Podcasts about creeley

Esta semana, dedicamos la sesión de Rebelión Sónica, a la importante banda estadounidense de avant-pop Mercury Rev, con música de su nuevo álbum “Born Horses” y del celebrado “Deserter's Songs” de 1998. “Born Horses” fue lanzado el 06 de septiembre por el sello Bella Union y es primer LP del grupo con canciones inéditas desde “The Light in You” de 2015, pues su anterior trabajo “Bobbie Gentry's The Delta Sweete Revisited”, es de covers de la legendaria cantante estadounidense. El miembro original Jonathan Donohue dijo sobre el álbum: “Desde nuestro comienzo a mediados de los 80 con David Baker hasta la grabación de “Born Horses” con los nuevos miembros permanentes, el pianista nativo de Woodstock Jesse Chandler y la tecladista austríaca Marion Genser, hemos celebrado la confianza tácita en la "estatua que ya está dentro del mármol". No hicimos “Born Horses” arrojando arcilla sobre arcilla, sino que permitimos que el tiempo revelara lo que siempre estuvo ahí”. Por su parte, el guitarrista Grasshopper y también fundador, explicó: “Cuando Jonathan y yo nos conocimos por primera vez, algo que nos unió fue “Blade Runner”, tanto la película de Ridley Scott como la banda sonora de Vangelis: esa sensación del pasado y el futuro, el ambiente inquietante del cine negro y el romance del futuro". En el Bandcamp del grupo se explica que “el título del álbum, que lleva el nombre de la majestuosa y ondulante sexta canción 'Born Horses', fue elegido porque sus palabras resuenan a lo largo de todo el disco, abarcando la idea de vuelo ("Soñé que nacíamos caballos esperando alas") y la frase "Tú y yo” que aparece en diferentes momentos del álbum. Éste no es el concepto de dos personas separadas, sino que de dos partes de uno mismo”. El texto agrega que “más inspiración la proporcionaron los espíritus del arte minimalista Tony Conrad y del poeta Robert Creeley, acólitos del pensamiento y la acción progresistas que enseñaron en la Universidad de Buffalo, la ciudad donde se formó la banda. Entre otras credenciales, Conrad fue miembro del Dream Syndicate de LaMonte Young junto con John Cale antes de formar The Velvet Underground. Creeley fue uno de los poetas estadounidenses más importantes e influyentes del siglo XX, asociado a Jack Kerouac, Allen Ginsberg y los poetas de Black Mountain”. Al final del programa, viajamos al pasado en la historia de Mercury Rev, para escucharlos con material del elogiado álbum de 1998, “Deserter's Songs”. Rebelión Sónica se transmite por radio Rockaxis los jueves a las 10 y 22 horas, con la conducción y curatoría de Héctor Aravena.

In this episode of the Nine Finger Chronicles podcast, host Dan Johnson interviews Kevin Creeley, a firefighter and avid hunter from Virginia. They discuss Kevin's career as a firefighter and how it allows him to have a flexible schedule for hunting. Kevin shares his journey into hunting, starting with fishing with his grandmother and then transitioning to dog hunting and muzzleloader hunting. He eventually became interested in bow hunting and joined a hunting club where he learned from experienced bow hunters. Kevin also talks about the importance of equipment and gaining confidence in archery. In this conversation, Kevin Creeley shares his experiences hunting in Virginia, specifically focusing on hunt clubs and the unique challenges and benefits they offer. He discusses the dynamics of hunt clubs, including the allocation of hunting spots and the positive and negative aspects of being a member. Kevin also talks about the different terrains in Western and Coastal Virginia and how they impact deer behavior. He touches on out-of-state hunts and his goals for the future, as well as his experiences hunting sea ka deer on the Eastern Shore. Overall, Kevin provides valuable insights into the hunting opportunities and experiences available in Virginia. Takeaways: Being a firefighter allows Kevin to have a flexible schedule for hunting. Kevin started his hunting journey with fishing and then transitioned to dog hunting and muzzleloader hunting. He gained confidence in archery by practicing and learning about equipment. Joining a hunting club and learning from experienced bow hunters helped Kevin improve his hunting skills. Hunt clubs in Virginia have both positive and negative aspects, including the allocation of hunting spots and the potential for secrecy and favoritism. The terrains in Western and Coastal Virginia differ, with Western Virginia offering more diverse food sources and potentially larger bucks. Out-of-state hunts provide unique opportunities to explore different terrains and hunting styles. Sea ka deer hunting on the Eastern Shore of Virginia is a thrilling experience, with aggressive deer behavior and unique hunting techniques. Virginia offers a wide range of hunting opportunities, including deer, turkeys, ducks, and sea ka deer. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of the Nine Finger Chronicles podcast, host Dan Johnson interviews Kevin Creeley, a firefighter and avid hunter from Virginia. They discuss Kevin's career as a firefighter and how it allows him to have a flexible schedule for hunting. Kevin shares his journey into hunting, starting with fishing with his grandmother and then transitioning to dog hunting and muzzleloader hunting. He eventually became interested in bow hunting and joined a hunting club where he learned from experienced bow hunters. Kevin also talks about the importance of equipment and gaining confidence in archery. In this conversation, Kevin Creeley shares his experiences hunting in Virginia, specifically focusing on hunt clubs and the unique challenges and benefits they offer. He discusses the dynamics of hunt clubs, including the allocation of hunting spots and the positive and negative aspects of being a member. Kevin also talks about the different terrains in Western and Coastal Virginia and how they impact deer behavior. He touches on out-of-state hunts and his goals for the future, as well as his experiences hunting sea ka deer on the Eastern Shore. Overall, Kevin provides valuable insights into the hunting opportunities and experiences available in Virginia. Takeaways: Being a firefighter allows Kevin to have a flexible schedule for hunting. Kevin started his hunting journey with fishing and then transitioned to dog hunting and muzzleloader hunting. He gained confidence in archery by practicing and learning about equipment. Joining a hunting club and learning from experienced bow hunters helped Kevin improve his hunting skills. Hunt clubs in Virginia have both positive and negative aspects, including the allocation of hunting spots and the potential for secrecy and favoritism. The terrains in Western and Coastal Virginia differ, with Western Virginia offering more diverse food sources and potentially larger bucks. Out-of-state hunts provide unique opportunities to explore different terrains and hunting styles. Sea ka deer hunting on the Eastern Shore of Virginia is a thrilling experience, with aggressive deer behavior and unique hunting techniques. Virginia offers a wide range of hunting opportunities, including deer, turkeys, ducks, and sea ka deer. Learn more about your ad choices. Visit megaphone.fm/adchoices

MATT PHILLIPS chats to Paul Burke about his new noir - A GOOD RUSH OF BLOOD, noir and social documentarian, character drives narrative, indie writing.A GOOD RUSH OF BLOOD: A mother's sins haunt a teenage runaway in this scorching mystery of criminal conspiracy, street-level justice, and unlikely courage.Creeley Nash has been running her entire life. That includes running drugs for a wannabe kingpin. On a drug run to Palm Springs--the town where Creeley escaped her no-good mother as a teen--she'll encounter a sun-drenched facade beneath which lurks a web of dark secrets. A Good Rush of Blood follows Creeley as she unravels the mystery of her estranged mother's murder conviction.Peopled with bent cops, grizzled reporters, hardened drug dealers, eccentric sidekicks, and sexy librarians, this sweaty, fast-paced neo-noir finds stellar noir scribe Matt Phillips (Countdown, Know Me from Smoke) at the apex of his dirty, lethal game.Matt Phillips lives in San Diego. His novels include Countdown, Know Me from Smoke, You Must Have a Death Wish, Redbone and Three Kinds of Fool. His short fiction has been featured in Shotgun Honey, Mystery Tribune, Retreats from Oblivion, and elsewhere.RecommendationsFrank Zafiro - A Grifter's Song seriesPatricia Highsmith, Donald Goines, David Goodis, Chester Himes, Dorothy B Hughes, Jim Thompson, Pablo D'stair, Stephen King & Elmore LeonardVern Smith - Scratching the Flint Paul Burke writes for Crime Time, Crime Fiction Lover and the European Literature Network. He is also a CWA Historical Dagger Judge 2023.Music courtesy of  Guy Hale author of The Comeback Trail trilogy, featuring Jimmy Wayne - KILLING ME SOFTLY - MIKE ZITO featuring Kid Anderson - Vacant StareGUY HALE Produced by Junkyard DogCrime TimeCrime Time FM is the official podcast ofGwyl Crime Cymru Festival 2023CrimeFest 2023CWA Daggers 2023& Newcastle Noir (December)

If something is too good to be true it generally is.  Not the case with the spy Sponge. When I first saw the Spy Sponge I thought to myself,  "What a simple tool."  Nothing would be farther from the truth.  The complication and depth of knowledge is vast.  Not only that, Jake Creeley had the foresight to give it to his crew and not even tell them he'd created it because he wanted honest feedback.  That's just the way Jake is.  I've met lots of entrepreneurs and I have to say that Jake is one of the best I've come across.  Not only does he run an extremely successful drywall company in Buffalo, he also dabbles in real estate speculation all while marketing this amazing new product.  Jake and I get deep in the weeds on this, the 39th episode of The Drywall Podcast. 

Join Eagleton Professor Saladin Ambar and Will Creeley, the Legal Director for FIRE (Foundation for Individual Rights in Education), for a conversation about the intersection of free speech and reproductive rights. Creeley also talks about the Dobbs decision and the importance of free speech on college campuses.

by CA Conrad

Dans cet épisodes, nous explorons des cas célèbres de fabulations d'enfants, la cause de ces fabulations, pourquoi elles ont souvent été perpétuées jusqu'à l'âge adulte, et l'impact majeur qu'elles ont eut sur la vie des enfants. Nous parlons entre autres des soeurs Fox, qui ont créé les séances de spiritisme; des soeurs Creeley et leur supposé pouvoir de télépathie; des fées de Cottingley; du rôle du célèbre écrivain Arthur Conan Doyle dans la perpétuation de ces fabulations; et du psychiatre Ian Stevenson et ses théories sur la réincarnation. Nous montrons également que ces fabulations peuvent exercer un coût terrible en étudiant le cas de la chasse aux sorcières de Salem. Nous terminons le tout avec une discussion sur la décision de la Cour Suprême des États-Unis d'invalider l'arrêt Roe vs. Wade, et sur le droit à l'avortement au Québec et au Canada. 

I began giving outstanding service, or the illusion of outstanding service, every payday and on any other day when an opportunity presented itself. On rainy days, I rolled the newspapers in wax paper. I learned to ask about customers' children, grandchildren, pets, arthritis, or whatever else interested them. I often apologized for the paper itself, anticipating the complaints of the customers that an issue was too thin, that the news on the front page was all bad, or that three words had been misspelled in a single headline, and I offered to knock a penny off the price of such defective issues and absorb the loss myself on the grounds that it embarrassed me to charge full price for “a rag like this.”    On one occasion, inspired beyond anything I'd done before, I tore the front page of one copy and put it at the front of the stack in my canvas bag. At each customer's door, I would pull the torn copy from the bag and say, “Oops, can't give you this one,” then add, with a wink, “I'll have to give that one to somebody else.” They loved it. Of course, when I got to my last customer, Mrs. Blynman, I had no other copy for her. To Mrs. Blynman I said, “I can't give you this. It's torn. I'm going to ride my bike downtown to the Reporter printing plant and get you a fresh copy.”     Mrs. Blynman didn't say anything. I started down the walk. Suddenly I turned and ran back to her door.     “Oh,” I said. “Before I go, could you call my mother and tell her I might not get home for dinner, Mrs. Blynman?” I asked.     Mrs. Blynman said she would. Again I started down the walk. Again I turned suddenly and ran back to her door.     “And ask her to save me a piece of her birthday cake, would you please?” I said. Mrs. Blynman swallowed hard, insisted on taking the torn copy of the Reporter, and pressed a dollar bill into my hand.     I collected on Thursdays. Each Thursday afternoon, when I got home, I would spread the money out on my bed and count it. I kept a ledger, and I also made a graph that showed how much profit I had made each week. On a slip of paper in the back of the ledger, I calculated how long it would be before I had enough money to take Veronica on a date. I paid Mr. Creeley with the change and with the oldest, dirtiest bills, and I kept the newest, crispest ones for myself. On occasion, when my mother was ironing, I would get my capital out and press it. It was on one of these occasions, while I was ironing my money, that the thought ran through my mind that I had enough to buy a model plane kit with a real gas engine.     How strange it is that one's mind works independently of one's efforts to direct it, that the solution to a knotty problem eludes one through hours of concentrated effort and then appears unbidden but certainly welcome while one is running to the dock with the last of the trash cans, hoping that the trash boat will wait. Only when the image of the model plane kit appeared in my mind did I understand that I would rather have a model plane than go on dates with Veronica McCall, and the question returned: “How am I going to get out of this?”      The next morning, while my classmates and I were seated in our classroom, holding manila cards with new schedules on them, puzzling through the schedule and Mr. Simone's explanation of it, the door opened, and into the classroom walked Stretch Mitgang, the boy who had won at Simon Says on the first day of school, the boy who hadn't been certain about whether he should stand or sit. He stopped just inside the door and surveyed us. From his bravado, the defiant way he chewed his gum, his slouch, the way he hooked his thumbs in his pockets, I understood why he had come into our classroom. He had been sent back, thrown out of the sixth grade. From the way his eyes rested on Veronica and the way she turned abruptly away from him and tossed her hair, the way she pouted and pretended not to have seen him at all, I understood that Stretch might be the answer.Have you missed an episode or two or several?You can begin reading at the beginning or you can catch up by visiting the archive or consulting the index to the Topical Guide.You can listen to the episodes on the Personal History podcast. Begin at the beginning or scroll through the episodes to find what you've missed.You can ensure that you never miss a future issue by getting a free subscription. (You can help support the work by choosing a paid subscription instead.)At Apple Books you can download free eBooks of “My Mother Takes a Tumble,” “Do Clams Bite?,” “Life on the Bolotomy,” “The Static of the Spheres,” “The Fox and the Clam,” “The Girl with the White Fur Muff,” “Take the Long Way Home,” “Call Me Larry,” and “The Young Tars,” the nine novellas in Little Follies, and Little Follies itself, which will give you all the novellas in one handy package.You'll find an overview of the entire work in  An Introduction to The Personal History, Adventures, Experiences & Observations of Peter Leroy. It's a pdf document. Get full access to The Personal History, Adventures, Experiences & Observations of Peter Leroy at peterleroy.substack.com/subscribe

9IF I WAS GOING TO START buying Veronica flowers and candy and taking her out on dates, I was going to need money. I received a small allowance from my parents, quite a small allowance: twenty-five cents a week. Of course in those days—and the days that I'm recalling were those days—a quarter was worth something. Something, but not enough. I was going to have to get a job, and the first thing that occurred to me, doubtless the first thing that would have occurred to any boy my age in a situation like mine, was a paper route. The boy who delivered the Babbington Reporter looked at me with incredulity and glee when I asked him whether he ever thought of retiring from the newspaper business.     He recovered quickly. “Nah,” he said. “It's too exciting.”     I walked alongside him while he delivered the papers and tried to collect from each customer. The Reporter was published on weekdays only; customers paid twenty-five cents a week for it, delivered. For two or three hours I walked the route with him and worked to persuade him to give it up. My argument ran along the following lines, which I'd based on comments I'd heard Mel Allen make before a broadcast of an old-timers' game: there comes a time when the veteran has to step aside to give the rookie a chance, has to recognize that the river of life is flowing on and it's time he drifted on with it, has to recognize that someone else may need the work more than he does, that there are other kinds of work that he can do because he is older, and that it is meet and right that he do that other work, whatever it may be, and let another boy deliver his papers.     “All right,” he said, after he had delivered the last paper. “You win. I'll sell you the route.”     “Sell?” I asked.     “Sure. Let's say a dime a customer.”     “Well, I—”     “You have to give me all the money I'm owed, too.”     “Owed?”     “Yeah. Not everybody pays on time. Didn't you notice?”     “No,” I said. I had been too occupied with the task of convincing him to surrender the route.     “You don't know much about the newspaper business, do you?” he asked.     “No,” I confessed.     “You'll learn,” he said. He pulled the strap of his newsboy's bag over his head and thrust the bag at me. “It's a deal then, right?”     “Right,” I said. I was so pleased to have the job that I accepted his terms without bargaining, without even considering that bargaining might be possible, establishing that day a habit of thought that has made me pay too much for most of the things I have bought since.     I borrowed, from Guppa, the money to buy the route and pay the bills of all the customers who were late in paying. I was to pay Guppa back at the rate of a penny per customer per week, but I was determined to collect all the old debts in the first week. When I stopped at the home of the first deadbeat on my list and she told me that she couldn't pay me because she didn't have the right change, I stood speechless in front of the door for a moment before I remembered that I had change.     “I can give you change,” I said.     “Of twenty bucks?” she asked.     “Oh, no,” I admitted.     “You better try me next week,” she said. She closed the door. I got onto my bike and rode to the next stop on the route.     I soon found, to my surprise and disappointment, that not only did I have a hard time getting my customers to pay me, but even when they did pay me I didn't get to keep the twenty-five cents that they paid for the Reporter. I had to pay the Reporter, in the person of their agent, Mr. Creeley, who threw the bundle of papers into our driveway every afternoon, four cents for each issue on delivery and somehow get the money from the customers. From the first day, I was sinking into a hole. Fortunately, Porky had an idea about this problem too.     “You've got to look at it this way,” he said. “What are your customers paying you for, or I should say, what would they be paying you for if they were paying you?”     “The paper,” I said, trotting all my naïveté out for Porky to chuckle at.     “Oh, no they're not,” said Porky. He chuckled at my naïveté and tousled my hair. “If they were just paying for the paper, they'd pick up a copy at the corner store, but they don't. You see, you're not selling the paper.”     He paused to unbutton his pants and tuck in his shirt, providing, through this business, time for me to wonder what on earth he was getting at, so that when he made himself clear I would say to myself, “Ah-ha! So that's it.”     “You're selling service,” he said. “The service of delivering the paper to them. If they're not paying you, it's because they think they're not getting enough service.”    “But I'm never late,” I protested. “And I—”     “I know, I know,” said Porky. “You're going about it completely wrong. You're just doing the job the way it's supposed to be done. You're not late, you don't miss a day, you don't complain, you don't cause any trouble. They think your job must be easy for you—too easy. You notice I didn't say that they think they're not getting good service. I said that they think they're not getting enough service. You see what I mean?”     I did see what Porky meant. I saw it very clearly, and I took action almost at once. On the next collection day, I delivered all the papers about an hour later than I usually did. I bandaged my right arm from the hand up to the elbow, smeared dirt on my cheek, and put a Band-aid on my forehead. With the paper, I delivered a halting apology for being late. As if reluctantly, I allowed it to be understood, in response to their questions, that an enormous dog had attacked me just as I had begun the route, knocking me off my bicycle and scattering the papers, and that I had lost time picking up a new batch of papers, having my cuts and scrapes bandaged, and getting the first in a long and painful series of rabies shots. Not only did I collect from every customer, but I took home far more in tips than I earned on my markup.Have you missed an episode or two or several?You can begin reading at the beginning or you can catch up by visiting the archive or consulting the index to the Topical Guide.You can listen to the episodes on the Personal History podcast. Begin at the beginning or scroll through the episodes to find what you've missed.You can ensure that you never miss a future issue by getting a free subscription. (You can help support the work by choosing a paid subscription instead.)At Apple Books you can download free eBooks of “My Mother Takes a Tumble,” “Do Clams Bite?,” “Life on the Bolotomy,” “The Static of the Spheres,” “The Fox and the Clam,” “The Girl with the White Fur Muff,” “Take the Long Way Home,” “Call Me Larry,” and “The Young Tars,” the nine novellas in Little Follies, and Little Follies itself, which will give you all the novellas in one handy package.You'll find an overview of the entire work in  An Introduction to The Personal History, Adventures, Experiences & Observations of Peter Leroy. It's a pdf document. Get full access to The Personal History, Adventures, Experiences & Observations of Peter Leroy at peterleroy.substack.com/subscribe

In the late 1950s and early 1960s, a group of poets at UBC Vancouver began a little magazine: the TISH poetry newsletter. The TISH poets would later be called one of the most cohesive writing movements in Canadian literary history. In the summer of 2019, Craig Carpenter visited one of the former editors of TISH magazine —who is also his former professor of modern Canadian poetry. Based on interviews conducted during this visit and a subsequent visit in the winter of 2019, Craig has created an episode that explores his evolving relationship with his former professor and scenes from more than 50 years of literary history. Craig takes us through the relationships and the stories that formed a part of the TISH movement and the poet that Robert Hogg has become.Craig gives a heartfelt thank you to all those who took the time to offer feedback on early script drafts: Deanna Fong, Judith Burr, Mathieu Aubin, Marjorie Mitchell. Special thanks to Dr. Karis Shearer, all of his  colleagues at the UBC Okanagan AMP Lab, and, of course, to Robert Hogg.SpokenWeb is a monthly podcast produced by the SpokenWeb team as part of distributing the audio collected from (and created using) Canadian Literary archival recordings found at universities across Canada. To find out more about SpokenWeb visit: spokenweb.ca. If you love us, let us know! Rate us and leave a comment on Apple Podcasts or say hi on our social media @SpokenWebCanada.Episode Producer:Craig Carpenter is an MA student in the IGS Digital Arts & Humanities theme at the University of British Columbia (Okanagan). A poet, journalist, sound designer, and former literary editor, Craig brings a diverse set of skills to the SpokenWeb project. His thesis will explore the podcast as public scholarship and engages archival recordings of second wave TISHITES Daphne Marlatt and Robert Hogg. With particular attention to Charles Olson's 1950 essay PROJECTIVE VERSE, he is investigating the intersection of proprioceptive poetics, the embodiment of voice in performance and sound studies. Musical score by Chelsea Edwardson: Chelsea Edwardson uses music as a tool to transform stories and concepts into the sonic realm, creating experiences through sound that heal and inspire. Her background in ethnomusicology brings the depth of tone and expression that transcends culture, taking the listener to worlds beyond a physical place and into a landscape of feelings. To learn more, visit https://www.chelseaedwardson.com.Featured Guest:Robert Hogg was born in Edmonton, AB, and grew up in Cariboo and Fraser Valley, BC. Hogg graduated from UBC with a BA in English and Creative Writing. During his time at UBC, Hogg became affiliated as a poet and co-editor a part of TISH. In 1964, Hogg hitchhiked to Toronto and visited Buffalo NY, where Charles Olson had been teaching at the time. At SUNY at Buffalo, he completed a Ph.D. on the works of Charles Olson. Shortly after, Hogg taught American and Canadian poetry at Carleton University for the following thirty-eight years. Hogg currently lives at his farm located in Ottawa.Sound Recordings Featured:Archival Audio from PennSound.comShort intro clips of: Warren Tallman, Fred Wah, Daphne Marlatt, George Bowering: all from PennSound digital archives.Recording of “The Red Wheelbarrow” by William Carlos Williams: http://writing.upenn.edu/pennsound/x/Williams-WC/the_red_wheelbarrow_multiple.phpRecording of “Often I am Permitted to Return to a Meadow” by Robert Duncan: https://media.sas.upenn.edu/pennsound/authors/Duncan/Berk-Conf-1965/Duncan-Robert_01_Often-I-am-Permitted_Berkeley-CA_1965.mp3Recording of “I Know a Man” by Robert Creely: http://www.writing.upenn.edu/pennsound/x/Creeley/i_know_a_man.phpRecording of “Maximus From Dogtown I” by Charles Olson: https://media.sas.upenn.edu/pennsound/authors/Olson/Boston-62/Olson-Charles_14_Maximus-Dogtown-2_Boston_06-62.mp3Archival Audio from AMP Lab's Soundbox CollectionRobert Hogg reads at Black Sheep Books, Vancouver, 1995: https://soundbox.ok.ubc.ca/Archival Audio from KPFARobert Hogg reads at Berkeley Poetry Conference, 1965: http://www.kpfahistory.info/bpc/readings/Young%20poets.mp3

In today's Product Spotlight episode we're going to talk about Podsights, an analytics tool that helps marketers evaluate their return on investment in the fastest growing channel which is podcast advertising. Joining us is Sean Creeley, the Founder of Podsights. Show NotesConnect With: Sean Creeley - Website // LinkedIn // TwitterThe MarTech Podcast: Email // Newsletter // TwitterBenjamin Shapiro: Website // LinkedIn // TwitterSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In today's Product Spotlight episode we're going to talk about Podsights, an analytics tool that helps marketers evaluate their return on investment in the fastest growing channel which is podcast advertising. Joining us is Sean Creeley, the Founder of Podsights. Show NotesConnect With: Sean Creeley - Website // LinkedIn // TwitterThe MarTech Podcast: Email // Newsletter // TwitterBenjamin Shapiro: Website // LinkedIn // Twitter

Tracking podcast data can be difficult. In the past, advertisers have relied heavily on promo codes, vanity URLs, and surveys, and even then, the data would often be skewed leaving advertisers to wonder "Why?"In this episode of On the Mic with Ad Results Media, host Lindsay Boyd sits down with Ad Results Media's very own Andrea Schwarzbach as we chat with Podsights Founder and serial entrepreneur, Sean Creeley. During this conversation we break down the history of Podsights, the importance of podcast attribution, and what the future holds.

In this first of two sessions we talk humbly about, around, and through Robert Creeley by way of examining two poems: "The Immoral Proposition" and "Kore" (with more to come in our next session). This talk is characterized in part by our coming to terms of our inability to come to terms with what Creeley left us past deep appreciations and some loose holds on his poetics, intermixed with wonder at how much he was able to enjamb into the finitudes of his practice: "O love,/where are you/leading/me now?"

A confusão é um sentimento desvalorizado. E esse poema confuso de Robert Creeley pode nos ajudar a entender melhor o que isso quer dizer. Poema original: https://www.poetryfoundation.org/poetrymagazine/poems/28666/for-love

I put a lot of thought and intention into building the Savvy Social Podcast and I know other podcasters do the same, so I really love learning about new tools that can help my show grow in a way I feel good about. I talk with Sean Creeley about his history as a serial entrepreneur and about how his newest company, Podsights, helps podcasters gain valuable insights and data on whether advertising is working for their podcast!    In this podcast episode, we share:    Podsights’ background and what Podsights does for podcasters and advertisers  How Podsights helps podcasters know what advertising is and isn’t working  Why tracking podcast data is difficult and messy The benefits of the podcast industry in comparison to other online industries  How Podsights help small podcasters find advertising that aligns with their story  Memorable Quotes:    It’s a beautiful bubble and the bubble is expanding—more and more people are getting into podcasting.  You advertise based off of content, not off of targeting users.    About Sean Creeley  Sean Creeley is a founder at Podsights. In a past life, Sean founded Embedly, a Y Combinator company, whose product was used by Reddit, LinkedIn, Salesforce, Microsoft and hundreds of other sites. Medium acquired Embedly in 2016.   Connect with Sean: https://podsights.com/ https://research.podsights.com     Links Mentioned: Beyond the Podcast Virtual Summit https://www.aweber.com/beyondthepodcast.htm?utm_source=awpartnership&utm_medium=email&utm_campaign=btp19&utm_content=andreajones   This Episode Is Made Possible By: Social Report: The world’s most complete social media management platform and my social media management tool of choice. Savvy Social School: Everything you need to increase visibility, growth, and engagement on social media  

With the explosion of podcasts and podcasting in recent years (there are 700,000 podcasts and counting, according to The New York Times), podcasting has become big business. In addition, there has been a recent spate of headline-grabbing podcast M&A activity, signaling that this new, highly intimate form of media is still in its early stages. However, the industry is struggling to find an advertising model that matches the growth and popularity of this new medium. Listener data is both very difficult to obtain and fragmented among the various industry participants, as a result of which ad-targeting, and CPMs, remain low. Enter Podsights, a podcast analytics and attribution company co-founded by industry veterans Sean Creeley and Andy Pellett, which seeks to work with both the supply and demand side of the podcasting advertising business (call it “podtech”) to optimize both yield, on the one hand, and conversions on the other. Prior to co-founding Podsights, Sean founded a web attribution and analytics company by the name of Embedly, with Andy as his chief engineer. Embedly was sold to Medium Corporation in 2016.On this episode of The Medium Rules, Sean and Andy walk us through the various players in the podcast ecosystem, from the players to the hosting companies to the producers/creators to the brands and to the analytics companies in between. We talk about some of the newer entrants, such as Luminary, and we also discuss the current M&A environment, what the future might bring, and who will be the winners and the losers going forward.We hope you tune in, listen and watch this chatty and informative episode with Sean & Andy. Hosted on Acast. See acast.com/privacy for more information.

In today's Product Spotlight episode we're going to talk about Podsights, an analytics tool that helps marketers evaluate their return on investment in the fastest growing channel which is podcast advertising. Joining us is Sean Creeley, the Founder of Podsights. Show NotesConnect With: Sean Creeley - Website // LinkedIn // TwitterThe MarTech Podcast: Email // Newsletter // TwitterBenjamin Shapiro: Website // LinkedIn // TwitterSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In today's Product Spotlight episode we're going to talk about Podsights, an analytics tool that helps marketers evaluate their return on investment in the fastest growing channel which is podcast advertising. Joining us is Sean Creeley, the Founder of Podsights. Show NotesConnect With: Sean Creeley - Website // LinkedIn // TwitterThe MarTech Podcast: Email // Newsletter // TwitterBenjamin Shapiro: Website // LinkedIn // Twitter

The day after New Orleans Poetry Fest we sat down with poets Joseph Lease and Mark Statman and had a wonderfully sprawling conversation about poetry. Some topics include: the poetry scene in the '80s, "words you can't use in poems, Creeley. Koch, & Ginsberg, how Joseph "used to be a hard critic but he softened up," reading Beats in teh time of L=A=N=G=U=A=G=E, and Joseph and Mark read some of their incredible poems.

This installment features interviews with Columbia University President and first amendment lawyer Lee Bollinger, and Will Creeley, the Foundation for Individual Rights in Education’s (FIRE) Director of Legal and Public Advocacy. Counterspeak is a free speech podcast hosted by Sydney Jarrard, ABA's Content Director; Dave Grogan, ABA's Director of ABFE, Advocacy and Public Policy; and Maria Peroni, ABA's Advocacy and Public Policy Coordinator. The views expressed in this podcast are not necessarily that of the American Booksellers Association or the American Booksellers for Free Expression.

Mr. Tristan Creeley - Mr. C - is a taekwondo martial arts instructor, competitor, filmmaker & artist from Maine. Mr. Tristan Creeley - Episode 188 It won't work to have a positive state of mind.I can easily not have that kind of mind so I would say believe in yourself, cultivate that confidence has surround you with positive people and build resilience. Mr. Tristan Creeley and I go back - way back. As teenagers growing up in Maine we were at the same tournaments, knew the same people, and I even competed against his brother a few times. I wouldn't say we were friends because we didn't know each other well, but I respected him a great deal. Now with whistlekick I am again traveling to tournaments and seeing people I haven't seen in 20 years. Shortly after founding whistlekick, Mr. Creeley moved back to Maine and started showing up again at tournaments. Most impressive to me was that he refused to accept any physical limitations of age - he was constantly pushing his body and his technique, refining his form and adding new elements. It was a joy to watch him, whether it was his forms or his fighting. Now he's on the show, and we're having the longest conversation we've ever had. Enjoy. For this episode, we want you to be aware of our return policy - did you know we don't have a restocking fee? Or silly maximums on time for returns? We give you a month to check out what we send you. If you don't like it, so long as it's not damaged or heavily used, we'll take it back. But let's be honest... you won't send our stuff back.

Welcome to conversation and poetry with Martha Deed, who has been writing ever since she could hold a crayon or pencil. Academically, she started off in history, completed her B.A. in Psychology at the New School for Social Research in Greenwich Village (New York City) when the village was teaming with poets ? Ashbery, Creeley, Ginsberg, Dylan Thomas and others ? who were meeting in places where she did not dare to go and consuming liquids and other substances she wished to avoid. Next stop: Boston University where she earned her PhD and launched her career as a psychologist. She studied one building away from the famous Robert Lowell seminar that included Anne Sexton, Maxine Kumin and others. But she was unaware of them. For the next 30 years, she combined writing with her career as a psychologist, retiring early in 2000 to write full time. Since then, she has published four books (one as editor), several chapbooks and dozens of poems. Two Pushcart nominations and winner of the Ice Boom contest. She has read at many Buffalo area venues as well as in Rochester and Albany, NY and Wilkes-Barre, PA.

Welcome to conversation and poetry with Martha Deed, who has been writing ever since she could hold a crayon or pencil. Academically, she started off in history, completed her B.A. in Psychology at the New School for Social Research in Greenwich Village (New York City) when the village was teaming with poets ? Ashbery, Creeley, Ginsberg, Dylan Thomas and others ? who were meeting in places where she did not dare to go and consuming liquids and other substances she wished to avoid. Next stop: Boston University where she earned her PhD and launched her career as a psychologist. She studied one building away from the famous Robert Lowell seminar that included Anne Sexton, Maxine Kumin and others. But she was unaware of them. For the next 30 years, she combined writing with her career as a psychologist, retiring early in 2000 to write full time. Since then, she has published four books (one as editor), several chapbooks and dozens of poems. Two Pushcart nominations and winner of the Ice Boom contest. She has read at many Buffalo area venues as well as in Rochester and Albany, NY and Wilkes-Barre, PA.

Featuring Kyger, Creeley, and Hewlett in casual conversation, this is an excerpt of a longer discussion. Hosted by Amaris Cuchanski.

Robert Creeley: "For Love" Silence: "Sale" Wacky Southern Currents: "Ageless Calm in Times of War" T.S. Eliot: "The Love Song of J. Alfred Prufrock"> Various tracks by Macroform Taken By Trees: "Watch The Waves (Memory Tapes Version)" & "To Lose Someone" Lamar Murphy: "...Do We Have to Stop Being Friends?" Choir of Young Believers: "Next Summer" Subscribe to my YouTube channel: transpondency Subscribe to transpondency.blip.tv Follow me on twitter & seesmic email: suburban@transpondency.com Call my voicemail: 1 (716) 402-1462  

Creeley conversation