Podcasts about comic vine

"En garde!" In this episode we jump back in time to seventeenth century France, where dastardly deeds are afoot and the Duchess Isabella is forced to take revenge against the evil Baron Von Nutter for the murder of her entire family and the theft of her family state. And in this film, revenge is a dish best served sexy.We are now coming towards the end of our fumetti season. If you want to do some background reading on the most popular Italian comics of the sixties, there's a great resource here on Comic Vine.We would love to hear from you if you have any favourite Italian comic or masked hero/ villain-based films, or if you have ever thwarted an assassination attempt whilst taking a bath. You can contact us on Twitter and Instagram or by email at wildwildpodcast@gmail.com. You can also find our YouTube channel here.Please also remember to rate and review us on your podcast platform of choice!If you enjoy the podcast, why not buy us a coffee at ko-fi.com/wildwildpodcast? Espresso, naturally. Grazie mille! Hosted on Acast. See acast.com/privacy for more information.

Skin trouble? Grey hair getting you down? Walking with a stoop? Why not take a drug that has not safely been tested on people yet, will probably make you violent, but will definitely make you young and hot? If that sounds good, you too could become Satanik, the anti-hero of our latest episode.This is one of the few films from this season to have actually been restored, and is currently available on blu ray from Terror Vision and is highly recommended.We are now coming towards the end of our fumetti season. If you want to do some background reading on the most popular Italian comics of the sixties, there's a great resource here on Comic Vine.We would love to hear from you if you have any favourite Italian comic or masked hero/ villain-based films, or if you have ever quit your job as a scientist to become a stripper in a casino on Lake Geneva. You can contact us on Twitter and Instagram or by email at wildwildpodcast@gmail.com. You can also find our YouTube channel here.Please also remember to rate and review us on your podcast platform of choice!If you enjoy the podcast, why not buy us a coffee at ko-fi.com/wildwildpodcast? Espresso, naturally. Grazie mille! Hosted on Acast. See acast.com/privacy for more information.

Bored of winning the golf championships all the time? Is life with your beautiful fiancé just not quite giving you the thrills you need? In that case, why not put on a black mask, stick a big X on your belt and then head out to fight international criminals? That's just what Mister X did, and he's never been happier, whether he's chucking henchmen out of windows or blowing up phone boxes.Yes, we're back with another episode in our Fumetti season, and this is one of the lesser-known films based on a relatively unsuccessful comic. As usual with this season, there's no decent home video release to speak of, but you can find a poor quality copy on YouTube. It's good fun though, and gives Rod and Adrian plenty to discuss.We are now coming towards the end of our fumetti season. If you want to do some background reading on the most popular Italian comics of the sixties, there's a great resource here on Comic Vine.We would love to hear from you if you have any favourite Italian comic or masked hero/ villain-based films, or if you have used your fiancé as a honeytrap to catch a sleazy mafia boss. You can contact us on Twitter and Instagram or by email at wildwildpodcast@gmail.com. You can also find our YouTube channel here.Please also remember to rate and review us on your podcast platform of choice!If you enjoy the podcast, why not buy us a coffee at ko-fi.com/wildwildpodcast? Espresso, naturally. Grazie mille! Hosted on Acast. See acast.com/privacy for more information.

Dashing home after having stolen a country's entire gold reserve and blown up its tax offices, Rod and Adrian grab their microphones to talk about one of the greatest films to be covered on Wild, Wild Podcast - Danger: Diabolik. In this episode the latest Severin Films announcements are discussed, and Adrian potentially alienates everyone by saying something blasphemous about Morricone's score. We are now halfway through our fumetti season. If you want to do some background reading on the most popular Italian comics of the sixties, there's a great resource here on Comic Vine.We would love to hear from you if you have any favourite Italian comic or masked hero/ villain-based films, or if you have scaled a castle wall to steal priceless diaomonds. You can contact us on Twitter and Instagram or by email at wildwildpodcast@gmail.com. You can also find our YouTube channel here.Please also remember to rate and review us on your podcast platform of choice!If you enjoy the podcast, why not buy us a coffee at ko-fi.com/wildwildpodcast? Espresso, naturally. Grazie mille! Hosted on Acast. See acast.com/privacy for more information.

In this phenomenally good episode, Rod and Adrian get to grips with a film that makes very little sense whichever language you watch it in. Yes, it's that dastardly master of crime/ vigilante hero (delete as appropriate, we couldn't work it out) Fenomenal: Thrill as he kicks drug dealers into the sea! Gasp as he climbs walls very carefully! Worry in case he bumps into the furniture with that mask on! You can see the whole film for yourself on YouTube.We are now halfway through our fumetti season. If you want to do some background reading on the most popular Italian comics of the sixties, there's a great resource here on Comic Vine.We would love to hear from you if you have any favourite Italian comic or masked hero/ villain-based films, or if you have ever tried to steal priceless Egyptian relics. You can contact us on Twitter and Instagram or by email at wildwildpodcast@gmail.com. You can also find our YouTube channel here.Please also remember to rate and review us on your podcast platform of choice!If you enjoy the podcast, why not buy us a coffee at ko-fi.com/wildwildpodcast? Espresso, naturally. Grazie mille! Hosted on Acast. See acast.com/privacy for more information.

Take one of Italy's most popular entertainers, stick him in a moth-eaten supervillain costume, then have him come face to face with a buffonish Terry-Thomas and you have Arrriva Dorellik, a star vehicle for singer, actor and all-round charisma machine Johnny Dorelli. But given this is an Italian comedy, will Rod and Adrian be able to agree on whether this is one to enjoy or avoid like the plague? Tune in to find out. In this episode Adrian also gets very easily distracted by Dorelli's Sanremo win of 1959 which leads to him going on about the Eurovision Song Contest at length.Johnny Dorelli was still singing this film's theme Arriva la bomba well into the 1970s, and can be seen making an appearance on Italian television here.The fumetti season is well underway! If you want to do some background reading on the most popular Italian comics of the sixties, there's a great resource here on Comic Vine.We would love to hear from you if you have any favourite Italian comic or masked hero/ villain-based films, or if have ever found yourself stuck in your car, trapped between two palm trees. You can contact us on Twitter and Instagram or by email at wildwildpodcast@gmail.com. You can also find our YouTube channel here.Please also remember to rate and review us on your podcast platform of choice!If you enjoy the podcast, why not buy us a coffee at ko-fi.com/wildwildpodcast? Espresso, naturally. Grazie mille! Hosted on Acast. See acast.com/privacy for more information.

What's better than one Superman? That's right, it's three Supermen! Plus Rod and Adrian makes five. Strap on your suction cups, grab your mini-capes and join them in them in this super-exciting, very silly adventure film that combines elements of the Peplum and the Eurospy with Batman and The Green Hornet. The Three Fantastic Supermen is nothing if not ambitious.The fumetti season is well underway! If you want to do some background reading on the most popular Italian comics of the sixties, there's a great resource here on Comic Vine.We would love to hear from you if you have any favourite Italian comic or masked hero/ villain-based films, or if your children were ever replicated by an evil genius intent on world domination. You can contact us on Twitter and Instagram or by email at wildwildpodcast@gmail.com. You can also find our YouTube channel here.Please also remember to rate and review us on your podcast platform of choice!If you enjoy the podcast, why not buy us a coffee at ko-fi.com/wildwildpodcast? Espresso, naturally. Grazie mille! Hosted on Acast. See acast.com/privacy for more information.

Argoman or Psychoman? That's the question posed in this episode as we take a look at the pop art-infused crazy world of Sir Reginald Hoover, noted criminologist, playboy and masked criminal. Other questions raised by this film include "Is ten minutes of pleasure worth losing your powers for six hours?" and "Can you really take over the world by being able to make metal bendy?"The fumetti season is well underway! If you want to do some background reading on the most popular Italian comics of the sixties, there's a great resource here on Comic Vine.We would love to hear from you if you have any favourite Italian comic or masked hero/ villain-based films, or if your hovercraft was evert forced to the beech by a man with non-specific mind powers. You can contact us on Twitter and Instagram or by email at wildwildpodcast@gmail.com. You can also find our YouTube channel here.Please also remember to rate and review us on your podcast platform of choice!If you enjoy the podcast, why not buy us a coffee at ko-fi.com/wildwildpodcast? Espresso, naturally. Grazie mille! Hosted on Acast. See acast.com/privacy for more information.

In this episode Rod & Adrian grab their bulletproof spandex and head for the wrestling ring for a tag team bout with Superargo! Based on his previous form, it's not likely to end well for our two middle-aged podcasters. Yes, Superargo is here, in a double-bill featuring maniacal mad men, secret underground lairs, killer robots, deadly swamps, femme fatales and extremely valuable cocktail olives!The fumetti season is well underway! If you want to do some background reading on the most popular Italian comics of the sixties, there's a great resource here on Comic Vine.We would love to hear from you if you have any favourite Italian comic or masked hero/ villain-based films, or if you ever got thrown out of the ring by a man in a mask. You can contact us on Twitter and Instagram or by email at wildwildpodcast@gmail.com. You can also find our YouTube channel here.Please also remember to rate and review us on your podcast platform of choice!If you enjoy the podcast, why not buy us a coffee at ko-fi.com/wildwildpodcast? Espresso, naturally. Grazie mille! Hosted on Acast. See acast.com/privacy for more information.

The Wild, Wild Podcast emerges blinking into the night after the long dark Christmas break to bring you a new season dedicated to the heroes and villains (but mostly villains) of the films adapted from or inspired by the fumetti neri publishing phenomenon of the sixties (which is still going strong today in Italy).Our first episode sees us going toe to toe with a devious, ruthless, devilishly handsome villain, Kriminal. He's self-serving and will stop at nothing to get what he wants, in the comics at least. The films have him toned down a bit, as we explore in this discussion, which also covers such vital topics as the best way to shave and how to deal with your dad being Mussolini.If you want to do some background reading on the most popular Italian comics of the sixties, there's a great resource here on Comic Vine.We would love to hear from you if you have any favourite Italian comic-based films, or if you ever got beaten up and robbed by a man in a skull mask. You can contact us on Twitter and Instagram or by email at wildwildpodcast@gmail.com. Please also remember to rate and review us on your podcast platform of choice!If you enjoy the podcast, why not buy us a coffee at ko-fi.com/wildwildpodcast? Espresso, naturally. Grazie mille! Hosted on Acast. See acast.com/privacy for more information.

EPISODE 271: Josh 'Geronimo' Johnson joins Rey in looking at a classic 80's comic that features our boi in white...though in a very different guise... SEGMENT: MOON WALK - MOON KNIGHT IN OTHER COMICS WEST COAST AVENGERS VOL. 2 #40 'And Now....The Night Shift!' Released January 1989 Writer(s) Mark Gruenwald Penciler(s) Al Milgrom Inker(s) Mike Gustovich Colorist(s) Paul Becton Letterer(s) Rick Parker Editor(s) Howard Mackie Mark Gruenwald BARE BONES (Written by Comic Vine):  Mockingbird witnesses Digger burying three crooks up to their necks in a street, and she goes into action, stunning the shovel-wielding ghoul. She takes Digger and his three near-victims to a nearby police precinct. Gypsy Moth brings news of Digger's arrest to her teammates in Night Shift, and they agree to attack the West Coast Avengers in retaliation. They invade the compound, making hostages of the hired help, while Hawkeye and Vision respond to the alarms. Gypsy Moth levitates the archer by his costume, while the Vision struggles against the Werewolf and the Misfit. Meanwhile, Mockingbird is picked up by fellow former Avengers Moon Knight and Tigra. When Moon Knight hears about Digger, he recalls his recent encounter with Night Shift and pilots the helicopter toward the Shroud's lair, the Tower of Shadows. There, after dodging Shroud's booby traps, they reach Night Shift's meeting room and find a note for the Shroud telling of their intent to face the Avengers. Saying that Hawkeye and the rest can handle themselves, Mockingbird decides they will stay put until the Shroud shows. At the Avengers' compound, the Scarlet Witch has joined the fray, but fares no better than her teammates, and the heroes are immobilized. Unaware of Mockingbird's activities, Hawkeye has no information for Night Shift regarding Digger. At that moment, Wonder Man arrives to turn the tide in favor of the Avengers. Freeing his teammates, they overcome the Night Shift. At the Tower, Shroud returns, and eavesdrops on the former Avengers' conversation. Warning them to leave, he teleports to the Avengers' compound where he spreads his darkness. Calling out an escape tactic, the Night Shift disappear in the dark as Shroud teleports them home. Later, on a cliff near the compound Hawkeye secretly meets the Shroud to compare notes, parting amicably. MOON RATING : Josh: 

Can the family of supers stop these villains?

A new series that will also be on YouTube for more information. Enjoy!

This week we interview the artist and creator of the comic Kings Club, AmeliaP! Her comic was featured and Gunwallace also gave it a theme tune that was featured in Quackcast 335. AmeliaP is a talented professional comic creator and game designer. We couldn't interview her directly because she's not confident enough in her spoken English, so what we've done instead is read out a written interview that I did with her especially for this Quackcast. Amelia has some surprising and valuable insights for comic creators. You can read the full text of her interview bellow. Gunwallace's theme for the week was for Abejitas - This tune bounces in like a wild thing, spinning and buzzing crazily, full of black striped yellow techno sweet honey madness and rapid wingbeats of energy, this will sting you into full awareness! Topics and shownotes Featured comic: ZINC COMIX - http://www.theduckwebcomics.com/news/2017/aug/22/featured-comic-zinc-comix/ Links: Kings Club - http://www.theduckwebcomics.com/Kings_Club/ AmeliaP - http://www.theduckwebcomics.com/user/AmeliaP/ Quackcast 335, Kings Club theme and feature - http://www.theduckwebcomics.com/quackcast/episode-335-dialoguecast Special thanks to: Gunwallace - http://www.virtuallycomics.com Banes - http://www.theduckwebcomics.com/user/Banes/ Tantz Aerine - http://www.theduckwebcomics.com/user/Tantz_Aerine/ PitFace - http://www.theduckwebcomics.com/user/PIT_FACE/ Ozoneocean - http://www.theduckwebcomics.com/user/ozoneocean Featured music: Abejitas - - http://www.theduckwebcomics.com/Abejitas/, by Lazarinho, rated E. INTERVIEW WITH AMELIA.P PART I 1.So your name is Amelia Pessoa but you go by Amelia Woo for your US work, why is that? -Thanks to my grandmother, who changed the surname when her family was running away from Spain, I have a Portuguese surname ahahaha! Woo… Like any kid, I started to draw comics in manga style. One of my first jobs in inside industry was “manga”, but in that time, the audience had a rage against any Western trying to do a manga, so I chose a name from a director I grew up watching his movies, John Woo. I know, it's Chinese, not Japanese, but… it was an Eastern name at least. After that, I did some important jobs under this name, so, for publishers track me, I had to keep this. Slowly, I'm trying to be ME, and erasing this surname from industry. 2. You've had a LOT of work professionally in comic publishing, how did you break into that? I'm assuming you're Brazilian, was it hard to break into the US market from outside like that? - My Glasshouse Graphics portfolio, Comic Vine profile and ComicDB are way too outdated. I have more works on my belt than that. After a boring experience from a 9 to 5 job in my college days, I pretty decided it wasn't my path, so I stepped into the comics industry. I believe in the momentum, so everything I should do is just to start. But before I enter into the comics word, I searched for the easiest way to enter. There were too many barriers to writers (besides the language) and their salary was horrible… AND I didn't want to tell a story about the universe and characters from other creators. It's hard for me having the same agenda. I had to enter on it one way or another. So I improved my art skill enough to be paid for it, because I really wanted to be a professional visual storyteller. (Bachelor degree in Arts at one of the best colleges in my country, doing a lot of personal projects to train myself, all those things). -Yeah, I'm Brazilian. Believe or not, we must be around 30% of the US comic book artistic force. Brazilians are like doppelgangers, with Italian, German, Japanese and other surnames. Even a Brazilian doesn't know if you are Brazilian by surname (pretty different from my case. But, if wasn't for my grandma, you could think I'd be Spanish or Mexican). I found many artists I didn't know they are Brazilians before, like Greg Tocchini and others. I think it's hard to break into US market no matter the country an artist comes from. Even for a North American it's a hard task unfortunately. Many factors make this a hard task, since the unstable incoming to the social contempt. You know, most parents want your kids to grow up as a doctor, or lawyer, etc. Parents encourage their children to get into Arts (or writing) as a hobby usually. CONTINUE IN PART II PART II 3. What was your first professional comic? -I have a double debut, a one shot at Yaoi Press (yeah, it was my first manga experience. Yaoi… not my cup of tea, but, hey, I like to see “Bara” guys in beautiful drawings) and some pages in The Avengers (special edition to military forces). 4. How long have you been in the industry? -About 12 years. 5. Is it hard work? -Hell YEAH! This isn't for weaklings. You have to work under pressure (if you don't meet the deadline day, that super expensive booth from your client will suffer). Long hours working keeps you away from other people (between 10 to 16 hours daily, rare days off). Plus, the financial instability makes an artist a financial wizard… or a control freak of his/her own finances. No health insurance in the Americas (different from Germany, the Estate gives a health insurance for a certified artist). It isn't a glamorous life people think it is. But, I prefer to endure all those things than staying in a job I don't have a slight affinity. 6. Why did you embark on a videogame version of your work? Please tell us about the game. - Games are my passion, since my childhood. I think it's one of the greatest media you can tell a story, because the player has a feedback in real time, in a deep layer. Also, I'm a hardcore gamer, but being a player and being a developer are two different things. After testing the waters, I discovered I like it much more than playing a game. My preferred genre is the third person shooter, and I was pretty unsatisfied about the games with the same gameplay being reproduced over and over again. So I had a vision. After I established the main gameplay, I thought about using one of my ready-to-use stories, and Kings Club fits well. So I polished the gameplay from the idea and I finished with something like that: PC Third Person Adventure Shooter with 4 general skills and a cover system in a Non-Linear Open Level, facing the enemies on your own terms and pace. This first mission takes on Mexico. The player has to discover where the narcos are, taking them off the hideouts, picking a fight or provoking them until they lead to their leader. Exploration and combat mixed into an experimental hybrid game genre. The player skills are based on playing card suits Hearts = Stealth/Infiltration Spades = Assault Club = Escape/Extraction Diamonds = Protection/ Scout The player character will be announced in the last chapter of the comic book (that's why I'm rushing to finish the Graphic Novel and go back to the game. I'm dealing with a limited time; I'm still a comic book artist as my day job). Before focusing on the Graphic Novel, I was building the levels to send to testers before exposing it to the public. (The internet is a goddamn viral thing. If you put an ugly video from your game any place online, it can be spread and your first time to impress will be compromised. I saw it happen to some game dev buddies of mine, with people downloading their WIP videos and posting online. It isn't fair…). 7. What kind of work are you doing on the game? Did you have to learn any new skills to be able to do it? -Other than music/soundtrack/voices, everything. From programming to animation. I'm still in solo production; it's a small, indie and a short introductory game in the series, no big shot here. This first game is a practice to understand the players, the marketing (and how to deal with big operations in the future) and test my skills as game designer and level designer. I just want to know where areas I'm a failure and in what areas I have to hire new members for the next game. I can finish the first game in solo mode, but I'm not sure if I want to. Slowly, I'm changing my mind and considering bringing investors to build a small team after I finish the demo. After the demo game launching, I'll be sure of what path I have to take. -I did. A LOT of them. I still think one of the HARDEST things a person can do is a video game. So many hats to use… I past 5 years studying HOW to do a game before thinking about doing one. And, the basic skills. Now I'm putting the things together, I have to bring testers to adjust the gameplay rhythm. Game devs say you must have a tester for the day one usually. But I had to learn how to make a functional game before someone test it. 8. Why did you choose Drunk Duck to host the Kings Club on? And what did you think if the theme music that Gunwallce did for it? What's the story behind your potato avatar? :) - When I decided Kings Club would be digital-first, I started to search for cool webcomics hosting. I was shocked I didn't find a place where a non-manga esque title could find its audience. The internet is totally dominated by its visual style (I like manga too, but guys, c'mon! It's like a zombie attack!). I was desolated… Ironic, isn't it? My agent oriented me I had to adapt myself or I wouldn't survive in the early days. He was right! In the “printed realm”, if I hadn't adapted myself from manga to something more naturalist/stylized realist, my career would have sunk. And online, we have this. I was unmotivated to release Kings Club online and almost contacting publishers and some buddy editors to a printed edition, forgetting going digital-first… When I remembered Drunk Duck. A decade ago, or so, before being a comic book professional, I was a DD member. No bullshit, but this was the place which motivated me to follow a professional path. Here was the place I exercised my art (I did a fanzine at that time, that's about Warcraft, ugh). I mirror Kings Club to other hosting, but Drunk Duck is one of my favorites, considering a house for Kings Club. One of the reasons I like Drunk Duck is because there are readers and creators with a wide taste here (well, I read ALL comics, Eastern and Western, so I don't understand limited preferences to visual style. For me, the story comes first). -The theme he did was PERFECT! With an urban and gritty touch, love it!I found it so amazing that I asked his permission to add this theme in the game. He was so nice he only didn't ask for payment or royalties and gave me the permission, as he offered me a rearrange in the theme if is necessary. -“Even when something is considered low quality, this thing can produce cool results” or “Never, ever, underestimate someone”. It's a letter of love to indie production ^^ (And it's a real photo I took from a potato with a toy military helmet, because it had to be a real thing!). CONTINUE IN PART III PART III 9. What are the materials and or programs that you use to make your art? -My Wacom Intuos Pro, Photoshop CS2 (old stuff), Sculptris, Blender and an old version of 3DS MAX. I'm goddamn fast 3D modeler and I take advantage of it, doing some background with 3D (and sometimes, I do “freehand”, it depends how many times a background will be present in the story. I modeled N.Y. Central Park Belvedere castle in some hours when it was present in an entire issue of Gates of Midnight. It saved me days and days of work). But, my “analogical” arsenal is: pen, pencil, paper, brush and ink (my favorite technique). If I have to color on paper, I like acrylic, gouache and watercolor. I love Prismacolor markers too. 10. Do you prefer analogue or digital methods of comic creation? .e. pen and ink VS a Wacom tablet and a computer. - Despite being faster on paper and ink, I prefer a digital way to save paper and storage space. 11. How long does it take you to make a comic page? -It depends on the genre and audience my client is aiming for. When it demands a crazy detailed artwork, it took me around 2 days to finish a page. For my simplified and neo noir Kings Club comic, it took around 1 to 3 hours (but much more time to think how the page will look like). 12. What is your comic making process like? i.e. coming up with a script, plots, characters etc,. How does creation a comic for yourself differ for your professional jobs. -Like a bull in a China shop hahaha! For publishers, I read the script and start to walk around my house, thinking and evoking images in my mind before going to paper. I try to remember all references the audience is used to the thing I'm working and extract something they can be related to, but done on my way. After that, I start the thumbnails, defining the composition and keeping the author's storytelling in mind. Then, I do the layout, when it's a new client, or I go to the inking part if it's a client who already knows me and my modus operandi. I do the thing and wait for the editor follow-up. If I have the greenlight, I send the high resolution to the editor, if not; I fix what have to be fixed. Usually I don't have to change a drawing more than 2 times, with the most of part doing no changing in the drawing. It sounds methodical, but as I said, it's like a bull in a china shop, with all those steps happening at once, in high speed in my mind. Sometimes I stop everything and study another technique to improve the results, simply. When I'm creating my own comic, it's an entirely different story. That's the moment I AM the storyteller. My steps to create this Graphic Novel were: -World creation, followed by characters creation, polishing the background first. Everything had to be connected, for me. Establishment of the visual part. -Plot Overview -Some research from real to fictional events to thicken the story. Book time! (Blackwater and Rainbow Six were two different examples used as documentary and fiction work I'm referring to). -Breaking plot to arcs -Check the consistency -Breaking arcs to scenes -Check the pace, overhauling the ideas -Breaking scenes to micro points, dealing with dialogues -Come back again and adjust the pace, having the whole picture in mind. - Thumbnails associated with the script, checking the scenes rhythm while I'm doing the whole chapter. Sometimes I have to change something in a previous chapter or in the next chapter to create a solid link. -Draw! Directly to the digital paper, with minimum sketching. -Color Time! - Lettering (sometimes I check again the dialogue here, changing it. I like to see how it looks like after everything was set up). -Wrap it and happy time to publish online (a sort of. Because I have to slice the pages and dialogues to make a mobile version). YEAH! Game development had a great impact in the way I organize a story. I became an organized bastard. 13. What's in the future for the Kings Club? Will you publish it as is, do a film treatment and sell the rights, release it though a publisher or self publish and sell it that way? - This first Graphic Novel will establish Kings Club series future. I don't like the way I'm doing it now, as a print format and digital format at the same time. An online comic and printed comics can't be treated in the same way. At least, I can't! I saw two different beasts here. It can work for other creators, but not for me. Digital and printed-version, I'm testing test both. I don't want to kill the online version after the first Graphic Novel, even with a printed version, but testing the two versions will give me the necessary feedback to check what the most well received version is. I have some tricks up my sleeve (and an agent) and I'll use it to find a good publishing house for Kings Club. I don't want to do it by myself. I prefer someone helping me with the promotion. I have a game to finish, and a comic publisher will save me some time. I'll bring on board an (famous) editor buddy, who I worked with before, to edit this first Graphic Novel (surprise, surprise. it'll be revealed later). It's interesting a movie being mentioned because I have more contact with this kind of thing than many artists could have, but, I never been thought about a movie. Well, if a contract comes to me; fine! But when I created Kings Club, I had only the comic in mind; the game is being a nice bonus for this IP.

Mat & Corey are back and talking about Extreme Rules. Because it was a mediocre PPV, the guys get off-the-rails and talk about commentating matches, Cody Rhodes' departure from WWE, and the Raw/Smackdown brand split.

Mat & Corey are back and talking about the WWE PPV Payback! They also do some terrible impressions of Vince and Stephanie McMahon, Jesse Ventura, and Michael Cole. They also discuss Raw and Ryback leaving the WWE.

Wrestlemania is over and boy are our arms tired. Corey and Mat discuss NXT Takeover Dallas and the disappointing Wrestlemania 32. They swoon over the new Women's Championship belt and spend a lot of time talking about new talent getting buried by older su

Mat and Corey return to talk about what happened at Fastlane. Spoiler alert: It wasn't good. Corey confirms how Ryback was originally booked. The guys talk about the following Raw and how it was infinitely better than the previous night's PPV. The guys de

Happy Valentine's Day everyone! Spend your day curled up with your audio listening device as The Endless Promo returns to cuddle you gently. Corey and Mat are back to talk about Daniel Bryan's retirement, Titus O'Neil's suspension, and just what's been ha

This week we talk about Punisher making his way to the second season of Daredevil, the return of Star Wars: Rebels (soon), the end of Constantine, plus some other bits of news and time travel talk.

This was the episode we thought we'd have nothing to talk about. We were wrong. Hear our thoughts on the futures of Constantine, Gotham, as well as Wayward Pines and the past and present of Doctor Who. Plus time travel talk.

We talk about the first season finale of The Flash, Wayward Pines (yeah, we know it's not about comics--we just really dig it), Mad Max: Fury Road, and even answer some of your questions.

The comic TV shows are winding down and we discuss the finales to Agents of S.H.I.E.L.D. and Arrow along with the second to last episode of The Flash. Plus now we know what Legends of Tomorrow and Supergirl will be about.

What?!? The season finale of Gotham? Grodd on The Flash? SHIELD vs Inhumans? Arrow's friends vs the League of Assassins? Yup, it's another episode of this show plus some answers to your questions.

We're back! The conventions have ended for us, for now. We try to catch up on some of the recent comic book TV shows. In the second half, we go into spoilers with Avengers: Age of Ultron. Don't worry, plenty of warning if you haven't seen it yet. But hasn

Dan Fogler comes on the show to talk about his Kickstarter comic, BROOKLYN GLADIATOR. It sounds pretty epic. We also talk about his other comic, MOON LAKE with the Man in the Moon eating space cheese and passing gas. There's even talk of his show on ABC,

Brian Buccellato returns along with another guest. We talk more SONS OF THE DEVIL, DETECTIVE COMICS, CONVERGENCE, along with comic book TV shows and even answer some of your questions.

This week we run down The Walking Dead, Powers, The Flash, Agents of SHIELD, iZombie, Arrow, and Sliders. Yes, even Sliders which hasn't been on for many many years. Sliiiiiiiders!

Brian Buccellato returns to talk DETECTIVE COMICS: ENDGAME, INJUSTICE: GODS AMONG US YEAR THREE, SONS OF THE DEVIL, instant coffee, plus the rundown on the latest comic book TV shows.

Joshua Williamson returns to talk NAILBITER, BIRTHRIGHT, and GHOSTED. Then we talk about some of the week's comic book TV shows, including The Walking Dead, Gotham, Agent Carter, and Arrow.

It's comic book TV talk time. We run through Constantine, The Waking Dead, Gotham, Agent Carter, The Flash, and Arrow. Plus, find out what comic character we'd choose for a show and how it'd go.

Spider-Man's coming to the Cinematic Universe. We discuss that along with last week's Constantine, The Walking Dead, Gotham, Agent Carter, The Flash, and Arrow. There's a lot to talk about!

This week we talk about the new trailer for...Poltergeist. And the Daredevil on Netflix trailer. And Constantine, Gotham, Agent Carter, Arrow, and Flash. So much to talk about.

Here's our in depth thoughts on the first Fantastic Four trailer. Plus we discuss what's happening on Constantine, Gotham, Agent Carter, The Flash, and Arrow.

Joshua Hale Fialkov returns to talk about THE LIFE AFTER and THE BUNKER as well as Godzilla (the not so good one), product placements, his favorite ultimate shopping place, and The Flash and Arrow.

There wasn't a lot of actual new comic book shows this week so we talk about Agent Carter and some possible future Cinematic Universe developments for the Avengers. Plus more talk about random things that come up.

It's the new year and there's some new comic book shows. We discussed last week's Gotham and Agent Carter (to give you a chance to catch up) as well as talk about some other comic book TV news. We also delve a little into this week's STAR WARS #1 comic.

It's the 100th episode extravaganza with Brian Buccellato. Actually, it's pretty much a regular episode with Booch sharing his knowledge on comics, beards, and things that "matter." Join us in our celebration.

Dennis Calero returns to talk to Tony and Mat about the topic of cosplayers vs creators at conventions, the state of comics and TV viewers, plus thoughts on the Constantine, the mid-season finale of The Flash, and Tacos.

We lost an episode recording but made it up with this episode dedicated to Agents of S.H.I.E.L.D. including thoughts on the mid-season finale. Tony is joined by special guest, Skye Guerrero. Yes, that's his daughter.

Tony and Mat did a little pre-Thanksgiving recording to talk about some of the latest events in Gotham, Constantine, The Walking Dead

Jimmy Palmiotti returns to talk to Tony and Mat about his latest Kickstarter, ABBADON, HARLEY QUINN, and STAR SPANGLED WAR STORIES FEATURING G.I. ZOMBIE. Yes that's a long title. We later return to our comic TV talk. Yee-haw!

This week Tony and Mat go through a bunch of Batman stuff that just came out. That means Gotham (don't worry, we give you a week to catch up), the Batman 66 series, LEGO Batman 3, and even the latest issue. Holy Bat-overload, Batman!

Tony, Mat, and Robot Gregg talk about all the latest comic book television shows, what's going on in them, and what we think of them. There's a lot and more are on the way.

Tony and Mat talk about the entire line up of Marvel Studios' Phase 3 movies after the big announcement last week.

Tony and Norm (from Tested.com) sit down and talk about the first trailer for 'Avengers: Age of Ultron.' Find out what they thought of each scene and what it could mean for the plot of the movie. Plus, some talk on a couple other Cinematic Universe things

Dennis Calero returns to talk about some of the issues at comic conventions these days including commissions, cosplay, perception of male and female costumes, and much more.

Tony talks with Jen, Brian Buccellato, Jimmy Palmiotti, and Josh Fialkov. This is recorded live so it's not the greatest audio but you'll get a taste what went down. There's also some naughty words so be warned.

Recorded live at Long Beach Comic Con 2014, Tony moderates a panel with Amanda Conner, Jimmy Palmiotti, and Dr. Andrea Letamendi. The topic is everything Harley and how she's evolved.

Recorded live from the Long Beach Comic Con Saturday, September 27. We got to talk to these great creators about Madman, iZombie, FF, Silver Surfer, Batman 66, and much much more.