Podcast appearances and mentions of Kiyoshi Kurosawa

W pięćset dziewięćdziesiątym pierwszym tygodniu nadawania powracamy po kilku latach przerwy do Czasu podsumowań, tj. do audycji, w której goście i gościnie Szymasa podsumowują miniony rok, polecając różne teksty kultury i wydarzenia związane z grozą. W pierwszym odcinku z dwóch usłyszycie Agnieszkę Brodzik, Adriana Burza, Agatę Garbowską-Karolczuk, Jakuba Kraszewskiego, Ewę, Sylwestra Kozdroja, Martę Płazę, Dominikę Murhaaję oraz Wojciecha Gunię. Jak powstała ta audycja? Które książki, gry, filmy, seriale i komiksy zrobiły na nas największe wrażenie? Czy jakieś eventy, wydarzenia zasłużyły na wymienienie w Czasie Podsumowań 2025? Które POLSKIE teksty kultury trafiły do TOPki rocznej? Kto opowie o pracy w domu strachu? Czy „Sny umarłych” naprawdę dokonały żywota w 2025 roku? Odpowiedzi poznacie już za chwilę. Tylko w Nawiedzonym Podcaście! Plik mp3 do pobrania (1 godz 49 min 07 sek)8:38 Agnieszka Brodzik13:54 Adrian Burz23:13 Agata Garbrowska-Karolczuk29:58 Jakub Kraszewski46:08 Ewa52:47 Sylwester Kozdroj1:05:26 Marta Płaza1:20:26 Dominika Murhaaja1:26:21 Wojciech GuniaAgnieszka Brodzik (Halo? Tu Otchłań)„Skrucha” Elizy Clark„To był nasz dom” Marcusa KlieweraAdrian Burz (Cinema Post Cast, Pełna Sala)Lloyd Kaufman na festiwalu Splat Film FestCoś we mnie siedzi – przegląd body horroru w kinie Iluzjon„Oddaj Ją” (2025) reż. Michael i Danny Philippou„Chmura” (2024) reż. Kiyoshi Kurosawa„Bezpieczne miejsce” (2025) reż. Osgood Perkins„Oszukać przeznaczenie: Więzy Krwi” (2025) reż. Zach Lipovsky i Adam Stein„Nosferatu” (2025) reż. Robert EggersAgata Garbrowska-Karolczuk (Wydawnictwo MUZA/Akurat)„Rejestr grozy. Przewodnik po technikach narracyjnych” Pawła Wielopolskiego„Coś się dzieje w naszym domu” Josha MallermanaNajlepsze z najgorszych (Białostocki Ośrodek Kultury)„Welcome to Derry” S01 (serial)„Screamboat. Krwawa mysz” (2025) reż. Steven LaMorteJakub Kraszewski (Ogórki, Popkulturowa Papka)The Deadseat (Curious Fox Sox)Last Report (Monopixel Games)Roam0120.exe (NSO9019)Shutter story – demo (Frostwood Interactive)Ewa (Biblia Horroru)„Good boy" (2025) reż. Ben LeonbergSylwester Kozdroj (Retro Komiks)„Obserwatorzy” A.M. Shine'a„Departament Prawdy. Dzikie fikcje” (Non Stop Comics)„To był nasz dom” Marcusa Kliewera„Pożeracze Nocy. Niech przyjdzie ich królestwo” (Non Stop Comics)„Mity kościanego sadu. Przejście” (Mucha Comics)„Universal Monsters. Dracula. Black & White” (Image Comics)Marta Płaza (rozMOVIEone, Kobiety Eksploatacji, Zmęczone życiem)„Brzydka siostra” reż. Emilie Blichfeldt„Towarzysz” reż. Drew Hancock„Grzesznicy” reż. Ryan Coogler„Życie dla początkujących” reż. Paweł Podolski„Miło mi” reż. Mateusz Motyka„Witajcie w Derry” S01 (serial)Magazyn CD-Action Horrory 1/2025„Diavola” Jennifer Thorne„Jagnię” Lucy RoseDom strachów poznany od kuchni!Dominika Murhaaja (Wydawnictwo GMORK)„Pudełko z czerwienią” Kariny Łagowskiej„Sonata jesienna na kota i wilkonczelę” Kariny Łagowskiej„Drozdy” Kariny Łagowskiej„Konary” Jarosława Klonowskiego i Patryka BoguszaWojciech Gunia („Dom Wszystkich Snów”, „Kiedy będziesz gotowy, idź”)Tetralogia „Southern Reach” (Anihilacja, Anomalia, Afirmacja, Absolucja) Jeffa VanderMeera„Hotel na skraju lasu” Magdaleny i Michała Hińczów„Demon ruchu” (obydwa z Kultury Gniewu)„Dzieła zebrane” Stefana Grabińskiego od Wydawnictwa IX„Cronos: The New Dawn” (Bloober Team)”Senua's Saga: Hellblade II” (Ninja Theory)„Stamtąd” (serial)„Nocna msza” (serial)Koniec „Snów Umarłych”

The squad fires up their dial-up modems to discuss Colton's pick, PULSE (2001)! Is this film more relevant now than ever? Can it maintain such an unsettling atmosphere for its entire runtime? And, what's up with all of these red-taped rooms!? Tune in to find out if we gave this film a NAY, OKAY, YAY, or SLAY!CHAPTERS:Theme/Intro (00:00:00)What We Been Consuming?/Why We Picked It (00:01:37)Trailer (00:59:11)Synopsis/First Experiences (00:59:40)Review (01:03:02)Rating/What Did You Think? (01:47:17)Horrific Hotline (01:59:44)Promotions (Horrific Hotline/Social Media/Patreon/It Slays Podcast's Horrific Playlist/Events) (02:03:19)Upcoming Episode/Outro (02:05:34)Follow us on all social media:FacebookTwitterInstagramTumblrYoutubeTikTokSlasherThreadsBlueskyWant some official Merch?!SHOP HERE!*Intro & Outro Music by Dylan Bailey (IG: @thedylanbailey)*Support the show

Neste episódio, voltamos ao Japão para descobrir Kiyoshi Kurosawa. Contando com uma vasta filmografia, interessa-nos neste episódio um conjunto de títulos em que o realizador explora não só o horror metafísico e sobrenatural, mas também um horror existencial ancorado na alienação e nas ansiedades da vida contemporânea. Mais episódios em universosparalelos.net.

RSS/iTunes/Spotify Check out the Serpent’s Path archive right here. Kiyoshi Kurosawa is coming off a rough patch after controversies around SWEET HOME in 1989 and the financial failure of THE GUARD FROM UNDERGROUND in 1992, but after retreating into television work he’s about to be given a new lifeline in the 90s: V-CINEMA! This straight-to-VHS trend focusing on genre fare ended up being a training ground for a number of favorite directors and Kurosawa dives right in, first with the extremely silly (but quite fun) crime-comedy YAKUZA TAXI, and continuing with the cycling drama (adapted from a Yasuhito Yamamoto manga) MEN OF RAGE. On this episode of SERPENT’S PATH we look at everything Kurosawa was up to, how he ended up on these two films, and detail some of our own frustrations watching them. ENJOY!The post Episode 310 – Serpent's Path: The Films of Kiyoshi Kurosawa – Men of Rage (1994) & Yakuza Taxi (1994) first appeared on Cinema Smorgasbord.

It's the off-season and we promised you we'd get up to some shenanigans; Jake and Trey break down every sizzling inch of the hot stove and the NYCFCeefsteaks being seared on it! We talk merging Magno, a homegrown unceremoniously Haaked off, the baby Blues leaving and the baby Blues returning,  and much more. THEN: Jake and Trey watch their LEDs turn red and their easy money get harder as they review and discuss Kiyoshi Kurosawa's 2024 psychological shooter "Cloud". Watch the movie on the Criterion Channel before listening to double your pleasure, double your fun! Put down that limited edition idol figurine — you've got Blue Balls!

“That water will make you calm.”70mm goes INTERNATIONAL continues with with Kiyoshi Kurosawa's CURE. We also talk about the return of JACKASS, Proto watching SUPER MARIO BROS, slime watching GREENLAND, and Danny watching MARTY SUPREME. In the uncut portion of the episode, we dig into MASSIVE chicken updates, Wawa hoags, Danny being too tired, and the rumors swirling around the new AVENGERS and SPIDERMAN movies.Chapters:(00:00:00) Introductions(00:07:25) What we watched(00:18:31) Cure(01:02:16) Next week(01:17:16) Proto's Journey AnnouncementSupport the 70mm Patreon to join our VHS Village Discord and access exclusive episodes in the 70mm Vault which includes over 70 movies! Signing up for the Patreon also get your own membership card, member-only discounts on merch, and the ability to vote on future episodes!Don't forget you can visit our website to shop our storefront to buy prints and merch, follow us on Letterboxd, email the show, and much more.70mm is a ⁠TAPEDECK⁠ podcast, along with our friends at ⁠BAT & SPIDER⁠,  ⁠The Letterboxd Show⁠, Austin Danger Pod, ⁠Escape Hatch⁠, ⁠Will Run For...⁠, ⁠Lost Light⁠, ⁠The Movie Mixtape⁠, and ⁠Twin Vipers⁠.(Gone but not forgotten; ⁠Cinenauts⁠ + ⁠FILM HAGS⁠.) ★ Support this podcast on Patreon ★

Auditrices, Auditeurs, mes chers cinéphiles,J'ai, en ce soir du 06 janvier, une pensée avant tout pour ceux qui assurent la continuité de la Cinéphilie : producteurs, exploitants, distributeurs, techniciens, intermittents, tous ceux qui sont ce soir comme toujours en première ligne face aux difficultés. Protéger, filmer, sortir, distribuer, apporter secours et fraternité, ainsi va la vie des grandes nations qui tiennent chaque jour par le dévouement de leurs cinéphiles. J'ai une pensée en votre nom à tous, pour celles et ceux qui sont seuls au cinéma, malades de bons films, dans l'épreuve ou le dénuement. Je sais comme la situation est difficile pour beaucoup d'entre vous, placés devant des souffrances filmiques et les malheurs du cinéma états-unien, et je veux vous dire notre soutien et notre affection.Grâce à l'engagement de tous, grâce à vous, nous tenons. Oui, notre émission tient.Fort de ses institutions, des emplois de ses chroniqueurs dans les services publics, fort de ses armées de cinéphages qui sont les plus efficaces d'Europe, par l'engagement de ses soldats du celluloïd. Fort de notre économie, où jamais autant de membres de cette émission n'ont eu un emploi. Fort de nos jeunes chercheurs prometteurs, de notre excellence académique, de nos initiatives diplomatiques aussi, en allant tendre la main à d'autres émissions.Mais au-delà de tout cela, nul n'est aveugle sur les désordres du monde et nos propres failles. Le monde du cinéma est plus dur chaque jour. La guerre des majors et des conglomérats et l'instabilité des plateformes continuent d'être là, avec des conséquences sur nos abonnements, nos sites de piratage. Nous assistons au retour des empires médiatiques, des trusts, à la remise en cause de l'ordre international, un monde de guerres commerciales, de compétition technologique, souvent d'instabilité.Je vois aussi nos propres divisions, au sein même de cette émission, nos tops en témoignent. La baisse de notre cinéphagie, l'insécurité filmique, les difficultés de pouvoir de temps de visionnage.Je sais toutes les impatiences, parfois les colères, qui continuent d'exister dans le pays et je partage plusieurs d'entre elles. Ces urgences exigent des réponses. Dès les premières semaines de l'année qui s'ouvre, le Politburo et le Comité Central auront à bâtir des accords pour doter l'émission d'un budget. C'est indispensable. Renforcer encore notre économie en simplifiant les règles pour nos pirates, comme pour nos légalistes. Continuer à reprendre le contrôle de nos films françaises et européens face à la chronologie des médias illégalement explosée, poursuivre la formation de nos intervenants cinéma et donner les moyens à école et apprentis au cinéma afin de mieux transmettre les savoirs fondamentaux, reconnaître les compétences de nos critiques en ville comme en région, en simplifiant leur exercice et en leur permettant de davantage décider et d'organiser leur activité. Pour tout cela, et j'aurais pu égrener ici tous les chantiers qui nous attendent, je sais les forces vives d'En Attendant Godard à la tâche et déterminé à être utile à la cinéphilie et je veux ce soir les en remercier sincèrement. Cela supposera aussi la mobilisation de chacun et les efforts de tous.Cette année doit donc être et sera une année utile.Je veillerai tout particulièrement à ce que plusieurs grands chantiers puissent aboutir. Nous verrons les premiers pas du service national pour l'engagement de nos jeunes, qui renforcera le lien entre nos armées et la nation. Nous protégerons nos enfants et nos adolescents des films de Desplechin et des marvel.Je serai, jusqu'à la dernière seconde, au travail, tâchant chaque jour d'être à la hauteur du mandat que vous ne m'avez pas confié, et je ferai tout pour que rien ne change, en restant particulièrement à l'abri de toute ingérence étrangère.Au-delà des chantiers à mener, je veux avoir, pour notre émission, trois vœux.D'abord, un vœu d'unité. Quels que soient les défis, notre histoire nous enseigne que nous pouvons tout relever, tout affronter, si nous savons rester unis. N'oublions donc jamais que nos raisons de vivre ensemble sont chaque jour plus fortes que ce qui peut nous diviser, que les flots des urgences, des faits divers ou des mauvaises nouvelles. Notre unité exige de reconnaître que chaque cinéphile, chaque cinéphage a un rôle à jouer pour relever les défis qui sont devant nous, que chacun d'entre nous est nécessaire et doit être encouragé et reconnu. Oui, dans notre vie de chaque jour, au fond, je nous souhaite plus de bienveillance et plus d'humanité.Mon deuxième vœu est un vœu de force, d'indépendance. Notre indépendance exige que nous continuions d'investir dans nos apéros, dans nos forces d'ébriété, dans nos comptoirs de proximité et notre économie malgré les difficultés financières. Depuis 10 ans, j'ai beaucoup plaidé et nous avons beaucoup fait pour renforcer en Rennais cette indépendance et il nous faut accélérer. Il en va de notre prospérité en France comme en Europe.Mon dernier vœu est un vœu d'espérance, espérance pour nous-mêmes et pour nos enfants, pour Zach, pour Maria, pour Elie, pour Simone, pour Katell, pour Vassili, pour Adam, pour Suzie, pour Senna, pour Louise, pour Ewan, pour Alix, pour Linon, pour Lucie et tous les autres.Ne renonçons pas. Ne renonçons pas au progrès filmologique, encore possible à condition de le bâtir, de travailler dur, d'investir dans la durée et de reconnaître que les avancées véritables ne se font pas en un jour, mais qu'elles prennent parfois le temps d'une génération.Ne renonçons pas à réconcilier cinéphilie, populaire, élitisme et mauvais goût. Ne renonçons jamais.Ne renonçons pas à la place de la salle de cinéma, du beau, de la culture. Ne renonçons pas chaque jour à être une émission plus solidaire, plus fraternelle. Oui, au fond, je nous souhaite de résister à l'air du temps, tout simplement, car nous sommes des Français la tête enfoncée dans nos culs de cinéphiles. Nous devons tenir bon sur ce que nous chérissons, le formalisme, la politique, la radicalité, les propositions de cinéma et les films de dispositifs. Nous y arriverons. Alors, regardons devant et regardons loin, comme spectateurs et comme cinéfils.Mes chers compatriotes, de France hexagonale, de nos colon… de nos Outre-mer et vivants à l'étranger, je vous souhaite une très belle, une très heureuse année 2026.Vive En Attendant Godard ! Vive le cinéma !Emission également dispo sur spotif, appeul, etc et on da tube :7 listes des réguliers et intérimaires de l'émission.DOC ERWAN1- L'Agent secret – Kleber Mendonza Filho2- Une Bataille après l'autre – Paul Thomas Anderson3- Evanouis – Zach Cregger4- Black Dog – Guan Hu / Le Rire & le couteau – Pedro Pinho5- Cervantès avant Don Quichotte – Alejandro Amenabar / La Disparition de Joseph Mengele – Kirill Serebrennikov6- Tu ne mentiras point – Tim Mielants / Mémoires d'un escargot – Adam Elliot7- The Phoenician Scheme – Wes Anderson / Last Stop : Yuma County – Francis Galluppi8- La Chambre d'à côté – Pedro Almodovar / The Brutalist – Brady Corbet9- Brief History of a Family – Lin Jianjie / Kneecap – Rich Peppiatt10- Sinners – Ryan Coogler / Dossier 137 – Dominik MollMention spéciale : Los Años Nuevos – Rodrigo Sorogoyen, Sandra Romero & David Martin De Los SantosFLOP 3 (ET PAS UN DE MOINS) :1- Mission Impossible : The Final Reckoning – Christopher McQuarrie2- F1 – Josef Kosinski3- Death of a Unicorn – Alex ScharfmanER FORCE WAN « LE GRAND TIMONIER »1. Le Rire et le couteau (Pedro Pinho)2. Une Bataille après l'autre (Paul Thomas Anderson)3. Festa Major (Jean-Baptiste Alazard)4. Sauve qui peut (Alexe Poukine)5. Kika (Alexe Poukine)6. La Chute du Ciel (Gabriela Carneiro da Cunha et Eryk Rocha)7. L'histoire de “Scénario” (Jean-Luc Godard)8. The Brutalist (Brady Corbet)9. Nouvelle Vague (Richard Linklater)10. Kouté Vwa (Maxime Jean-Baptiste)DOCTEUR JB MASSUETTop :1. Une bataille après l'autre (P.T. Anderson)2. L'aventura (Sophie Letourneur)3. En boucle (Junta Yamaguchi)4. Nouvelle vague (Richard Linklater)5. Chime (Kiyoshi Kurosawa)6. Eddington (Ari Aster)7. Fantôme utile (Ratchapoom Boonbunchachoke)8. Dossier 137 (Dominik Moll)9. Life of Chuck (Mike Flanagan)10. Évanouis (Zach Cregger)Flop :1. Sirat (Oliver Laxe)2. Sinners (Ryan Coogler)3. Mission Impossible : The Final Reckoning (Christopher McQuarrie)4. Good Boy (Ben Leonberg)5. Avatar 3 (James Cameron)MATHIEU B. « IL PADRINO »Vu que 2 films au cinéma cette année :01 Une Bataille après l'autre02 Il y a-t-il un flic pour sauver le monde ?SIMON DANIELLOU « L'ANCIEN »Top Films 2025Une bataille après l'autre (Paul Thomas Anderson)Tardes de Soledad (Albert Serra)Les Linceuls (David Cronenberg)The Insider (AKA Black Bag, Steven Soderbergh)L'Aventura (Sophie Letourneur)Cervantes avant Don Quichotte (Alejandro Amenábar)Rapaces (Peter Dourountzis)Ce que cette nature te dit (Hong Sang-soo)+ déjà dans le top 2024 : The Last Stop in Yuma County (Francis Galluppi)Flops 2025F1 (Joseph Kosinski)Substitution (AKA Bring Her Back, Michael et Danny Philippou)28 ans plus tard (Danny Boyle)Sirāt (Óliver Laxe)La Voie du serpent (Kiyoshi Kurosawa)THIBAUT « CARREMENT » FLEURETSans ordre particulier : Bird Soundtrack to a coup d'Etat / Personne n'y comprend rien Festa Major Je n'avais que le néant Los Anos Nuevos L'agent secret Une Bataille après l'autre Evanouis Chime No Other Land / Put Your Soul and your hand and walkTHOMAS « EL COMANDANTE »Sans hiérarchie :TOPLe Rire et le Couteau (Pedro Pinho)Mektoub my Love : Canto Due (Abdellatif Kechiche)L'Agent Secret (Kleber Mendonza Filho)One Battle After Another (Paul Thomas Anderson)Superboys Of Malegaon (Reema Kagti)Black Dog (Hu Guan)Los años nuevos (Rodrigo Sorogoyen ; Sara Cano ; Paula Fabra)À 2000 mètres d'Andriivka (Mstyslav Chernov)Festa Major (Jean-Baptiste Alazar)Soundtrack to a Coup d'Etat (Johan Grimonprez)Un pincement au cœur / Ce n'est qu'un au revoir (Guillaume Brac)Shifty - Living in Britain at the End of the Twentieth Century (Adam Curtis)FLOPVol à haut risqueShadow ForcePiégéThe Return, le retour d'UlysseLife of Chuck______Le Doc et El Comandante sont passés chez Le Cinéma est mort pour faire le bilan de 2025 :Part IPart IIPart IIIPUBLIC SERVICE ANNOUNCEMENT: Le Film du Dimanche Soir, dimanche 11 janvier, on va vous raconter des histoires de fantômes chinois !______

For the first episode of 2026, Ben and Chris cover Kiyoshi Kurosawa's Tokyo Sonata.     

Whoops, sorry for the delay! We got distracted exploring eBay. Fortunately, we came back with the goods! Join us as we chat about Kiyoshi Kurosawa's latest thriller, Cloud, a film that ultimately asks, what are you really willing to sell to feel fulfilled? And according to Joe going gaga for the Japanese auteur, it may be EVERYTHING. Tune in to find out if the fellas fell upon another cinematic gem or if it was all just another scam!

This ep, Scum takes Grue and Dan through the 2001 Kiyoshi Kurosawa film "Pulse" (and its goofy 2006 American remake).Links:https://www.neondystopia.com/https://www.patreon.com/neondystopia/https://rss.com/podcasts/l0wl1f3podcast/https://youtube.com/@l0wl1f3pod?feature=shareddiscord.gg/M6fGZERb7Zhttps://cyberpunklibrarian.com/

Hoy nos visita McEnroe para presentarnos su nuevo trabajo, La vida Libre. También viajamos a Berlín con nuestra corresponsal para escuchar dos piezas inéditas de Johann Sebastian Bach. También entrevistamos al Premio Ojo Crítico de Artes Plásticas 2019, David Bestué, que acaba de inaugurar un proyecto en la Plaza de España de Bruselas. Repasamos lo mejor de las artes escénicas con Marta García-Miranda y nos introducimos en la obra de Kiyoshi Kurosawa con Vicente Monroy.Escuchar audio

"All the things that used to be inside of me... now they are all outside." For Episode 383, David and Brandon continue CineNation's series on Horror Noir. Listen as they discuss the early career of Kiyoshi Kurosawa, his incredible direction in this film, how a real-life cult affected the film, why the film took a while to find an audience outside of Japan, and much more! Use the code cinenation10 on thecinevault.com to get a 10% discount on your online purchase! Also, don't forget to join our Patreon for more exclusive movie content: https://www.patreon.com/cinenation Opening - Brandon's Trip to Austin - (00:00:10) Recap of Horror Noir (00:07:38) Intro to Cure (00:17:38) How Cure Got to Production (00:24:01) Favorite Scenes (00:38:16) On Set Life - (01:22:03) Aftermath: Release and Legacy (01:26:55) What Worked and What Didn't (01:29:17) Awards (01:36:39) Final Questions on the Movie (01:40:32) Wrapping Up the Episode (01:49:42) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast

This week the gang talked about Howl-O-Scream, Ark Raiders, Dragon Quest I & II HD-2D Remake, Kiyoshi Kurosawa's Pulse + Chime, The Chair Company, and more!Follow us on Instagram Leave us a voicemail at (804) 286-0626 and consider supporting us through our Patreon Check out the Discord! News Links:CS Skins market crashes Mario Galaxy trailer coming soon People are buying more remakes Halo 2 and 3 remake might be next Half-Life 3 might be coming 

On Episode 186 of Floating Through Film, we're continuing our annual horror month! Week #3's picks were made by Blake and he picked two very different kinds of horror movies, starting with the 1982 Shaw Brothers film, Human Lanterns, followed by Kiyoshi Kurosawa's 1997 horror classic, Cure (53:58).  We hope you enjoy! Episode Next Week: Horror Month Week 4 (Pieces + I Saw the Tv Glow) Music:- Intro: created by Richie - Break: Cure (https://www.youtube.com/watchv=D_XKJe1_w58)- Outro: Cure (https://www.youtube.com/watchv=D_XKJe1_w58) Hosts: Luke Seay (LB: ⁠https://letterboxd.com/seayluke/⁠, Twitter: https://x.com/luke67s⁠)Blake Tourville (LB: ⁠https://letterboxd.com/blaketourville/⁠, Twitter: ⁠https://x.com/vladethepoker⁠)Dany Joshuva (LB: ⁠https://letterboxd.com/djoshuva/⁠, Twitter: ⁠https://x.com/grindingthefilm⁠) Podcast Links:Spotify and Apple: ⁠https://linktr.ee/floatingthroughfilm⁠Letterboxd: ⁠https://letterboxd.com/floatingfilm/⁠Email: floatingthroughfilm@gmail.com

Happy Halloween! In this week's spooktacular episode, Wickham and Ada are discussing horror films that don't normally get the recognition they deserve: "Trick 'r Treat" (2007, dir. Michael Dougherty), "The Innocents" (1961, dir. Jack Clayton), and "Cure" (1997, dir. Kiyoshi Kurosawa).

Welcome back to Geekz 31 Days of Horror! Tonight, we're unlocking the doors to one of Japan's most fascinating and underrated haunted-house horrors — Sweet Home (1989), directed by Kiyoshi Kurosawa and produced by Juzo Itami. A documentary crew enters an abandoned mansion once owned by a reclusive artist, hoping to uncover lost paintings for their TV special. But when they disturb the restless spirit of the artist's wife, the crew faces grotesque hauntings, fiery deaths, and supernatural vengeance that will test both courage and sanity.

Rated RRuntime: 1hr 31minWritten & Directed by Chris StuckmannStars: Sarah Durn, Mason Heidger and Brendan Sexton IIIPremiered at Fantasia International Film Festival July 20, 2024Released in US October 24, 2025RT: 59% critics / 60% audience Currently in theatersSynopsisRiley Brennan and her friends are paranormal investigators who disappear while exploring the abandoned town of Shelby Oaks, Ohio. The bodies of the other investigators are later found, along with one of the video tapes containing their footage. Riley and the other tape remain missing. 12 years later, a film crew is making a documentary about the murders and disappearance focusing on Riley's sister, Mia, and her efforts to locate Riley, when a strange man appears at her door with the missing tape. This plunges Mia further into her search for Riley.Join us again in two weeks when we will be reviewing Kiyoshi Kurosawa's newest, Cloud, currently streaming on the Criterion Channel and available to rent elsewhere.Theme music: "Secret of Tiki Island" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 Licensehttp://creativecommons.org/licenses/by/3.0/

#cure1997 #horrorreview #japanesecinema Kiyoshi Kurosawa is a modern master of suspense and horror, and many point to Cure as his magnum opus. In our slot as this year's "classic" on our October horror review series, we dig into the meaning of a story without answers --- one that's mystery sticks with you long after the credits roll. And as always, SPOILER ALERT.

“Kurosawa, you dog.” – Eli.'“It's like edging, in cinema.” – Wilson“What is this, looney tunes?” – BenKurosawa can only make the kind of movie that leaves us both perplexed, impressed and dropping memorable reactions. Listen on as we unpack the film's critique of the next generation of hustlers and entrepreneurs, figure out what it's trying to say through its allegory, and finally answer if anything can beat a jet2 holiday.Links:The Kinetoscope: Cinemagoing in JapanBuy our stuff at our FREE patreon, discord server, and our socials @ www.deepcutpod.com Timestamps:00:00 Intro04:36 Ben and Wilson's general reactions12:14 Eli's experience watching at  Lincoln16:31 Cloud plot summary20:34 Compared to other Kurosawa films25:00 Sano and the younger generation32:41 Nihilism and cynicism36:42 Locations and spaces40:50 What is this movie trying to say42:37 Takimoto46:31 Akiko49:04 Dorsality51:49 Sound52:56 Productively frustrating critique of late-stage Capitalism56:22 Kurosawa's reversals58:26 Odds and ends and questions

For Zac Lim Eubank, there's only one movie that delivers exceptional sound design, calculated editing, and non-stop tension, and it's Kiyoshi Kurosawa's Cure. Random acts of violence seem to follow a mysterious, wandering man who appears ghost-like but is very grounded in reality.-Zac Lim Eubank is Chief Creative Officer at Hyper Rabbit Media, an award-winning video production, interactive, and livestreaming studio. He heads up the creative development and technical direction for Hyper with his wife and CEO Malika Lim Eubank and their full service production company is experienced with livestreaming, virtual production, motion control, scripted or unscripted productions, events coverage, original content creation, and audience engagement and gamification. Zac has over 10 years of creative leadership with video production and community strategy for such clients as Microsoft, Amazon, Nintendo, Twitch, AMC Networks, Mapquest, and more. His prior work includes showrunning Legendary Digital's Geek and Sundry Twitch channel, working with several of Hollywood's top talent. https://www.hyperrpg.com/https://www.instagram.com/hyperrpg/https://www.instagram.com/zaceubank/https://www.linkedin.com/in/zac-lim-eubank-b62568129/-Cure (1997)https://www.imdb.com/title/tt0123948/ https://letterboxd.com/director/kiyoshi-kurosawa/ https://www.nytimes.com/2025/07/19/movies/kiyoshi-kurosawa-primer.html https://www.nytimes.com/2001/08/03/movies/film-in-review-cure.html-Allegory of the Cavehttps://en.wikipedia.org/wiki/Allegory_of_the_cave-Collectivismhttps://sites.psu.edu/global/2018/11/04/4908/https://www.bbc.com/future/article/20170118-how-east-and-west-think-in-profoundly-different-ways-Franz Mesmer, mesmerismhttps://exhibits.stanford.edu/super-e/feature/franz-anton-mesmer-1734-1815 -Violence in Filmhttps://en.wikipedia.org/wiki/Pink_film https://www.imdb.com/list/ls076483352/ -Other movies and shows discussed, alphabetical listChime (2024)Dead Ringers (1988)Heat (1995)Pulse (2001)SE7EN (1995)Smile (2022)

We're doing a crossover episode with Grandad and Mr Tech for this instalment in Creepy Spooky Month! Horror is very much the name of the game(-to-film-adaptation) this week. Together, we dive deep into Silent Hill (2006), directed by Christophe Gans, followed by Sweet Home (1989), directed by Kiyoshi Kurosawa. Be ready for some computer game talk too, as we discuss the relative merits of the games that these films are based on. We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen, you can nevertheless avoid spoilers for Silent Hill by skipping ahead to the 1:57:15 mark, and for Sweet Home by skipping ahead to 2:39:04. Want to get in touch? You can reach us on caliber9fromouterspace@gmail.com Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp Our closing music this week comes courtesy of The Aah Yeah and their track "Bravado" (A. Lifeson, G. Lee, N. Peart) © 2025. Find more from their back catalogue on SoundCloud

After a bumpy and controversial start to his career, that bumpiness would continue for Kiyoshi Kurosawa with 1989's SWEET HOME, a unique videogame/film collaboration that is colorful, entertaining and full of goopy FX by the legendary Dick Smith, but after a post-theatrical re-edit things would go sour between Kurosawa and producer Juzo Itami. It would be a few more years before Kurosawa would direct another feature, returning with the slasher-y office thriller THE GUARD FROM UNDERGROUND which has a number of hints at what would become his trademark style. Let's check it out! The post Episode 294 – Serpent's Path: The Films of Kiyoshi Kurosawa – Sweet Home (1989) & The Guard From Underground (1992) first appeared on Cinema Smorgasbord.

What goes bump in the night giving Kyle a fright? For the Season 11 finale its Cure (1997) directed by Kiyoshi Kurosawa. This Japanese thriller has a serial killer entice others to murder those close to them in a specific manner. Why didn't we finish this movie the first time around? Why does Kyle dread getting beers with psych majors? Who makes the best lighters? Don't get mesmerized as the Boo Boys break it all down.

Hey everybody! This week we are discussing Kiyoshi Kurosawa's Cure (1997). Listen as we breakdown this surreal, neo noir, supernatural, crime thriller that explores the idea of a person's darkest urges being brought out into the light with just a little suggestion. Enjoy!

AUGUST BABY MOVIE TIME! YOU WILL BELIEVE A PODCAST CAN FLY AT 2:17 AM AUGUST Together- dir. Michael Shanks; Dave Franco, Alison Brie, Damon Herriman Cloud- dir. Kiyoshi Kurosawa; Masaki Suda, Daiken Okudaira, Kotone Furukawa The Naked Gun- dir. Akiva Schaffer; Liam Neeson, Pamela Anderson, Paul Walter Houser, Danny Houston, Kevin Durand Weapons- dir. Zach Cregger; Julia Garner, Josh Brolin, Alden Ehrenreich, Amy Madigan, Austin Abrams, Benedict Wong, Cary Christopher Freakier Friday- dir. Nisha Ganatra; Lindsay Lohan, Jamie Lee Curtis, Jamie Butters, Sophia Hammons, Marc Harmon, Manny Jacinto, Chad Michael Murray War of the Worlds- dir. Rich Lee; Ice Cube, Eva Longoria, Clark Gregg, Iman Benson, Henry Hunter Hall, Devon Bostick Honey Don't!- dir. Ethan Coen; Margaret Qualley, Aubrey Plaza, Chris Evans, Charlie Day, Lera Abova KPop Demon Hunters- dir. Chris Appelhans, Maggie Kang; Arden Cho, May Hong, Ji-young Yoo, Ahn Hyo-seop, Yunjin Kim, Ken Jeong The Toxic Avenger- dir. Macon Blair; Peter Dinklage, Jacob Tremblay, Kevin Bacon, Elijah Wood, Taylour Paige, Julia Davis, Luisa Guerreiro Shari & Lamb Chop - dir. Lisa Dapolito SEPTEMBER The Conjuring: Last Rites The Long Walk Downton Abbey: The Grand Finale Spinal Tap II: The End Continues Him A Big Bold Beautiful Journey One Battle After Another The Strangers: Chapter 2 --------------------------------------------------- iTunes: podcasts.apple.com/us/podcast/movi…el/id1082173626 Spotify: open.spotify.com/show/2VE15E5fS0Z…75eb550499c&nd=1 Jurge - twitter: twitter.com/jcruzalvarez26 Letterboxed: letterboxd.com/jcruzalvarez26/​ Ryan- twitter: twitter.com/MrPibbOfficial Letterboxed: letterboxd.com/filmpiece/​ Karrie - twitter: twitter.com/kar_elyles Letterboxed: letterboxd.com/karrie/

It's officially the beginning of Halloween season and the end of the Japanese celebration of… The post Eros + Massacre Episode 23: The Desolation of Kiyoshi Kurosawa (1989-1999) appeared first on Cinepunx.

It's been a slow box office summer in the US, so we've got the perfect "Cure" from Kiyoshi Kurosawa in this wildcard episode!If you're enjoying the show, consider buying us a coffee, sending us an email or hitting us up on Letterboxd, Twitter(X), BlueSky or Instagram!You can catch our episodes early and ad free over on Nebula! Sign up with the link below. It really helps out the pod so we thank you in advance!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

TOKYO! TOKYO! TOKYO! Welcome back Snobbies. We are here for it! Our new film topic is Tokyo films. Caleb is up first and he picked a terrifying film by Kiyoshi Kurosawa and it's called, “Pulse.” This film is about how the internet becomes a gateway for the dead to crossover. This film had ghosts, loneness, isolation, suicide, etc. We get into the bad graphics, scary premise, and deeper questions that this film posits. We hope you watch and join us on this crazy journey. Enjoy!Film Discussed: Pulse (2001)Letterboxd: Eric Peterson:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/EricLPeterson/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Jared Klopfenstein:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/kidchimp/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Ethan Jasso:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/e_unit7/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Caleb Zehr:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/cjzehr/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Ricky Wickham:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/octopuswizard/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Cody Martin: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/codytmartin/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Here is a COMPLETE LIST of every film that we have done an episode for. Enjoy!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://letterboxd.com/ericlpeterson/list/a-complete-list-of-every-the-film-snobs-episode/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Five star reviews left on the pod get read out loud!

This episode sees our cinematic duo turning their attention to Kiyoshi Kurosawa's new Japanese thriller, Cloud. This film, a hit at the spring film festivals and an Academy Award nominee, explores themes of capitalism through a young man reselling goods online. While some might expect a horror film based on Kurosawa's past work, Cloud is decidedly a thriller that keeps you guessing who to root for.Get ready for tonal shifts as the film evolves from a quiet drama to an absurd, action-packed thriller with characters who are — as our humble hosts remark — "an inch away from losing it." Dori and Kpolly also praise the unexpected character arcs of Yoshi's assistant, O, and his girlfriend, before moving on to their other recommendations: the 1980s-set, Pedro Pascal-starring Freaky Tales; and Bob Odenkirk's unexpected action turn in Nobody.

It's the PREMIERE episode of our new limited series SERPENT'S TAIL: THE FILMS OF KIYOSHI KUROSAWA and on this episode we discuss why we chose the filmmaker as our subject, our (limited) experience with his work, a bit about his background and dive into his first two features: 1983's KANDAGAWA PERVERT WARS and 1985's BUMPKIN SOUP (aka THE EXCITEMENT OF THE DO-RE-MI-FA GIRL). Both films have a unique mix of eroticism and surrealism, and are a world away from the films we most closely associated with Kurosawa. Enjoy! The post Episode 286 – Serpent's Tail: The Films of Kiyoshi Kurosawa – Kandagawa Pervert Wars (1983) & Bumpkin Soup (1985) first appeared on Cinema Smorgasbord.

Paging Rick Deckard, the return (sort of) of Frank Drebin, Liam in love, the legacy of Leslie Nielsen, the one of a kind Kiyoshi Kurosawa, the pleasures of Retribution, my cat is missing, and an ending featuring Danny Aiello, Jack Nicholson, and John Wayne. Stuff mentioned: Blade Runner (1982), The Naked Gun (2025), The Naked Gun: From the Files of Police Squad! (1988), Baywatch (1989-2001), Leslie Nielsen Fart Interview (https://www.youtube.com/watch?v=NGuHDdSImFQ), Cloud (2025), Pulse (2001), Cure (1997), Creepy (2016), Retribution (2006), and Rhonda Byrne The Secret (2006).

On this episode, JD is joined by Megan Loucks to discuss Kiyoshi Kurosawa's new film CLOUD!   Visit https://insessionfilm.com for merch and more!   Thanks for listening and be sure to subscribe! Become a Member today to get exclusive bonus content!   Follow us on X/Twitter! @InSessionFilm | @RealJDDuran | @BrendanJCassidy

This week we're excited to present a conversation with legendary Japanese director Kiyoshi Kurosawa as he discusses his new feature Cloud, currently playing daily at Film at Lincoln Center. Get tickets at filmlinc.org/cloud This conversation was moderated by New York magazine and Vulture film critic Alison Willmore. Kiyoshi Kurosawa (Cure, Pulse) delivers one of his most chillingly prescient films with this riveting fusion of social satire, techno-thriller, and survival-action. Yoshii (Masaki Suda), a T-shirt factory worker, supplements his income by flipping merchandise online—dubious medical devices, counterfeit designer handbags, collectible figurines—until disgruntled customers begin organizing against him on an anonymous message board. As his profits grow and he quits his day job (even hiring an assistant), he becomes the target of a coordinated vendetta that ratchets into something increasingly brutal, absurd, yet eerily plausible. At once a pulse-pounding provocation and a cautionary tale for our atomized, hustle-economy era, Cloud—Japan's official submission for the 97th Oscars—is a genre-bending vision of virtual grievances mutating into real-world terror, orchestrated with Kurosawa's signature precision and nerve. A Sideshow/Janus Films release.

Ep. 333: Kiyoshi Kurosawa on his new film Cloud, life, lighting, casting, and the last thing he saw Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. Cloud is the new film by director Kiyoshi Kurosawa, whose unique career includes the films Cure, Pulse, and Tokyo Sonata. Cloud follows an internet reseller (Masaki Suda) who becomes targeted for murder by a band of customers he has played a little too fast and loose with. It's suffused with the air of menace that the director excels at creating, but situated in an actual cutthroat world of extremely online internet resellers. Kurosawa has said it's partly inspired by a true story of an internet-inspired killing, and partly by his desire to shoot an action movie, particularly with characters who are (relatively) ordinary people. As a longtime fan of his work, I felt especially fortunate to speak with director Kiyoshi Kurosawa about Cloud and his work generally. Thank you to Monika Uchiyama for translation. Cloud is in theaters now and had its world premiere in the Venice film festival last fall. It was the centerpiece film at the Japan Society's annual festival Japan Cuts, where director Kiyoshi Kurosawa was honored with the Cut Above Award for his outstanding achievements in cinema. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

As Major League Baseball celebrates a memorable All Star Game, we feature some of our favorite baseball interviews – with crafty veteran pitcher Jamie Moyer, cerebral and successful manager Tony La Russa, and slugger Mike Piazza on his epic confrontation with Roger Clemens in the World Series. John Powers reviews Cloud, the new psychological thriller from Japanese director Kiyoshi Kurosawa.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Sean and Amanda are joined by “Mean Pod Guy” Adam Nayman to unpack Ari Aster's divisive new film, ‘Eddington'—starring Joaquin Phoenix and Pedro Pascal. They discuss why they all thoroughly enjoyed the film, how Aster successfully captures our present world with a cinematic use of phones, screens, and social media, and wonder how it will perform commercially and critically (7:53). Then, they briefly cover Kiyoshi Kurosawa's twenty-seventh feature film, ‘Cloud,' and explain why Kurosawa matters to cinema at large (1:03:57). Finally, Sean is joined by Aster to talk through what makes this movie different from his previous work, why he wanted to make this now, where he sees his career moving forward, and what projects he wants to make next (1:16:03). Hosts: Sean Fennessey and Amanda Dobbins Guests: Ari Aster and Adam Nayman Producer: Jack Sanders THIS EPISODE IS SPONSORED BY THE STARBUCKS COFFEE COMPANY. ORDER NOW | STARBUCKS.COM/MENU Learn more about your ad choices. Visit podcastchoices.com/adchoices

Wenn man von Kioyshi Kurosawa spricht, kommt man um das Wort “visionär” wahrscheinlich nicht herum. Der Digitalhorror seiner früheren Filme ist so eindrücklich wie vieldeutig, sie sind stark in ihrer Zeit verortet und sprechen doch ganz direkt zu uns. Wie er seine Themen entwickelt und was auch die späteren Filme so präzise und trotzdem schwer greifbar macht, besprechen Janick, Lucas und Christian in diesem Special. Das ist aber nur der Teaser! Wenn ihr die ganze Folge hören wollt, dann unterstützt uns gerne auf https://steadyhq.com/cuts!

THIS IS A PREVIEW. FOR THE FULL EPISODE, GO TO Patreon.com/worstofall   Josiah Sutton (Fruitless) joins a lads-less Brian as he revisits the inspiration for his first video essay: Kiyoshi Kurosawa's Pulse. Topics include revisiting old work, breadtube, and what we can learn from the ghosts from internet eras long past.   Josiah Sutton: Twitter // Substack // Instagram   Fruitless Podcast: A show about history, politics, faith, media, and the internet hosted by Josiah Sutton. Patreon // Apple Podcasts // Spotify   Fruitless video essays: “A Brief History of Zombie Films” “Why You Should Watch Motern Media (feat. Will Sloan)” “Everyone Else is an NPC”   Media Referenced in the Episode: Pulse. Dir. Kiyoshi Kurosawa. 2001. The Tunnel by Friedrich Durrenmatt “Pulse (2001): How J-Horror Predicted 2020” by Brian Alford. 2020. Amusing Ourselves to Death: Public Discourse in the Age of Show Business by Neil Postman. Viking Penguin. 1985. “I Can't Stop Watching Contagion” by Folding Ideas. March 31st, 2020. “Massacre on Martin and 3rd” by Jack Saint. October 20th, 2018. Mike D'Angelo's Scenic Routes: Pulse. The A.V. Club. April 4th, 2011. “The Problem With Video Essays” by Philosophy Tube. June 27th, 2025. “Steve Bannon” by Philosophy Tube. February 4th, 2019. “Wo Ich Wohne” by Ilsa Aichinger. The Dedalus Book of Austrian Fantasy 1890-2000. Translated by Mike Mitchell. Dedalus Limited. 2003.   TWOAPW theme by Brendan Dalton: Patreon // brendan-dalton.com // brendandalton.bandcamp.com   Interstitial: “A Little Ditty” // written and performed by A.J. Ditty

Ep. 332: Amy Taubin on Cloud, Tribeca (I Was Born This Way, Happy Birthday, Shadow Scholars), Twin Peaks, Outrageous, plus Mountainhead Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. The summer may have technically begun, but it's not truly the summer without our annual June-July-ish kick-off: a podcast with critic Amy Taubin! Once again she brings a selection of highlights gleaned from the Tribeca, including prize-winners and otherwise: I Was Born This Way (directed by Daniel Junge and Sam Pollard), Natchez (Suzannah Herbert), The Shadow Scholars (Eloise King), Cuerpo Celeste (Nayra Ilic García), Happy Birthday (Sarah Goher), and the delightful Lion King doc Runa Simi (Augusto Zegarra), with my chiming in about The Scout (Paula González-Nasser). But wait, that's not all: Amy also talks about Kiyoshi Kurosawa's Cloud (coming to U.S. theaters on July 18); her recent work on Twin Peaks, with a remarkable personal connection to David Lynch's work; and Outrageous, the very resonant TV series about the Mitford sisters. Plus: I ramble a bit about the latest movies from Celine Song, Materialists, and from Danny Boyle, 28 Years Later, as well as Jeremy Strong's feature-film directorial debut, the tech-bro-apocalypse satire Mountainhead. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

In this episode, we explored Kiyoshi Kurosawa's Pulse. As Tokyo falls into eerie silence, a group of disconnected strangers uncovers a series of ghostly events linked to the internet. Join The Dale, Cea, and Twan as we discuss the film's themes of loneliness, technology, and the feeling of existential dread. We dive into its haunting atmosphere, slow-burn terror, and why it remains one of the most unsettling J-horror films of the 2000s. Tune in as we break down why this film's core message of technology and loneliness was ahead of its time.

durée : 00:07:52 - Le Masque et la Plume - Entre chronique sociale et cauchemar, le dernier film de Kiyoshi Kurosawa, inspiré de faits divers où un homme bascule dans un monde anxiogène après une promotion refusée, a ébloui les critiques du Masque par sa mise en scène.

durée : 00:47:26 - Le Masque et la Plume - par : Rebecca Manzoni - Le dernier film de Thomas Ngijol, celui de Kiyoshi Kurosawa, une comédie drôle et originale portée par le tandem Denis Podalydès - Salif Cissé, le film de Lola Doillon et le film de Mike Flanagan, tous passés au crible des critiques. - réalisé par : Guillaume Girault

Experience the first true survival horror film!Sweet Home (Japanese: スウィートホーム, Hepburn: Suwīto Hōmu), also known as The Mamiya House, is a 1989 Japanese horror film directed by Kiyoshi Kurosawa and produced by Juzo Itami. It was released alongside a video game of the same title that inspired the Resident Evil game series released by Capcom. Special makeup effects in the film were done by Dick Smith.A TV production crew are making a documentary about the infamous painter Mamiya Ichiro. When they start filming at his old home, they come under attack from the ghost of the painter's wife.00:00 Intro 14:37 Mount Rush-Horror21:53 Horror News 38:00 What We've Been Watching53:07 Film Review1:48:57 Film Rating1:53:48 Outrowww.horrorhangout.co.ukPodcast - https://fanlink.tv/horrorhangoutPatreon - http://www.patreon.com/horrorhangoutFacebook - http://www.facebook.com/horrorhangoutpodcastX - http:/x.com/horror_hangout_TikTok - http://www.tiktok.com/@horrorhangoutpodcastInstagram - http://www.instagram.com/horrorhangoutpodcastBen - https://x.com/ben_errington​​​Andy - https://www.instagram.com/andyctwrites/Daniel - https://www.instagram.com/dan_drambles/https://terrorbytesdoc.com/https://www.youtube.com/DanDramblesAudio credit - Taj Eastonhttp://tajeaston.comSupport this show http://supporter.acast.com/thehorrorhangout. Hosted on Acast. See acast.com/privacy for more information.

durée : 00:13:45 - Les Midis de Culture - par : Marie Labory - Nos critiques discutent des deux nouveaux films du maître japonais de l'épouvante, Kiyoshi Kurosawa : un long-métrage, "Cloud", où la violence est d'abord en ligne et un court-métrage, "Chime", où c'est en cuisine que tout est sanglant. - réalisation : Laurence Malonda - invités : Philippe Azoury Journaliste, critique et auteur; Guillaume Orignac Cinéaste et critique de cinéma

durée : 00:27:54 - Les Midis de Culture - par : Marie Labory - Au menu du débat critique, du cinéma, avec "Cloud" et "Chime" de Kiyoshi Kurosawa et "Mountainhead" de Jesse Armstrong. - réalisation : Laurence Malonda - invités : Philippe Azoury Journaliste, critique et auteur; Guillaume Orignac Cinéaste et critique de cinéma

durée : 00:58:08 - Plan large - par : Antoine Guillot - Plan Large sur les cinémas de James Gray et Kiyoshi Kurosawa, avec Gabriela Trujillo et Kiyoshi Kurosawa lui-même, et aussi Sophie-Catherine Gallet. - réalisation : Anne-Laure Chanel - invités : Kiyoshi Kurosawa; Gabriela Trujillo Historienne du cinéma, spécialiste des cinémas d'Amérique latine, essayiste et romancière, ancienne directrice de la Cinémathèque de Grenoble; Sophie-Catherine Gallet Collaboratrice à France Culture, critique de cinéma à Revus et corrigés, cinéaste

On this episode of What a Picture, Bryan is joined by Stephen Gillespie of the STACKS podcast to talk through the best of international films of the past year.Timestamps:00:00 - Where to find good international films08:33 - Broken Rage (dir. Takeshi Kitano)14:05 - Inside the Yellow Cocoon Shell (dir. Phạm Thiên Ân)18:17 - The Seed of the Sacred Fig (dir. Mohammed Rasoulof)23:55 - Cloud (dir. Kiyoshi Kurosawa)27:37 - Daaaaaalí! (dir. Quentin Dupieux)30:04 - All We Imagine As Light (dir. Payal Kapadia)36:15 - Youth (Spring) (dir. Wang Bing)43:07 - Johanne Sacreblu (dir. Camila Aurora González)47:30 - Caught by the Tides (dir. Jia Zhangke)52:22 - Dahomey (dir. Mati Diop)1:01:35 - The Beast (dir. Bertrand Bonello)1:11:35 - No Other Land (dir. Rachel Szor, Hamdan Ballal, Yuval Abraham, Basel Adra)1:18:00 - Red Rooms (dir. Pascal Plante)1:24:53 - About Dry Grasses (dir. Nuri Bilge Ceylan)1:32:14 - Soundtrack to a Coup d'Etat (dir. Johan Grimonprez)1:39:20 - Universal Language (dir. Matthew Rankin)1:49:11 - Grand Tour (dir. Miguel Gomes)2:00:55 - Honorable Mentions2:10:56 - What we are excited for next yearThe STACKS podcast: ⁠https://open.spotify.com/show/0mQaf7o2bTBGthV6eur2Zt?si=15ceffe35f10488e⁠I'm Thinking of Spoiling Things Podcast: ⁠⁠https://open.spotify.com/show/3Cy7OcwcfnZSsVCCPXcIav?si=8592987bbe4642ef⁠⁠Email us at podcast@whatapicturepod.comWhat a Picture website: ⁠⁠⁠⁠⁠⁠⁠https://whatapicturepod.com⁠⁠⁠⁠⁠⁠⁠Bryan's Social Media: ⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠LetterboxdMusic is "Phaser" by Static in Verona.

durée : 00:58:31 - Mauvais genres - par : François Angelier, Philippe Rouyer - A l'occasion du festival Reims polar 2025 et de la sortie de son film "Cloud", Mauvais Genres s'entretient avec un des maîtres japonais de l'angoisse : le cinéaste japonais Kiyoshi Kurosawa. - réalisation : Laurent Paulré - invités : Kiyoshi Kurosawa

On this special edition of On-Screen Live, we were live (thanks to the spotty hotel wi-fi holding out) from the 2024 Toronto International Film Festival! In this episode, Andrew and Chris reviewed films they caught during our first two days at the fest, including David Cronenberg's The Shrouds, Kiyoshi Kurosawa's Cloud, Joshua Oppenheimer's The End, David Gordon Green's Nutcrackers, Mati Diop's Dahomey & more! The second, and final part of our #TIFF24 coverage will broadcast live on our YouTube and Twitch channels this coming Thursday, September 12 at noon/eastern. The audio from that show will be turned around the following week! Be sure to head to our website for all ticketing information on our final shows of the year in Seattle, Portland (Oregon) & Boston! And don't miss our worldwide digital event on October 23 where we're talking Scream 4! Can't make it the night of? The show has a 14-day replay window after the broadcast! And if you're a Patreon subscriber at the $8 level or up, you can bundle in our exclusive After Party Q&A totally free! That's right, you can watch us vibe and imbibe as we answer audience questions, totally gratis!