Podcast appearances and mentions of Charles Wood

Dr. Claudia Kramer didn't find economics - economics found her.  In this episode, she shares how from a very young age she began questioning the wealth disparity between West Virginia and Ohio. We also discuss how at the age of 14 she planned to be co-valedictorian with her best friend and why her goal is to make economics more fun for her students. Dr. Claudia Kramer is the Scott L. Probasco Jr. Distinguished Chair of Free Enterprise, Professor of Economics, and Director of the Center for Economic Education at UTC, and Editor for the Journal of Institutional Economics. You can connect with her on LinkedIn, linkedin.com/in/claudia-williamson-kramer-07260012 If you like this episode, we think you'll also like: Charles Wood's Morning Cup (E55) Bridgett Massengill's Morning Cup (E80) Dave Kinzler's Morning Cup (E102) My Morning Cup is hosted by Mike Costa of Costa Media Advisors and produced by SpeakEasy Productions.  Subscribe to the weekly newsletter here and be the first to know who upcoming guests are!

This episode features violinist Madeleine Mitchell introducing the return of the Red Violin Festival in Leeds, her connection with Yehudi Menuhin, and the career-long fascination with composer Herbert Howells whose In Gloucestershire Quartet forms part of a new release of recordings on the SOMM label of rarely heard works by the English composer. The Red Violin Festival runs from 14th to 19th October 2014. Madeleine Mitchell and the London Chamber Ensemble's recordings of works by Howells and Charles Wood is released on Friday 18 October.

Rita Tushingham burst onto the film scene with her debut role in A Taste Of Honey and established herself as an iconic face of the British New Wave. Ian is joined by film historian Melanie Williams to review three of her early roles. A Taste Of Honey (1961). Directed by Tony Richardson. Written by Shelagh Delaney. Starring Rita Tushingham, Dora Bryan, Robert Stephens, Murray Melvin and Paul Danquah. Girl With Green Eyes (1964). Directed by Desmond Davis. Written by Edna O'Brien. Starring Rita Tushingham, Peter Finch and Lynn Redgrave. The Knack...and How To Get It (1965). Directed by Richard Lester. Written by Charles Wood from the play by Ann Jellicoe. Starring Rita Tushingham, Michael Crawford, Ray Brooks and Donal DonnellyMelanie Williams is Professor of Film and Television Studies at the University of East Anglia. A historian of British cinema, her recent books include a BFI Film Classic on A Taste of Honey (2023), Transformation and Tradition in 1960s British Cinema (with Richard Farmer, Laura Mayne and Duncan Petrie, 2019), and Female Stars of British Cinema: The Women in Question (2017). She is currently writing a book about the British filmmaker Muriel Box.

The Third Sunday of Easter ORISON: This joyful Eastertide (Tune: VRUECHTEN) – mel. from Psalmen, 1685; harm. Charles Wood (1866-1926) PSALMS 134 & 4 – Peter R. Hallock (1924-2014) HYMN: Lift your voice rejoicing, Mary (Tune: FISK OF GLOUCESTER) – Thomas Foster (1938-2024) NUNC DIMITTIS – Plainsong, Tone I; harm. Thomas Morley (1557-1602) ANTHEM: Regina caeli […]

Charles Wood is a self-proclaimed “class clown” turned salesman. Despite an unstable childhood, he's built a solid career in Economic Development.    In this episode, we discuss how backpacking through Central America changed his perspective on life and his pit stops in Mobile, College Station, and Pensacola before arriving in Chattanooga 12 years ago. Plus, how he's steering the Chamber towards Economic Development by inviting the right people to the right rooms.   Charles is the President and CEO of the Chattanooga Area Chamber of Commerce. You can connect with him on LinkedIn here.   My Morning Cup is hosted by Mike Costa of Costa Media Advisors and produced by SpeakEasy Productions. Subscribe to our new weekly newsletter here.   If you liked this episode, we think you'll also like: Leslie Gower's Morning Cup (E02) Ron Harr's Morning Cup (E17) Jim Kennedy's Morning Cup (E37)

LibriVox selection of traditional Christmas carols, hymns and songs in English, French, German, Greek, Italian and Ukrainian. We wish you all a happy and peaceful Christmas.English:All Children are on Christmas Eve - Words & Music: Rev. Charles L. Hutchins (1838-1920).Angels from the Realms of Glory - Words: James Montgomery (1771-1854); Music: Henry T. Smart (1813-1879).Angels We Have Heard on High - Words: French Carol, trans. James Chadwick (1813-1882). Music: 'Gloria' French carol melody.The Babe of Bethlehem - Old Kentish carol, arr. Henry R. Bramley (1833-1917) & John Stainer (1840-1901).The First Nowell - traditional English carol, first published in its current form in Carols Ancient and Modern (1823) edited by William Sandys.Good King Wenceslas - Words: John Mason Neale (1818-1866). Music: from Piae Cantiones (1582) arr. Henry R. Bramley (1833-1917) & John Stainer (1840-1901).Hark! The Herald Angels Sing - Words: Charles Wesley (1707-1788) Music: Felix Mendelssohn (1809-1847), arr. William H. Cummings (1831-1915).The Holly and the Ivy - Words: Traditional. Music: Traditional, arr. Henry R. Bramley (1833-1917) & John Stainer (1840-1901).I Heard the Bells on Christmas Day - Words: Henry Wadsworth Longfellow (1807-1882) Music: John B. Calkin (1827-1905).In Little Bethlehem - Words: Katherine Parker; Music: George W. Wilmot. In Beginner and Primary Songs for use in Sunday School and the Home.In the Bleak Midwinter - Words: Christina Rossetti (1830 - 1894); Music: Gustav Holst (1874 - 1934).Joy to the World - Words: Words: Isaac Watts (1674 - 1748); Music: 'Antioch' pieced together from 'Messiah' by George F. Handel (1685 - 1759) arr. Lowell Mason (1792-1872).Lo, How a Rose E'er Blooming - Words: Words: v. 1-2, 15th Century German, trans. Theodore Baker ( 1851–1934); v. 3,4 Fridrich Layriz (1808-1859), trans. Harriet Reynolds Krauth (1845-1925); v. 5, 15th Century German, trans. John C. Mattes(1876-1948). Music: 'Es Ist Ein Ros Entsprungen (Rhythmic)' German from Köln, 1599, arr. Michael Praetorius (1571-1621).Masters in this Hall, or, Nowell, Sing We Clear - Words: William Morris (1834-1896); Music: French Traditional.O Come, O Come, Emmanuel - Words: translated from the Latin by John Mason Neale (1818-1866). Music: 'Veni Emmanuel', 15th Century.Rise Up, Shepherd an' Foller - Words & Music: American Traditional arr. Franklin Robinson.Sweet Was the Song the Virgin Sung - From William Ballet's Lute Book c.1600. Music: arr. Dr. Charles Wood (1866–1926).Wassail! Wassail All Over the Town! (Gloucestershire Wassail) - Words & Music: English Traditional.We Three Kings of Orient Are - Words & Music: Rev. John Henry Hopkins, Jr. D.D. (1821-1891).What Child is This? - Words: William Chatterton Dix (1837-1898). Music: English Traditional.français (French):.Dans cette étable - Words: French Traditional; Music: Charles Gounod (1818-1893).Deutsch (German):.Es kommt ein Schiff geladen - Words: Daniel Sudermann (1550 - 1631?); Music: first published in Andernacher Gesangbuch 1608.ελληνικά (Greek):.I Parthenos Simeron (Η Παρθένος Σήμερον) or Today the Virgin - Words and music: St. Romanos the Melodist (5th Century).italiano (Italian):.Canzone di Natale - Music: Arranged by Alberto Bimboni.українська мова (Ukrainian):.Коляда (Kolyada) - Words and music: Traditional Ukrainian..Про різдво Христове... (Prorizdvo Khrystove) - Words and music: Traditional Ukrainian. --- Support this podcast: https://podcasters.spotify.com/pod/show/librivox1/support

A conversation between Magnus and authors and photographers Charles Wood and José Gabriel Martínez-Fonseca about their book "Nocturnalia: Nature in the Western Night."Some good links for more:Charles Hood: Wild Sonoma A Salad Only the Devil Would EatJosé Gabriel Martínez-Fonseca:Sea Turtles to SidewindersPhotography by JoséHeyday BooksSupport the show_________________________________________________This podcast is a production of the Henry Miller Memorial LibraryBig Sur, CAFaceBookInstagramLet us know what you think!SEND US AN EMAIL!

The mission of the Chattanooga Area Chamber of Commerce is to "Champion our member businesses and promote regional economic growth." I sat down with CEO Charles Wood to talk about how the Chamber accomplishes this mission and what healthy economic growth might look like for Chattanooga. Find out more about the Chamber at https://chattanoogachamber.com/ You can sign up for the Chattanooga Civics Newsletter at buttondown.email/ChattanoogaCivics For more civic resources visit ChattanoogaCivics.com To support the show go to patreon.com/ChattCivics Chattanooga Civics is a member of the PodNooga Network. To find more great podcasts from local creators, find Podnooga on facebook and instagram or on the web at podnooganetwork.com Music credits: Loopster by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4991-loopster License: http://creativecommons.org/licenses/by/4.0/ Funk Game Loop by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/3787-funk-game-loop License: http://creativecommons.org/licenses/by/4.0/

In this episode, Charles Wood and Ethan Power join Derrick Teagle and David St. John to discuss all things Coweta County sports, including the best softball players, the best fan culture, football recaps from last weekend, and "picks to click" for the upcoming matchups. https://www.85southsports.com/https://www.asktheinsurancelady.com/

Expanding our global electricity networks is key to unlocking a renewable future. But, traditional grids need to adapt too. They don't just need to be bigger; they need to be smarter and more efficient.  Much of the equipment on the electric grid was built decades ago and needs to be upgraded. Our energy infrastructure was designed for a world in which electricity flowed in one direction – from the grid to people. Now, with homes and businesses increasingly supplying energy themselves, we have a grid with two-way flows of electricity, multiple different energy sources that need to be coordinated, and high voltage power from renewable plants, like offshore wind farms. Digital technologies are the key to handling this complexity.  But, what do the grids of the future look like in practice? What are the evolving technologies that will enable the grids to be more resilient and robust than they are at present? How can data and digitisation help us to make smarter, more efficient energy decisions?  In this episode, our host Kamal Ahmed is joined by Marta Solaz, Head of Grid Operations at Scottish Power Networks; Charles Wood, Deputy Director of Energy UK; and, Rob Gramlich, Founder and President of Grid Strategies LLC for a discussion about innovation in the grid: the progress that has been made – and what more needs to be done.  For more information please visit iberdrola.com — We'd love to hear your feedback and what you think we should talk about next, who we should have on and what our future debates should be about. Send us an email or voice note with your thoughts to podcasts@intelligencesquared.com.  At Intelligence Squared we've got our own online streaming platform, Intelligence Squared+ and we'd love you to give it a go. It's packed with more than 20 years' worth of video debates and conversations on the world's most important topics as well as exclusive podcast content. Tune in to live events, ask your questions or watch on-demand, totally ad-free with hours of discussion to dive into. Visit intelligencesquaredplus.com to start watching today Learn more about your ad choices. Visit podcastchoices.com/adchoices

Expanding our global electricity networks is key to unlocking a renewable future. But, traditional grids need to adapt too. They don't just need to be bigger; they need to be smarter and more efficient.  Much of the equipment on the electric grid was built decades ago and needs to be upgraded. Our energy infrastructure was designed for a world in which electricity flowed in one direction – from the grid to people. Now, with homes and businesses increasingly supplying energy themselves, we have a grid with two-way flows of electricity, multiple different energy sources that need to be coordinated, and high voltage power from renewable plants, like offshore wind farms. Digital technologies are the key to handling this complexity.  But, what do the grids of the future look like in practice? What are the evolving technologies that will enable the grids to be more resilient and robust than they are at present? How can data and digitisation help us to make smarter, more efficient energy decisions?  In this episode, our host Kamal Ahmed is joined by Marta Solaz, Head of Grid Operations at Scottish Power Networks; Charles Wood, Deputy Director of Energy UK; and, Rob Gramlich, Founder and President of Grid Strategies LLC for a discussion about innovation in the grid: the progress that has been made – and what more needs to be done.  For more information please visit iberdrola.com — We'd love to hear your feedback and what you think we should talk about next, who we should have on and what our future debates should be about. Send us an email or voice note with your thoughts to podcasts@intelligencesquared.com.  At Intelligence Squared we've got our own online streaming platform, Intelligence Squared+ and we'd love you to give it a go. It's packed with more than 20 years' worth of video debates and conversations on the world's most important topics as well as exclusive podcast content. Tune in to live events, ask your questions or watch on-demand, totally ad-free with hours of discussion to dive into. Visit intelligencesquaredplus.com to start watching today Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Sixth Sunday of Easter ORISON: This joyful Eastertide (Tune: VRUECHTEN) – mel. from Psalmen, 1685; harm. Charles Wood (1866-1926) PSALM 66:1-11 – Peter R. Hallock (1924-2014) HYMN: Christ is alive! Let Christians sing (Tune: TRURO) – Psalmodia Evangelica, 1790; vs. 5 harm. Harvey Grace (1874-1944) NUNC DIMITTIS – Plainsong, Tone III; harm. Lodovico Grossi […]

Charles Wood is the Co-Founder of Vitadrop. Topics discussed ~ science background, dissecting human bodies at uni, journey into tech, starting Vitadrop, changing business model, making the leap to full time, product evolution, building resilience, attaining customers, feedback, realising potential, brand ambassadorship with Jacko Baker, what makes Liquid Death so great, Charlie's upcoming boxing match, importance of a good diet, TV show recommendations + what's on for the rest of 2023. YOU CAN FIND US ON... The web ~ https://linktr.ee/funnybusinesspodcast Instagram ~ https://www.instagram.com/funnybusiness_au/ LinkedIn ~ Lach / Rob CONTACT ME (Lach) ~ lach@dreambigsocialclub.com DREAM BIG SOCIAL CLUB COMING SOON.

October 16, 2022 - Chorale Anthem: “O Be Joyful In the Lord” Charles Wood

Message from Charles Wood on June 19, 2022

Today we talk with Paul Asjes, a developer advocate at Stripe. We get some insight into creating a more secure site for credit card transactions. We also discuss card testing, or account stealing, techniques that are used to gain access to active credits cards. This topic is very important because it can have big financial consequences, and if serious enough, could cause a business to close. Paul gives us some techniques and strategies to discourage and prevent this activity. Sponsors Top End Devs (https://topenddevs.com/) Coaching | Top End Devs (https://topenddevs.com/coaching) Links Stripe (https://stripe.com/) Stripe Developers - Discord (https://discord.com/invite/stripe) Stripe Developers - YouTube (https://www.youtube.com/c/StripeDevelopers) LinkedIn - Paul Asjes (https://www.linkedin.com/in/paul-asjes-4a903a18/) Twitter: @paul_asjes (https://twitter.com/paul_asjes) Picks AJ - The Black Prism (https://www.brentweeks.com/writing/the-black-prism/) AJ - The unnamed city that I now live in Charles - Machi Koro (https://www.amazon.com/dp/B00XIP01AI) Paul - Stripe Sessions (https://sessions.stripe.com/) Paul- Takecarebnb (https://takecarebnb.org/en/) Steve - How to Freaking Find Great Developers By Having Them Read Code (https://freakingrectangle.com/2022/04/15/how-to-freaking-hire-great-developers/) Steve - Dad Jokes Special Guest: Paul Asjes.

Today we talk with Paul Asjes, a developer advocate at Stripe. We get some insight into creating a more secure site for credit card transactions. We also discuss card testing, or account stealing, techniques that are used to gain access to active credits cards. This topic is very important because it can have big financial consequences, and if serious enough, could cause a business to close. Paul gives us some techniques and strategies to discourage and prevent this activity. Sponsors Top End Devs (https://topenddevs.com/) Coaching | Top End Devs (https://topenddevs.com/coaching) Links Stripe (https://stripe.com/) Stripe Developers - Discord (https://discord.com/invite/stripe) Stripe Developers - YouTube (https://www.youtube.com/c/StripeDevelopers) LinkedIn - Paul Asjes (https://www.linkedin.com/in/paul-asjes-4a903a18/) Twitter: @paul_asjes (https://twitter.com/paul_asjes) Picks AJ - The Black Prism (https://www.brentweeks.com/writing/the-black-prism/) AJ - The unnamed city that I now live in Charles - Machi Koro (https://www.amazon.com/dp/B00XIP01AI) Paul - Stripe Sessions (https://sessions.stripe.com/) Paul- Takecarebnb (https://takecarebnb.org/en/) Steve - How to Freaking Find Great Developers By Having Them Read Code (https://freakingrectangle.com/2022/04/15/how-to-freaking-hire-great-developers/) Steve - Dad Jokes Special Guest: Paul Asjes.

Today we chat with Thomas Randolph from GitLab, to discuss his Top 10 list of the upcoming TC39 proposals. The list… Temporal Proposal Import Assertions JSON Modules Built-In Modules Observable Proposal Partial Application UUID Pipeline Operator Module Blocks Emitter Proposal +1 Records and Tuples +2 Reverse and Sort Methods on Arrays Sponsors Top End Devs (https://topenddevs.com/) Coaching | Top End Devs (https://topenddevs.com/coaching) Links Twitter: Thomas Randolph ( @rockerest ) (https://twitter.com/rockerest) JSJ 425: The Evolution of JavaScript (https://javascriptjabber.com/jsj-425-the-evolution-of-javascript) Temporal (https://tc39.es/proposal-temporal/docs/) import assertions (https://tc39.es/proposal-import-assertions/) JSON modules (https://tc39.es/proposal-json-modules/) The TC39 Process (https://tc39.es/process-document/) Observable (https://tc39.es/proposal-observable/) Partial Application for ECMAScript (https://tc39.es/proposal-partial-application/) ES pipe operator (2021) (https://tc39.es/proposal-pipeline-operator/) JavaScript Module Blocks (https://tc39.es/proposal-js-module-blocks/) Record & Tuple (https://tc39.es/proposal-record-tuple/) ECMAScript proposal "Change Array by copy": four new non-destructive Array methods (https://2ality.com/2022/04/change-array-by-copy.html) GitHub: tc39/proposals (https://github.com/tc39/proposals) JavaScript Jabber 19 April 2022 (https://rockerest.notion.site/JavaScript-Jabber-19-April-2022-1badf36afe844532922888f5132a25f8) Thomas O. Randolph (https://rdl.ph/) Picks Charles - The Last Battle (https://www.audible.com/pd/The-Last-Battle-Audiobook/B002UZJF22) Charles - GamePigeon (https://apps.apple.com/us/app/gamepigeon/id1124197642) Dan - Star Trek: Picard (https://www.paramountplus.com/shows/star-trek-picard/) Dan - 103 Early Hints Dan - War in Ukraine Steve - Dad Jokes Steve - Rescinded mask mandates for travel Thomas - My notes to this episode (https://rockerest.notion.site/JavaScript-Jabber-19-April-2022-1badf36afe844532922888f5132a25f8) Thomas - The Design of Everyday Things by Don Norman (https://amzn.to/3Nifiw8) Thomas - What is Reactive Programming by Kevin Webber (https://blog.redelastic.com/what-is-reactive-programming-bc9fa7f4a7fc) Thomas - War in Ukraine Special Guest: Thomas Randolph.

Today we chat with Thomas Randolph from GitLab, to discuss his Top 10 list of the upcoming TC39 proposals. The list… Temporal Proposal Import Assertions JSON Modules Built-In Modules Observable Proposal Partial Application UUID Pipeline Operator Module Blocks Emitter Proposal +1 Records and Tuples +2 Reverse and Sort Methods on Arrays Sponsors Top End Devs (https://topenddevs.com/) Coaching | Top End Devs (https://topenddevs.com/coaching) Links Twitter: Thomas Randolph ( @rockerest ) (https://twitter.com/rockerest) JSJ 425: The Evolution of JavaScript (https://javascriptjabber.com/jsj-425-the-evolution-of-javascript) Temporal (https://tc39.es/proposal-temporal/docs/) import assertions (https://tc39.es/proposal-import-assertions/) JSON modules (https://tc39.es/proposal-json-modules/) The TC39 Process (https://tc39.es/process-document/) Observable (https://tc39.es/proposal-observable/) Partial Application for ECMAScript (https://tc39.es/proposal-partial-application/) ES pipe operator (2021) (https://tc39.es/proposal-pipeline-operator/) JavaScript Module Blocks (https://tc39.es/proposal-js-module-blocks/) Record & Tuple (https://tc39.es/proposal-record-tuple/) ECMAScript proposal "Change Array by copy": four new non-destructive Array methods (https://2ality.com/2022/04/change-array-by-copy.html) GitHub: tc39/proposals (https://github.com/tc39/proposals) JavaScript Jabber 19 April 2022 (https://rockerest.notion.site/JavaScript-Jabber-19-April-2022-1badf36afe844532922888f5132a25f8) Thomas O. Randolph (https://rdl.ph/) Picks Charles - The Last Battle (https://www.audible.com/pd/The-Last-Battle-Audiobook/B002UZJF22) Charles - GamePigeon (https://apps.apple.com/us/app/gamepigeon/id1124197642) Dan - Star Trek: Picard (https://www.paramountplus.com/shows/star-trek-picard/) Dan - 103 Early Hints Dan - War in Ukraine Steve - Dad Jokes Steve - Rescinded mask mandates for travel Thomas - My notes to this episode (https://rockerest.notion.site/JavaScript-Jabber-19-April-2022-1badf36afe844532922888f5132a25f8) Thomas - The Design of Everyday Things by Don Norman (https://amzn.to/3Nifiw8) Thomas - What is Reactive Programming by Kevin Webber (https://blog.redelastic.com/what-is-reactive-programming-bc9fa7f4a7fc) Thomas - War in Ukraine Special Guest: Thomas Randolph.

Today we chat with Thomas Randolph from GitLab, to discuss his Top 10 list of the upcoming TC39 proposals. The list… Temporal Proposal Import Assertions JSON Modules Built-In Modules Observable Proposal Partial Application UUID Pipeline Operator Module Blocks Emitter Proposal +1 Records and Tuples +2 Reverse and Sort Methods on Arrays Sponsors Top End Devs (https://topenddevs.com/) Raygun | Click here to get started on your free 14-day trial (https://raygun.com/?utm_medium=podcast&utm_source=jsjabber&utm_campaign=devchat&utm_content=homepage) Coaching | Top End Devs (https://topenddevs.com/coaching) Links Twitter: Thomas Randolph ( @rockerest ) (https://twitter.com/rockerest) JSJ 425: The Evolution of JavaScript (https://javascriptjabber.com/jsj-425-the-evolution-of-javascript) Temporal (https://tc39.es/proposal-temporal/docs/) import assertions (https://tc39.es/proposal-import-assertions/) JSON modules (https://tc39.es/proposal-json-modules/) The TC39 Process (https://tc39.es/process-document/) Observable (https://tc39.es/proposal-observable/) Partial Application for ECMAScript (https://tc39.es/proposal-partial-application/) ES pipe operator (2021) (https://tc39.es/proposal-pipeline-operator/) JavaScript Module Blocks (https://tc39.es/proposal-js-module-blocks/) Record & Tuple (https://tc39.es/proposal-record-tuple/) ECMAScript proposal "Change Array by copy": four new non-destructive Array methods (https://2ality.com/2022/04/change-array-by-copy.html) GitHub: tc39/proposals (https://github.com/tc39/proposals) JavaScript Jabber 19 April 2022 (https://rockerest.notion.site/JavaScript-Jabber-19-April-2022-1badf36afe844532922888f5132a25f8) Thomas O. Randolph (https://rdl.ph/) Picks Charles - The Last Battle (https://www.audible.com/pd/The-Last-Battle-Audiobook/B002UZJF22) Charles - GamePigeon (https://apps.apple.com/us/app/gamepigeon/id1124197642) Dan - Star Trek: Picard (https://www.paramountplus.com/shows/star-trek-picard/) Dan - 103 Early Hints Dan - War in Ukraine Steve - Dad Jokes Steve - Rescinded mask mandates for travel Thomas - My notes to this episode (https://rockerest.notion.site/JavaScript-Jabber-19-April-2022-1badf36afe844532922888f5132a25f8) Thomas - The Design of Everyday Things by Don Norman (https://amzn.to/3Nifiw8) Thomas - What is Reactive Programming by Kevin Webber (https://blog.redelastic.com/what-is-reactive-programming-bc9fa7f4a7fc) Thomas - War in Ukraine Special Guest: Thomas Randolph.

Today we chat with Thomas Randolph from GitLab, to discuss his Top 10 list of the upcoming TC39 proposals. The list… Temporal Proposal Import Assertions JSON Modules Built-In Modules Observable Proposal Partial Application UUID Pipeline Operator Module Blocks Emitter Proposal +1 Records and Tuples +2 Reverse and Sort Methods on Arrays Sponsors Top End Devs (https://topenddevs.com/) Raygun | Click here to get started on your free 14-day trial (https://raygun.com/?utm_medium=podcast&utm_source=jsjabber&utm_campaign=devchat&utm_content=homepage) Coaching | Top End Devs (https://topenddevs.com/coaching) Links Twitter: Thomas Randolph ( @rockerest ) (https://twitter.com/rockerest) JSJ 425: The Evolution of JavaScript (https://javascriptjabber.com/jsj-425-the-evolution-of-javascript) Temporal (https://tc39.es/proposal-temporal/docs/) import assertions (https://tc39.es/proposal-import-assertions/) JSON modules (https://tc39.es/proposal-json-modules/) The TC39 Process (https://tc39.es/process-document/) Observable (https://tc39.es/proposal-observable/) Partial Application for ECMAScript (https://tc39.es/proposal-partial-application/) ES pipe operator (2021) (https://tc39.es/proposal-pipeline-operator/) JavaScript Module Blocks (https://tc39.es/proposal-js-module-blocks/) Record & Tuple (https://tc39.es/proposal-record-tuple/) ECMAScript proposal "Change Array by copy": four new non-destructive Array methods (https://2ality.com/2022/04/change-array-by-copy.html) GitHub: tc39/proposals (https://github.com/tc39/proposals) JavaScript Jabber 19 April 2022 (https://rockerest.notion.site/JavaScript-Jabber-19-April-2022-1badf36afe844532922888f5132a25f8) Thomas O. Randolph (https://rdl.ph/) Picks Charles - The Last Battle (https://www.audible.com/pd/The-Last-Battle-Audiobook/B002UZJF22) Charles - GamePigeon (https://apps.apple.com/us/app/gamepigeon/id1124197642) Dan - Star Trek: Picard (https://www.paramountplus.com/shows/star-trek-picard/) Dan - 103 Early Hints Dan - War in Ukraine Steve - Dad Jokes Steve - Rescinded mask mandates for travel Thomas - My notes to this episode (https://rockerest.notion.site/JavaScript-Jabber-19-April-2022-1badf36afe844532922888f5132a25f8) Thomas - The Design of Everyday Things by Don Norman (https://amzn.to/3Nifiw8) Thomas - What is Reactive Programming by Kevin Webber (https://blog.redelastic.com/what-is-reactive-programming-bc9fa7f4a7fc) Thomas - War in Ukraine Special Guest: Thomas Randolph.

Today we talk with Dejan Miličić, a consultant with more than 20 years of experience as a professional software developer with RavenDB. His areas of expertise are designing, writing, and maintaining applications, with a focus on software architecture and backend development. Dejan discusses the challenges and benefits of NoSQL databases, and what he has learned along the way to simplify and reduce the time required to make changes. We also talk about ways to approach different types of NoSQL databases, and how they should be used. Sponsors Top End Devs (https://topenddevs.com/) Raygun | Click here to get started on your free 14-day trial (https://raygun.com/?utm_medium=podcast&utm_source=jsjabber&utm_campaign=devchat&utm_content=homepage) Coaching | Top End Devs (https://topenddevs.com/coaching) Links NoSQL Database | RavenDB ACID NoSQL Document Database (https://ravendb.net/) Kaggle: Your Machine Learning and Data Science Community (https://www.kaggle.com/) Tweets by @6figuredev (https://twitter.com/6figuredev) Picks AJ- Ethan Garofolo on YouTube (https://www.youtube.com/watch?v=ArTS_AJ-smQ) AJ - Microservices on YouTube (https://www.youtube.com/channel/UCgBVkKoOAr3ajSdFFLp13_A?feature=emb_ch_name_ex) AJ - I Have Delivered Value… But At What Cost? (https://www.youtube.com/watch?v=DYvhC_RdIwQ) AJ - Brandon Sanderson (https://www.brandonsanderson.com/) Chuck - Scythe (https://boardgamegeek.com/boardgame/169786/scythe) Chuck - Upcoming Converences: JavaScript Summit in July, DHH Coming for Rails in August, Angular React Vue Etc in Fall/Winter (https://topenddevs.com/conferences) Chuck - Yellowstone (https://www.paramountnetwork.com/shows/yellowstone) Dejan - Idris (https://www.idris-lang.org/) Steve - Low Earth Orbit Visualization (https://platform.leolabs.space/visualization) Steve - Utah - Arches, Canyonlands, Lake Powell, Bryce Canyon, Monument Valley Special Guest: Dejan Milicic.

Today we talk with Dejan Miličić, a consultant with more than 20 years of experience as a professional software developer with RavenDB. His areas of expertise are designing, writing, and maintaining applications, with a focus on software architecture and backend development. Dejan discusses the challenges and benefits of NoSQL databases, and what he has learned along the way to simplify and reduce the time required to make changes. We also talk about ways to approach different types of NoSQL databases, and how they should be used. Sponsors Top End Devs (https://topenddevs.com/) Raygun | Click here to get started on your free 14-day trial (https://raygun.com/?utm_medium=podcast&utm_source=jsjabber&utm_campaign=devchat&utm_content=homepage) Coaching | Top End Devs (https://topenddevs.com/coaching) Links NoSQL Database | RavenDB ACID NoSQL Document Database (https://ravendb.net/) Kaggle: Your Machine Learning and Data Science Community (https://www.kaggle.com/) Tweets by @6figuredev (https://twitter.com/6figuredev) Picks AJ- Ethan Garofolo on YouTube (https://www.youtube.com/watch?v=ArTS_AJ-smQ) AJ - Microservices on YouTube (https://www.youtube.com/channel/UCgBVkKoOAr3ajSdFFLp13_A?feature=emb_ch_name_ex) AJ - I Have Delivered Value… But At What Cost? (https://www.youtube.com/watch?v=DYvhC_RdIwQ) AJ - Brandon Sanderson (https://www.brandonsanderson.com/) Chuck - Scythe (https://boardgamegeek.com/boardgame/169786/scythe) Chuck - Upcoming Converences: JavaScript Summit in July, DHH Coming for Rails in August, Angular React Vue Etc in Fall/Winter (https://topenddevs.com/conferences) Chuck - Yellowstone (https://www.paramountnetwork.com/shows/yellowstone) Dejan - Idris (https://www.idris-lang.org/) Steve - Low Earth Orbit Visualization (https://platform.leolabs.space/visualization) Steve - Utah - Arches, Canyonlands, Lake Powell, Bryce Canyon, Monument Valley Special Guest: Dejan Milicic.

The Third Sunday of Easter ORISON: This joyful Eastertide (Tune: VRUECHTEN) – mel. from Psalmen, 1685; harm. Charles Wood (1866-1926) PSALM 33:1-11 – Peter R. Hallock (1924-2014) HYMN: Christ is alive! Let Christians sing (Tune: TRURO) – Psalmodia Evangelica, 1790; vs. 5 harm. Harvey Grace (1874-1944) NUNC DIMITTIS: Plainsong setting, Tone II; harm. Matteo Palotta […]

In this episode, we talk with Max Kordek of Lisk, a leading expert on Blockchain. You'll learn about what a Blockchain is, how it works, and the benefits of using it. There is also discussion on the opportunities that blockchain presents for the JavaScript developer. How does blockchain work as a decentralized ledger accessed across the world? We discuss how it operates without a central authority - everyone who participates in the network has the financial incentive that no one lies. This creates data that is secure and has integrity. Everything runs on a neutral protocol - no one can manipulate it. No interference from a third party. What is best suited for blockchain? With real-world examples, we discuss what major industries currently benefit - and where there is potential. Blockchain software development kits are available for developers to discover what blockchain can be used for. Logics and Libraries available to the large world of JS developers. Don't forget the lisk.js event this summer, and make sure to visit @maxkordek on Twitter at https://twitter.com/MaxKordek. Sponsors Top End Devs (https://topenddevs.com/) Coaching | Top End Devs (https://topenddevs.com/coaching) Links Twitter: Max Kordek ( @maxkordek ) (https://twitter.com/maxkordek) Twitter: Lisk ( @LiskHQ ) (https://twitter.com/LiskHQ) lisk.chat on Discord Picks AJ- Web3 Is Going Just Great (https://web3isgoinggreat.com/) AJ- The Great Blockchain Debate (https://www.youtube.com/watch?v=Y2CCkKrBSmA) AJ - The Line Goes Up Documentary AJ - How the Crypto Story Ends (https://www.vice.com/en/article/n7nkmg/the-secs-former-head-of-internet-enforcement-fears-how-the-crypto-story-ends) AJ- Creeds of Craftsmanship (https://github.com/BeyondCodeBootcamp/beyondcodebootcamp/issues/18) Follow CoolAJ86 Live Streams: YouTube: https://youtube.com/coolaj86 Twitch: https://twitch.tv/coolaj86 Follow Beyond Code: YouTube: https://www.youtube.com/channel/UC2KJHARTj6KRpKzLU1sVxBA Twitter: https://twitter.com/@_beyondcode Charles- Pandemic Legacy Season Zero on Amazon (https://amzn.to/3Ljynxi) Charles- BoardGameGeek (https://boardgamegeek.com/) Charles- Beyond Code Bootcamp (https://www.beyondcodebootcamp.com/) Charles - Top End Devs Summit in June Charles - JS Remote Conference in July Charles- Rails 7 - Q & A in August *Charles- Rails 7 - Q & A in August Charles- Podio (https://podio.com/) Max- Bitcoin 2022 Crypto Conference (https://b.tc/conference/) Special Guest: Max Kordek.

In this episode, we talk with Max Kordek of Lisk, a leading expert on Blockchain. You'll learn about what a Blockchain is, how it works, and the benefits of using it. There is also discussion on the opportunities that blockchain presents for the JavaScript developer. How does blockchain work as a decentralized ledger accessed across the world? We discuss how it operates without a central authority - everyone who participates in the network has the financial incentive that no one lies. This creates data that is secure and has integrity. Everything runs on a neutral protocol - no one can manipulate it. No interference from a third party. What is best suited for blockchain? With real-world examples, we discuss what major industries currently benefit - and where there is potential. Blockchain software development kits are available for developers to discover what blockchain can be used for. Logics and Libraries available to the large world of JS developers. Don't forget the lisk.js event this summer, and make sure to visit @maxkordek on Twitter at https://twitter.com/MaxKordek. Sponsors Top End Devs (https://topenddevs.com/) Coaching | Top End Devs (https://topenddevs.com/coaching) Links Twitter: Max Kordek ( @maxkordek ) (https://twitter.com/maxkordek) Twitter: Lisk ( @LiskHQ ) (https://twitter.com/LiskHQ) lisk.chat on Discord Picks AJ- Web3 Is Going Just Great (https://web3isgoinggreat.com/) AJ- The Great Blockchain Debate (https://www.youtube.com/watch?v=Y2CCkKrBSmA) AJ - The Line Goes Up Documentary AJ - How the Crypto Story Ends (https://www.vice.com/en/article/n7nkmg/the-secs-former-head-of-internet-enforcement-fears-how-the-crypto-story-ends) AJ- Creeds of Craftsmanship (https://github.com/BeyondCodeBootcamp/beyondcodebootcamp/issues/18) Follow CoolAJ86 Live Streams: YouTube: https://youtube.com/coolaj86 Twitch: https://twitch.tv/coolaj86 Follow Beyond Code: YouTube: https://www.youtube.com/channel/UC2KJHARTj6KRpKzLU1sVxBA Twitter: https://twitter.com/@_beyondcode Charles- Pandemic Legacy Season Zero on Amazon (https://amzn.to/3Ljynxi) Charles- BoardGameGeek (https://boardgamegeek.com/) Charles- Beyond Code Bootcamp (https://www.beyondcodebootcamp.com/) Charles - Top End Devs Summit in June Charles - JS Remote Conference in July Charles- Rails 7 - Q & A in August *Charles- Rails 7 - Q & A in August Charles- Podio (https://podio.com/) Max- Bitcoin 2022 Crypto Conference (https://b.tc/conference/) Special Guest: Max Kordek.

SolidJS is a web development framework that focuses on using reactivity and carries forward several ideas from Knockout.js. https://javascriptjabber.com/13 Ryan Carniato, the creator of SolidJS breaks down the history and ideas behind SolidJS and compares it to React and other frameworks. Sponsors Top End Devs (https://topenddevs.com/) Raygun | Click here to get started on your free 14-day trial (https://raygun.com/?utm_medium=podcast&utm_source=jsjabber&utm_campaign=devchat&utm_content=homepage) Coaching | Top End Devs (https://topenddevs.com/coaching) Picks AJ- Creeds of Craftsmanship (https://github.com/BeyondCodeBootcamp/beyondcodebootcamp/issues/18) Follow CoolAJ86 Live Streams: YouTube: https://youtube.com/coolaj86 Twitch: https://twitch.tv/coolaj86 Follow Beyond Code: YouTube: https://www.youtube.com/channel/UC2KJHARTj6KRpKzLU1sVxBA Twitter: https://twitter.com/@_beyondcode Charles- Dice Forge | Board Game | BoardGameGeek (https://boardgamegeek.com/boardgame/194594/dice-forge) Charles- BoardGameGeek (https://boardgamegeek.com/) Charles- Conferences | Top End Devs (https://topenddevs.com/conferences) Ryan- Corset - Declarative reactive UI without the complexity of SPAs (https://corset.dev/) Steve- Twitter: Dad Jokes ( @Dadsaysjokes ) (https://twitter.com/Dadsaysjokes) Special Guest: Ryan Carniato.

SolidJS is a web development framework that focuses on using reactivity and carries forward several ideas from Knockout.js. https://javascriptjabber.com/13 Ryan Carniato, the creator of SolidJS breaks down the history and ideas behind SolidJS and compares it to React and other frameworks. Sponsors Top End Devs (https://topenddevs.com/) Raygun | Click here to get started on your free 14-day trial (https://raygun.com/?utm_medium=podcast&utm_source=jsjabber&utm_campaign=devchat&utm_content=homepage) Coaching | Top End Devs (https://topenddevs.com/coaching) Picks AJ- Creeds of Craftsmanship (https://github.com/BeyondCodeBootcamp/beyondcodebootcamp/issues/18) Follow CoolAJ86 Live Streams: YouTube: https://youtube.com/coolaj86 Twitch: https://twitch.tv/coolaj86 Follow Beyond Code: YouTube: https://www.youtube.com/channel/UC2KJHARTj6KRpKzLU1sVxBA Twitter: https://twitter.com/@_beyondcode Charles- Dice Forge | Board Game | BoardGameGeek (https://boardgamegeek.com/boardgame/194594/dice-forge) Charles- BoardGameGeek (https://boardgamegeek.com/) Charles- Conferences | Top End Devs (https://topenddevs.com/conferences) Ryan- Corset - Declarative reactive UI without the complexity of SPAs (https://corset.dev/) Steve- Twitter: Dad Jokes ( @Dadsaysjokes ) (https://twitter.com/Dadsaysjokes) Special Guest: Ryan Carniato.

Elm is a functional language that compiles to JavaScript and runs in the browser. Lindsay Wardell from NoRedInk joins the JavaScript Jabber panel this week to discuss his background with Vue and Elm. The discussion ranges into how Lindsay got into Elm and how it differs and solves some of the issues that crop up when people build apps with JavaScript Jabber. Sponsors Top End Devs (https://topenddevs.com/) Coaching | Top End Devs (https://topenddevs.com/coaching) Links elm-vue-bridge (https://elm-vue-bridge.lindsaykwardell.com/) GitHub - lindsaykwardell/vite-elm-template (https://github.com/lindsaykwardell/vite-elm-template) Utilizing Elm in a Web Worker (https://www.lindsaykwardell.com/blog/utilizing-elm-in-a-web-worker) Setting up an Elm project in 2022 (https://www.lindsaykwardell.com/blog/setting-up-elm-in-2022) Lindsay Wardell (https://www.lindsaykwardell.com/) Picks AJ- GitHub: coolaj86/AJScript (https://github.com/coolaj86/AJScript) AJ- Slonik (https://www.npmjs.com/package/slonik) Follow CoolAJ86 Live Streams: YouTube: https://youtube.com/coolaj86 Twitch: https://twitch.tv/coolaj86 Follow Beyond Code: YouTube: https://www.youtube.com/channel/UC2KJHARTj6KRpKzLU1sVxBA Twitter: https://twitter.com/@_beyondcode Charles- Taco Cat Goat Cheese Pizza (https://amzn.to/3jtcuQ3) Dan- Uprooted (https://amzn.to/3E4U0hY) Dan- Support Ukraine Lindsay- Elm Radio Podcast (https://elm-radio.com/) Lindsay- Why Isn't Functional Programming the Norm? – Richard Feldman (https://www.youtube.com/watch?v=QyJZzq0v7Z4) Lindsay- A Taste of Roc — Richard Feldman (https://www.youtube.com/watch?v=6qzWm_eoUXM) Steve- Twitter: Dad Jokes ( @Dadsaysjokes ) (https://twitter.com/Dadsaysjokes) Special Guest: Lindsay Wardell.

Elm is a functional language that compiles to JavaScript and runs in the browser. Lindsay Wardell from NoRedInk joins the JavaScript Jabber panel this week to discuss her background with Vue and Elm. The discussion ranges into how Lindsay got into Elm and how it differs and solves some of the issues that crop up when people build apps with JavaScript. Sponsors Top End Devs (https://topenddevs.com/) Raygun | Click here to get started on your free 14-day trial (https://raygun.com/?utm_medium=podcast&utm_source=jsjabber&utm_campaign=devchat&utm_content=homepage) Coaching | Top End Devs (https://topenddevs.com/coaching) Links elm-vue-bridge (https://elm-vue-bridge.lindsaykwardell.com/) GitHub - lindsaykwardell/vite-elm-template (https://github.com/lindsaykwardell/vite-elm-template) Utilizing Elm in a Web Worker (https://www.lindsaykwardell.com/blog/utilizing-elm-in-a-web-worker) Setting up an Elm project in 2022 (https://www.lindsaykwardell.com/blog/setting-up-elm-in-2022) Lindsay Wardell (https://www.lindsaykwardell.com/) Picks AJ- GitHub: coolaj86/AJScript (https://github.com/coolaj86/AJScript) AJ- Slonik (https://www.npmjs.com/package/slonik) Follow CoolAJ86 Live Streams: YouTube: https://youtube.com/coolaj86 Twitch: https://twitch.tv/coolaj86 Follow Beyond Code: YouTube: https://www.youtube.com/channel/UC2KJHARTj6KRpKzLU1sVxBA Twitter: https://twitter.com/@_beyondcode Charles- Taco Cat Goat Cheese Pizza (https://amzn.to/3jtcuQ3) Dan- Uprooted (https://amzn.to/3E4U0hY) Dan- Support Ukraine Lindsay- Elm Radio Podcast (https://elm-radio.com/) Lindsay- Why Isn't Functional Programming the Norm? – Richard Feldman (https://www.youtube.com/watch?v=QyJZzq0v7Z4) Lindsay- A Taste of Roc — Richard Feldman (https://www.youtube.com/watch?v=6qzWm_eoUXM) Steve- Twitter: Dad Jokes ( @Dadsaysjokes ) (https://twitter.com/Dadsaysjokes) Special Guest: Lindsay Wardell.

This episode is Part 3 of the Dan Shappir trilogy. Today, he's laying out the deets on components and state management inside of React, plus some exciting developments coming later this year. In This Episode 1) Why you ought to know the “ideal” situation for React components (and how to get there!) 2) These new “front-end paradigms” that are going to CHANGE how we approach React and others 3) SUPER exciting developments coming for React in 2022 Sponsors Top End Devs (https://topenddevs.com/) Coaching | Top End Devs (https://topenddevs.com/coaching) ### Picks AJ- Dash Incubator (https://dashincubator.app/) AJ- Talks at Google (https://talksat.withgoogle.com/) Follow CoolAJ86 Live Streams: YouTube: https://youtube.com/coolaj86 Twitch: https://twitch.tv/coolaj86 Follow Beyond Code: YouTube: https://www.youtube.com/channel/UC2KJHARTj6KRpKzLU1sVxBA Twitter: https://twitter.com/@_beyondcode Charles- Dice Forge | Board Game | BoardGameGeek (https://boardgamegeek.com/boardgame/194594/dice-forge) Charles- Top End Devs (https://topenddevs.com/) - for upcoming workshops Dan- Support Ukraine Dan- Interview with Senior JS Developer in 2022 - Youtube (https://www.youtube.com/watch?v=Uo3cL4nrGOk)

This episode is Part 3 of the Dan Shappir trilogy. Today, he's laying out the deets on components and state management inside of React, plus some exciting developments coming later this year. In This Episode 1) Why you ought to know the “ideal” situation for React components (and how to get there!) 2) These new “front-end paradigms” that are going to CHANGE how we approach React and others 3) SUPER exciting developments coming for React in 2022 Sponsors Top End Devs (https://topenddevs.com/) Coaching | Top End Devs (https://topenddevs.com/coaching) ### Picks AJ- Dash Incubator (https://dashincubator.app/) AJ- Talks at Google (https://talksat.withgoogle.com/) Follow CoolAJ86 Live Streams: YouTube: https://youtube.com/coolaj86 Twitch: https://twitch.tv/coolaj86 Follow Beyond Code: YouTube: https://www.youtube.com/channel/UC2KJHARTj6KRpKzLU1sVxBA Twitter: https://twitter.com/@_beyondcode Charles- Dice Forge | Board Game | BoardGameGeek (https://boardgamegeek.com/boardgame/194594/dice-forge) Charles- Top End Devs (https://topenddevs.com/) - for upcoming workshops Dan- Support Ukraine Dan- Interview with Senior JS Developer in 2022 - Youtube (https://www.youtube.com/watch?v=Uo3cL4nrGOk)

The U.K. government is expected to unveil its energy security plan amid soaring prices and in the wake of Russia's invasion of Ukraine. Nick Wayth, CEO of Energy Institute says there is no quick fix to global prices but we need to get far more efficient with energy use. Stew Horne from Energy Saving Trust tells Bloomberg Westminster's Caroline Hepker and Yuan Potts the government should offer grants, low and no-cost finance and independent advice to retrofit homes. But the industry is at a critical point and fragile, according to Charles Wood at the trade body Energy UK. See omnystudio.com/listener for privacy information.

There's always more to learn about security, especially nowadays. In this episode, the Jabberers continue their conversation with Feross Aboukhadijeh about supply chain security. You can never be too careful! (Well…maybe.) “The most important thing you can do is have a mindset shift around dependencies.” _ _- Feross Aboukhadijeh In This Episode 1) How the BEST way to keep your security tight is NOT done on the computer 2) Why we're seeing a trend toward THESE kinds of packages in 2022 3) What you NEED to know about dependencies and their expiration dates Sponsors Top End Devs (https://topenddevs.com/) Raygun | Click here to get started on your free 14-day trial (https://raygun.com/?utm_medium=podcast&utm_source=jsjabber&utm_campaign=devchat&utm_content=homepage) Coaching | Top End Devs (https://topenddevs.com/coaching) Picks AJ- Download - The Go Programming Language (https://go.dev/dl/) AJ- xtz - npm (https://www.npmjs.com/package/xtz) Follow CoolAJ86 Live Streams: YouTube: https://youtube.com/coolaj86 Twitch: https://twitch.tv/coolaj86 Follow Beyond Code: YouTube: https://www.youtube.com/channel/UC2KJHARTj6KRpKzLU1sVxBA Twitter: https://twitter.com/@_beyondcode Charles- Pandemic | Board Game | BoardGameGeek (https://boardgamegeek.com/boardgame/30549/pandemic) Charles- Meetups | Top End Devs (https://topenddevs.com/meetups) Charles- Get involved with your local community Dan- Uprooted by Naomi Novik (https://www.goodreads.com/en/book/show/22544764-uprooted) Dan- Interview with Senior JS Developer in 2022 (https://www.youtube.com/watch?v=Uo3cL4nrGOk) Feross- Socket (https://socket.dev/) Feross- Wormhole (https://wormhole.app/) Feross- Chakra UI (https://chakra-ui.com/) Steve- This Unicorn Changed the Way I Poop - #SquattyPotty (https://www.youtube.com/watch?v=YbYWhdLO43Q) Steve- Girls Don't Poop - PooPourri.com (https://www.youtube.com/watch?v=ZKLnhuzh9uY) Steve- Twitter: Dad Jokes ( @Dadsaysjokes ) (https://twitter.com/Dadsaysjokes) Special Guest: Feross Aboukhadijeh.

There's always more to learn about security, especially nowadays. In this episode, the Jabberers continue their conversation with Feross Aboukhadijeh about supply chain security. You can never be too careful! (Well…maybe.) “The most important thing you can do is have a mindset shift around dependencies.” _ _- Feross Aboukhadijeh In This Episode 1) How the BEST way to keep your security tight is NOT done on the computer 2) Why we're seeing a trend toward THESE kinds of packages in 2022 3) What you NEED to know about dependencies and their expiration dates Sponsors Top End Devs (https://topenddevs.com/) Raygun | Click here to get started on your free 14-day trial (https://raygun.com/?utm_medium=podcast&utm_source=jsjabber&utm_campaign=devchat&utm_content=homepage) Coaching | Top End Devs (https://topenddevs.com/coaching) Picks AJ- Download - The Go Programming Language (https://go.dev/dl/) AJ- xtz - npm (https://www.npmjs.com/package/xtz) Follow CoolAJ86 Live Streams: YouTube: https://youtube.com/coolaj86 Twitch: https://twitch.tv/coolaj86 Follow Beyond Code: YouTube: https://www.youtube.com/channel/UC2KJHARTj6KRpKzLU1sVxBA Twitter: https://twitter.com/@_beyondcode Charles- Pandemic | Board Game | BoardGameGeek (https://boardgamegeek.com/boardgame/30549/pandemic) Charles- Meetups | Top End Devs (https://topenddevs.com/meetups) Charles- Get involved with your local community Dan- Uprooted by Naomi Novik (https://www.goodreads.com/en/book/show/22544764-uprooted) Dan- Interview with Senior JS Developer in 2022 (https://www.youtube.com/watch?v=Uo3cL4nrGOk) Feross- Socket (https://socket.dev/) Feross- Wormhole (https://wormhole.app/) Feross- Chakra UI (https://chakra-ui.com/) Steve- This Unicorn Changed the Way I Poop - #SquattyPotty (https://www.youtube.com/watch?v=YbYWhdLO43Q) Steve- Girls Don't Poop - PooPourri.com (https://www.youtube.com/watch?v=ZKLnhuzh9uY) Steve- Twitter: Dad Jokes ( @Dadsaysjokes ) (https://twitter.com/Dadsaysjokes) Special Guest: Feross Aboukhadijeh.

Malware attacks are scary, so preparation is keys. In this episode, the Jabberers talk with Feross Aboukhadijeh, a developer who's redefining malware detection to help you prepare for the next assault. “It's awesome that such small teams can make complex code, but it's not enough to just scan for vulnerabilities.” -Feross Aboukhadijeh In This Episode 1) This SCARY trend in supple chain malware attacks (and how to prepare) 2) Why tools like Socket are VERY different from common malware detection 3) How companies in 2022 are addressing their security (and what they're looking for in developers to help them) Sponsors Top End Devs (https://topenddevs.com/) Coaching | Top End Devs (https://topenddevs.com/coaching) Links Socket – protect your OSS supply chain (https://socket.dev/) Feross's Talk at CascadiaJS 2021 “It's a Jungle Out There! – Open Source Supply Chain Attacks” (https://www.youtube.com/watch?v=Cl7WVN4168M) Picks Aimee- Kubernetes Chaos Engineering Aimee- Normatec 2.0 Pro Legs | Hyperice (https://hyperice.com/products/normatec-2-pro-legs/) AJ- Socket (https://socket.dev/) AJ- Bundlephobia (https://bundlephobia.com/) AJ- NPMGraph (https://npmgraph.js.org/) Follow CoolAJ86 Live Streams: YouTube: https://youtube.com/coolaj86 Twitch: https://twitch.tv/coolaj86 Follow Beyond Code: YouTube: https://www.youtube.com/channel/UC2KJHARTj6KRpKzLU1sVxBA Twitter: https://twitter.com/@_beyondcode Charles- 7 Wonders Board Game (https://amzn.to/3IU78by) Charles- Airmeet (https://www.airmeet.com/) Charles- Events | Top End Devs (https://topenddevs.com/events) Feross- Node.js Fetch Feross- Darknet Diaries – True stories from the dark side of the Internet (https://darknetdiaries.com/) Feross- Risky Business news recap Steve- passWORDLE (https://rsk0315.github.io/playground/passwordle.html) Special Guest: Feross Aboukhadijeh.

Malware attacks are scary, so preparation is keys. In this episode, the Jabberers talk with Feross Aboukhadijeh, a developer who's redefining malware detection to help you prepare for the next assault. “It's awesome that such small teams can make complex code, but it's not enough to just scan for vulnerabilities.” -Feross Aboukhadijeh In This Episode 1) This SCARY trend in supple chain malware attacks (and how to prepare) 2) Why tools like Socket are VERY different from common malware detection 3) How companies in 2022 are addressing their security (and what they're looking for in developers to help them) Sponsors Top End Devs (https://topenddevs.com/) Coaching | Top End Devs (https://topenddevs.com/coaching) Links Socket – protect your OSS supply chain (https://socket.dev/) Feross's Talk at CascadiaJS 2021 “It's a Jungle Out There! – Open Source Supply Chain Attacks” (https://www.youtube.com/watch?v=Cl7WVN4168M) Picks Aimee- Kubernetes Chaos Engineering Aimee- Normatec 2.0 Pro Legs | Hyperice (https://hyperice.com/products/normatec-2-pro-legs/) AJ- Socket (https://socket.dev/) AJ- Bundlephobia (https://bundlephobia.com/) AJ- NPMGraph (https://npmgraph.js.org/) Follow CoolAJ86 Live Streams: YouTube: https://youtube.com/coolaj86 Twitch: https://twitch.tv/coolaj86 Follow Beyond Code: YouTube: https://www.youtube.com/channel/UC2KJHARTj6KRpKzLU1sVxBA Twitter: https://twitter.com/@_beyondcode Charles- 7 Wonders Board Game (https://amzn.to/3IU78by) Charles- Airmeet (https://www.airmeet.com/) Charles- Events | Top End Devs (https://topenddevs.com/events) Feross- Node.js Fetch Feross- Darknet Diaries – True stories from the dark side of the Internet (https://darknetdiaries.com/) Feross- Risky Business news recap Steve- passWORDLE (https://rsk0315.github.io/playground/passwordle.html) Special Guest: Feross Aboukhadijeh.

Is OAuth all it's cracked up to be? In this episode, the Jabberers sit down with Dan Moore, an expert in the OAuth world. They discuss the GIANT perks of OAuth (even if you're a beginner), how to fix OAuth's biggest issues, and what you NEED to watch out for in OAuth if you're a prospective client. “The end goal of OAuth is let someone else handle authentication, and based on tokens you get, you have the insurance that the authentication was valid.” - Dan Moore In This Episode 1) The HUGE perks of using OAuth in 2022 (and how to get started) 2) What you SHOULD be looking for in OAuth as a client 3) How to resolve OAuth's biggest drawbacks and feel confident in your security Sponsors Top End Devs (https://topenddevs.com/) Raygun | Click here to get started on your free 14-day trial (https://raygun.com/?utm_medium=podcast&utm_source=jsjabber&utm_campaign=devchat&utm_content=homepage) Coaching | Top End Devs (https://topenddevs.com/coaching) Picks AJ- Otter.ai (https://otter.ai/) AJ- Dash (https://www.dash.org/) AJ- Elgato Stream Deck (https://amzn.to/33qvtpW) Follow CoolAJ86 Live Streams: YouTube: https://youtube.com/coolaj86 Twitch: https://twitch.tv/coolaj86 Follow Beyond Code: YouTube: https://www.youtube.com/channel/UC2KJHARTj6KRpKzLU1sVxBA Twitter: https://twitter.com/@_beyondcode Charles- Tally (https://www.withtally.com/) Charles- GiveSendGo (https://www.givesendgo.com/) Charles- Encanto | Disney Movies (https://movies.disney.com/encanto) Charles- Workshops | Top End Devs (https://topenddevs.com/workshops) Dan- Descript (https://www.descript.com/) Dan- The Leanpub Process Dan- Security Engineering (https://amzn.to/3psLSSt) Steve- Twitter: Dad Jokes ( @Dadsaysjokes ) (https://twitter.com/Dadsaysjokes) Special Guest: Dan Moore.

This week's episode looks at "Ticket to Ride", the making of the Beatles' second film, and the influence of Bob Dylan on the Beatles' work and lives. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on "The Game of Love" by Wayne Fontana and the Mindbenders. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Resources No Mixcloud this week, as there are too many songs by the Beatles. I have read literally dozens of books on the Beatles, and used bits of information from many of them, but the ones I specifically referred to while writing this episode were: The Complete Beatles Chronicle by Mark Lewisohn, All The Songs: The Stories Behind Every Beatles Release by Jean-Michel Guesdon, And The Band Begins To Play: The Definitive Guide To The Songs of The Beatles by Steve Lambley, The Beatles By Ear by Kevin Moore, Revolution in the Head by Ian MacDonald, and The Beatles Anthology. For material on the making of the film, I referred to Getting Away With It by Steven Soderbergh, a book which is in part a lengthy set of conversations between Soderbergh and Richard Lester. Sadly the only way to legally get the original mix of "Ticket to Ride" is this ludicrously-expensive out-of-print box set, but the 1987 remix is widely available on the CD issue of the Help! soundtrack. The film is available on DVD. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript When we last looked at the Beatles, they had just achieved their American success, and had appeared in their first film, A Hard Day's Night. Today, we're going to look at the massive artistic growth that happened to them between late 1964 and mid 1965, the making of their second film, Help!, the influence, both artistic and personal, of Bob Dylan on the group, and their introduction both to studio experimentation and to cannabis. We're going to look at "Ticket to Ride": [Excerpt: The Beatles, "Ticket to Ride"] 1964 was a tremendously busy year for the Beatles. After they'd finished making A Hard Day's Night, but even before it was released, they had gone on yet another tour, playing Denmark, the Netherlands, Hong Kong, Australia, and New Zealand, though without Ringo for much of the tour -- Ringo had to have his tonsils removed, and so for the first eight shows of the tour he was replaced by session drummer Jimmy Nicol, the former drummer with Colin Hicks and his Cabin Boys, who had played on several cheap soundalike records of Beatles songs. Nicol was a competent drummer, though very different in style from Ringo, and he found his temporary moment of celebrity hugely upsetting -- he later described it as the worst thing to ever happen to him, and ended up declaring bankruptcy only nine months after touring with the group. Nicol is now a recluse, and hasn't spoken to anyone about his time with the Beatles in more than thirty years. After Ringo returned to the group and the film came out they went back into the studio, only two months after the release of their third album, to start work on their fourth. They recorded four songs in two sessions before departing on their first full US tour. Those songs included two cover versions -- a version of "Mr. Moonlight" by Doctor Feelgood and the Interns that appeared on the album, and a version of Little Willie John's "Leave My Kitten Alone" that didn't see release until 1995 -- and two originals written mostly or entirely by John Lennon, "Baby's In Black", and "I'm a Loser": [Excerpt: The Beatles, "I'm a Loser"] "I'm a Loser" was an early sign of an influence that had particularly changed Lennon's attitude to songwriting -- that of Bob Dylan. Dylan had been on the group's radar for some time -- Paul McCartney in the Anthology book seems to have a confused memory of seeing Madhouse on Castle Street, the TV play Dylan had appeared in in January 1963 -- but early 1964 had seen him rise in prominence to the point that he was a major star, not just an obscure folk singer. And Lennon had paid particular attention to what he was doing with his lyrics. We've already seen that Lennon had been writing surreal poetry for years, but at this point in his life he still thought of his songwriting and his poetry as separate. As he would later put it "I had a sort of professional songwriter's attitude to writing pop songs; we would turn out a certain style of song for a single, and we would do a certain style of thing for this and the other thing. I'd have a separate songwriting John Lennon who wrote songs for the meat market, and I didn't consider them (the lyrics or anything) to have any depth at all." This shouldn't be taken as Lennon saying that the early Beatles songs were lacking in quality, or that he didn't take the work seriously, but that it wasn't about self-expression. He was trying to do the best work he could as a craftsman. Listening to Dylan had showed him that it was possible instead to treat pop songwriting as art, in the sense Lennon understood the term -- as a means of personal expression that could also allow for experimentation and playing games. "I'm a Loser" is a first tentative step towards that, with Lennon for one of the first times consciously writing about his own emotions -- though careful to wrap those feelings both in a conventional love song structure and in a thick layer of distancing irony, to avoid making himself vulnerable -- and the stylistic influence of Dylan is very noticeable, as much in the instrumentation as in the lyrics. While several early Beatles singles had featured Lennon playing harmonica, he had been playing a chromatic harmonica, a type of harmonica that's mostly used for playing single-note melodies, because it allows the player to access every single note, but which is not very good for bending notes or playing chords. If you've heard someone playing the harmonica as a single-note melody instrument with few or no chords, whether Stevie Wonder, Larry Adler, or Max Geldray, the chances are they were playing a chromatic harmonica. On "I'm a Loser", though, Lennon plays a diatonic harmonica -- an instrument that he would refer to as a "harp" rather than a harmonica, because he associated it with the blues, where it's often referred to as a harp. Diatonic harmonicas are the instrument of choice for blues players because they allow more note-bending, and it's easier to play a full chord on them -- the downside, that you have a smaller selection of notes available, is less important in the blues, which tends towards harmonic minimalism. Diatonic harmonicas are the ones you're likely to hear on country, blues, and folk recordings -- they're the instrument played by people like Little Walter, Sonny Boy Williamson, Charlie McCoy, and Bob Dylan. Lennon had played a diatonic before, on "I Should Have Known Better", another song which shows Dylan's influence in the performance, though not in the lyrics. In both cases he is imitating Dylan's style, which tends to be full of chordal phrases rather than single-note melody. What's interesting about “I'm a Loser” though is contrasting John's harmonica solo with George's guitar solo which follows immediately after: [Excerpt: The Beatles, "I'm a Loser"] That's a pure Carl Perkins solo, and the group would, in their choices of cover versions for the next few months, move away somewhat from the soul and girl-group influences that dominated the covers on their first two albums, and towards country and rockabilly -- they would still cover Larry Williams, Little Richard, and Chuck Berry, but there were no more covers of contemporary Black artists, and instead there were cover versions of Buddy Holly, Carl Perkins, and Buck Owens, and Harrison switched from the Rickenbacker that had been his main instrument on A Hard Day's Night to playing a Gretsch -- the brand of guitar that Chet Atkins and Eddie Cochrane played.  The consensus among commentators -- with which, for once, I agree -- seems to be that this was also because of the influence of Dylan. The argument is that the Beatles heard Dylan's music as a form of country music, and it inspired them to go back to their other country-oriented influences. And this makes a lot of sense -- it was only fifteen years earlier, at the same time as they replaced "race" with "rhythm and blues", that Billboard magazine chose to rename their folk chart to the country and western chart -- as Tyler Mahan Coe puts it, "after years of trying to figure out what to call their “poor Black people music” and “poor white people music” charts". And Dylan had been as influenced by Hank Williams as by Woody Guthrie. In short what the Beatles, especially Lennon, heard in Dylan seems to have been three things -- a reminder of the rockabilly and skiffle influences that had been their first love before they'd discovered R&B and soul, permission to write honestly about one's own experiences, and an acknowledgement that such writing could include surrealistic wordplay. Fundamentally, Dylan, as much as being a direct influence, seems to have given the group a kind of permission -- to have shown them that there was room in the commercial sphere in which they were now operating for them to venture into musical and lyrical areas that had always appealed to them. But of course, that was not the only influence that Dylan had on the group, as anyone who has ever read anything at all about their first full US tour knows. That tour saw them playing huge venues like the Hollywood Bowl -- a show which later made up a big part of their only official live album, which was finally released in 1977: [Excerpt: The Beatles, "Things We Said Today (live at the Hollywood Bowl 1964)"] It was nine days into the tour, on the twenty-eighth of August 1964, that they met Bob Dylan for the first time. The meeting with Dylan is usually called the first time the Beatles ever smoked cannabis -- and that's true, at least if you're talking about them as a group. Lennon had tried it around 1960, and both Lennon and Harrison had tried it at a show at the Southport Floral Hall in early 1962, but neither had properly understood what they were smoking, and had both already been drunk before smoking it. According to a later interview with Harrison, that had led to the two of them madly dancing the Twist in their dressing room, shouting "This stuff isn't doing anything!" But it was at this meeting that Paul and Ringo first smoked it, and it also seems to have been taken by Lennon and Harrison as their "real" first time, possibly partly because being introduced to cannabis by Bob Dylan in a New York hotel sounds a lot cooler than being introduced to it by your support band's drummer in Southport, possibly because it was the first time that they had all smoked it together as a group, but mostly because this was the time when it became a regular part of the group's life. Oddly, it happened because of a misheard lyric. Dylan had loved "I Want to Hold Your Hand", and had misheard "I can't hide" as "I get high", and thus just assumed that the British band were already familiar with cannabis. The drug had a profound effect on them -- McCartney later recalled being convinced he had discovered the meaning of life, writing it down on a bit of paper, and getting their roadie Mal Evans to hold the paper for safekeeping. The next morning, when he looked at the paper, he found it merely said "there are seven levels". Lennon, on the other hand, mostly remembered Dylan playing them his latest demos and telling them to listen to the words, but Lennon characteristically being unable to concentrate on the lyrics because in his stoned state he was overwhelmed by the rhythm and general sound of the music. From this point on, the use of cannabis became a major part of the group's life, and it would soon have a profound effect on their lifestyles, their songwriting, the production on their records, and every other aspect of their career. The Beatle on whom it seems to have had the strongest and most immediate effect was Lennon, possibly because he was the one who was coping least well with success and most needed something to take his mind off things. Lennon had always been susceptible to extremes of mood -- it's likely that he would these days be diagnosed as bipolar, and we've already seen how as soon as he'd started writing personally, he'd written "I'm a Loser". He was feeling trapped in suburbia, unsuited for his role as a husband and father, unhappy about his weight, and just generally miserable. Cannabis seemed, at least at first, to offer a temporary escape from that. All the group spent much of the next couple of years stoned, but Lennon probably more than any of them, and he was the one whose writing it seemed to affect most profoundly. On the group's return from the US, they carried on working on the next album, and on a non-album single designed to be released simultaneously with it. "I Feel Fine" is a major milestone in the group's career in a number of ways. The most obvious is the opening -- a brief bit of feedback which Lennon would always later claim to be the first deliberate use of the technique on a record: [Excerpt: The Beatles, "I Feel Fine"] Feedback had, up until this point, been something that musicians generally tried to avoid -- an unwanted sound that could wreck a performance. But among guitarists in London, especially, it was becoming the fashionable sound to incorporate, in a carefully controlled manner, in order to make sounds that nobody had heard before. Jeff Beck, Dave Davies, and Pete Townshend would all argue about which of them was the first to use the technique, but all were using it on stage by the time the Beatles recorded "I Feel Fine". But the Beatles were, if not the first to deliberately use feedback on a record (as I've said in the past, there is no such thing as a first anything, and there are debatable examples where feedback may be deliberate going back to the 1930s and some records by Bob Wills), certainly the most prominent artists to do so up to that point, and also the first to make it a major, prominent feature of a hit record in this manner. If they hadn't done it, someone else undoubtedly would, but they were the first to capture the sound that was becoming so popular in the London clubs, and as so often in their career they were able to capture something that was at the cutting edge of the underground culture and turn it into something that would be accepted by millions. "I Feel Fine" was important to the Beatles in another way, though, in that it was the first Beatles original to be based entirely around a guitar riff, and this was if anything a more important departure from their earlier records than the feedback was. Up to this point, while the Beatles had used riffs in covers like "Twist and Shout", their originals had avoided them -- the rhythm guitar had tended to go for strummed chords, while the lead guitar was usually reserved for solos and interjections. Rather than sustaining a riff through the whole record, George Harrison would tend to play answer phrases to the vocal melody, somewhat in the same manner as a backing vocalist. This time, though, Lennon wrote an entire song around a riff -- one he had based on an R&B record from a few years earlier that he particularly loved, "Watch Your Step" by Bobby Parker: [Excerpt: Bobby Parker, "Watch Your Step"] Parker's record had, in turn, been inspired by two others -- the influence of Ray Charles' "What'd I Say" is very obvious, but Parker had based the riff on one that Dizzy Gillespie had used in "Manteca", a classic early Afro-Cuban jazz record from 1947: [Excerpt: Dizzy Gillespie, "Manteca"] Parker had played that riff on his guitar, varied it, and come up with what may be the most influential guitar riff of all time, one lifted not only by the Beatles (on both "I Feel Fine" and, in a modified form, "Day Tripper") but Led Zeppelin, Deep Purple, the Allman Brothers Band, and many, many others: [Excerpt: Bobby Parker, "Watch Your Step"] Lennon took that riff and based a new song around it -- and it's important to note here that "I Feel Fine" *is* a new song. Both songs share the same riff and twelve-bar blues structure, but Lennon's lyric and melody are totally different, and the record has a different feel. There's a blurry line between plagiarism and homage, and to my mind "I Feel Fine" stays on the right side of that line, although it's a difficult issue because the Beatles were so much more successful than the unknown Parker. Part of the reason "I Feel Fine" could be the Beatles' first single based around a riff was it was recorded on a four-track machine, EMI having finally upgraded their equipment, which meant that the Beatles could record the instrumental and vocal tracks separately. This allowed Lennon and Harrison to hold down the tricky riff in unison, something Lennon couldn't do while also singing the melody -- it's noticeable that when they performed this song live, Lennon usually strummed the chords on a semi-acoustic guitar rather than doubling the riff as he does on the record. It's also worth listening to what Ringo's doing on the drums on the track. One of the more annoying myths about the Beatles is the claim made by a lot of people that Starr was in some way not a good drummer. While there has been some pushback on this, even to the extent that there is now a contrarian counterconsensus that says he was the best drummer in the world at the time, the general public still thinks of him as having been not particularly good. One listen to the part Starr played on "I Feel Fine" -- or indeed a close listen to any of his drum parts -- should get rid of that idea. While George and John are basically duplicating Parker's riff, Ringo picks up on the Parker record's similarity to "What'd I Say" and plays essentially the same part that Ray Charles' drummer had: [Excerpt: The Beatles, "I Feel Fine (isolated drum part)"] There are copies of that posted on YouTube, and almost all of them have comments from people claiming that the drumming in question must be a session drummer, because Starr couldn't play that well.  Several of the Beatles' singles for the next two years would feature a heavy guitar riff as their main instrumental hook. Indeed, it seems like late 1964 is a point where things start to change a little for the Beatles in how they conceptualise singles and albums. Up to this point, they seem to have just written every song as a potential single, then chosen the ones they thought of as the most commercial as singles and stuck the rest out as album tracks. But from autumn 1964 through early 1966 there seems, at least on Lennon's part, to be a divide in how he looked at songs. The songs he brought in that became singles were almost uniformly guitar-driven heavy rockers with a strong riff. Meanwhile, the songs recorded for albums were almost all based on strummed acoustic guitars, usually ballads or at most mid-tempo, and often with meditative lyrics. He clearly seems to have been thinking in terms of commercial singles and less commercial album tracks, even if he didn't quite articulate it that way.  I specify Lennon here, because there doesn't seem to be a comparable split in McCartney's writing -- partly because McCartney didn't really start writing riff-based songs until Lennon dropped the idea in late 1966. McCartney instead seems to start expanding his palette of genres -- while Lennon seems to be in two modes for about an eighteen-month period, and not really to venture out of either the bluesy riff-rocker or the country-flavoured folk rock mode, McCartney starts becoming the stylistic magpie he would become in the later period of the group's career. The B-side to the single, "She's a Woman" is, like the A-side, blues-based, but here it's McCartney in Little Richard mode. The most interesting aspect to it, though, is the rhythm guitar part -- off-beat stabs which sound very much like the group continuing to try to incorporate ska into their work: [Excerpt: The Beatles, "She's a Woman"] The single went to number one, of course, as all the group's singles in this period did. Beatles For Sale, the album that came out of these sessions, is generally regarded as one of the group's weaker efforts, possibly because of the relatively large number of cover versions, but also because of its air of bleakness. From the autumnal cover photo to the laid-back acoustic feel of much of the album, to the depressing nature of Lennon's contributions to the songwriting -- "No Reply", "I'm a Loser", "Baby's in Black", and "I Don't Want to Spoil the Party" all being a far cry from "I Feel Fine" – it's not a fun album by any means. I've always had a soft spot for the album myself, but it's clearly the work of people who were very tired, depressed, and overworked. And they were working hard -- in the four months after the end of their American tour on the twentieth of September, they recorded most of Beatles For Sale and the accompanying single, played forty-eight gigs, made TV appearances on Shindig, Scene at 6:30, Thank Your Lucky Stars, Ready Steady Go, and Top of the Pops, radio appearances on Top Gear and Saturday Club, and sundry interviews. On top of that John also made an appearance on Peter Cook and Dudley Moore's show "Not Only... But Also", performing versions of some of his poetry with Moore and Norman Rossington, who had co-starred in A Hard Day's Night: [Excerpt: John Lennon, Dudley Moore and Norman Rossington, "All Abord Speeching"] They did get a month off from mid-January 1965 through mid-February, but then it was back to work on a new film and accompanying soundtrack album. The group's second film, Help!, is generally regarded with rather less fondness than A Hard Day's Night, and it's certainly the case that some aspects of the film have not dated at all well -- in particular the way that several characters are played by white actors in brownface doing very unconvincing Indian accents, and the less than respectful attitude to Hindu religious beliefs, are things which will make any modern viewer with the slightest sensitivity to such issues cringe terribly.  But those aren't the aspects of the film which most of its critics pick up on -- rather they tend to focus only on the things that the Beatles themselves criticise about the film, mostly that the group spent most of the filming stoned out of their minds, and the performances are thus a lot less focused than those in A Hard Day's Night, and also that the script -- written this time by Richard Lester's regular collaborator Charles Wood, from a story by Marc Behm, rather than by Alun Owen -- is also a little unfocused. All these are fair criticisms as far as they go, but it's also the case that Help! is not a film that is best done justice by being viewed on a small screen on one's own, as most of its critics have viewed it most of the time. Help! is part of a whole subgenre of films which were popular in the 1960s but largely aren't made today -- the loose, chaotic, adventure comedy in which a nominal plot is just an excuse for a series of comedy sketches strung together with spectacular visuals. The genre encompasses everything from It's a Mad Mad Mad Mad World to Casino Royale to The Pink Panther, and all of these films are meant to be seen on a big screen which allows the audience to appreciate their visual inventiveness, and in a communal audience which is laughing along with them. And when seen in that light, Help! is actually a remarkably entertaining example of the type. Yes, it doesn't hold together as well as A Hard Day's Night, and it doesn't resolve so much as just stop, but structurally it's remarkably close to the films of the Marx Brothers, especially their Paramount films, and it's odd that the Marx comparisons get made about A Hard Day's Night, a slice-of-life film inspired by the French New Wave, and not about the screwball comedy that ends in a confused chase sequence. There is one thing that is worth noting about Help! that is often obscured -- part of the reason for its globetrotting nature was because of the levels of taxation in Britain at the time. For top earners, like the Beatles were, the marginal rate of income tax was as high as ninety-five percent in the mid-sixties. Many of us would think this was a reasonable rate for people who were earning many, many times in a year what most people would earn in a lifetime, but it's also worth noting that the Beatles'  success had so far lasted only two years, and that a pop act who was successful for five years was remarkably long-lived -- in the British pop industry only Cliff Richard and the Shadows had had a successful career as chart artists for longer than that, and even they were doing much less well in 1965 than they had been in 1963. In retrospect, of course, we know that the Beatles would continue to sell millions of records a year for more than sixty years, but that was not something any of them could possibly have imagined at the time, and we're still in a period where Paul McCartney could talk about going into writing musicals once the Beatles fad passed, and Ringo could still imagine himself as the owner of a hairdresser's. So it's not completely unreasonable of them to want to keep as much of their money as they could, while they could, and so while McCartney will always talk in interviews about how many of the scenes in the film were inspired by a wishlist from the group -- "We've never been skiing", "We've never been to the Bahamas" -- and there might even be some truth to that, it's also the case that the Bahamas were as known for their lax tax regime as for their undoubted charm as a tourist destination, and these journeys were not solely about giving the group a chance to have fun. But of course, before making the film itself, the group had to record songs for its soundtrack, and so on February the sixteenth they went into the studio to record four songs, including the next single, "Ticket to Ride": [Excerpt: The Beatles, "Ticket to Ride"] While "Ticket to Ride" is mostly -- or possibly solely -- John's song, the record is very much Paul's record. For most of 1964, McCartney hadn't really been pulling his weight in the songwriting department when compared to John -- the handful of songs he had written had included some exceptional ones, but for the most part he hadn't written much, and John had been the more productive member of their partnership, writing almost all of the A Hard Day's Night album, most of the better tracks on Beatles For Sale, and the non-album single "I Feel Fine".  But now, John was sinking into one of his periodic bouts of depression -- he was still writing strong material, and would produce some of the best songs of his career in 1965, but he was unfocused and unhappy, and it was showing in his slowed productivity -- while McCartney was energised by living in London, the cultural capital of the world at that point in time, and having a famous girlfriend who was exposing him to vast areas of culture he had never been aware of before.  I say that "Ticket to Ride" is written by John, but there is some slight dispute about who contributed what to the writing. John's statement was that the song was all him, and that Paul's main contribution was the drum pattern that Ringo plays. Paul, on the other hand, claims that the song is about a sixty-forty split, with John being the sixty. McCartney's evidence for that is the strong vocal harmony he sings -- usually, if there's a two-part harmony like that on a Beatles song, it came about because Lennon and McCartney were in the same room together while writing it, and singing the part together as they were writing. He also talks about how when writing it they were discussing Ryde in the Isle of Wight, where McCartney's cousin ran a pub. I can certainly see it being the case that McCartney co-wrote the song, but I can also easily see the musicianly McCartney feeling the need to harmonise what would otherwise have been a monotonous melody, and adding the harmonies during the recording stage.  Either way, though, the song is primarily John's in the writing, but the arrangement is primarily McCartney's work -- and while Lennon would later claim that McCartney would always pay less attention to Lennon's songs than to McCartney's own, in this middle period of the group's career most of their truly astounding work comes when  Lennon brings in the song but McCartney experiments with the arrangement and production. Over and over again we see McCartney taking control of a Lennon song in the studio and bringing out aspects of it that its composer either had not considered or had not had the musical vocabulary or patience to realise on his own. Indeed one can see this as part of the dynamic that eventually led to the group breaking up. Lennon would bring in a half-formed idea and have the whole group work on it, especially McCartney, and turn it into the best version of itself it could be, but this would then seem like McCartney trying to take over. McCartney, meanwhile, with his greater musical facility, would increasingly not bother asking for the input of the group's other members, even when that input would have turned a mediocre song into a good one or a good one into a great one.  But at this point in their careers, at least, the collaboration brought out the best in both Lennon and McCartney -- though one must wonder what Harrison and Starr felt about having their parts dictated to them or simply replaced. In the case of "Ticket to Ride", one can trace the evolution of McCartney's drum pattern idea over a period of a few months. He was clearly fascinated by Hal Blaine's drum intro to "Be My Baby": [Excerpt: The Ronettes, "Be My Baby"] and came up with a variation of it for his own song "What You're Doing", possibly the most interesting song on Beatles For Sale on a pure production level, the guitar part for which, owing a lot to the Searchers, is also clearly a pointer to the sound on “Ticket to Ride”: [Excerpt: The Beatles, "What You're Doing"] "Ticket to Ride"s drum part is a more complex variation on that slightly broken pattern, as you can hear if you listen to the isolated drum part: [Excerpt: The Beatles, "Ticket to Ride (isolated drums)"] Interestingly, Ringo doesn't keep that precise pattern up all the way through in the studio recording of the song, though he does in subsequent live versions. Instead, from the third verse onwards he shifts to a more straightforward backbeat of the kind he would more normally play: [Excerpt: The Beatles, "Ticket to Ride (isolated drums)"] The mono mix of "Ticket to Ride", which is how most listeners of the time encountered it, shows much more than the stereo mix just what the group, and particularly Paul, were trying to do.  It's a bass-heavy track, sluggish and thundering. It's also a song that sounds *obsessed*. For the first six bars of the verse, and the whole intro, the song stays on a single chord, A, only changing on the word "away", right before the chorus: [Excerpt: The Beatles, "Ticket to Ride"] This obsession with one chord was possibly inspired by soul music, and in particular by "Dancing in the Street", which similarly stays on one chord for a long time: [Excerpt: Martha and the Vandellas, "Dancing in the Street"] We'll be looking more at how soul music was increasingly doing away with chord progressions in favour of keeping to an extended groove on a single chord when we next look at James Brown in a few weeks' time. But in its single-chord focus and its broken drum beat, "Ticket to Ride" is very much a precursor of what the group would do a little over a year later, when they recorded "Tomorrow Never Knows". Of course, it was also around this time that the group discovered Indian music for the first time. There are scenes in the film Help! which feature musicians playing Indian instruments, and George Harrison became fascinated by the sound of the sitar and bought one, and we'll be seeing the repercussions of that for much of the next year. But it's interesting to note that a lot of the elements that make Indian classical music so distinctive to ears used to Western popular music -- the lack of harmonic movement, the modal melodies, the use of percussion not to keep a steady beat but in melodic interplay with the string instruments -- were all already present in songs like "Ticket to Ride", albeit far less obviously and in a way that still fit very much into pop song conventions. The Beatles grew immensely as musicians from their exposure to Indian music, but it's also the case that Indian music appealed to them precisely because it was an extension of the tastes they already had. Unlike when recording Beatles For Sale, the group clearly had enough original material to fill out an album, even if they ended up not doing so and including two mediocre cover versions on the album -- the last time that would happen during the group's time together. The B-sides of the two singles, John's "Yes It Is" and Paul's "I'm Down", both remained only available on the singles, even though the previous film soundtrack had included the B-sides of both its singles. Not only that, but they recorded two Lennon/McCartney songs that would remain unreleased until more than thirty years later. "If You've Got Troubles" was left unreleased for good reason -- a song written for Ringo to sing, it's probably the single worst Lennon/McCartney song ever attempted by the group, with little or nothing to redeem it. McCartney's "That Means a Lot" is more interesting. It's clearly an attempt by McCartney to write a "Ticket to Ride" part two, with a similar riff and feel: [Excerpt: The Beatles, "That Means a Lot"] It even has a sped-up repurposing of the hook line at the end, just as "Ticket to Ride" does, with "Can't you see?" taking the place of "My baby don't care": [Excerpt: The Beatles, "That Means a Lot"] The group spent a couple of sessions on that track, but seem to have given up on it. While it's far from the best thing they did, it's not worthless or unreleasable, and one suspects that they ended up thinking that the track couldn't go on the same album as "Ticket to Ride" because the two songs were just too close. Instead, they ended up giving the song to P.J. Proby, the American singer who had been brought over by Jack Good for the About The Beatles show, and who had built something of a career for himself in the UK with a string of minor hits. Lennon said "we found we just couldn't sing it. In fact, we made a hash of it, so we thought we'd better give it to someone who could do it well". And Proby *could* have done it well -- but whether he did or not is something you can judge for yourself: [Excerpt: P.J. Proby, "That Means a Lot"] Somehow, Proby's version of the song made the top thirty. When the group started filming "Help!", the film was still going under the working title "Eight Arms to Hold You", which absolutely nobody involved liked -- the title was even included on the label of some copies of "Ticket to Ride", but Lennon and McCartney particularly disliked the idea of writing a song to that title. Some have suggested that the plan was to use McCartney's "Eight Days a Week", an album track from Beatles For Sale that had been released as an American single, as a title track, but it seems unlikely that anyone would have considered that -- United Artists wanted something they could put out on a soundtrack album, and the song had already been out for many months. Instead, at almost the last minute, it was decided to name the film "Help!". This was actually close to the very first working title for the film, which had been "Help, Help". According to Lester, "the lawyer said it had already been registered and you mustn't use it so we had Beatles Two and then Eight Arms to Hold You". The only film I've been able to discover with the title "Help, Help", though, is a silent film from 1912, which I don't imagine would have caused much problem in this case.  However, after the group insisted that they couldn't possibly write a song called "Eight Arms to Hold You", Lester realised that if he put an exclamation mark after the word "help", that turned it into a different title. After getting legal approval he announced that the title of the new film was going to be "Help!", and that same day John came up with a song to that title: [Excerpt: The Beatles, "Help!"] Lennon later said that the song had started out as a slow, intense, ballad, and he had been persuaded to speed it up in the studio somewhat against his will. The song being performed as an upbeat pop song possibly made it harder for the public to see what was obvious to Lennon himself, that the song itself was a cry for help from someone going through a mental health crisis. Despite the title not being his, the sentiments certainly were, and for the first time there was barely even the fig-leaf of romantic love to disguise this. The song's lyrics certainly could be interpreted as being the singer wanting help from a romantic partner, but they don't actually specify this, which is not something that could be said about any of the group's other originals up to this point. The soundtrack album for Help! is also notable in other ways. George Harrison writes two songs on the album, when he'd only written one in total for the first four albums. From this point on he would be a major songwriting presence in the group. It also contains the most obvious Dylan homage yet, with Lennon impersonating Dylan's vocal style on "You've Got to Hide Your Love Away", recorded three days after "Ticket to Ride": [Excerpt: The Beatles, "You've Got to Hide Your Love Away"]  "You've Got to Hide Your Love Away" was notable in another way as well -- it was the first time that a musician other than the Beatles or George Martin was called in to work on a Beatles record (other than Andy White on the "Love Me Do" session, which was not something the Beatles chose or approved of). The flute player Johnny Scott overdubbed two tracks of flute at the end of the recording: [Excerpt: The Beatles, "You've Got to Hide Your Love Away"] That was a sign of things to come, because in June, once filming had completed, the group went into the studio to continue recording for the non-soundtrack side of the soundtrack album. This was the height of the group's success and embrace by the establishment -- two days earlier it had been announced that they were all to be awarded MBEs -- and it's also the point at which McCartney's new creative growth as a songwriter really became apparent. They recorded three songs on the same day -- his Little Richard soundalike "I'm Down", which ended up being used as the B-side for "Help!", an acoustic country song called "I've Just Seen a Face", and finally a song whose melody had come to him in a dream many months earlier. McCartney had been so impressed by the melody he'd dreamed that he'd been unable to believe it was original to him, and had spent a long time playing it to other people to see if they recognised it. When they didn't, he eventually changed the lyrics from his original jokey "Scrambled eggs/Oh my baby how I love your legs" to something more appropriate, and titled it "Yesterday": [Excerpt: The Beatles, "Yesterday (Anthology 2 early take)"] "Yesterday" was released as a Beatles track, on a Beatles album, but it had absolutely no involvement from John, George, and Ringo -- nobody could figure out how to adapt the song to a guitars/bass/drums format. Instead George Martin scored it for a string quartet, with some assistance from McCartney who, worried that strings would end up meaning something Mantovani-like, insisted that the score be kept as simple as possible, and played with almost no vibrato. The result was a Beatles track that featured five people, but only one Beatle: [Excerpt: The Beatles, "Yesterday"] The group's next album would see all the band members appearing on every track, and no musicians brought in from outside the group and their organisation, but the genie was now out of the bottle -- the label "The Beatles" on a record no longer meant that it featured John, Paul, George, and Ringo, but just that at least one of them was on the track and the others had agreed it could go out under their name. This would lead to immense changes in the way the group worked, and we'll be seeing how that played out throughout the rest of the 1960s.

In this episode, Ben, Francois and Chuck talk about the skills and knowledge that will help you get started with machine learning. Ben outlines 3 different things that will get you started faster than anything else. Francois and Chuck add a couple more things and they discuss the best ways to implement each one of these skills or tactics to become a top notch Machine Learning Engineer. Panel Ben Wilson Charles Wood Francois Bertrand Sponsors Dev Influencers Accelarator Picks Ben- Evidently AI Charles- Psycho-Cybernetics Charles- Focus Blocks Francois- Clockify Contact Ben: Databricks GitHub | BenWilson2/ML-Engineering GitHub | databrickslabs/automl-toolkit LinkedIn: Benjamin Wilson Contact Charles: Devchat.tv DevChat.tv | Facebook Twitter: DevChat.tv ( @devchattv ) Contact Francois: Francois Bertrand GitHub | fbdesignpro/sweetviz

Quick Links:The Agency Profitability Toolkit - Get the templates, formulas, and frameworks we've used with our consulting clients to help them double their profitability in under 60 days, absolutely free.For more information on our Agency Profitability Systems and Consulting, check out https://parakeeto.comLove the podcast? Leave us a review on the platform of your choice at this link.Guest Links:twitter.com/cmaxwfacebook.com/charlesmaxwoodpodcastplaybook.codevchat.tvAbout Charles Wood:Charles Max Wood is the CEO and podcast host at Devchat.tv – a podcast network for software developers, which reaches over 70,000 every week. Podcasting since 2008, Charles has done over 3,100 podcast episodes across 25+ shows.He's the instructor at the Podcast Playbook, providing step-by-step procedures to producing podcasts – while growing your business.As if that weren't enough, Charles also casts on Video Games, Songwriting, Harry Potter, and Star Wars, which he produces with four of his five kids.

Charles Max Wood takes a solo flight into how to make an impact on the development community and build the career you want at the same time. Chuck starts out summarizing his journey over the last year or so and then dives into his vision of how people can grow into becoming an influencer and using that to create opportunities in your life and career. Please check out devchat.tv/nextlevel Panel Charles Wood Sponsors Next Level Mastermind

Peter Elger and Eóin Shanaghy join Charles Max Wood to dive into what Artificial Intelligence and Machine Learning related services are available for people to use. Peter and Eóin are experts in AWS and explain what is provided in its services, but easily extrapolate to other clouds. If you're trying to implement Artificial Intelligence algorithms, you may want to use or modify an algorithm already built and provided to you. Panel Charles Wood Guest Eóin Shanaghy Peter Elger Sponsors Next Level Mastermind Links fourTheorem Twitter: Eóin Shanaghy Twitter: Peter Elger Picks Charles- The Eye of the World: Book One of The Wheel of Time by Robert Jordan Charles - Changemakers With Jamie Atkinson Charles- Podcast Domination Show by Luis Diaz Charles- Buzzcast Charles- Podcast Talent Coach Eóin- IKEA | IDÅSEN Desk sit/stand, black/dark gray63x31 1/2 " Eóin- Kinesis | Freestyle2 Split- Adjustable Keyboard for PC Peter- The Wolfram Physics Project Peter- PBS Space Time Peter- Youtube Channel | 3Blue1Brown Peter- Cracking the Code

Jean-Georges Perrin compares Apache Spark to an operating system for data management. He explains how it can be used to pull data from disparate data sources, process the data, feed it into Machine Learning algorithms and stream the data out to other data streaming services. Coupon code: podmladventure20 Panel Charles Wood Guest Jean-Georges Perrin Sponsors Next Level Mastermind Picks Charles- Talk to people you don’t agree with and try to understand their point of view. Charles- Eureka on Amazon Prime Charles- The Expanse books and series

Show Notes The music used in this episode's break is Charles Wood's 'Ding Dong Merrily on High', performed by Steve's Bedroom Band. Sources Fanny Jackson-Coppin. Reminiscences of School Life; and Hints on Teaching. Digitised by the University of North Carolina. Cassandra Waggoner. ‘Fannie Jackson Coppin (1837-1913). Blackpast Robin Brooks. Looking to Foremothers for Strength: A Brief Biography of the Colored Woman's League. _Women's Studies. Sep 2018, Vol. 47 Issue 6, p609-616_.__ Geraldine J. Clifford. Those Good Gertrudes : A Social History of Women Teachers in America. (2016) James Levy. Forging African American Minds: Black Pragmatism, “intelligent labor,” and a new look at industrial education, 1879–1900. American Nineteenth Century History. Mar2016, Vol. 17 Issue 1, p43-73. Linda M. Perkins. Heed Life's Demands: The Educational Philosophy of Fanny Jackson Coppin_.  _The Journal of Negro Education. Vol. 51 Issue 3, p181-190 Christel N Temple. The Cosmology of Afrocentric Womanism. Western Journal of Black Studies. Spring2012, Vol. 36 Issue 1, p23-32. http://0-search.ebscohost.com.catalogue.libraries.london.ac.uk/login.aspx?direct=true&db=a9h&AN=76126380&site=eds-live Sources not directly used in episode but of interest Bryan Conn & Tara Bynum. Encyclopedia of African-American Writing : Five Centuries of Contribution: Trials & Triumphs of Writers, Poets, Publications and Organizations. (2018) Kendra R. Parker. Black Female Vampires in African American Women's Novels, 1977–2011 : She Bites Back. (2020) Nazera Sadiq Wright. Black Girlhood in the Nineteenth Century. (2016) Support Victorian Scribblers by donating to their Tip Jar: https://tips.pinecast.com/jar/victorian-scribblers

The Working Tools Podcast https://youtu.be/BCkytXW7Oew Join the Working Tools Podcast Team; WB Steven Chung, VWB David Colbeth & VWB Matthew Appel as we interview the Grand Master of Washington, MWB Charles Wood and discuss his year as Grand Master of Washington FreeMasons. Grand Lodge of Washington: www.FreeMason-WA.org Follow us on Facebook! https://www.facebook.com/workingtoolspodcast/ Podcast rebroadcasts: ANCHOR.fm: https://anchor.fm/theworkingtoolspodcast iTunes: https://podcasts.apple.com/ca/podcast/the-working-tools-podcast/id1470810240 GOOGLE PODCASTS: https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy9jNTgzOWY4L3BvZGNhc3QvcnNz SPOTIFY: https://open.spotify.com/show/2badGvl0C5JWwHMzuySQrS STITCHER: https://www.stitcher.com/podcast/anchor-podcasts/the-working-tools-podcast DISCLAIMER: Our opinions are our own, and do not reflect the opinions or stances of the various Grand Lodges or regular Lodges around the world. Music: www.bensound.com --- Support this podcast: https://anchor.fm/theworkingtoolspodcast/support

The Working Tools Podcast https://youtu.be/ud2LMMT3Dno Join the Working Tools Podcast Team; WB Steven Chung, VWB David Colbeth & VWB Matthew Appel as we discuss a SPECIAL presentation regarding COVID19 and recent decisions by the Grand Lodge of Washington with the Grand Master of Washington, MWB Charles Wood. Follow us on Facebook! https://www.facebook.com/workingtoolspodcast/ Podcast rebroadcasts: ANCHOR.fm: https://anchor.fm/theworkingtoolspodcast iTunes: https://podcasts.apple.com/ca/podcast/the-working-tools-podcast/id1470810240 GOOGLE PODCASTS: https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy9jNTgzOWY4L3BvZGNhc3QvcnNz SPOTIFY: https://open.spotify.com/show/2badGvl0C5JWwHMzuySQrS STITCHER: https://www.stitcher.com/podcast/anchor-podcasts/the-working-tools-podcast DISCLAIMER: Our opinions are our own, and do not reflect the opinions or stances of the various Grand Lodges or regular Lodges around the world. Music: www.bensound.com --- Support this podcast: https://anchor.fm/theworkingtoolspodcast/support

Todd Charles Wood and Darrel R. Falk are two respected scientists who hold opposing views on the topic of origins, share a common faith in Jesus Christ, and began a sometimes-painful journey to explore how they can remain in Christian fellowship when each thinks the other is harming the church. This conversation was moderated by Rob Barrett, Chief Programming and Innovation Officer at The Colossian Forum, whose mission is to equip leaders to transform cultural conflicts into opportunities for spiritual growth and witness with a vision of a Christian community that acts Christian, especially in the face of conflict.

The official teaser trailer for The All-Night Drive-In Picture Show podcast launching Friday, November 15, 2019.  Co-hosted by Ryan Mason and Charles Wood.  

For Marvel's Avengers films, my guest Marti Romances and his talented team at Territory Studio worked closely with production designer Charles Wood and the art department to craft a visual language to support the filmmakers' vision and reflect each individual character's of the personalities. Ok you're hooked right? Marti shares his insights and experiences on design, tech and filmmaking working on so many great films and spots, I know you'll eat this episode up. Check out their showreel here. Thanks, Jordan Congrats to Mario Garza on being chosen fo the Superlounge Diversity Award! He'll be at Commercial Directing Bootcamp June 15th, 2019. Limit 20 filmmakers. This runs an hour and 15 min.