Podcast appearances and mentions of giovanni gabrieli

O Lord, You are my God; I will exalt You and praise Your name, for in perfect faithfulness You have done wonderful things, things planned long ago._ With these words, Isaiah falls in worship before the Lord. You have been a refuge for the poor , a refuge for the needy in their distress, a shelter from the storm and a shade from the heat. How beautiful the Lord is, and how kind! In His gentleness, He stoops down to lift us up and draw us into His own family. This exultant reflection, which is adapted from Isaiah 25, Luke 1:51 and Psalm 18:35, is set to the glorious music of Giovanni Gabrieli's Canzon septimi et octavi toni a 12. Beloved, let us rejoice and be glad in His salvation! The words are read by Elizabeth Hume and Robert Weston, and the music is wonderfully performed for us by Nicola Gerard, Anthony Thompson, Mike Halliday, Peter Richards, Francis Cummings, Shirley Richards, Philippa Barton, Christiane Mueller, Jo Garcia and Corinne Frost.

Giovanni Gabrieli - Sonata Pian e ForteHR Brass Edward H. Tarr, conductorMore info about today's track: Capriccio C7073Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

durée : 01:29:00 - En pistes ! du vendredi 06 septembre 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme du jour, les œuvres d'Igor Stravinsky, Arnold Schoenberg, Giovanni Gabrieli, Rita Strohl, Robert Schumann, Dmitri Chostakovitch, Gabriel Fauré, Emmanuel Chabrier, et Déodat de Séverac. En pistes !

durée : 01:29:00 - En pistes ! du vendredi 06 septembre 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme du jour, les œuvres d'Igor Stravinsky, Arnold Schoenberg, Giovanni Gabrieli, Rita Strohl, Robert Schumann, Dmitri Chostakovitch, Gabriel Fauré, Emmanuel Chabrier, et Déodat de Séverac. En pistes !

Giovanni Gabrieli (1557 – 1612)01 Canzon Duo Decimi Toni 00:0002 Canzon Septimi Toni No. 2 03:3103 Canzon VII 06:3004 Canzon IX 10:2705 Gloria 13:1406 Pavane di Angleterre 17:3007 Galliard 19:3308 In Nomine XII 21:2809 Lauda Jerusalem 22:5510 Vos Amici Mei Estis 25:5111 Canzon XVI 29:1312 Concerto Primo - La Battaglia 32:4413 Credidi (Tertii Toni) 34:2014 Ola, O Che Bon Eccho 39:5415 Sonate XIII from Canzone e Sonate 41:3416 Canzon XI 44:2717 Veni Redemptor I 47:2118 Non Vos Relinguam 49:2119 Canzon A 12 51:1220 Canzon A 12 Echo 54:21  Empire Brass Rolf Smedvig, conductor  About Giovanni Gabrieli 

We mark the death on August 12, 1612 – 412 years ago today – of the composer Giovanni Gabrieli.  Born in Venice circa 1555, he grew up and spent his professional life in that glorious city, and died there as a result of complications from a kidney stone. Gabrieli's magnificent, soul-stirring music went a long way towards helping to define the expressive exuberance of what we now identify as Baroque era music.  The impact and influence of his music was ginormous, an impact and influence that culminated a century later in the German High Baroque music of Johann Sebastian Bach (1685-1750)! To a degree beyond any other composer before or after him, Gabrieli's music has come to be identified with his hometown of Venice, in particular the acoustically unique Venetian performance venues for which so much of his music was composed.    It is necessary, then, for us to spend some time in Venice, if only to get some inkling of what makes this singularly remarkable city so spiritually, artistically, and architecturally unique; and why Gabrieli's music is uniquely Venetian.… Continue Reading, only on Patreon! The post Music History Monday: Giovanni Gabrieli and the Miracle That is Venice! first appeared on Robert Greenberg.

Donald Macleod explores the lives and music of uncle and nephew Andrea and Giovanni GabrieliAndrea and Giovanni Gabrieli share a name that dominated Venetian music during the late 16th and early 17th century. Both uncle and nephew were organists and composers, and their music was linked inextricably with the exceptional city in which they lived and worked. From the organ loft of St Mark's Basilica to the resplendent palazzos of merchants and noblemen, they provided the soundtrack to Venice's golden age, with its numerous feast days and celebrations. But together, they would also pioneer an ambitious way of writing choral music - playing with texture and architecture– that would eventually echo beyond the Venetian waterways and profoundly affect the music of the future.Music Featured:Andrea Gabrieli: Benedictus dominus Deus sabbaoth Andrea Gabrieli: Fantasia allegra del duodecima toni Andrea Gabrieli: Hor chel nel suo ben seno; Vaghi augelletti; Angel del terzo ciel; O suave a mio cor Andrea Gabrieli: Aria della battaglia Andrea Gabrieli: Laudate dominum omnes gentes a 5; Laudate Dominum in sanctis eius a 10; Giovanni Gabrieli: O magnum mysterium Andrea Gabrieli: Ricercar del settimo tuono Giovanni Gabrieli: Deus qui beatum Marcum Andrea Gabrieli: Sancta et immaculata; Laetare Jerusalem Andrea Gabrieli: Maria Magdalenae et altera Maria; Maria stabat ad monumentum Andrea Gabrieli: Kyrie a 5; Christe a 8; Kyrie a 12; Gloria a 16 Giovanni Gabrieli: Exaudi me domine a 16 Giovanni Gabrieli: Hic est filius Dei (arr. Timothy Higgins) a 18 Giovanni Gabrieli: Hodie Christus natus est Giovanni Gabrieli: Sonata pian e forte Giovanni Gabrieli: Udite, chiari e generosi figli Andrea Gabrieli: Psalmi Davidici, Psalmo 31:Beati quórum remissae; Delictum meum cognitum tibi feci; Tu es refugium meum a tribulatione; In camo et fraeno Giovanni Gabrieli: Audite príncipes Giovanni Gabrieli: Litaniae Beatae Mariae Virginis Andrea Gabrieli: O salutaris hostia Giovanni Gabrieli: Cantate Domino a 8 Giovanni Gabrieli: Sonata con tre violini - XXI Giovanni Gabrieli: Timor et tremor Giovanni Gabrieli: Jubilate Deo Giovanni Gabrieli: Sonata a 22; Magnificat a 33 Giovanni Gabrieli: Sonata octavi toni a 12; Omnes gentes Giovanni Gabrieli: Sacri di Giove augei, sacre Fenici Giovanni Gabrieli: Canzon XXVIII a 8 “Sol sol la fa mi” Giovanni Gabrieli:Buccinate in neomenio tuba Giovanni Gabrieli: Canzon per sonar primi toni a 10; Canzon a 4 “La Spiritata”; Canzon 3 a 6 Giovanni Gabrieli: Maria virgo a 10; Canzon in echo duodecimo toni; Hic est filius Dei Giovanni Gabrieli: Quem vidistis pastores Giovanni Gabrieli: In eclesiisPresented by Donald Macleod Produced by Amelia Parker for BBC Audio Wales and WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Andrea and Giovanni Gabrieli https://www.bbc.co.uk/programmes/m001x3y2And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

This episode is primarily meant as a primer for music students.  It gives a very broad overview of music history from the Medieval era through what we might call modern classical music.  This episode is limited to Western civilization and some of the common composers.  This episode also offers David Lane's suggestion that we should rethink how we've classified musical eras since 1900.  Let us know what you think.   Music excerpts occur in this order: O virga ac diadema (Hildegard von Bengen), The Shoemaker's Wife (John Dowland), Canzon 12 (Giovanni Gabrieli), Spem in Alium (Thomas Tallis), Erbarme Dich, mein Gott from “St Matthew's Passion” (Johann Sebastian Bach), String Quartet op. 76, no. 2 mvt III (Franz Joseph Haydn), finale of Act 4 of Swan Lake (Peter Tchaikovsky), Symphony No. 2 (Gustav Mahler), “Nuages” from Nocturnes (Claude Debussy), and Part 2 of Daphnis et Chloe (Maurice Ravel) Let me know your thoughts on this episode at https://www.speakpipe.com/MusicianToolkit or you can send me a written message at https://www.davidlanemusic.com/contact    You can find this episode and links to this show on all podcast apps from https://musiciantoolkit.podbean.com/.  If you enjoyed this, please give it a rating and review on the podcast app of your choice.  You can also now find the podcast at https://www.davidlanemusic.com/toolkit You can follow David Lane AND the Musician Toolkit podcast on Facebook @DavidMLaneMusic, on Instagram and TikTok @DavidLaneMusic, and on YouTube @davidlanemusic1 This episode is sponsored by Fons, an online platform that helps private teachers of all types (music, yoga, martial arts, academic tutoring, coaches, etc) with smooth, automated assistance such as securing timely automatic payments and scheduling.  Click here for more information or to begin your free trial.

durée : 00:25:23 - Giovanni Gabrieli, "Sacrae Symphoniae" - par : Anne-Charlotte Rémond - Le Jour de l'Ascension est très particulier à Venise, depuis près de 500 ans. Comme toutes les fêtes vénitiennes, la Sensa (l'Ascension) est fastueuse. Tout concourt à donner de la République Sérénissime une image de lustre et de magnificence. - réalisé par : Philippe Petit

Hoy nos adentraremos en el interior de la Scuola Grande di San Rocco, en Venecia, para escuchar la música que bien pudo interpretarse allí en el año 1608 durante los festejos del día de su patrón, San Rocco, el 16 de agosto. Y será, en su mayor parte con obras de Giovanni Gabrieli. Escuchar audio

Episode: 2621 Giovanni Gabrieli and the Venetian School of Polychoral music at St. Mark's Basilica, Venice.  Today, a marriage of sound and space.

DescriptionThe trombone has a long history, said to have been created in the middle of the 15th century. Take a minute to get the scoop!Listen to: Giovanni Gabrieli in Venice: 'Beata es virgo' a6 - English Cornett and Sackbut Ensemble ℅ YouTubeFun FactThe sackbut was used extensively across Europe, from its appearance in the 15th century to a decline in most places by the mid-late 17th century. It was used in outdoor events, in concert, and in liturgical settings. With trumpeters, trombonists in German city-states were employed as civil officials.__________________________________________________________________About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.

16th-20th CenturiesWe hear works by Francisco de Peñalosa, Luis de Narváez, Giovanni Gabrieli, Franz Tunder, Johann Kuhnau, Pieter Hellendaal, Karol Lipiński, Eugen d’Albert, and Yves Prin.139 Minutes – Week of 2023 April 03

- Calimani, R. (2019). Storia della Repubblica di Venezia. La Serenissima dalle origini allá caduta. Milán: Mondadori. - Ferraro, J. (2016). Venice: History of the Floating City. Cambridge: Cambridge University Press. - Orlando, E. (2021). Le repubbliche marinare. Bologna: Società editrice il Mulino. Música: - “Danza Inglesa Siglo XIII” – Artefactum - “Sonata “Enharmonic” a4 in G minor” – Giovanni Valentini - “Sonata a5” – Giovanni Valentini - “Sonata à 3” – Antonio Bertali - “Sonata et Canzoni, Book 6: Sonata N. 4 a 2” – Giovanni Battista Buonamente - “Canzon Primi Toni” – Giovanni Gabrieli - “Canzona per sonare N. 27” – Giovanni Gabrieli - “Pavan d’Aragon” – John Renbourn - “El Cant Dels Ocells” – Jordi Savall - “Plyasovaya” – Andrey Vinogradov - “Saltarello I Siglo XIV” – Artefactum Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

No eye has seen, no ear has heard, no mind has conceived what You have prepared for those who love You, Lord, but You have revealed it to us by his Spirit. The Music: Gabrielli's Canzone primi toni The end of the 16th century found Giovanni Gabrieli combining the roles of organist and principal composer at St Mark's Cathedral, where he was able to take full advantage of the superb acoustics in that majestic building. One commentator described his dialogues between different instruments as being the 16th-century equivalent to ‘surround sound.' This simple canzona perfectly offsets the theme of this short piece. Musicians: Julia Herzog, Jo Foote (recorders), Lizzie Attwood, Elizabeth Long (flutes), Francis Cummings, Claire Lewis Lim, Chian Lewis Lim and Suzanne Herzog, Jo Garcia, Matthew Deakin (strings) No eye has seen, no ear has heard, no mind has conceived what You have prepared for those who love You, Lord, but You have revealed it to us by his Spirit. Lord, I'm eager to do Your will. Lead me to such people, places and sources of information that will increase my stock of wisdom and my store of learning. Help me to know what to say when people come to me in need. Grant me knowledge without pride and insight without suspicion. Keep me from spending too much time with people I can never really help, or be helped by. Help me to realise that when You say “No” or “Wait” You mean it, and that You have good reason for saying it. Help us to listen to You, Lord. May we hear You through the pages of Your Word, now wild and disturbing, now calm and reassuring, Let Your word enter the secret places of the heart, dispersing fear and condemnation, bringing light and love. Help us to perceive the links and connections amongst the turbulent affairs of mankind: between cause and effect, sin and consequence, mercy and the avoidance of disaster. For You are the stillness that comes after the turmoil; the peace at the end of the day, and the One who renews our hope.

Synopsis If you've ever witnessed a spectacular display of the Northern Lights, you'll know the feeling: jaw-dropping wonder at the powerful forces unleashed in the vast spaces of the night sky. The American composer Henry Brant experienced something like that in St. Paul, Minnesota, in 1982 during a visit, and later translated the experience into his “Northern Lights over the Twin Cities,” a work commissioned by Macalester College in St. Paul to celebrate its 100th anniversary in 1985. Like most of Brant's works, this piece employs several distinct groups of performers separated by space, a technique called “spatial” composition. For his Macalester Centenary commission, Brant utilized all the musical ensembles the College had to offer, including its chorus and orchestra, its wind, marching, and jazz bands, and even its bagpipe ensemble, all positioned at various points around the College's cavernous Field House. Brant said his own “spatial” works were inspired by the antiphonal works of the Renaissance composer Giovanni Gabrieli, the multiple brass ensembles in the “Requiem Mass” by the French Romantic composer Hector Berlioz, but above all by “The Unanswered Question,” by the modern American composer Charles Ives. Brant was born on today's date in 1913. He was awarded the Pulitzer Prize for Music in 2002, and died at the age of 94, in 2008. Music Played in Today's Program Henry Brant (1913-2008) –Northern Lights Over the Twin Cities (Combined musical forces of Macalester College; with six conductors, including Henry Brant) Innova CD 408

28. februarja 2022 je v Cukrarni kot del cikla Solo e da camera nastopil Ansambel saksofonov 96, ki je svoj nastop začel s priredbo dela Giovannija Gabrielija, potem pa je predstavil izrazito sodoben repertoar: Giovanni Gabrieli, prir. Jean-Marie Londeix:CANZONA XV Regis Campo: ZAPP'ART Barbara Thompson: CITIES NEVER SLEEP Masa Matsuura: TOYA in CYTOKINESIS II za osem saksofonov Daniel Muck: ARANEUM Drake Mabry: SAXISSIMO Arijan Mačak, Tia Ivajnšič in Boštjan Rojc, sopranski saksofon Agata Živoder, Kristina Neli Lampe in Dora Mlinarič, altovski saksofon Vida Piko Vatovec, Vida Kregar in Kristaps Vanags, tenorski saksofon Jan Tominič in Eva Saje, baritonski saksofon Marko Petek, basovski saksofon Inti Pucihar, tolkala Vida Piko Vatovec, priprava ansambla Miha Rogina, mentor

Some Light in Darkness dlr LexIcon We are thrilled to bring you a series of four of Tim's very special Monday Morning Music sessions. He will introduce music which he has enjoyed during Lockdown – and some Christmas music too. These sessions took place in the Studio Theatre, dlr LexIcon. If you would like further suggestions by Tim, see last year's Darkness to Light booklet featuring Tim's recommendations: https://libraries.dlrcoco.ie/events-and-news/library-news/darkness-light-recommended-listening-tim-thurston dlr Libraries are enormously grateful for the many CD donations Tim Thurston has given to dlr LexIcon for all to borrow and enjoy. Uploaded at dlr LexIcon, Dún Laoghaire on Thursday 16 December 2021. Some Light in Darkness Monday Morning Music with Tim Thurston 13 Dec 2021 Anon. Puer Natus Est. Theatre of Voices – Paul Hillier. Harmonia Mundi HMU807565. John Sheppard. Verbum Caro. Stile Antico. Harmonia Mundi HMU807517. Giovanni Gabrieli. Quem Vidistis Pastores. Gabrieli Consort and Players – Paul McCreesh. DARCHIV 471333=2. Johann Sebastian Bach. Jauchzet – from Christmas Oratorio. Hanover Boys Choir – Jorg Breiding. Rondeau ROP5003 DVD. Francis Poulenc. 4 Motets Pour Le Temps de Noel. Rias Kammerchor – Hans-Christoph Rademann. Harmonia Mundi HMC902170. Anon - Trad. In Dulci Jubilo, Coventry Carol, Gaudete. The Gesualdo Six – Owain Park. Signum Hyperion CDA68299. Harold Darke, Elizabeth Poston. In the Bleak Midwinter, Jesus Christ the Apple Tree. Merton College, Oxford – Benjamin Nicholas. Delphian DCD34192. If anyone has any questions or comments, Tim will be delighted to respond from timthurston1610@gmail.com A Gloria listener has persuaded RTÉ to make available many of past Gloria programmes. They may be found at https://www.rte.ie/radio/lyricfm/gloria/episodes/?page=1

Giovanni Gabrieli Exaudi me Domine e In Eccclesiis con Giovanni Bietti

Giovanni Gabrieli verband die franko-flämischen Polyphonie mit der venezianischen Mehrchörigkeit. Das Ensemble "La Guilde de Mercenaires", die Söldnergilde, möchte der ursprünglichen Form dieser Musik möglichst nahekommen und wählt dafür eine Besetzung, die Stimmen und Instrumente kombiniert.

Mit dem Werk über einen alttestamentarischen Text wagt sich der junge Karlheinz Stockhausen 1956 auf kompositorisches Neuland: zum ersten Mal verbindet er die menschliche Stimme mit elektronischen Klängen. Eine technische Pionierleistung, aber auch Ausdruck tief empfundener Spiritualität. (Autor: Martin Zingsheim)

Episode: 2621 Giovanni Gabrieli and the Venetian School of Polychoral music at St. Mark's Basilica, Venice.  Today, a marriage of sound and space.

durée : 01:58:08 - En pistes ! du mardi 22 juin 2021 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Romances, Ballades et Duos de Schumann pour voix et piano ; un programme de transcriptions pour flûte à bec et luth d'œuvres de Jean-Sébastien Bach ; Adrien Mabire et la Guilde des Mercenaires rendent gloire à Venise avec la musique de Giovanni Gabrieli, Claudio Merulo, Giossefo Guami... - réalisé par : Gilles Blanchard

25 April 2021 | St. Mark the Evangelist | Eugene, Ore. How better to end a busy week than a long walk by moonlight, holding forth on some of our favorite literary and theological themes? What do Shakespeare’s Antony and Cleopatra have in common with King Lear, or Tolkien with James Joyce—or, for that matter, St. Mark with his iconic lion? It’s all on the table in this Sunday’s episode! Opening music: “O magnum mysterium,” composed by Giovanni Gabrieli, sung by the Choir of King’s College Cambridge, dir. Stephen Cleobury, 2015. All rights reserved. --- Send in a voice message: https://anchor.fm/in-your-embrace/message

Heinrich Schütz nannte seine Vokalwerk von 1636 mit protestantischem Understatement "Kleine geistliche Konzerte". Dabei verbindet er in den 55 sparsam besetzten vokalen Meisterstücken gesungenen Nervenkitzel mit kunstvoller Stimmführung und schreibt mitten im 30jährigen Krieg eine Musik voller Zuversicht. (Autor: Martin Zingsheim)

Yule – Part IV This week we hear anonymous and traditional works and works by John Taverner, Giovanni Gabrieli, Michael Praetorius, Orlando Gibbons, Francisco de Vidales, Francesco Manfredini, Johann Sebastian Bach, Hector Berlioz, Ralph Vaughan Williams, Harold Edwin Darke, Hugo Distler, Peter Warlock, John David, Jean Guillou, Krzysztof Penderecki, John Rutter, and Gary Fry. 187 Minutes – Week of December 21, 2020

The chat continues with some of the good things that recordings can enable - but how far should you go in embracing technology? With music by Luca Marenzio, Olivier Messiaen, Giovanni Gabrieli, Alessandro Striggio, Handel, Haydn, Adrian Williams.Support this show http://supporter.acast.com/choral-chihuahua. See acast.com/privacy for privacy and opt-out information.

Episode 19 – “Omnes Gentes” (13th Sunday in Ordinary Time) Chant: https://apps.illuminarepublications.com/gregorio/tmp/gregorio5ef4a03a99b7e2.96711055.pdf Text & Translation - Introit: “Omnes gentes, plaudit manibus: iubilate Deo in voce exsultationis” - “All nations, clap your hands; shout unto God with a voice of joy” - Psalm 47 Musical Musings #chantnerdterm: Incipit Resonant Reflections Challenge: - Do some exploring outside your liturgical norm. Share the music or art you find on the Facebook page: www.facebook.com/chantpodcast/ - Were you today years old when you learned that the Catholic Church has rites other than Latin? Need some ideas for your exploratory mission? https://www.catholicnewsagency.com/resources/liturgy/rites/the-rites-of-the-catholic-church Sunday Playlist: - https://www.youtube.com/watch?v=xxLnP118flA - Taize: https://www.youtube.com/watch?v=RdfOiqhU2ZU - Renaissance-era -Giovanni Gabrieli: https://www.youtube.com/watch?v=wLGgLtfzYF0 - Joshua’s Troop – Everybody Clap Your Hands: https://www.youtube.com/watch?v=MDOhwnzbeJQ - Patrick Riddick “Clap Your Hands”: https://www.youtube.com/watch?v=G10Zar3o69E - Shout Unto God by Hillsong: https://www.youtube.com/watch?v=hOaqbfJTmg4 - GUINE’S FAVORITE – LISTEN TO THIS ONE: “Song of Triumph” by Dale Grotenhuis: https://www.youtube.com/watch?v=VUPsLhaANp4 Guinevere Christian, Content Creator Josh Reznicek, Editor Learn more about the project at www.patreon.com/chantpodcast Contact us at takeachants@gmail.com Resources: Chant Tools App Isaac Jogues Missal www.catholicyouthchoir.org

Aaron Außenhofer-Stilz ist Soloposaunist im Gürzenich-Orchester. Zwischen zahlreichen Posaunen erzählt er von den Energieschüben der Musik Bachs, einem besonderen Konzert mit Mahlers Dritter und von Wagner in kurzen Hosen in Bayreuth.

The Rev. Dr. Robert Allan Hill preaches a sermon entitled "Easter At A Social Distance". The remainder of the recording is a re-broadcast of the Easter worship service from Sunday, April 16, 2017. The Marsh Chapel Choir sings "Jubilate Deo a 8" by Giovanni Gabrieli, "Sing unto God" by G. F. Handel, and "This joyful Eastertide" harm. by Charles Wood along with service music and hymns.

The Rev. Dr. Robert Allan Hill preaches a sermon entitled "Easter At A Social Distance". The remainder of the recording is a re-broadcast of the Easter worship service from Sunday, April 16, 2017. The Marsh Chapel Choir sings "Jubilate Deo a 8" by Giovanni Gabrieli, "Sing unto God" by G. F. Handel, and "This joyful Eastertide" harm. by Charles Wood along with service music and hymns.

„Venecijos mišparai“: Claudio Merulo, Claudio Monteverdi, Giovanni Gabrieli, Francesco Usper, Alessandro Grandi kūrinius atlieka vokalinis ansamblis „AVES Schola Cantorum Basiliensis“ ir Bazelio orkestras „La Cetra Baroque“. Diriguoja Andrea Marcon. Įrašas iš festivalio „Askonos muzikos savaitės“. Ved. Narušytė Gabija.

durée : 00:25:23 - Giovanni Gabrieli, "Sacrae Symphoniae" - par : Anne-Charlotte Rémond - Le Jour de l'Ascension est très particulier à Venise, depuis près de 500 ans. Comme toutes les fêtes vénitiennes, la Sensa (l'Ascension) est fastueuse. Tout concourt à donner de la République Sérénissime une image de lustre et de magnificence. - réalisé par : Philippe Petit

Hoy viajaremos a Venecia. Nos adentraremos en una de sus congregaciones patronales más importantes. La Scuola Grande di San Rocco. Podremos escuchar la música que allí se interpretaba durante las grandes ceremonias de la festividad de San Roque, el 16 de agosto. En particular asistiremos a la reconstrucción de la ceremonia del 16 de agosto de 1608. Y toda la música que escucharemos será la compuesta por el maestro que dirigía musicalmente la institución, Giovanni Gabrieli. Escuchar audio

Kerstmuziek van Schütz, Sweelinck, Poulenc, Gabrieli, en Messiaen. Geen sneeuwval, denneboom, arresleebellen of glühwein, ook mooi op welke andere dag van het jaar ook. Met muziek van Hans Leo Hassler, Olivier Messiaen, Giovanni Gabrieli, Heinrich Schütz, Francis Poulenc, Jan Pieterszoon Sweelinck.

Your Classical Coffee Break returns to the topic of what artists must do to support themselves. We listen to Giovanni Gabrieli's Canon in 12 in Echo and discuss his success in working within the Church structure. Then we turn to JS Bach and discuss how he made a living through playing the organ and composing. We listen to a number of Bach's pieces (Cantata #150, Concerto for 2 Violins, and St. Mathew Passion) and explore the various patronage positions he took to keep afloat. Was Bach such a groundbreaking composer that potential patrons just didn't get it? Art isn't easy. contact the show at yccb@mauriceriverpress.com

Een grafsteen met drukfouten: Gabrieli in de Santo Stefano

In de Scuola Grande di San Rocco met Gabrieli

Den nordsjællandske festival har i år besøg af bl.a. Capella Cracoviensis fra Polen, der har specialiseret sig i musik fra den tidlige barok. Hør dem i musik af Biber, Mikolaj Zielénski, Marcin Mielczewski og Giovanni Gabrieli.(Gl. Holte Kirke 28. august). Ca. 21.30Violinisten Dan Wu, der er debuteret fra Det Kgl. Danske Musikkonservatorium, spiller Ravel.Vært: Jakob Wivel. www.dr.dk/p2koncerten

Donald Macleod delves into the life and work of Giovanni Gabrieli

We wrap up the retrospective on the influences on Mr. Somer's career by listening to, of course, a bit of Bach's b minor Mass. We go a little brass crazy and listen to a wonderful piece by Giovanni Gabrieli, then pivot to the work of de Falla, Mendelssohn, Brahms, Mozart, and Ralph Vaughan Williams in a whirlwind tour of meaningful music in our esteemed friend's life. A truly heartfelt coffee break of tender memories and powerful music. contact the show at yccb@mauriceriverpress.com

The Rev. Dr. Robert Allan Hill, Dean, preaches a sermon entitled "A Quickened Life". The Marsh Chapel Choir sings "Jubilate Deo a 8" by Giovanni Gabrieli and "Sing unto God" arr. by G. F. Handel along with service music and hymns.

The Rev. Dr. Robert Allan Hill, Dean, preaches a sermon entitled "A Quickened Life". The Marsh Chapel Choir sings "Jubilate Deo a 8" by Giovanni Gabrieli and "Sing unto God" arr. by G. F. Handel along with service music and hymns.

Saint Mark’s Basilica in Venice played an important role in music of the late Renaissance. Here Alessandro and Giovanni Gabrieli took advantage of the architecture by placing separate choirs of instrumentalists across from each other and thus pioneered a new antiphonal sound. Listen to my ... Read more The post On San Marco Square appeared first on Professor Carol.

Baroque, 1553-1612: The Latin word Cantata means “to sing”, the word Sonata means “to play.” That last title is vague enough to cover a multitude of instrumental genres. Vocal music comes with a built-in structure for the composer to follow.

Oct. 30, 2013. A tribute to Elizabeth Sprague Coolidge's commitment to fostering performance of Renaissance music in the United States, this evening's triple bill sampled some of the most popular trends and performance styles from the period. The party begins as combined brass choirs of the U.S. Navy Band exult antiphonal music by Italian composers Giovanni Gabrieli and Carlo Gesualdo. On their shawms, sackbuts, dulcians, bagpipes and drums, Piffaro, performing music by Dufay, Ockeghem and Clemens non Papa, gives a taste of the 16th-century equivalent of a modern-day rock band. Boston-based vocal ensemble Blue Heron performs choral gems by Dufay, Ockeghem and Sweelinck. The forces combine for a jubilant finale to the Library's version of a Renaissance fair. For transcript, captions, and more information, visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=6337

con Giovanni Bietti

The Rev. Dr. Robert Allan Hill preaches a sermon entitled "Angel Voice". The Marsh Chapel Choir sings "Jubilate Deo a 8" by Giovanni Gabrieli and "Sing unto God (from Judas Maccabaeus)" by G. F. Handel along with service music and hymns.

The Rev. Dr. Robert Allan Hill preaches a sermon entitled "Angel Voice". The Marsh Chapel Choir sings "Jubilate Deo a 8" by Giovanni Gabrieli and "Sing unto God (from Judas Maccabaeus)" by G. F. Handel along with service music and hymns.

Lucie Skeaping presents a programme featuring music by one of the most engaging and important Venetian composers, Giovanni Gabrieli, who died in August 400 years ago in 1612. Gabrieli spent his life working in Venice and held the esteemed position of organist at both St. Marks and San Rocco, so some of the musicians and singers must have worked in both establishments too. It is unclear exactly what compositions Gabrieli wrote specifically for the Scuole di San Rocco, but there are some interesting clues left to us by the English traveller Thomas Coryat (featured in yesterday's Early Music Show). Lucie Skeaping introduces a selection of Giovanni Gabrieli's music including the 10-part 'Jubilate Deo' from his Symphoniae Sacrae, 'In Ecclesiis' in 14 parts, and some instrumental works including canzonas and the Sonata con tre violini.

Italienischer Komponist

Donald Macleod explores the work of Andrea and nephew Giovanni Gabrieli, who presided over public music-making at a time when Venice was becoming one of the key centres of musical life in Europe.

Can you guess this piece? Here's a hint: Sacred surround sound

Can you guess this piece? Here’s a hint: Sacred surround sound

Student players in the Greater Dallas Youth Orchestra Wind Symphony join the professionals of the Dallas Wind Symphony for a "side by side" concert, featuring music of Dmitri Shostakovich, Paul Hindemith, Donald Grantham, Dan Welcher, and Giovanni Gabrieli.