Podcast appearances and mentions of cecile chaminade

Performances featured in this programme :- Manx Concert Brass - Winners - Brass Ensemble Class B6 - playing Gershwin's Summertime The Shimmerelles - 2nd - Any Voice Trio - singing Dream a Little Dream of Me (The Shimmerelles are Jane Corkill, Ruth Tickle, Naomi Cole accompanied by Gareth Moore) MV Hopefuls - Winners - Any Voice Trio - singing One Hand, One Heart from West Side Story (MV Hopefuls are Sarah Shimmin, Julie Brew and Jessie Quigley) Daisy Harrison - Winner - JS5 - Girls Solo - ages 8 & 9 - singing The Dark Island accompanied by Judith Christian Cara Rowles - Winner - JS6 - Girls Solo - ages 10 and 11 - singing The Sunflower accompanied by Judith Christian Terence Qualtrough - Winner - S13a - Victorian or Edwardian Ballad - singing Nirvana by Stephen Adams, accompanied by Gareth Moore Emily Coates - Winner - Special Soprano Class S2 - singing Ah, Love, But A Day by Amy Beach - accompanied by Frank Woolley Debbie Gooding - Winner - Special Mezzo Soprano Class S3 - singing Give Me My Robe by Cecilia McDowell, accompanied by Madeline Kelly Angela Stewart - Winner - Special Contralto Class S4 - singing Mots d'Amour by Cecile Chaminade accompanied by Gareth Moore Simon Fletcher and Lorcan O'Mahony - Winners - SG2 - Male Voice Duet Class - singing The Hero and the Villan, accompanied by Gareth Moore Frank Joughin and Fraser McKenna - Winners - P13 - Piano Duet Class - playing Irree Ny Greiney composed by Bob Carswell

Nesta edição do Clássicos CBN, com o Maestro Helder Trefzger, continuaremos a homenagear as mulheres trazendo obras de duas compositoras. Dessa vez, as escolhidas foram a francesa Cecile Chaminade e a brasileira Clarice Assad. E aproveitaremos para lembrar de uma sinfonia de Tchaikovsky que será apresentada pela orquestra nessa semana. Ouça a conversa completa!

On the latest episode of ‘New Classical Tracks,' the Neave Trio explores the music of Lili Boulanger, Cécile Chaminade, Germaine Tailleferre and Ethel Smyth on their new album, ‘A Room of Her Own.' Find out more!

Linton Stephens tries out a playlist of all women composers on comedian Ania Magliano, in a special International Women's Day edition of Classical Fix.Ania's playlist:Cecile Chaminade - 6 Etudes de concert - book 1 for piano (Op.35), no.2; Automne Ayanna Witter-Johnson - Earth Dorothy Howell - Lamia - symphonic poem Hildegard von Bingen - O vis eternitatis Ida Presti - SegoviaClassical Fix is a podcast aimed at opening up the world of classical music to anyone who fancies giving it a go. Each week, Linton mixes a bespoke playlist for his guest, who then joins him to share their impressions of their new classical discoveries. Linton Stephens is a bassoonist with the Chineke! Orchestra and has also performed with the BBC Philharmonic, Halle Orchestra and Opera North, amongst many others.

She persisted and created her own success in defiance of the sexism faced at home and abroad. We explore her life, works you need to hear, and even hear a 122-year-old recording of Chaminade herself!Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.

In diretta dagli studi di Via Ollearo, tutta la redazione di musica classica (Claudio Ricordi, Luca Chierici, Carlo Lanfossi, Francesca Badalini, Carlo Centemeri) in una puntata per ricordare Vittorio Bianchi, riascoltare la sua voce e le sue passioni, ripensare a progetti, rievocare aneddoti e, ovviamente, dedicargli brani che gli sarebbero piaciuti. E con noi, le musiche di Richard Wagner, Ludwig van Beethoven, Gustav Mahler, Johanna Kinkel, Cecile Chaminade, Agathe Backer Grondahl

I was talking with one of my high school students a few weeks ago about music by women composers. We were studying "Canoeing" by Amy Beach in the Celebration Series Level 7 Piano Repertoire book, the third piece in her Op. 119 collection, From Six to Twelve for Piano written in 1927. "Amy Beach was the first American woman to achieve widespread recognition as a composer of large-scale works," I read from my iPad.My student, in addition to piano and double bass, her primary instrument, is also a composer. Her most recent work was a four-and-a-half-minute piece for string ensemble that she wrote over a weekend!She's also picked up numerous other instruments through the years—harpsichord, marimba, viola, bass drum, guitar, and even a Viola da Gamba.We listened to a recording of the piece and played through the score. We discussed how the rippling eighth notes between the hands create a sense of paddling, left then right. We talked about Amy Beach's life, marriage, and musical career."This piece reminds me of works by a few other women composers," I said after a few minutes. I pulled up a copy of Cecile Chaminade's Album des enfants, Op. 123 written in 1906 and played the first page. "Another female composer writing around this same time was Charlotte Sohy," I said. "She has a set of piano pieces that might be fun for you to play," I said, pulling up the score for 6 petites pièces on my iPad. Her eyes lit up. "Yes, I'd like that," she said, nodding.This is how the idea began for studying and learning music by women composers during the month of March, International Women's Month. In this episode, I'll talk about the composers and scores we'll study over the next four weeks and share a resource list of elementary and intermediate piano music written by women composers that you can reference in your teaching.For show notes, click here.Resources Mentioned*Disclosure: I get commissions for purchases made through links in this post.Celebration Series Level 7 Piano Repertoire bookFrom Six to Twelve for Piano, Op. 119 (Amy C. Beach)Album des Enfants, Op. 123 (Cecile Chaminade)6 petites pièces (Charlotte Sohy)Ep. 047 - An Inside Look at My Lesson-Planning ProcessAlbum des Enfants, Op. 126 by Cecile ChaminadeScenes Enfantines, Op. 92 by Mel. BonisCanoeing, Op. 119, No. 3 by Amy BeachPortraits in Jazz by Valerie Capers25 Progressive Etudes by Louise FarrencLittle Gems for Piano (Paula Dreyer)Entrepreneur Profile: Paula DreyerUp-Grade! (Pam Wedgwood)The Old Boatman (Florence Price)Gifts of Asia (arr. Emilie Lin)Splattered with Fun! (Glenda Austin)I'm Not Scared (Nancy Telfer)Pictures and Beyond, Book 1 and Book 2 (Dianne Goolkasian Rahbee)At the Piano (Katherine Hoover)Piano Dreams (Anne TerzibaschitschCool Piano, Book 1 (Heather Hammond)Jazz, Rags, and Blues, Book 1 + Christmas Jazz, Rags, and Blues (Martha Mier)Enchanted World (Winnie the Pooh) (June Armstrong)At the Lake (Elvina Truman Pearce)Very Easy Little Peppers (Elissa Milne)Higgledy Piggledy Jazz (Elena Cobb)Ep. 045 - The Blues Composition ProjectImpressions: Suite for Solo Piano (Jennifer Eklund)The Best of Melody Bober, Book 2 (Melody Bober)Victress Sessions (Andrea Dow)A Collection of Florence Price's Piano Teaching Music Vol 1. Beginning Pieces (Florence Price)

Música

Synopsis The French composer and concert pianist Cecile Chaminade was born in Paris on this date in 1857. She wrote symphonic works and even operas, but it was her piano pieces and songs that became enormously popular with amateur musicians around the turn of the century, especially in America. In the decade before World War I, over a hundred "Chaminade Clubs" sprouted up in America, where Chaminade's music was performed by and for her fans. So imagine the excitement when it was announced that Madame Chaminade herself would be giving a concert tour of Eastern and Midwest states in 1908. Chaminade's American tour opened and closed at New York's Carnegie Hall, and over a two-month period she performed in Philadelphia, Louisville, Cincinnati, Milwaukee, Minneapolis, Chicago, St. Louis, Indianapolis, Boston, and Washington DC. In 1908, the majority of amateur musicians in America were women, but the majority of music critics were men – the latter gave Chaminade's concerts mixed reviews at best, and downright sexist put-downs at worst. For her part, Chaminade was used to that sort of reception in Europe – and the limited role society allowed women artists in her day. But in a Washington Post interview published during her American tour, Chaminade remained optimistic: "There is no sex in art," she said. "Genius is an independent quality. The woman of the future, with her broader outlook, her greater opportunities, will go far, I believe, in creative work of every description." Music Played in Today's Program Cecile Chaminade (1857-1944) L'Ondine, Op. 101 and Scherzo in C, fr Op. 35 (Peter Jacobs, p.) Hyperion 66584

Cecile Chaminade - Valse-Caprice Hiroko Ishimoto, piano More info about today's track: Grand Piano GP844 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon

Though many societies either forbade or looked down on women who wanted to be composers, many persevered. This show highlights Francesca Caccini, Elizabeth Claude Jacquet de la Guerre, Louise Farrenc, Cecile Chaminade, Germaine Tailleferre, Hildegard von Bingen, Marianna Martines, Fanny Mendelssohn, Amy Beach, Florence Price, and Queen Lili'oukalani.

Episode 45 aired February 15, 1941 on Mutual Radio. This program opens with the David Rose Orchestra playing Song of the Islands and La Cucaracha. Maxine Gray sings Walkin' By The River. Trumpet virtuoso Rafael Mendez joins the Rose Orchestra and Pablo de Sarasate's Zigeunerweisen. Gypsy Waves and a rose original Valse d'Nuit. Maxine Gray sings Dream This One Out and the program concludes with Scarf Dance by Cecile Chaminade. Don Gordon is host.

Carlos Iribarren | El paso del siglo XIX al XX nos regaló muchas obras maestras de todo tipo y repartidas por todo el planeta. Esta vez nos centramos en el brillante repertorio para flauta que apareció en Francia de la mano de autores muy conocidos como Saint-Saëns, Fauré o Massenet, así como de otros más olvidados como Pierné, Gaubert o Cecile Chaminade, cuyo concertino es habitual en el repertorio de muchos flautistas de éxito. A Carlos y Mario Mora les acompaña el flautista Juan Val, con quien descubriremos diferentes aspectos relacionados con la flauta y sus intérpretes, mientras disfrutamos escuchando música maravillosa: la que queremos ofrecerte siempre en Hoy Toca, el programa de Clásica FM que te quiere sorprender.

Karina Eijo is a dedicated flutist, collaborator, and educator who has a passion for helping students build a good foundation. Ms. Eijo received a Bachelor of Music degree in Flute Performance from the University of Florida at New World School of the Arts, Cum Laude in 2015 where she performed in a variety of chamber music groups and was a flutist in the NWSA Symphony Orchestra. Ms. Eijo recently graduated in May 2020 with a Master of Music degree in Flute Performance with honors from Austin Peay State University where she held a graduate teaching assistantship as an instructor of record for Music Appreciation and social media. During her time at APSU, Ms. Eijo performed in the APSU Wind Ensemble, APSU Symphony Orchestra, and performed in multiple chamber music settings. Ms. Eijo has performed at the Mid-South Flute Association Festival and has performed in masterclasses in Miami and Clarksville with such artists as William Bennett, Bart Feller, Dr. Lisa Wolynec, Boris Allakverdyan, and Lorna McGhee. Karina Eijo has also performed at the Mid-South Flute Society Festival with the APSU Flute Choir. As a soloist, Ms. Eijo has performed Concerto in G Major, K. 313 by W.A. Mozart with the NWSA Symphony College Chamber Orchestra for the orchestra's inaugural concert. During her graduate studies, Ms. Eijo competed and won the 2019-2020 APSU Concerto Competition and performed Concertino, Op. 107 by Cecile Chaminade with APSU Symphony Orchestra. As an educator, Karina is passionate about making music accessible to everyone and was a Teaching Artist for Miami Music Project for three years, a non-profit organization that seeks to provide music to children in underserved communities. Karina's past teachers include Suzan Degooyer, Melanie Lançon, Rene Miska, and Dr. Lisa Wolynec. Instagram: @karinaeijoflute Facebook: Karina Eijo, Flutist Website: www.karinaeijo.com In this episode we talk about: - Karina's experience with injury - Flute Setup - Practicing: approaches and practicing away from our instrument - Considerations for avoiding injury --- Send in a voice message: https://anchor.fm/thealignedmusician/message

Cecile Chaminade - La Lisonjera (The Flatterer) Peter Nagy, piano More info about today's track: Naxos 8.550141 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording ArkivMusicAmazon

Fanny Mendelssohn, Felix Mendelssohn's older sister, was a talented pianist and composer. So was Clara Schumann, wife of composer Robert Schumann. Also featured: music of Elizabeth-Claude Jacquet de la Guerre, Cecile Chaminade, Germaine Tailleferre, Hildegard von Bingen, Amy Beach, and Thea Musgrave.

Kultūrinės spaudos apžvalga.Filosofo Aldžio Gedučio komentaras apie archeologus, pajūryje kasinėjančius Kukuliškių piliakalnį.Pokyčių metas, sustojimas skatina iš naujo permąstyti miestus, kaip mūsų kuriamas erdves, laukiamus visuomenės mąstysenos pokyčius. Naujoji europinio bauhauzo iniciatyva, tai platforma kviečianti eksperimentuoti ir užmegzti ryšius tarp kūrėjų, bendruomenių, mokslo ir technologijų, meno ir kultūros siekiant kurti ir skatinti darnios gyvensenos principus.Pasaulio kultūros naujienos: rūpestis jaunimo emocine gerove Briuselyje ir Kingstone prie Halo, tradicinis Edinburgo pasijos spektaklis, Ermitažo muziejus tiria Faberžė kiaušinius ir juvelyriką.LRT KLASIKA toliau tęsia ciklą „24 atvirukai: pasakojimai apie moteris kompozitores“. Šį kartą pasakojimas apie kompozitorę Cecile Chaminade.Neseniai pristatytas tyrimas „Menininkų socialinės ir kūrybinės būklės vertinimas“ atskleidė menininko portretą valstybės peizaže. Koks jis?Klaipėdos valstybinio muzikinio teatro „Pagauk bangą“ „Metų iššūkio“ kategorijoje apdovanojimas skirtas Richardo Wagnerio operos „Skrajojantis olandas“ pastatymo kūrėjams. Šis spektaklis šiemet taip pat pelnė du Auksinius scenos kryžius – už režisūrą jis įteiktas Daliui Abariui, geriausias solistas -Tadas Girininkas. Taip pat Skrajojančiam olandui atiteko ir Klaipėdos miesto savivaldybės teikiama „Padėkos kaukė“ už Metų spektaklio sukūrimą senajame uosto elinge.Klasikos koncertų salė.Ved. Ugnė KačkauskaitėVed. Ugnė Kačkauskaitė

In dieser Folge sprechen wir darüber was für uns persönlich die Gemeinsamkeiten und Unterschiede es zwischen Chor und Solo-Gesang gibt und wie unser individuelles Herangehen an beide Arten von Singen ist. Wer die Aufnahme von uns beiden im Duett hören möchte, kann Julia's Seite besuchen und die Aufnahme von Cecile Chaminade hören: https://www.julia-reckendrees.de/medien Außerdem freuen wir uns über Nachrichten zu unserer Frage "Was sind für euch die Besonderheiten und Unterschiede zwischen Chor- und Sologesang an podcastsoundthinking@gmail.com Schön, dass Du da bist! :)

Cecile Chaminade (1857-1944) was a real superstar pianist-composer of her time. She was probably the first celebrity ever who inspired a parfume line. Her most popular piece was sold in 5 million copies during her life, and women around the world were gathering in "Chaminade Clubs", devoted exclusivelly to this great composer. How was it then possible, that her music simply dissapeared after her death? Tune in to find out, and also to experience one of the most beautiful (musical) meditations. Music: Cecile Chaminade "Meditation" from 6 Romances sans paroles op.76 Piano, talk: Katarina Andjelkovic www.katarinaandjelkovic.com For the updates on the next episodes follow: www.facebook.com/pianorediscovered To support Piano ReDiscovered (thank you!) visit: www.buymeacoffee.com/rediscoverPiano

Den franske komponist og pianist Cecile Chaminade, der levede fra 1857-1944 er et hårrejsende eksempel på en vidt berømt musiker, der blev total glemt allerede i hendes levetid. Hun spillede sig igennem alle tænkelige koncertsale i hele Europa og USA. Hun modtog en regn af ærespriser bl.a. Chevalier de Légion d'Honneur indstiftet af Napoléon, som er den højeste orden en civil person kan opnå i Frankrig. Men i forlængelse af...

Esta semana en Mucho más que Mozart en Noche tras Noche,de RPA, hablamos de las grandes compositoras de la historia y les hacemos el hueco que la historia les ha negado. Descubrimos a Clara Wieck, Cecile Chaminade, Germaine Tailleferre, María Teresa Prieto y Amy Beach. Con Ana Laura Iglesias.

Though many societies either forbade or looked down on women who wanted to be composers, many persevered. This show highlights Francesca Caccini, Elizabeth Claude Jacquet de la Guerre, Louise Farrenc, Cecile Chaminade, Germaine Tailleferre, Hildegard von Bingen, Marianna Martines, Fanny Mendelssohn, Amy Beach, Florence Price, and Queen Lili'oukalani.

Fanny Mendelssohn, Felix Mendelssohn's older sister, was a talented pianist and composer. So was Clara Schumann, wife of composer Robert Schumann. Also featured: music of Elizabeth-Claude Jacquet de la Guerre, Cecile Chaminade, Germaine Tailleferre, Hildegard von Bingen, Amy Beach, and Thea Musgrave.

EPISODIO 16. TEMPORADA 01Sofía Casanova narrou de primeira man a I Guerra Mundial aos lectores do diario ABC. Foi a primeira muller contratada coma correspondente fixa, e desenvolveu o seu labor para este xornal madrileño entre 1915 e 1944. En Polonia, en Bielorrusia e en Moscova vivirá algúns dos acontecementos que marcan o século XX: a xa citada Grande Guerra, a Revolución Rusa e o inicio da Segunda Guerra Mundial. Poderiamos salientar o seu papel coma muller precursora nun mundo, o do xornalismo, até ese momento practicamente monopolizado polos varóns, mais entendemos que, sería, de xustiza, lembrala coma un modelo de xornalista comprometida: transmite unha visión unha visión propia, nada pregada nin compracente co poder, e que non se sente allea ni mera espectadora do mundo que lle tocou vivir e narrar. Con todo, Sofía continúa a ser unha grande esquecida, non reivindicada por ninguén.O mundo de principios de s. XX, nos que Sofía iniciou a súa carreira profesional, ven marcada pola eclosión da gran revolución do século: a conquista da muller no espazo público. En 1910, na II Conferencia Internacional de Mulleres Socialistas que ten lugar en Copenhague (Dinamarca), é unha poliítica de nacionalidade alemá, Clara Zetkin, quen propoña o 8 de mazo coma Día Internacional da Muller Traballadora. Non será até 1977 que a ONU declare este día coma Día Internacional da Muller, que se segue a celebrar na actualidade. Os obxectivos iniciais desta data conmemorativa era as reivindicacións laborais por parte da muller (de acceso ao mundo laboral e a mellora das condicións de traballo e equiparación de salarios cos homes) e as demandas sobre a igualdade política, centrada na loita sufraxista.A I Guerra Mundial vai supor unhas fondas transformacións no mercado laboral que van acelerar este proceso. Foi un comezo, mais aínda fica moito por facer.Música da sintonía: http://audionautix.com/ (The voyage, PennyWhistle, TriumphantReturn).AS MÚSICAS DE FACEMOS HISTORIA Autrefois, Op. 87/4, de Cecile Chaminade, interpretada por Anna Sutyagina: https://www.youtube.com/watch?v=-5NVkDzxH90D'un Vieux Jardin, de Lili Boulanger: https://www.youtube.com/watch?v=45V2b3HpwLM

EPISODIO 16. TEMPORADA 01Sofía Casanova narrou de primeira man a I Guerra Mundial aos lectores do diario ABC. Foi a primeira muller contratada coma correspondente fixa, e desenvolveu o seu labor para este xornal madrileño entre 1915 e 1944. En Polonia, en Bielorrusia e en Moscova vivirá algúns dos acontecementos que marcan o século XX: a xa citada Grande Guerra, a Revolución Rusa e o inicio da Segunda Guerra Mundial. Poderiamos salientar o seu papel coma muller precursora nun mundo, o do xornalismo, até ese momento practicamente monopolizado polos varóns, mais entendemos que, sería, de xustiza, lembrala coma un modelo de xornalista comprometida: transmite unha visión unha visión propia, nada pregada nin compracente co poder, e que non se sente allea ni mera espectadora do mundo que lle tocou vivir e narrar. Con todo, Sofía continúa a ser unha grande esquecida, non reivindicada por ninguén.O mundo de principios de s. XX, nos que Sofía iniciou a súa carreira profesional, ven marcada pola eclosión da gran revolución do século: a conquista da muller no espazo público. En 1910, na II Conferencia Internacional de Mulleres Socialistas que ten lugar en Copenhague (Dinamarca), é unha poliítica de nacionalidade alemá, Clara Zetkin, quen propoña o 8 de mazo coma Día Internacional da Muller Traballadora. Non será até 1977 que a ONU declare este día coma Día Internacional da Muller, que se segue a celebrar na actualidade. Os obxectivos iniciais desta data conmemorativa era as reivindicacións laborais por parte da muller (de acceso ao mundo laboral e a mellora das condicións de traballo e equiparación de salarios cos homes) e as demandas sobre a igualdade política, centrada na loita sufraxista.A I Guerra Mundial vai supor unhas fondas transformacións no mercado laboral que van acelerar este proceso. Foi un comezo, mais aínda fica moito por facer.Música da sintonía: http://audionautix.com/ (The voyage, PennyWhistle, TriumphantReturn).AS MÚSICAS DE FACEMOS HISTORIA Autrefois, Op. 87/4, de Cecile Chaminade, interpretada por Anna Sutyagina: https://www.youtube.com/watch?v=-5NVkDzxH90D'un Vieux Jardin, de Lili Boulanger: https://www.youtube.com/watch?v=45V2b3HpwLM

Detective Juno Steel didn’t want to end up at a party tonight – in fact, he never wants to end up at a party – but he’s not exactly in a position to turn down the invitation. Juno's client, Valles Vicky, is here, too, and her former lover Ingrid Lake has made her a promise: either Vicky leaves her family for Ingrid… or Ingrid kills Vicky at midnight. It’s eleven, now, and the clock is ticking. In one hour, Valles Vicky could be dead… and Juno could lose his only lead on what might be the most earth-shattering case of his career. Welcome to the Penumbra, dear Traveler. We hope you enjoy your stay. If you miss us between episodes, remember to follow us on Facebook (The Penumbra Podcast), Twitter (@thepenumbrapod), and our website (thepenumbrapodcast.com) for updates, information about the cast and crew, and irresistible witticisms. We’d like to thank our Patreon supporters, Anna Meehan, Sue Stewart, Sean Toland, Sienna Warecki, Avery (aka Jack) W, and David Spain! With Patreon, you can support us by scheduling a small donation for each episode we release. If you’d like to show the artists behind the Penumbra that you appreciate their work, you can do so here: https://www.patreon.com/user?u=3386677 Attribution: Music: "Kind of Girl" by Jeris, featuring spinningmerkaba: http://ccmixter.org/files/VJ_Memes/35657 “Pizzicato, piano arrangement” by Leo Delibes, performed by Markus Staab “Tarantelle, Op. 43” by Frederic Chopin, performed by Olga Gurevich “Caprice humoristique, Op. 113” by Cecile Chaminade, performed by Jean Dube “Gaucho – Corta Jaca” by Chiquinha Gonzaga, performed by Markus Staab https://creativecommons.org/licenses/by/3.0/legalcode “photo press Conference.WAV” by klankbeeld http://freesound.org/people/klankbeeld/sounds/179209 “Clock Ticking” by unfa http://freesound.org/people/unfa/sounds/154906 “Suburb fall night light traffic.aif” by bennychico11 http://freesound.org/people/bennychico11/sounds/83071 “Group fighting” by sonsdebarcelona http://freesound.org/people/sonsdebarcelona/sounds/221960 TRIGGER WARNINGS: Violence Gunfire Deception and gaslighting Sudden loud noises Alcohol

Donald Macleod, with the help of experts Marcia Citron of Rice University and Karen Henson of Columbia University, explores the life and work of Cecile Chaminade and Augusta Holmes