Podcasts about webcomics

Now that comic creators are returning to websites, SEO (search engine optimization) is once again a hot topic. We'll talk about methods to help search engines index comics. Also, if Brad and Dave were to design a four-year degree for cartoonists, what classes would be on the curriculum?Today's showSEO for webcomicsShould you use alt text on social media posts?Susan MacTaggart's personal affirmationUPDATE: Comiclab Live stage show at the NCS conference, Aug. 14-16UPDATE: Apple loses its 30% cash grabUPDATE: Superfan Ray Michels does it againWhat would Dave and Brad's comics BFA degree include?SummaryIn this episode, Dave Kellett and Brad Guigar discuss the importance of SEO for comic creators, particularly in 2025, highlighting best practices for optimizing webcomics. The episode concludes with practical tips for improving website performance and audience engagement through effective content strategies. In the mid-show updates, Dave Kellett and Brad Guigar promote their upcoming ComicLab LIVE stage show at the NCS convention in August, examine the implications of Apple's recent court loss, and thank superfan Ray Michaels for updating Dave Kellett's Wikipedia page.In the second half, they explore what an ideal art degree for cartoonists might look like, emphasizing the balance between craft and business education. They discuss the ideal curriculum for aspiring comic artists, focusing on creative writing, business skills, art techniques, and the importance of real-world experience. They explore various classes that would benefit students, including humor writing, long-form storytelling, digital tools, and color theory. The discussion emphasizes the need for a well-rounded education that combines artistic skills with practical knowledge to prepare students for a successful career in comics.TakeawaysSEO is crucial for comic creators to reach their audience.Transcripts can enhance SEO and accessibility for comics.Alt text is essential for improving search engine visibility.Optimizing image metadata can boost website performance.Creating a 'Start Here' page can guide new readers effectively.Regularly updating meta descriptions can improve SEO rankings.Engaging with your audience through alt text can enhance their experience.Content creation should be efficient and serve multiple purposes.SEO tactics can often be misleading and should be approached with caution.Linking to other webcomics can create a supportive community.Quality content is more important than SEO for attracting readers.Personal affirmations can provide motivation and encouragement.Events like the Reuben weekend are valuable for networking in the comic community.Recent legal victories can benefit creators financially on platforms like Patreon.Understanding analytics is crucial for independent artists.Business courses should be a core part of an art degree for cartoonists.Branding and legal knowledge are essential for success in the comic industry.Grant writing can be a valuable skill for artists seeking funding.A creative writing class specifically for comics is essential.Rhetoric and composition should be included in the curriculum.Understanding humor is crucial for all writers, not just humorists.Long-form storytelling should be taught with a focus on serialization.Art classes should cover visual storytelling and mark-making techniques.A history of mixed media communication is important for understanding comics.Digital tools and their applications should be part of the curriculum.Color theory and management are vital for storytelling in comics.Internships provide valuable real-world experience for students.A well-rounded curriculum should balance art, writing, and business skills.Brad's Comics BFAThis is Brad Guigar's wishlist for a full 4-year BFA-style degree for comics creators, assuming a 120-credit hour program, broken down into approximately 40 classes (3 credits each). I've grouped them by category and semester.YEAR 1 – FoundationFall SemesterIntro to Visual Storytelling (Art)Creative Writing for Comics I (Writing)Foundations of Marketing (Business)Composition & Rhetoric (Gen Ed)Digital Tools for Creatives (Art/Tech)Spring SemesterDrawing for Sequential Art (Art)Creative Writing for Comics II (Writing) Entrepreneurship 101 (Business) Intro to Media Studies (Gen Ed)Social Media Strategy (Business)YEAR 2 – Skill BuildingFall SemesterNarrative Structure & Pacing (Writing)Lettering & Typography (Art)Branding for Creators (Business)  Art History for Comic Artists (Gen Ed/Art History)Accounting & Taxes for Freelancers (Business) Spring SemesterPanel Layout & Visual Flow (Art)Character Development & Dialogue (Writing) Marketing Campaigns & Analytics (Business) Legal Issues in Creative Careers (Business) Psychology of Storytelling (Writing/Gen Ed) YEAR 3 – Integration & Professional PrepFall SemesterWriting humor (Writing) Coloring (Art)Crowdfunding & Direct Sales (Business) The Comic Industry: History & Trends (Gen Ed/Art History)Pitching & Proposal Writing (Business/Writing) Spring SemesterAdvanced Sequential Storytelling (Art)Long-Form Storytelling & Serialization (Writing) Client & Commission Work (Business)Internship or Industry Mentorship (Business)Elective: Animation, Game Art, or PodcastingYEAR 4 – Capstone & LaunchFall SemesterCapstone Project Planning (Writing/Art)Publishing & Distribution Models (Business)Teaching & Workshops for Creators (Business)Grant Writing & Residencies (Business/Writing)  Elective: Zines, Erotic Comics, or Experimental FormsSpring SemesterCapstone Execution & Exhibition (Writing/Art)Webcomic Design & User Experience (Art/Tech)Pre-Press (Art/Tech)Collaborative Studio Project (All)Exit Interview & Career Planning (Business) You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Is it OK to change your comic after you've already sent it to your audience? The guys also tackle tariffs, ISBNs, bar codes, and offering comics to charity organizations.Today's showMaking a change to a comic after it's "out there"Susan MacTaggart's personal affirmationUPDATE: Tariffs on books??ISBNs and bar codes for self-published booksComics for CharitySummaryIn this conversation, Dave Kellett and Brad Guigar explore the nuances of humor writing, the importance of building an audience on new platforms, and the challenges of editing long-form comics. They discuss the creative process, social-media presence's significance, and tariffs' implications on publishing. The dialogue emphasizes the need for flexibility in creative work and the importance of adapting to changes in the industry. In the mid-show update, they discuss the complexities of navigating tariffs and customs in the publishing industry, particularly for self-publishers. They emphasize the importance of planning for potential costs, such as tariffs, when launching Kickstarter campaigns. The conversation then shifts to the necessity of ISBNs and barcodes for self-published works, highlighting their role in making books trackable and sellable. Finally, they explore how cartoonists can contribute to charitable causes through their work, encouraging creators to produce comics that align with their values and to share them independently without burdening charities.TakeawaysYou never know if your humor resonates until years later.Building an audience on new platforms is crucial.Reflecting on past work can reveal unexpected humor.Editing is a natural part of the creative process.Mistakes can be corrected easily before print.Social media can serve as a distributed editing tool.It's important to be happy with your work in the long run.Tariffs can impact the publishing industry significantly.Trust in the system can be a challenge for creators.Engaging with attentive fans can create strong connections.Assume the worst when planning for tariffs in publishing.Include potential tariffs in your Kickstarter budget.ISBNs and barcodes are essential for self-published books.ISBNs help track books in the international registry.Barcodes are necessary for selling through retailers.Charities may not need unsolicited comics due to their workload.Creators can impact causes without direct charity involvement.Comics can be a powerful tool for social change.Plan independently to avoid complications with charities.Charities are skilled at asking for the resources they need. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Part two of Domi guesting as we now talk about the kids and trolls all hanging around talking!Moosie on itchMoosie's personal websiteMusic and editing by DomiDomi's SoundcloudDomi's Ko-FiWebsiteNewsletterKo-fiDiscordBlueskyYoutubeTiktokThe Unofficial Homestuck CollectionE117 ★ Support this podcast ★

Webcomics can be a lonely road to walk if you're only ever sticking to your own story. But collaborative projects with other creators can really be worth your time! So let's talk about what you need to think about when starting your own collaborative projects.Check out https://www.screentonescast.com for webcomic episodes, blog posts and more!Support us on Ko-Fi: https://ko-fi.com/screentonescast----Episode Credits:Ally Rom Colthoff (Varethane) - she/they, https://chirault.sevensmith.net https://wychwoodcomic.com Christina Major (Delphina) - she/her, https://sombulus.com Renie Jesanis - she/they, https://kateblast.com ----The Intro "DO IT (feat. Shia LaBeouf)", and the Outro "It's Good To See You Again!!", both by Adrianwave, have been used and modified in good faith under the Creative Commons Attribution-Share Alike 3.0 Licensed. Edits include: Fade IN/OUT, and a repeat added to the beginning of "It's Good To See You Again!!". For more information on this creative commons use, please reference https://creativecommons.org/licenses/by-sa/3

It's time for another Gutter-Take. Webcomics are harder to find than ever. Or is it the opposite? Where do you find your webcomics, and how do you get readers to find yours? Jeff, Jam, and JD have questions and also answers. Music by Sleuth. Our next episode will be on "The Amazing Spider-Man: Kraven's Last Hunt" by J.M. DeMatteis and Mike Zeck.

When does a running gag stop being funny — and where does it start, for that matter? Cartoonists Brad and Dave must first agree on what a running gag is! Next, they'll talk about aesthetics — in other words, how does one develop their editorial eye? Finally, Dave reviews his accounting from last year's San Diego Comic-Con and discusses how it influences his decisions for this year's show.Today's ShowWhen does a running gag go too far?Developing an editorial eyeUPDATE: San Diego Comic-Con numbersSummaryIn this episode of Comic Lab, hosts Dave Kellett and Brad Guigar explore the nuances of humor in comics, focusing on the use of running gags and tropes. They discuss the importance of timing, audience familiarity, and the subjective nature of humor. The conversation also delves into the challenges of building an audience in webcomics and the significance of developing an editorial eye for creators. Through various examples, they highlight how running gags can engage audiences while cautioning against overuse. In the next topic, Brad Guigar and Dave Kellett discuss the importance of critical reading and learning from excellent and poor comic industry works. They emphasize the need for creators to develop an editorial eye by consuming a wide range of content, understanding audience expectations, and being open to honest feedback. The episode finally touches on the economic realities of attending comic conventions, particularly San Diego Comic-Con, and how creators can navigate the changing landscape of the comic industry.TakeawaysRunning gags can enhance humor but must be used wisely.Timing and audience familiarity are crucial in comedy.The rule of threes is a guideline for running gags.Developing an editorial eye takes time and practice.Reading a variety of comics helps improve your craft.Surprise is a key element in effective humor.Character-driven comedy can create memorable running gags.Webcomics require a different approach to running gags than print comics.Familiarity can trigger emotional responses beyond humor.The balance of surprise and familiarity is essential in comedy. Reading with a critical eye is necessary for creators.Learning from both great and poor works is valuable.Understanding why certain choices are made in storytelling is crucial.Diverse reading helps inform your creative process.Feedback is vital, but discernment is necessary to know what to take.Comic conventions can be economically challenging for creators.The landscape of comic creation has changed significantly over the years.Creators must adapt to modern audience expectations.Honest feedback can be hard to accept but is necessary for growth.Networking at conventions should be weighed against potential losses. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Social media has convinced an entire generation of creators to focus on numbers — followers, subscribers, likes, shares, and other engagement metrics. However, focusing on numbers can often lead an artist to make bad decisions.Today's ShowFocusing on numbersLimiting comments on BSkyUPDATE: Hoganmag.comLost the Kickstarter mojoComic book vs graphic novelSummaryIn this conversation, Dave Kellett and Brad Guigar discuss recent updates on Blue Sky, a social media platform, and how it offers a healthier commenting environment. They emphasize the importance of quality followers over quantity, sharing insights from their own experiences with Kickstarter campaigns and the ineffectiveness of traditional social media platforms like Twitter and Instagram. The conversation concludes with a focus on engagement metrics and the need for creators to prioritize passionate followers rather than simply chasing numbers. In this conversation, Dave Kellett and Brad discuss the importance of building the right audience for comics, emphasizing the shift from merely increasing follower counts to fostering passionate engagement. They explore the challenges of navigating social media changes, the necessity of embracing change in the webcomics industry, and the emotional toll of crowdfunding campaigns like Kickstarter. The discussion culminates in advice for rekindling motivation and finding joy in the creative process amidst uncertainty. In this conversation, Brad and Dave explore the emotional and practical aspects of running Kickstarter campaigns, the importance of market testing, and the structural elements that contribute to a successful project. They also discuss the significance of listening to one's inner voice during creative endeavors and reflect on the differences between comic books and graphic novels, emphasizing the evolution of sequential art.TakeawaysOrganizing your workspace can be a form of avoidance.Blue Sky's new commenting features promote a healthier online environment.Quality followers are more valuable than a large follower count.Kickstarter success can be achieved without relying on traditional social media.Engagement metrics should focus on passionate followers, not just numbers.Turning off public comments can improve mental well-being for creators.Social media platforms should be evaluated based on their effectiveness for business.Creators should prioritize platforms that allow for direct engagement with their audience.The herd mentality in social media can lead to poor decision-making. Building the right audience is crucial for success.Focusing on passionate engagement is more important than follower counts.Social media platforms can change, and so should your strategy.Embrace change as a constant in the webcomics industry.Kickstarter campaigns can be emotionally exhausting but are part of the process.It's natural to feel doubt after a failed campaign.Finding joy in the creative process is essential for motivation.You are not alone in your struggles as a creator.Being pragmatic about social media is key to success.Every upheaval in the industry can lead to new opportunities. Challenges can ignite motivation and creativity.Finding personal motivation is key to success.Kickstarter serves as a valuable market testing tool.Emotional tolls are part of the creative process.Structuring your Kickstarter effectively can lead to better outcomes.Listening to your inner voice can guide your decisions.Evaluating past projects helps in future planning.The distinction between comic books and graphic novels is significant.Comic books are often seen as disposable, while graphic novels are more permanent.Creative paths may need reevaluation based on market feedback. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Für die aktuelle Diggytalkfolge haben wir Christopher Tauber und Marius Pawlitza zu Gast. Die beiden geben uns in diesem Gespräch ein paar Einblicke, wie es zu dem neuen Graphic Novel „Justus Jonas“ gekommen ist. Doch zunächst, wie ist Marius überhaupt ins Team gestoßen? Marius war schon länger als Illustrator u.a. für Webcomics tätig und da Christopher von seinem Talent wusste, fiel die Wahl dann nicht mehr schwer. Außerdem berichtet uns Christopher, wie er überhaupt auf die Idee zu diesem Graphic Novel gekommen ist. Was klar ist, dass die Geschichte laut Rocky Beach Timeline in den 70gern spielen muss. Aber auch Referenzen zum modernen Rocky Beach der 90ger sind hier mit eingeflochten. Seid auf jeden Fall gespannt und lest „Justus Jonas“ doch einfach selbst und freut euch auf ein Erlebnis im Film-Noir Stil.Eine wichtige Frage an dieser Stelle ist, wie dürfen wir uns Justus als 18-Jährigen vorstellen? In der Hauptserie kennen wir ihn als 12–13-Jährigen. Also schafft dieser Graphic Novel hier sozusagen das Bindeglied zwischen den fehlenden Jahren. Aber auch Peter und Bob haben hier kleine Auftritte und werden in den nächsten Graphic Novels mit einbezogen! Ein Novum müssen wir an dieser Stelle einmal beleuchten. Der Graphic Novel ist nicht ganz jugendfrei (ab 16) und spricht einige explizite Themen an. Besucht uns auch auf unserem Social Media. Hier findet ihr unter www.instagram.com/diggytalk noch mehr Content „Rund um die digitale Welt“. Copyright 2025 DiggytalkDiggytalk ist eine eingetragene Marke von Dominik Grote Hosted on Acast. See acast.com/privacy for more information.

A listener seeks writing advice. How can you motivate readers to engage with a story that has an unhappy ending? Additionally, Dave's new DogKickstarter.com, tips for responding to inquiries from "civilians," and the importance of personal branding when posting on social media.Today's ShowHow to write an unhappy endingUPDATE: DogKickstarter.comQuestions from civiliansPosting politics on social mediaSummaryIn this conversation, Dave Kellett and Brad Guigar explore the importance of character wants and needs in storytelling, and how to create satisfying yet unhappy endings that resonate with audiences. In this conversation, Dave  and Brad discuss various narrative techniques in storytelling, particularly focusing on how to engage audiences through subverting expectations, making journeys worthwhile, and crafting satisfying character arcs. They also touch on the importance of unhappy endings that feel earned, using examples from popular films. Additionally, they share insights on Kickstarter strategies for comic artists, emphasizing the significance of tracking engagement and adapting to audience responses. In this conversation, Brad and Dave explore the complexities of social interactions, particularly in the context of pursuing creative careers. They discuss the importance of understanding the motivations behind casual conversations and the superficial nature of social niceties. The dialogue shifts to the challenges of engaging with audiences on social media, especially regarding political discourse, and the pitfalls of seeking validation through online engagement. They emphasize the value of building a passionate audience over merely chasing numbers, and the dangers of slacktivism, where social media activity gives a false sense of accomplishment without real-world impact.TakeawaysWriting a tragedy involves the same principles as other stories.Character Wants and Needs are crucial in storytelling.Foreshadowing can create a sense of inevitability in narratives.Emotional hooks are essential for audience engagement.Not all stories need a happy ending to be satisfying.Catharsis can come from tragic outcomes.Characters can have bittersweet endings that resonate emotionally.The choice of where to end a story defines its genre.  Cinematic guilty pleasures can be surprisingly engaging.Subverting audience expectations can enhance storytelling.The journey in a narrative is as important as the ending.Unhappy endings can be satisfying if they feel earned.Character arcs should lead to emotionally satisfying conclusions.Kickstarter strategies can significantly impact project success.Tracking engagement helps identify effective promotional channels.Building a narrative involves using the same principles for different outcomes.Friendship and collaboration can enhance creative projects.Understanding audience expectations is key to effective storytelling. You don't need to justify yourself to others.Most people are just trying to be polite.Engagement on social media doesn't always translate to meaningful connections.It's okay to keep conversations superficial with strangers.Building a passionate audience is more valuable than a large one.Political posts can alienate potential fans.Slacktivism can give a false sense of accomplishment.Focus on your brand and what you want to communicate.Real-world actions are more impactful than social media posts.Everyone is navigating life awkwardly, regardless of age.   You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

What are independent comic creators' most reliable revenue streams — and which are the worst? Brad ranks them from top to bottom, and Dave shares his own experiences with each. Also, the guys share the strategy that's making Patreon's "Collections" feature a solid income generator.Today's showWebcomics Revenue Streams Ranked Best to WorstUPDATE: USPS Ground AdvantageUPDATE: Patreon Collections Should you include credits for digital fontmakers in books?SummaryCartoonists Dave Kellett and Brad Guigar delve into the various income streams available to comic creators, comparing crowdfunding platforms like Patreon and Kickstarter, and discussing the importance of commissions, freelance work, and merchandise sales. The conversation wraps up with a light-hearted mention of Comic-Con income and the challenges comic creators face in the industry. In the mid-show updates, Dave Kellett and Brad discuss the significance of USPS Media Mail for shipping and the recent developments in Patreon Collections amidst economic uncertainties. Brad and Dave discuss the economic challenges facing creators, particularly in light of rising costs and potential trade wars. They explore strategies for adapting to these changes, such as adjusting Patreon tiers to accommodate supporters' financial situations. The conversation then shifts to the often-overlooked topic of font credit in comics, questioning why font designers are not acknowledged in the same way as letterers. They emphasize the importance of recognizing the contributions of font creators and suggest that doing so could set a new standard in the industry.TakeawaysPatreon is a top income stream for creators.Kickstarter offers big swings in income.Digital commissions can be lucrative.Physical rewards on Patreon can be problematic.Sales of printed merchandise are important.Comic-Con can be a significant income source.Understanding income streams is crucial for success. Comic-Con can be profitable but comes with risks.Digital merchandise sales can provide better profit margins.Diverse income streams are crucial for financial stability.Merchandise sales often yield lower profits due to costs.Day jobs are a valid source of income for many artists.Media mail is essential for affordable shipping of books.Patreon collections can be a surprising revenue source.Economic challenges may impact artists' income streams.Understanding costs is vital for convention profitability.Experimenting with new income strategies is important.  Economic challenges are impacting creators' income.Adjusting Patreon tiers can help retain supporters.Hedging bets is a smart strategy in uncertain times.Font credit in comics is often overlooked.Acknowledging font designers could elevate the industry.Younger creators often follow the practices of established ones.Listing fonts used in comics could become a new norm.Digital lettering has changed how fonts are accessed.Creators should consider the impact of tariffs on their work.Engaging with supporters through lower tiers can maintain connections.  You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Brad Guigar has categorized the information shared by creative individuals into three groups. Dave Kellett has a couple of his own to contribute. Of the five, only one is useful. Identifying the others can help you avoid making some significant mistakes.Today's showTypes of information creative people shareUPDATE: Brad Guigar celebrates 25 years in comicsStory pacingSummaryIn this episode, Brad and Dave discuss the information shared among creative individuals, categorizing them into facts, marketing, and herd mentality. The discussion highlights the importance of discerning between genuine facts and marketing tactics. Dave suggests the list should include misinformation and bad actors in the creative community. In this episode, Dave Kellett and Brad Guigar discuss the realities of book signings, networking, and celebrating milestones in one's career, particularly in the comic industry. They share personal anecdotes about their experiences and reflect on the mental health benefits of recognizing achievements. The conversation then shifts to writing advice, focusing on story pacing, exposition, and actionable strategies for aspiring writers to improve their craft.TakeawaysSharing information among creatives is essential for growth and learning.Facts are verifiable truths that can help guide creative decisions.Marketing often skews perceptions and can lead to poor decision-making.Herd mentality can mislead creatives into following trends without critical thinking.Misinformation can come from well-intentioned but uninformed sources.Bad actors exist in the creative community, and caution is necessary.Understanding the difference between marketing and facts is crucial for success.Social media is primarily a marketing tool for many creators.  Book signings often don't attract large crowds.Celebrating career milestones can boost mental health.Reflecting on past achievements can provide motivation.Each page of a comic should be satisfying on its own.Writers should focus on manageable story lengths.Use visuals effectively to enhance storytelling.Avoid information dumps in storytelling.Create tension through micro-tension techniques.Leave breadcrumbs for readers to follow in the narrative.     You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

This week's episode is sponsored by Hogan's Alley magazine! We'll discuss those moments in our careers when we said, "F*** me! That actually worked!" Also, a listener writes in to say that they want to take our advice and make the jump to Bluesky, but it causes too much anxiety.SponsorHogan's Alley magazine sponsors this week's episode!  In the next issue, they'll cover the Tijuana Bibles and much more! Get your copy now!Today's ShowHogan's Alley magazine"F*** me! That actually worked!"UPDATE: Diamond Comics DistributorsUPDATE: The Wrong Way"Bluesky stresses me out!"SummaryIn this episode, Dave and Brad are pleased to welcome the sponsorship of Hogan's Alley Magazine! The conversation starts with  a discussion about unexpected successes in the comics industry, sharing personal anecdotes and insights on what works in webcomics and the importance of niche topics. In this conversation, Dave Kellett and Brad discuss their evolving experiences with monetization in the comic industry, reflecting on their initial skepticism towards various platforms like T-shirts, advertising, and crowdfunding. They share personal anecdotes about their misjudgments regarding new technologies and trends, emphasizing the importance of humility and adaptability in their careers. Two mid-show updates touch on the recent bankruptcy of Diamond Comics Distributors and their new show, The Wrong Way. In this conversation, Brad and Dave discuss the challenges and anxieties surrounding social media for artists, particularly in building an online presence while focusing on their craft. They explore the importance of self-promotion, the consequences of delaying engagement with social media, and the potential of new platforms like Blue Sky. The discussion emphasizes the need for artists to balance their creative work with the realities of marketing and audience building while addressing the mental health aspects of sharing their work online.TakeawaysHogan's Alley Magazine is a significant resource for comic history.Niche topics in webcomics can lead to unexpected success.Webrings can significantly boost site traffic and engagement.Comics history is often overlooked but is vital for understanding the medium.The internet favors focused, passionate content over general interest.Understanding your audience is key to successful cartooning.Comics can be both serious and joyful, reflecting their cultural impact. T-shirts as a monetization strategy were initially surprising.Advertising proved to be a lucrative avenue for comics.Skepticism towards Kickstarter was common in its early days.Technological advancements can change the way comics are created and consumed.Vertical scrolling comics have become a preferred format for mobile readers.Humility is crucial in recognizing when to adapt to new trends.Keeping an eye on peers can lead to valuable learning opportunities.The bankruptcy of Diamond Comics marks a significant moment in the industry.Independent comics are evolving beyond traditional distribution methods.Embracing discomfort can lead to growth and new opportunities. Focus on improving your craft before engaging on social media.If social media causes anxiety, it's okay to wait.Blue Sky is currently a growing platform for audience building.Social media fatigue is a common issue for artists.Self-promotion is essential for making a living from art.Building an audience takes time and effort.Sharing your work gets easier with practice.Consider the consequences of delaying social media engagement.It's important to find a balance between art and marketing.Artists can impact the world even as a hobby. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Start your webcomic using the latest platforms, monetization methods, and social media strategies. If you're launching a new comic in 2025, this episode has all the information you'll need to get it off the ground! How to start a webcomic in 2025Don't try to “game” your readership. Write about what YOU likeBuilding readership takes time and consistency. Creating for love is essential in the early years. Focus on writing as the core of comic creation. Focus on creating comics for the love of the craft. The first comics may only be seen by you; embrace the process.Mistakes in the early stages are recoverable.CopyrightOwn and control your workYou do NOT need to be on Webtoon/TapasSocial media presence is important for comic creators. Today, that's Bluesky and Substack. ComicLab has Collections that provide strategies for each platform** They're free to members and available at a one-time fee for others.Be active on social media to build your audience. Four CsHow many updates FCSPersistence is key; it's a marathon, not a sprint. If you need a schedule to post regularly, set a schedule and stick to it. Don't rush into monetization; it takes time to build a following. Starting on Patreon or Kickstarter too soon is a common problem that derails a lot of creators.Develop your aesthetic by studying good comics.You don't need a website immediately, but you'll need one eventually. Start planning now.Seek honest feedback to improve your work.Reach out to other comics creators who are doing stuff that's similar to yours and build networks.Do it for loveSummaryIn this episode of ComicLab, hosts Dave Kellett and Brad Guigar discuss the importance of passion in creating comics, the challenges of building a readership, and the necessity of starting your comic journey despite fears and anxieties. The conversation emphasizes the value of maintaining independence as creators and finding an audience that resonates with your unique themes rather than chasing trends. They address the challenges and strategies for comic artists navigating social media. They emphasize the importance of choosing the right platforms, such as Blue Sky and Substack, over TikTok for comic promotion. The hosts introduce the 'Four C's' of social media—Content, Curation, Commercial, and Kindness—as essential for building an audience. They also share acronyms like SWIG and FCS to guide effective promotion and posting frequency. The conversation concludes with a reminder that building a successful comic takes time and persistence, likening it to a marathon rather than a sprint. In this episode, Brad Guigar and Dave Kellett discuss the essential steps for starting a webcomic in 2025. They emphasize the importance of focusing on the craft before monetization, developing a unique aesthetic, and the necessity of having a personal website. The hosts also highlight the value of networking, seeking feedback from peers in the comic community, and navigating the evolving landscape of social media and comic publishing.TakeawaysCreating comics should stem from personal passion, not trends.Building a readership is a gradual process that requires time and consistency.Mistakes in the early stages of comic creation are normal and recoverable.Your comic's idea is less important than your unique execution of it.Independence in comic creation allows for greater control over your work.Social media platforms are evolving; choose wisely for engagement.Focus on writing as the core of comic creation.Engagement and growth are key metrics for success in comics.Don't let fear of theft prevent you from sharing your work. TikTok may not be suitable for comic artists.Blue Sky and Substack are better platforms for engagement.Social media requires a balance of content, curation, and kindness.Persistence is crucial for building an audience.Curation can enhance networking opportunities.Promote by saying why your work is good.Frequent, consistent, and significant updates are key.Avoid rushing into monetization too soon.Missing updates is forgivable; focus on quality instead.Building a crowd is essential before seeking funding. Focusing on early monetization can distract from improving your craft.Having a small number of Patreon backers can lead to poor decision-making.It's crucial to develop your aesthetic by studying successful comics.A personal website is essential for maintaining control over your work.Networking with other comic creators can provide valuable feedback.Feedback from peers is more beneficial than casual opinions from non-creators.The comic landscape is evolving, and adaptability is key.Do it for the love of comics to sustain motivation.There are more opportunities in comics now than ever before.Building a community around your work can enhance your growth as an artist. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

In Folge 332 von Rolling Sushi geht es um Sorgen vorm Megabeben, hinterhältige Winterböen, teures Curry, Probleme mit Essenslieferdienste, einen Host vor Gericht, Schutz der Rechte von Maikos und Geishas, steigende Insolvenzen und das Interesse an Webcomics.

A ComicLab member complained about following too many people on Bluesky. It was too difficult for them to cultivate a feed that suited their interests! This brought up a topic that has Dave and Brad divided: Are you on social media for business or pleasure?Today's ShowYou're not on social media to readUPDATE: Spice Rack Comics webring (NSFW) — special thanks to Matt Sowers at RCSI PublishingUPDATE: Dave and Brad's transposed faces Started too soon on PatreonSummaryIn this engaging conversation, Dave Kellett and Brad Guigar explore various themes related to comics, social media, and community building. They discuss the challenges of navigating Bluesky Starter Packs and the innovative idea of reviving web rings to foster community among comic creators. Their humorous banter and differing perspectives provide valuable insights for aspiring cartoonists and social media users. In the following conversation, they explore the dynamics of collaboration in creative projects, particularly focusing on establishing a webring for cross-promotion among cartoonists. They discuss the importance of lists, group agreements, and the balance between individual creativity and collective efforts. The conversation also delves into the challenges of managing a Patreon account, the significance of audience building, and the lessons learned from past experiences in comic creation. Ultimately, they emphasize the value of growth and learning from one's creative journey.TakeawaysAn authoritative accent can shape perceptions.Social media should be used strategically, not just for reading.Starter packs can lead to overwhelming follow lists.Curating your social media feed is essential for focus.Building a community is crucial for comic creators.Webrings can enhance cross-promotion among creators.Engagement on social media can lead to audience growth.Being selective with follows can prevent overwhelm.Humor and personality can enhance social interactions.Experimenting with new strategies can yield positive results. Collaboration can enhance creativity but comes with challenges.A webring can be a powerful tool for cross-promotion.Clear agreements are essential in group projects.The benefits of collaboration can outweigh the costs.It's important to have a process for ad approval in a web ring.Patreon should be approached with a focus on audience building first.Reflecting on past experiences can lead to growth.There is no such thing as wasted time in creative pursuits.Learning from mistakes is crucial for future success.Evaluating your creative direction is important after years of work. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

There's so much creativity and energy in the world of animation! With how freeform webcomics are, many webcomikers find ways to integrate animation into their works, and we're here to talk about it! The Intro "DO IT (feat. Shia LaBeouf)", and the Outro "It's Good To See You Again​!​!", both by Adrianwave, have been used and modified in good faith under the Creative Commons Attribution-Share Alike 3.0 Licensed. Edits include: Fade IN/OUT, and a repeat added to the beginning of "It's Good To See You Again!!". For more information on this creative commons use, please reference https://creativecommons.org/licenses/by-sa/3.0/

As we begin a new year, cartoonists Dave Kellett and Brad Guigar make their predictions for 2025 and share their goals for the next twelve months.PredictionsDAVE: Business planning anxietyBRAD: Because of Dave's prediction, the winners will be people who help address that anxiety. (That's us!) Be the distraction/escape people need; they won't forget you. DAVE: Bluesky at 50M by the end of the yearBRAD: Substack gains prominence — rises to Kickstarter/Patreon levelsDAVE: we'll all be playing reactionary, whack-a-mole life choices for the first two years of the trump admin. Until the midterm elections, when it might calm slightly. BRAD: AI will go mainstream and start to gain acceptance among artists and writersDAVE: Kickstarter and Patreon continue to be market leaders. No change on the horizon for thatBRAD: Printing is on the decline under tariffs. And we might be working with small US printers to do smaller books.DAVE: in publishing, YA & kids will continue to dominate the career path of published cartoonists. BRAD: Non-social media options will grow, hopefully including RSSDAVE: Webtoons might begin to fall apart in the US market. Their Hollywood goals are not working, and they were playing the long game toward THAT in terms of accumulating debt DAVE: I will have to raise prices on all my books. Or cut features in my books. No more metallic foils, spot gloss, or bookmarks…you're just getting a bare-bones book. GoalsBRAD: SurviveDAVE: SurviveBRAD: EiAD v3 or Webcomics HandbookDAVE: ANATOMY OF DOGS Kickstarter BRAD: Build Spice Rack Comics into an example of what you can do with the webring / collective concept. Suggest that this is the time to start building quasi-collectives.DAVE: Triple down on Bluesky in the 4-6 years before enshittification BRAD: Lean into KDP for After Dark booksDAVE: Triple down on BlueskyDAVE: Launch and start building THE WRONG WAY. I have been planning it for over a year. DAVE: Focus on one of the few things I can control: my family's happiness and health. Outlive the fuckers and try not to let them steal my joy. I find solace in friendships at Alaska Camp and SDCC. DAVE: if we can't do books, do we do more smaller Quickstarter?DAVE: Is this the time to start on Substack?SummaryIn this episode, the hosts discuss a range of topics, including a personal quest for a long-lost book, Wimpy the Wellington, predictions for the comic industry in 2025, the anxiety surrounding business planning for cartoonists, and the evolving role of cartoonists in providing relief during turbulent times. They also explore the rise of new platforms like Blue Sky and Substack and the potential mainstream acceptance of AI in the creative fields. In this conversation, Brad Guigar and his co-host discuss the evolving role of AI in creative processes, emphasizing its potential as an assistant rather than a replacement for artists and writers.They make predictions for 2025, including the impact of tariffs on print publishing, the continued dominance of YA and kids' books, and the uncertain future of Webtoons in the U.S. market. The discussion also touches on the concept of 'shrinkflation' in publishing, where features may be reduced due to economic pressures.Ultimately, both hosts express a shared goal of survival in a changing industry landscape. In this episode, the hosts discuss their goals and predictions for 2025, focusing on the importance of social media platforms like Blue Sky, the launch of a new project called The Wrong Way, and the innovative approach of Spice Rack Comics. They also touch on adapting to market changes, personal goals, and the significance of community support in the creative industry.TakeawaysCartoonists have a significant impact on their audience's mental health.Business planning in the comic industry is becoming increasingly complex.The rise of platforms like Blue Sky may change social media dynamics.Substack is poised to become a major player in content monetization.Anxiety will be a common theme in the coming years for creators.AI's acceptance in the creative industry is on the horizon.The importance of community and support among creators is paramount.Predictions for the future can help guide current decisions.The role of humor and distraction in art is vital during tough times. AI will be used as a writing assistant, not a replacement.Ethically sourced AI can enhance creative processes.Print publishing is expected to contract significantly due to tariffs.YA and kids' books will continue to dominate the market.Webtoons may struggle in the U.S. market moving forward.Shrinkflation will affect the features of published books.Survival is the primary goal for creators in 2025.Economic changes will force a reevaluation of publishing strategies.The creative industry must adapt to new market dynamics.The future of comics relies on navigating these challenges. Tripling down on Blue Sky is a strategic move for growth.The Wrong Way project is set to launch in 2025.Spice Rack Comics aims to innovate web rings and promote collaboration.Adapting to market changes is crucial for sustainability.Personal goals should focus on what can be controlled.Community support is essential for success in creative fields.Digital income sources are becoming increasingly important.Maintaining joy and personal happiness is a priority.Nostalgia can be a refuge during uncertain times.Building a supportive network can enhance creative endeavors. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

A father is concerned that comics no longer reach kids, suggesting that video games are the better value measured by engagement time. What can we do to reverse this trend? On today's showHow can comics reach kids?UPDATE: Buffer (see addendum below)How can I avoid Trump's tariffs? (see other addendum below)AddendumOne day after we recorded the drop that explained that Buffer did not support video uploads, they made an announcement. You guessed it — they've added that functionality. They still do not support adding content moderation labels.Other addendumDuring the campaign, President Trump made tariffs a large part of his platform. He pitched a wide range of tariffs and scenarios. He suggested a tariff of between 60 and 100% on goods imported from China, a tariff on cars imported from Mexico that ranged from 100% to 200%, he threatened John Deere with a 200% tariff if they outsourced to Mexico. During our discussion, we took the worst-case scenario — 200%. On Nov. 26, Trump solidified his economic plans, promising executive orders on Day One that would levy a 25% tariff on imports from Mexico and Canada with an additional 10% tax on Chinese imports. The upshot of the conversation remains the same: These costs will be passed along to American consumers and businesspeople (like us), and you would be wise to build these additional expenditures into any Kickstarter campaigns you have planned for 2025.SummaryIn this conversation, the hosts explore how parents can encourage reading among kids, the value of libraries, and community initiatives to promote access to books. In this conversation, Brad Guigar and Dave Kellett discuss the evolving landscape of social media, particularly focusing on the emerging platform Blue Sky. They share their experiences with various social media platforms, emphasizing the importance of adapting to changes and seizing opportunities for audience engagement. The discussion also touches on the potential of illustrated novels as an alternative storytelling medium, considering the labor-intensive nature of comics and the desire to share narratives more efficiently. In this conversation, Brad Guigar and ComicLab discuss the complexities of transitioning from comics to illustrated novels, emphasizing the importance of writing skills alongside illustration. They also delve into the potential impact of tariffs on printing costs, particularly for small publishers relying on overseas printing. The discussion highlights the challenges and realities of both creative and business aspects in the comic industry.TakeawaysComics and graphic novels aimed at kids are a thriving print publishing sector. Parents play a crucial role in fostering a love for reading in their children.Libraries are vital community resources that provide free access to books.Engagement with comics should not be measured solely by cost-effectiveness.Community initiatives like book exchanges can enhance access to literature.Encouraging kids to read requires active participation from parents.The comics industry is successfully reaching young audiences today.Creative solutions exist for parents to provide books without breaking the bank. Engagement on Blue Sky is currently very high.Deleting old social media accounts can be liberating.Scheduling posts is crucial for maximizing engagement.Blue Sky offers a unique opportunity for audience building.Social media fatigue is a common concern among creators.The landscape of social media is constantly changing.Illustrated novels could be a viable alternative to comics.It's important to adapt to new platforms quickly.Community moderation tools are essential for a healthy environment.Creators should always be on the lookout for new opportunities. You can be very successful in an illustrated novel situation.Writing is as complex as illustrating.Dunning-Kruger effect applies to perceptions of writing difficulty.Novelists can spend years honing their craft.Transitioning to a new art form requires significant time investment.Tariffs can drastically increase printing costs.Small publishers may struggle with rising costs due to tariffs.Navigating printing options requires careful consideration.Expect uncertainty regarding tariffs in the current political climate.Reshoring the printing industry is a complex challenge. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

What happens when your story gets too big for you to handle? Are you the right person for the job? (And if not you, then who??)On Today's Show:In over your headUPDATE: It was FCS all along Crossbar i technicalityAdvice to your older selfSummaryIn this episode, the hosts discuss the challenges creators face, particularly when tackling complex themes such as systemic injustice in long-term comic projects. The hosts emphasize the importance of pushing through creative doubts and the value of learning from mistakes in the writing process. In this conversation, they explore the complexities of creativity, mainly focusing on the challenges creators face after a hiatus. They discuss the importance of embracing imperfection, the role of confidence in storytelling, and the value of completing projects. The dialogue emphasizes that it's normal to feel doubt and that taking breaks can be beneficial. Ultimately, they encourage creators to follow their instincts and permit themselves to explore new directions in their work.In this episode, Brad Guigar and Dave Kellett revisit a previous discussion about the frequency of comic updates, introducing the concept of FCS (Frequent, Consistent, Significant) as a guiding principle for creators. They delve into the nuances of typography in comics, particularly the use of the crossbar I, and emphasize the importance of clarity in communication. The conversation takes a philosophical turn as they explore what advice they would give to their future selves, reflecting on the nature of change and the importance of embracing it as artists. In this episode, the hosts explore the themes of establishment in the cartooning world, the importance of embracing change, and the value of taking risks. They reflect on the advice they would give to their younger selves, emphasizing the need to cultivate joy and not let life's challenges steal it away. The conversation also touches on the cyclical nature of life experiences and the lessons learned from past regrets.TakeawaysSteven Seagal movies can provide unexpected comfort during tough times.The absurdity of Seagal's later films highlights a decline in quality.Long-term projects can lead to self-doubt about creative abilities.It's important to seek permission from oneself to pivot in creative projects.Tackling heavy themes in comics requires courage and skill development.Backing away from challenges may hinder growth as a writer.Learning from mistakes is a crucial part of the writing process.The hosts encourage embracing creative challenges despite fears.Systemic injustice is a complex theme that requires careful handling.Humor can be found in the most unexpected places, even in bad movies. You can't expect purity from yourself.Mistakes help you become a better writer.Consider the reasons behind your creative hiatus.Social change comes from many small actions.Confidence can wane, and that's okay.Finishing a project has intrinsic value.Taking breaks can help clarify your creative direction.Art is never truly finished until the artist says so.It's normal to feel doubt about your work.Follow your heart and pursue what excites you.FCS stands for Frequent, Consistent, Significant updates.Two updates a week can enhance audience engagement.The crossbar I rule aids in clarity of communication.Typography choices impact the readability of comics.Clarity of communication should guide lettering choices.Change is a constant in an artist's journey.Embrace the evolution of your artistic style.Reflecting on past decisions can inspire future creativity.Maintaining a connection with your audience is crucial.Enjoy the present and acknowledge your achievements. We often feel like we're still figuring things out, regardless of our experience.Establishment is a perception; we must keep building our audience.Change is necessary for growth, even if it's uncomfortable.Advice to younger selves often revolves around reassurance and encouragement.Taking risks is crucial; regrets often stem from missed opportunities.Improv offers immediate feedback that cartooning lacks.Life experiences tend to repeat themselves in different forms.Cultivating joy is essential, especially during tough times.The wisdom of older selves often reflects universal truths.You miss 100% of the shots you don't take. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Does an aspiring comics artist/writer need a college degree? And, if so, which degree is best? Next, a listener asks why Brad publishes his weekly comics page in half-page increments.What schools do we recommend ?Why does Brad publish twice a week?Substack and BlueskySummaryIn this episode of ComicLab, hosts Brad Guigar and Dave Kellett explore the importance of higher education for aspiring cartoonists, debating the merits of specialized degrees versus a broader liberal arts education. They emphasize the significance of writing in comics, the value of community colleges, and the necessity for aspiring artists to actively create comics during their education. The episode concludes with a discussion on the optimal update frequency for comic creators, highlighting the balance between reader engagement and creative output. In this conversation, Brad Guigar and his co-host discuss the nuances of storytelling in comics, emphasizing the importance of finding a 'sweet spot' in panel structure and update frequency. They explore the challenges of conveying narratives in short formats, particularly in the context of webcomics, and the need to adapt to new platforms and formats for compelling storytelling. The discussion also touches on the evolving landscape of comic publishing, including the potential of platforms like Substack and Bluesky.TakeawaysRamekins can elevate home dining experiences.Education is crucial for aspiring cartoonists.Writing is the backbone of successful comics.A liberal arts education provides a broad perspective.Community colleges offer valuable opportunities.Creating comics during college is essential.The frequency of updates can impact reader engagement.Specialized degrees may not be necessary for comic artists.Critical thinking skills are vital in education.Experience often outweighs degree prestige in job markets. Finding a sweet spot in storytelling is crucial.Panel structure significantly impacts narrative pacing.Short formats can hinder storytelling effectiveness.Adapting to new comic formats is essential for success.Webcomics require a different approach than traditional comics.Engaging the audience is key to retaining readers.Two updates a week can enhance audience interaction.Using social media effectively can boost comic visibility.Exploring new platforms can open up opportunities for creators.Understanding the limitations of formats helps in storytelling. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Diamond has announced the list of Free Comic Book Day 2025 Gold Sponsors. Webtoon giving $1 million in cash prizes to creators for Webcomics Legends contest. Marvel will release an adaptation of Rise of Skywalker.SUBSCRIBE ON RSS, APPLE, ANDROID, SPOTIFY, OR THE APP OF YOUR CHOICE. FOLLOW US ON TWITTER, INSTAGRAM, TIKTOK, AND FACEBOOK. SUPPORT OUR SHOWS ON PATREON.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

When a listener asks about Kickstarter strategy, the ComicLab guys are divided! Dave favors the traditional webcomics approach. Build your audience by posting the comic online, then monetize that engagement with a Kickstarter. Brad likes this, but he could also see using Kickstarter's strengths in Discovery to build the audience through a series of smaller campaigns that lead to a big one.SummaryIn this conversation, Brad Guigar and Dave Kellett explore various aspects of creating and promoting comics, including the importance of audience engagement, the role of webcomics, and practical strategies for using platforms like Patreon and Kickstarter. They discuss the significance of consistent content release versus binge releases, emphasizing the emotional connection built through regular engagement with readers. The conversation also touches on personal anecdotes and humorous references, making it both informative and entertaining for aspiring comic creators.In the second half of the show, Brad Guigar and Dave Kellett discuss various topics related to comic creation, including the joys of attending the Alaska Comics Camp, the potential of drawing Q&A sessions for Patreon, the nuances of live streaming for community versus audience building, and strategies for overcoming comic paralysis. They emphasize the importance of community engagement, the legal considerations of using names in drawings, and the creative processes involved in writing and drawing comics.TakeawaysThe concept of reality can sometimes feel simulated.Building an audience takes time and consistent effort.Sharing work for free can help monetize later through crowdfunding.Webcomics has a proven track record for audience engagement.Regular content release fosters deeper emotional connections with readers.Patreon should focus on ongoing support rather than one-time rewards.Binge reading can be appealing, but regular updates build stronger relationships.Marketing archived work is essential for ongoing engagement.Kickstarter can be used effectively for audience building.The emotional bond with readers is strengthened through consistent storytelling.Alaska Comics Camp is a unique experience for cartoonists.Drawing Q&As can enhance community engagement on Patreon.Avoid using patrons' names in drawings to prevent legal issues.Live streaming can serve both community and audience-building purposes.Comic paralysis may stem from a disconnect between writing and drawing.Consider introducing time between writing and drawing to refresh creativity.Not all drawn content is suitable for reuse in books.You might be a writer who illustrates rather than a cartoonist.Train your brain to associate writing with drawing to overcome paralysis.It's okay to explore other creative avenues if comics don't fit. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Visit our Patreon page to see the various tiers you sign up for today to get in on the ground floor of AIPT Patreon. We hope to see you chatting with us on our Discord soon!NEWSNYCC Scoops:Ultimate Wolverine!Astonishing Infinity ComicsRise of Emperor Doom‘Star Wars: Jedi Knights' series launching March 2025Daredevil: Cold Day In Hell #1 (of 3), New limited series, on sale April 2025, Written by CHARLES SOULE,  Art and Cover by STEVE McNIVENFull January 2025 DC Comics SolicitationsDC Comics gets added to digital comics reading app GlobalComixWebcomics collection DC GO! coming to DC Universe Infinite November 20Peacemaker Presents: The Vigilante/Eagly Double Feature!NYCC 2024: DC Comics reveals ‘Absolute Flash,' ‘Absolute Martian Manhunter' and more'SilverHawks' coming to Dynamite January 2025​​IDW reveals new logo marking it's next eraIDW reveals IDW Dark line, with licensed properties A Twilight Zone, A Quiet Place, Sleepy Hollow, and Event HorizonIDW sets Juan Ferreyra for 'Teenage Mutant Ninja Turtles' #6Dynamite announces 'Disney's ZOOTOPIA' #1 for January 2025Rick Remender's Giant Generator adds new creators for 2025New 9-issue series ‘The Lucky Devils' coming to Image Comics in 2025Rick Remender's 'The Seasons' coming January 2025Six-issue dark fantasy 'Bug Wars' coming February 2025Dynamite sets February 2025 for 'Herculoids' seriesNew cryptid series 'Let This One Be a Devil' explores True Weird tales'Spider-Boy' #13 to introduce Hulkette in NovemberOur Top Books of the WeekDave:Summer Shadows #2 (John Harris Dunning, Ricardo Cabral)Wonder Woman #14 (Tom King, Daniel Sampere)Chris:Ultimate Spider-Man #10 (Jonathan Hickman, David Messina)Uncanny X-Men #4 (Gail Simone, David Marquez)Standout KAPOW moment of the week:Chris - Ultimate Spider-Man #10Dave - Venom-War-Venomous #3 (Erica Schultz, Luciano Vecchio)TOP BOOKS FOR NEXT WEEKDave: Absolute Wonder Woman #1 (Kelly Thompson, Hayden Sherman)Chris: Iron Man #1 (Spencer Ackerman, Julius Ohta)JUDGING BY THE COVER JR.Dave: Iron Man #1 (Sumit Kumar Cover)Chris: Godzilla's Monsterpiece Theatre #1 (Tom Scioli Cover)Interview: Absolute Wonder Woman Out October 23 Kelly Thompson Hayden ShermanYou're reinventing a character from the ground up, so where was the ground exactly when you started?Having talked to Scott this has been quite awhile in the making, how long were you both working on this series?Absolute Batman seems to be about stripping away Batman from what we know, is that something you also brought to Wonder Woman?Hayden, was there a certain cultural style you were going for with Wonder Woman's design/clothing?Is the skeleton pegasus a staple of this series, or a one-off creature?12 issue 6 include pegasus weaponsWhat would main universe Wonder Woman think of Absolute Wonder Woman? Hayden I've always adored your layout design, how do you approach a page and know how you'll frame it? There's a lot of visual ideas at work in the first issue, from action to interesting interiors, do you prefer drawing one over the other?A superheroes villains are nearly as important as the hero themselves, what kind of work goes into unveiling familiar villains in a work like this?

Webcomics can come to a stop for a whole host of reasons. BUT if everything goes to plan, you will reach the end of your story! Today we discuss what it takes to tie up those loose ends and cross that finish line! The Intro "DO IT (feat. Shia LaBeouf)", and the Outro "It's Good To See You Again​!​!", both by Adrianwave, have been used and modified in good faith under the Creative Commons Attribution-Share Alike 3.0 Licensed. Edits include: Fade IN/OUT, and a repeat added to the beginning of "It's Good To See You Again!!". For more information on this creative commons use, please reference https://creativecommons.org/licenses/by-sa/3.0/

In the final installment of a three-part series on the National Cartoonists Society conference and Reuben Awards celebration, cartoonists Dave Kellett and Brad Guigar sit down over a couple of tasty adult beverages and share stories and reflections on this year's event. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

With the explosion in popularity of video platforms online comes new opportunities to create, promote, and experiment with your webcomic. This week we discuss how video content can help support your webcomic journey and some of the challenges that come with it. The Intro "DO IT (feat. Shia LaBeouf)", and the Outro "It's Good To See You Again​!​!", both by Adrianwave, have been used and modified in good faith under the Creative Commons Attribution-Share Alike 3.0 Licensed. Edits include: Fade IN/OUT, and a repeat added to the beginning of "It's Good To See You Again!!". For more information on this creative commons use, please reference https://creativecommons.org/licenses/by-sa/3.0/

Webcomics superstar, Justin Westover (J.L. Westover) joins the show this week to talk about his new book: Mr. Lovenstein Presents: FEELINGS (in stores everywhere now), the official sequel to 2022's Eisner-nominated OGN: Mr. Lovenstein Presents: Failure. Justin and I talk about making webcomics, tips for running a successful Kickstarter campaign, finding the perfect partnership with Skybound, the power of a Cyanide and Happiness co-sign, and more! Subscribe and watch the video version of this episode on YouTube!LINKS! : Read the J.L. Westover Reddit AMA that I mentioned, hereMERCH SALE! Get 20% off your next purchase from our merch store by using the discount code: “YOO“Take your comic shopping experience to the limit, by shopping online at Gotham City Limit!Join our Patreon Community and get VIP treatment, bonus episodes, and other perks and rewards! Try out a free 7-day trial, here. No pressure!We read Fan Mail! Send us some Proudly sponsored by Gotham City Limit!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showREACH OUT!

Sends us a comment or question!We've been busy and burnt out little bees over the last year, but we missed out little chats that we shared with you all so we're going back to basics and talking about what's got us excited and what we're excited for. This week we're talking about Capcom's masterful Dead Rising Deluxe Remaster and Jon's obsession with it and Bob's love of their latest TTRPG inspired comic creation, SlimeFrog.While we're shooting for more weeks on than off, this is our little escape project. If you DO want more episodes more frequently share the show with your friends or on your socials, review us on your preferred podcast platform, and like and comment our social posts. Featuring: Bob Rudenborg, Jon MarekEditing: Jon MarekTheme: Brian Adams-Find Us Across the Web: https://www.thebutchandthebi.com/Follow Jon on Twitch: https://www.twitch.tv/jonklobsterSign Up for Bob's Patreon: https://patreon.com/asmallfrogart

On today's episode I chat with Sacha Mardou, a graphic novelist and artist, known in the IFS community for her IFS-inspired webcomics. In her new graphic memoir, Past Tense, Sacha brings readers along on her deeply personal, years-long journey to heal trauma, uncover legacy burdens, and connect to her true Self. She began illustrating her IFS and therapy experience privately in her sketchbooks. Those evolved into webcomics vividly depicting her inner system and healing process which she shared with the world through social media, and now in her new graphic memoir.  We discuss: How her private therapy session sketches grew into webcomics and a book How IFS can shift our inner world and multi-generational family dynamics Breaking the chain of legacy burdens for her daughter  Sharing her family members' private details and stories in her comics Using comics to visually represent the complexity of therapy and inner healing, making the IFS therapy process more tangible, relatable, and approachable for many people One of my favorite quotes from this episode: "How many of us carry shame or trauma that isn't even ours to begin with? Legacy burdens, passed down through generations, shape who we are until we take the courageous step to face them." – Sacha Mardou Sacha will join in a discussion hosted by Dick Schwartz and Jeanne Catanzaro at the 2024 IFS Annual Conference in a session called, Bringing IFS to Life, where they will discuss how Sacha's comics have helped demystify the IFS therapy process for clients. You can connect with Sacha on her website, on Facebook and Instagram @Mardou_Draws Learn more about her new book, Past Tense, here: https://www.penguinrandomhouse.com/books/714479/past-tense-by-sacha-mardou/ Watch video Clips from select episodes on  The One Inside on YouTube Follow Tammy on Instagram @ifstammy: Tammy Sollenberger (@ifs.tammy) • Instagram photos and videos and on Facebook at The One Inside with Tammy Sollenberger. Jeff Schrum co-produces The One Inside Podcast. He is a writer, counselor, and IFS Level 1 practitioner.   Are you new to IFS or want a simple way to get to know yourself? Tammy's book, "The One Inside: Thirty Days to your Authentic Self" is a PERFECT place to start.  Sign up for Tammy's email list and get a free "Get to know a Should part of you" meditation on her website Do you want to befriend the parts of you who impede your meditation practice? Check out Loch Kelly's FREE workshop. Tammy is grateful for Jack Reardon who created music for the podcast. Jack is a graduate of Derek Scott's IFS Stepping Stones Program.   If you are interested in sponsoring an episode or two of The One Inside Podcast please contact Tammy at tammysollenberger@comcast.net

It starts off with a biography trade, followed by two webcomics and the confusing world of public domain characters. After that it is a series of trades that have been read and the rabbit hole they lead into. Enjoy! MUSICAL … Continue reading →

Show note: Unfortunately, we had some daunting technical difficulties during this recording session, so we had to switch to Zoom to record half of the show.As Dave Kellett recovers from a successful San Diego Comic-Con, Scott Kurtz steps in to help Brad talk about making a graphic novel. In the second half, the two spill some tea over early webcomic history. THIS WEEKHow to make a graphic novelWebcomic history"Table Titans Club" is available at Target stores nationwide, along with Amazon, Barnes & Noble, and your local bookstore! You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Ohne Aktien-Zugang ist's schwer? Starte jetzt bei unserem Partner Scalable Capital. Alle weiteren Infos gibt's hier: scalable.capital/oaws. Aktien + Whatsapp = Hier anmelden. Lieber als Newsletter? Geht auch.  Das Buch zum Podcast? Jetzt lesen.  Japans Aktienmarkt hat einen historischen Crash. Wir erklären wieso und ordnen den gestrigen Börsentag ein. Außerdem will die Mars-Familie Pringles (Kellanova) kaufen, Continental will kein Zulieferer sein und United Internet hat Netzprobleme. Über 9 Millionen im Jahr mit Webcomics verdienen? Ist bei Webtoon (WKN: A40F2C) möglich. Sogar Milliardenumsätze bei Webcomics sind bei Webtoon möglich. Und laut Goldman Sachs ist auch viel Rendite bei Webtoon möglich. Vergesst eure Elfbar. ZYN ist die Zukunft der Nikotin-Industrie und Philip Morris (WKN: A0NDBJ) ist die Firma dieser Zukunft. Diesen Podcast vom 06.08.2024, 3:00 Uhr stellt dir die Podstars GmbH (Noah Leidinger) zur Verfügung.

Sometimes, it seems as if the more your skills improve, the longer it takes to get something done! Shouldn't it be the other way around?! Also... what's the most polite way to tell a comic-con shopper to just stop reading and BUY the danged comic?ON TODAY'S SHOWHow to get better faster and faster betterSites with links to webcomicsStop reading and BUY it!SUMMARYIn this conversation, Brad and Dave discuss speeding up the sketching phase in comics. They also talk about the availability of websites that collect links to independent webcomics, and they suggest creating a collective or list of similar comics to promote each other's work. They also caution against relying solely on top webcomic lists or joining Webtoons or Tapas. In the next part of the conversation, the hosts discuss strategies for dealing with people who read comics at conventions without buying them. They share their own approaches, including offering a free sketch, providing a map to the booth, and letting a crowd build. They emphasize the importance of allowing people to take their time to fall in love with the comic and not pressuring them into making a purchase. They also highlight the psychological effect of having a crowd at the booth, which can attract more people. The hosts conclude by reminding listeners to focus on creating a positive and comfortable experience for potential readers.TAKEAWAYSImproving sketching speed takes time and practice, and it's natural for it to slow down as you become more skilled and focused on quality.Consider the value of spending extra time on the sketching phase to produce higher-quality artwork.Webrings are a 20-year-old concept and not the same as what the listener is looking for.Top webcomic lists and joining webtoons or tapas may not be the most effective ways to promote independent webcomics.Consider creating your own collective or list of similar comics to promote each other's work.Maintaining your own list or ring allows you to have more control and ownership over your promotion efforts. At conventions, people should be allowed to take their time reading comics without being pressured to make a purchase.Offer incentives like free sketches or maps to the booth to encourage potential buyers.Letting a crowd build at the booth can attract more people and create a positive psychological effect.Focus on creating a comfortable and enjoyable experience for potential readers.  You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Par manque de temps ou par souci d'organisation pour lequel nous vous présentons toutes nos excuses, nous n'avons pas réussi à dérusher, monter et mettre en ligne toutes les interviews réalisées au printemps passé. Et il y en a eu ! Entre l'édition 2024 de FACTS et le Paris Fan Festival, les rencontres ont été particulièrement nombreuses, et c'est sur la convention parisienne que nous revenons dans cet article. Le bien bon Stjepan Sejic, à qui l'on doit les bande dessinées sensuelles Sunstone et Mercy, mais aussi des titres comme Harleen chez DC Comics, faisait partie des nombreux invités de la dernière édition du Paris Fan Festival.Stjepan Sejic est sur First Print !Il était donc parfaitement impensable, en grands fans du bonhomme et de son art du dessin en numérique, que nous ne profitions pas de l'évènement pour aller à sa rencontre et lui poser quelques questions. L'interview essaie de dérouler dans le temps imparti les choix de carrière de l'artiste, son état d'esprit sur ses projets et la façon dont le marché de la bande dessinée américaine fonctionne, etc. Une discussion à retrouver également restranscrite en VF sur Comicsblog.fr, et qu'on vous encourage à partager (quel que soit le format) si vous appréciez le travail fourni dans nos colonnes.Soutenez First Print - Podcast Comics de Référence sur TipeeeHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

We've all heard successful creators complain that younger hopefuls "just don't want to do the hard work." They disregard the complicated nature of achieving their status and dismiss aspiring novices on the basis of one single factor. Survivorship bias is undoubtedly a result of flawed reasoning. ...But is it bad advice?Brad and Dave discuss survivorship bias in the creative community and its impact on success. They acknowledge that survivorship bias exists but argue that it is not the sole determinant of success. They emphasize the importance of hard work, honing skills, and making adjustments based on feedback. They also discuss external factors that can impact a creative career, such as personal circumstances and societal biases. The hosts share their own experiences and offer advice for aspiring creators. In this part of the conversation, the hosts discuss the importance of perseverance and being consistent in order to achieve success in comics.Also, they also address the question of working below one's artistic skill level and offer advice on finding a style that balances speed and quality. The hosts then share their thoughts on the transition from traditional to digital art, including the benefits and drawbacks of each. Finally, they discuss the value of selling original art and the potential challenges of leaving a legacy through physical artwork.ON TODAY'S SHOWSurvival biasWorking below your artistic skill levelLeaving original art in favor of digitalCHAPTERS00:00:00Introduction: Dumpster Pools in Philadelphia00:05:37Chapter 1: Understanding Survivorship Bias00:13:06Chapter 2: The Importance of Hard Work and Skill Development00:22:52Chapter 4: Challenging Survivorship Bias and Acknowledging Others' Struggles00:26:57Chapter 5: Advice for Aspiring Creators: Listen, Learn, and Adapt00:31:03Perseverance and Consistency00:34:31Working Below Your Skill Level00:46:24Transition to Digital Art00:48:08Selling Original Art00:56:29Leaving a Legacy Through ArtworkTAKEAWAYSSurvivorship bias exists in the creative community, but it is not the only factor that determines success.Hard work, honing skills, and making adjustments based on feedback are crucial for success.External factors, such as personal circumstances and societal biases, can impact a creative career.It is important to be aware of survivorship bias and not dismiss the challenges faced by others.Listening to advice from experienced creators and being open to course corrections can increase the chances of success. Perseverance and consistency are key to achieving success in comics.Finding a balance between speed and quality is important when working below your artistic skill level.Transitioning from traditional to digital art offers benefits in terms of control and quality.Selling original art can be a way to generate income and share your work with others.Leaving a legacy through physical artwork may not always be practical or desired by loved ones. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

How did Brad and Dave know when they'd "made it"? ALSO: Now that you have a website with a blog... what do you write??Brad shares a heartwarming story about his dad's induction into the Michigan High School Bowling Hall of Fame. They discuss the concept of 'making it' as a cartoonist and the different definitions of success. They also address the challenges of rating one's comic in terms of age appropriateness and content warnings. In this part of the conversation, the hosts discuss how to handle sensitive content on websites and social media platforms. They mention using content warnings, marking sensitive posts, and utilizing tools provided by social media platforms. They also talk about the importance of considering the audience's age range and the different standards and gradations of content in various mediums. In the second part of the conversation, they discuss the use of blogs on websites and how they have evolved over time. They mention the historical use of blogs for SEO purposes and the shift towards social media for quick and easy sharing. They suggest using blogs to share a variety of content, including transcripts of comics, reposts of social media content, and updates on Patreon or other platforms. They emphasize the importance of not overthinking blog content and using the four C's: content, commercial, curation, and kindness.ON TODAY'S SHOW:When did we know we had "made it"?Content warnings and age ratingsWP Shortcodes PluginUPDATE: Alaska Comics CampWhat should I do with my blog?Jack Conte's SXSW speechCHAPTERS00:00:00 Introduction:  Brad's Heartwarming Story00:07:29 The Definition of 'Making It' as a Cartoonist00:11:13 Navigating Age Appropriateness and Content Warnings in Comics00:44:30 The Evolution of Blogs00:49:27 Using Blogs to Share ContentTAKEAWAYSThe concept of 'making it' as a cartoonist is subjective and can vary from person to person.Financial stability is often key to feeling like you've 'made it' as a cartoonist.There is no universal standard for rating comics in terms of age appropriateness and content warnings.Considerations for rating your comic include societal norms, personal values, and the expectations of different platforms.Content warnings can be placed on the cover of your book, the top of your website, or your social media profile page. Consider using content warnings and marking sensitive social media posts to allow readers to view or avoid certain content.Take advantage of built-in tools on social media platforms to flag sensitive content and provide warnings.Be mindful of your audience's age range and consider the different standards and gradations of content in various mediums.Use blogs on websites to share a variety of content, including comic transcripts, reposts of social media content, and updates on Patreon or other platforms.Don't overthink blog content; use the four Cs: content, commercial, curation, and kindness. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

How do you know when you're giving your readers too many details? — or not enough? Where's the sweet spot between action and exposition? We're going deep on storycraft this week! PLUS: Zines, gutters, and distribution!THIS WEEK'S SHOWHow much story to writeShould you be doing a zine?GuttersBordersDistribution You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Having completed their Kickstarters, Dave and Brad review the promotional outreach that delivered the biggest results and make a shocking discovery. Traditionally, social media platforms were the biggest drivers of Kickstarter pledges. But in 2024 they barely made the top ten. That raises an important question: If we can't rely on social media to deliver a Kickstarter pledge — and if it's increasingly difficult to build an audience there — why are we using it?ON TODAY'S SHOWKickstarter post mortemSocial media is dead... now what? You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Is it possible to build traffic for your comic without building an audience? Also, an anonymous post on Reddit accuses Webtoons of using a predatory contract. ON TODAY'S SHOWBuilding traffic vs. building an audienceUPDATE: SDCC PanelsUPDATE: Dave's 500 for 50Is the Webtoons contract "predatory?" You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

This week, we're talking to Dave Blazek, creator of "Loose Parts," a single-panel comic syndicated to more than 120 newspapers worldwide. Blazek is a three-time NCS Silver Reuben award winner and a danged delight. We'll discuss how he became an "accidental cartoonist" and his unique approach to writing humor. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

New Yorker cartoonist Jason Chatfield joins us to talk about cartooning for the venerable mag, working with a writing partner, doing stand-up at Dangerfield's comedy club, helming the 104-year-old Ginger Meggs syndicated comic, and much, much more!ON TODAY'S SHOWJason Chatfield on SubstackChatfield on creative collaborationsDoing standup at Dangerfield'sChatfield on building subscriptions on SubstackIs There Something In This? podcast You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

We all have creative peaks and valleys. How can we maximize the good times and minimize the bad?ON TODAY'S SHOWCan you really maximize creativity?UPDATE: Dave's TikTok prediction may still come trueUPDATE: 3-part series on Kickstarter coming to Pro TipsFavorite comics from outside the US You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

How important is rebranding after a series of unsuccessful ventures? Also, how does one get their comic translated into another language — and why?ON TODAY'S SHOWRebrandingTranslating a comicUPDATE: The importance of monthly Profit/Loss statementsUPDATE: Authors EquityPlanning for page turns You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

It's our most useful, actionable, practical show yet! Stufffed with handy tips and constructive advice for cartoonists and comic creators!ON TODAY'S SHOWPen namesUPDATE: Dave's Kickstarter at picklesbook.com UPDATE: Patreon Welcome surveysHonorifics, acronyms, and abbreviations in word balloons.  You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Scott Kurtz is on the show to talk about the release of his new book, "Table Titans Club." It's available at Target stores nationwide, along with Amazon, Barnes & Noble, and your local bookstore!ON TODAY'S SHOWReimagining the "Table Titans" webcomic as a middle-school graphic novelWorking with an editor for the first timePivoting from self-publishing to traditional publishingBook shows vs comic conventionsEarly accolades for the bookPersonal appearancesNOTE: The Kickstarter for Brad's new Evil Inc graphic novel is in full swing! You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

TikTok and Instagram reels are moving to the forefront of social media. Is it time to learn video/animation so you can promote your webcomic?ON THIS WEEK'S SHOW...Using animation to promoteUPDATE: Short Story ChallengeUPDATE: Eisner deadlineUPDATE: AI ArtA digital-exclusive eComic You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Every once in a while, someone asks if it's possible actually to make a living in comics. It's a fair question, and it deserves an honest answer.SPONSORED BY... ComicLab is brought to you this week by the book "How Comics Were Made, a Visual History from the Drawing Board to the Printed Page." Comics historian and ComicLab fan Glenn Fleishman has spent years researching the history of newspaper comic strip production and reproduction and is bringing his expertise to this printed work full of comics from Yellow Kid through Krazy Kat, Doonesbury, Peanuts, and, yes, Dave's own Drive! It will feature never-before-seen original drawings and printing artifacts, such as "flongs," the hilarious old-fashioned name for printing molds. The book draws from museum collections like the Billy Ireland Library and the Charles M Schulz Library, generous access to artists' own archives, and Glenn's personal collection. Glenn's taking the book to crowdfunding in February, using lessons drawn from this very podcast! You can read more about the book or sign up to get an alert when the campaign launches by going to howcomicsweremade.ink.ON THIS WEEK'S SHOW...Is it possible to make a living in comics?how to write a longform comicSize and DPI — preparing files for web and print You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

A listener asks if they should write one big, successful comic or several mediocre ones. We have a bigger question: What makes you think you have a choice?! Also, it turns out the whole "Substack nazi" thing was yet another case of Platform Panic.SPONSORED BY... ComicLab is brought to you this week by the book "How Comics Were Made, a Visual History from the Drawing Board to the Printed Page." Comics historian and ComicLab fan Glenn Fleishman has spent years researching the history of newspaper comic strip production and reproduction and is bringing his expertise to this printed work full of comics from Yellow Kid through Krazy Kat, Doonesbury, Peanuts, and, yes, Dave's own Drive! It will feature never-before-seen original drawings and printing artifacts, such as "flongs," the hilarious old-fashioned name for printing molds. The book draws from museum collections like the Billy Ireland Library and the Charles M Schulz Library, generous access to artists' own archives, and Glenn's personal collection. Glenn's taking the book to crowdfunding in February, using lessons drawn from this very podcast! You can read more about the book or sign up to get an alert when the campaign launches by going to howcomicsweremade.ink.ON THIS WEEK'S SHOW...Which is better... one big success or multiple mediocre ones?UPDATE: Kindle Direct PublishingUPDATE: Patreon is fixing free membershipUPDATE: Substack didn't have such a big Nazi problem after allFighting AI with Nightshade (https://nightshade.cs.uchicago.edu/)Substack's Platform PanicFor more information on this topic, please check out these posts:freddiedeboer.substack.com/p/these-rules-about-platforming-nazisfreddiedeboer.substack.com/p/how-to-quit-substackMany of the people who were making the most noise on this issue are switching to Ghost. Check out Ghost's TOS — in which they've even highlighted their clause on refusing to moderate content! And, on top of that, the total number of nazi accounts that were found on Substack was only 5 or 6, none of them monetized, and collectively had fewer than 200 followers-- and most of them wound up being taken down by Substack anyway.  You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

BE ADVISED: We'll be discussing issues like death and dying in this episode. Dave turns fifty years old, and it has us talking about cartooning in the second half of one's life. And we're not the only ones asking existential questions. Our first question asker is worried that they're not going to have time to work on all of their ideas in one lifetime! Finally, we break down Wacom's troubling use of AI art in a promotional image!ON THIS WEEK'S SHOW...Dave turns 50 years oldToo many ideas for one lifetimeComicLab 500UPDATE: Wacom uses AI art in a promo You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

We often advise that beginners write a few short stories to sharpen their comics-making skills before they tackle that 200-page epic that they're burning to produce! But how do you write a short story? Today's show offers an easy-to-follow, step-by-step guide! Use this blueprint to participate in the ComicLab Short Story Challenge! PLUS... if it's a benefit to list your comic on as many eStores as possible, why is it a bad idea to do the same with crowdfunding platforms?ON THIS WEEK'S SHOW...How to Write a Short StoryThe ComicLab Short Story ChallengeUsing pre-readersThe More the Merrier, part 1 —Multiple eStores?The More the Merrier, part 2 — Multiple subscription sites?THE COMICLAB SHORT STORY CHALLENGEWrite a comic between eight and 16 pages using the Story Circle as a guide. The Story Circle has eight steps: You / Need / Go / Search / Find / Take / Return / Change. There is more information on the Story Circle in the links below. You may spend up to two pages on each step. No more. Each written page must translate directly into a page of comics, so be sure to take that into account when you're writing! Your final comic must tell a complete story — no cliffhangers; no open-ended conclusions! It must have a beginning, a middle, and an end. When you're finished, post it in the #Imadethis channel on the ComicLab Discord server so we can all marvel at your prowess!Dan Harmon's Story CircleThe Story Circle / Batman BeginsThe Butso Method of WritingEditing a comicIs your idea too similar to someone else's idea?Got Writer's Block? You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.