Podcast appearances and mentions of hans leo hassler

The Third Sunday of Easter ORISON: Christians to the Paschal victim (Tune: VICTIMAE PASCHALI LAUDES) – Plainsong, Mode I; melody att. Wigbert (d. 1050?) and Christ the Lord is risen again (Tune: CHRIST IST ERSTANDEN) – mel. from Geistliche Lieder, 1533; harm. Hans Leo Hassler (1564-1612) PSALM 33:1-11 – Peter R. Hallock (1924-2014) HYMN: Lift […]

The Fourth Sunday of Easter ORISON: The Lord is my Shepherd – Bobby McFerrin (b. 1950) PSALM 23 (Setting I) – Peter R. Hallock (1924-2014) HYMN: Victimae Paschali laudes – Plainsong, Mode I; melody att. Wigbert (d. 1050?) and Christ the Lord is risen again (Tune: CHRIST IST ERSTANDEN) – harm. Hans Leo Hassler (1564-1612) […]

And the Bells are back! As are the Alleluias of course. Here's the music listened to with Nick and Tim on this week's episode of the Liturgical Looking Glass 1. Alleluia from Mozart's Exsultate Jubilate sung by Anna Moffo (1958 recording) 2. The Introit for this Sunday Sung by Stefan Ansinger O.P. & Alexandre Frezzato O.P. 3. Hans Leo Hassler: "Christ Ist Erstanden" • mixed choir, a cappella 4. J.S. Bach: Christ ist erstanden, BWV 627 · Simon Preston 5. Traditionnel: Dimanche de Quasimodo - Communion: Mitte manum tuam · Choeur des moines de l'Abbaye de Solesmes · Dom Joseph Gajard 6. James MacMillan's Strathclyde Motet sung by The Sixteen with Harry Christophers from the album Bright Orb of Harmony 7. William Byrd's setting of the Ave Maria, with an appended Alleluia from Stile Antico 8. Vivaldi's Credo, the movement Et Incarnatus est, from the album Gloria, performed by Estonian Philharmonic Chamber Choir · Tallinn Chamber Orchestra 9. Hallelujah Chorus from Handel's Messiah 10. Regina Caeli from the Nuns of St Cecilia's Abbey

Today  Redeemer City Church leads us in worship remembering Christ's sacrifice. How Deep the Father's Love Stuart Townend Jesus Paid it All Alex Nifong, Elvina M. Hall, John Thomas Grape Hallelujah What A Saviour Philip Paul Bliss O Sacred Head Now Wounded Bernard of Clairvaux, Hans Leo Hassler, James Waddell Alexander, Paulus Gerhardt CCLI License # 1809338

Sunday Worship for October 29, 2023, from Queen Anne Lutheran Church in Seattle, our 10:30 service—Pastor Dan Peterson; Cantor Kyle Haugen; Morris Northcutt, trumpet. Prelude—Chorale preludes on EIN FESTE BURG IST UNSER GOTT (“A Mighty Fortress Is Our God,” ELW 504); Dietrich Buxtehude (1637–1707); Johann Gottfried Walther (1684–1748) • “The Majesty” from Twelve Heroic Marches, Georg Philipp Telemann (1681–1767)  •  Processional Hymn—The Church's One Foundation, ELW 654 • Children's Message, Pastor Peterson • First Reading—Jeremiah 31:31-34 • Psalmody—Psalm 46 • Second Reading—Romans 3:19-28  • Gospel—John 8:31-36 • Sermon—Pastor Dan Peterson, "What Is Worship" • Hymn of the Day—Lord, Keep Us Steadfast in Your Word, ELW 517 • Distribution Anthem—Here Am I, Hans Leo Hassler (1564–1612), arr. Mark Schweizer (1956–2019) • Sending Hymn—A Mighty Fortress • Postlude—Praeludium in G, Nicolaus Bruhns (1665–1697) ⁠⁠Link here to view the bulletin.⁠⁠ Enjoying our worship recordings? Consider giving a gift to our church; ⁠⁠go to this link.

Tale i Stallen søndag 10. september av Svein Ravndal Thorkildsen. Flygel og gitar: Øyvind Sundberg og Thomas Ruud (melodi: Hans Leo Hassler som levde fra 1564 til 1612).

Un día como hoy, 8 de junio: Nace: 1671: Tomaso Albinoni, compositor italiano (f. 1751). 1810: Robert Schumann, compositor clásico alemán (f. 1856). 1867: Frank Lloyd Wright, arquitecto estadounidense. 1903: Marguerite Yourcenar, escritora y traductora francesa (f. 1987). Fallece: 1612: Hans Leo Hassler, compositor alemán (n. 1562). 1876: George Sand, escritora francesa (n. 1804). 1993: Severo Sarduy, escritor cubano (n. 1937). Conducido por Joel Almaguer. Una producción de Sala Prisma Podcast. 2023

Bachs Goldberg-Variationen sind nicht vom Himmel gefallen. Rund 150 Jahre vorher gab es bereits einen großen Clavier-Zyklus, der wie ein rätselhafter Monolith aus der Musik des Frühbarocks herausragt: Hans Leo Hasslers Variationen über "Ich gieng einmal spatieren".

Please enjoy this musical gift from our Live In-Person Solemn Evensong from Sunday, May 22. To learn more about All Saints' Episcopal Church, visit our website: www.asecfw.orgVisiting us online? We'd love to connect with you more personally. Please fill out our online visitor's card, and we'll be in touch soon: https://www.asecfw.org/visitorcard

When everything we find our identity in is taken away, Jesus promises to bring about a new creation where he is all in all. The End of Your World — Twenty-fifth Sunday after Pentecost, November 14, 2021: https://saintjamesglencarbon.org/2021-twenty-fifth-sunday-after-pentecost Order of service: https://saintjamesglencarbon.org/wp-content/uploads/st-james-20211114-order-of-service.pdf Psalm 16 Daniel 12:1–3 Hebrews 10:11–25 Mark 13:1–13 Hymns: - The Lord's My Shepherd, I'll Not Want: Stuart Townend | © 1996 Thankyou Music (Admin. by Capitol CMG Publishing); Getty Music Hymns and Songs (Admin. by Music Services, Inc.); used with permission, CCLI license # 20286740. - 10,000 Reasons: Text and tune by Jonas Myrin & Matt Redman, © sixsteps Music; © Said & Done; © 2011 Thankyou Music; used with permission, CCLI license # 20286740. - Speak O Lord: Text and tune by Keith Getty and Stuart Townend; © 2005 Thankyou Music; used with permission, CCLI license # 20286740. - O Sacred Head, Now Wounded: Text: German version, Paul Gerhardt; tr. Bernard of Clairvaux, © 1941 Concordia Publishing House, used with permission, LSB Hymn License no. 110001220; tune: Hans Leo Hassler, public domain. - My Song Is Love Unknown: Text by Samuel Crossman, public domain; tune by John N. Ireland, © John Ireland Trust, used with permission, CCLI license # 20286740. - Christ the Eternal Lord: Text: Timothy Dudley-Smith, © 1999 Hope Publishing Co, used with permission, LSB Hymn License no. 110001220; tune: George J. Elvey, public domain.

In der zehnten Episode führen unsere Ermittlungen direkt ins Epizentrum der klassischen Musik, zu Bach, dem „Anfang und Ende aller Musik” wie Max Reger versicherte. Beethoven sprach von einem „unendlichen, unerschöpflichen Reichtum an Tonkombinationen und Harmonien” und schlug vor: „Nicht Bach, sondern Meer soll er heißen!” Wie kommt es dann, dass die Melodie eines seiner bekanntesten Choräle „O Haupt voll Blut und Wunden” gar nicht von ihm stammt, ja dass dieses so bekannte Passionslied einst ein Liebeslied war, dessen Melodie ein Musikautomatenerfinder aus Nürnberg komponiert hat? Gleich fünfmal taucht diese Melodie in Bachs Matthäuspassion auf, zweimal in seinem Weihnachtsoratorium, immer wieder neu, immer wieder anders. Bei den Ermittlungen mit dabei unser Experte, Hansjörg Albrecht, künstlerischer Leiter des Münchener Bach-Chores und Bach-Orchesters, Organist und Cembalist. Er gilt als „musikalischer Grenzgänger ohne Berührungsängste”, beherrscht „Die Kunst der Orgeltranskription“ und ist vor allem ein versierter Bachkenner. Ein Podcast von CRESCENDO in Kooperation mit der Deutschen Welle.

15th-21st Centuries We hear works by Gilles Binchois, Robert Fayrfax, Hans Leo Hassler, Jacques Champion de Chambonnières, Jacques-Martin Hotteterre, Étienne-Nicolas Méhul, Jan Crisóstomo Arriaga, Henri Duparc, Cornelius Cardew, and Mark Simpson. 142 Minutes – Weeks of June 21 and 28, 2021

Het Griekse woord ‘orchèstra’ betekent eigenlijk ‘dansvloer’ waarnaast het ‘orkest’ plaatsneemt. In dit woord zit al de verbondenheid => orkest – dansvloer, tussen muziek en dans. En je zal het snel merken, deze uitzending van Klassiekuur is een ‘dansante’ uitzending. Gebracht door verschillende componisten als: Hans Leo Hassler, Astor Piazolla, Jan Blockx,Josef Lanner, Duke Ellington, […]

Un día como hoy, 8 de junio: Nace: 1671: Tomaso Albinoni, compositor italiano (f. 1751). 1810: Robert Schumann, compositor clásico alemán (f. 1856). 1867: Frank Lloyd Wright, arquitecto estadounidense. 1903: Marguerite Yourcenar, escritora y traductora francesa (f. 1987). Fallece: 1612: Hans Leo Hassler, compositor alemán (n. 1562). 1876: George Sand, escritora francesa (n. 1804). 1993: Severo Sarduy, escritor cubano (n. 1937). Una producción de Sala Prisma Podcast. 2021

Easter Day ORISON: This joyful Eastertide (Tune: Vreuchten) – mel. from Psalmen, 1685; harm. Charles Wood (1866-1926) PSALM 114 – Plainsong, Tonus peregrinus HYMN: Christians to the Paschal victim (Tune: Victimae Paschali laudes) – Plainsong, Mode I; melody att. Wigbert (d. 1050?) and Christ the Lord is risen again (Tune: Christ ist erstanden) – mel. from Geistliche Lieder, 1533; harm. Hans Leo Hassler (1564-1612) NUNC DIMITTIS: Plainsong setting, Tonus peregrinus; […]

Readings and sermon were delivered by Pastor Aaron Mueller. Good Friday, April 2, 2021: https://saintjamesglencarbon.org/2021-good-friday Order of service: https://saintjamesglencarbon.org/wp-content/uploads/st-james-20210402-order-of-service.pdf Isaiah 52:7—53:12 John 18:1–11, 12–24, 25–32, 33–40; 19:1–16a, 16b–30, 31–42 Hymns: - The Power of the Cross: Text and tune by Keith Getty and Stuart Townend, © 2005 Thankyou Music; used with permission, CCLI license # 20286740. - Lamb of God: Text and tune by Twila Paris, © 1985 Straightway Music, admin. EMI; used with permission, CCLI license # 20286740. - O Sacred Head, Now Wounded: Text by Bernard of Clairvaux, 1091-1153 and Paul Gerhardt, 1607-76, Tr. © 1941 Concordia Publishing House; tune by Hans Leo Hassler, 1564-1612; text and tune are in the public domain.

As we all know, it’s safe for three people to sing hymns in church, but any more than three is absolutely deadly. Those are the rules as set down by the Church of England, and as a result no one in Anglican services (or Catholic ones) will hear the glorious Good Friday Hymn 'O Sacred Head’ tomorrow in the four-part harmony it requires. But if you stick on a CD of Bach’s St Matthew Passion, you'll hear four separate harmonisations of perhaps the most haunting hymn tune ever written. The Cantor of St Thomas’s Leipzig was obsessed with this tune, originally a popular song with excruciating lyrics by the composer Hans Leo Hassler. Bach’s older contemporary Dietrich Buxtehude had fun with it, as did Paul Simon – enchantingly, in his 1974 song ‘America’. This episode of Holy Smoke tells the story of the piece, and reveals some of the miraculous things Bach did with it in his other settings. He has a way of dive-bombing a movement with it that can make you jump out of your seat the first time you hear it. Or, in the case of its guest appearance in the Christmas Oratorio, dance round the room. I hope you enjoy this episode. But be warned: you’ll also hear the podcast host attempting to perform one of Bach’s chorale preludes on the piano in his bedroom. Fortunately it only lasts two minutes, so you just have time to nip out and make a cup of tea. 

TThe Rev. Dr. Robert Allan Hill, Dean of Marsh Chapel, preaches a sermon entitled “Echoes of Faith.” The remainder of the recording is a re-broadcast from previous services. The Marsh Chapel Choir sings “Dixit Maria” by Hans Leo Hassler and “O Maria, vernans rosa” by Jacobus Clemens non Papa, along with service music and hymns.

Yule – Part I This week we hear anonymous works and works by Leonel Power, Josquin des Prez, Hans Leo Hassler, Heinrich Biber, Johann Sebastian Bach, Louis-Claude d’Acquin, Francesco Durante, Karol Szymanowski, Olivier Messiaen, Arvo Pärt, Sir John Tavener, and Sir James MacMillan. 174 Minutes – Week of November 30, 2020

La Chapelle Royale'i Euroopa vokaalansamblit juhatab Philippe Herreweghe. Kõlavad Hans Leo Hassleri (1562-1612) missa ja "Vater unser", Leonhard Lechneri (15531606) "Si bona suscepimus".

La Chapelle Royale'i Euroopa vokaalansamblit juhatab Philippe Herreweghe. Kõlavad Hans Leo Hassleri (1562-1612) missa ja "Vater unser", Leonhard Lechneri (15531606) "Si bona suscepimus".

Renaissance Music This week we hear works by Antoine Busnois, Heinrich Isaac, Clément Janequin, John Taverner, Jacques Buus, Antonio de Cabezón, Giovanni Pierluigi da Palestrina, Orlande de Lassus, Claudio Merulo, Jan Pieterszoon Sweelinck, John Dowland, Manuel Cardoso, Hans Leo Hassler, John Wilbye, Johann Kapsberger, and Adam Jarzębski. 174 Minutes – Week of August 17, 2020

The First Sunday after the Epiphany: The Baptism of Jesus ORISON: ‘I come,' the great Redeemer cries (Tune: This Endris Nyght) – English melody; harm. Ralph Vaughan Williams (1872-1958) and Martin Fallas Shaw (1875-1958) PSALM 29: Peter R. Hallock (1924–2014) HYMN: When Christ's appearing was made known (Tune: Erhalt uns, Herr) – melody from Geistliche Lieder, 1543; harm. Hans Leo Hassler (1564-1612), alt. NUNC […]

Kerstmuziek van Schütz, Sweelinck, Poulenc, Gabrieli, en Messiaen. Geen sneeuwval, denneboom, arresleebellen of glühwein, ook mooi op welke andere dag van het jaar ook. Met muziek van Hans Leo Hassler, Olivier Messiaen, Giovanni Gabrieli, Heinrich Schütz, Francis Poulenc, Jan Pieterszoon Sweelinck.

Easter Day PROCESSIONAL: Easter Canticle – Peter R. Hallock (1924–2014) PSALM 114 – Plainsong setting, Tonus peregrinus HYMN: Christians to the Paschal victim (Tune: Victimae Paschali laudes) – Plainsong, Mode I; melody att. Wigbert (d. 1050?) and Christ the Lord is risen again (Tune: Christ ist erstanden) – mel. from Geistliche Lieder, 1533; harm. Hans Leo Hassler (1564-1612) NUNC DIMITTIS: Plainsong, Tonus peregrinus; harm. William Byrd […]

April 14, 2019 • The Sunday of the Passion: Palm Sunday ORISON: ‘Vexilla regis prodeunt' from Via Crucis – Franz Liszt (1811-1886) HYMN: O sacred head, sore wounded (Tune: Herzlich tut mich verlangen) – Hans Leo Hassler (1564-1612); adapt. and harm. Johann Sebastian Bach (1685-1750) PSALM 22:1-11 – Plainsong, Tone IV.1 NUNC DIMITTIS: Plainsong setting, Tone III.6 ANTHEM: Lamentations of Jeremiah (Setting […]

The Rev. Dr. Robert Allan Hill preaches a sermon entitled "Simply Christmas". The Marsh Chapel Choir sings “Dixit Maria” by Hans Leo Hassler and “Alma Redemptoris Mater” by G.P. da Palestrina along with service music and hymns.

The Rev. Dr. Robert Allan Hill preaches a sermon entitled "Simply Christmas". The Marsh Chapel Choir sings “Dixit Maria” by Hans Leo Hassler and “Alma Redemptoris Mater” by G.P. da Palestrina along with service music and hymns.

The Rev. Laura Merrill, Assistant to the Biship for Clergy Excellence, from the Rio Texas Conference, UMC, preaches a guest sermon entitled, "Have You Not Known?" as part of the Marsh Chapel Summer Preaching Series. The Marsh Chapel Choir sings "Tu es Petrus" by Hans Leo Hassler and "Laetentur coeli" by Hans Leo Hessler along with service music and hymns.

The Rev. Laura Merrill, Assistant to the Biship for Clergy Excellence, from the Rio Texas Conference, UMC, preaches a guest sermon entitled, "Have You Not Known?" as part of the Marsh Chapel Summer Preaching Series. The Marsh Chapel Choir sings "Tu es Petrus" by Hans Leo Hassler and "Laetentur coeli" by Hans Leo Hessler along with service music and hymns.

Br. Lawrence A. Whitney, LC+, University Chaplain for Community Life, preaches a sermon entitled "The Gospel According to Elmo". The Marsh Chapel Choir sings "If ye love me" by Thomas Tallis and "Veni sancte Spiritus" by Hans Leo Hassler, along with service music and hymns.

Br. Lawrence A. Whitney, LC+, University Chaplain for Community Life, preaches a sermon entitled "The Gospel According to Elmo". The Marsh Chapel Choir sings "If ye love me" by Thomas Tallis and "Veni sancte Spiritus" by Hans Leo Hassler, along with service music and hymns.

Rev. Dr. Robert Allan Hill preaches a sermon entitled "Born to Give Us Second Birth". The Marsh Chapel Choir sings "I look from afar" adapted from G.P. da Palestrina and "Dixit Maria" by Hans Leo Hassler along with service music and hymns.

Rev. Dr. Robert Allan Hill preaches a sermon entitled "Born to Give Us Second Birth". The Marsh Chapel Choir sings "I look from afar" adapted from G.P. da Palestrina and "Dixit Maria" by Hans Leo Hassler along with service music and hymns.

Rev. Dr. Robert Allan Hill preaches a sermon entitled "Learning Together". The Marsh Chapel Choir sings "Cantate Domino" by Hans Leo Hassler and "O salutaris Hostia" by Gioachino Rossini along with service music and hymns.

Rev. Dr. Robert Allan Hill preaches a sermon entitled "Learning Together". The Marsh Chapel Choir sings "Cantate Domino" by Hans Leo Hassler and "O salutaris Hostia" by Gioachino Rossini along with service music and hymns.

Deutscher Komponist und Uhrmacher (1564-1612)

The Rev. Dr. Robert Allan Hill preaches a sermon entitled "Grace upon Grace". The Marsh Chapel Choir sings "Dixit Maria" by Hans Leo Hassler and "The Lamb has come for us from the House of David" by James MacMillan along with service music and hymns.

The Rev. Dr. Robert Allan Hill preaches a sermon entitled "Grace upon Grace". The Marsh Chapel Choir sings "Dixit Maria" by Hans Leo Hassler and "The Lamb has come for us from the House of David" by James MacMillan along with service music and hymns.

The Rev. Dr. Robert Allan Hill preaches a sermon entitled "Let Love Be Genuine". The Marsh Chapel Choir sings "Give almes of thy goods" by Christopher Tye and "Cantate Domino" by Hans Leo Hassler along with service music and hymns.

The Rev. Dr. Robert Allan Hill preaches a sermon entitled "Let Love Be Genuine". The Marsh Chapel Choir sings "Give almes of thy goods" by Christopher Tye and "Cantate Domino" by Hans Leo Hassler along with service music and hymns.

The Reverend Doctor Robert Allan Hill preaches a sermon entitled "All of Us are Better When We are Loved". The Marsh Chapel Choir sings "Genitori genitoque" by Tomas Luis de Victoria and "Cantante Domino" by Hans Leo Hassler along with service music and hymns.

The Reverend Doctor Robert Allan Hill preaches a sermon entitled "All of Us are Better When We are Loved". The Marsh Chapel Choir sings "Genitori genitoque" by Tomas Luis de Victoria and "Cantante Domino" by Hans Leo Hassler along with service music and hymns.

The Reverend Doctor Robert Allan Hill preaches a sermon entitled "All of Us are Better When We are Loved". The Marsh Chapel Choir sings "Genitori genitoque" by Tomas Luis de Victoria and "Cantante Domino" by Hans Leo Hassler along with service music and hymns.

The Reverend Doctor Robert Allan Hill preaches a sermon entitled "All of Us are Better When We are Loved". The Marsh Chapel Choir sings "Genitori genitoque" by Tomas Luis de Victoria and "Cantante Domino" by Hans Leo Hassler along with service music and hymns.

The Rev. Dr. Rodney L. Petersen preaches a sermon entitled "A Discerning Heart." The Marsh Chapel Choir sings "Cantate Domino" by Hans Leo Hassler and "Lobe den Herren" by Hugo Distler along with service music and hymns.

The Rev. Dr. Rodney L. Petersen preaches a sermon entitled "A Discerning Heart." The Marsh Chapel Choir sings "Cantate Domino" by Hans Leo Hassler and "Lobe den Herren" by Hugo Distler along with service music and hymns.

The Rev. Dr. Rodney L. Petersen preaches a sermon entitled "A Discerning Heart." The Marsh Chapel Choir sings "Cantate Domino" by Hans Leo Hassler and "Lobe den Herren" by Hugo Distler along with service music and hymns.

The Rev. Dr. Rodney L. Petersen preaches a sermon entitled "A Discerning Heart." The Marsh Chapel Choir sings "Cantate Domino" by Hans Leo Hassler and "Lobe den Herren" by Hugo Distler along with service music and hymns.