Podcasts about avengers age

There's no strings on Tyler and Konnery as they're joined by fellow Avengers Jacob Padilla and Joseph Horne to fight evil AI and hang out on a farm in “Avengers: Age of Ultron!” Together they realize Iron Man and Captain America's different but equal strengths as characters, how effective Hulkbusting really is, collateral damage and superhero insurance claims, and so much more on this metal-man episode of The Friendchise Podcast! What's New: Sorry! What's new? Kon: The Boondock Saints (Prime Video) Joseph: Blood Bowl (board game) Jacob: The Tournament of Heirs by Amilea Perez, Sinners (IMAX) Tyler: Angels in the Outfield (Disney+)

“Whedon at the line….oh, no, another brick!” - Steve, on the screenplay clunkers On this week's episode, the 2025 Summer Blockbuster Extravaganza kicks off with a trip to Franchise Town as we discuss the fun, Spader-tastic sequel, Avengers: Age of Ultron! How great is James Spader with this Ultron performance? Are there too many characters in this fully-loaded movie? Should they have written mutant characters when they couldn't use the word ‘mutant' anywhere in the script? And would Ultron have been more menacing if he was given a big, mechanical mustache? PLUS: What in the world is going on with the Maximoffs' accents here? Avengers: Age of Ultron stars Robert Downey Jr., Chris Evans, Chris Hemsworth, Mark Ruffalo, Scarlett Johansson, Jeremy Renner, Samuel L. Jackson, Don Cheadle, Aaron Taylor-Johnson, Elizabeth Olsen, Paul Bettany, Cobie Smulders, Anthony Mackie, Hayley Atwell, Idris Elba, Linda Cardellini, Stellan Skarsgård, Claudia Kim, Thomas Kretschman, Andy Serkis, and James Spader as Ultron; directed by noted jerk, Joss Whedon. Today's episode is brought to you in part by Huel! Get Huel today with this exclusive offer for New Customers of 15% OFF + a FREE Gift with code WHM at https://huel.com/whm (Minimum $75 purchase). And also by Rocket Money! Cancel your unwanted subscriptions and reach your financial goals faster with Rocket Money. Download the Rocket Money app and enter our show name—We Hate Movies—in the survey so they know we sent you! Don't wait! Download the Rocket Money app today and tell them you heard about them from our show! Tickets are on sale now for our three-night residency during the Oxford Comedy Festival! We'll be doing six shows over three nights from July 18 through 20, doing shows like WHM, W❤️M, The Nexus, The Gleep Glossary, and Animation Damnation! Tickets are going fast, so friends over there, snag your tix!  Throughout 2025, we'll be donating 100% of our earnings from our merch shop to the Center for Reproductive Rights. So head over and check out all these masterful designs and see what tickles your fancy! Shirts? Phone cases? Canvas prints? We got all that and more! Check it out and kick in for a good cause! Original cover art by Felipe Sobreiro.

The one where we review Thunderbolts*Hello and thank you for downloading another episode of The Flixters Podcast!  The MCU is back at it again with the release of Thunderbolts* (we'll get into the asterisk in the show). Captain America 4 didn't land as good as Marvel wanted so maybe a story about a ragtag group of ‘criminals' can save the day, and box office takings? Joining us is regular guest, Manny, whilst we break it down for you. Check out the show for what we thought, and if you've seen the film, hit us up on our YouTube channel and let us know your thoughts. On Anniversary Corner we look back at Avengers: Age of Ultron (2015). And if that's not enough entertainment for you, we've even thrown in new trailers to watch and what you can catch on streaming. Thank you for supporting us and we hope you enjoy the show! 00:00 Intro 02:46 Shoutouts03:57 Movie News15:49 New on Streaming19:47 New Trailers26:58 Anniversary Corner30:13 Thunderbolts* Review58:57 OutroThis episode is proudly sponsored by Zencastr. Create your podcast today! #madeonzencastr

Hello film fans! We're back with another episode of The Infinity Film Podcast. Hosts Rod and Ben are joined by Zach to do rapid-fire questions and talk about recent watches like "The Accountant 2", "The Last of Us", "You", and "Revenge of the Sith". Then, we dive into a discussion on "Avengers: Age of Ultron" and if it is over-, under-, or properly rated nowadays. How does it hold up now? Do please enjoy!

And we're rolling right along here to tackle our second big team-up picture! Other than the over-use of CGI, we've got yet another film where the Geeks feel like their opinions changed a bit from first watch!   TRACKLIST: 1:41 - Geek of the Week - Jasmin: Venom (2018); Mark: PCP Movie Night - Double Dragon 13:50 - Film summary and fun facts 22:19 - Avengers: Age of Ultron review   You can follow us on X, Facebook and Instagram or if you would like to support us you can donate to our KoFi.

En nuestro episodio 346 Vanesthy, Gabriel y El Watcher conversan sobre su experiencia viendo el tercer episodio de la segunda temporada de "The Last of Us" (2023) titulado "The Path" y sobre cual piensan que es la mejor película de "Avengers" entre "The Avengers" (2012), "Avengers: Age of Ultron" (2015), "Avengers: Infinity War" (2018) y "Avengers: Endgame" (2019) en el segmento "Wachin' con Wacho!" y hablan sobre todo lo relacionado a el estreno de la película "Thunderbolts*" (2025).¡Se la diferencia en la vida de los niños de la Fundación de Niños de Puerto Rico! Aporta con tu donativo aquí: https://www.extra-life.org/participant/Cultura-Secuencial-2025¡Subscríbete a nuestro canal de YouTube! Visita: https://www.youtube.com/culturasecuencial¡Síguenos y Suscríbete a nuestro canal de Twitch! Visita: https://www.twitch.tv/culturasecuencial¡Síguenos en Instagram! Visita: https://www.instagram.com/culturasecuencial¡Síguenos en Facebook! Visita: https://www.facebook.com/CulturaSecuencial

We've got an amazing line up of classic movies to review for you this month including Avengers Age of Ultron, Furious 7, and so much more!►Love movie content? Then subscribe to our channelhttps://www.youtube.com/@TheSilverScreenDudes?sub_confirmation=1►Watch all the latest movie reviews herehttps://www.youtube.com/playlist?list=PL0kUmmCxcYwlnQ0kaIMDe5zFizj1g1hpP►Love my movie content? Check out the written reviews here:buymeacoffee.com/moviedudes

This week we're back with a massive episode. We talk long song titles and long-time fandom of From Under The Cork Tree by Fall Out Boy, and then dive into movies & TV with the return of Family Guy, debut of Crash, and the box office smash that was Avengers: Age of Ultron. It's a little less Sixteen Candles, a lot more fun this week!

#0 The Marvel movie madness continues on the Working Perspectives podcast! We're back with Rounds 3 of our epic Infinity Saga tournament, where all 23 MCU films battle it out for ultimate glory! In this exciting episode, we break down two more incredible matchups: Match 8: The groundbreaking superhero team-up, The Avengers, faces off against Tony Stark's high-flying sequel, Iron Man 2! Can the might of Earth's Mightiest Heroes overcome the technological advancements and personal struggles of Iron Man? We delve into the impact and legacy of both films. Match 9: The cosmic adventures of Guardians of the Galaxy Vol. 2 clash with the epic scale of Avengers: Age of Ultron! Will Star-Lord and his crew's emotional journey and awesome soundtrack triumph over the powerful artificial intelligence and world-threatening stakes of the second Avengers film? We analyze the strengths and fan-favorite moments of each. Join the Working Perspectives hosts as we share our thoughts, debate the outcomes, and make our predictions for who will move forward in the bracket! Don't forget to share YOUR picks in the comments below! Which of these MCU titans will emerge victorious? Tune in for engaging discussion, passionate opinions, and a deep dive into the Marvel Cinematic Universe!

Late Nights at BlockbusterOur newest Late Nights at Blockbuster celebrates the 10th anniversary of Avengers: Age of Ultron. We discuss why this is seen as the least of all the Avengers movies but still good in its own way. There are plenty of Stark quips to run through due to the continued presence of Joss Whedon as writer/director. We also discuss how well the it has held up by all of the movies and TV shows that build on this movie.Intro/Outro music by friend of the podcast Seth Gilbertson. Find more music at iTunes (⁠https://music.apple.com/us/artist/seth-gilbertson/1155231950⁠)and YouTube (⁠https://www.youtube.com/user/sethgilbertson/videos⁠)

Episode 267 -  Talent GapFirst lookout for #OFFTHEDOME . If you could buy a sports franchise would you buy one with championship pedigree or perennial loser? Which Two 2015 Movies Aged The Best? Focus, Straight Outta Compton, Avengers: Age of Ultron, Ant- Man, Dope, and Creed?Topics Discussed - [ ] Kendrick Lamar at the 2028 Olympics- [ ] Ye Twitter Rants- [ ] Jess Hilarious vs Breakfast Club- [ ] Dreamville Fest 2025 Lineup Discussed- [ ] Where's Maherashala Ali? And More…OS Song of The WeekJohnnie's Pick - AB Soul - Bucko Jr.Ralph's Pick - Starlito Feat. Don Trip - The WomanizerPlease Enjoy on All Major Platforms and OverSatThePod.Com. Please Comment, Rate , and Subscribe. 

Episode 267 -  Talent GapFirst lookout for #OFFTHEDOME . If you could buy a sports franchise would you buy one with championship pedigree or perennial loser? Which Two 2015 Movies Aged The Best? Focus, Straight Outta Compton, Avengers: Age of Ultron, Ant- Man, Dope, and Creed?Topics Discussed - [ ] Kendrick Lamar at the 2028 Olympics- [ ] Ye Twitter Rants- [ ] Jess Hilarious vs Breakfast Club- [ ] Dreamville Fest 2025 Lineup Discussed- [ ] Where's Maherashala Ali? And More…OS Song of The WeekJohnnie's Pick - AB Soul - Bucko Jr.Ralph's Pick - Starlito Feat. Don Trip - The WomanizerPlease Enjoy on All Major Platforms and OverSatThePod.Com. Please Comment, Rate , and Subscribe. 

We welcome back Aaron Neuwirth (2 Black Guys Talk Godzilla) to talk about his new podcast, Fast & Furious 6, and the future of the Fast franchise! We ask: which Godzilla movie is the most Fast & Furious? How is Fast & Furious 6 is like Avengers: Age of Ultron (complimentary)? Who gets the “with” and “and” credits in these movies? Does a California resident feel like Los Angeles needs F&F? We make our picks for the biggest oops moment of the film, discuss the cargo on Shaw's plane, and suss out the “real villain” in these movies (and many action movies). Joey comes up with an idea to seamlessly weave time travel into the end of Fast X. Email us: family@cageclub.me Visit our Patreon page at patreon.com/2fast2forever.  Show your support at the 2 Fast 2 Forever shop! Extra special shout-out to Alex Elonen, Nick Burris, Brian Rodriguez (High School Slumber Party), Michael McGahon, Lane Middleton, Jason Rainey, Wes Hampton, Mike Gallier, Josh Buckley (Whole Lotta Wolves), Michael Moser, Christian Larson, Terra New One, Aaron Woloszyn, and Randy Carter for joining at the “Interpol's Most Wanted” level or above! Intro music by Nico Vasilo. Interlude and outro music by Wes Hampton.

Another year, another MCU fan favourite hits the screens. This time, we're ready to see Anthony Mackie take the reins off of Chris Evans, as Captain America. In what is being billed as a bold new direction for the MCU, Brave New World aims to deliver a lot of what audiences expect from a Captain America movie: big action scenes, great villains, espionage with a dash of comedy thrown in. Expectations are high for this Captain America outing so the question really is, is it any good? Check out the show for more deets!    On Anniversary Corner we look back at Avengers: Age of Ultron (2015)And if that's not enough entertainment for you, we've even thrown in new trailers to watch and what you can catch on streaming. Thank you for supporting us and we hope you enjoy the show! 00:00 Intro 02:55 Shoutouts05:03 Movie News18:08 New on Streaming22:40 New Trailers35:12 Anniversary Corner37:06 Captain America: Brave New World Review1:05:30 OutroThis episode is proudly sponsored by Zencastr. Create your podcast today! #madeonzencastr

The final appearances of Bill Bixby and Lou Ferrigno in the roles of David Banner and the Hulk,The Death of the Incredible Hulk (1990) marks the conclusion of the trilogy of made-for-television movies which resurrected the beloved series (which ran from 1977-1982).We also have the original love story between Banner and the Black Widow, which Joss Whedon would later rip off in Avengers: Age of Ultron (no, we can't prove it!).

What's going on Nerd Talk Nation?! Micah and Lyndsey are back with another great episode. This week Lyndsey is back to review Avengers Age of Ultron. You're not going to want to miss this weeks great episode!    Follow Micah on TikTok and YouTube @mcurrent86 Follow Lyndsey on TikTok @lyndseyshidanza    New episodes drop every week!  Subscribe to us on iTunes here:  https://podcasts.apple.com/us/podcast/nerd-talk-with-jordan-halstead/id1562432069 Subscribe to us on Spotify here: https://open.spotify.com/show/2K9lWNv4o6pccGrbKMJK8g?si=1717848b5b7f4104 Follow us on Social!   Facebook here:  https://www.facebook.com/NerdTalkWithJordanHalstead/ Instagram here:  https://www.instagram.com/nerdtalkwithjordanhalstead/

This week, we continue to collect members of the Ocean's gang like Infinity Stones, as we find Danny playing a convincing soldier and compelling leading man in a 90s geo-political thriller that feels like a total forgotbuster, despite starring two massive movie stars and launching DreamWorks as a studio. It's 1997's The Peacemaker, directed by Mimi Leder, and starring George Clooney, Nicole Kidman, Marcel Iureș, Aleksandr Baluev, Armin Mueller-Stahl, Holt McCallany, Goran Višnjić, and Michael Boatman. One of the Cloondog's early jumps from ER star to silverscreen leading man, this movie is also deeply tied to ER as a production. Clooney unquestionably has the juice however, and the movie's 90s thriller sensibilities -- while not as refined as some of its contemporaries -- still feels like something of a lost art, a type of movie we just don't get enough of these days. If you'd like to watch the movie before listening to our discussion, it is not available to stream in Canada but can be rented on YouTube and Cineplex. Other works discussed on this episode include The X-Files, Groundhog Day, Source Code, The X-Files: Fight The Future, The Blues Brothers, Trading Places, You've Got Mail, The Taking of Pelham One Two Three, The Incredible Hulk, The Avengers: Age of Ultron, Thelma, Mission: Impossible - Fallout, The Beekeeper, The Art of War, The Foreigner, Superman Returns, Strangers on a Train, Jerry Springer: Fights, Camera, Action, The House, Weird: The Al Yankovic Story, The Bourne Identity, Clear and Present Danger, Mission: Impossible, Batman & Robin, The Green Hornet, Deep Impact, Armageddon, Pay It Forward, On The Basis Of Sex, The Leftovers, The Morning Show, Jack Ryan: Shadow Recruit, Mission: Impossible - Ghost Protocol, Three Kings, The Men Who Stare At Goats, 24, Burn After Reading, Michael Clayton, Out of Sight, Twisters and Legally Blonde. Next week, we're switching things up and going back to Hayley's new VHS stack to talk one of the all-time great westerns: 1992's Unforgiven, Clint Eastwood's deconstruction of the genre that made him famous and a worthy winner of Best Picture Oscar gold. Unforgiven is streaming on Crave in Canada and Max in the US. Until then, we'll see you at the movies!!

Brandon and Francesca discuss the 2024 miniseries. Spoilers! Also, please note that other series are discussed (and spoiled) in relation, including Princess Principle, Super Mario Bros. 2, Wandavision, Avengers: Age of Ultron, and Dr. Strange In the Multiverse of Madness

“Whatever it takes.” - Avengers: Endgame (2019) “I'll be there.” - Captain America: Civil War (2016) “Hulk, Smash!” - The Avengers (2012) “If I'm the only one than so be it. But I'm willing to bet I'm not.” - Captain America: Winter Soldier (2014) “It's about whether he's right.” - The Avengers: Age of Ultron Honorable Mention: “Avengers, assemble.” - Avengers: Endgame (2019) Guys. This has to be top three. But Corban was very stubbornly attached to his letter “speech.” *sigh* You tell us! Which should have been in the number two spot. Enjoy this episode? We have good news! Subscribe for extended and additional Neverland Files episodes! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit theneverlandfiles.substack.com/subscribe

By Walt HickeyWelcome to the Numlock Sunday edition.This week, I spoke to Joanna Robinson and Dave Gonzales, coauthors of the book MCU: The Reign of Marvel Studios, out in paperback this week.I really loved the book, it dives into what is the main flywheel of mainstream entertainment, for better or for worse, and dives into the fascinating history of the MCU. Whether you're a fan of Marvel movies or just someone living in a world dominated by them, the book is a really interesting look into contemporary filmmaking and the pressures and economics and just simply human scale of these massive operations.We spoke about Marvel's journey from underdog to cultural icon, how its moviemaking process has changed over time, and what it was like covering a narrative that was developing in real time.Robinson and Gonzales can both be found on the podcast Trial by Content, and the book can be found wherever books are sold.This interview has been condensed and edited. Dave and Joanna, thank you so much for coming on.GONZALES: Absolutely.ROBINSON: Thanks for having us.I really, really love this book. So happy to see it out in paperback. I guess I'll just kick it off with an easy one: What were each of your first experiences with Marvel? How'd you get into this?ROBINSON: As in the comic books or the films?Anything.ROBINSON: Anything at all. Gosh, I think X-Men: The Animated Series was my introduction, back in my infancy. It really got into the world they created, the various characters, their character sets, the trading cards, and then everything spirals out from there. That was my introduction.GONZALES: Mine was probably with the comics. I might have had some X-Men: The Animated Series in there, but I got much more into the comics around late 1993, early '94, when I happened to buy a Spider-Man issue that was part of “The Trial of Peter Parker.” Suddenly I had questions: Why was Peter Parker on trial? How many different Spider-Man books were there? Because I bought an issue of The Spectacular Spider-Man, but the next part of “The Trial of Peter Parker” was The Amazing Spider-Man.That led me to get a cubby at my local comic book shop in Louisville, Colorado, which was Time Warp Comics at the time. That was my way in, just being a comic book fan. I also jumped in on one of the longest and mostly considered worst Spider-Man arcs, but loved it. So imagine how good “good” Spider-Man was to me as a child, because I got weaned in on “bad” Spider-Man.Amazing. One reason I really dug the book is that it's about the MCU, but it's also about Marvel, the history of this entire company, and its very different evolution over time, from the '60s to the period of the '90s. What was it like trying to cover not just a film series, but a big franchise with a lot of moving parts as part of an even bigger company with even more moving parts?ROBINSON: A good question we asked ourselves was both where to start and where to end, and where to end was a constant, ongoing question mark. I'll let Dave address that. But in terms of where to start, there were certain things we felt we had to backdate, because there were players involved in the major “How did Marvel Studios come to be?” question and you had to know who they were, why they were important, how did we get here and what were the stakes? Being able to loosely explain who's Stan Lee, who's Perlmutter, who's Avi Arad, who are all these people, helped us tell that story without losing the audience entirely by throwing a bunch of new names at them. Dave, what about ending the book?GONZALES: Oh, ending the book. That was super fun. We started right as Avengers: Endgame was in theaters. I remember seeing Endgame and knowing that Joanna and I were going to work on this, so we started off thinking, what a fantastic hill that Marvel climbed, this interconnected universe with three phases. Everything surely was planned out from the beginning and could only go up from here. The book was originally “The Rise of Marvel Studios,” because we thought surely this was just up and up and up.Then the pandemic hit — which was very good for us, having to write the book and just sit down and figure out what it was. It also gave us and a lot of sources a pause to regain our footing. As Marvel started rolling out, we tried to peg an end date. I wanted it to be Blade to Blade when we started, but Mahershala Ali's project has still not come out, so that became an impossibility. Then WandaVision premiered and suddenly there was this whole other aspect to the story we were trying to tell. So we wanted to do that and just tried to report things as they went along.We were blessed and cursed by the year that we published the hardcover, October 2023. As we were turning in the final part of the book in January and February, a whole bunch of Marvel news started breaking. Ike Perlmutter left Disney; Victoria Alonso, who was a big mover and shaker in Marvel Studios, was let go, so we had to report that out; Jonathan Majors went on trial.It was only in a panic over all those things that I really ended up appreciating what we had done just by thinking of all these topics so thoroughly for several years. Even though we were tacking new endings on, it wasn't that hard to make it feel like it was a whole arc because we were kind of working there anyway. I wouldn't say I'd've enjoyed releasing the first version of this book in one of Marvel's worst financial years and most critical years ever, but I do think it provided an interesting little tie-off or a fascinating ellipses that allowed us to be relevant and, more importantly, in the year 2024, look like we knew exactly what we were talking about in Marvel's rebounds.That's a really good point. When I met you on tour, a key thing you were getting at was that the idea that Marvel has not had a slump before is naive, and also ahistorical. A fun thing about the book is that you go through all these different eras, and sure, there's an easier story and probably a more polished, corporate story that's ever upward, toward Excelsior, all that crap.But you really do cover the pits and troughs of this. There was Iron Man 2; there was Thor: The Dark World; there was that period of time between the assorted Spider-Mans. What was that perspective like, particularly as it was coming out and as you were able to talk about the issues in 2023?ROBINSON: It was important for us, just on a basic journalistic level, to try to tell as much of the story as possible. We're fans of Marvel, of the movies, but as long as I've known Dave, both of us have been people who don't like to feel like we're not being told the whole story. We don't want the PR version of something — we want to know all the messy details as well. And it's not to knock Marvel or have any kind of “gotcha” moment. It's to say, “Okay, they had these various pitfalls, these various problematic people that they were working with, X, Y and Z. Look what they accomplished anyway.” That's the story in broad strokes. It was important for us to be able to acknowledge the stumbles along the way.When we found ourselves in a 2023 space where everyone was saying Marvel is cooked, or Marvel used to know exactly what it was doing from the beginning and now they're just making it up — no, they were always making it up. They just did it so well, you didn't notice. That gave us a better perspective to be able to say, let's just slow down. We were looking ahead to 2024, saying they're only putting out one movie and two shows next year. If those hit, then you'll start to hear that Marvel's back, baby. Then Deadpool & Wolverine makes a gajillion dollars and Agatha All Along is a pretty solid hit for them.So I think that “Marvel is over” narrative that was so prevalent a year ago is now the question, “Is Marvel back?” Looking even further forward at the next couple of big projects coming, I think Captain America: Brave New World is going to be a tough one for them. I don't know if that's going to hit the way a lot of people want it to. I think Thunderbolts is going to be hit for them, and I think The Fantastic Four: First Steps is going to be hit for them. They're still getting their bearings, but to your point, it was a bit naive to say they've been nothing but successful and now they've run off a cliff. Dave, what do you think?GONZALES: It was just a less interesting narrative, ultimately. I actually found myself getting less adversarial the more we learned, especially being a fan when all this started around 2008. There was this idea that Joanna was talking about, which is even a fan perspective today, that if something doesn't work out it's because we've been denied something at some creative step. Like, you know what, screw those guys; we want to do Harrison Ford as Red Hulk instead, or something like that.But it's not that at all. There are a whole bunch of different drama and production and business problems, and all these things come together to make these gigantic machines of a movie work. It was really important for us to drill down on Marvel Studios and get into those ups and downs, because a lot of times you can try to compare Marvel Studios to something through contrast, through Warner Brothers trying to do it with DC back in the early 2010s. Everybody started trying to launch an interconnected universe from the first movie, but all you could really say is that Marvel's worked and these others didn't. The details of the alchemy are in the tiny stories and little conflicts. That's why I think they were so important to track, be they how movie stars look or how we use CGI to make movie stars look. Tracking that over at Marvel Studios was just as important as how many movies Tony Stark was going to be in.Can you speak more to how much of this was on the fly? One of my big takeaways from your book was just how much things aren't necessarily set in stone during the production of a movie, and how sometimes one person's smart idea, regardless of where it comes from, can drastically alter what a lot of folks think was written in stone in 2007.ROBINSON: That idea of “best idea wins” — without ego; best idea from whomsoever — was a prevailing concept at Marvel. Kevin Feige was also this really interesting figure that has no comparison at any other studio. He's head of the studio, a creative producer, a storyteller in his own right and someone who wanted to make movies as a kid and thought he would be a director. He wound up an executive, but he has that storytelling sense. When Marvel was putting out fewer films and TV shows — or no TV shows at all and just a few films a year — the process was, “Go shoot your movie. Bring me, Kevin Feige, back the pieces and I'll tell you what you're missing.” They had this built-in reshoot window where you could go and add scenes where he felt like you hadn't really nailed this character, or cut this action out to bump up the action over here a bit more. They had this rough-drafting process with the master editor being Kevin Feige himself. There's no system like that at any other studio.That works so well for them, and in doing so, they're able to cement over the cracks and make it all feel like one smooth story that they're telling, because that refining process is built into their filmmaking process. Once the mandate comes from Disney, from Iger on his way out the door, from Chapek in his seat for a while, that they need to compete with Netflix and all these other streaming services, that they need more and more content — then the pace becomes untenable for that revision process that made them so solid in the first place.You talk about Feige not having an analog. I was really shocked reading the book because there's not even anything recent. You have to go back to Cecil B. DeMille for someone who has that producer, authorial presence. He's really a fascinating figure, and it's a key takeaway from the book that I loved. It really highlights the people who make these movies, not just the corporation. It's actual human beings who do this kind of stuff, often with long continuities. Do you want to speak about some of that?GONZALES: Definitely. Actually, while you were talking, I was wondering if part of the chip on Zack Snyder's shoulder was because someone at some point told him he was going to be a Kevin Feige and he's been chasing that ever since.A lot of the Marvel continuity that's been going on is still going on, even after our new chapter. It's been interesting to see how it's developed. It could be that the best idea wins, but then they also have that old school, in-house process where the starting team is very often the same people and has been since phase one. You put together a bullpen of concept artists, so you're constantly using concept art. Not only is that smart from a design standpoint for making a movie, but then you can have those things scanned and it goes directly into making toys. So at the beginning, there's no fight about bringing on these design creatives super early on.Where we start to see the wear and tear is, as Joanna was saying, with this output increase. All of the pressure starts being put on post-production, which is the place where you can't make more time. The solution is to hire more people, and because of that, the job of keeping things consistent falls to Victoria Alonso.She does a pretty good job considering that she's working a 24-hour, seven-days-a-week work schedule because the industry is so messed up. It was never built to do stuff like this. In a lot of ways, the way the VFX industry is structured is still from the '90s turn of the century, when you would bid on a number of shots to do and get money for that number of shots. You'd have to work those shots until they get approved by the director. There isn't an extra budget, and there isn't an overtime, which was a fine way to do it when there were three or four VFX shots in every movie. But now that we're in the 200s or some such, there's a natural strain put on that, and it's impossible to budget on the VFX side. They have to underbid because there's a limited amount of work. If Marvel decides they don't like you, as much as a third of your entire year's work can just not come to your company.As Marvel ages into it, we get a lot of people who are able to make their careers there, from Kevin Feige to Mary Livanos, who's doing great things on Agatha and seems really close to being ascendant. We have Brad Winderbaum, who's been made head of streaming now to take some of that pressure off Kevin. You have all these great continuities. You're less likely to see continuities in visual effects artists, just because of how they're going recently. When Joanna and I were interviewing people like ILM for Hulk, occasionally we'd do a person that was in three or four movies. Now, like for Guardians of the Galaxy Vol. 3, there was a team of about 12 people at Framestore who make animals look good. They just come in for that movie to make animals look incredibly good. They did it the whole time, but they're not as legacy as other parts of the Marvel development studios — which I hope will change, because there are some people who are really good at making Hulks. And if you've made Hulks for 20 years, shouldn't those be the people that are making Hulks in Brave New World? We'll have to see.ROBINSON: I love that you mentioned Cecil B. DeMille. As we were putting this whole story together and realizing that they bring all these teams in-house, Dave and our coauthor Gavin and I, we are to varying degrees students of old Hollywood history, and we had this realization that it's just the old Hollywood studio system. You're putting actors under contract for nine movies, all this other stuff, and we felt so smart. Then I was talking to someone who worked at Marvel and they were like, “Oh yeah, Kevin says that all the time.” I was like, oh, I thought we really put something together. But at least we were right! We were consciously doing this.I think that industrial element of it is really interesting. A key thing that changed the way I see the film industry was realizing that every movie is basically a corporation that briefly exists. Every movie is an entire apparatus, with a CEO operation and departments and all that. Then it folds and you move on to the next one.With Marvel, though, the circus never closes; it's just onto the next city. It was really interesting to see its place in the industry. Like Dave was saying, the limiting reactant for some of this is just the number of animators on the earth who are capable of making this kind of stuff. It's so cool to get a look inside this apparatus through the book.ROBINSON: Thank you.GONZALES: What an apparatus. It's really interesting to me, even now, as we are pending the return of the Russo brothers, who are just able to find this and also find the emotion in it.In Endgame, the Tony Stark “I am Iron Man” moment was the last insert. They had to go to dinner with Robert Downey Jr. and Joel Silver and have Silver be like, “You'd be dumb not to do it, Robert,” because Downey didn't want to go back there. He's a weird dude, but for him, it felt like in order to get to what he needed to do, he had to take off a scab that had formed and get back into the character. Whereas the Russo brothers are like, we built a workout system and we have our smoothies and every day is trying to make the machine work. Somehow, through the alchemy of those two things, the machine works, and occasionally we get these story moments that feel like they were created individually for that movie.That, I think, is the mystery that the book is trying to unravel. At the beginning, it's untapped storytelling potential. Everyone's like, if you don't have the X-Men, if you don't have Spider-Man, what do you have? There's so much in just proving that you have good stories. Now that you're the biggest game in town, that idea of, “Are you going to make me feel anything?” is so much different than what the initial promise was, that they're going to bring Thanos to the screen and you're going to understand who he is and what he wants. That was the big lift. Now there's a whole simultaneous saving of the industry, and bestowing status on different actors. There's just so much more mixed up in it now. It's amazing we got where we did.The book is also a really interesting look at the transition from being a super underdog. As you describe in the earliest chapters of the book, Marvel was bankrupt, and all the executives were folks who fell out of the toy industry or Revlon. The folks who were in charge came to it in the manner of somebody accidentally having to join a carnival, and then eventually it becomes the hegemonic juggernaut of everything, in many ways the thing that people stand against. In the book, watching the perception around it change and then internally having to adapt to that change in perception was a really cool tension.ROBINSON: My favorite indicator of that underdog status versus top-of-the-world status versus wherever we are now is the making of the first Iron Man movie. Marvel Entertainment in New York — who was, to your point, chiefly concerned with merchandising and toys — had the attitude, “Okay, go make your cute little movie. If it doesn't cost us any money, you can go do your little cinematic experiment in Hollywood and we don't really care that much. Just make sure you don't spend any of our money. Other than that, go have fun.”And they make Iron Man, and Iron Man is a massive, smash hit, and all of a sudden the people in New York are like, we're forming something called the Creative Committee. We would like a lot of intake. We want to be part of this. This is the big shiny thing, and everyone wants to weigh in on it. So it's really interesting to track this going from a weird little project they were doing out in Los Angeles to The Thing for Marvel. You can track it by who needs to have an opinion about what and when they start to care.GONZALES: One of my favorite moments — it's after the book chapter “Marvel vs. the Creative Committee” — is when Kevin Feige gets on stage himself to unveil the entirety of phase three, which includes Captain America: Civil War and Avengers: Infinity War and everything. That is such a telling moment for me. He had just won his battles with these behind the scenes. He's fully in full control. Black Panther is coming. Joss Whedon is in the edits for Avengers: Age of Ultron, in the audience, but they already know he's not coming back.There was a version of a chapter in the book that was just me going through that and being like, here's why each one of these announcements is like Kevin Feige spiking a football in the face of someone that told him he couldn't do it. That's still the purest creative energy I've seen. “We could finally do it!” burst out of Marvel. I think they've been more reserved since, even with some big announcements, but I like to go back and look at that just to see the pivot point when Marvel was the underdog. It was like, we want Black Panther, we want Captain Marvel, but the studio won't let us do it. Then Kevin Feige gets up and goes, “Here are the next 10 years of your life.” It's just such a joyous moment.ROBINSON: We love that moment. We talked to people behind the scenes who were working at Marvel at the time about it, and there's a reason that whole presentation wasn't at a Comic-Con. It wasn't at D23. It was its own thing at the El Capitan Theater in Los Angeles, and internally, they jokingly called it Kevin-Con. It was this whole thing, and part of it was that they weren't ready to announce certain things at Comic-Con.But part of it was this moment for Feige who fought various personalities across the various companies to get control of the narrative. And I agree, Endgame is of course in all of history going to be looked at as the pinnacle of achievement at Marvel. But I actually think it might be Kevin-Con at the El Capitan Theater, when Chadwick Boseman comes out and Robert Downey Jr. and Chris Evans are there to anoint him as the future of the franchise. That, of course, comes with its own terrible poignancy. We were really lucky to talk to Chadwick Boseman for the book before he passed away. These were things that happened while we were writing the book. History was constantly happening as we were trying to frame this entire narrative.If there's a protagonist in the book, it feels like it's Kevin, even in the earliest days when he was advising on the Fox products. Having read the book and then seen Deadpool & Wolverine — which, as you mentioned, went on to become a phenomenal financial success — it was really cool to come away with a little more admiration for the role that Kevin had in some of the Fox properties. Seeing that manifest in the MCU was just really nice.ROBINSON: I love that he got to have his Wolverine story, given that it all starts with him in a trailer with Hugh Jackman saying it needs to be bigger, it needs to be bigger, it needs to be bigger. I love that.GONZALES: I don't even know if it's still called that, but Joanna used to call that the “Feige fix-it.” Instead of developing these things by always going forward and introducing younger Avengers, he's actually much more interested in reaching back. There were good things there. Or, I guess the generous way to think about it is rewarding the fans that were around before it was the Marvel Cinematic Universe. Like, “You didn't waste your time with X-Men: The Last Stand. I know it might have felt like that occasionally, but here's this. Or Andrew Garfield. Yeah, maybe we treated him badly, but don't worry. You didn't waste your time with that because boom, here it is paying off in the Marvel Cinematic Universe.”Initially there was some hesitancy about Marvel homework. Do I need to have seen these things to do these things? But ultimately, if we're just talking dollars and cents, the nostalgia play has made them a billion dollars so many times that it doesn't surprise me that Deadpool & Wolverine is a huge hit just by being a swan song for the Fox movies.ROBINSON: I was personally incredibly gratified to finally get Channing Tatum as Gambit. That was a very important moment for me.My favorite version of the Feige fix-it was putting the storyline from Thor: The Dark World into Endgame and making Thor: The Dark World, the most universally mocked and reviled MCU film, an integral part of their biggest triumph. All of a sudden that's wrapped into the larger tapestry in a way so you can't just toss it in the garbage and say, oh, don't bother watching Thor: The Dark World — now you have to watch it to understand everything you're seeing in Endgame, which is certainly not a movie you're ever going to skip.It's a magic trick that really works and almost shouldn't work as well as it does. But even how they were able to get the Infinity Stones, almost taking elements of the first couple films that were dropped or introduced somewhat randomly and then doing that. It's a trick that they keep on pulling.GONZALES: Kevin Feige will say this, but we're coming up on 80 years of comic book history, and if there's one thing that comic books do more than any other medium, it's just use the same story. How could you have another angle on this story? They have so much A/B testing on what we like about this character, or what we'll buy about a certain character, it's interesting to see Marvel adapt that along with what sort of story you like on the Hollywood side of it.But yeah, we're going to see Captain America: Brave New World and finally see that Celestial that came out of the ocean in Eternals. Every Marvel property contributes something, we're told. Except the Inhumans; that never happens.The book is MCU: The Reign of Marvel Studios, and it's a fascinating look at the intersection of the humanity behind these movies and the technology of these movies. And if there's one figure that reminds me of that in particular, obviously, one of the most central people in the Marvel universe is Green Steve. Let's talk a little about him before we wrap this one up.ROBINSON: He's my favorite! Green Steve, a Chippendales dancer that was painted green in order to make sure they understood how the green light on skin would be captured accurately for the Hulk. Green Steve was one of my favorite anecdotes we got, and it was out of the book for a while before we worked it back in. Dave, what do you want to say about Green Steve?GONZALES: I love Green Steve. I love that this bodybuilder from Long Island can technically say he played the Hulk in a sort of way. In theory, because it's a whole CGI character, he might have played the Hulk close to how much Mark Ruffalo played the Hulk in that first movie. I love that story.Pretty early on, we brought in Gavin Edwards, our third author, to help us do a book, since Joanna and I had never done a book before. We were starting to put together the notes and I was like, can we please have a mid-credits scene? Can we just have a chapter in the middle of the notes?ROBINSON: That was Dave.GONZALES: I held onto that for as long as possible. I remember in one of the final meetings after we turned in the draft, we pitched it up to the editor and they were like, “That's really fun,” and I thought, oh thank god. That was a really early idea, and Green Steve fits that perfectly; it's a super interesting story that doesn't really belong anywhere else, but will stick in your mind as, Marvel literally tried everything to make the best Hulk. So I'm very happy that it's the mid-credits chapter — and remains the mid-credits chapter! Even when we added another chapter in, we were like, where does this go? Not before Green Steve.ROBINSON: He's got the final word for sure.Amazing. The book's out of paperback now. Where can folks find it? Where can they find you? And what's next?ROBINSON: “All good and evil news agents.” That's what the Empire Magazine folks say. All good and evil bookstores or any online book purveyor is where you can find our book. Dave does a tremendous podcast called Fighting in the War Room, which I love to listen to, so you should listen to that. And together we do a podcast called Trial by Content that y'all should listen to.GONZALES: Joanna's on a fantastic podcast called the House of R with Mallory Rubin over on The Ringer, where she covers lots of cool pop culture things. If you want to go to a bookstore and don't know exactly which one to go to, you could head to theMCUbook.com. That will forward you to our publisher's website, which has links to your Barnes and Nobles, your Amazons, your Bookshops.org, and will help you track down the book near you. And look for us in a couple more years with something similar.Thanks for coming on.ROBINSON: Thanks, Walt.GONZALES: Thank you.Edited by Susie Stark.If you have anything you'd like to see in this Sunday special, shoot me an email. Comment below! Thanks for reading, and thanks so much for supporting Numlock.Thank you so much for becoming a paid subscriber! Send links to me on Twitter at @WaltHickey or email me with numbers, tips or feedback at walt@numlock.news.  This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.numlock.com/subscribe

Join Eric and special guest Tj as they dive deep into the action-packed Avengers: Age of Ultron!

Making a sequel to The Avengers is hard. Let's talk about how difficult it was to make Avengers: Age of Ultron, from writer/director Joss Whedon caving to his own ambitions, to the Marvel Creative Committee forcing him to make changes.You can watch the full video version of this episode on YouTube!

Skriv til os!William efterspurgte om ikke vi kunne genudgive nogle af de afsnit, som ikke længere ligger tilgængeligt i feedet. Det skulle han aldrig have gjort! Ikke bare er filerne til gamle Række 8 afsnit givetvis gået tabt på en computerhardisk, der ligger i en stor affaldsbunke et sted i den tredje verden, men Jens har så fundet det næstbedste eller i virkeligheden det allerbedste.Det er flere gange nævnt hvordan Række 8 opstod af programmerne Nå Nå Nostalgi og Den Orale Fase på Odense Studenterradio. Nu er det simpelthen muligt at høre hvordan Jens og William m.fl. begyndte at optage sig selv i nørdede samtaler for omtrent 10 år siden. (00:00:00) Intro(00:01:23) Nå Nå Nostalgi med facts fra Derfor Er Det Sundt At Spise Bussemænd(00:07:26) Nostalgi ved julen og problematiske Pyrus(00:15:27) Snehvide og de syv (små) dværge(00:27:44) Big Hero 6(00:37:19) Intro til Den Orale Fase(00:38:00) Hvem bør spille Barbie?(00:44:42) Hvilket andet legetøj bør filmatiseres?(00:49:49) Reaktioner på Oscars 2014(00:54:02) Live reaktion på Avengers Age of Ultron trailer(01:10:15) Top Tudefilm(01:30:10) Brevkassen(01:43:11) OutroIntromusik produceret af Timur.Find Række 8 på Facebook og Instagram.Følg William på Twitter og LetterboxdFølg Jens på Twitter og Letterboxd

Welkom bij Nerd Culture aflevering #166. Vandaag hebben we weer een bomvolle show voor jullie. We bespreken de nieuwe film Beverly Hills Cop Axel F en de laatste ontwikkelingen in Hollywood. In het nieuws duiken we in de trailers van Gladiator 2 en F1, onthullen we het nieuwe Superman logo door James Gunn, en bespreken we de annulering van Matt Reeves' Arkham Asylum. Ook hebben we het over James Spader's terugkeer als Ultron en nog veel meer. Laten we beginnen! Beverly Hills Cop Axel F Review Beverly Hills Cop: Axel F is het vierde deel in de iconische filmserie met Eddie Murphy als Axel Foley. In deze nieuwe film keert Axel terug naar Beverly Hills nadat het leven van zijn dochter wordt bedreigd. Samen met oude vrienden, John Taggart en Billy Rosewood, ontrafelt hij een samenzwering. Deze film, geregisseerd door Mark Molloy, biedt een frisse blik op de klassieke actiekomedie met een moderne twist. Naast Murphy zien we ook sterren zoals Joseph Gordon-Levitt en Taylour Paige. Het belooft een spannende en nostalgische ervaring te worden voor zowel oude als nieuwe fans van de serie. Gladiator 2 krijgt meer dislikes dan likes Ridley Scott komt met een sequel op Gladiator, getiteld Gladiator 2. Het verhaal volgt Lucius, de zoon van Lucilla en neef van Commodus. Lucius is geïnspireerd door de daden van Maximus Decimus Meridius. In deze film groeit Lucius uit tot een leider in het Romeinse rijk. Ridley Scott keert terug als regisseur, met een script geschreven door Peter Craig. De cast bevat onder anderen Paul Mescal als Lucius. Gladiator 2 belooft de erfenis van de eerste film voort te zetten, met epische gevechten en politieke intriges. De trailer lijkt vooralsnog niet in de smaak te vallen, de video heeft meer dislikes dan likes inmiddels. Ultron keert terug als good guy in Armor Wars? James Spader keert terug als Ultron in de aankomende Marvel-film Armor Wars. Dit nieuws werd onthuld door Giant Freakin Robot. Ultron, een van de schurken in het Marvel Cinematic Universe, werd geïntroduceerd in Avengers: Age of Ultron. James Spader's vertolking van de AI werd geprezen om zijn intensiteit en aanwezigheid. Armor Wars richt zich op de nasleep van Tony Stark's nalatenschap, waarbij zijn technologie in handen valt. Met Ultron's terugkeer kunnen fans zich voorbereiden op een nieuw hoofdstuk vol actie en complexiteit. Het verhaal verkent de ethische implicaties van Stark's uitvindingen en de strijd om deze onder controle te houden. De terugkeer van Spader als Ultron voegt een laag van anticipatie toe aan de film, als we de geruchten mogen geloven zou Ultron in Armor Wars niet een rol als villain vervullen maar die van een held. ------ Spotify ► https://spoti.fi/2qhR6lr Apple Podcast ► https://apple.co/3GzfqqD Twitter ► https://www.twitter.com/NerdCulturePC Instagram ► https://www.instagram.com/NerdCulture.PC Jelle ► https://www.twitter.com/GKJelle Huey ► https://www.twitter.com/RealHueyBrown Koos ► https://www.twitter.com/jtmooten Outro by Studio Megaane

Send us a Text Message.In this episode, Vanessa talks several short games and the lessons we can take from them and even answer some of our questions about ourselves.  She shares a hack to help with decision making in our day-today lives when everything seems overwhelming and it's hard to figure out what to do next, and we'll talk more in depth in about fear and job hunting. It can be very scary to consider hunting for a job in this market.   Our links today: The Random Decision Spinning WheelHawkeye and Wanda scene in Avengers Age of UltronA link to our Facebook Page! Join us!And remember to send your comments, stories, and random thoughts to me at TeachersinTransitionCoaching@gmail.com!  I look forward to reading them.The transcript of this podcast can be found on the podcasts' homepage at Buzzsprout. 

Looking to the past decade and a half, what were some of the best MCU movies? We're approaching top 10 in our Marvel MCU movie rankings with #17-11.  Cold Open: Desert Island pick an actor: Leonardo DiCaprio, Will Smith, Brad Pitt 5:40 Intro 7:40 The Marvels was released after we started these ranking episodes. Where would it fall on the list? 10:00 Avengers Age of Ultron, Eternals 14:20 Spiderman Homecoming, Shang Chi 18:30 Dr Strange Multiverse of Madness 23:30 Thor Ragnarok, Guardians of the Galaxy vol 3 28:05 Guardians of the Galaxy vol 2, Black Panther Wakanda Forever 37:50 Iron Man, Iron Man 2, Dr Strange 48:50 Spiderman Far From Home 

Avengers Quadrilogy (2 of 4). Henry faces off with Avengers: Age of Ultron.Note: You can also now listen to this FULL Avengers franchise review -- uninterrupted -- as a re-edited compilation episode (Dailys #100-103) on our premium podcast page via the link below!Subscribe / Buy Bonus Shows / Contact

Rob and Terry discuss the Roast of Tom Brady before they make their next stop on the MCU road: Avengers - Age of Ultron (16:40). Don't miss their Mount Rushmore of Favorite A.I. Movies. (1:49:10)

Find the transcript, full show notes, and more on our Substack: https://designbetterpodcast.com/p/brian-tyler Our conversation today takes us further into the creative process across different mediums. If you're a fan of Yellowstone, Crazy Rich Asians, Iron Man 3, or the recent Mario Brothers movie, then chances are good that one of the soundtrack clips in the trailer below is familiar to you. And today on Design Better we speak with the person behind them all: Emmy-award nominated composer Brian Tyler. We talk to Brian about his childhood influences, growing up in an artistic family, and how he finds the starting threads of a score. Bio Brian Tyler is a multiple BAFTA and Emmy Award nominee, platinum-selling recording artist, and has been a composer and conductor on over 100 feature films. Tyler's scoring credits include Joss Whedon's Avengers: Age of Ultron, James Wan's Furious 7 and F. Gary Gray's Fate of the Furious as well as others in the Fast and the Furious franchise, Shane Black's Iron Man 3, Alan Taylor's Thor: The Dark World, Jon Chu's Crazy Rich Asians, for which he was voted to the 2019 Oscar shortlist for Best Original Score. Brian also tours as a successful electronic artist and producer, playing major festivals such as EDC and Hardfest, and he recently launched "Are We Dreaming", a completely immersive audio-visual experience created by Tyler himself, which debuted in October 2021 on the 400-foot Main Stage at Lost Lands Music Festival; an epic two-hour midnight performance for a crowd of 30,000 people.  *** Visiting the links below is one of the best ways to support our show: Methodical Coffee: Roasted, blended, brewed, served and perfected by verified coffee nerds

How do the fears and traumas we've experienced affect the way we live? Joseph shares his story, and how it mirrors many of the fears and traumas portrayed in the Avengers films. We also share some insights from neuroscience about traumatic narratives in the brain, and working with kids who have experienced trauma.   Introduction (0:00) Defining a "Joseph Movie": Confronting Trauma (1:31) Avengers Age of Ultron and Joseph's Story (5:13) Finding Our Worthiness (20:01) Neuro-Narrative Therapy and the Absent but Implicit (24:51) Gaining Clarity with an Unclouded Vision for Life (32:10) Conclusion (34:18) Stay up to date with our movie club, and see which films we'll cover in the future. All Things Narrative exists to guide you towards telling and living your story more meaningfully. Learn more about our Live A Meaningful Story program at: allthingsnarrative.com and get a FREE consultation.  Follow us on Instagram @allthingsnarrative Like us on Facebook @allthingsnarrative Connect with Derrick on Letterboxd @thenarrativeguy Check out Joseph's stop-motion films on YouTube @JoeLee Stark25 Produced by All Things Narrative LLC

THE DEADPOOL 3 TEASER TRAILER IS FINALLY HERE!! With our first look at the ONLY Marvel Studios film to release in 2024 finally debuting at Superbowl VLIII, Coy & John are here to dive into everything including Ryan Reynolds Wade Wilson, Hugh Jackman Wolverine + potential variants, the TVA & ties to Loki, The Multiverse, Footage shown from Captain America: The Winter Soldier & Avengers: Age of Ultron, Succession's Matthew MacFadyen stepping in to play Mr Paradox (Mobius M Mobius), the return of Vanessa, Colossus, Negasonic Teenage Warhead, Blind Al, Rob Delaney as Peter, the PYRO CAMEO & MORE!!! Here to field all your questions, theories, & observations. JOIN US!! #Deadpool3 #DeadpoolAndWolverine #RyanReynolds #HughJackman #Deadpool #Wolverine #SuperBowlVLIII #Marvel #MCU #MarvelStudios #Deadpool3Trailer #Disney #20thCenturyFox #20thCenturyStudios  Support The Channel By Getting Some REEL REJECTS Aparrel! https://www.rejectnationshop.com/ Music Used In Manscaped Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB: https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER: https://twitter.com/thereelrejects Follow GREG On INSTAGRAM & TWITTER: INSTAGRAM: https://www.instagram.com/thegregalba/ TWITTER: https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Today, we'll be discussing Episode 5 of Gyeongseong Creature, the hit K Drama on Netflix starring Park Seo-joon as Jang Tae-sang, Han So-hee as Yoon Chae-ok, Wi Ha-hun as Kwon Jun-taek, Kim Soo-hyun as Lady Maeda, Ji Woo as Myeong-ja, Jo Han-chul as Yoon Joon-won, and Kim Hae-sook as Nawol daek. We discuss:The song we featured during the recap: Forever by SUHO, instrumental version. Kwon Jun-taek's background, motivations and relationship with Jang Tae-sang. Kwon Jun -taek's father now knows that his son is a rebel. He tries to bribe Dr. Ichiro with a briefcase full of money. How Col. Kato is the scariest man in the base. He doesn't care about the soldiers or the Joseon people being killed by the creature.  How Col. Kato realized that Yoon Chae-ok is the creature's daughter and is now wondering how he can use her. How Yoon Chae-ok wants to fight to the end, while Jang Tae-sang is going to do whatever he needs to do to stay alive. The heartbreaking realization by Yoon Chae-ok that her mother had been, or is, at the base. How Jang Tae-sang finds Yoon Chae-ok and while he wants to escape and find another way to learn about her mother, she can't give up the search for her mother. The possible kilig moments in this show between our two leads. How Jang Tae-sang is a planner, while Yoon Chae-ok has a bias for action. What's happening with the other characters: Yoon Joon-won, Lady Maeda, Commissioner Ishikawa. What our K Drama elements are and why we talk about them. The K Drama elements we find in this episode: Crying, food, wrist grab, triangles, flowers. The title: Desperation: Between denial and truth. The beautiful and talented Kim Soo-hyun who plays Lady Maeda. She spent time in the US, speaks perfect English, and has played roles in American movies!ReferencesClaudia Kim in Fantastic Beasts: Crimes of GrindelwaldClaudia Kim in Avengers: Age of Ultron41 Important Japanese Honorifics

Spidey faces… the final act of Avengers: Age of Ultron?! Enrique from (Un)Popped Podcast joins us as an evil green-skinned scientist makes the island of Manhattan float in the sky and forces Peter to miss his date! We talk about Enrique's experiences watching the ‘67 Spider-Man cartoon in El Salvador, how the visuals of this show help distract from the recycled animation and lighter narrative, Peter being too distracted by girls to be into science, and more! We're watching Spider-Man (1967): Season 2, Episode 3: “Swing City”. Find more from Enrique:(Un)Popped Podcast on SpotifyTwitter: @UnpoppedPodcast | Instagram: @UnpoppedPodcast Website⁠ | ⁠Patreon⁠ | ⁠Discord⁠ Part of The Glitterjaw Queer Podcast Collective Contact us: @WallopingWebPod on ⁠Twitter⁠, ⁠Facebook⁠, and ⁠Instagram⁠ Email: ⁠wallopingwebsnapperspodcast@gmail.com⁠ Theme song features: ⁠“Resonance (Cyan & Ladybot Remix)” by HOME⁠ | ⁠License (CC BY 3.0)⁠

Chris LeDoux is the Co-Founder of Crafty Apes, a VFX Supervisor and an Entrepreneur.  Born and bred in Alaska, Chris earned Bachelor's degree in both psychology and sociology, but his fascination with filmmaking led him to the world of visual effects. He began his career in VFX as a compositor at The Orphanage in 2004. He worked at numerous studios such as Uncharted Territory, Cafe FX and Scanline. Now a veteran of the film industry, his impressive resume includes compositing and VFX supervision on multiple titles, including 12 Years a Slave, Doctor Strange, Better Call Saul, among others. He has also directed music videos and led visual effects teams for U2, Chris Cornell, New Kids on the Block, Paramore, just to name a few. Crafty Apes is a full service, boutique VFX company based in Culver City, CA & Atlanta, GA. The company was launched in July of 2011 by three visual effects veterans Jason Sanford, Chris LeDoux and Tim LeDoux. Believing that strong 2D compositing is the backbone behind quality visual effects, Crafty Apes was formed to primarily offer high-end compositing services for feature films and television clients.  Crafty Apes specializes in compositing effects and visual effects supervision. By paying extra attention to the detail and integration that 2D work requires and by working with the best technology available spread among a select group of artists, Crafty Apes can deliver a superior product to higher end clients in a shorter time period. Their recent credits include: The Babysitter: Killer Queen, Lovecraft Country, Doctor Strange, Hidden Figures, Lalaland, Fist Fight, Pete's Dragon, Captain America: Civil War, Killing Reagan, Neighbors 2: Sorority Rising, Dirty Grandpa, Allegiant, Insurgent, Avengers: Age of Ultron, Black Mass, The 33, Foxcatcher, 12 Years a Slave, American Hustle, The Monkey King, White House Down, Single Mom's Club, The Last Stand, A Madea's Christmas and many more. In this Podcast, Allan McKay interviews the Co-Founder of Crafty Apes, VFX Supervisor and an Entrepreneur Chris LeDoux about his inspiration behind launching of Crafty Apes; ROI and taking the risk out of starting a business; why empathy guarantees professional success – and so much more! For more show notes, visit www.allanmckay.com/435.  

Chris LeDoux is the Co-Founder of Crafty Apes, a VFX Supervisor and an Entrepreneur.  Born and bred in Alaska, Chris earned Bachelor's degree in both psychology and sociology, but his fascination with filmmaking led him to the world of visual effects. He began his career in VFX as a compositor at The Orphanage in 2004. He worked at numerous studios such as Uncharted Territory, Cafe FX and Scanline. Now a veteran of the film industry, his impressive resume includes compositing and VFX supervision on multiple titles, including 12 Years a Slave, Doctor Strange, Better Call Saul, among others. He has also directed music videos and led visual effects teams for U2, Chris Cornell, New Kids on the Block, Paramore, just to name a few. Crafty Apes is a full service, boutique VFX company based in Culver City, CA & Atlanta, GA. The company was launched in July of 2011 by three visual effects veterans Jason Sanford, Chris LeDoux and Tim LeDoux. Believing that strong 2D compositing is the backbone behind quality visual effects, Crafty Apes was formed to primarily offer high-end compositing services for feature films and television clients.  Crafty Apes specializes in compositing effects and visual effects supervision. By paying extra attention to the detail and integration that 2D work requires and by working with the best technology available spread among a select group of artists, Crafty Apes can deliver a superior product to higher end clients in a shorter time period. Their recent credits include: The Babysitter: Killer Queen, Lovecraft Country, Doctor Strange, Hidden Figures, Lalaland, Fist Fight, Pete's Dragon, Captain America: Civil War, Killing Reagan, Neighbors 2: Sorority Rising, Dirty Grandpa, Allegiant, Insurgent, Avengers: Age of Ultron, Black Mass, The 33, Foxcatcher, 12 Years a Slave, American Hustle, The Monkey King, White House Down, Single Mom's Club, The Last Stand, A Madea's Christmas and many more. In this Podcast, Allan McKay and the Co-Founder of Crafty Apes, VFX Supervisor and an Entrepreneur Chris LeDoux do a deep dive into the paradigm shift of Artificial Intelligence: Its effect on the future of VFX, a productive outlook at AI as a way to optimized things, how to train it to your advantage and Chris's own investments into AI entrepreneurship. For more show notes, visit www.allanmckay.com/434.

Hey Everyone!On this episode we discuss The DEFINITIVE Top 10 Marvel Cinematic Universe Movies! (according to us at least)I'm joined by my guest co-hosts: Retro Raymond and Marvelous Marqui.Do you agree with our Top 10?Have other ideas in mind?Feel free to give us feedback!Work Time Fun Podcast contact info:Email: worktimefundpodcast@gmail.com and Twitter: @WorkTimeFunPodThe Marvels (2023)Guardians of the Galaxy Vol. 3 (2023)Ant-Man and The Wasp: Quantumania (2023)The Guardians of the Galaxy Holiday Special (2022)Black Panther: Wakanda Forever (2022)Werewolf by Night (2022)Thor: Love and Thunder (2022)Doctor Strange in the Multiverse of Madness (2022)Spider-Man: No Way Home (2021)Eternals (2021)Shang-Chi and the Legend of the Ten Rings (2021)Black Widow (2021)Spider-Man: Far From Home (2019)Avengers: Endgame (2019)Captain Marvel (2019)Avengers: Infinity War (2018)Black Panther (2018)Ant-Man and The Wasp (2018)Thor: Ragnarok (2017)Spider-Man: Homecoming (2017)Guardians of the Galaxy Vol. 2 (2017)Doctor Strange (2016)Captain America: Civil War (2016)Ant-Man (2015)Avengers: Age of Ultron (2015)Guardians of the Galaxy (2014)Captain America: The Winter Soldier (2014)Thor: The Dark World (2013)Iron Man 3 (2013)Marvel's the Avengers (2012)Captain America: The First Avenger (2011)Thor (2011)Iron Man 2 (2010)The Incredible Hulk (2008)Iron Man (2008)

Avengers: Age of Ultron is the much maligned second big Avengers team up in the MCU. Was it really that bad though? Join Ryan and David as they dive in and explore this one!! ---------------- Themes by J.R. Trimpe: https://trimpe.org/ Support the show! Check out our super secret spoiler show on the EarzUp! Patreon Visit us on Etsy for the official Puny Pod Merch Come say hi on Discord!

November is over but there was plenty of news and trailers to chew over. The conversation covers rom-com scenarios, cancel culture and biopics about terrible people Craig McKenzie can be found on this very site and over on We Are Starfleet on the We Made This podcast network. Izaak Stoakes can be found on his Twitter or on his website. Show Notes TV reviews Craig's review of Doctor Who - "The Star Beast" Craig's review of Doctor Who - "Wild Blue Yonder" Craig's reviews of What If…? Craig's reviews of Hawkeye Craig's reviews of Ms. Marvel Craig's reviews of “Crisis on Infinite Earths” Movie Reviews Craig's review of The Marvels Craig's review of Avengers: Age of Ultron Craig's review of Thor: Ragnarok Craig's review of Thor: Love and Thunder Craig's review of Logan Craig's review of Mad Max: Fury Road Craig's review of The Maze Runner Craig's review of Maze Runner: The Scorch Trials Craig's review of Kong: Skull Island Craig's review of Totally Killer Graeme's review of Ghostbusters Craig's review of Ghostbusters: Afterlife Craig's review of Pokémon: Detective Pikachu Craig's review of Army of the Dead Craig's review of Zack Snyder's Justice League Craig's review of The Flash Craig's review of Catwoman: Hunted Craig's review of The Super Mario Bros. Movie Craig's review of Uncharted Craig's review of Prey Craig's review of Pacific Rim: Uprising Craig's review of Tetris Craig's review of Fall Craig's review of It Follows Craig's review of A Quiet Place Craig's review of A Quiet Place Part II Graeme's review of Happy Death Day Craig's review of Happy Death Day 2U Podcasts The Marvels Thor: Ragnarok Thor: Love and Thunder Doctor Who - "The Day of the Doctor" Pokémon: Detective Pikachu Man of Steel Zack Snyder's Justice League The Flash What If…? Hawkeye Pacific Rim: Uprising Craig's review of Transformers: Age of Extinction “Crisis on Infinite Earths” – first podcast and second podcast Our Alien Day coverage Trailers The Fall Guy Kingdom of the Planet of the Apes Ultraman Rising Inside Out 2 The Garfield Movie Avatar: The Last Airbender Mean Girls Damsel Imaginary Ghostbusters: Frozen Empire Anyone But You Lift Dead Boy Detectives Pokémon Concierge Merry Little Batman Chicken Run: Dawn of the Nugget Percy Jackson and the Olympians Ted (teaser) Ted (full trailer) Zack Snyder's Rebel Moon - Part One: A Child of Fire What If…? Echo Furiosa: A Mad Max Saga The End We Start From Justice League: Crisis News Marvel possibly backing away from Kang Destin Daniel Cretton exits Avengers: The Kang Dynasty Michael Waldron to write Avengers: The Kang Dynasty Spider-Man 4 will merge the SPUM universe into the MCU Pedro Pascal in talks to play Reed Richards Tom Holland talks Spider-Man 4 Supergirl: Woman of Tomorrow finds its writer Maria Gabriela De Faria cast in Superman: Legacy Jimmy Olsen and Eve Tessmacher cast in Superman: Legacy Nicholas Hoult cast as Lex Luthor in Superman: Legacy Coyote Vs. Acme shopped to other studios Darren Aronofsky's Elon Musk biopic The Legend of Zelda movie Sydney Sweeney and Vanessa Kirby join Eden Frozen 4 in the works Frozen 3 and 4 to be one story Idris Elba to co-direct Above the Below Two Fall sequels greenlit Douglas is Cancelled Creed 4 in the works They Follow Barbenheimer Dave Filoni promoted to Lucasfilm Chief Creative Officer Melissa Barrera fired from Scream VII Scream VII producers explain reasons Melissa Barrera discusses being fired from Scream VII Jenna Ortega leaves Scream VII Jackie Chan and Ralph Macchio team up for Karate Kid film Tim Miller to direct Alien Legion adaptation Timothy Olyphant joins Noah Hawley's Alien series Cailee Spaeny confirms when Alien: Romulus is set Giancarlo Esposito joins Please Don't Feed the Children Sebastian Stan to plan Donald Trump Misc "Garfield Minus Garfield" The ScreenCrush breakdown of the What If...? season 2 trailer IGN's April Fool Zelda trailer The Game Theorists video on how to survive It Follows The recoloured The Killing Joke trailer Drew Gooden's video about Star Wars Taika Waititi and Tessa Thompson mocking the Thor: Love and Thunder visual effects Music Niall Stenson's cover of the “Marvel Music“, the "Superman theme" and his YouTube channel If you enjoyed what you heard here, please subscribe to Kneel Before Pod. If you have any feedback then we'd love to hear it. You can find us on Facebook and Twitter, make yourself known in the comments section below or you can join us on Discord.

Avenger November rolls on. Today Caroline Darney and Kyle Bandujo break down the most complicated of the Avengers movies, talking Tony Stark's bad decisions, know-it-all Vision, confusing screen time decisions, and everything else in "Avengers: Age of Ultron" Follow Caroline on Twitter @cwdarney and Kyle @kylebandujo You can support Big Screen Sports, get schedule updates, and pick movies to be covered in upcoming episodes by joining our Patreon at https://www.patreon.com/bigscreensports. Big Screen Sports is hosted/edited by Kyle Bandujo, and produced by Aaron Figueroa, Mike Schubert, Steve Rogers, Kevin Frost, Mike Dries, Ryan "Nigel" Yager, Mike D, Chris Mycoskie, Andrew Tuegel, John Craig, Zach Rich, Jason Alba, Stephen DeBow, Kevin Enkelmann, Dan McFall, Mac Lindsey, Curt Ritchie, Robert Dove, Andrew Tuegel, Rilwan Balogun, Jeff Estes, Anthony Scafone, Benjamin Baumann, Taylor Logan, and Classic Stadium Fire. Art for Avenger November was created by Michael Palladino. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Comics Journalist Gita Jackson and DC Lore Expert Alex Jaffe set the stage for full analysis of 52, the most important comic book of the century and the best series you've never heard of. Chapters: How did Gita and Alex get into comics? (09:48) What is 52? (22:33) Which characters are in 52? (48:33) The Blackboard (01:27:55) Favorite Characters (01:33:15) The Mailbag (01:38:25) Sign-Off (01:47:07) A SMALL SELECTION OF THINGS REFERENCED: Black Adam Batman/Superman: World's Finest 52 Avengers: Endgame (2019) Avengers: Age of Ultron (2015) When Joss Whedon Was Our Master Animal-Vegetable-Mineral Man Kite Man Egghead Stan Lee Dan DiDio Captain Marvel Doctor Sivana Batman: The Animated Series Justice League Unlimited Steel Booster Gold The Question The Trial of Superman Batman Returns (1992) Teen Titans Shade, the Changing Man Sandman Neil Gaiman Tim Drake Superboy Young Justice Spoiler Cassandra Cain Batman: Wayne Family Adventures The Batman (2022) DC Universe Infinite The Brave And The Bold DC Comics Presents Geoff Johns Seven Soldiers of Victory Grant Morrison Infinite Crisis Crisis on Infinite Earths Marv Wolfman George Pérez Doomsday Clock Superboy-Prime Wonder Woman Villains United Keith Giffen JSA Greg Rucka Gotham Central Mark Waid Kingdom Come Alex Ross Superman: Birthright 2000 AD New X-Men Doom Patrol Lost 24 The Flash (2023) Identity Crisis Armageddon 2001 Brad Meltzer Jerry Seinfeld Legends of Tomorrow John Constantine Donald Faison Scrubs Clueless (1995) Ted Kord Justice League Europe Elongated Man Dan Jurgens Dennis O'Neil The Question Batman/Huntress: Cry For Blood Renee Montoya Batwoman War on terror Abbie Hoffman Dwayne Johnson Black Adam (2022) Plastic Man The Thin Man (1934) Natasha Irons Traci Thirteen Superman: Reign of the Supermen Lex Luthor All-Star Superman The Ray Black Canary 52 Pickup is an Aftermath production, created by Gita Jackson and Alex Jaffe, and edited by Esper Quinn, with original music by Jon Ehrens. If you'd like to follow along, you can check out 52 at your local comic book store or library, or the DC Universe Infinite subscription service. The views and opinions expressed on this show are solely those of the show's personalities, and do not reflect those of DC Entertainment or Warner Bros. Please rate and review our show wherever you can, and send your questions and comments to 52mailbag@gmail.com. Never stop reading comics.

What is up, bros?! This week on the podcast, since one of us is traveling, we have a really random episode, so we discuss one of our more controversial breakdowns with Avengers: Age of Ultron! We hope you guys enjoy the episode! #AvengersAgeOfUltron #TheAllBros #TheAllBrosPodcast #AllBros #AgeOfUltron #Avengers #MCU #Marvel #IronMan #Thor #Hulk #Ultron #CaptainAmerica #MovieReview #PodcastIf you like what you hear, follow and subscribe to us wherever you listen to podcasts. We are on Apple Podcast, Google Podcasts, Stitcher, iHeartRadio, RadioPublic, Radio.com, Spotify, and more!!!You can also catch all of our episodes on YouTube as well as some bonus videos we make!Follow us on social media, DM us with episode ideas, answers to our question of the week, or if you would like to join us! We will gladly have anyone on. Facebook- www.facebook.com/theallbrosTwitter and Instagram- @theallbrosEmail us- theallbroschannel@gmail.comWebsite- www.tinyurl.com/theallbrosOr go buy some merch- www.teepublic.com/user/theallbroschannelWe would love to hear from you.

Todd Sheridan Perry is an On-Set Supervisor on the show with a diverse background in video games, film and television. He's worked on titles like Lord of the Rings: The Two Towers to Final Destination 5, The Immortals, Total Recall, Resident Evil 5 and Avengers: Age of Ultron. Todd has also worked as a CG Supervisor on Marvel's Doctor Strange which was nominated for a Best Visual Effects Oscar. Scott Kirvan is a VFX and Virtual Production Supervisor, Tech Enthusiast and multidisciplinary creative. He is also the Co-Author of globally recognized Brazil Rendering System, a high performance production quality GI ray trace renderer. As a Virtual Production and Visual Effects Supervisor, Scott has over 20 years of leadership experience, including client-side supervisory roles and in-studio digital production work. He has a diverse background in filmmaking, VFX, business leadership, and engineering, making him a valuable asset to any production team. In this Podcast, VFX Supervisors Todd Sheridan Perry and Scott Kirvan do a deep dive into the making of the Amazon comedy series I'M A VIRGO by Boots Riley, the practical effects and some of the technology used in the show, its challenges and how they resolved them. For more show notes, visit www.allanmckay.com/425.  

When Tony Stark and Bruce Banner try to jump-start a dormant peacekeeping program called Ultron, things go horribly wrong and it's up to Earth's mightiest heroes to stop the villainous Ultron from enacting his terrible plan.Avengers: Age of Ultron  is episode 76 of Superhero Century, the podcast where we watch every superhero movie of the 21st Century in chronological order.  

Audacity. Two definitions come to mind—a willingness to take bold risks; and rude or disrespectful behaviors. On August 5, 2023, a day that will live in infamy, on the Montgomery Waterfront in Alabama, a group of boaters with rude and disrespectful behaviors took a bold risk to jump a black security guard. They messed around and found. Black history was made. On this episode of The Jigsaw, Josh and Bryan discuss white audacity, its origins, and how to combat it and uplift the community. Also, find out what famous person Josh ran into during his recent travels. Bless Up: HBCUs Outside - Ron Griswell Song of the Week: Anything - Musiq Soulchild Tap in with your favorite Casanegros by writing them or following them on social media using the information below: askthejigsaw@gmail.com IG: @thejigsawpodcast | @iamjoshrodgers | iambryanhaire

According to teachfloor.com, In the near future, AI systems can disrupt online education, providing everyone, regardless of age, race, and background, with the opportunity to access knowledge and learn online. AI can help education become smarter, faster, and cheaper. It is already happening, and we can expect it to grow exponentially…. We queried ChatGPT: “Please tell me about the future of online instruction and AI.” Response: * Expansion of MOOCs to deliver high-quality educational content to a large number of learners across the globe…typically free or low-cost for anyone with an internet connection. * Personalized Learning and Adaptive Learning Technologies to adjust the learning experience and provide real-time feedback to learners and teachers. * Blended Learning Models combining online education with face-to-face instruction. * VR and AR to explore virtual environments, simulations, and remote collaboration. * Microlearning and Bite-sized Content via videos, quizzes, interactive modules. * Lifelong Learning and Continuous Upskilling for professional development. And we asked ChatGPT: “Please send fictional movie quotes about Education.” Response: * “What we learn with pleasure, we never forget.” [Remember the Titans, 2000 film] * “With the Internet, we can continue our education every single day, in every conceivable way.” [Avengers: Age of Ultron, 2015 film] We'll ask Mary Nunaley, Murray Johannsen, Julie Ryan, and Dr. Anne H. DeClouette for their take on The Future of Online Education and AI: Teach Me Tonight?

According to teachfloor.com, In the near future, AI systems can disrupt online education, providing everyone, regardless of age, race, and background, with the opportunity to access knowledge and learn online. AI can help education become smarter, faster, and cheaper. It is already happening, and we can expect it to grow exponentially…. We queried ChatGPT: “Please tell me about the future of online instruction and AI.” Response: * Expansion of MOOCs to deliver high-quality educational content to a large number of learners across the globe…typically free or low-cost for anyone with an internet connection. * Personalized Learning and Adaptive Learning Technologies to adjust the learning experience and provide real-time feedback to learners and teachers. * Blended Learning Models combining online education with face-to-face instruction. * VR and AR to explore virtual environments, simulations, and remote collaboration. * Microlearning and Bite-sized Content via videos, quizzes, interactive modules. * Lifelong Learning and Continuous Upskilling for professional development. And we asked ChatGPT: “Please send fictional movie quotes about Education.” Response: * “What we learn with pleasure, we never forget.” [Remember the Titans, 2000 film] * “With the Internet, we can continue our education every single day, in every conceivable way.” [Avengers: Age of Ultron, 2015 film] We'll ask Mary Nunaley, Murray Johannsen, Julie Ryan, and Dr. Anne H. DeClouette for their take on The Future of Online Education and AI: Teach Me Tonight?

According to teachfloor.com, In the near future, AI systems can disrupt online education, providing everyone, regardless of age, race, and background, with the opportunity to access knowledge and learn online. AI can help education become smarter, faster, and cheaper. It is already happening, and we can expect it to grow exponentially…. We queried ChatGPT: “Please tell me about the future of online instruction and AI.” Response: * Expansion of MOOCs to deliver high-quality educational content to a large number of learners across the globe…typically free or low-cost for anyone with an internet connection. * Personalized Learning and Adaptive Learning Technologies to adjust the learning experience and provide real-time feedback to learners and teachers. * Blended Learning Models combining online education with face-to-face instruction. * VR and AR to explore virtual environments, simulations, and remote collaboration. * Microlearning and Bite-sized Content via videos, quizzes, interactive modules. * Lifelong Learning and Continuous Upskilling for professional development. And we asked ChatGPT: “Please send fictional movie quotes about Education.” Response: * “What we learn with pleasure, we never forget.” [Remember the Titans, 2000 film] * “With the Internet, we can continue our education every single day, in every conceivable way.” [Avengers: Age of Ultron, 2015 film] We'll ask Mary Nunaley, Murray Johannsen, Julie Ryan, and Dr. Anne H. DeClouette for their take on The Future of Online Education and AI: Teach Me Tonight?

Bobby Holland Hanton has been Chris Hemsworth's stunt double for over a decade. Bobby has performed in such blockbuster action films as “Avengers: Endgame” and "Avengers Infinity War part 1 and part 2", "Thor Ragnarok," “Thor: Love and Thunder,” "Mission Impossible 6," "Wonder Woman," "Solo: A Star Wars Story," "Stars Wars: Episode VII The Force Awakens," "Skyfall," "Avengers: Age of Ultron," "Spectre," "Thor," hit tv show "Game of Thrones," "Batman: The Dark Knight Rises," "Quantum of Solace," "Harry Potter," "Pirates of the Caribbean," "Captain America" and the Oscar-winning "Inception," to name but a few. [Ep134]

KLB Presents PART 2 of the The Alpha and Betas of the Marvel Cinematic Universe as we begin with Avengers Age of Ultron and move into Phase 3 of the MCU discussing the alphas and betas of the MCU. This is part 2 so make sure you check out part 1 first!

Crafty Apes is a full service, boutique VFX company based in Culver City, CA & Atlanta, GA. The company was launched in July of 2011 by three visual effects veterans Jason Sanford, Chris LeDoux and Tim LeDoux. Believing that strong 2D compositing is the backbone behind quality visual effects, Crafty Apes was formed to primarily offer high-end compositing services for feature films and television clients.  Crafty Apes specializes in compositing effects and visual effects supervision. By paying extra attention to the detail and integration that 2D work requires and by working with the best technology available spread among a select group of artists, Crafty Apes can deliver a superior product to higher end clients in a shorter time period. Their recent credits include: The Babysitter: Killer Queen, Lovecraft Country, Doctor Strange, Hidden Figures, Lalaland, Fist Fight, Pete's Dragon, Captain America: Civil War, Killing Reagan, Neighbors 2: Sorority Rising, Dirty Grandpa, Allegiant, Insurgent, Avengers: Age of Ultron, Black Mass, The 33, Foxcatcher, 12 Years a Slave, American Hustle, The Monkey King, White House Down, Single Mom's Club, The Last Stand, A Madea's Christmas and many more. In this Podcast, VFX Supervisor Marc Smith and VFX Comp Supervisor Tanner Bartlett discuss their work on Mark Mylod's THE MENU, the way their studio Crafty Apes approaches a new project, as well as give advice to artists on why it's important to admit your shortcomings and the skills that make you most hireable.  For more show notes, visit www.allanmckay.com/408.