POPULARITY
Listen to the rest of the audiobook for Papa Don't Pope and other great audiobooks on Canon+: https://canonplus.com/tabs/search/audiobooks/21792
En 1998, Madonna passe enfin à l'âge adulte. L'ex-Matérial Girl devient maman, découvre Londres, pratique le yoga et s'entoure de la fine fleur de la musique électronique pour entamer ce qui s'annonce être une révolution.L'album Ray of Light prend tout le monde de court. De “Substitute for Love” à “The power of goodbye” en passant par “Ray of Light” et “Frozen”, Madonna nous embarque dans un voyage à la fois spirituel et musical, rock et techno. Ray of Light va s'écouler à plus de 20 millions d'exemplaires et remporter non pas un, mais 3 Grammy awards ! La queen of pop signe son grand retour au sommet de charts et va marquer la musique pop pour une décennie supplémentaire. On ne compte plus d'ailleurs le nombre d'artistes qui citent aujourd'hui cet album comme influence : Adèle, Lady Gaga, Alison Goldfrapp ou encore FKA Twigs.On vous raconte la story de Louise Veronica Ciccone avec Olivia, Greg Cook nous emmène en studio avec William Orbit, et Fanny revient sur le clip mystique de “Frozen” réalisé par Jonas Åkerlund.Crédits :Générique : Dr Alban "Sing Hallelujah"Titres écoutés dans l'émission : “Drowned World”, “Substitute For Love”, “Swim”, “Ray Of Light”, “Candy Perfume Girl”, “Skin”, “Nothing Really Matters”, “Sky Fits Heaven”, “Shanti / Ashtangi”, “Frozen”, “The Power Of Good-Bye”, “To Have And Not To Hold”, “Little Star”, “Mer Girl”, “Like A Virgin”, “Lucky Star”, “Material Girl”, “Papa Don't Preach”, “True Blue”, “Like A Prayer”, “Deeper And Deeper”, “Secret”, “Found World (Drowned World/Substitute For Love - Instrumental Demo)”. Breakfast Club “Shit on the ground”, William Orbit “Don't look now”, “Bassomatic”, “Strange Cargo 3”, All Saints “Pure Shores”. Extraits : “Madonna chante "Holiday" en France” (H.I.P H.O.P, 1983, Ina), “Evita (1996) Trailer” (Youtube), “JT France 2 20h du 18 février 1998” (Archive INA), “Madonna, Lenny Kravitz - Ray Of Light - MTV VMAS” (Youtube), “Un tube de Madonna, plagiat d'une chanson belge, interdit par un tribunal (RTS, 2005), “On the Set of Madonna's “Frozen” (MTV News, 1998, Youtube).LAISSEZ UN MESSAGE APRÈS LE BIP !Vous pouvez nous appeler au 01 89 16 75 31, pour suggérer un album, donner votre avis ou chanter en karaoké avec nous ! Promis, on diffusera les messages au prochain épisode !Et restez connectés : — Instagram : @radio_k7— Twitter : @RadioK7Podcast— Facebook : @Radiok7podcastHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.
In this action-packed episode ofFriends Talking Nerdy, Professor Aubrey and Tim the Nerd dive into a vibrant mix of pop culture, nostalgia, and tech controversy, delivering a conversation that's as dynamic as it is enlightening.Madonna Mania:The episode kicks off with an in-depth tribute to the Queen of Pop herself—Madonna. Professor Aubrey and Tim the Nerd share their personal favorites and dissect the cultural impact of hits like"Lucky Star," "Ray Of Light," "La Isla Bonita," "Music," "Like A Virgin," "Express Yourself," "Holiday," "Papa Don't Preach," "Justify My Love," and"Like A Prayer." Listeners are treated to a rich analysis of the musical innovation, lyrical storytelling, and enduring influence behind each track. Whether you're a longtime fan or new to Madonna's legacy, this segment offers fresh insights and a few surprises along the way.GLOW and the Legacy of Women's Wrestling:Switching gears, the duo turns their attention to the Netflix phenomenonGLOW, a show that rekindles the spark of the original women's professional wrestling spectacle, “The Gorgeous Ladies Of Wrestling.” Tim the Nerd recounts his recent binge-watch, peppering the discussion with references to a compelling documentary that chronicles the lives and struggles of the original GLOW performers. The conversation thoughtfully explores how, despite its humble and somewhat clunky beginnings, the pioneering spirit of women's wrestling helped lay the groundwork for the dynamic and empowered presentations seen today. Fans of both wrestling and compelling biographical storytelling will find this segment both nostalgic and inspiring.Tech Talk: Zuckerberg, Fact Checking, and the Future of Social Media:In a shift to the digital realm, Professor Aubrey and Tim the Nerd dissect the controversial policy change by Mark Zuckerberg—removing fact checking from Meta services in favor of community standards. Drawing parallels to recent shifts on Twitter (now known as X), they debate the implications of this move on the spread of misinformation, community trust, and the overall health of online discourse. With thoughtful commentary and sharp analysis, the hosts examine whether this policy shift marks a new era for digital communication or if it poses unforeseen challenges for truth and accountability online.As always, we wish to thank Christopher Lazarek for his wonderful theme song. Head to his website for information on how to purchase his EP, Here's To You, which is available on all digital platforms.Head to Friends Talking Nerdy'swebsite for more information on where to find us online.
Parmi les morceaux emblématiques que Marjorie Hache nous propose ce 13 novembre dans RTL2 Pop-Rock Station on retrouve Led Zeppelin et The Kingsmen qui rappellent les grandes heures du rock, tandis que pour les nouveautés on écoute Franz Ferdinand qui marque un retour attendu avec "Audacious", avant leur concert à Paris en février 2025, et Last Train et Scowl apportent fraîcheur et énergie. L'album de la semaine est "Songs Of A Lost World" de The Cure, dont "All I Ever Am" évoque l'introspection propre au goth rock. En live, Metallica interprète "Master of Puppets", un moment puissant enregistré à San Francisco. Et pour la reprise, Kelly Osbourne revisite "Papa Don't Preach" de Madonna dans une version fuzz. La playlist de l'émission : Franz Ferdinand - Audacious The Kingsme - Louie Louie Led Zeppelin - The Song Remains The Same Feist - Mushaboom Fat Dog - Wither Limp Bizkit - Rollin' (Air Raid Vehicle) Kiss - Rock And Roll Hell (2022 Remaster) The Cure - All I Ever Am Gossip - Standing In The Way Of Control Meryl Streek - Murder Pearl Jam - Alive Ultra Vomit - Doigts De Metal Kelly Osbourne - Papa Don't Preach The Strokes - Juicebox Black Veil Brides - Bleeders Janis Joplin - Cry Baby Metallica - Master Of Puppets (Live San Francisco Symphony) Lou Reed - Perfect Day Body Count - Body Count Last Train - The Plan Ramones - Blitzkrieg Bop Sonic Youth - Mildred Pierce The B-52's - 52 Girls The White Stripes - Icky Thump Scowl - Special Nick Cave And The Bad Seeds - Jubilee Street
Ce jeudi 26 septembre 2024, le président du Conseil de transition d'Haïti était à la tribune de l'Assemblée générale des Nations unies. Son discours était évidemment centré sur la sécurité et sur la mission déployée dans le pays. Edgard Leblanc Fils s'est dit pour que la mission multinationale de soutien à la sécurité dirigée par le Kenya soit transformée en mission de l'ONU, explique Julien Chavanne, l'envoyé spécial de RFI à New York. Selon le président du Conseil de transition d'Haïti, « cette transformation permettrait non seulement de sécuriser un financement plus stable et d'élargir les capacités de la mission, mais également de renforcer l'engagement des États membres en faveur de la sécurité en Haïti. »Cette proposition, portée par les États-Unis, suscite beaucoup de résistance à l'ONU et parmi la population haïtienne. Même le chef des Nations unies Antonio Guterres est contre, rappelle Julien Chavanne, car les casques bleus ne sont pas formés pour la lutter contre les gangs. En tous cas, selon le président kényan William Ruto, la force sera au complet (2 500 hommes) d'ici janvier 2025.Edgar Leblanc Fils a aussi abordé la question de la dette coloniale, demandant des réparations aux anciennes forces coloniales – entre autres la France : « Il n'est pas sans intérêt de rappeler qu'Haïti a été le seul pays à avoir payé pour son indépendance obtenue pourtant dans le feu et dans le sang. Nous demandons la reconnaissance d'une dette morale et historique et la mise en œuvre de réparations justes et appropriées qui permettront à notre peuple de se libérer des chaînes invisibles de ce passé injuste. »Enfin, le chef de la transition a répondu à Donald Trump : le candidat républicain à la présidentielle américaine avait raconté que les Haïtiens de la ville de Springfield dans l'Ohio « mangeaient des chiens et des chats »… Edgard Leblanc Fils a souligné que « les passions qui émergent naturellement lors d'une campagne électorale ne devraient en aucun cas servir de prétexte à la xénophobie ou au racisme dans un pays tel que les États-Unis. »En marge de l'Assemblée générale des Nations unies, le président kenyan William Ruto a estimé que pour lutter contre les gangs en Haïti, il fallait aussi s'attaquer au trafic d'armes. Sur ce point, les États-Unis n'en font pas assez, estiment plusieurs parlementaires démocrates, qui ont adressé une lettre à quatre agences de l'administration Biden pour réclamer des contrôles plus stricts dans les ports du sud de la Floride. L'ouragan Helen reclassé en tempête tropicaleEn Une de la presse aux États-Unis : des images de rues sous l'eau, des bateaux et des véhicules des forces de l'ordre qui viennent en aide aux victimes… L'ouragan Helen a été reclassé en tempête tropicale, mais il reste violent. Bilan provisoire : trois morts et des dégâts importants. Simon Rozé, le chef du service Environnement-Climat de RFI, explique qu'Helen est un des plus grands ouragans du siècle sur le golfe du Mexique. Avec un effet de submersion, moins connu que les vents lors d'une tempête mais qui peut causer énormément de dégâts : l'ouragan a créé une dépression - la pression de l'air diminue, ce qui est en-dessous est en quelques sorte « absorbé », dans ce cas précis, la mer qui monte et submerge les côtes. À certains endroits des côtes de Floride, on attendait une montée des eaux de l'ordre de 6 mètres, l'équivalent d'un immeuble de deux étages.L'anticipation a permis de limiter le bilan de cet ouragan, avec des milliers de personnes évacuées dès mercredi (25 septembre 2024). Le journal de la 1ère En Martinique, les négociations autour de la problématique de la vie chère reprendront cet après-midi, dans une ambiance… plutôt positive ! La campagne présidentielle américaine en musiqueCe vendredi (27 septembre 2024), Lauric Henneton, auteur avec Julien Grossot du livre « Rock'n Road Trip, Les États-Unis en 1 000 chansons », se penche sur un sujet capital de la campagne pour la présidentielle du 5 novembre 2024 : l'avortement.Les chansons :- The Pill, Loretta Lynn- Papa Don't Preach, Madonna- Rapid City South Dakota, Kinky Friedman- Spare Parts, Bruce Springsteen.
(This is a Replay)He will talk about one of the biggest lessons he has learned from Papa Don - the importance of Courage for a trial lawyer, and how Courage shows up in our practices, and some practical things we can do to increase the likelihood we act out of Courage rather than fear.ContactEmail: adam@princemay.comTelephone: (678) 534-1980Website: https://www.princemay.com/attorney-adam-princenthal/To learn more about the Keenan Case Presentation System, click on this link:https://www.keenancps.com/And on your Apple device you can download the KCPS App for FREE:https://apps.apple.com/us/app/case-presentation-system/id1541913706Want to listen to more episodes? Or did you miss out on last week's episode? We're now live on Spotify, Apple Podcasts, or wherever you listen to your podcasts. You can also find us on the Keenan Trial Institute website at https://keenantrialinstitute.com/podcast/
EXACTLY ONE MONTH TO INDEPENDENCE DAY!! The Patriot Full Movie Reaction Watch Along: https://www.patreon.com/thereelrejects With the 4th of July just a month away, Tara Erickson & John Humphrey are back for another Historical Tuesday offering as they give their First Time Reaction, Commentary, Breakdown, & Full Spoiler Review for the Revolutionary War Film starring Mel Gibson (Lethal Weapon, Braveheart, We Were Soldiers) as Benjamin Martin along with Heath Ledger (The Dark Knight, A Knight's Tale, 10 Things I Hate About You) as Gabriel martin, Jason Isaacs (Harry Potter, Black Hawk Down, Peter Pan) as Col. William Tavington, Chris Cooper (American Beauty, Adaptation) as Col Harry Burwell, Tom Wilkinson (Michael Clayton, Rush Hour, The Grand Budapest Hotel) as Gen. Lord Charles Cornwallis, Adam Baldwin (Independence Day, Full Metal Jacket) as Capt. Wilkins, + Appearances from Gregory Smith (Everwood), a young Logan Lerman (Percy Jackson, Fury, Bullet Train), and MORE Tara & John REACT to all the Best Scenes & Most Rousing Moments including Tomahawk Massacre, My Sons Were Better Men, Before this War is Over, Papa Don't Go, The War Ends Today, No Retreat! , Benjamin Fights Tavington, & Beyond! Follow Tara Erickson: Youtube: https://www.youtube.com/@TaraErickson Instagram: https://www.instagram.com/taraerickson/ Twitter: https://twitter.com/thetaraerickson Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Music Used In Manscaped Ad: Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM: FB: https://www.facebook.com/TheReelRejects/ INSTAGRAM: https://www.instagram.com/reelrejects/ TWITTER: https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM: https://www.instagram.com/thegregalba/ TWITTER: https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices
Since bursting onto the scene in the early 1980s, Madonna has become one of THE defining music video artists of all time. Over her four-decade career, she has put forward dozens of literally iconic videos to accompany her equally iconic pop music. Now the Great Pop Culture Debate wants throw our very own Celebration as we try to determine the very BEST Madonna music video of all time. Join host Eric Rezsnyak and GPCD panelists Derek Mekita, Jennifer Chen, and Jonny Minogue as they discuss 16 of the most iconic music videos spanning Madonna's four-decade career. Play along at home by finding the listener bracket here. Make a copy for yourself, fill it out, and see if your picks match up with ours! To listen to Round 1, showing how we got to the Sweet 16 down from the Top 32, become a Patreon supporter of the podcast today to access the exclusive Part 1 episode. RELATED CONTENT Best Song of 1985 Best Whitney Houston Song Best 90s Dance Hit Top 10 Madonna Video Looks Round 2 Match-Ups: Match-Up 1: "Like a Prayer" (1) vs. "Borderline" (4) Match-Up 2: "Open Your Heart" (3) vs. "Justify My Love" (2) Match-Up 3: "Express Yourself" (1) vs. "Nothing Really Matters" (4) Match-Up 4: "Take a Bow" (3) vs. "Papa Don't Preach" (2) Match-Up 5: "Vogue" (1) vs. "Human Nature" (4) Match-Up 6: "Hung Up" (3) vs. "Ray of Light" (2) Match-Up 7: "Material Girl" (1) vs. "Music" (4) Match-Up 8: "Like a Virgin" (3) vs. "Frozen" (2) Have a say in future episodes! Finally, if you want to have a say in what episodes we tackle next, vote in our Topic Polls! And we would love to have you pick your faves in the polls currently open for your votes! EPISODE CREDITS Host: Eric Rezsnyak Panel: Derek Mekita, Jennifer Chen, Jonny Minogue Producer: Curtis Creekmore Editors: Eric Rezsnyak Learn more about your ad choices. Visit megaphone.fm/adchoices
Dean closes out this season's regular episodes by showing Ciara his favourite Spike Lee film, Summer of Sam. They talk about punk vs disco, the madonna-whore complex and its relationship with Do the Right Thing. Visit The Sundae: https://thesundae.net/ Follow us on Twitter: https://twitter.com/sundaeblog/ Spike Lee on his film heroes for GQ: https://www.youtube.com/watch?v=NfRMe-gnP6s Spike Lee's Ebert Director Award speech: https://www.youtube.com/watch?v=V8nJq82e80Q Danny Aiello's "Papa Don't Preach" response song: https://www.youtube.com/watch?v=1xg11hwVs-M Martin Scorsese's Violence of Grace: https://thesundae.net/2017/04/02/martin-scorseses-violence-of-grace/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/the-sundae/message
Dean closes out this season's regular episodes by showing Ciara his favourite Spike Lee film, Summer of Sam. They talk about punk vs disco, the madonna-whore complex and its relationship with Do the Right Thing. Visit The Sundae: https://thesundae.net/ Follow us on Twitter: https://twitter.com/sundaeblog/ Spike Lee on his film heroes for GQ: https://www.youtube.com/watch?v=NfRMe-gnP6s Spike Lee's Ebert Director Award speech: https://www.youtube.com/watch?v=V8nJq82e80Q Danny Aiello's "Papa Don't Preach" response song: https://www.youtube.com/watch?v=1xg11hwVs-M Martin Scorsese's Violence of Grace: https://thesundae.net/2017/04/02/martin-scorseses-violence-of-grace/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/the-sundae/message
So our podders were on Vacation reading a Vogue article about the Material Girl. Keep It Together, y'all, it's only Human Nature they watched Who's That Girl. So get ready for a Bedtime Story about Erotica, a Bad Girl, and some Hanky Panky! Like a Prayer we learned in church we said Oh Father, Justify My Love for this movie even though it's Borderline a Fever dream. So whether you Cherish this True Blue classic or if you're Like a Virgin and you've never seen it, Express Yourself! Also, Papa Don't Preach about pronunciation (You'll See once you finish the pod). And remember Don't Cry for Me Argentina, , Bitch I'm Madonna, La Isla Bonita!!!!!!
| Artist | Title | Album Name | Album Copyright | | Jo Ann Kelly | Me And My Chauffeur Blues | Do It and More | | | Tinsley Ellis | Grown Ass Man | Naked Truth | | | Son House | The Delta Blues | The Delta Blues Of Son House | | Catfish Keith | Mama Don t You Sell It, Papa Don t You Give It Away | Mississippi River Blues | | Elizabeth Cotton | Sweet Bye and Bye , What a Friend We Have in Jesus | Freight Train and Other North Carolina Folk Songs and Tunes | Bessie Jones & with the Georgia Sea Island Singers | Throw Me Overboard | Get In Union | Alan Lomax Archives/Association For Cultural Equity | Tinsley Ellis | Easter Song | Naked Truth | | | Rory Block | Let Us Get Together Right Down Here | I Belong To The Band | | Tinsley Ellis | The Sailor's Grave On The Prairie | Naked Truth | | | Charles -Cow Cow- Davenport | Steamboat Blues | Accompanist 1924-1929 | | Michael Messer | Death Don't Have No Mercy | Get Together | | | Andres Roots | No Iguanas | Breakfast in September | | Alger "Texas" Alexander | Evil Women Blues (1927) | Complete Recorded Works, Vol. 1 (1927 - 1928) | Sam Mitchell | Nobody's Fault But Mine | The Art Of Bottleneck, Slide Guitar | Merle Travis | Dapper-Dan | Merle-Travis: Ash Grove 12-9-66 | Tinsley Ellis | Death Letter Blues | Naked Truth | | | Robert Lockwood | Little Boy Blue | When The Levee Breaks, Mississippi Blues (Rare Cuts CD A) | 2007 JSP Records |
Dedicado a mi padre y a todos los padres que aman a sus hijos, especialmente a los padres separados o divorciados que están sufriendo trato de desigualdad que los derechos de los padres divorciados estuvieran más protegidos, o mejor dicho, para corregir las graves desigualdades que se reflejaban en las sentencias de divorcio en estos tiempos tan enloquecidos. DISCO 1 FINNEAS O’CONNELL DadDISCO 2 MADONNA Papa Don’t PreachDISCO 3 BEYONCÉ & THE CHICKS Daddy Lessons DISCO 4 EMINEM My Dad’s Gone CrazyDISCO 5 JEWEL DaddyDISCO 6 JAMES BROWN Papa’s Got a Brand New BagDISCO 7 KID CREOLE & THE COCONUTS Annie, I’m Not Your DaddyDISCO 8 ELVIS PRESLEY Don’t Cry DaddyDISCO 9 COLDPLAY DaddyDISCO 10 JAMES TAYLOR Daddy’s Al GoneDISCO 11 FLEETWOOD MAC Oh DaddyDISCO 12 ISMAEL SERRANO Papá Cuéntame otra vezDISCO 13 JAMES HORNER Dad DISCO 14 JAVIER ÁLVAREZ PadreEscuchar audio
In the newest episode of the Blue Ribbon College Basketball Podcast, hosts Chris Dortch (@cdortch) and Kevin Ingram (@KIngramSports) discuss a variety of college basketball topics:• What's the deal with all the upsets of top-10 teams? Experience matters. • After Bill Self's first ejection as Kansas coach, it's clear that in the Big 12, to quote James Brown, Papa Don't Take No Mess.• Kevin talks about getting to call a buzzer-beater.• We pay tribute to a broadcasting legend who's as good at covering golf as he is basketball and football.All Blue Ribbon college basketball podcasts are available on Apple Podcasts and Spotify.You can also listen in your email client or click on the “Listen In Podcast App” link above to listen in your podcast player of choice. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit blueribbon.substack.com
Welcome back to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:1 point: get the year correct within 10 years (e.g., you guess 1975 and it is between 1965-1985)4 points: get the year correct within 5 years (e.g., you guess 2004 and it is between 1999-2009)7 points: get the year correct within 2 years (e.g., you guess 1993 and it is between 1991-1995)10 points: get the year dead on!Guesses can be emailed to drandrewmay@gmail.comI will read your scores out on the following episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Gangsta's Paradise by Coolio (1995)Song 1: Sadie's Got Her New Dress On by Doyle Lawson & Quicksilver (2007)Song 2: Papa Don't Preach by Madonna (1986)Song 3: King Kong Kitchie Kitchie Ki-Me-O by Chubby Parker (1928)Song 4: Message in a Bottle by The Police (1979)Song 5: Blue Ridge Mountain Blues by Bill Clifton (1973)Song 6: Sing Monica by Phish (2014)Song 7: Cumberland Gap by The Osborne Brothers (1962)Song 8: Truly Madly Deeply by Savage Garden (1997)Song 9: Highway 40 Blues by Ricky Skaggs (1982)Song 10: Don't Be Cruel by Elvis Presley (1956)
(This is a Replay)He will talk about one of the biggest lessons he has learned from Papa Don - the importance of Courage for a trial lawyer, and how Courage shows up in our practices, and some practical things we can do to increase the likelihood we act out of Courage rather than fear.ContactEmail: adam@princemay.comTelephone: (678) 534-1980Website: https://www.princemay.com/attorney-adam-princenthal/
The KTI Dean of Students, David Hoey, joins the podcast to discuss the Trial Management College. This course follows a real case that David Hoey and Papa Don tried in Boston. You will learn the nuts and bolts of how and when to perform focus groups, what to have on your desk at trial, how to compose yourself during testimony, and much more! If you have ever had a question about how to pull all of the KTI elements together, then this is the course for you. Contact David Hoey atWebsite: https://www.hoeylaw.com/Phone: 877-LAW-HOEY
On this week's episode, we remember William Friedkin, who passed away this past Tuesday, looking back at one of his lesser known directing efforts, Rampage. ----more---- From Los Angeles, California, the Entertainment Capital of the World, it’s The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today. Originally, this week was supposed to be the fourth episode of our continuing miniseries on the 1980s movies released by Miramax Films. I was fully committed to making it so, but then the world learned that Academy Award-winning filmmaker William Friedkin passed away on Tuesday. I had already done an episode on his best movie from the decade, 1985’s To Live and Die in L.A., so I decided I would cover another film Friedkin made in the 80s that isn’t as talked about or as well known as The French Connection or The Exorcist or To Live and Die in L.A. Rampage. Now, some of you who do know the film might try and point that the film was released in 1992, by Miramax Films of all companies, and you’d be correct. However, I did say I was going to cover another film of his MADE in the 80s, which is also true when it comes to Rampage. So let’s get to the story, shall we? Born in Chicago in 1935, William Friedkin was inspired to become a filmmaker after seeing Citizen Kane as a young man, and by 1962, he was already directing television movies. He’d make his feature directing debut with Good Times in 1967, a fluffy Sonny and Cher comedy which finds Sonny Bono having only ten days to rewrite the screenplay for their first movie, because the script to the movie they agreed to was an absolute stinker. Which, ironically, is a fairly good assessment of the final film. The film, which was essentially a bigger budget version of their weekly variety television series shot mostly on location at an African-themed amusement park in Northern California and the couple’s home in Encino, was not well received by either critics or audiences. But by the time Good Times came out, Friedkin was already working on his next movie, The Night They Raided Minsky’s. A comedy co-written by future television legend Norman Lear, Minsky’s featured Swedish actress Britt Ekland, better known at the time as the wife of Peter Sellers, as a naive young Amish woman who leaves the farm in Pennsylvania looking to become an actress in religious stage plays in New York City. Instead, she becomes a dancer in a burlesque show and essentially ends up inventing the strip tease. The all-star cast included Dr. No himself, Joseph Wiseman, Elliott Gould, Jack Burns, Bert Lahr, and Jason Robards, Jr., who was a late replacement for Alan Alda, who himself was a replacement for Tony Curtis. Friedkin was dreaming big for this movie, and was able to convince New York City mayor John V. Lindsay to delay the demolition of an entire period authentic block of 26th Street between First and Second Avenue for two months for the production to use as a major shooting location. There would be one non-production related tragedy during the filming of the movie. The seventy-two year old Lahr, best known as The Cowardly Lion in The Wizard of Oz, would pass away in early December 1967, two weeks before production was completed, and with several scenes still left to shoot with him. Lear, who was also a producer on the film, would tell a reporter for the New York Times that they would still be able to shoot the rest of the film so that performance would remain virtually intact, and with the help of some pre-production test footage and a body double, along with a sound-alike to dub the lines they couldn’t get on set, Lahr’s performance would be one of the highlights of the final film. Friedkin and editor Ralph Rosenblum would spend three months working on their first cut, as Friedkin was due to England in late March to begin production on his next film, The Birthday Party. Shortly after Friedkin was on the plane to fly overseas, Rosenblum would represent the film for a screening with the executives at United Artists, who would be distributing the film. The screening was a disaster, and Rosenblum would be given carte blanche by the studio heads to save the film by any means necessary, since Friedkin was not available to supervise. Rosenblum would completely restructure the film, including creating a prologue for the story that would be retimed and printed on black and white film stock. The next screening would go over much better with the suits, and a mid-December 1968 release date was set up. The Birthday Party was an adaptation of a Harold Pinter play, and featured Robert Shaw and Patrick Magee. Friedkin had seen the play in San Francisco in 1962, and was able to get the film produced in part because he would only need six actors and a handful of locations to shoot, keeping the budget low. Although the mystery/thriller was a uniquely British story, Harold Pinter liked how Friedkin wanted to tell the story, and although Pinter had written a number of plays that had been adapted into movies and had adapted a number of books into screenplay, this would be the first time Pinter would adapt one of his own stories to the silver screen. To keep the budget lower still, Friedkin, Pinter and lead actor Robert Shaw agreed to take the minimum possible payments for their positions in exchange for part ownership in the film. The release of Minsky’s was so delayed because of the prolonged editing process that The Birthday Party would actually in theatres nine days before Minsky’s, which would put Friedkin in the rare position of having two movies released in such a short time frame. And while Minsky’s performed better at the box office than Birthday Party, the latter film would set the director up financially with enough in the bank where he could concentrate working on projects he felt passionate about. That first film after The Birthday Party would make William Friedkin a name director. His second one would make him an Oscar winner. The third, a legend. And the fourth would break him. The first film, The Boys in the Band, was an adaptation of a controversial off-Broadway play about a straight man who accidentally shows up to a party for gay men. Matt Crowley, the author of the play, would adapt it to the screen, produce the film himself with author Dominick Dunne, and select Friedkin, who Crowley felt best understood the material, to direct. Crowley would only make one demand on his director, that all of the actors from the original off-Broadway production be cast in the movie in the same roles. Friedkin had no problem with that. When the film was released in March 1970, Friedkin would get almost universally excellent notices from film critics, except for Pauline Kael in the New York Times, who had already built up a dislike of the director after just three films. But March 1970 was a different time, and a film not only about gay men but a relatively positive movie about gay men who had the same confusions and conflicts as straight men, was probably never going to be well-received by a nation that still couldn’t talk openly about non-hetero relationships. But the film would still do about $7m worth of ticket sales, not enough to become profitable for its distributor, but enough for the director to be in the conversation for bigger movies. His next film was an adaptation of a 1969 book about two narcotics detectives in the New York City Police Department who went after a wealthy French businessman who was helping bring heroin into the States. William Friedkin and his cinematographer Owen Roizman would shoot The French Connection as if it were a documentary, giving the film a gritty realism rarely seen in movies even in the New Hollywood era. The film would be named the Best Picture of 1971 by the Academy, and Friedkin and lead actor Gene Hackman would also win Oscars in their respective categories. And the impact of The French Connection on cinema as a whole can never be understated. Akira Kurosawa would cite the film as one of his favorites, as would David Fincher and Brad Pitt, who bonded over the making of Seven because of Fincher’s conscious choice to use the film as a template for the making of his own film. Steven Spielberg said during the promotion of his 2005 film Munich that he studied The French Connection to prepare for his film. And, of course, after The French Connection came The Exorcist, which would, at the time of its release in December 1973, become Warner Brothers’ highest grossing film ever, legitimize the horror genre to audiences worldwide, and score Friedkin his second straight Oscar nomination for Best Director, although this time he and the film would lose to George Roy Hill and The Sting. In 1977, Sorcerer, Friedkin’s American remake of the 1953 French movie The Wages of Fear, was expected to be the big hit film of the summer. The film originally started as a little $2.5m budgeted film Friedkin would make while waiting for script revisions on his next major movie, called The Devil’s Triangle, were being completed. By the time he finished filming Sorcerer, which reteamed Friedkin with his French Connection star Roy Scheider, now hot thanks to his starring role in Jaws, this little film became one of the most expensive movies of the decade, with a final budget over $22m. And it would have the unfortunate timing of being released one week after a movie released by Twentieth Century-Fox, Star Wars, sucked all the air out of the theatrical exhibition season. It would take decades for audiences to discover Sorcerer, and for Friedkin, who had gone some kind of mad during the making of the film, to accept it to be the taut and exciting thriller it was. William Friedkin was a broken man, and his next film, The Brinks Job, showed it. A comedy about the infamous 1950 Brinks heist in Boston, the film was originally supposed to be directed by John Frankenheimer, with Friedkin coming in to replace the iconic filmmaker only a few months before production was set to begin. Despite a cast that included Peter Boyle, Peter Falk, Allen Garfield, Warren Oates, Gena Rowlands and Paul Sorvino, the film just didn’t work as well as it should have. Friedkin’s first movie of the 1980s, Cruising, might have been better received in a later era, but an Al Pacino cop drama about his trying to find a killer of homosexual men in the New York City gay fetish underground dance club scene was, like The Boys in the Band a decade earlier, too early to cinemas. Like Sorcerer, audiences would finally find Cruising in a more forgiving era. In 1983, Friedkin made what is easily his worst movie, Deal of the Century, an alleged comedy featuring Chevy Chase, Gregory Hines and Sigourney Weaver that attempted to satirize the military industrial complex in the age of Ronald Reagan, but somehow completely missed its very large and hard to miss target. 1985 would see a comeback for William Friedkin, with the release of To Live and Die in LA, in which two Secret Service agents played by William L. Petersen and John Pankow try to uncover a counterfeit money operation led by Willem Dafoe. Friedkin was drawn to the source material, a book by former Secret Service agent Gerald Petievich, because the agency was almost never portrayed on film, and even less as the good guys. Friedkin would adapt the book into a screenplay with Petievich, who would also serve as a technical consultant to ensure authenticity in how Petersen and Pankow acted. It would be only the second time Friedkin was credited as a screenwriter, but it would be a nine-minute chase sequence through the aqueducts of Los Angeles and a little used freeway in Wilmington that would be the most exciting chase sequence committed to film since the original Gone in 60 Seconds, The French Connection, or the San Francisco chase sequence in the 1967 Steve McQueen movie Bullitt. The sequence is impressive on Blu-ray, but on a big screen in a movie theatre in 1985, it was absolutely thrilling. Which, at long last, brings us to Rampage. Less than two months after To Live and Die in LA opened to critical raves and moderate box office in November 1985, Friedkin made a deal with Italian mega-producer Dino DeLaurentiis to direct Rampage, a crime drama based on a novel by William P. Wood. DeLaurentiis had hired Friedkin for The Brinks Job several years earlier, and the two liked working for each other. DeLaurentiis had just started his own distribution company, the DeLaurentiis Entertainment Group, which we’ll shorten to DEG for the remainder of this episode, and needed some big movies to fill his pipeline. We did an episode on DEG back in 2020, and if you haven’t listened to it yet, you should after you finish this episode. At this time, DEG was still months away from releasing its first group of films, which would include Maximum Overdrive, the first film directed by horror author Stephen King, and Blue Velvet, the latest from David Lynch, both of which would shoot at the same time at DEG’s newly built studio facilities in Wilmington, North Carolina. But Friedkin was writing the screenplay adaptation himself, and would need several months to get the script into production shape, so the film would not be able to begin production until late 1986. The novel Rampage was based on the real life story of serial killer Richard Chase, dubbed The Vampire Killer by the press when he went on a four day killing spree in January 1978. Chase murdered six people, including a pregnant woman and a 22 month old child, and drank their blood as part of some kind of ritual. Wood would change some aspects of Chase’s story for his book, naming his killer Charles Reece, changing some of the ages and sexes of the murder victims, and how the murderer died. But most of the book was about Reece’s trial, with a specific focus on Reece’s prosecutor, Anthony Fraser, who had once been against capital punishment, but would be seeking the death penalty in this case after meeting one of the victims’ grieving family members. William L. Petersen, Friedkin’s lead star in To Live and Die in LA, was initially announced to star as Fraser, but as the production got closer to its start date, Petersen had to drop out of the project, due to a conflict with another project that would be shooting at the same time. Michael Biehn, the star of James Cameron’s The Terminator and the then recently released Aliens, would sign on as the prosecutor. Alex McArthur, best known at the time as Madonna’s baby daddy in her Papa Don’t Preach music video, would score his first major starring role as the serial killer Reece. The cast would also include a number of recognizable character actors, recognizable if not by name but by face once they appeared on screen, including Nicholas Campbell, Deborah Van Valkenberg, Art LaFleur, Billy Greenbush and Grace Zabriskie. Friedkin would shoot the $7.5m completely on location in Stockton, CA from late October 1986 to just before Christmas, and Friedkin would begin post-production on the film after the first of the new year. In early May 1987, DEG announced a number of upcoming releases for their films, including a September 11th release for Rampage. But by August 1987, many of their first fifteen releases over their first twelve months being outright bombs, quietly pulled Rampage off their release calendar. When asked by one press reporter about the delay, a representative from DEG would claim the film would need to be delayed because Italian composer Ennio Morricone had not delivered his score yet, which infuriated Friedkin, as he had turned in his final cut of the film, complete with Morricone’s score, more than a month earlier. The DEG rep was forced to issue a mea culpa, acknowledging the previous answer had been quote unquote incorrect, and stated they were looking at release dates between November 1987 and February 1988. The first public screening of Rampage outside of an unofficial premiere in Stockton in August 1987 happened on September 11th, 1987, at the Boston Film Festival, but just a couple days after that screening, DEG would be forced into bankruptcy by one of his creditors in, of all places, Boston, and the film would be stuck in limbo for several years. During DEG’s bankruptcy, some European companies would be allowed to buy individual country rights for the film, to help pay back some of the creditors, but the American rights to the film would not be sold until Miramax Films purchased the film, and the 300 already created 35mm prints of the film in March 1992, with a planned national release of the film the following month. But that release had to be scrapped, along with the original 300 prints of the film, when Friedkin, who kept revising the film over the ensuing five years, turned in to the Weinsteins a new edit of the film, ten minutes shorter than the version shown in Stockton and Boston in 1987. He had completely eliminated a subplot involving the failing marriage of the prosecutor, since it had nothing to do with the core idea of the story, and reversed the ending, which originally had Reece committing suicide in his cell not unlike Richard Chase. Now, the ending had Reece, several years into the future, alive and about to be considered for parole. Rampage would finally be released into 172 theatres on October 30th, 1992, including 57 theatres in Los Angeles, and four in New York City. Most reviews for the film were mixed, finding the film unnecessarily gruesome at times, but also praising how Friedkin took the time for audiences to learn more about the victims from the friends and family left behind. But the lack of pre-release advertising on television or through trailers in theatres would cause the film to perform quite poorly in its opening weekend, grossing just $322,500 in its first three days. After a second and third weekend where both the grosses and the number of theatres playing the film would fall more than 50%, Miramax would stop tracking the film, with a final reported gross of just less than $800k. Between the release of his thriller The Guardian in 1990 and the release of Rampage in 1992, William Friedkin would marry fellow Chicago native Sherry Lansing, who at the time had been a successful producer at Paramount Pictures, having made such films as The Accused, which won Jodie Foster her first Academy Award, and Fatal Attraction. Shortly after they married, Lansing would be named the Chairman of Paramount Pictures, where she would green light such films as Forrest Gump, Braveheart and Titanic. She would also hire her husband to make four films for the studio between 1994 and 2003, including the basketball drama Blue Chips and the thriller Jade. Friedkin’s directing career would slow down after 2003’s The Hunted, making only two films over the next two decades. 2006’s Bug was a psychological thriller with Michael Shannon and Ashley Judd, and 2012’s Killer Joe, a mixture of black comedy and psychological thriller featuring Matthew McConaughey and Emile Hirsch, was one of few movies to be theatrically released with an NC-17 rating. Neither were financially successful, but were highly regarded by critics. But there was still one more movie in him. In January 2023, Friedkin would direct his own adaptation of the Herman Wouk’s novel The Caine Mutiny Court-Martial for the Paramount+ streaming service. Updating the setting from the book’s World War II timeline to the more modern Persian Gulf conflict, this new film starred Keifer Sutherland as Lieutenant Commander Queeg, alongside Jason Clark, Jake Lacy, Jay Duplass, Dale Dye, and in his final role before his death in March, Lance Reddick. That film will premiere at the Venice Film Festival in Italy next month, although Paramount+ has not announced a premiere date on their service. William Friedkin had been married four times in his life, including a two year marriage to legendary French actress Jean Moreau in the late 70s and a two year marriage to British actress Lesley-Anne Downe in the early 80s. But Friedkin and Lansing would remain married for thirty-two years until his death from heart failure and pneumonia this past Tuesday. I remember when Rampage was supposed to come out in 1987. My theatre in Santa Cruz was sent a poster for it about a month before it was supposed to be released. A pixelated image of Reece ran down one side of the poster, while the movie’s tagline and credits down the other. I thought the poster looked amazing, and after the release was cancelled, I took the poster home and hung it on one of the walls in my place at the time. The 1992 poster from Miramax was far blander, basically either a entirely white or an entirely red background, with a teared center revealing the eyes of Reece, which really doesn’t tell you anything about the movie. Like with many of his box office failures, Friedkin would initially be flippant about the film, although in the years preceding his death, he would acknowledge the film was decent enough despite all of its post-production problems. I’d love to be able to suggest to you to watch Rampage as soon as you can, but as of August 2023, one can only rent or buy the film from Amazon, $5.89 for a two day rental or $14.99 to purchase. It is not available on any other streaming service as of the writing and recording of this episode. Thank you for joining us. We’ll talk again soon, when I expect to release the fourth part of the Miramax miniseries, unless something unexpected happens in the near future. Remember to visit this episode’s page on our website, The80sMoviePodcast.com, for extra materials about Rampage and the career of William Friedkin. The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment. Thank you again. Good night.
This Father's Day speed round includes news about: *DORA *Float the River July 4th holiday weekend *Free community pop-up event on South State Road June 25 *New mural being commissioned to Kimmy Henderson for Metropolis Popcorn. *Artist award reception for Cuyahoga Valley Art Center Floral & Landscape Exhibition *Ice cream social with the Northeast Ohio Tuba-Euphonium Ensemble *Lizzie: the Musical at Akron Civic Theater. Thank you for listening. We are always in the market for article submissions and suggestions for podcast interviews. If you are interested in volunteering with on The Falls Free Press or the Fallscast, or are a musician wishing to showcase your music on the podcast, drop us a line at fallsfreepress@gmail.com. If you enjoyed the show, be sure to rate and review us on Apple Podcasts to let others know to listen. Fallscast theme composed and performed by Alex Hall. Interum music: “Papa Don't Preach” performed by Steven Charles Boone (2011).
Welcome back to another episode of The 580 Show! This week we are joined by the viral sensation, Papa Don! It was a great time getting to know Papa Don past his tik toks and into his lifting and goals. Be sure to give it a listen! --- Send in a voice message: https://podcasters.spotify.com/pod/show/580barbell/message Support this podcast: https://podcasters.spotify.com/pod/show/580barbell/support
What's your most loved and least favorite song on Madonna's Immaculate Collection?! For the last of our four-episode series of Greatest Hits episodes, Dan chose the best-selling solo artist collection of all-time. Good times ranking songs we're all familiar with but not huge fans of. Unsurprisingly, these four straight white males still had lots of fun things to say and recall about the ever-present queen. Listen at WeWillRankYouPod.com, Apple, Spotify and your local dancefloor. Follow us and weigh in with your favorites on Facebook, Instagram and Twitter @wewillrankyoupod . FILE UNDER/SPOILERS: Holiday, dance music, Truth or Dare, Lucky Star, blonde, Iggy Pop, Borderline, Deee-Lite, Salsoul Orchestra, Like a Virgin, Lenny Kravitz, Holiday Rap, Material Girl, Vision Quest, Crazy for You, cone bra, Into the Groove, Leon Robinson, Live to Tell, Wayne's World, True Blue, Weird Al Yankovic, Papa Don't Preach, Possum Dixon, talking, Open Your Heart, Prince, Causing a Commotion, Marilyn Monroe, La Isla Bonita, lace top, Like a Prayer, Sean Penn, Express Yourself, bops, Cherish, pop, Vogue, Shep Pettibone, Justify My Love, sexy whispering, MC Miker & DJ Sven, Rescue Me, Joe DiMaggio, brunette, Burning Up US: http://www.WeWillRankYouPod.com wewillrankyoupod@gmail.com http://www.facebook.com/WeWillRankYouPod http://www.instagram.com/WeWillRankYouPod http://www.twitter.com/WeWillRankYouPo http://www.YourOlderBrother.com (Sam's music page) http://www.YerDoinGreat.com (Adam's music page) https://open.spotify.com/user/dancecarbuzz (Dan's playlists)
4 Decades! That's how long Madonna got the world talking. From our parents in the 1980s telling us to shut off that devil music "Papa Don't Preach" because "it will only get you pregnant"...to all her choices in how she's expressed herself over the years. Let's talk about her latest controversy here in 2023. Her face!!! (bom bom bommmmmm) Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
4 Decades! That's how long Madonna got the world talking. From our parents in the 1980s telling us to shut off that devil music "Papa Don't Preach" because "it will only get you pregnant"...to all her choices in how she's expressed herself over the years. Let's talk about her latest controversy here in 2023. Her face!!! (bom bom bommmmmm)
He will talk about one of the biggest lessons he has learned from Papa Don - the importance of Courage for a trial lawyer, and how Courage shows up in our practices, and some practical things we can do to increase the likelihood we act out of Courage rather than fear.ContactEmail: adam@princemay.comTelephone: (678) 534-1980
The Bass Shed Podcast hits 100! On this very special episode, I revisit some important conversations I've had with guests over the years. Interview clips from:EP 77 - Lance MorrisonComposer, touring and session bassist Lance Morrison has recorded/performed with Rod Stewart, Alanis Morissete, The New Radicals, Lee Ann Rhymes, Rick Springfield, Don Henley, Richard Marx, Volto, The Coors, Gavin DeGraw and more. Lance is a member of Mike Campbell's band “Dirty Knobs”.EP 80 - Jeff BradetichJeff Bradetich is regarded as one of the leading performers and teachers of the double bass in the United States. He has won many major solo competitions, recorded six solo albums of music for double bass and piano and has been featured on radio and television throughout North and South America and Europe including CBS, CNN, BBC and NPR. He has taught on the faculties of the University of Michigan and Northwestern University prior to his 1994 appointment as director of the largest double bass program in the world at the University of North Texas College of Music. In addition to his performance and professional experience, Bradetich has also transcribed over 100 solo works. Jeff Bradetich was the Executive Director of The International Association of Double Bassists from 1982 - 1990, is currently the President of the Bradetich Foundation and continues to give masterclasses and educate a new generation of Double Bassists.EP 58 - Fred ThomasFred Thomas grew up in the US state of Georgia. He moved to New York City in 1965 and co-founded his own band with guitarist Hearlon "Cheese" Martin. He was the bassist as well as the lead vocalist of the group. In 1971 James Brown saw the band at Smalls Paradise club in Harlem. Brown was in search of new musicians for his own band. He did an impromptu performance with the band and decided to hire the whole group. Thomas said his band used to cover Brown's songs and that joining Brown was a smooth transition for them. He recorded on Brown's releases during 1970s. The first album titled Hot Pants was in 1971. He also recorded on releases by The J.B.'s. Many of these recordings were later sampled in hip hop music, such as "Pass the Peas", "Gimme Some More", and "Escape-ism". Thomas performed with Brown for more than thirty years, longer than other bassists in that position. He recorded on several R&B number one hits such as "Hot Pants", "Make It Funky", and "Papa Don't Take No Mess".EP 65 - Eric RevisVeteran Jazz Bassist Eric Revis speaks about his latest recording “Slipknots Through A Looking Glass” and composing and recording process. Revis also speaks about artistic concepts that influence his bass playing, the nature of jazz vocabulary, his time working and recording with Brandford Marsalis and more..EP 44 - David HoodStudio legend! Member of “The Swampers” David Hood was the house bassist at Fame Studio an Muscle Shoals Sound. He played on countless hits with famous artists and recordings and was a major part of shaping American music.
https://www.instagram.com/the_bass_shed/The Bass Shed Podcast hits 100! On this very special episode, I revisit some important conversations i've had with guests over the years. Interview clips from:EP 77 - Lance MorrisonComposer, touring and session bassist Lance Morrison has recorded/performed with Rod Stewart, Alanis Morissete, The New Radicals, Lee Ann Rhymes, Rick Springfield, Don Henley, Richard Marx, Volto, The Coors, Gavin DeGraw and more. Lance is a member of Mike Campbell's band “Dirty Knobs”. check out the full episode with Lance MorrisonEP 80 - Jeff BradetichJeff Bradetich is regarded as one of the leading performers and teachers of the double bass in the United States. He has won many major solo competitions, recorded six solo albums of music for double bass and piano and has been featured on radio and television throughout North and South America and Europe including CBS, CNN, BBC and NPR. He has taught on the faculties of the University of Michigan and Northwestern University prior to his 1994 appointment as director of the largest double bass program in the world at the University of North Texas College of Music. In addition to his performance and professional experience, Bradetich has also transcribed over 100 solo works. Jeff Bradetich was the Executive Director of The International Association of Double Bassists from 1982 - 1990, is currently the President of the Bradetich Foundation and continues to give masterclasses and educate a new generation of Double Bassists.check out the full episode with Jeff BradetichEP 58 - Fred ThomasFred Thomas grew up in the US state of Georgia. He moved to New York City in 1965 and co-founded his own band with guitarist Hearlon "Cheese" Martin. He was the bassist as well as the lead vocalist of the group. In 1971 James Brown saw the band at Smalls Paradise club in Harlem. Brown was in search of new musicians for his own band. He did an impromptu performance with the band and decided to hire the whole group. Thomas said his band used to cover Brown's songs and that joining Brown was a smooth transition for them. He recorded on Brown's releases during 1970s. The first album titled Hot Pants was in 1971. He also recorded on releases by The J.B.'s. Many of these recordings were later sampled in hip hop music, such as "Pass the Peas", "Gimme Some More", and "Escape-ism".Thomas performed with Brown for more than thirty years, longer than other bassists in that position. He recorded on several R&B number one hits such as "Hot Pants", "Make It Funky", and "Papa Don't Take No Mess".check out the full episode with Fred ThomasEP 65 - Eri RevisVeteran Jazz Bassist Eric Revis speaks about his latest recording “Slipknots Through A Looking Glass” and composing and recording process. Revis also speaks about artistic concepts that influence his bass playing, the nature of jazz vocabulary, his time working and recording with Brandford Marsalis and more..check out the full episode with Eric RevisEP 44 - David HoodStudio legend! Member of “The Swampers” David Hood was the house bassist at Fame Studio an Muscle Shoals Sound. He played on countless hits with famous artists and recordings and was a major part of shaping American music.Instagram / Twitter / Youtube View More Episodes
On our next installment of the KTI Faculty Speaker series, Gus Brown joins the podcast to speak about what to expect in the KTI Focus Group college. Papa Don conducts multiple focus groups for each case months in advance of ever stepping foot in a courtroom. Gus will provide an insight to the course that teaches you how to manage and interpret your own jury focus groups. Don't miss out on hearing from the president of the Maryland chapter of ABOTA and the 2019 KTI Instructor of the year!Contact Gus Brown atPhone: (410) 879-2804Website: https://www.lawbrown.com/
Fat Dad Fall continues to roll as we gear up for Booootober. The Papas swing by Kanye's corner before budding heads on the pros and cons of October. Did you let strangers scare your kids? Is traumatizing children only reserved for parents?If your dying for a good time don’t be a basic witch and sink your teeth into this brand-new episode of Papa Don’t Preach!
1. It's Your Money$ 2. Let's Get Personal 3. Living in America 4. Static (Pts. 1 & 2) 5. Time to Get Busy 6. Night Train (Single Version) 7. Say It Loud - I'm Black And I'm Proud (Pt. 1) 8. Get Up Offa That Thing 9. Super Bad (Pt. 1 & 2) 10. Get Up (I Feel Like Being A) Sex Machine (Pt. 1 & 2) 11. Get On The Good Foot (Pt. 1) 12. Cold Sweat 13. Give It Up Or Turnit A Loose (Single Version) 14. I Got You (I Feel Good) 15. Papa's Got A Brand New Bag (Pt. 1) 16. I Got The Feelin' (Single Version) 17. Mother Popcorn (Single Version) 18. Make It Funky (Pt. 1) 19. Papa Don't Take No Mess (Pt. 1) 20. Hot Pants (She Got To Use What She Got To Get What She Wants) (Pt. 1) 21. The Payback 22. It's A Man's, Man's, Man's World (Single Version - Mono) 23. Please, Please, Please (Single Version) 24. Try Me (Single Version - Mono)
We are thrilled to be joined this week by director James Foley! James has directed amazing film and tv, but for Madonna fans, he'll be known as the man who directed her "Who's That Girl" movie as well as her music videos for Live To Tell, Papa Don't Preach and True Blue. We talk about James' experience on set of those music videos, about his time directing Sean Penn in "At Close Range" and of course, what it was like working with Madonna and a cougar on the streets of NYC for WTG. Follow James Foley on Instagram: @directorjamesfoley Follow MLVC on Instagram and Twitter: @mlvcpodcast Donate to the podcast: https://venmo.com/mlvcpodcast or on our Crowdfunding page: https://patron.podbean.com/mlvcpodcast Listen to more episodes on Spotify/Apple/Amazon/Google Play/YouTube or here: https://mlvc.podbean.com/
And in this Corner... The dads of Papa Don't Preach! Today's episode explores the benefits of roughhousing. Fake wrestling, indoor dodgeball, knee football, and the list goes on. There are many benefits to roughhousing with your children both for the parents and the kids. We are going to hear some stories of how Obi and Bennett wrestled with their siblings and in some instances their own parents. The Dads also give their opinions on the raid at Mar-a-Lago, touching on the absurdity of the Alex Jones trial, and much more. Stick around for this week's "In other words" as these dads share their synonyms for "kids".
80's month rolls on with one of the decade's all-time icons - Madonna, as we break down the deep and some would say controversial backstory of her 1986 classic "Papa Don't Preach". Also, Danny Aiello, a whole lot of Danny Aiello.
80's month rolls on with one of the decade's all-time icons - Madonna, as we break down the deep and some would say controversial backstory of her 1986 classic "Papa Don't Preach". Also, Danny Aiello, a whole lot of Danny Aiello.
Back with a review of the worst roommates ever the dads get real about the worst part of the best things to ever happen to them. That’s right from late-night tantrums to record-breaking blowouts, we’re getting down and dirty with the worst parts of being a parent. Plus we got a brand new “In other words” where we discover just how fun and colorful the English language is. The Papas close out the Pod with a First look at the Wakanda Forever trailer. So enjoy this soon-to-be classic episode of Papa Don’t Preach.
41 chansons dance de la diva de la pop des années 80-90 remixées sélectionnées par DJ Lindsay. 1. American Life Vs Dirty - Madonna Vs Christina Aguilera, 2. Like a prayer, 3. 4 minutes - Feat. Justin Timberlake, 4. Medellin, 5. Express yourself, 6. Rappaday - MC Miker G and Deejay Sven, 7. Into the groove, 8. Music, 9. Deeper and deeper, 10. Everybody, 11. Vogue, 12. Die another day, 13. I don't search, 14. Secret, 15. Hung Up, 16. Dress you up, 17. Frozen, 18. Turn up the radio, 19. Give it to me, 20. Music Remix, 21. Living for Love, 22. Celebrate with Madonna, 23. Hollywood, 24. Cherish, 25. Girl gone wild, 26. Into The Groove, 27. Open Your Heart, 28. Express Yourself, 29. Causing A Commotion, 30. Vogue, 31. Like A Prayer, 32. Like A Virgin, 33. Holiday, 34. Lucky Star, 35. Borderline, 36. Deeper And Deeper, 37. Papa Don't Preach, 38. Material Girl, 39. Beautiful Stranger, 40. Ray Of Light, 41. Angel.
In this episode of PhotoWork with Sasha Wolf, Sasha talks to photographer, D'Angelo Lovell Williams about the experiences they had at the various art schools they attended as well as their rapid ascent in the art world at large after joining the roster of Higher Pictures Generation gallery. D'Angelo has a new brand new book out with Mack Books, Contact High, and they touch on many of the images in this new monograph. https://www.dangelolovellwilliams.com https://www.mackbooks.us/products/contact-high-br-d-angelo-lovell-williams D'Angelo Lovell Williams (b. 1992, Jackson, Mississippi) is a Black, HIV-positive artist expanding narratives of Black and queer intimacy through photography. They earned their BFA in photography from Memphis College of Art in 2015, an MFA in photography from Syracuse University in 2018, and are a 2018 Skowhegan School of Art alum. They live and work in New York City. D'Angelo Lovell Williams has had four solo exhibitions with Higher Pictures in 2017, 2018, 2019 and 2020. The 2020 exhibition, Papa Don't Preach, was presented in collaboration with Janice Guy at her gallery in Harlem. Find out more at https://photowork.pinecast.co
This week I speak to Shubhika Sharma, the founder and creative director of incredible brand, Papa Don't Preach. Having made her first business acquisition during her college days, Shubhika talks me through her journey from taking over a small boutique where she started to explore her passion for fashion to building up Papa Don't Preach. We speak about the difficulties of running a startup, the importance of leadership, the law of attraction and why you should always strive to learn at a young age. This conversation was so open and real and I can't wait to hear your feedback! Papa Don't Preach Website: https://www.papadontpreach.com Subscribe on Youtube: https://www.youtube.com/channel/UCBni3bPrKZOfoB8mYUjrydQ Review the podcast here: https://podcasts.apple.com/gb/podcast/a-millennial-mind/id1517301518 Follow My Instagram: https://www.instagram.com/shivani.pau/
Here Comes the Sun - The Beatles, All Right Now - Free, It's Over - Roy Orbison, The Miracle - Queen, Papa Don't Preach - Madonna, Brand New Day - Sting
In this episode, we discuss Sowell's views on the subject of Abortion.I open the episode with a discussion of Madonna's 1986 music video "Papa Don't Preach" and what the story of that song has to teach us about Abortion.You will appreciate this episode much more if you watch the video before listening, you can find it HERE on Youtube.Sowell tells us about a documentary film about the abortion procedure called "The Silent Scream" which you can watch HERE in full on Youtube. You can find Justice Samuel Alito's letter to me HERE.NEW NEWS THAT'S NEWSWORTHY:1) Basic Books (Sowell's publisher) is teaming up with The Genius of Thomas Sowell Podcast to offer listeners a chance to win 4 Sowell books. Enter at SowellBooks.com for a chance to win!2) We are having our first, live, in person Book Club meeting on Saturday, July 9, 2022 in Los Angeles. This is a free event. We will be discussing Sowell's 2020 book "Charter Schools and Their Enemies." If you'd like to attend, please email me at WolanAlan@gmail.com and I'll give you the details.3) During the month of June we are running a truck advertising campaign in Los Angeles to promote the pod. Here's the VIDEO from the first day.THERE ARE 3 WAYS TO SUPPORT THE SHOW:1) Rate and review the podcast on Apple Podcasts2) Purchase our Thomas Sowell Post It Note pads: You can find all 50 digital images of the post it notes HERE, feel free to download them and use them however you like. To purchase pads of printed post it notes, please Paypal $3/pad to wolanalan@gmail.com or Venmo to @Alan-Wolan. Please put your mailing address as well as your email address in the notes of the payment. International orders will cost more, please ask.3) Support the show financially by subscribing with a monthly contribution on Patreon, link HERE.You email Alan at: WolanAlan@gmail.comThere are only so many hours in the day and that fact that you spend some of your precious time listening to my podcast is something I will never take for granted and will always appreciate.Thank you!Alan
The KTI Dean of Students, David Hoey, joins the podcast to discuss the Trial Management College. This course follows a real case that David Hoey and Papa Don tried in Boston. You will learn the nuts and bolts of how and when to perform focus groups, what to have on your desk at trial, how to compose yourself during testimony, and much more! If you have ever had a question about how to pull all of the KTI elements together, then this is the course for you. Contact David Hoey atWebsite: https://www.hoeylaw.com/Phone: 877-LAW-HOEY
Thank you to our Sponsors: https://meundies.com/fancy & https://www.doordash.com code: BADFRIENDS2022 & https://buffy.co code: BADFRIENDS YouTube Subscribe: http://bit.ly/BadFriends 0:00 A Most Incredible Birth 09:03 Netflix is a Joke 18:35 Is Bobby a Guy's Guy? 28:45 Fancy Famous and Who is Superman? 33:41 Burn Out or Fade Away? 37:11 Madonna's Beautiful Downstairs NFTs 40:14 Like a Prayer and Papa Don't Preach 48:39 The Joke that Cracks Jerry Seinfeld Up 51:22 The Last Days of Bobby Lee and Andrew Santino More Bobby Lee TigerBelly: https://www.youtube.com/tigerbelly Instagram: https://www.instagram.com/bobbyleelive Twitter: https://twitter.com/bobbyleelive Tickets: https://bobbyleelive.com More Andrew Santino Whiskey Ginger: https://www.youtube.com/andrewsantinowhiskeyginger Instagram: https://www.instagram.com/cheetosantino Twitter: https://Twitter.com/cheetosantino Tickets: http://www.andrewsantino.com More Bad Friends iTunes: https://podcasts.apple.com/us/podcast/bad-friends/id1496265971 Instagram: https://www.instagram.com/badfriendspod Twitter: https://twitter.com/badfriends_pod Official Website: http://badfriendspod.com Opening Credits and Branding: https://www.instagram.com/joseph_faria & https://www.instagram.com/jenna_sunday Credit Sequence Music: http://bit.ly/RocomMusic // https://www.instagram.com/rocom Character Design: https://www.instagram.com/jeffreymyles Bad Friends Mosaic Sign: https://www.instagram.com/tedmunzmosaicart Produced by: George Kimmel & Bryce Hallock - 7EQUIS Podcast Producers: Andres Rosende & Pete Forthun This podcast episode was sponsored by Candy Crush Sponsorships: on for this episode
It’s been a long time and the Papas are back with a dope conversation for you to step to. We introduce a new voice to the podcast and learn about a whole other aspect of parenthood. Catching up with current news we quickly get into what maybe the most important conversation happening right now. Women’s rights to body autonomy.The Papas share their personal opinions and experiences as well as how this has affected their significant others and family. The convo ponders if Roe v Wade is repealed, how do we take care of all these unwanted children? Who takes care of these children? Is abortion wrong and when is it too late?We guarantee you will never look at cake the same way. Wrapping up on a happier but at the same time darker note we close with a review of the latest Batman movie. Back and better than ever sit back and enjoy the latest episode of Papa Don’t Preach.
CLUB KERRY NYC: Vocal Dance & Electronic - DJ Kerry John Poynter
Visualize my podcast! Ferrari Drive 12 minute preview. Full visualizer on YouTube https://youtu.be/I9GVzstvWO8 Free audio at www.clubkerrynyc.com. #ProgressiveHouse #VocalHouse Listen on the Club Kerry NYC free app: iOS - Android - Windows Premium Subscribe for extra content and episodes! The official podcast of Madonna Remixers United. "The undiscovered brilliance... DJ Kerry is magic!" (App Review). Ranked in the top 1% most popular podcasts globally by Listen Notes. Listed a popular "Podcasts Worth A Listen" on PlayerFM. "Awesomesauce" featured Tunr app. Chartable.com "Global Reach" top 20 music podcast. "Stylistically superior. The best vocal house podcast on the net" (iTunes Review). "Top Electronic Podcast" category on Player FM. Celebrating 13 years: 2009-2022. More info at https://www.clubkerrynyc.com/about/. Track List for Visualizer Preview: 1. Lauren (Extended) - Oden & Fatzo 2. Ferrari (Extended) - James Hype, Miggy Dela Rosa 3. Drive Through The Dark (Extended Mix) - Eman & Kodyn Complete mix: 4. Reflection (Original Mix) - Space Motion, OC & Verde, Artche 5. It's My Life (Matt Pop Club Mix( - Allan Jay. ***Retro Alert!*** 6. Papa Don't Preach (Arihlis Remix) - Madonna. ***Retro Alert!*** www.madonnaremixersunited.com 7. Feel Something (Tom Staar Extended Remix) - Armin Van Buuren, Duncan Laurence 8. Call Me (Extended Mix) - Depdramez 9. Pyramids (Extended Mix) - Otto Knows 10. Don't Forget My Love (John Summit Extended Mix) - Diplo, Miguel 11. Drive (DJ Marlon Remix) - Davis Mallory, Depdramez 12. Waiting for the Wind - DJ Tenzen. Written, recorded and produced by DJ TENZEN. Available on all streaming platforms and for download on 5/20. Follow DJ TENZEN on Instagram @DJTENZEN. 13. Back to my Bed (Tiga Remix) - Elderbrook 14. Save A Prayer (Jace M & Toy Armada Remix) - Tony Moran, League of Heroes. ***Duran Duran Retro Alert!*** Listen on your fave app for your device: www.clubkerrynyc.com iTunes/iOS http://bit.ly/iTunesKerry Gaana (Android, iOS) http://bit.ly/GaanaClubKerry Google Podcasts (Android, iOS) https://bit.ly/GoogleClubKerry Amazon Music Podcasts (Android, iOS) https://bit.ly/AmazonMusicClubKerryNYC Deezer https://bit.ly/DeezerClubKerry Tunr (Visualize your music! iOS) by Soundspectrum Podcast Republic (Android) https://bit.ly/PodcastRepublicClubKerry CastBox (Android, Alexa, iOS) https://bit.ly/CastBoxClubKerryNYC Podcast Addict (Android) https://bit.ly/PodcastAddictClubKerry Stitcher (iOS, Android) http://bit.ly/stitcherkerry iHeartRadio (iOS, Android) https://bit.ly/iHeartRadioClubKerry Overcast (iOS) https://bit.ly/OvercastClubKerry TuneIn (Alexa, Roku, Google Assistant, Cortana, iOS, Android) http://bit.ly/TuneInClubKerry PocketCasts (iOS/GooglePlay) https://bit.ly/PocketCastsClubKerry PlayerFM (iOS, Android/Google Play) http://bit.ly/PlayerFMkerry Podbean: https://bit.ly/PodbeanClubKerry Podchaser (Database): https://www.podchaser.com/CLUBKERRYNYC Mixcloud: http://bit.ly/MixcloudClubKerry Listen Notes (Club Kerry NYC top 1% most popular shows globally) RSSFeed: http://clubkerrynyc.libsyn.com/rss Track Lists, subscribe, & Download: www.clubkerrynyc.com
CLUB KERRY NYC: Vocal Dance & Electronic - DJ Kerry John Poynter
Ferrari Drive. Free www.clubkerrynyc.com. Visualizer on YouTube . https://youtu.be/I9GVzstvWO8. ProgressiveHouse #VocalHouse Listen on the Club Kerry NYC free app: iOS - Android - Windows Premium Subscribe for extra content and episodes! The official podcast of Madonna Remixers United. "The undiscovered brilliance... DJ Kerry is magic!" (App Review). Ranked in the top 1% most popular podcasts globally by Listen Notes. Listed a popular "Podcasts Worth A Listen" on PlayerFM. "Awesomesauce" featured Tunr app. Chartable.com "Global Reach" top 20 music podcast. "Stylistically superior. The best vocal house podcast on the net" (iTunes Review). "Top Electronic Podcast" category on Player FM. Celebrating 13 years: 2009-2022. More info at https://www.clubkerrynyc.com/about/. Track List (50:56): 1. Lauren (Extended) - Oden & Fatzo 2. Ferrari (Extended) - James Hype, Miggy Dela Rosa 3. Drive Through The Dark (Extended Mix) - Eman & Kodyn ***DJ Favorite!*** 4. Reflection (Original Mix) - Space Motion, OC & Verde, Artche 5. It's My Life (Matt Pop Club Mix) - Allan Jay. ***Retro Alert!*** 6. Papa Don't Preach (Arihlis Remix) - Madonna. ***Retro Alert!*** www.madonnaremixersunited.com 7. Feel Something (Tom Staar Extended Remix) - Armin Van Buuren, Duncan Laurence 8. Call Me (Extended Mix) - Depdramez 9. Pyramids (Extended Mix) - Otto Knows 10. Don't Forget My Love (John Summit Extended Mix) - Diplo, Miguel 11. Drive (DJ Marlon Remix) - Davis Mallory, Depdramez 12. Waiting for the Wind - DJ Tenzen. Written, recorded and produced by DJ TENZEN. Available on all streaming platforms and for download on 5/20. Follow DJ TENZEN on Instagram @DJTENZEN. 13. Back to my Bed (Tiga Remix) - Elderbrook 14. Save A Prayer (Jace M & Toy Armada Remix) - Tony Moran, League of Heroes. ***Duran Duran Retro Alert!*** Listen on your fave app for your device: www.clubkerrynyc.com iTunes/iOS http://bit.ly/iTunesKerry Gaana (Android, iOS) http://bit.ly/GaanaClubKerry Google Podcasts (Android, iOS) https://bit.ly/GoogleClubKerry Amazon Music Podcasts (Android, iOS) https://bit.ly/AmazonMusicClubKerryNYC Deezer https://bit.ly/DeezerClubKerry Tunr (Visualize your music! iOS) by Soundspectrum Podcast Republic (Android) https://bit.ly/PodcastRepublicClubKerry CastBox (Android, Alexa, iOS) https://bit.ly/CastBoxClubKerryNYC Podcast Addict (Android) https://bit.ly/PodcastAddictClubKerry Stitcher (iOS, Android) http://bit.ly/stitcherkerry iHeartRadio (iOS, Android) https://bit.ly/iHeartRadioClubKerry Overcast (iOS) https://bit.ly/OvercastClubKerry TuneIn (Alexa, Roku, Google Assistant, Cortana, iOS, Android) http://bit.ly/TuneInClubKerry PocketCasts (iOS/GooglePlay) https://bit.ly/PocketCastsClubKerry PlayerFM (iOS, Android/Google Play) http://bit.ly/PlayerFMkerry Podbean: https://bit.ly/PodbeanClubKerry Podchaser (Database): https://www.podchaser.com/CLUBKERRYNYC Mixcloud: http://bit.ly/MixcloudClubKerry Listen Notes (Club Kerry NYC top 1% most popular shows globally) RSSFeed: http://clubkerrynyc.libsyn.com/rss Track Lists, subscribe, & Download: www.clubkerrynyc.com
On today's WUL, I talk with Papa Don for the second time. Today he talks about his past at IBM compared to being a digital marketer, how to not let the freedom of working for yourself lead to your downfall, what you should focus the majority of your time & energy on within your business, and much more. Follow Papa Don on Tiktok
On our next installment of the KTI Faculty Speaker series, Gus Brown joins the podcast to speak about what to expect in the KTI Focus Group college. Papa Don conducts multiple focus groups for each case months in advance of ever stepping foot in a courtroom. Gus will provide an insight to the course that teaches you how to manage and interpret your own jury focus groups. Don't miss out on hearing from the president of the Maryland chapter of ABOTA and the 2019 KTI Instructor of the year!Contact Gus Brown atPhone: (410) 879-2804Website: https://www.lawbrown.com/
CLUB KERRY NYC: Vocal Dance & Electronic - DJ Kerry John Poynter
Episode 3. Featured remixer A.R.I.H.L.I.S. An interview plus my mix with new music from Dubtronic, ODM, NEPH*EW, Lukesavant, and your requests. Free: www.clubkerrynyc.com. Download "Who Needs The Sky" new remixes by Arihlis on May 1 at www.madonnaremixersunited.com. Artwork by Nurmemägi Designs. "The undiscovered brilliance... DJ Kerry is magic!" (App Review). Ranked in the top 1% most popular podcasts globally by Listen Notes. "Awesomesauce" featured Tunr app. Chartable.com "Global Reach" top 20 music podcast. "Stylistically superior. The best vocal house podcast on the net" (iTunes Review). "Top Electronic Podcast" category on Player FM. Celebrating 13 years: 2009-2022. Episode 3 Track List (53:53): 1 minute mark: A.R.I.H.L.I.S. Interview with Sanctuary (Arihlis 2022 Remix preview).5:45 mark: continuous DJ mix by Kerry Poynter. Papa Don't Preach (Arihlis Remix 2022) preview edit - Madonna. From the new 2022 Arihilis release Who Needs The Sky available at www.madonnaremixersunited.com. Dub Profusion/Love Profusion (ODM Dubstramental) - Madonna Cuidado Con Mi Corazon (Sebissimo Home Remix 2018) - Madonna Bedtime Story (Arihlis Remix) - Madonna Justify My Love (NEPH*EW The Girl in the Fog Remix) - Madonna Secret (Dubtronic Coming Over Remix) - Madonna Holy Water (Lukesavant Bless Yourself 2022 Remix) - Madonna. Don't miss the Lukesavant interview in the latest issue of Instinct Magazine. Also, listen to the full 18 minute unedited interview with Kerry available on YouTube. The edited 8 minute version appears in Episode 2 of this podcast. Come Alive (Arihlis ATM Club Remix) [Kerry's Batukadeiras Vocal Chorus Edit] - Madonna. This remix is unique in that Arihilis sampled pieces of a mini documentary interview Madonna released upon the release of MadameX. An addition of the live chorus sample I borrowed from the MadameX show and this Arihlis remix soars! Ray of Light 2.0 (Thyago Bargmann 17th Anniversary Remix 2015) - Madonna Into The Groove (TAJ x Freemasons Bootleg Mixshow) - Madonna I Don't Search I Find (Arihlis Remix) - Madonna Buenos Aires (Arihlis ATM Remix) - Madonna Okay I'm Done - Madonna's Episode 3 Closing Laughter Listen on your fave app for your device: www.clubkerrynyc.com iTunes/iOS http://bit.ly/iTunesKerry Gaana (Android, iOS) http://bit.ly/GaanaClubKerry Google Podcasts (Android, iOS) https://bit.ly/GoogleClubKerry Amazon Music Podcasts (Android, iOS) https://bit.ly/AmazonMusicClubKerryNYC Deezer https://bit.ly/DeezerClubKerry Tunr (Visualize your music! iOS) by Soundspectrum Podcast Republic (Android) https://bit.ly/PodcastRepublicClubKerry CastBox (Android, Alexa, iOS) https://bit.ly/CastBoxClubKerryNYC Podcast Addict (Android) https://bit.ly/PodcastAddictClubKerry Stitcher (iOS, Android) http://bit.ly/stitcherkerry iHeartRadio (iOS, Android) https://bit.ly/iHeartRadioClubKerry Overcast (iOS) https://bit.ly/OvercastClubKerry TuneIn (Alexa, Roku, Google Assistant, Cortana, iOS, Android) http://bit.ly/TuneInClubKerry PocketCasts (iOS/GooglePlay) https://bit.ly/PocketCastsClubKerry PlayerFM (iOS, Android/Google Play) http://bit.ly/PlayerFMkerry Podbean: https://bit.ly/PodbeanClubKerry Podchaser (Database): https://www.podchaser.com/CLUBKERRYNYC Mixcloud: http://bit.ly/MixcloudClubKerry Listen Notes (Club Kerry NYC top 1% most popular shows globally). RSSFeed: http://clubkerrynyc.libsyn.com/rss Track Lists, subscribe, & Download: www.clubkerrynyc.com
Welcome to The 80's Montage! (music, mateys and cool shit from the 80s) Your Hosts Jay Jovi & Sammy HardOn, singers from Australia's 80's tribute band Rewind 80's. We take you back to living in the 80's: music, artists, TV commercials and video clips. Episode 111: Choose Life - The 80's Do it Better... It's a ripper! Please rate, review and enjoy! Music licensed by APRA/AMCOS Theme music ©2019 M. Skerman see Facebook for links to videos & songs mentioned in this episode! Email: planet80sproductions@gmail.com Rewind 80's Band : www.rewind80sband.com Facebook : the80smontagepodcast twitter: 80_montage instagram : the80smontage Links from Episode 111: Choose Life - The 80's Do it Better..Patreon Link With Thanks x https://www.patreon.com/the80smontagepodcast www.the80smontage.comLinks: Frankie Goes To Hollywood - Relax (Official Video)https://youtu.be/Yem_iEHiyJ0Play Bouzoukihttps://youtu.be/B1AVLY-8Sc4#OfficialMusicVideo #Madonna #PapaDontPreachMadonna - Papa Don't Preach (Official Video) [HD]https://youtu.be/G333Is7VPOgYou're watching the HD remastered music video for "Papa Don't Preach", from Madonna's album 'True Blue' released on Sire Records in 1986. Buy/Stream the 'True Blue' album here: https://Madonna.lnk.to/TrueBlue Listen to Madonna's latest release here: https://Madonna.lnk.to/latestSubscribe to the Madonna Channel! https://Madonna.lnk.to/YouTubeIDCheck out the Official Madonna YouTube Playlists…The Complete Madonna Videography https://Madonna.lnk.to/VideographyLive Performances https://Madonna.lnk.to/LiveYTMDNA Skin https://Madonna.lnk.to/MDNAskinYTHelp Us Give Back…Raising Malawi http://www.raisingmalawi.org/The Ray of Light Foundation http://www.rayoflight.org/Stay in touch with Madonna…http://madonna.comhttp://instagram.com/madonnahttp://twitter.com/madonnahttp://facebook.com/madonnahttp://www.madonna.com/newsletterThe Madonna Channel is the official YouTube home for Madonna. As the best-selling female recording artist of all time, Madonna continues to leave an indelible mark on the world through her art, music, activism and humanitarian leadership. Madonna consistently pushes boundaries, spurs conversations and unites us all through her revolutionary work. Subscribe for the latest videos, music, news and updates. Enjoy Madonna's groundbreaking music videos, live performances, humorous videos and more.#Yello #OhYeah #VevoYello - Oh Yeah (Official Video)https://youtu.be/6jJkdRaa04gThe War Song (Remastered 2003)https://youtu.be/qxZ713xyacYProvided to YouTube by Universal Music GroupThe War Song (Remastered 2003) · Culture ClubWaking Up With The House On Fire℗ 2003 Virgin Records LimitedReleased on: 2003-01-01Associated Performer, Vocals: Boy GeorgeAssociated Performer, Piano, Keyboards, Guitar, Electric Sitar: Roy HayAssociated Performer, Drum Programming, Drums, Percussion, Studio Personnel, Mixer: Jon MossAssociated Performer, Bass (vocal): Michael Emile CraigAssociated Performer, Background Vocalist: Denise SpoonerAssociated Performer, Background Vocalist, Additional Keyboards: Phil PickettAssociated Performer, Background Vocalist: Colin CampsieAssociated Performer, Saxophone, Flute, Harmonica: Nick PayneAssociated Performer, Trumpet: Terry BaileyProducer, Studio Personnel, Engineer, Mixer: Steve LevineComposer Lyricist: George O'DowdComposer Lyricist: Michael Emile CraigComposer Lyricist: Roy Ernest HayComposer Lyricist: Jon Moss#Wham #WakeMeUpBeforeYouGoGo #WhamOfficialWham! - Wake Me Up Before You Go-Go (Official Video)https://youtu.be/pIgZ7gMze7AWham - Wake Me Up Before You Go Go (Official Video)Follow on Spotify - http://smarturl.it/Wham_SpotifyListen on Apple Music - http://smarturl.it/Wham_AppleAmazon - http://smarturl.it/WhamFinal_AmazonMadonna - Angel (Official Music Video)https://youtu.be/J7W3oVF4O1QBrisbane Subscribe, Patreon & Win A Double Passwww.patreon.com/the80smontagepodcastwww.rewind80smixtape.com.au (Concert Tickets)Thanks for listening! www.the80smontage.com
Don is Alec's Grandfather and he was baptized in 1949. Papa Don became a Deacon in 1960 at the Grand Junction Church of Christ. In 1979 he was appointed an elder at the Montrose Church of Christ. 2 Timothy 2:2 “The things which you have heard from me in the presence of many witnesses, entrust these to faithful men who will be able to teach others also.” --- Support this podcast: https://anchor.fm/meettheministerspodcast/support
In this episode, we're joined by Lauren Carey of the Beer'd Al Podcast to discuss our favorite ladies of the 80's and 80's diva songs! Vote now for YOUR favorite playlists, hear the results of past episodes & listen to ALL of the playlists at: http://www.playlistwarspodcast.com SONGS DISCUSSED INCLUDE Bette Midler - Wind Beneath My Wings; Cher - If I Could Turn Back Time; Cyndi Lauper - Goonies (Are Good Enough) & Time After Time; Dolly Parton - 9 To 5; Eurythmics - Missionary Man & Sweet Dreams; Heart - Alone; Joan Jett & The Blackhearts - I Hate Myself For Loving You; Laura Brannigan - Gloria; Lita Ford - Kiss Me Deadly; Madonna - Who's That Girl? & Papa Don't Preach; Martika - Toy Soldiers; Pat Benatar - Shadows Of The Night & Invincible; Paula Abdul - Straight Up; Quarterflash - Harden My Heart; Scandal - The Warrior; Sinead O'Connor - Mandinka; Stevie Nicks - Edge Of Seventeen & Stand Back; Tina Turner - We Don't Need Another Hero (Thunderdome) & Whitney Houston - I Wanna Dance With Somebody CONNECT WITH PLAYLIST WARS Facebook: https://www.facebook.com/playlistwars Twitter: http://twitter.com/playlistwars Instagram: https://www.instagram.com/playlistwarspodcast YouTube: https://www.youtube.com/channel/UCcW7NibxehYRf8_UZ88Qtbg FOR MORE ON THE BEER'D AL PODCAST Facebook: https://www.facebook.com/beerdalpodcast Twitter: https://twitter.com/BeerdAlPodcast Instagram: https://www.instagram.com/beerdalpodcast/ --- Support this podcast: https://anchor.fm/playlistwars/support