Podcasts about bullets fly

Join James and Zack on this late release episode, while they discuss the continued dysfunction of the GOP House Conference in picking a Speaker of the House, as well as the inability of the extremes on both the Right and Left of the American political mind to understand the complexities of the current global issues and conflicts (Ukraine and Israel/Hamas/Gaza). Why is it that the extreme positions on both ends of the American politician system come together on Foreign Policy? And how dangerous are those positions for not only us but the rest of the world, should they ever be acted on? Join us as we give our listeners some food for thought to munch on.

This week, Was Michael Douglas Right? Bullets Fly, Cruises are cruised. Plus much more. Send all Weird, Awkward, or Cool stories to weirdawkwardcool@gmail.com Make sure to Rate, Review, and Subscribe. Follow us on twitter/IG: @Weirdawkwardcool @rowdy.riah on twitter/ig @jonnjonnjonny on twitter/ig @shanna_banana_ ig/ @shannieface on twiitter Intro/Outro-@drkside --- Send in a voice message: https://podcasters.spotify.com/pod/show/weirdawkwardcool/message

The hosts rehash a recent active shooter situation at a local festival. Dr. Dumas takes issue with FEMA's Active Shooter Worksheet that lists the Do's and Don'ts of a real time incident. She also tells a story about an active shooter situation she was in years ago that had a humorous and safe ending. Strap on your bullet proof vest and download this episode today.

In this episode, we return to our vault of listener suggestions to cool down from our focus on made-for-tv movies. Echoing back to our block on Westerns and Dustin's recent foray into Hong Kong cinema, we're taking a look at Jiang Wen's Let the Bullets Fly from 2010. Dustin weighs some shoddy CGI as the price of admission for the comedy that follows. Jason shares his undying devotion to Chow Yun-fat. Michael lays out some of the differences between Hong Kong cinema and films from mainland China. But before all that, the Shaw Bros boxset round-up concludes plus Michael and Dustin bond over their admiration for Elisha Cuthbert. And so much more! Special thanks to Cliffy for suggesting we check this one out. Got a movie you champion? A hidden gem you think needs more love? Just want to see more discussion on a particular film? We want to check out the movies you suggest to us. Write in at genreexposure@gmail.com or contact us on your favorite form of social media and shoot us a movie recommendation. Part of the Prescribed Films Podcast Network (www.thepfpn.com) What We've Been Watching: -Jason: Kimi (2022) -Michael: The Cellar (2022) -Dustin: Crippled Avengers (1978) & All The Haunts Be Ours Boxset Round-up Show Notes: -Let the Bullets Fly Trailer -Go check out The Jacked Up Review Show -Go check out Attack of the Killer Podcast -Related Film: Hard Boiled -Related Film: Painted Skin: The Resurrection -Related Film: The Monkey King -Related Film: Journey to the West -Related Film: Yojimbo -Related Film: Robin Hood: Men in Tights -Related Show: Looney Tunes -Related Film: Keoma -Related Film: The Killer -Related Topic: Dragon Dynasty Next Time: Dead of Night (1945)

In this episode, we wrap up our series on made-for-tv movies by jumping ahead fifteen years and setting our sights on Japan as we discuss Kiyoshi Kurosawa's Seance from 2000. This completes a secret (and accidental) subtheme across the last few episodes of films based on a work of literature. Jason takes a stand against sham psychics and also puts the Stephen King miniseries Rose Red on blast. Dustin gushes his heart out over Kiyoshi Kurosawa. Spurred on by all our talks about mediumship and the paranormal, Michael opens up about his own real-life encounter with the unknown. And so much more! Part of the Prescribed Films Podcast Network (www.thepfpn.com) What We've Been Watching: -Michael: Love and Monsters (2020) -Dustin: The Mighty Peking Man (1977) -Jason: Jackass Forever (2022) Show Notes: -A Clip from Seance -Go check out Rude Horror Podcast -Know Your Meme: That Pool (again) -Related Film: Suit Yourself or Shoot Yourself -Related Film: Sweet Home -Related Game: Sweet Home (NES) -Related Film: Cure -Related Film: Pulse -Related Film: Pulse (Remake) -Related Miniseries: Penance -Related Film: Wife of a Spy -Related Novel: Seance on a Wet Afternoon -Related Film: Seance on a Wet Afternoon -Related Film: Rose Red -Related Topic: Mediumship -Related Topic: Doppelganger -Related Topic: Seance -Related Film: The Poughkeepsie Tapes -Related Film: Occult -Related Topic: Electronic Voice Phenomenon -Related Topic: Hitchcock's Ticking Bomb -Related Film: Ringu -Related Film: A Simple Plan Next Time: Let the Bullets Fly (2010)

AP correspondent Julie Walker reports on Buffalo Officers Shot.

Karl Beston & Sebastian Greenway break down a wild and controversial round in the NBL discussing: - The Throwdown: Who won the fight? What to make of the game? (1:57) - Delly making the NBL nationally and globally relevant (10:20) - What to make of Melbourne United's 0-2 start? (14:50) - South East Melbourne Phoenix's performance (17:50) - Bullets win in the Jungle (27:30) - Don't worry about the Perth Wildcats (36:50) - The Freeway Series aka Spygate (47:00) - Adelaide 36ers recover? (57:10) - NZ can't catch a break with health/injury (1:02:50) - Tasmania Jackjumpers' ugly weekend (1:11:30) - Thon Maker: who should be calling? (1:16:00) - Cairns Taipans sweating on Machado scans (1:20:10) - Guess the Betting Lines (1:21:00) Music by Karl Casey @ White Bat Audio --- Send in a voice message: https://anchor.fm/bestonandgreenwaypodcast/message

Husband, Father, Police Officer, & Green Beret, JOHN BELL sits down with host Jeremy Lock to discuss family, Vietnam, serving as a police officer and how experience matters "WHEN THE BULLETS FLY" Last Letters Website

In part 2 of our first double feature we discuss the absurdity that is Shoot 'Em Up, a ridiculous series of gun fights loosely held together by kind of a plot, but super fun.

In this part one of our double feature we talk about John Woo's classic Hard Boiled, gratuitous gun violence at its finest, good times.

Give us about ten minutes a day and we will give you all the local news, local sports, local weather, and local events you can handle.   CONNECT WITH US!  THERE ARE LOTS OF WAYS:  http://bit.ly/EOAConnect Today...The Annapolis Police Department is investigating a barrage of bullets fired in HACA's Harbor House property as well as an armed home invasion that resulted in the theft of a phone and car. Parents of a child that died after ingesting a glove at Central Special School have asked for an investigation and The Capital is being stonewalled on obtaining information. The FBI is warning people to make sure they check the security settings on their new smart televisions--there may be more info you are giving than you realize.  The Lifeline 100 bike ride has donated more than $30K from this year's ride to 7 organizations. And Red Maryland picks on County Executive Steuart Pittman for a typo. And of course, George  from DMV Weather  is here with your local weather forecast! Flash Briefing for Alexa. Yep, I finally brought the Daily News Brief to Alexa. Search for "Eye On Annapolis Daily News Brief" in your Alexa app and enable it--and be sure to drop us a rating! More info here.  The Eye On Annapolis Daily News Brief is produced every Monday through Friday and available on Apple Podcasts, Spotify,  Google Music, Stitcher Radio, tunein, IHeartRADIO, Amazon Echo,  YouTube, Facebook, Twitter, and of course at Eye On Annapolis. Our weather partner is DMV Weather based in Annapolis. Please download their APP so you can keep on top of the local weather scene! Please be sure to check out our weekly sister podcast, The Maryland Crabs!

There were two shootings that occurred in both Oklahoma and California. A husband shoots his ex-wife and new boyfriend at a Walmart in Oklahoma before turning the gun on himself when confronted by armed bystander. Four people are dead and six others are injured after gum and sneaks into a family's backyard and opens fire in target shooting as doesn't watch a football game. We will talk more about these tragedies.

Back in '99, the trailers and movie posters for AMERICAN BEAUTY implored us to "look closer." For their 9 From '99 review, Adam and Josh give the divisive Best Picture winner the closer look it asked for, but they don't always like what they see. Is the movie hypocritical and mean-spirited? Is it merely an overwrought sitcom? Or is it redeemed by its sincerity and the strength of its supporting cast? Also on the show, Adam's conversation with Godfrey Cheshire, author of the new book "Conversations with Kiarostami." Cheshire's book is a companion to a 25-film Abbas Kiarostami retrospective currently touring the U.S. And the first film in the Contemporary Chinese Cinema Marathon, 2010's LET THE BULLETS FLY, a furiously paced action comedy directed by Jiang Wen. Learn more about your ad choices. Visit megaphone.fm/adchoices

The DA’s Trump-like pugilism makes Larry Platt wonder just who he can get along with in order to make Philly safer

Okay, so don’t freak out, but celebrity guests Bobby and Vicki join the boys for this, a Very Special Episode of Pop/Rock. With the full family assembled, the Jefts discuss the Gregg Allman Band’s 1988 studio album Just Before the Bullets Fly. The 80s were kind of a weird time, and this is kind of a weird album, but hey—that’s America, baby!

Special BONUS Thursday update! Daniel chats with mystery/detective/western author Terrence McCauley (The Fairfax Incident, Where the Bullets Fly) about writing regiments, New York City, historical fiction, and a bunch of other fun stuff! He's a real gentleman, so you should totally go and buy everything he has out!

The left freaks out over children being exposed to conservative principles, conservatives continue to be banned from social media platforms for voicing their beliefs and over 70 people were shot in Chicago over the weekend.

Rogue One: A Star Wars Story made a point to have a diverse cast, to speak to the unifying effect of a common enemy. Lucasfilm additionally made an effort to include international talent, casting overseas stars Donnie Yen and Jiang Wen in key roles.Join John and Mike as they discuss Jiang Wen's Let the Bullets Fly. A box office success in China, they look at how well it translates to a foreign audience, what it reveals about how native language allows more nuance in actors' performances, and historical influences on Star Wars from Asian cinema.JOIN THE MISSION!Subscribe in Apple PodcastsFeedback: TheNerdParty.com/Contact  Facebook: facebook.com/TheNerdPartyTwitter: @JoinNerdPartyInstagram: @TheNerdParty #GreatShotKid

Intro Song Little Boys Blue, “Jackson”, Tennissippi, Vizztone , First Set Dave Ellis Blues Band, “Rattlesnake Hide”, Straight Up The BluesBones, “Saved By The Blues”, Double - Live John Long, “Mop, Bucket, and a Broom”, Stand Your Ground, Delta Groove Music Second Set - Mac Arnold and Plate Full O' Blues, “Don't Burn My Cornbread”, Give It Away Chase Walker Band, “Red House”, Not Quite Legal Big Jon Atkinson & Bob Corritore, “She's My Crazy Little Baby”, House Party at Big Jon's, Delta Groove Music Jon Spear Band, “Before the Bullets Fly”, Live Music Is Better Third Set – WIB Shaun Murphy, “Spreadin' The News”, It Won't Stop Raining” Joyann Parker & Sweet Tea, “Hit Me Like A Train'”, On The Rocks, Markey Blue, “Lay Down Lucille'”, The Blues are Knockin'”  Fourth Set Tweed Funk, “Light Up The Night'”, Come Together”, The Mighty Mojo Prophets, “Crazy Love”, Record Store The Nick Schnebelen Band, “New Orleans”, Live At Knuckleheads, Vol. 1”, VizzTone! Thanks to Michael Allen Engstrom for letting me use his artwork!  

更多信息请关注今天的微信：搜索英语环球 NEWSPlus In 2010, Chinese director Jiang Wen released an action comedy film "Let the Bullets Fly" which rocked the country's movie market. Its huge commercial success made everyone believe Jiang had found the way to dominate Chinese cinemas. In fact, his grip on the audience was so firm that even critics refrained from pricking, or if they did whine their voices must certainly have been drowned in the deafening sound of adulation. But with the advent of his new film "Gone with the Bullets", the previously muffled discontent of his antagonists have suddenly found an outlet. Starting from real estate veteran Ren Zhiqiang who spoke of his difficulties understanding the movie, more and more self-styled critics blamed their bewilderment on the director's ego. They believe that Jiang Wen has once again lost control in narcissistic self expression and this is going to cost him dearly in audience reception. One thing about the film that sets the critics on fire is the vast number of messages hidden in the story. In 1920, a Shanghai playboy Yan Ruisheng robbed and murdered a well-known prostitute, he was later caught and publicly executed. But that was not the whole story, before the case was closed, local media had explored and exposed almost every detail of the suspect and his victim. And after Yan's death, his crime was told in China's first full-length movie and once again became a product for public entertainment. "Gone with the Bullets" examines the relative truths in news reporting and filmmaking, his idea is best represented by a scene where his character vandalises a camera in a film set. This is just one example of Jiang's many implicit ideas. During 140 minutes of sitting, we also witness new money's attempts to become respectably "old", a politically married couple's advices to their daughter regarding the importance of concubines and the wisdom about men, plus a lot more metaphors and mockeries. All of these can be too much to digest, it certainly took me a second viewing to get an overview. And comprehension is not made easier by the varied forms of expression. Beginning with an extravagant beauty show featuring garish colours, loud music and way too many bared legs, the movie's narrative is continued in talk show, black and white silent film and stage play, all the while paying tribute to "The Godfather", "A Trip to the Moon", "2001: A Space Odyssey" and many others. This wealth of information and sometimes contradicting opinions drive the critics over the edge. Some of them refer to Jiang Wen's good upbringing and his other autheur films as evidence to suggest he is an elitist director and has no respect for the needs of the viewers. I think these critics' worries are not well grounded. First of all, one doesn't have to be an elite to be able to enjoy classic music and well-made films, and the reluctance to exercise one's brain should not be encouraged as normality. China's movie industry has already seen too much vulgarity made in the name of satisfying the audience. It is high time we stopped feeding the viewers with nonsensical comedies, it is the ultimate crime of disrespect a director can commit against his viewers. Jiang Wen, on the other hand, have consistently encouraged his fans to think with his challenging storylines, and the images and music in his films are always enjoyable. Any viewer in their right mind who refuses to wallow in the mud of vulgarity will be able to appreciate the healthy amount of his narcissism. The only question is, who would you rather be?

In 2010, Chinese director Jiang Wen released an action comedy film “Let the Bullets Fly” which rocked the country’s movie market. Its huge commercial success made everyone believe Jiang had found the way to dominate Chinese cinemas. In fact, his grip on the audience was so firm that even critics refrained from pricking, or if they did whine their voices must certainly have been drowned in the deafening sound of adulation. But with the advent of his new film “Gone with the Bullets”, the previously muffled discontent of his antagonists has suddenly found an outlet. Starting from real estate veteran Ren Zhiqiang who spoke of his difficulties understanding the movie, more and more self-styled critics blamed their bewilderment on the director’s ego. They believe that Jiang Wen had once again lost control in narcissistic self expression and this is going to cost him dearly in audience reception. One thing about the film that sets the critics on fire is the vast number of messages hidden in the story. In 1920, a Shanghai playboy Yan Ruisheng robbed and murdered a well-known prostitute, he was later caught and publicly executed. But that was not the whole story, before the case was closed, local media had explored and exposed almost every detail of the suspect and his victim. And after Yan’s death, his crime was told in China’s first full-length movie and once again became a product for public entertainment. “Gone with the Bullets” examines the relative truths in news reporting and filmmaking, the director’s idea is best represented by a scene where his character vandalizes a camera in a film set. This is just one example of Jiang’s many implicit ideas. During 140 minutes of sitting, we also witness new money’s attempts to become respectably “old”, a politically married couple’s advices to their daughter regarding the importance of concubines and the wisdom about men, plus a lot more metaphors and mockeries. All of these can be too much to digest, it certainly took me a second viewing to get a better overview. And comprehension is not made easier by the varied forms of expression. Beginning with an extravagant beauty show featuring garish colors, loud music and way too many bared legs, the movie’s narrative is continued in talk show, black and white silent film and stage play, all the while paying tribute to “The Godfather”, “A Trip to the Moon”, “2001: A Space Odyssey” and many other classic films. This wealth of information and sometimes contradicting opinions drive the critics over the edge. Some of them refer to Jiang Wen’s good upbringing and his other auteur films as evidence to suggest he is an elitist director and has no respect for the needs of the viewers. I think these critics’ accusations are not well grounded. First of all, one doesn’t have to be an elite to be able to enjoy classic music and classic films invoked in Jiang’s story, and the reluctance to exercise one’s brain should not be encouraged as normality. China’s movie industry has already seen too much banality made in the name of satisfying the audience. It is high time we stopped feeding the viewers with nonsensical comedies, it is the ultimate crime of disrespect a director can commit against his viewers. Jiang Wen, on the other hand, has consistently encouraged his fans to think with his challenging storylines, and the images and music in his films are always enjoyable. Any viewer in their right mind who refuses to wallow in the mud of vulgarity will be able to appreciate the healthy amount of his narcissism. The only question is, who would you rather be?

It is a commonly accepted norm that art-house films winning international awards don't sell very well in Chinese cinemas. Director Wang Quan'an's romantic drama "Tuya's Marriage" won the Golden Bear at the 2007 Berlin Film Festival, but its total box office revenues never exceeded the 2-million-yuan benchmark. China's film market has expanded exponentially since then, but 2 million yuan still remains a meager amount in the world of Chinese cinema. Director Diao Yinan's award-winning thriller "Black Coal, Thin Ice" is different. In just four days of its release, the latest winner of the best picture award in Berlin has earned more than 50 million yuan; not bad for an award-winning production in a market that is yet to learn how to appreciate films that do not feature a pounding soundtrack. This moderate success is mainly due to the result that the film was not promoted as an art-house production. Instead, it has been touted as another Chinese blockbuster, and the distributors were not lying when they promised an enchanting story. The crime thriller stars Liao Fan and Gui Lunmei. Liao Fan is the first Chinese screen performer to win the Berlin silver bear for best actor, for his role in this film as an ex-policeman. He is connected to Gui Lunmei's character of a young widow while investigating the murder case of the latter's husband. As Liao digs deeper into the case, he is also deeply attracted by the mysterious young woman. And since more murder cases revolve around the charming female, Liao realizes that his infatuation ultimately leads to a fatal outcome. It is a story with many twists and turns, but the complicated excitement never infringes on its art-house feel; for example, the story develops at a gracefully slow pace against a relatively quiet backdrop, and indulges quite a few eloquent long takes on casual yet highly symbolic objects, which constantly invites viewers to unravel the film's hidden messages. Just one day after its public release, numerous articles have already emerged analyzing the film in detail, utilizing everything from Freudian to feminist theories. Liao Fan's acting skills have also been widely appreciated. Since Jiang Wen's 2010 movie "Let the Bullets Fly", Chinese viewers have not seen many masculine figures on the big screen. Liao's profile fills that vacuum. In contrast, Gui Lunmei is her usual quiet self. Normally the poor acting of some Chinese actresses renders their beauty pointless, but not this time. Many Chinese headlines have celebrated the film's release by claiming that this is the beginning of a golden age for Chinese art-house films and directors. "Black Coal, Thin Ice" will be followed by Police Diary by Ning Ying, Coming Home by Zhang Yimou and rather conveniently The Golden Era by Xu Anhua. At present, "Black Coal, Thin Ice" is doing well at the box office, especially compared to its predecessors of the same genre. But still it falls far behind average Chinese films of our time, so I wouldn't be too optimistic too soon.

We take a look at the Blu-Ray/DVD top 10 and review Detention, The Lucky One, Wrong Turn 4, One in the Chamber, Starship Troopers: Invasion, Let the Bullets Fly, Outpost 2 and Truth or Dare.Our DVD alternative is Jarhead.

Today we go over some of the DVD and Blu Ray releases for April 24, 2012. Highlights include Contraband, Pariah, The Innkeepers, The Time That Remains, Let the Bullets Fly, and Shogun Assassin. We want to hear your suggestions and feedback! Send us an e-mail at podcast@filmpulse.net or leave us a message on our voicemail line at (850) 391-6075 and we'll feature your comments on an upcoming episode!