Podcasts about Moon Lake

Happy (?) new year, listeners. We discuss Chris's journey through the latest Maradonia book that reboots the series entirely, proving that we are all caught in this loop together within the worst timeline. Although not strictly necessary, we recommend listening to the other Maradonia episodes in the following order: Maradonia and the Seven Bridges (Book 1 of the Maradonia Saga/Series) by Gloria Tesch - Episode 11 (2015) Maradonia and the Escape from the Underworld (Book 2 of the Maradonia Saga/Series) by Gloria Tesch - Episode 62 (2019) Maradonia and the Gold of Ophir (Book 3 of the Maradonia Saga/Series) by Gloria Tesch *Patron's Choice* - Episode 63 (2019) The Secret of Moon Lake by Sofia Nova (Gloria Tesch) *Patron's Choice* - Episode 86 (2020) Maradonia and the Law of Blood (Book 4 of the Maradonia Saga/Series) by Gloria Tesch *Patron's Choice* - Episode 87 (2020) Today's episode just includes our usual barnyard language.

日月潭 - rìyuètán - Sun moon lake 經典 - jīngdiǎn - classic 環湖單車道 - huán hú dānchē dào - lakeside bicycle path 湖 - hú - lake 單車道 - dānchē dào - bicycle path 自行車 - zìxíngchē - bicycle 票選 - piàoxuǎn - vote/elected 遊客中心 - yóukè zhōngxīn - visitor center 碼頭 - mǎtóu - pier/wharf 親子車 - qīnzǐ chē - family bicycle 電池助力車 - diànchí zhùlì chē - electric-assist bicycle 搭船 - dā chuán - take a boat 環湖遊船 - huán hú yóuchuán - lakeside sightseeing boat 一圈 - yī quān - a circle 船長 - chuánzhǎng - captain (of a boat) 導覽 - dǎolǎn - guided tour 水社碼頭 - shuǐshè mǎtóu - Shuishe Pier 玄光寺碼頭 - xuánguāngsì mǎtóu - Xuanguang temple pier 伊達邵碼頭 - yīdáshào mǎtóu - Ita Thao Pier 麓司岸 - lùsī'àn - Lusihan, a restaurant 飯飯雞翅 - fàn fàn jīchì - rice rice chicken wings, a famous dish in Lusihan Restaurant 雞翅 - jīchì - chicken wings 手工高麗菜包 - shǒugōng gāolìcài bāo - handmade cabbage buns 香菇茶葉蛋 - xiānggū cháyè dàn - mushroom tea eggs 茶葉蛋 - cháyè dàn - tea eggs 攤子 - tānzi - stall/stand 人氣 - rénqì - popularity 爆棚 - bàopéng - extremely popular 故鄉 - gùxiāng - hometown 咖啡莊園 - kāfēi zhuāngyuán - coffee plantation 製茶廠 - zhì chá chǎng - tea factory 茶園 - cháyuán - tea garden 九族文化村 - jiǔzú wénhuà cūn - Formosan aboriginal culture village 遊樂園 - yóulèyuán - amusement park 以...為主題 - yǐ... wèi zhǔtí - themed as... 九大原住民族文化 - jiǔdà yuánzhù mínzú wénhuà - nine major indigenous cultures 雲霄飛車 - yúnxiāo fēichē - roller coaster 遊樂設施 - yóulè shèshī - amusement facilities 體驗 - tǐyàn - experience 搭纜車 - dā lǎnchē - take a gondola 俯瞰 - fǔkàn - overlook/see from above If you're learning Chinese on your own and want to accelerate your progress, especially when discussing complex topics like technology, social issues, or philosophy with your Taiwanese friends, I'm here to help. In our one-on-one lessons, we will assess your challenges, set clear learning objectives, and work together to boost your Chinese skills. Book a one-on-one trial lesson with me !

We kick off spooooky season with a spooooooooky game (well, at least the first 15 minutes are kinda spooky...) and join Nancy again on another mystery! Get your binoculars and life jackets and get ready for an outdoorsy adventure and discover if the bad guy really was capitalism all along.Texting a podcast? You know it! Send us a message about the pod with a text!Support the showJoin our discord server for updates, feedback, comments, or just to tell us how to be better at games: https://discord.gg/NMSgXNbzCgCheck us out on all the socials:Instagram: https://www.instagram.com/comfyclubpod/TikTok: https://www.tiktok.com/@comfyclubpodFacebook: https://www.facebook.com/ComfyClubPod/

Un compagno di avventure che incontrò sempre volentieri durante il periodo estivo (come quello appena concluso) è sicuramente l'adorabile texano Joe R. Lansdale, autore poliedrico e irresistibile che riesce sempre e comunque a impressionarmi e divertirmi. Parliamo allora di tre opere di Lansdale, così diverse eppure così simili: "L'anno dell'uragano" ci racconta gli orrori della storia passata, "Freddo a Luglio" di una ricerca di un padre e "Moon Lake" della perdita dell'innocenza risalente all'infanzia.

Hi, again, True Drews!Welcome back for Part 4 of our 6 part series, Podcast Sisters Play Nancy Drew!Episode 1 is here on True Drew Podcast and if you need to catch up on Episodes 2 and 3, they are on River Heights Buzz Podcast and Spilling the Tea with Susie respectively!Here are the links for both:Episode #2: Unpopular Opinions and Hot Takes on River Heights Buzz:https://open.spotify.com/episode/4yJOEA2CrjxClczIwthRRo?si=z0IQU-1rRnGkikwNTHgI3g&t=5897Episode #3: Unpopular Opinions and Hot Takes on Spilling the Tea:https://open.spotify.com/episode/5D7oHFyiuy5K7isqWJiiPR?si=iv6ftaRQT6G1t2zVxDaUBgIn today's episode, we discuss the games Captive Curse, Ghost Dogs of Moon Lake, Creature of Kapu Cave, Warnings at Waverly Academy, Curse of Blackmoor Manor and The Silent Spy. We hope you all enjoy this episode! *We didn't do a Fight/Marry/Kill for Warnings at Waverly since the girls are technically teenagers and it didn't feel appropriate!*Stay tuned for links to our last two collaboration episodes, 5 and 6, coming soon!

Bed and Breakfast owner Wayne Wang has spent nearly all his life living in and exploring Sun Moon Lake. He tells I-C-R-T's Hope Ngo why he remains entranced by the area and how best to explore the lake, which international media once described as one of the most beautiful bike trails in the world.

Follow me on: https://www.instagram.com/koala.explorer/ ---- Music credit: The Fountain of Living Waters by Siddhartha Corsus

日月潭景色優美，是國人喜歡來渡假的地方~ 你可以在日月潭騎單車、搭遊船 ，還可以享受日月潭美食喔~ 跟著Judy老師一起聽聽日月潭有多美多好玩吧! Keywords:hometown 家鄉Sun Moon Lake 日月潭prefer 更喜歡go hiking 爬山beach 海邊、海灘ocean 海、海洋fresh air 新鮮空氣wave 海浪what about you? 你呢?air conditioner 冷氣department store 百貨公司shopping 購物wasting 浪費scenery 風景actually 實際上different 不同的so peaceful 如此平靜table car 纜車across 橫渡newspaper article 新聞報導 大朋友、小朋友，今天的英文你學會了嗎？ #每周六、日更新 #歡迎給我們評價及留言喔 ----- Apple｜Spotify｜Google｜KKBOX｜Firstory｜SoundOn 搜尋訂閱：NER Kids -----

We're back on the clock for another Video Game Draft special! This time, it's what we believe to be the greatest games of 2002 that are under the spotlight. As with before, we are joined by KDB from the Gears Intel and First Aid Spray podcasts (among many others), and once again the three of us take turns to draft 10 games each, then find the Metacritic score for all the games, add it all up and the person with the highest total score at the end wins. There are some real corkers to choose from 2002 - Wind Waker, Metroid Prime, GTA: Vice City, Urban Yeti!, Nancy Drew: Ghost Dogs of Moon Lake, Jazz Jackrabbit, Resident Evil REmake, and Go! Go! Beckham! Adventure on Soccer Island. Alex is the current reigning champeen. Can anyone stop his march towards greatness, or will he storm into a 2-0-0 lead? Don't forget to tweet us @winnerisyoupod or email awinnerisyoupod@gmail.com - and give us a rating on your podcast app, yeah?

南投位於山區，是台灣唯一沒有靠海的地方。南投住著原住民族- 泰雅族、賽德克族、布農族、鄒族和邵族。泰雅族主要分布在台灣中北部的山區，布農族分布在台灣的東南部，而「日月潭」則是邵族主要生活的地區。原住民有個特別的故事，有一天… 南投Nántóu: Nantou, a county in central Taiwan 泰雅族 Tàiyǎ zú: The Atayal, a Taiwanese indigenous people 賽德克族 Sài dé kè zú: The Seediq, a Taiwanese indigenous people 布農族 Bùnóng zú: The Bunun, a Taiwanese indigenous people 鄒族 Zōu zú: The Tsou, an indigenous people of central southern Taiwan 邵族 Shào zú: The Thao, a small group of Taiwanese indigenous people 分布 fēnbù: to be distributed (over an area) … To keep learning this episode, go here: https://www.taiwanfeng.com/podcast/nantou/ If you're more familiar with simplified Chinese, we also have simplified version for this episode, please visit: https://www.taiwanfeng.com/simplified/podcast-cn/nantou-simplified/ We hope you like our podcast today! Got feedback? We'd love to hear it! Rate us or leave us a review! Learn Chinese Podcast | Learn Advanced Chinese | Chinese Listening Practice | Learn Taiwanese Mandarin

Welcome to Stories Come to Life. I am your host, Kathryn Lopez Luker. During this time of Covid, many people aren't able to use the library in the same way as in the past. To help bring more stories to more readers, many publishing companies are allowing books that are normally unavailable for copyright reasons to be read out loud and shared with others until December 31st, 2022. The stories that fall under that special permission will all be taken down on that date, so listen now, while they're available! Today's story is shared with permission of Simon and Schuster Publishing Company. Nancy Drew really owes a large debt of gratitude to Laura Pendleton, who saved her life out on Moon Lake. So, she is happy to do something to help the girl escape from her cruel guardian. Nancy decides to visit Jacob Aborn and see if she can figure out some way to help Laura. Nancy's resourceful bravery comes in handy as she makes her daring plans!Now sit back, relax, and listen to this story come to life.Do you have suggestions for other books or stories you'd like to hear? I'd love to communicate with you. Please email me at kluker@marshallpl.org and let me know what you think!

Welcome to Stories Come to Life. I am your host, Kathryn Lopez Luker. During this time of Covid, many people aren't able to use the library in the same way as in the past. To help bring more stories to more readers, many publishing companies are allowing books that are normally unavailable for copyright reasons to be read out loud and shared with others until December 31st, 2022. The stories that fall under that special permission will all be taken down on that date, so listen now, while they're available! Today's story is shared with permission of Simon and Schuster Publishing Company. As I just mentioned, the time is fast approaching when all the books whose copyright restrictions have been temporarily lifted must be taken down from this podcast. But there are so many other books to share with you! In 2023, any book whose copyright date is 1928 or earlier is in the public domain and is available to be shared without worries of copyright infringement! If you have a suggestion of a book you'd like to hear, please send me an email message so I can consider your choice. I'd love to hear from you! My email is kluker@marshallpl.org. In 1930, the first three books in the Nancy Drew series were published at the same time in order to introduce the world to this brilliant young detective. The Bungalow Mystery is the third of Nancy's adventures. In this episode, we find Nancy Drew and her chum, Helen Corning, who also appeared in the previous adventures, spending time at a camp on the shores of Moon Lake. Another girl, the brave but dejected Laura Pendleton, soon makes their acquaintance. Laura is very interested in hearing about Nancy's success in solving mysteries. But Laura has her own troubles and longs very much for Nancy and Helen's company as she faces her fears. Now sit back, relax, and listen to this story come to life.Do you have suggestions for other books or stories you'd like to hear? I'd love to communicate with you. Please email me at kluker@marshallpl.org and let me know what you think!

Yukoners drive a lot so it's no wonder there's a big push to ditch the gas guzzlers and get on the electric vehicle bandwagon. Shane Andre of Yukon's Energy Solutions Centre answers key questions about EVs and Andrew Hall of Yukon Energy shares how the public utility plans to keep up with increasing demands for clean energy.This episode is sponsored by Air North, Yukon's Airline.

A humid morning

My guest today is actor, comedian, and author, Dan Fogler. Dan has starred in movies such as Balls of Fury and the Fantastic Beasts series of movies. More recently, he stars in The Offer and his Moon Lake anthology for Heavy Metal is being adapted into an animated TV series. We talk about his acting […]

Mark Robinson : Utah Gold, Magical Dirt, Bigfoot, and The Gathering at Moon Lake --- Support this podcast: https://anchor.fm/ryan-burns4/support

BOO! Did we spook you? Thanks for tuning in to todays episode. Jesse shares stories shared with him from Reddit and Tessa shares the true and eerie background of Half Moon Lake.Please check us out on Youtube and Instagram! That is where you can see the images we mention in each episode. You guys are all spookily amazing!Insta: @spookysouppodcast

Siamo tornati in Texas, dove dopo la strage alla scuola elementare di Uvalde - nella quale sono rimasti uccisi 19 bambini e due insegnanti - tra qualche giorno si terrà la convention della National Rifle Association: ne abbiamo parlato con Joe Lansdale (scrittore texano, il suo ultimo romanzo è "Moon Lake", pubblicato in Italia da Einaudi editore) e Patrick Blanchfield (Associate Faculty Member del Brooklyn Institute for Research, fa ricerca su diffusione delle armi da fuoco e violenza). Subito dopo siamo tornati in Ucraina, dove la Russia pone un ritiro delle sanzioni come condizione per l'allentamento dei controlli sui carichi di grano custoditi nei porti del Mar Nero: ne abbiamo parlato con l'Ammiraglio Giuseppe De Giorgi (ex Capo di Stato Maggiore della Marina e docente alla Webster University). Infine siamo andati in Afghanistan, dove i giornalisti di Tolo News hanno deciso di andare in onda con i volti coperti per solidarietà alle colleghe donne - costrette a coprire il volto dai talebani - mentre proseguono gli attentati suicidi contro la comunità Hazara: ne abbiamo parlato con Zirak Faheem (caporedattore di ToloNews) e abbiamo sentito le risposte del portavoce dei Talebani Bilal Karimi, raccolte dal giornalista Morteza Pajhwok.

Siamo andati negli Stati Uniti, in Texas, dove dopo la strage alla Robb Elementary School di Uvalde - nella quale sono stati uccisi 19 bambini, due insegnanti e lo stesso attentatore - il paese si interroga ancora una volta sulla cultura delle armi da fuoco e sulla loro diffusione: ne abbiamo parlato con Joe Lansdale (romanziere texano, il suo ultimo libro è "Moon Lake", pubblicato da Einaudi editore), Patrick Blanchfield (ricercatore del Brooklyn Institute of Research, studia il rapporto tra armi da fuoco e sparatorie di massa), Mario Del Pero (professore di Storia internazionale e storia della politica estera americana a Science Po - Parigi) e Roberto Cornelli (Professore di Criminologia nell'Università di Milano-Bicocca, il suo ultimo libro è "La forza di polizia. Uno studio criminologico sulla violenza"). Subito dopo siamo tornati in Ucraina, a Kharkiv, per fare un punto sulla situazione sul campo e sull'avanzata russa in Lugansk con Daniele Raineri (inviato di Repubblica).

Welcome to Stories Come to Life. I am your host, Kathryn Lopez Luker. During this time of Covid, many people aren't able to use the library in the same way as in the past. To help bring more stories to more readers, many publishing companies are allowing books that are normally unavailable for copyright reasons to be read out loud and shared with others until June 30th, 2022. The stories that fall under that special permission will all be taken down on that date, so listen now, while they're available! Today's story is shared with permission of Simon and Schuster Publishing Company. After learning from the Tophams where the old Crowley clock has been stored, Nancy tried to figure out a way to visit Moon Lake without causing the Tophams to become suspicious. Then she remembered the invitation from her friend, Helen Corning, to visit a camp right on the lakeshore. Delighted, Nancy drove to Moon Lake where she hoped to visit the Tophams' bungalow to search for the clock.Now sit back, relax, and listen to this story come to life.

Qui potete trovare le puntate di PAGINE, la quotidiana rubrica sui libri a cura di Andrea Nanni, in onda su Radio Italia Anni 60 Emilia Romagna.

For this episode, we dive into the seventh game of the series: Ghost Dogs of Moon Lake. You can also follow and support us here: https://linktr.ee/realhousewivesofriverheights

DOUBLE DAN EPISODE BAY BEE! Dan Fogler (Fantastic Beasts, The Walking Dead, and Balls of Fury) comes on the show to talk about "Fogler's Fictions" which are his original comics from Heavy Metal magazine.  Dan and Dan talk about Fogler's horror roots, iconic horror hosts, and about the upcoming Moon Lake animated show. We get into the grit and grim on his comic universes. If you thought GateCrashers Dan had big energy...wait till you hear Fogler.

That fun website Emily mentioned: http://www.ataniel.org/drew-dogs5.htm Phone number to dial to get the Easter Egg: 555-7658 --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/itslockedpodcast/support

In our Halloween 2021 Bonus Episode, we talk the Nancy Drew Ghost Stories short story The Ghost Dogs of Whispering Oaks (1983), as well as the HERInteractive PC game Ghost Dogs of Moon Lake (2002). Support us on Patreon: https://www.patreon.com/regularnancydrew Instagram: instagram.com/RegularNancyDrew Twitter: twitter.com/RegularND YouTube: https://www.youtube.com/channel/UCkUyxPdQx5fCJeTIrGcGqPg Music: “Kool Kats” by Kevin MacLeod "Halloween Ghost Of The Dead Ballerina" by Frank Schröter

Join hosts April and Katie as they travel to different haunted locations around Utah. Better buckle up because along the way, April tells us a local true crime story.  In this episode... April tells us about the cold case of Anthony Adams who was found murdered in his Salt Lake City apartment on November 6, 1978. Katie takes us to Moon Lake in Ashley National Forrest and we learn about the mysteries, legends, and hauntings surrounding the lake. If you have any personal paranormal stories to share (whether they're local or not) we would love to hear about them! Write to us at stories@hauntandcold.com and you could be invited to share your story on our monthly episode "Bring Your Own Boos". We'll supply the drink and you supply the Boos ;) --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/haunt-cold/support

For the first time and entire episode is given over to a single author. And who else but Joe R Lansdale? His latest is Moon Lake but he has dozens of novels, hundreds of short stories, films, TV episodes and more. Eric and Joe engage in a wide-ranging conversation about his storied career. All music is used by permission under the creative commons license. Music in this episode includes: Blueprint by Jahzzar Well And Good by Podington Bear Reckoning by Podington Bear Lock and Key by Silent Partner Skuba Drive by Quincas Moreira Learn more about your ad choices. Visit megaphone.fm/adchoices

Pour yourself a whisky, grab a seat and listen to the best voice in dark fiction tell you some stories. Our guest is Joe Lansdale author of so many books I can't even begin to list them. Oh, ok, I will. Edge of Dark Water, Paradise Sky, The Bottoms, The Thicket, Fender Lizard … “Bubba Ho Tep”, Cold in July … the entire Hap and Leonard series. And he joins me to talk about his newest, Moon Lake. A tale of dark nostalgia, small town politics and murder set on the banks of a drowned village. It's a sun-soaked, shadow-tinged summer read of the best, and most twisted kind. As much as Joe is nominally on the show to talk about Moon Lake, he's a hard man to pin down to mere self-promotion. He has tales to tell and opinions to offer and you'd better goddamn LISTEN!! We discuss blue collar youth, Texas attitude, and whether having some hardship in life makes you a better writer. He tells me how he comes up with his unique metaphors, and why he defended Stephen King when twitter turned against him.All in all, it's a friendly conversation about the perils of tribalism, why we should all be a little bit more tolerant, and why choosing stupidity is scary as hell.This is a bucket-list interview for me.Enjoy! Moon Lake is published by Mulholland Books on June 22nd.Other books discussed in this episode include:Edge of Dark Water (2012), by Joe R. LansdaleThe Thicket (2013), by Joe R. LansdaleParadise Sky (2015), by Joe R. Lansdale“Tight Little Stitches in a Dead Mans Back,” in High Cotton: Selected Stories of Joe. R. Lansdale“On the Far Side of the Cadillac Desert with the Dead Folks”, in The Best of Joe R. Lansdale (2010)“The Night They Missed the Horror Show”, by Joe R. Lansdale – originally published in Silver Scream, (1988) ed. By David SchowGreat Expectations, (1860), by Charles DickensThe Only Good Indians (2020), by Stephen Graham JonesMongrels (2016), by Stephen Graham Jones Support the show on Patreon - https://www.patreon.com/TalkingScaredPodCome talk books on Twitter @talkscaredpod, on Instagram, or email direct to talkingscaredpod@gmail.com.Thanks to Adrian Flounders for graphic design.

Visit our Patreon page to see the various tiers you can sign up for today to get in on the ground floor of AIPT Patreon. We hope to see you chatting with us in our Discord soon!NEWSMarvel reveals ‘The Death of Doctor Strange.' Image marks ‘Spawn Universe' as huge success with over 200K units soldTodd McFarlane partners with wiip for ‘Sam and Twitch' TV series‘God Country' film coming soon from AfterShock Media & Legendary2021 Eisner Awards nominations announcedHeavy Metal announces horror one-shot ‘Intrusion' for September 22ndZoop, a new crowdfunding platform, launchesBill Willingham's 'Fables' set to return plus Batman vs. Bigby this SeptemberOur Top Books of the WeekDave:The Good Asian #2 (W: Pornsak Pichetshote, Lee Loughridge)Spider-Man: The Spider's Shadow #3 (W: Chip Zdarsky, A: Pasqual Ferry)Nathan:The Good Asian #2 (W: Pornsak Pichetshote, A: Alexandre Tafengki)Spider-Man: Spider's Shadow #3 (W: Chip Zdarsky, A: Pasqual Ferry)Standout KAPOW moment of the week:Nathan - DC Pride #1 (W: Steve Orlando, A: Stephen Byrne)Dave - Spider-Man: Spider's Shadow #3 (W: Chip Zdarsky, A: Pasqual Ferry)TOP BOOKS FOR NEXT WEEKDave: Demon Days: Mariko #1 (W/A: Peach Momoko)Nathan: Ultramega #4 (W/A: James Harren, C: Dave Stewart)JUDGING BY THE COVER JR.Dave: Venom #200 (Arthur Adams variant) Nathan: Batman: Legends of the Dark Knight #2 (Riley Rossmo variant)Segment: Interview: Dan Fogler - Fishkill - Moon LakeDan, thanks for joining on the AIPT Comics podcast. It's been quite a year to say the least and while conventions and comic shops are opening back up, I'd love to ask, how has your relationship to comics and the creation of comics changed over the last year?With Brooklyn Gladiator, Moon Lake, and Fishkill under your belt, and knowing how you have been reading Heavy Metal since you were 9 or 10, what has it been like making comics for the publisher?Writing for a publisher like Heavy Metal, which always seems to have had a certain bite to them, do you ever feel like you need to go harder or edgier with the work?You're also a screenwriter and director, of course. How does that experience translate into working on a comics script?You've worked with some incredible artists like Simon Bisley, Darick Robertson,  and Ben Templesmith, what is your working relationship like with these artists?Was there a moment, a page or panel, from Fishkill that Templesmith simply blew you away with?Lawrence Blum is listed as the co-creator for Fishkill; what was that collaboration process like?A story like Fishkill blends crime, corruption, drug use, and the filth of the city all into one. Did you have any inspirations in life, film, or other comics that lead to the idea of the series?Obviously Fishkill himself is not someone we should aspire to be. There are a lot of unseemly characters and situations in the story; how do you get in the headspace to write someone like that? What comics are you reading right now?Off Topic Top Shelf: Dan Fogler - mixed martial arts, making movies, The Offer - Francis Ford Coppola

In another unplugged episode, Jimmy talks to actor/writer/singer/director Dan Fogler! We mostly talk about his comics that he wrote Moon Lake, Fishkill and Brooklyn Gladiator. Where did the inspiration come from for these comics? What was it like working with legendary artists Ben Templesmith and Simon Bisley? Are there further entertainment plans for them? Of course, we also talk his acting career. When's Luke back on The Walking Dead? Will Uncle Marv return on The Goldbergs? And what can we expect from Jacob in the next Fantastic Beasts film? A super laid back and fun chat! Many thanks to Dan for taking the time out of his busy schedule. Also, get a hold of us! Thanks for listening!

Dan Fogler talks about how his unique perspective as an actor and filmmaker helps brings Fishkill, Brooklyn Gladiator, and Moon Lake to life. Get 10% Off at Betterhelp.com/DreamerComics with Discount Code "Dreamer" Join Stereo and Follow Omar Spahi at Stereo.com/omarspahi to listen directly to LIVE shows of Dreamer Comics Podcast

In this episode, Lexie talks about the Siren bridge, Fort Peck theatre, Molly's Hollow, Geiser Grand hotel, and Missouri State Penitentiary. Dad talks about Mountain Meadows Massacure, Rock Canyon, Moon Lake, and Frisco the ghost town. --- Support this podcast: https://anchor.fm/stephen-booth7/support

On this episode, Mark Strigl speaks with guitarist/producer Simone Mularoni of DGM and actor/writer Dan Fogler. Topics with Simone include the new DGM album "Tragic Separation", COVID-19, Italy, Sunstorm, Joe Lynn Turner, Sweet Oblivion, Geoff Tate, Empyrios, Ultra-Violence, his guitars, and much more.DMG's website: www.dgmsite.comTopics with Dan include Brooklyn Gladiator, Heavy Metal Magazine, Simon Bisley, John Miller, Moon Lake, the Heavy Metal movie, Fishkill, the Brooklyn Bridge, Megadeth, Metallica, Iron Maiden, Dave Mustaine, Rattlehead, the Ghoul Screamer, Type O Negative, J. K. Rowling's Fantastic Beast, The Walking Dead, his podcast, Jeff Garlin, and much more.Follow Dan on Twitter: @mrdanfoglerCheck out Heavy Metal Magazine.MarkStrigl.netFollow Mark Strigl on Twitter at these accounts: @talkingmetal & @striglFollow Mark Strigl on Instagram.Support this show by making a PayPal donation.Get bonus content and support Mark on Patreon: www.patreon.com/talkingmetalPlease link through us to make a purchase on Amazon.Support Talking With Mark Strigl Through Amazon US Support Talking With Mark Strigl Through Amazon Canada ---Support Talking With Mark Strigl Through Amazon UK

In this episode, Lexie talks about the Siren bridge, Fort Peck theatre, Molly's Hollow, Geiser Grand hotel, and Missouri State Penitentiary. Dad talks about Mountain Meadows Massacure, Rock Canyon, Moon Lake, and Frisco the ghost town. ★ Support this podcast on Patreon ★

Social distancing is so important right now. It’s also stressful, hard, and can feel really frustrating. However, I also think that we can still have FUN while doing it! (Speaking of fun…if you haven’t checked out my summer self-care series yet, go do it! You can find all 5 videos over on my IGTV channel!) In these unprecedented times, I think we could all use a bit of fun in our lives! Also, in my signature training, How to Ditch the Food Guilt + Shame to Gain Confidence + Feel Free, I dive deep on what intuitive eating is and how it could work for you. Whether you’re just starting or could use a refresh, this is for you! Enjoying This Time Back in April my whole family booked our annual trip to Moon Lake, Washington. Our tickets were the cheapest they’ve ever been, and we were so excited! However, as the trip drew newer, we started to feel less confident about actually traveling. Ultimately, my husband and I canceled our tickets in favor of social distancing. It’s what felt right for us, and I know it was a good choice for where we’re at right now. However… Knowing the rest of my family is there without me has created some major FOMO. Plus, this is the first time in my life that I haven’t been able to make it! And even though it’s technically a small thing in light of everything else that’s going on globally, it still felt really hard. Rather than sitting around and moping, however, we decided to get activated and create a plan for enjoying that time we do have. From house projects to furniture set up, we put together a series of activities we can do around our house. We get to feel safe AND have fun together — and that makes what we’re missing in WA feel less heavy. As I record this, a part of me knows I “should” be in Washington with my family. It’s strange not to be, but I also know that I have the choice to enjoy the time I do have here at home! Food Can’t Replace Joy Even though having fun might not feel like it’s that connected with intuitive eating, it absolutely is! When we have fun we are engaging with our lives. We’re present in the moment. And we honor our needs to connect, celebrate, and notice all that is good. When we don’t do that? Sometimes we turn to food instead. If you’re not enjoying your life, you’re going to rely too much on food to fill the gaps. After all, eating is a coping mechanism! If you’re not getting fulfillment and joy from other parts of your life, you’re more likely to turn to food to get what you’re looking for. The reason you eat the way you eat as so many layers! Often, those layers have nothing to do with the actual food we’re eating. They are connected to our emotional needs, our struggles, our pain, and a whole assortment of other things! Right now, over-eating might be a response to social distancing. Rather than feeling guilty or ashamed, you can peel back some of those layers and look for other ways to help yourself get your emotional needs met. (And you can even find ways to have fun while social distancing!) The Foundation of Self-Care A quick note about how vital self-care is in the process of having fun! If you’re not taking care of yourself on regular basis, you won’t have the energy for adding into your life! Exhaustion, fatigue, and overwhelm might be signs that you need to build in a foundation of self-care that will allow you to engage in fun things. The best way to do this is to develop a routine that feels really good for you. This might include journaling, meditating, moving, or connecting with loved ones. Get clarity about what things feel really good in your life, and make sure that you’re building them into your life. You might also look for energy leaks! This week I had to get off social media for a while. Why? I was getting drained and overwhelmed by my social feeds. Taking the week away helped me consider if and how I wanted to add it back into my life. Rather than just slogging forward with my same old patterns, I noticed the issue and took action as a form of self-care! Once your foundation is set, you can up level by adding in fun! 5 Ideas for Adding In FUN While Social Distancing ONE – Take some time to sit down and brainstorm fun ideas. It can be hard to have fun if you’re stuck in a rut, or just watching time pass by. Once you have your list, make a PLAN! Often time passes us by because we don’t plan how we’re going to use it. You can think of this as a sort of summer bucket list. They can be small (eating an ice cream cone while taking a walk), or a bit more time intensive (plan out a summer picnic and take it to your favorite park)! TWO – Make time to connect with the people you love. This is harder than it once was! You might need to be more creative about you can spend time with those you love. If you have nice summer weather, you might be able to create an outdoor space to connect while still staying socially distanced. Another option? Phone dates! I used to visit with my friends while I was going places….but since I’ve hardly been going anywhere lately, I realized I wasn’t connecting with my friends as much anymore. Intentionally planning in phone dates with my friends has been so helpful for my own mental health. You can also try using Zoom or other video chat tools to have larger gatherings! From Beauty Counter parties to birthday parties – find a group and get together. Virtual connections do feel different, but they can be life giving, fun, and exciting all the same. (Listen in to the full show to hear about the childcare pod that we’ve created, which has been another connection point in our lives!) THREE – Projects! Head over to Pinterest and hunt for some new ideas. Personally, I’ve been working on a paint-by-number craft. My husband and I are doing some home projects. We’re starting a garden! I’m even looking into weaving. And, of course, I always love baking. Whether you return to an old hobby or craft, or learn something new, projects can be a huge source of joy and inspiration. Rather than park yourself in front of the TV, you can explore other options that might feel more life giving. Another note: projects don’t have to mean being productive! Finding things that bring you joy are wonderful. Give yourself space to be creative, to try new things, and to explore. Even if that means you end up making something and throwing it away, that’s okay! FOUR – Get outside. Fresh air and nature bring so much joy. You might try taking a walk around the block, finding a local beach, or taking hike. Not into all the activity? Try sitting outside with a cup of tea, or watching the stars from your backyard. Especially if you’ve been working from home, make the extra effort to get outside and breathe some fresh air when you have a chance. FIVE – Plan some day trips! Often we forget how many really neat things are all around us. My family lives in Albany, which doesn’t get super hot in the summer. I realized I was craving that summer heat! After a bit of brainstorming, I thought of a childhood friend whose mom lives in a hot area and has a pool. After a bit of connecting, we got the details sorted out and headed over. It was a blast! She was more than happy to see a family enjoying a pool that she doesn’t often use, and we loved the chance to swim somewhere that felt really safe and enabled us to maintain our social distancing practices! It was close by, it was free, and it was much needed! Maybe you could take a day trip to a park and have a picnic. Could you try picking blueberries or strawberries? Finding a quiet beach front or out-of-the-way trail? You might refer back to your summer bucket list for more ideas. What would you have FUN doing? What would bring joy into your life? Go do it and have fun!

Such a pleasure to talk with Dan Fogler, a.k.a. Luke of The Walking Dead, an engaging guest and a man of many talents. Listen in to hear Dan talk about: Whether he agrees with Luke about the importance of art to the development of human civilization. How he ended up on The Walking Dead. How he feels about Luke’s signature blazer. Whether he’s aware that it seems like the show keeps making us think Luke is about to die. What he thought about the end of The Walking Dead comic series. The upcoming Heavy-Metal-inspired comics that Dan has written, Brooklyn Gladiator (with Simon Bisley of Lobo fame!), Fishkill (with Ben Templesmith of 30 Days of Night!), and Moon Lake. His awesome podcast: DAN FOGLER'S 4d Xperience! Whether Dan considers himself a nerd. The name he chose for Luke’s weapon. You can pre-order Dan’s comics and find out what else he’s up to at foglersfiction.com. Support the show: https://patreon.com/jasonandkaren

Today's book was read at the behest of our patron Ciaran. Thanks so much for supporting the show, Ciaran! Check out our Patreon here to get this and other rewards for yourself. Sofia Nova is the new identity of Gloria Tesch. Free from her father's direct influence, she has written a new book outside of the world of Maradonia (though with some noticeable carry-over, from mermaids to boys who  just love fishing to the art work). While The Secret of Moon Lake isn't something we'd recommend in its current state, this book shows significant improvement over the Maradonia saga. With some re-writes and good editing, this could sit comfortably in the Goosebumps pantheon. Content Warning: In addition to our usual barnyard language, this episode contains a brief discussion of pedophilia as well as sirens and sounds of arrest at the very beginning.

The Great Gildersleeve (1941-1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton P. Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity. On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. "You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catch phrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of "Gildersleeve's Diary" on the Fibber McGee and Molly series (10/22/40). He soon became so popular that Kraft Foods - looking primarily to promote its Parkay margarine spread - sponsored a new series with Peary's Gildersleeve as the central, slightly softened, and slightly befuddled focus of a lively new family. --- Send in a voice message: https://anchor.fm/daniel-lantz/message

Welcome to Unlocked, the official podcast of Nancy Drew games by HeR Interactive. Voice over artist Kate Klein joins host Tammy Tuckey to discuss voicing Emily Griffen in "Ghost Dogs of Moon Lake," and more! Visit us: http://www.herinteractive.comFollow us: http://twitter.com/HerInteractive'Like' us: http://www.facebook.com/pages/Nancy-Drew-PC-Games/48636754130?ref=nfWatch us: http://www.youtube.com/user/HerInteractiveGamesJoin us: http://www.twitch.tv/nancy_drew_games

Listen, Subscribe, Share the show with a friend. Donate. Help us keep this train rollin!  The Propaganda Report: Actors Dan Fogler (Fantastic Beasts) & Josh Warren (Footloose) Join Us To Discuss THE COVID-CON, 9/11, QANON, EPSTEIN, TESLA, REPTILIANS & MUCH MORE We cover as many conspiracies as you can in two hours and discuss how they might relate to each other and to what's going on in the world right now.  DAN FOGLER is an actor, director, comedian, graphic novelist, and host of DAN FOGLER'S 4d Xperience! podcast. You can see him in Fantastic Beasts (Jacob Kowalski), The Goldbergs (Marvin Goldberg), The Walking Dead (Luke), Don Peyote (Warren), Balls of Fury (Randy Daytona), Secrets & Lies (Dave Lindsey), and much more.  DAN'S LINKS DAN FOGLER'S 4d Xperience! on Apple Podcasts https://podcasts.apple.com/us/podcast/dan-foglers-4d-xperience/id1145191833   Dan's Website  https://www.danfogler.com/   Brooklyn Gladiator  https://www.amazon.com/Brooklyn-Gladiator-TP-vol-00/dp/1988247349   Moon Lake https://www.amazon.com/Moon-Lake-Midnight-Dan-Fogler/dp/1947784188/ref=sr_1_5?dchild=1&qid=1587627898&refinements=p_27%3ADan+Fogler&s=books&sr=1-5&text=Dan+Fogler   Fogler on Twitter https://twitter.com/mrdanfogler   Don Peyote Trailer  https://youtu.be/Q2tzFyVkfP8   JOSH WARREN is an actor, director, comedian, graphic artist, and CEO of Action Show Studios in Atlanta. You can see him in Footloose (Rich), Trouble With The Curve, M'larky (John M'larky), Your Pretty Face Is Going To Hell (Justin), The Righteous Gemstones (Ronald Meyers), and much more.  JOSH'S LINKS Action Show Studios https://www.actionshowstudios.com/   Action Show Studios on Facebook https://www.facebook.com/ActionShowStudios/   Action Show Studios on Instagram https://www.instagram.com/actionshowstudios/   Action Show Studios on Youtube https://www.youtube.com/channel/UCOMnneW_vEr8KGo5XqBb_Qw   Josh as Trump Commenting On COVID https://www.youtube.com/watch?v=VcdOw1kuMSQ   DONATE LINKS If you find value in the content we produce and want to help us keep this train rollin, drop us a donation via Paypal or become a Patreon. (links below) Every little bit helps. Thank you! And thank you to everyone who has and continues to support the show. It’s your support that enables us to continue producing shows. Paypal Patreon SUBSCRIBE LINKS Subscribe on iTunes  Subscribe on Google Play Music Listen on Google Podcasts Listen on Tunein Listen on Stitcher Follow on Spotify Like and Follow us on Facebook Follow Monica on Twitter Follow Binkley on Twitter Subscribe to Binkley’s Youtube Channel https://www.paypal.me/BradBinkley https://www.patreon.com/propagandareport https://twitter.com/freedomactradio https://twitter.com/MonicaPerezShow https://www.youtube.com/bradbinkley    

The 75th episode of the Light Advice Podcast is here! In this episode, Light has her number 1 cousin Paul back on the show. We recorded on the bus so there's gonna be a buzzing sound but I'm pretty sure that you can hear Light and Paul loud and clear. We talk about the trip to Taipei 101, to Taichung, riding the High Speed Rail, visiting Sun Moon Lake, enjoying the Fleur de Chine hotsprings and more! Ready to hear Light's advice? Listen to episode 75 right now! Subscribe to our Podcast and drop us a nice review! It'll help a lot! The Road to 100 is real! 1. Questions for Light? Send it over at www.lightong.com/contact/ or DM her at www.instagram.com/itslightong/ 2. Be sure to leave a 5 star review as it helps Light learn and improve! 3. Want to support Light's future projects? Here's her Patreon www.patreon.com/itslightong 4. Mom's side hustle - www.curves.ph 5. Mom's new YouTube Channel https://www.youtube.com/channel/UClw7FPnXYGbshrpnoeC6ZSw - Be sure to subscribe! 6. My New Youtube Channel! Please subscribe! 7. Gear Used For Recording: > ATR 2100 - amzn.to/2EeGg97 > Zoom H4N - amzn.to/2QJnRTq > Presonus iTwo Studio - amzn.to/2EhA5kW > Elgato 4k - amzn.to/2I5Ruvi --- Send in a voice message: https://anchor.fm/itslightong/message

After Zoe's dad dies and she and her mom move to New Orleans, all Zoe has to cling to are her dad's Gudi bone flute and the voices in her head.  Where will they lead her?To download, right-click here and then click SaveJoin the Journey Into Patreon to get extra episodes and personal addresses, plus other extras and rewards.Relevant Links:Journey #27 - The King of Rabbits and Moon Lake by Eugie FosterEscape Pod #17 - The Life and Times of Penguin by Eugie FosterEscape Pod #214 - Sinner, Baker, Fabulist, Priest; Red Mask, Black Mask, Gentleman, Beast by Eugie FosterPodCastle #28 - The Tanuki-Kettle by Eugie FosterPseudoPod #91 - Caesar’s Ghost by Eugie FosterPseudoPod #428 - When It Ends, He Catches Her by Eugie FosterDrabblecast #214 – The Wish of the Demon Achtromagk by Eugie FosterEugie Foster is a very talented and versitle writer of science fiction, fantasy, horror, and children's lit. Eugie received the 2009 Nebula Award for Best Novelette and was named the 2009 Author of the Year by Bards and Sages. Her short story collection, RETURNING MY SISTER'S FACE AND OTHER FAR EASTERN TALES OF WHIMSY AND MALICE, was published by Norilana Books and can be found on her website at eugiefoster.com.  Her works have appeared in Realms of Fantasy, Interzone, Fantasy Magazine, Apex Magazine, Cricket, and Orson Scott Card's InterGalactic Medicine Show just to name a few.Eugie died on September 27th, 2014 of respiratory failure related to Lymphoma at Emory University in Atlanta. Her story, ”When It Ends, He Catches Her,” published the day before her death, was nominated for the 2015 Nebula Award.Laurice White is a recent theater graduate and long time theater student, and has read stories for Podcastle, Pseudopod, Journey Into..., and for John Joseph Adams and Hugh Howey on The End is Nigh and The End is Now, the first two volumes of The Apocalypse Triptych.Theme music: Liberator by Man In SpaceTo comment on this or any episode:Journey on over to the ForumsSend comments and/or recordings to journeyintopodcat@gmail.comTweet us us TwitterPost a comment on Facebook hereComment directly to this post down below

In this episode your favorite host Galaxy chats with the funny and very talented Dan Fogler. Check out Dan in upcoming season 10 of The Walking Dead and in Fantasic Beasts. You can also catch Dan at DragonCon and many more conventions coming up. Please go to New York Comic Con in October, Dan is releasing his new Comic Book for the world to love. For more Dan Fogler follow him on Instagram @DanFogler Dan Fogler made his Broadway debut when he originated the role of William Barfée in The 25th Annual Putnam County Spelling Bee, for which he won the Theatre World Award for the original off-Broadway production and the Tony Award for Best Featured Actor in a Musical in 2005 for the original Broadway production. Fogler's first television appearance was in 2002 on FOX's 30 Seconds to Fame as a contestant impersonating Al Pacino. Other television credits include guest starring roles on AMC's The Walking Dead, ABC's The Goldbergs, NBC's Hannibal, CBS' The Good Wife and voice work for FOX's American Dad. Fogler also has had starring roles in ABC's Man Up! and Secrets & Lies. In film, Fogler is most known for his role of Jacob Kolwalski in J.K. Rowling's Fantastic Beasts and Where to Find Them and Fantastic Beasts The Crimes of Grindelwald. Fogler also starred as Randy Daytona in 2007's Balls Of Fury for Focus Features and had roles in Good Luck Chuck, Fanboys, Take Me Home Tonight, Love Happens, Scenic Route, Europa Report and In Like Flynn. Fogler has also done a variety of voiceover acting in films such as; Horton Hears A Who! along with Steve Carell and Jim Carrey, Disney's Mars Needs Moms, Free Birds and 2008's Kung Fu Panda, with Jack Black and Jackie Chan. Some of Fogler's other projects include starring in the music video for the Type O Negative song "I Don't Wanna Be Me", in which he played a man recording himself on video as he cross-dresses as celebrities including Marilyn Monroe, Michael Jackson and Britney Spears. Fogler also wrote and directed the play Elephant in the Room, inspired by Ionesco's Rhinoceros, which was produced by the New York International Fringe Festival in 2007. Fogler has also written and directed Hysterical Psycho (2009) which premiered at the 2009 Tribeca Film Festival, featuring actors from his theater company Stage 13 where Dan serves as one of the company's Artistic Directors, and Don Peyote (2014) which also saw Fogler in the lead role as Warren Allman, with supporting roles from Josh Duhamel, Anne Hathaway, Topher Grace. Hysterical Psycho was Fogler's first graphic novel. In 2010, Archaia Entertainment published the horror anthology Moon Lake. This collection of stories chronicles the past, present, and future of the most haunted town on Earth: Moon Lake. Fogler is also hard at work on another graphic novel, Brooklyn Gladiator.   For more amazing episodes go to: www.ComicCon-Radio.com   Follow us on Instagram  @ComicConRadio   Please subscribe to Comic Con Radio Always give us 5 stars. Say Hi when you can. Always #WatchLive Please share this episode with the world!   We love you all… Thank you for loving us back!

Got a question or comment? wisconsinsoutdoorexplorer@gmail.com On this week's podcast, I talk about my families first biking adventure around Half Moon Lake in Eau Claire, Wisconsin. I'll offer some tips on what you can look for when planning your next biking trip. Chippewa River State Trail - https://dnr.wi.gov/topic/parks/name/chiprivertrail/ Half Moon Lake - https://dnr.wi.gov/lakes/lakepages/LakeDetail.aspx?wbic=2125400 Eau Claire - https://www.eauclairechamber.org/visiting-eau-claire.html Phoenix Park - https://www.visiteauclaire.com/listing/phoenix-park/1898/ www.wisconsinsoutdoorexplorer.com Youtube: http://bit.ly/WOE_YOUTUBE Instagram: http://bit.ly/WOE_INSTAGRAM Facebook: http://bit.ly/WOE_FACEBOOK Twitter: http://bit.ly/WOE_TWITTER Pinterest: http://bit.ly/WOE_Pinterest Podcast: http://bit.ly/WOE_PODCAST  

John Baty is 83 years old. He's a native of Mentone, Alabama, where he still lives, on the property where he and his wife used to run a juke joint years ago. Mr. Baty has a belief that "You can tell it funny, or you can tell it sad..." but that the truth of a story, or history, is the truth, plain and simple. He tells the story of Mentone, Moon Lake, and the people there as it is, not as we would have it. There's the good, the bad, and the ugly, all represented here, but John tells the stories in such a way that even from the bad, the good shines through. That's the way with history. There's always two sides to that coin. The On the Porch segment this week returns to a topic brought up in a previous episode, where my friend Beth and I talked about the proposal to rename the Tri-Cities/Mountain Empire region of Upper East Tennessee, Southwest Virginia, and Eastern Kentucky. The powers that be, movers and shakers, leaders of the area came to a decision that we'd be henceforth (until the next time) be known as The Appalachian Highlands, which, I must say, has a certain ring to it. I like it, in fact. However, there's a certain sting to the pride of a people when someone tells them their name isn't good enough and needs to be changed. I discuss all this and more this week "On the Porch." You'll want to slow down, sip on some tea, and really take in this week's interview. Don't rush. Sit a spell. Really listen to the living history of an Appalachian Treasure that we have in Mr. John Baty. You'll be glad you did. God bless!

Hey baby, Big Tim hangs out with Alex Gasparini and Simon Nash on this week's episode of THIS WEEK IN CHICKEN SANDWICHES.

On a summer's day in Louisiana, 1913, Sonny Davenport wanders away from his family's vacation home at Half Moon Lake and never returns. Inspired by a true story, Half Moon Lake is a captivating novel about the parent-child bond, identity and what it means to be part of a family.Continue reading

Kirsten Alexander chats about her haunting book Half Moon Lake, set in 1913, Louisiana exploring prejudice, history, privilege & the lengths one will take to find their child. Kirsten explores moral ambiguity and the impact that one's privilege has on others. A haunting read that will keep you awake at night. In 1913, on a summer's day at Half Moon Lake, Louisiana, four-year-old Sonny Davenport walks into the woods and never returns.

If you like this episode, check out https://otrpodcasts.com for even more classic radio shows! Learn more about your ad choices. Visit megaphone.fm/adchoices

Tell the Phoenix Fox, Tell the Tortoise Fruit by Cynthia So   On the day Sunae turned nine years old, there was no joyful feast. A monster burst from the sea that night and ate five people. The Mirayans gathered upon the shore to watch this, as they did every Appeasement. Sunae’s mother covered Sunae’s eyes, but Sunae still heard the screams. The crunch of brittle bone between teeth. The wet gulp of gluttonous throats. Sunae prayed to the Goddess that the warrior Yomue might rise from the dead and defeat the monster yet again. No warrior came, but a hand grasped Sunae’s and squeezed. A hand as small as her own. When it was over, Sunae’s mother murmured, “Now we will be safe for another ten years.” She removed her hands from Sunae’s eyes, and Sunae flinched from the gore before her. The older children always said that this was why Miraya’s beaches were pink, but she hadn’t been convinced until she saw the sands now drenched with fresh blood. Dark red on dusk pink. Full transcript after the cut:     Hello! Welcome to GlitterShip episode 66 for March 5, 2019. This is your host Keffy, and I'm super excited to share this story with you. Today we have a GlitterShip original, "Tell the Phoenix Fox, Tell the Tortoise Fruit" by Cynthia So and a poem by Chanter, "The Lamentations of Old Money." This episode is part of the newest GlitterShip issue, which was just released and... is very late. The "Summer 2018" issue of GlitterShip is available for purchase at glittership.com/buy and on Kindle, Nook, Kobo, and now Gumroad! If you're one of our Patreon supporters, you should have access to the new issue waiting for you when you log in. For everyone else, it's $2.99, and all of our back issues are $1.49. GlitterShip is also a part of the Audible Trial Program. This means that just by listening to GlitterShip, you are eligible for a free 30 day membership on Audible and a free audiobook to keep. If you'er looking for an excellent book of short queer stories to listen to, you should check out Bitter Waters by Chaz Brenchley. This book is full of speculative fiction featuring gay men and was awarded the Lambda Award for best LGBT speculative fiction. To download Bitter Waters for free today, go to www.audibletrial.com/glittership -- or choose another book if you're in the mood for something else. Up first, our poem:   Chanter is a proud Wisconsinite who took flight (alas, not literally) from her originating small town, headed for the big city’s more accepting climes and never looked back.  She’s proudly asexual, demisensual, and some flavor of bi- or panromantic that’s as yet proving difficult to define.  She’s also brand squeaky new (emphasis, occasionally, on squeaky) to official publication.  Besides holding down a day job, she’s an active shortwave radio DXer and ham operator, as well as a crowdfunded author currently based mainly on Dreamwidth.       The Lamentations of Old Money by Chanter   Jennifer doesn’t want a white dress. She doesn’t want a church,an altar, a tangle of coast-grown flowers,sisters in matching silk, trained doves, stained glass,twenty overlaid colognes and splintering sunlight,rehearsed organ music andrecorded pop shorthand warbling through weak speakers,biting April breezes, overthought hair and makeup,snow in hardwood aisles. Jennifer doesn’t want a wild time. She doesn’t want hips around shoulders, tools and toys,filthy supplications and hot breath ideas,hours between bedsheets, sticky aftermaths,bruises as tawdry mementos in hard to reach places,hands and mouths, teeth and tongues and fluids,too many entrances,the junctions of legs and legs and legs. Jennifer doesn’t want hard edges. Not for her, leashes, spike heels and bad girl pretense.not for her, the bite of too-demanding fingertipsgrinding at her biceps,cold and bruising at her cheeks,clamped into the flesh of her wrists.Not for her, orders with teeth both behind and in them,whipcracks in voice and deed.Not for her, daddy’s little anything, mommy’s little anything,a schoolgirl’s life, a paddle’s life,princess, flower, whore.Not for her, latex and custom-made chains,iron protocol and a child’s tear-stung punishments,revoked names and Halloween’s expected trappings. Not for her, anonymity.Not for her, all of the spiceand none of the wine to mull with it. What Jennifer wants? Fits on a two-sided coin. One side: Jennifer wants nights asleep in a hayloft, clothes on,with siblings in arms—and black coffee,and cotton-coarse humor, and blood—to her left and right. Jennifer wants a uniform,wants honest lamplight with a wick beneath it,wants a hundred songs and a hand-tuned fiddle,a guitar played at a campfire,laces and burlap, branches and homespun wool,antique language, tactile camaraderie,respected rank and unresented ceremony,world-spanning care so personal it can’t be feigned,so simultaneously subtle and frank that it confuses,so elegant it’s genuine,so casual it’s ancient.“To be fair, that one does drive me utterly mad of an afternoon butGod be good, dear fellow, why wouldn’t I?” Jennifer wants a certain amount of ignored anachronism,wants a world where ‘dear fellow’as affectionate genderless address is just fine,where ‘she’s a good man to have beside you in a fight’is perfectly acceptable wording,but where the phrase ‘man up’ is both soundly off limitsand considered decades or centuries distant, depending;a world where, at the end of the day,it’s quietly acknowledged and otherwise near-forgottenthat oh yes, that one there, she’s a girl.As in woman.As in, see also, dame. Noun.Example I: To go to work for the war efforton the road under cover of darkness,on the air for the BBC,or on the battlefield firing decisive cannon blast volleyslike a real dame. Example II:I’m a girl, and mostly,I prefer other dames to fellas. Mostly.But when I don’t, I kinda have a type? Ahem!” Somewhere, a coin is balancing on its edge. And the flip side: Jennifer wants to write a hundred stories and bind them in hard covers,wants modern skirts to her ankles,comfortable jeans and blue corduroy coat sleeves,wants city streets, steel toes and long hair,near-distant clocktower bells,silver jewelry bought by her own hand, in her own name,a rocking chair made to last for decades,a damn fine radio setup,the solid strength of a wooden door at her backafter she and she - he and she - they and sheafter they’ve crashed through itand, fully clothed, battered it closed behind them. Both sides: Jennifer wants her wrists pressed flat against that wooden door,all benevolent force, all warmth,all welcome gravity, all burgeoning life in orbit,all the steady strength of a starin symbiosis with a planet.Jennifer wants voices and voices and voices,innocent details and muscle-melting,breath-stealing turns of phrase,sound serving as light serving aslodestone to the iron in every millimeter of herexcept, except, for a bare and unbared few. One side: Jennifer wants the wind at her back,a message, a mission, a reason and a warning,miles and miles and miles rolled outunder a sky filled with leaden stars,a purpose and a signal, a gesture,an anticipation of commandthat tenses her like a bowstringbefore—wait, wait, wait for it—rush for it— “Fire!” Both sides: Jennifer wants to be eager,to be teeming under her skin with silver,wants a reason and a cause and a leader who’sfallible by self-description, near-matchless by others’ accounts,wants to thrill to rank, surname, simple designation,wants to know at exactly what she’s aimed,near-precisely what will happen when she hitsand that yes, the trusted, entirely human handsof gravity to a planetare the only hands pulling or perhaps, perhaps,the only hands directing those pulling her string,wants to be entirely, mindfully, consensually willingto be fired like a longbow. And the flip side: Jennifer wants to bringa girlfriend home to her parents,wants to curl into accented wordslike they’re warm compresses and quilts,wants to make promises and keep them,find each others’ keys,play each others’ record collections,brush cat hair off each others’ sweaters,adore and be adored forever,not live together.Jennifer wants to never grow tired of hearing herself say“This is Elaine.” Or “This is Kim.” Or “This is...”“This is my better half.” Both sides: Jennifer wants orders that both delight herand fill her with clean purpose,stoking a fire that consumes every inch of herexcept, except, for the space between her thighs.Jennifer wants the intersectionwhere bravery meets well-placed loyalty.Jennifer wants to know exactly what she’s doing,wants to be utterly sure of her cause,to make up her entire mind, on her own,and then raise her voiceand throw herself into the thing with abandonbecause yes, this is right, this is reason, this is exuberanceand happiness and righteous fury blazing, this isbright history, this is justice, this is-- One coin. With two sides. Jennifer wantsthe rarity that is liking of, love for,acceptance and welcome ofboth the existence and the admissionof her two sides. Even when she’s difficult.Even when she’s horrible.Even when she’s irrational.Even when she’s just, so most people would say,plain off baseline weird. Especially when she’s weird. All of the wine to mull withall of the spiceground by capable hands.Hands ringed in silver. Hands at the ends of corduroy sleeves. The sleeves of a coat that may have,once or twice,been a makeshift pillow in a hayloft. After a night’s ride. After a night’s mission.       Cynthia So is a queer Chinese writer from Hong Kong, living in London. She spent her undergrad crying over poets that have been dead for 2,000 years, give or take. (She’s graduated now, but still crying.) Her short fiction has appeared in Anathema, Arsenika, and Cast of Wonders. She can be found on Twitter @cynaesthete. Zora Mai Quỳnh is a genderqueer Vietnamese writer whose short stories, poems, and essays can be found in The SEA Is Ours, Genius Loci: The Spirit of Place, POC Destroy Science Fiction, Luminescent Threads: Connections to Octavia Butler, Strange Horizons, and Terraform. Visit her: zmquynh.com. Rivia is a Black and Vietnamese Pansexual Teen who has a passion for reading, video games and music. She says “I’m gender questioning but also questioning whether or not I’m questioning...Isn’t gender just a concept?” You can hear her vocals on Strange Horizon’s podcast for “When she sings…”   Tell the Phoenix Fox, Tell the Tortoise Fruit by Cynthia So       On the day Sunae turned nine years old, there was no joyful feast. A monster burst from the sea that night and ate five people. The Mirayans gathered upon the shore to watch this, as they did every Appeasement. Sunae’s mother covered Sunae’s eyes, but Sunae still heard the screams. The crunch of brittle bone between teeth. The wet gulp of gluttonous throats. Sunae prayed to the Goddess that the warrior Yomue might rise from the dead and defeat the monster yet again. No warrior came, but a hand grasped Sunae’s and squeezed. A hand as small as her own. When it was over, Sunae’s mother murmured, “Now we will be safe for another ten years.” She removed her hands from Sunae’s eyes, and Sunae flinched from the gore before her. The older children always said that this was why Miraya’s beaches were pink, but she hadn’t been convinced until she saw the sands now drenched with fresh blood. Dark red on dusk pink. She looked at the girl next to her, the girl who was holding her hand, and she saw a determination in those eyes as bright as the moon, as bright as her own. A determination to make sure that this would never happen again. “I’m Oaru,” the girl said. “What’s your name?” Sunae looked down at their clasped hands and told Oaru her name.   The Temple of the Moon Goddess is the most beautiful place on the island. There are no straight lines and sharp angles within, but everything is curved and gentle and swooping. Shades of blue deepen as one enters through the front, the colors of twilight intensifying into midnight, accented by silver and broken up by patches of brilliant white that gleam through the dark. A pool of water from the Moon Lake shimmers in the atrium. Frosty glass cut into lunar shapes hang from the ceiling in long, glittering threads. All of it is flawless craftsmanship, except for the wall of the prayer hall. The hall is perfectly circular. Spanning a semicircle on the wall is a painting of Yomue, splendid in lustrous armor, wielding a sword as black as her hair and an expression as fierce as the sea. The sand of the Mirayan beach is pink beneath her feet, and she glares at the monster that towers over her. Its writhing, many-headed form is etched into the blackness of the night. The moon hangs above them, solemn and full. The other half of the wall is blank, its contents effaced and forgotten. Warrior confronts monster. What’s the rest of the story? Monster leaves island alone for a hundred years. Warrior dies, and monster comes back. It is starved and salivating, with too many teeth. Every ten years, it must be fed. Is that what was on the other half of the wall? Sunae’s mother buys her Carrucean books to read, because Carrucean is an important language to learn well. In Carrucean tales, monsters are always slain. Heroes sometimes journey into foreign lands and kill other people’s monsters for them, and they are rewarded with riches and brides and thrones. Sunae is ten years old, but she knows this: there are Carruceans living in Miraya. Miraya was owned by Carrucea for hundreds of years, and then there was a treaty of some sort not long before Sunae was born, and now Miraya belongs to the Mirayans again. The Carruceans came here to their island. They governed the island and lived here for centuries, but no Carrucean ever killed the monster for them. Yet here they are on the island still, with their wealth, their power. Their Mirayan wives. “Mother, have any Carruceans ever been fed to the monster?” Sunae asks. Her mother frowns. “Can’t we talk about something more cheerful?” Sunae just wants to know how to defeat the monster. If no Carruceans will come to their aid, then who will?   The old Library of Miraya is a burnt husk with a blackened facade, secluded from the town and set into the side of a hill, a little way from the Moon Lake. Sunae doesn’t understand why it hasn’t been torn down to make way for something new when fire ravaged it long ago, but perhaps its remote location preserved it. Evidently the Mirayans of yore prized a peaceful reading environment. Sunae can hear nothing of the bustling town here, only a chorus of birds. She also doesn’t understand why she is letting Oaru drag her into the grim ruins. Inside, the half-collapsed roof lets in some lemony sunlight, but there is an unpleasant smell like overripe tortoise fruit, and rows of charred shelves loom and menace. “It went this way,” Oaru says, and drops to her hands and knees to crawl through a tiny hole in the wall. Sunae sighs and follows. She gets stuck, her shoulders being broader than Oaru’s, but Oaru wrenches her free with a painful yank. She emerges into a cramped and airless space, illuminated only by the glow of the phoenix fox, which is swishing its enormous tail back and forth, sweeping away layers of ash and dust from the wall behind it. Sunae coughs, but Oaru grabs her arm excitedly. “There’s something on the wall!” Oaru leans over the fox and scrubs at the wall with her sleeve, gradually revealing the faded colors of a painting: a woman in an ethereal blue gown, sitting with a brush in her hand. A long scroll of paper unfurls before her, inked in an illegible, swirling script. “Doesn’t that look a bit like Yomue?” Oaru asks. It seems impossible that this serene woman should resemble the powerful warrior in the temple, but she does. It’s in the proud tilt of her jaw, maybe. Sunae reaches out and traces the woman’s chin. She has never been permitted to touch the temple mural, though she has longed to. “What is she doing?” Oaru wonders. “Writing poetry?” Sunae ventures. The phoenix fox smirks at her and stretches lazily before slipping out through the hole in the wall, leaving them in absolute darkness. Oaru yelps, “I’ve got to catch that fox!” She tugs at Sunae’s elbow and Sunae reluctantly goes with her. It’s as much a struggle to get out as it was to get in, and the fox is nowhere to be seen by the time Sunae has wriggled through.   The new Library of Miraya is a clean and functional building, centrally located, right next to the Town Hall. Most of the space is dedicated to Carrucean books, with the Mirayan literature section tucked into a dismal corner. Sunae asks a librarian to help her find Yomue’s poems. “Yomue wasn’t a poet,” the librarian says, puzzled. “But I can recommend poetry from the same time period. Not much of it survived, what with the old Library burning down... But there is some, and it’s very beautiful. Do you know how to read Classical Mirayan, though?” In the end, Sunae walks away from the Library with a few books and a leaflet for free Classical Mirayan lessons. By the time she turns twelve, she has read all the Classical Mirayan poetry that the Library has to offer—and all the modern Mirayan poetry, too. She tries her hand at writing her own poem. She writes about Yomue and the monster. Yomue’s husband, wrongfully convicted of murdering a man, chained to a pillar on the shore, awaiting his execution. Yomue weeping at his feet. The moon trembling in the sky, the Goddess watching. Yomue dressing herself in armor, carefully lacing her breastplate, looping her belt through the buckle. Whetting her sword and sheathing it. Her hair, tied back with a ribbon given to her by her husband. Her boots hitting the ground, her armor jangling. The monster howling, crashing back into the sea where it nurses its wounds for a hundred years. Sunae wins a competition at school with this poem, and gets a shiny badge that she pins to her satchel. She is fourteen, and she writes about nature: trees touching, sands blushing. The ocean embracing the coast. Leaves tender for one another. Mountains asleep next to each other. The moon observing everything. She is sixteen, and Oaru bets a boy she can beat him in a swordfight. Sunae has watched Oaru practise in her garden every week for five years, first with a toy sword, then with a real one; Oaru is graceful and deft with it where Sunae has always fumbled and flailed. Oaru and the boy are wearing white clothes and using wooden swords dipped in red paint; the boy soon looks like a bloody mess and yields, while Oaru is still pristine. “You were amazing,” Sunae says afterwards, as Oaru is cutting into a celebratory tortoise fruit. Oaru waves a slice of it in her face, and Sunae grimaces at its distinct mustiness. “Ew, no thank you.” “How can you not like tortoise fruit?” Oaru says, shaking her head. “Are you even Mirayan?” Sunae sticks her tongue out. “It smells like a sweaty armpit and it tastes even worse.” Oaru eagerly bites into the purple flesh of the fruit. “You should know though, you kind of looked like a tortoise fruit just then, when I wafted it under your nose.” Sunae blinks at the wrinkled skin of the tortoise fruit in horror. “I looked like that? Don’t be so mean!” Oaru laughs and nudges her side. “All right, I’m sorry—but hey, do you think I’ll be good enough to defeat the monster someday?” No. Don’t you dare try. Sunae swallows. Oaru must be the best fighter Miraya has seen in generations. Surely if anyone has a chance to ward off the monster and stop more Appeasements from happening, it’s her. How can Sunae be so selfish as to hold Oaru back for fear of losing her? She says, “You look so much like Yomue in the temple mural when you’re moving with that sword.” Oaru’s breath catches, and Sunae suddenly understands what it is she has really been trying to write poetry about all this time. They are alone in Sunae’s bedroom, and Sunae kisses Oaru. There is tortoise fruit on Oaru’s tongue, cloying and bitter, but Sunae doesn’t scrunch up her nose. She doesn’t mind at all. “That has to be the boldest thing you’ve ever done,” Oaru whispers, her lips soft and purpled, her hair mussed by Sunae’s hands. “I guess you inspired me,” Sunae says, and Oaru grins and grips Sunae’s arms. “Remember that time I tried to catch the phoenix fox?” Sunae nods. Every day she thinks of the painted woman lit by the phoenix-fox fire. The nameless poet buried in the rubble, her face so strangely like Yomue’s. Sunae returned to the shadowy wreckage of the old Library once, but she has grown and can no longer contort herself to fit through that hole in the wall. “I wanted to give the fox to you,” Oaru says. Oh. It is a Mirayan custom for young men to present phoenix foxes to girls they wish to marry. This fact had utterly escaped ten-year-old Sunae, who merely assumed that Oaru wanted the fox as a pretty pet. Sunae raises her eyebrows, stroking Oaru’s cheek with her thumb. “You already wanted to marry me when you were ten?” Oaru shrugs. “I didn’t know then, what it meant. I only knew I wanted to be your friend forever. But now I know what it actually means, for me to want to marry you.” Her eyes are serious, like a cloud veiling the moon. It means we could both be a part of the next Appeasement if anyone finds out. Sunae closes her eyes against the thought and kisses Oaru again. Sunae is eighteen and she is awarded a scholarship to study at the University of Wimmore, one of Carrucea’s world-famous institutions. If she takes the scholarship, she will be absent from Miraya for a year. She will be absent from Miraya on the day of the next Appeasement. Tell me what else there is, she pleads with the impassive image of Yomue on the wall, as everyone else in the prayer hall lifts their cupped hands repeatedly to their faces in the traditional gesture of worship. Tell me. Because if there is more to the story than a swordfight, then maybe she can convince Oaru not to risk her life. And if she has to go to Carrucea to find the answers, she will. At the end of the prayer session, when people are either shuffling off or lingering to socialize, Sunae tells Oaru about the scholarship. “It’s stupid that you have to go to Carrucea to learn more about this island, our island that we’ve been living on our whole lives.” Oaru spits the words, and her frustration echoes in the chambers of Sunae’s heart. “I know.” Sunae wants to run her hands through Oaru’s hair to comfort her, but it would be foolish to show such affection in public. She wants to hold Oaru’s hand, but they are not children anymore. They will not get away with it, not here where everyone can see. “Just promise me that you won’t try and take on the monster when the Appeasement comes. Please. You’re not ready.” I’m not ready. “I promise.” Oaru’s voice sounds fervent with honesty. Sunae hopes she has known Oaru for long enough to tell when she is lying.   The Moon Lake is luminous as a heart that brims full with emotion, and Sunae stands at the edge and dips her toes in. Oaru is naked in the water, moonlight dripping from her hair. Oaru wears a smile like a phoenix fox’s, sly and burning through Sunae. Oaru’s arms are muscled and impatient and open wide. “Come on, Sunae.” Sunae’s fingers hover over the knot that ties the sash around her waist. “You’re breaking the law,” she whispers. Oaru wades closer to Sunae. She lifts the hem of Sunae’s gown and kisses Sunae’s ankles. “We’ve been breaking the law for a long time, tortoise fruit,” she says, her dark eyes looking up into Sunae’s. “When has that ever stopped you?” She leaves wet handprints on the skirt of Sunae’s gown, droplets trickling down the backs of Sunae’s calves. “Who knows when we’ll get to do this again?” I’ll only be away for a year, Sunae thinks, but Oaru’s eyes are darker than fire-scorched walls, and Sunae knows it will be the longest year of their lives. She loosens the knot. Her gown joins Oaru’s in a careless heap on the sandy bank, and soon her body twines with Oaru’s in the water. Mist forms around them, as though the Goddess herself wishes to hide them away from the world.   Let’s skip ahead for a moment. It is Sunae’s nineteenth birthday, and she is chained to a pillar on the pink shore of Miraya. Her lover Oaru is shackled to a different pillar. They cannot touch or kiss each other. The monster is about to rear its ugly heads from the sea, and Sunae is crying, but she is speaking. She is reciting a poem she wrote, and I am watching, as I always have. I am listening. So how did they get here?   Sunae sits on the steps of a lofty sandstone building, shivering in the wind and eating a whole tortoise fruit by herself. She has been studying in Wimmore for four months, and she hasn’t made a single friend. The light in Wimmore is muted and cold, the streets narrow and grey, the houses foreboding and tall. People laugh at her accent. The dresses fashionable here are too tight, and she can never get enough air into her lungs. The air tastes nothing of salt, anyway. She misses the sea. She runs her fingers over the tough, knobbly green rind of the fruit. Her professor had bought it for the class to try—an expensive import from Miraya, not easily purchased. The others in her class had squealed over how disgusting the fruit looked and smelled as Dr. Janner was dissecting it like a corpse, and Sunae thought of Oaru’s teeth tearing into a wedge of tortoise fruit. Oaru’s tongue stained purple by its juice. Sunae had stood up, gathered the massive fruit in her arms as though it were a baby and marched out of the classroom. And now she is sitting on rain-wet stone and chewing miserably. How Oaru would tease her, if Oaru were here. A girl sits down next to her. Talia from her class, with wheat-colored curls flattened in the drizzle. “You really like tortoise fruit, huh?” Talia says. “I hate it,” Sunae says. “Let me try a bit, will you?” Sunae gives her a small slice and she takes a tentative bite. “Hmm, it tastes a lot better than it smells. Definitely not the texture I was expecting, though. It’s... squidgy?” She finishes the slice, throws the rind over her shoulder, and grabs another immediately. Sunae smiles. She thinks it must be the first time she has smiled since she set foot in Wimmore. “You like it more than I do, then.” “So what are you doing out here eating something you hate and crying?” Talia asks, squinting. “Don’t tell me that’s just the rain.” “It’s not just the rain,” Sunae says, rubbing a hand over her face. “It’s just... It’s what a friend calls me. Tortoise fruit.” “An affectionate nickname?” Talia turns the piece of wrinkly rind over in her hand. “Is it a cute boy who’s waiting for you at home?” Sunae hesitates. “Um. Not a boy.” And then, to distract Talia from fixating on that, she launches into an account of everything that’s been overwhelming her. She explains that the next Appeasement is happening soon, and that she has been trying to conduct research into the history and literature of Miraya to see if she can find any clues as to how Yomue defeated the monster last time and why the monster came back, but she still hasn’t found anything useful. “I just want to find another way,” Sunae says. “I don’t want my friend to do anything rash. I don’t want to lose her.” Talia presses her shoulder gently against Sunae’s. “One of my ancestors was part of the first expedition to Miraya. We have an attic full of things left behind by various family members. We’ve never managed to go through all of it properly, but you’re welcome to come and have a look.” This is how Sunae finds herself cross-legged on the dusty floor of Talia’s ridiculously big attic, cross-eyed after three continuous days of rifling through boxes of miscellanea in dim light, unable to believe what she’s looking at. It’s a roughly colored sketch of Yomue the warrior, copied from the temple wall. Sword and monster and moon. And beneath that, a sketch of Yomue again—a woman dressed in the same armor, holding not a sword but a scroll open in her hands. Next to her is something a little like a mirror, or a full moon: a vast circle, shaded in silver. Within it coils a spiral shadow. Sunae isn’t sure how to interpret this, but she knows that this Yomue and the painted poet in the old Library are one and the same. She rummages through the rest of the box which contained the sketches, and her hand touches worn leather. She pulls it out of the box and it falls open on her lap, yellowed pages crammed with neat handwriting. It’s a diary.   “Why do all you rich Carruceans have stuff just lying around in your attic that I’ve only been searching for my entire life?” Sunae mutters under her breath to Talia, who is sitting next to her at this dinner. She clenches her fist around her fork. “Well, at least now you can read Yomue’s poetry!” Talia whispers back. Dr. Sotkin, a dear friend of Dr. Janner, carries on explaining to everyone how he recovered the lost manuscript of Yomue’s poems when he was cleaning out his grandfather’s house after his grandfather recently passed away. Sunae saws away at her chunk of boiled beef. “I’ll be publishing a translation later this year,” Dr. Sotkin announces. Sunae takes a sip of water and a deep breath. “What kind of poetry is it?” she asks, proud of how calm and polite she sounds. “Sadly, it only survives in fragments, but I’ve brought a copy of some of them to share with all of you as a preview.” Dr. Sotkin digs in his bag and retrieves a sheaf of papers. “I believe Dr. Janner told me you can all read Classical Mirayan?” “Some of us better than others,” Talia murmurs to Sunae, and Sunae hides a smile behind her napkin. Some of the boys in their class seem to be getting by with barely any knowledge of Mirayan. Sunae assumes it must be their wealth that passes their exams for them. She takes the sheet that Dr. Sotkin offers to her and scans it quickly. Her mind whirls dizzily and she pushes away her plate and reads the fragment again, more slowly this time. And again. She closes her eyes and envisions the inscrutable moon in the night sky to steady herself. Dr. Sotkin is saying something about a man that Yomue is drinking with. “She compares her love for this man to the Moon Lake—a blessing that glimmers on and on.” Sunae hands the sheet to Talia and holds onto the edge of the table. “Dr. Sotkin,” she says, and she isn’t able to sound calm anymore. Her voice quavers. “I don’t believe Yomue is talking about a man. I know it’s only a fragment, but it’s clear from the grammar that she’s writing about a woman.” Dr. Sotkin frowns. “Did you not hear when I said that this is a love poem?” “Yes, I know, and I believe that Yomue’s beloved is a woman.” “That’s preposterous. It’s simply impossible.” “You think it’s impossible that Yomue loved another woman?” “What you are speaking of is highly illegal and punishable by death, young lady,” Dr. Sotkin sniffs. In both Miraya and Carrucea, yes—Sunae is extremely aware. “Are we to believe that Yomue shared these poems with the public and was not executed for her sins?” “Well, she warded off the monster, so there were no Appeasements—” Dr. Sotkin tugs haughtily at his cravat. “You do realize that it is possible to execute people without feeding them to a monster as you barbarians love to do?” “Love?” Sunae’s voice is shrill to her own ears; drums thunder in her ribcage. “You think we love having to feed people to a monster every ten years to keep it from destroying our whole island?” Dr. Sotkin’s face is pink as the sand on Miraya’s beaches. “I’m going to have to ask you to leave.” “Yes,” Dr. Janner joins in. “Sunae, your behavior of late has been extremely rude and disruptive and I’m afraid we cannot tolerate this. Dr. Sotkin is the foremost expert on Classical Mirayan and he will not be insulted by your bumbling reading of this poem.” “But she’s right!” Talia protests, jabbing at the sheet of paper. “Dr. Janner, Sunae’s right. Look at this line here.” “It’s all right,” Sunae says, putting her hand on Talia’s arm. “I’m leaving.”   Sunae’s head is still spinning from the fragment of Yomue’s poetry. It was so much like the poems that she has been writing about Oaru, folded into envelopes and sent across the ocean to her lover. One was about the glow of sweat and moon-water on Oaru’s skin, the night they drifted together in the Moon Lake, the last night they spent together. And now, this letter from her mother. She sinks to the floor of the post room and clutches her knees. She is going to be sick. The door creaks open. She looks up and Talia is there. “I’m so sorry,” Talia says. “You were such a fearsome warrior back there, speaking up to Sotkin like that. He’s utterly dreadful. Janner, too. I want to lock them both up in my attic and never let them out. Janner revoked your scholarship but he hasn’t even tried to suspend me.” Sunae stares at Talia and cannot speak. Talia doesn’t know about the letter yet. She thinks Sunae is just upset about what happened at the dinner, but the world is crumbling at Sunae’s feet and Talia has no idea. A smile stretches across Talia’s face. “Can you believe your legendary Yomue’s one of us?” Sunae’s shoulders loosen a little. “One of us?” “One of us,” Talia repeats and holds her hand out to Sunae, and Sunae understands. Instead of taking Talia’s hand, she lifts up the letter and gives it to Talia. Talia reads it and is speechless, too. She sits down next to Sunae and together they watch the flickering light bulb. It is no moon, but it soothes, somehow. Eventually, Talia asks, “When is the next Appeasement? Will you make it back in time?” “If I leave at dawn, I might,” Sunae says, hoarsely. “You’ll be arrested too if you go back, won’t you?” Sunae nods. “But you’re definitely going.” Sunae nods again. “Good luck,” Talia whispers. “If you don’t die, write me a poem. You have my address.” She kisses Sunae’s forehead.   Sunae crosses the ocean home. She prays to the Goddess. She prays to Yomue. She writes.   Which is what brings us here, to Sunae’s nineteenth birthday, and Sunae and Oaru on the beach where they first met ten years ago. “I love you,” Sunae says to Oaru. There is white sea-spray in Oaru’s windblown hair, and if Sunae’s plan doesn’t succeed, she wants this to be the last thing she ever sees. She closes her eyes. The waves lap the shore. Her lungs are full of salt air. The moon caresses her face with its white light. She opens her mouth. The truth comes out. Sunae wrote that silly poem when she was twelve, where I saved my husband from the monster. I laughed when I heard her read it to her classmates. Now she is a much better poet, and she has learnt so much—from sketches and diaries and mistranslated fragments—and this is what she tells the Mirayans. Four hundred years ago, Yomue loved another woman, and they had flowers and wine and stars; they chased phoenix foxes together in the valleys. They ate tortoise fruit and kissed each other’s mouths purple. They wrapped themselves in moonlight. Yomue was skilled with the sword, but even more skilled with words, and she was the Goddess’ favorite. She could not stand by and watch a monster kill more people in her town. She wove a spell out of poetry and enchanted the monster, led it to the Moon Lake where it slumbered for as long as she lived, and longer, because she taught others the poem. But the Carruceans came; they brought their laws with them, and they knew how powerful fear was. How to control a people with it. Fire bloomed in the Library; in the temple, fresh paint dried on the wall. Yomue the poet was erased from history. The monster was awoken, and anyone who caused trouble could be thrown into its devouring jaws. “Now you tell me I cannot love Oaru.   We chase a phoenix fox that Yomue tamed once, Reborn from the ashes of the Library. It hides poems in its fur. Tell the phoenix fox I cannot love Oaru.   We eat tortoise fruit grown from centuries-old trees, Roots as deep as our island. It hides poems in its rind. Tell the tortoise fruit I cannot love Oaru.   We bathe in the Moon Lake Yomue drank from, Water sacred to the Goddess. It hides poems in its bed. Tell the Moon Lake I cannot love Oaru.   Tell the Goddess I cannot love Oaru. Tell Yomue. Tell her and the woman she loved. Go back in time and bind her to this pillar and Tell her she was wrong.”   The monster rises out of the sea, torrents of water cascading from its back. Oaru was arrested because of Sunae’s poetry. Because Oaru’s father found the incriminating poems, because Sunae had sent so many and they overflowed, spilled, flooded Oaru’s room. Poems alight with the memories of all that Oaru and Sunae did together, all the times they were wide-eyed travelers in the landscape of each other’s bodies, all the smoldering hearths they built in the secret corners of each other’s hearts. The monster bellows and the earth quakes and Sunae is not afraid. She knows she is not the first who has been here. She is not the first who has done this.   “Let her tell you she is me. Let her open her mouth and Sing the monster to sleep Again.”   Sunae’s pores still have the magic blessing of moon-water in them, and I am with her. Through her, I sing. I was here, like her. I loved, like her. I fought the monster and won, and she will, too.   If you visit the Temple of Moon Goddess today, you will see this scene painted alongside my mural in the prayer hall: The monster walks spellbound across the island, and the Mirayans walk with it, every one of their faces slack with awe. Sunae leads them, freed from her shackles. She holds Oaru’s hand.   END   “The Lamentations of Old Money" is copyright Chanter 2019. “Tell the Phoenix Fox, Tell the Tortoise Fruit” is copyright Cynthia So 2019. This recording is a Creative Commons Attribution-NonCommercial-NoDerivatives license which means you can share it with anyone you’d like, but please don’t change or sell it. Our theme is “Aurora Borealis” by Bird Creek, available through the Google Audio Library. You can support GlitterShip by checking out our Patreon at patreon.com/keffy, subscribing to our feed, or by leaving reviews on iTunes. You can also pick up a free audio book by going to www.audibletrial.com/glittership or buying your own copy of the Summer 2018 issue at www.glittership.com/buy Thanks for listening, and we’ll be back soon with a reprint of “Instar" by Carrow Narby.

In which we discuss Ghost Dogs of Moon Lake! Our tumblr: krolmeistersisters.tumblr.com Drinking game referenced: krolmeistersisters.tumblr.com/drinking-game The Nancy Drew computer games are property of HeR Interactive

Malcolm White talks to Delta-based musician John Mohead. After years of touring, during which he played with or opened for the likes of Bob Dylan, Robert Randolph, Little Feat and many others, he returned to Mississippi to focus on his family and open a restaurant on Moon Lake. He recently released a new album, Son of the South. See acast.com/privacy for privacy and opt-out information.

Wands out! The Boo Crew practices some dark magic with Dan Fogler (Fantastic Beasts / Balls Of Fury) as they talk about his horror film 'Hysterical Psycho', his anthology horror graphic novels Moon Lake, his NEW graphic novel Brooklyn Gladiator and the world of Fantastic Beasts with the sequel coming out later this year. In the Screaming Room-it’s all about FANTASTIC horror comedies on the Boo Crew Podcast Episode Number 12! The Wolf Man is our patronus by the way. See acast.com/privacy for privacy and opt-out information.

On the debut episode of 1x1 WITH KRISTIAN HARLOFF, Kristian sits down with actor, playwright, director, comedian, podcaster and comic book writer Dan Fogler to talk about his life, his career, his work and what motivates him to tackle as many projects as he does. You might’ve seen Dan in his breakout role on Broadway in The 25th Annual Putnam County Spelling Bee, read his Moon Lake horror compilations or seen him as the lovable and sweet “Jacob Kowalski” in the Fantastic Beasts series. The sequel to that film comes out later this year, but in the mean time you can enjoy Dan’s latest graphic novel Brooklyn Gladiator which he talks about on the show today as well. It’s an enjoyable sit down with one of the most talented people working in the business today. Let us know what you thought of this episode and please remember to subscribe, rate, and comment to this podcast. Follow Kristian: https://twitter.com/KristianHarloffFollow Dan: https://twitter.com/mrdanfoglerFind other great Collider podcasts at http://podcastone.com/network/ColliderWatch our videos at http://youtube.com/collidervideosFor breaking movie and TV news visit http://collider.com

On this new Episode a close friend of the house, a second session of the Argentinian Dj and Producer Sebastian Olano. Seba has produced for many well known labels, including an EP for our sister project Moon Lake Records, his EP in Moon Lake included a remix by Alejandro Vivanco, certainly one of Chile's greatest electronic music producers of all time. Soundcloud: @sebastianolano

On this episode I get to talk with everyones favorite No-Maj from Fantastic Beasts and Where to Find Them: Dan Fogler! We give our review on the Star Wars: The Last Jedi and talk about Harrison Ford injuries, comic books, Tom Hanks, Fantastic Beasts, projects that Dan has been working on such as his comic book: Brooklyn Gladiator and Moon Lake! and other cool stuff as well!

In the United States, potatoes are the second most consumed item, just behind rice. But when potatoes are thin sliced, fried and salted, they go from being the number two consumed food to the number one snack food of choice. George Crum, also known as George Speck, was born in 1824 in Saratoga Springs, New York to a Native American mother and African American father. When he was a young man, Crum worked as a guide in the Adirondack Mountains and an a Native American trader. Eventually however, he realized he had an exceptional ability to cook, and the culinary arts was his calling. By the summer of 1853, Crum found himself as the head chef at one of Saratoga Spring’s fanciest restaraunts, the Moon Lake Lodge resort, where like many other places, French fries was a famous staple of the menu. Though Crum could make French fries, his specialties were really in his seasoned preparation of wild game like venison and duck, with him not afraid to push the envelope and really experiment with flavors and pairings in the kitchen. In 1853, Crum was in the Moon Lake kitchen creating his famous French fries for a patron. Well apparently, the diner wasn’t happy with way his fries were cut, and sent them back asking for them to be cut thinner. Crum obliged, and cut them thinner. The diner STILL wasn’t happy, claiming the fries were too soggy, and sent the fries back again. According to legend, Crum was a bit more then perturbed and purposefully sliced the new batch of potatoes as thin as he possibly could, and then purposefully fried them as hard and as crunchy as possible. To top the new batch off, he salted them about as heavily as he could and served it up. Crum, despite his reputation for such amazing cuisine, tried to sabotage his own client. But, to Crum’s surprise, the diner LOVED this new creation, and with his new hit… a new snack was born. By 1860, Crum had ventured to open his own restaurant in Malta, New York, invariably called “Crum’s House”. Crum’s restaurant was in ridiculously high demand among tourists to the Saratoga Springs area, and even the wealthy seasonal residents of the area. According to diners, “his prices were that of the fashionable high end New York City restaurants, but the food and service were more than worth it, with everything possible raised on his own small farm, and even his farm got his personal attention whenever he could manage to handle both.” The famed Commodore Cornelius Vanderbilt once was obligated to wait over an hour and a half for a meal.” Though United States’ patent law was created with color-blind language to foster and encourage innovation, the patent system consistently excluded these inventors from their due recognition. Because of these uphill battle in getting a patent, George Crum never even attempted to patent his potato chips, or the process for their creation. Eventually potato chips were being mass produced without him receiving any credit. Today, Americans alone consume about 1.5 billion pounds of potato chips each year. George Crum died at the age of 90 in 1914; but his potato chips will forever live on.

We have two interviews for you today; separated by years but united by the common thread of Hollywood and comics. But not comic book movies so much as comics from movie people. First up is Greg's talk with actor/director/comedian/writer Dan Fogler. You'll recognize Dan from "Balls of Fury", "Fanboys", "Take Me Home Tonight", "Hannibal", or "Secrets & Lies", but what you might not know about Dan is that he's written some comics as well. Two volumes of "Moon Lake" have been released by Archaia so far, but he's currently Kickstarting his new project, "Brooklyn Gladiator". They talked about that, what books Dan is currently reading (and there are a LOT of them), what it's like being behind the camera as well as in front of it, and more. Dan also tells just who he passed a joint to at the SNL 40th Anniversary Party, so this one's got something for everyone. If that wasn't enough for you, then Greg's unearthed 2013 talk with writer/director Chad Crawford Kinkle should do the trick. This interview, presumed lost in a hard drive crash, has him talking with Chad about the filmmaker's then-current indie horror movie "Jug Face". Chad lifts the curtain on what goes in to making a film on a reduced budget that still delivers big budget entertainment. They also talk about Chad's comic work, including his graphic novel "Harpe", about the two brothers who were America's first serial killers...back in the 18th century! Greg and Chad talk horror in all forms, and a whole lot more.  Robots From Tomorrow is a weekly comics podcast recorded deep beneath the Earth's surface. You can subscribe to it via iTunes or through the RSS feed at RobotsFromTomorrow.com. You can also follow Mike and Greg on Twitter. This episode is brought to you by Third Eye Comics. Enjoy your funny books.

Dan Fogler comes on the show to talk about his Kickstarter comic, BROOKLYN GLADIATOR. It sounds pretty epic. We also talk about his other comic, MOON LAKE with the Man in the Moon eating space cheese and passing gas. There's even talk of his show on ABC,

In which Matt is joined by Fanboys/Balls of Fury/Man Up's Dan Fogler to jaw about "finding a childhood in Brooklyn", how everything is better on LSD, and Dan's new horror anthology comic Moon Lake!

On this episode, the TSP Crew discusses the Walking Dead spoiling its own storylines, Rob Liefeld's inability to draw two halves of the same face, and Terry Moore's foray into science-fiction, Echo: Moon Lake!

On this episode, the TSP Crew discusses the Walking Dead spoiling its own storylines, Rob Liefeld's inability to draw two halves of the same face, and Terry Moore's foray into science-fiction, Echo: Moon Lake!