Bau, Dok & Martin, Matteo Vitanza and more as well as a few cuts from Tom himself. 1. Tom Wax - A New Generation (19 Sines Remix) 2. Eli Brown - Make You Freak (Original Mix) 3. Wehhba - The Message (Original Mix) 4. Dok & Martin, Matteo Vitanza - Strange Things (Original Mix) 5. Tom Wax & Rummy Sharma featuring Su Eko - Are You Dreaming (Tom Wax Mix) 6. Roman Avan - Restart (Original Mix) 7. Andres Campo & Ramiro Lopez - Eneamigos (Original Mix) 8. Spartaque & ASYS - Acid Cloud (Original Mix) 9. Broken Robot - Pressure (Original Mix) 10. Tom Wax - You Are The Creators (Alex Bau Remix) 11. William Orbit - Starbeam (Dosem Edit) This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Get ready to explore new musical horizons in this podcast. From cosmic electronica to ambient dubby meditation, we dive into the latest tracks from Hallmighty, Karin Dreijer, William Orbit, and more. Don't miss out on the indie occult and psychological britpop, angry Indian metal, and even disco Exorcist proto-mashups. Join us on this journey with Radio Clash as our guide.

Episode 237 - Tracks and remixes from the likes of: gardenstate, Dusky, Elite Electronic, William Orbit, Diana Miro, Coeus, Eztereo, Franky Wah, Joris Voorn, Ferry Corsten and more.

Hello and welcome to The DJ B-12 Deep Acid House Experience episode number 44. This month we have a special guest mix that DJ B-12 did for Resonate Together which aired last Saturday, February 18th and was his 12th show on there. This set is quite a nice mixture of 30 tracks and varying styles from oldskool progressive house and trance, to deep house, breaks, acid, house, vocal house, melodic house and techno, and even a little bit of hardcore breakbeat. It has a reuntime of around 60 minutes. The set is 60 minutes long and includes tracks by artists and on these labels: Force Mass Motion, D-Shake, Pang!, Nick Muir, Krafted Underground, Paul Roberts, Cleveland City, Vitess, Retrofutura Records, Alcatraz, Yoshitoshi Recordings, Spicelab, Humates, Spy vs. Spice, Clubland, David Morales, Buzz, Lauer, Running Back, Fluke, Blue Amazon, Justin Robertson, Circa, Emi CA & Facucio, Superordinate Music, My Friend, Dark Arts Club, Keirah Kirton, Fly Boy Records, Orbital, Logic1000, Orbital Recordings Ltd, Trutopia, REALM Records, Anna Nas, Big Fish Music Ltd, The Bionaut, Blue, NVTHEC, 83, Phoebe Tsen, Modera, Dosem, Colorize (Enhanced), Reefa, Stress Records, Waterlillies, Reprise Records, Spicelab, Testified, Joel Oliver, Songspire Records, Tinlicker, Joseph Ray, Anjunadeep, Estiva, Anjunabeats, Sven Väth, William Orbit, Spooky, Eye Q Records, H2O, Billie, Club Buz, Bedrock, Bedrock Records, Roach Motel, Junior Boy's Own, Sunscreem, Way Out West, and Five AM.Tracklist01. Force Mass Motion - You'll Never Be Alone [Force Mass Motion] [2022]02. D-Shake - Desert Rave [Pang!] [2021]03. Nick Muir - Lux Aeterna (Extended Mix) [Krafted Underground] [2022]04. Paul Roberts - Breaking My Heart [Cleveland City] [2022]05. Vitess - Cyber Zone [Retrofutura Records] [2022]06. Alcatraz - Giv Me Luv [Yoshitoshi Recordings] [1995]07. Spicelab - Feathers (Humates Flying High Mix) [Spy vs. Spice ] [1996]08. Clubland - Love Strain (I'm Under) (David Morales Lost In Dub) [Buzz] [1992]09. Lauer - Somebody (Instrumental) [Running Back] [2022]10. Fluke - Slid (BA secret Mix) [Dubplate]11. Fluke - Slid (Justin Robertson's Scat And Sax Frenzy) [Circa] [1993]12. Emi CA & Facucio - World of Sounds [Superordinate Music][2022]13. My Friend x Dark Arts Club Ft. Keirah Kirton - Any Raves (Extended) [Fly Boy Records] [2022]14. Orbital - Halcyon & On (Logic1000 Mix) [Orbital Recordings Ltd] [2022]15. Trutopia - Young (Extended Mix) [REALM Records] [2023]16. Anna Nas - Anna Nas (Part 1) [Big Fish Music Ltd] [1994]17. The Bionaut - Apples & Oranges [Blue] [1992]  18. NVTHEC - Acid Trip [83] [2023]19. Phoebe Tsen, Modera - Lotus Flower (Dosem Extended Remix) [Colorize (Enhanced)] [2022]20. Reefa - So Good [Stress Records] [1994]21. Waterlillies - Supersonic (Album Version) [Reprise Records] [1994]22. Spicelab - Oscillator [Testified] [2001]23. Joel Oliver - Cascade (My Friend Remix) [Songspire Records] [2022]24. Tinlicker - Just To Hear You Say (Joseph Ray Extended Mix) [Anjunadeep] [2022]25. Estiva - Aylu (Extended Mix) [Anjunabeats] [2023]26. Sven Väth - An Accident In Paradise (William Orbit + Spooky Mix) [Eye Q Records] [1993]27. H2O Featuring Billie - Satisfied (Take Me Higher) [Club Buzz] [1996]28. Bedrock - Voices [Bedrock Records] [2000]29. Roach Motel - Movin' On (Correct House Mix) [Junior Boy's Own] [1993]30. Sunscreem - Perfect Motion (Way Out West Remix) [Five AM] [2002]

Tipped as one of Spains most influential artists on the scene, Dosem has had many successes over his long-standing career. He's had several major releases on labels like: ‘Toolroom', 'Stereo Productions' and ‘Octopus Records' - as well as regularly hitting the number 1 spot on Beatport, with tracks like the sizzling remix of Hot Since 82's ‘Planes & Trains'.  As well as that, his high-profile live shows include working the crowds at places like: ‘Resistance Ibiza', ‘Ultra Miami' and ‘Tomorrowland'. For any new releases, be sure to check out his recent remixes of William Orbit's ‘Starbeam' and Nils Hoffmann's ‘9 Days' - both available now on ‘Ajunadeep'. And to catch him at any of his upcoming live shows, he'll be playing ‘Fabric' on the 25th February for Anjunadeep. He'll also be hitting up ‘Anjunadeep Explorations' later this summer, and ‘The Warehouse Club' in Malta. His sound, described as: versatile, dynamic and forward thinking, never fails to to impress us here at The B4 Podcast. So we thought we'd bring him back to show us all once again, how he brings the house down.  So let's get it goin, coming with an exclusive mix courtesy of the B4Bookings Worldwide Agency, only on the B4 Podcast, get ready for Dosem!

Tras una breve pausa, En la Zona está de regreso con el capítulo más místico hasta el momento. Luego del rodaje de la película "Evita" (1996) y del reciente nacimiento de su primera hija, Lourdes, emprendo un viaje espiritual junto a la reina del pop al sumergirme en su era "Ray of Light", atravesada por una incesante búsqueda de respuestas a nuevas preguntas que la cantante irá descubriendo a través del yoga, la disciplina de la Cábala, el hinduismo, la maternidad y el desprendimiento de su propio ego. Como siempre, ahondaremos en el background del productor musical de este disco: William Orbit, la escena de la electrónica europea a fines de los '90, la influencia de Björk en el proyecto, así como en datos curiosos como la obsesión de Madonna con Antonio Banderas, el detrás de escena del videoclip de "Frozen" y el impacto que tiene la muerte de la madre de la diva en ella. ¡Es hora de darle play a este capítulo que derretirá tu corazón más rápido que un rayo de luz! Links pertinentes al episodio Madonna en el estudio grabando el álbum Ray of Light - MTV Ultrasound Inside 1998 The Evita's Diaries - Diario que escribió Madonna durante el rodaje de la película Entrevista a William Orbit en el podcast Disinfect Playlist "El Antiqueme" por Joaquín Mustafá Torres Madonna y Antonio Banderas en el documental Truth or Dare (1991) Todos los episodios de En la Zona están producidos, grabados, editados y mezclados por Joaquín Mustafá Torres.

Colyn - Concepts of love Sian Evans, Cypherpunx- Alien (Sebastien Leger remix) Kyotto - Distorted symphony Volv (RU) - Cyberman Salski - Adhesion feel Sasha steel - Samurai way pt 3 Ulises Espindola - Synthwave Or3x - Where did you go Space Motion - Acid journey Harry Grig - Definition Betoko - Pulver My friend - Great white buffalo Two are - Rover Land mammal - Fortune and Glory Underworld - Cowgirl (Remix) Sebas Ramos - Try Professor - Marimbas Groove Teklix- Mystery Harry Grig - lights ANNA - Hey boy, hey girl (Remix) DJ Chus - Underwater Onnik - Smacker William Orbit - Starbeam Roman Rai - Slip n slide (acid dub) DNA Presents - Bass melody (acid dub) Rockka - Mission critical Rockka - Cyber security Nordfold - Catalyst Guy J - Last standing Makebo - Upside down

Featuring tracks from William Orbit, Tinlicker & Ben Bohmer, Hausman, Ilan Bluestone, Above & Beyond, Allan Morrow, Nikolauss, M83, Bryan Kearney, Luminn, Impulse Wave, Greg Downey, RAM, Salt Tank and many more. Visit www.albatrancesessions.com for full tracklistings.

One of the world's most famous producers is back after 8 years with his new album The Painter. William joins Dave from his home in Venice to tell him all about being back and feeling relevant. In his career to date, he has sold more than 200 million recordings.

Edición Limitada - 5 de Setiembre del 2022. Producción, realización y conducción: Francisco J. Brenes. Presentando música de Florence + The Machine, Noah Cyrus con Benjamin Gibbard, Arctic Monkeys, Sohn, The Church, Alphaville, Tears for Fears, Tegan and Sara, Elevator Division, Neu, The Cure, Tim Burgess, Robyn Hitchcock, Regina Spektor, David Bowie, Star Tropics, The 1975, The Smithereens, Buzzcocks, Manic Street Preachers, Actors, Ezra Furman, The Lounge Society, Suede, Muse, The Wonder Years, Archers of Loaf, Bauhaus, PVA, Disq, Fauness, José González, Karin Park, Beverly Kills, Nicolas Bougaïeff, Stereolab, The Orielles, Editors, Gorillaz, Tom Tom Club con Megadon, William Orbit con Beth Orton, Jean-Michel Jarre, Oliver Sim, Röyksopp con Alison Goldfrapp, Parralox, Cold Cave, Matte Blvck, Morphose con Sascha Klein y Rammstein.

The musician and producer on working with Madonna and why he is mining a new seam of creativity.

1990. Well it certainly was time for the guru, but as the first year of the new decade was drawing to a close, it was time - a little time, if you will - for so much more. And as always, our favourite compilation series was there to capture it all.So volume 18 provided us with the NOW albums second numbered album of 1990 in the shape of big ballads, bigger ballads, pop, rock, dance, indie and even Timmy Mallet. Yes, all life forms were present and correct! Elton was BACK and, with Bernie Taupin, scoring his biggest hit in years (and a first solo No1!). Sinead was rewriting the Prince songbook and music video like no one else could, William Orbit was quietly ushering in the rest of the decade with some fascinating rhythms and Kylie was not only sidling nicely alongside her then boyfriend Michael in INXS, she was riding on the love train somewhere back in time.There were remixes and reissues aplenty too; best of albums for PiL and Talk Talk alongside (are we allowed to say indie dance?) excursions from The Cure, Sting and Suzanne vega were reminding us that the 80s were still a force to be remixed with.And so to step back in time to NOW18 in this episode we are joined by film and TV music supervisor Lucy Bright. Lucy started out at Mute Records working with artists such as Nick Cave and Depeche Mode, she then moved to Warner Classics for six years before leaving to manage composer Michael Nyman.In 2020 Lucy launched her own music publishing company, Bright Notion Music, which currently represents and nurtures some of the world's most influential artists and composers working today. And Lucy has music supervised some of the most critically-acclaimed British films and TV series of recent years: Samantha Morton's directorial debut The Unloved, Charlotte Wells' Cannes winning After Sun and both Shane Meadows's This is England ‘90 and The Virtues.So we can think of no one better to navigate us through an album chock filled with film and TV related tracks! Jeans! Pottery Wheels! Julia Roberts! Bridesmaids! Julian Temple in the desert! Tim Pope in a wardrobe! As well as deciphering these conundrums, Lucy also joyfully revisits her first (and only?) NOW album whilst delighting us with some wonderful and personal stories including guest appearances from Youth, James Mason, Prince (and a chocolate milkshake), Michael Hutchence, Shane Meadows and Holly Knight (she wrote some big songs, oh yes) to name but a few! 1990 - who has time for the guru with all of this going on?Jump straight back in to the wonderfully eclectic and memory packed NOW18! Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

Madonna month continues with The Ultimate Dance Collection Volume 2 and this one is a whopper! We've got a lot of ground to cover, so let's get right to it. First off, you may be scratching your head and wondering why "Like A Prayer," "Express Yourself," "Keep It Together," and "Vogue" re-appear in this second volume. Simply put, the versions (except for "Vogue") on Volume 1 were the straight-up 80s dance versions. Before jumping into "Vogue," Madonna allowed Shep Pettibone to remix two of the biggest hits from her "Like A Prayer" album in the burgeoning House Music sound that was coming on strong in the underground dance music scene. While Shep's remixes are prevalent throughout the 80s, he was best known for the specific style that reflects the decade. I don't think he became a household name until his remix of New Order's "Bizzare Love Triangle" was re-released on their "Substance" album. Moving towards the House sound was Shep's way of adapting to the changing landscape. The synergy between Madonna and himself was one of many long-lasting relationships she built with DJs to fuel her music to wider audiences. It would have been blasphemy had I not included his versions of those songs that launched Madonna's movement into greater experimentation in her work. Not only did the 90s provide fertile ground for Madonna's creativity but opportunities for her to poke the eye of the Christian right. "The Immaculate Collection," a collection of her greatest 80s hits included her 1990 #1 "Vogue" and two new tracks "Justify My Love" (written by Lenny Kravitz) and "Rescue Me." The video for "Justify My Love" was so provocative and controversial at the time that MTV would only air it after midnight. It was also the first video VHS to sell over a million copies. Soon after, Madonna dug her heels into House Music, Trip Hop, and Electronica bringing William Orbit on board — a move that would be pivotal by mid-decade. She simultaneously released "Erotica" along with an exquisite coffee table book titled "Sex," which went on to sell 1.5 million copies. The book contained soft pornographic imagery and sadomasochistic acts that ruffled a lot of feathers at the time of its release and had a massive social and cultural impact that's lasted to this day. She took a lot of heat from fans and critics alike and frankly didn't give a fuck. She would later address the criticism in "Human Nature" the fourth single released from "Bedtime Stories." Controversies aside, the 90s (into the early Millennium) represented two phases of Madonna in which this set could have easily been split in half. For creative purposes, the decision was made to let it evolve from one end to the other. The Shep Pettibone era gave way to William Orbit who transcended Junior Vasquez and ultimately gave way to Victor Calderone and Peter Rauhofer (who would later go on to be important staples of Madonna's dancefloor rule).  This was no easy feat for me to tackle, which is one of the main reasons why I took so much time off before releasing these sets. For the most part, I allowed these songs to flow as they were originally intended with a few exceptions. There's no doubt that Junior Vasquez was a brilliant DJ, producer, and remixer. However, not unlike some of his contemporaries at the time (David Morales, Tony Moran, and Frankie Knuckles) — he tended to go off into the wilderness in his drops or even his intros to the point that sometimes they felt disconnected from the source material. Consequently, "Bedtime Story" received a course correction and was edited down for clarity. "Secret" was as well but to a lesser extent where the drop was cut in half by overlapping two segments giving it a bit more purpose in the overall landscape of the song. The same was done with "Human Nature" because Danny Tenaglia dragged his otherwise brilliant Human Club Mix a bit longer than necessary. Otherwise, any editing in these songs was strictly minor and generally unnoticeable.

Welcome to Off The Beat & Track Podcast with me Stu Whiffen.This episodes special guest is the legendary William OrbitI met with William remotely and we had a wonderful chat, talking about growing up, school, creativity, clubbing, some great records and so much moreHope you enjoy this chat and if you do please feel free to support the podcast herehttps://supporter.acast.com/offthebeatandtrack orwww.patreon.com/offthebeatandtrackOTBAT is proudly sponsored by www.hotelchocolat.com Please also subscribe and follow the podcast on the social media links belowOff The Beat & Trackwww.offthebeatandtrackpodcast.comhttps://twitter.com/beatandtrackpodhttps://www.facebook.com/offthebeatandtrackpodcast/Support this show http://supporter.acast.com/offthebeatandtrack. See acast.com/privacy for privacy and opt-out information. Become a member at https://plus.acast.com/s/offthebeatandtrack.

Edición Limitada - 25 de Julio del 2022. Producción, realización y conducción: Francisco J. Brenes. Presentando música de Thom Yorke, Mark Peters con Dot Allison, Gloria de Oliveira & Dean Hurley, Beth Orton, Skullcrusher, No Devotion, Paul Heaton & Jacqui Abbott, Laura Jean, The Beths, Aoife Nessa Frances, St. Vincent, Spring Summer, The Murder Capital, Modern Woman, The Afghan Whigs, Disco Doom, Panic! At The Disco, Robyn Hitchcock, The House Of Love, Death Cab for Cutie, The Subways, Sorry, Oneida, Silversun Pickups, SLOAN, The Wedding Present, Pearl Jam, High Vis, The Mountain Goats, Fotocrime, Muse, William Orbit & Polly Scattergood, Hyd, Mykki Blanco, Traams, Warmduscher, Movulango, Fujiya & Miyagi, The Swedish Railway Orchestra, The Soft Moon, PVA, Disq, Ásgeir, Four Tet, Daphni, Daniel Avery, Hørd, Blimp y Unloved.

William Orbit is a true music legend. He's sold over 200 million recordings of his work, has won Grammys, Ivor Novellos and has worked with stars like Madonna, Blur, Britney and Queen.Now he's returned to the studio and has a new album out called The Painter. In this episode find out how he shaped the sound for ‘Ray of Light', what he thought of Pro Tools when it first came out and which single hardware synth he'd take with him to his Forever Studio.Season 4 is sponsored by EVO by Audient: https://evo.audio/STUFF WE TALK ABOUT (SPOILERS!)https://www.jameshockley.com/https://en.wikipedia.org/wiki/Atari_SThttps://www.apple.com/sg/shop/buy-mac/macbook-pro/16-inch-space-grey-10-core-cpu-32-core-gpu-1tbhttps://focusrite.com/en/usb-c-audio-interface/clarett-plus/clarett-plus-8prehttps://www.avid.com/pro-toolshttps://www.drawmer.com/products/60s-series/1960-mic-pre-vacuum-tube-compressor.phphttps://reverb.com/item/763983-fairchild-670https://lexiconpro.com/en/products/pcm70https://en.wikipedia.org/wiki/Wendy_Melvoinhttps://en.wikipedia.org/wiki/Adamskihttps://en.wikipedia.org/wiki/Trevor_Hornhttps://reverb.com/item/55407768-korg-sdd-3000-digital-delay-famous-original-rack-versionhttps://www.uaudio.com/review/korg-sdd-3000-digital-delay/https://en.wikipedia.org/wiki/Benny_Anderssonhttps://www.vintagesynth.com/roland/juno106.phphttps://musictech.com/reviews/roland-juno-series/https://www.jameshockley.com/https://www.gibson.com/en-US/Guitar/ACCFR6729/Hummingbird-Original/Antique-Naturalhttps://www.bonhams.com/auctions/23527/lot/72/https://en.wikipedia.org/wiki/Katie_Melua

This week Gary Kemp and Guy Pratt chat to producer extraordinaire William Orbit about his career and his new record 'The Painter'. It's his first brand new album in over 8 years and is out in August. In an open and candid conversation they also discuss how art saved him, the dark secrets of recording bass, working with Blur on their '13' album and, of course, Madonna...oh and gangster squirrels.Rockonteurs is produced by Ben Jones and Ian Callaghan for Gimme Sugar Productions See acast.com/privacy for privacy and opt-out information.

This week Gary Kemp and Guy Pratt chat to producer extraordinaire William Orbit about his career and his new record 'The Painter'. It's his first brand new album in over 8 years and is out in August. In an open and candid conversation they also discuss how art saved him, the dark secrets of recording bass, working with Blur on their '13' album and, of course, Madonna...oh and gangster squirrels.Rockonteurs is produced by Ben Jones and Ian Callaghan for Gimme Sugar Productions Hosted on Acast. See acast.com/privacy for more information.

This is Episode 40 of ‘To Etherea and Beyond'. The show broadcasts on Harrogate Community Radio at 9am this Sunday 26th June, and is then available via the station's Listen Again button, and everywhere else here: https://ssyncc.com/toethereaandbeyond It features weird, wonderful, and wonky Cover Versions by: Icebreaker, Third Son, Epica, Murcof, Vanessa Wagner, Easy Star All-Stars, Cigarettes After Sex, Hybrid, Helge Iberg, William Orbit, Japancakes, Trent Reznor and Atticus Ross, Butthole Surfers, Chromatics, Glass Candy, Ex Anima, Rodrigo y Gabriela, Violeta De Outono, Four Tet, Neil Halstead, Hole, Primal Scream, Pia Fraus, Tokyo Wanderer, andUlrich Schnauss This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Edición Limitada - 20 de Junio del 2022. Producción, realización y conducción: Francisco J. Brenes. Presentando música de Sun's Signature, JB Dunckel, Zola Jesus, Jack White, A.A. Williams, And You Will Know Us By the Trail of Dead, Bastille, Sinead O'Brien, Gaz Coombes, Dream Dali, Editors, Belle and Sebastian, Lightning Seeds, Simple Minds, Buzzcocks, Dummy, Dry Cleaning, Tim Burgess, Pixies, The Beths, Dion Lunadon, High Vis, Metric, Young Guv, Bartees Strange, Kula Shaker, Declan Welsh And The Decadent West, Melts, William Orbit con Polly Scattergood, Chemical Brothers, Rosie Thorne, Flasher, Röyksopp con Karen Harding, Hercules & Love Affair, Utah Saints, Neu!, Electrophoresis con Molchat Doma, Front Line Assembly, Adult. y Black Magnet.

Today's exceptional episode of Electronically Yours features a superstar producer, DJ and artist William Orbit. His dance, ambient and classical sensibilities and arrangements made him one of the world's go-to producers for artists like Madonna (Ray Of Light), and a huge number of successful projects for the likes of Prince, Britney Spears, Mel C, Pink, U2, Katie Melua, Blur etc, etc. The dance/ambient/classical hybrid electronic version of Barber's Adagio for Strings was wildly successful, and has given birth to an entire genre. His appreciation of emotionally-engaging arrangements and dance sensibility is a powerful recipe for success. His name has appeared on over 200 million records… Ladies and gentlemen – ride the starbeam with William Orbit... If you can, please support the Electronically Yours podcast via my Patreon: https://www.patreon.com/electronicallyours

Durante la década de los 80s muchas mujeres triunfaron en la música y en las listas de ventas, pero fue durante la siguiente década donde realmente dominaron las listas de éxito, tuvimos cantantes solistas, lideres de grupos, girls bands, la música House estuvo dominada por voces femeninas y así un largo etcétera. Un ejemplo es Alanis Morissete que después de dos disco que pasaron sin pena ni gloria con su tercer álbum publicado en el '95 se convirtió en la voz de toda una generación, fue tan grande el éxito de “Jagged Little Pill” que nunca volvió a igualarlo. Dido que gracias al sampleo utilizado por Eminem de su tema “Thank You” triunfó con su primer disco a finales de década. Neneh Cherry, luego del éxito junto a Youssou N'Dour “7 Seconds”, publica “Man” en 1996 mezclando Trip-Hop con R&B, Hip Hop, Soul y World Music. Artistas consagrados de los 80s como Madonna, Whitney Houston o Annie Lennox (la mitad de Eurythmics) colocaron varios singles y álbumes entre los mas vendidos de la década, Madonna junto a William Orbit consiguieron el mejor álbum de toda la carrera de la artista. Annie Lennox comenzó su carrera como solista con gran éxito y Whitney Houston vivió sus años más exitosos en la música y en el cine. TLC trio de chicas de Atlanta vendieron millones de copias alrededor del mundo, sobre todo después del mega-éxito “Waterfalls” en el año ‘95 emitido por la MTV constantemente. Jennifer Lopez, luego de su consagrarse como actriz lanzo su primer disco solista a finales de milenio. Hubo casos de solistas que no lograron superar el éxito de su primer single, Macy Gray publico un maravilloso primer disco en el '99 y el video de “I Try” sonó hasta el cansancio pero ya nunca pudo repetir ese éxito. La cantante sueca Emilia en el '98 publico el single “Big Big World” logrando éxito en medio planeta y nunca más hemos oído nada de ella en los medios. Zoë sonó en todas las radios en 1990 con “Sunshine On a Rainy Day” y nunca volvió a repetir éxito. Tasmin Archer colocó en los primeros puestos de todo el mundo el maravilloso “Sleeping Satellite” en plena explosión del grunge y nunca más supimos nada de ella. La neoyorquina Sophie B. Hawkins logró un éxito mundial con “Damn, I Wish I Was Your Lover” luego publico algunos singles de mediano éxito y también desapareció de las listas. Natalie Imbuglia con su mega-éxito mundial “Torn” nunca pudo repetir. En este podcast podréis escuchar a todas estas artistas junto a otras como Gabrielle, Des'Ree, Brandy & Mónica. Espero disfrutéis con todas estas canciones que marcaron una época. TRACKLIST: 01 - Madonna - Frozen 02 - Annie Lennox - No More “I Love You's” 03 - Macy Gray - I Try 04 - Neneh Cherry - Woman (Radio Edit) 05 - Whitney Houston - My Love Is Your Love 06 - TLC - Waterfalls 07 - Alanis Morissette - Hand In My Pocket 08 - Sophie B. Hawkins - Damn I Wish I Was Your Lover 09 - Natalie Imbruglia - Torn 10 - Tasmin Archer - Sleeping Satellite 11 - Zoe - Sunshine on a Rainy Day 12 - Jennifer Lopez - If You Had My Love 13 - Des'Ree - You Gotta Be" 14 - Gabrielle - Dreams 15 - Brandy & Monica - The Boy Is Mine (Album Version) 16 - Emilia - Big Big World (Album Version) 17 - Dido - Thank You

Durante la década de los 80s muchas mujeres triunfaron en la música y en las listas de ventas, pero fue durante la siguiente década donde realmente dominaron las listas de éxito, tuvimos cantantes solistas, lideres de grupos, girls bands, la música House estuvo dominada por voces femeninas y así un largo etcétera. Un ejemplo es Alanis Morissete que después de dos disco que pasaron sin pena ni gloria con su tercer álbum publicado en el ’95 se convirtió en la voz de toda una generación, fue tan grande el éxito de “Jagged Little Pill” que nunca volvió a igualarlo. Dido que gracias al sampleo utilizado por Eminem de su tema “Thank You” triunfó con su primer disco a finales de década. Neneh Cherry, luego del éxito junto a Youssou N’Dour “7 Seconds”, publica “Man” en 1996 mezclando Trip-Hop con R&B, Hip Hop, Soul y World Music. Artistas consagrados de los 80s como Madonna, Whitney Houston o Annie Lennox (la mitad de Eurythmics) colocaron varios singles y álbumes entre los mas vendidos de la década, Madonna junto a William Orbit consiguieron el mejor álbum de toda la carrera de la artista. Annie Lennox comenzó su carrera como solista con gran éxito y Whitney Houston vivió sus años más exitosos en la música y en el cine. TLC trio de chicas de Atlanta vendieron millones de copias alrededor del mundo, sobre todo después del mega-éxito “Waterfalls” en el año ‘95 emitido por la MTV constantemente. Jennifer Lopez, luego de su consagrarse como actriz lanzo su primer disco solista a finales de milenio. Hubo casos de solistas que no lograron superar el éxito de su primer single, Macy Gray publico un maravilloso primer disco en el ’99 y el video de “I Try” sonó hasta el cansancio pero ya nunca pudo repetir ese éxito. La cantante sueca Emilia en el ’98 publico el single “Big Big World” logrando éxito en medio planeta y nunca más hemos oído nada de ella en los medios. Zoë sonó en todas las radios en 1990 con “Sunshine On a Rainy Day” y nunca volvió a repetir éxito. Tasmin Archer colocó en los primeros puestos de todo el mundo el maravilloso “Sleeping Satellite” en plena explosión del grunge y nunca más supimos nada de ella. La neoyorquina Sophie B. Hawkins logró un éxito mundial con “Damn, I Wish I Was Your Lover” luego publico algunos singles de mediano éxito y también desapareció de las listas. Natalie Imbuglia con su mega-éxito mundial “Torn” nunca pudo repetir. En este podcast podréis escuchar a todas estas artistas junto a otras como Gabrielle, Des’Ree, Brandy & Mónica. Espero disfrutéis con todas estas canciones que marcaron una época. TRACKLIST: 01 - Madonna - Frozen 02 - Annie Lennox - No More “I Love You's” 03 - Macy Gray - I Try 04 - Neneh Cherry - Woman (Radio Edit) 05 - Whitney Houston - My Love Is Your Love 06 - TLC - Waterfalls 07 - Alanis Morissette - Hand In My Pocket 08 - Sophie B. Hawkins - Damn I Wish I Was Your Lover 09 - Natalie Imbruglia - Torn 10 - Tasmin Archer - Sleeping Satellite 11 - Zoe - Sunshine on a Rainy Day 12 - Jennifer Lopez - If You Had My Love 13 - Des'Ree - You Gotta Be" 14 - Gabrielle - Dreams 15 - Brandy & Monica - The Boy Is Mine (Album Version) 16 - Emilia - Big Big World (Album Version) 17 - Dido - Thank You

Aisle 9's career has spanned over 3 decades working in the UK as a producer. Born way back in the….wait for it…Summer of 69. Worked with hundreds of artists from all genres, starting off with the trance, rave, and festival scene of the late 90s and moving through to playing in guitar-driven original bands in the alt-rock and grunge scene of the early 00s. Now partly driven on by the pandemic, he has finally returned to producing his own music once again. His influences are as diverse as Mitch Murder, New Order, Tangerine Dream, The Midnight, Jean-Michel Jarre, Kraftwerk, Daft Punk, Orbital, and William Orbit to name but a few. An accomplished songwriter, sound engineer, and musician, his music style incorporates lush synths, filtered funky guitars, treated samples, text to speech voices, vocoders, driving bass, and killer grooves. There are electronica, synthwave, synthpop, ambient, and  EDM elements here.To follow Aisle 9 on Instagram, visit: https://www.instagram.com/aisle9music/To follow Aisle 9 on Facebook, visit: https://twitter.com/aisle9synthwaveTo follow Aisle 9 on TikTok, visit: https://www.tiktok.com/@aisle_9To follow Aisle 9 on Facebook, visit: https://facebook.com/aisle9musicWant to join a community of artists and music enthusiasts? Receive feedback on your latest release or work in progress? Join my Facebook group "Inside The Mix | Supporting Synth Bands, Artists and Musicians": https://www.facebook.com/groups/519768075976600/Marc Matthews is a musician, producer, and mix and mastering engineer. You've come to the right place if you want to know about your favourite synth music artists, music engineering and production, songwriting, and the music industry. Marc has been songwriting, producing, mixing, and mastering music for over 15 years and wants to share what he has learned with you.Follow the podcast on Instagram: https://www.instagram.com/insidethemixpodcast/Marc's websites: https://www.synthmusicmastering.com/ and https://www.marcmatthewsproducer.com/Follow Marc on TikTok: https://www.tiktok.com/@synthmusicmasteringFollow Marc on Instagram: https://www.instagram.com/marcmatthewsproducer/Are you thinking about starting a podcast or need help growing your audience? Check out the Podcast Business School: https://www.podcastingbusiness.school/a/2147490930/Hw6eEPegStart recording your own podcast today using Riverside FM here: Riverside FMSupport the show

Mark and Kenny dive deep - no, really deep - in a warts-and-all conversation about the complicated and confounding final single from Ray of Light. Topics include the musical clash between Marius de Vries and William Orbit, the return of Niki Haris and Donna DeLory, a spin around the East Village with Kruder & Dorfmeister, building an entire video around a literary pseudonym, the one subject that still upsets Madonna, Kenny works out with Rupert Everett, and a winning visit to the Grammy Awards. PLUS, Kenny and Mark unearth and endlessly unpack the true Madonna biopic - the 1998 VH1 special (and essential) Madonna Rising. There's even a cameo by Larry King. Tell Bad Boy Johnny we want our synths back! “Nothing Really Matters” video directed by John Renck (1999)“Nothing Really Matters” Live at the Grammy Awards (1999)“Madonna Rising” documentary special, VH1 1998

Mark and Kenny swim to the ocean floor with a deep dive into the career of William Orbit as well as the apocalyptic, riff-filled second track from Ray of Light. Topics include Orbit's Strange Cargo series, composer Samuel Barber, Torch Song, Laurie Mayer, All Saints and The Beach soundtrack, Gianni Versace, Beth Orton's Central Reservation, Britney Spears' Britney Jean, Blur's 13, David Cronenberg's CRASH and the inspiring novelist JG Ballard. Let the water (and the music) wash all over you!

After making fans wait nearly four years, Madonna delivers what may prove to be her first true blue rock album Ray of Light and commences with a moody ballad (co-written with new collaborator William Orbit) of new credos and fresh religions. Meanwhile, Kenny and Mark tie up a lot of loose threads as we head into the “Spiritual Girl” era and celebrate the inspiring return of Pat Leonard. Topics include: Animal Kingdom, the MTV and those pesky VMA, Kurts Loder and Cobain, Prodigy, Britney Spears, Princess Diana, Beck, Maverick Records, the Pre-Madonna album and “Crimes of Passion”, Jose & Luis, Elizabeth Taylor & Shirley Maclaine, Yoga & Gwenyth Paltrow, Rick Nowels, Rob Sheffield, San Sebastian Strings, Water Stern, the poetry of David Collins (RIP), Courtney Love and HOLE, BT&Sasha, Kenny's writing chum Nathan Parker, the Rolling Stone Women In Rock September 1997 issue, and the realization that Madonna is really starting to chill out in London. Is it “traded fame for love” or “traded love for fame”? Who's gonna wrestle that disposable camera away from that prying housekeeper? Join the conversation and find out. “Drowned World / Substitute For Love” video directed by Walter Stern (1998)“Queen's English” video starring Jose & Luis (1993)Hole's “Miss World” video directed by Sophie Muller (1994)Madonna Presenting Best Rap Video at the 1995 MTV Video Music Awards

Worldwide Exclusive, I interview Anthony Preston about his work with Britney Spears. We deep dive into the production of the album. We hear about the evolution of the William Orbit produced, Alien. Hear about the production of the Britney Jean album. The Original Doll with James Rodriguez interviews songwriters and producers of your favorite music, including global hits, deep cuts and unreleased. Explicit Find more www.TheOriginalDoll.com and www.Instagram.com/The.Original.Doll as well as www.TikTok.com/@TheJamesRodriguez and www.Twitter.com/JamesRodriguez 

Groovelectric celebrates 15 YEARS of fantastic music! Thank you for all your support! Donations, Merchandise, Newsletter, more: https://www.groovelectric.com Podrunner: Workout Music mixes: https://www.podrunner.com PLAYLIST 01. Gai Barone, Luke Brancaccio - Letter to Her 02. StevAxel, The Cube Guys - Johnny Maker (Tool Mix) (acapella) 03. William Orbit - Starbeam (Extended Mix by Shocklee) 04. Jacob Singer - Alisio 05. X-Press 2 - AC/DC (Guy J Remix) 06. Lee Nova - Gone Trippin 07. Andy Woldman - Frozen Twilight (Manu Riga Remix) 08. Nico Parisi, Monotique - 1001 Nights (Gai Barone Remix) 09. Hypnotised, Selected Grooves - Mesmerized (Agustin Olmedo Remix) 10. Blue Amazon, Enrico Ponti - Shazz (Inkfish Remix) 11. William Orbit, Lido Pimienta - Aguilas 12. Miss Monique - Loona (Paul Thomas & Fuenka Remix) 13. Tom Wax - Chasing Rainbows (Extended Mix) 14. Nora En Pure - Tantrum (Dark Temper Mix) 15. Joseph Ray, Lakou Mizik - Bade Zile 16. Monkey Safari - Opus 17. Kobana - Echoes == Please support these artists == Music copyright the respective artists. All other material c2006, 2022 by Steve Boyett. For personal use only. All rights reserved. Any unauthorized copying editing, exhibition, sale, rental, exchange, public performance, or broadcast of this audio is prohibited.

"Jeg brugte lang tid på at distancere mig fra popmusikken. Men det jeg egentlig selv lavede - var pop." Musik er - især i teenageårene - en af de helt centrale markører, når man skal finde sin plads på den sociale spilleplade. Sådan var det også for Terese Skovhus, der laver musik under navnet TERESE (https://www.facebook.com/teresemusic). I år 2000 svømmede Leonardo DiCaprio rundt i det koralblå vand ud for en paradisø i filmen The Beach. Soundtracket til filmen var "Pure Shores" (https://www.youtube.com/watch?v=dVNdTXEJv1A), der blev et af den britisk/canadiske girl group All Saints' største hits. Den 12-årige Terese var dybt fascineret af de fire seje kvinder, der stirrede ned på hende fra idolplakaten over sengen. Og da hun efter lang tids venten omsider fandt en cd med "Pure Shores" på det lokale skolebibliotek, blev hun blæst bagover af det effektfulde, paradisiske lydunivers og syng-med-omkvædet. Men da teenageårene startede, var det pludselig ikke længere cool at lytte til mainstream pop som All Saints. I stedet var Tereses musiknørderi koncentreret om kompleks indierock, electronica, avantgardistisk jazz - alt det, som adskilte sig fra den (på overfladen) strømlinede pop. Men samtidig begyndte der at dukke små pop-melodilinjer frem, når Terese om aftenen sad foran forældrenes klaver. I dag kan Terese se en linje fra "Pure Shores" til hendes egne sange som singlerne "De lyser blå" (https://www.youtube.com/watch?v=Areyhlo8KHo) og "Sjælens lommer" (https://www.youtube.com/watch?v=E71yzDVHwOc). Sange, der kombinerer catchy melodilinjer med et effektfuldt, taktilt lydbillede, så man nærmest kan se det for sig visuelt - ligesom sandkornene og det koralblå hav i "Pure Shores". TERESE var en af de fem finalister i Karrierekanonen i 2020. "De lyser blå" og "Sjælens lommer" er produceret i samarbejde med Søren Buhl Lassen fra bandet Blaue Blume, der også har produceret for navne som Rebecca Lou, Brimheim, Søn og Moi Caprice. Hun giver koncert på Ideal Bar d. 24. marts. (https://www.vega.dk/kalender/terese-24-03-22/) Varighed: 7:49

"My real gift is arrangement." William Orbit opens up on his 40-year career. Share Born in Hackney, London, in 1956, Orbit has been writing, producing and arranging music for four decades. With almost 1,200 credits to his name on Discogs, his vast and varied body of work spans classical, pop and electronic. He produced for some of pop music's most seminal artists—Madonna, All Saints, Blur, Robbie Williams, Pink—as well as being, as his interviewer Matt McDermott explains, "one of the most prolific electronic music remixers of the '90s." He released 11 solo albums and seven collaborative albums—as part of Torch Song, Strange Cargo and Bassomatic—and founded Guerilla Studios in the '80s, working with artists like Cabaret Voltaire and Gary Numan. In 1995, Orbit released the Pieces In A Modern Style LP, which paved the way for musicians like Nils Frahm and Jon Hopkins, who bring together classical arrangements with electronic production in revelatory ways. The journalist Kate Hutchinson described Orbit as "the Mark Ronson or Jack Antonoff of his day." But as this conversation with RA highlights, Orbit is once again enjoying his day. Having, in his own words, "spent 20 years becoming disengaged," he has just put out his first solo release in seven years—the Sunbeam EP on Anjunadeep—and things are feeling good. "I know how to have fun," he said. In conversation with McDermott, Orbit shares stories about his fascinating career, how to make a great record, working with Madonna and how to stay relevant in a fickle industry. Tracklist: William Orbit - Diso [Anjunadeep] William Orbit - Wordsworth [Anjunadeep] @williamorbit

Multi Grammy Award-winning artist and electronic music pioneer William Orbit has been the guiding light behind many albums we all love, ranging from Blur to U2. His first solo album in seven years, “Starbeam,” is the apogee converging his love of experimentation with intricately layered sonics. We wish William Orbit the happiest of birthdays in the stratosphere by sharing “Diso.” 

Sounds for weary motors and control boards. The first hour features some classic 90’s releases from Ultramarine, The Orb, and Caustic Window, as well as newer music from William Orbit and Cid Rim. The second hour features top beats from Lone, Julius Steinhoff, Moderat remixing Jon Hopkins, and DeepChord Presents Echospace. Thanks for listening! Playlist […]

Space scientist Maggie Aderin-Pocock and music producer William Orbit discuss their favourite books with Harriett Gilbert.