Podcast appearances and mentions of giovanni pierluigi

Compline by Candlelight provides peace and stillness as one week ends and another begins. Set in the tranquility of St. Paul's Chapel, one of the oldest buildings in New York City, guests find a seat and hold a candle, while 30 minutes of improvised music by The Choir of Trinity Wall Street fill the space. There's nothing to do but listen. Haec dies quam fecit à 4 - Giovanni Pierluigi da Palestrina

Un festival musicale che attraversa Cagliari tra luoghi iconici e spazi inusuali, con oltre 10 appuntamenti da aprile a novembre, sotto il segno dell'inclusione e dell'innovazione. Anche quest'anno torna a Cagliari il Festival Musikaleidos, giunto alla sua settima edizione, diretto dal maestro Tobia Simone Tuveri, direttore del coro Hic Et Nunc. Nato nel 2018, il festival prende il nome da una fusione tra musica e kaleidoscopio, un'immagine potente che riflette bene la sua filosofia: esperienze diverse, frammenti artistici ed educativi che si fondono in un disegno sempre nuovo per coinvolgere un pubblico sempre diverso. Sogni, desideri e pace: i temi dell'edizione 2025 Il filo conduttore di quest'anno è chiaro e quanto mai attuale: sogno, desideri e pace. In un periodo storico attraversato da tensioni, il festival lancia un messaggio forte, utilizzando la voce e la musica come veicolo di speranza e riflessione. Oltre a questo, due importanti ricorrenze arricchiscono il programma: il cinquecentesimo anniversario dalla nascita di Giovanni Pierluigi da Palestrina e il centenario dalla nascita del pianista Aldo Ciccolini, scomparso dieci anni fa. A quest'ultimo sarà dedicato uno speciale concerto pianistico a Palazzo Siotto con ospite il suo ultimo allievo, il maestro Genny Basso. Musica ovunque: anche negli spazi non convenzionali Musikaleidos continua a distinguersi per la scelta dei luoghi: concerti e incontri si tengono non solo in teatri e chiese, ma anche in spazi alternativi, come l'Ospedale Businco, a sottolineare la volontà di portare la musica anche dove meno ce lo si aspetta. Il dialogo con il territorio è centrale: il festival collabora con enti, associazioni e realtà non necessariamente legate al mondo musicale, costruendo una rete virtuosa che coinvolge tutta la città. Per la prima volta, il festival ha ottenuto il patrocinio della Fersaco (Federazione Regionale Sarda Cori) e di conseguenza avrà anche quello della Feniarco, la federazione nazionale, un riconoscimento che conferma il valore del lavoro svolto finora. Musikaleidos consolida inoltre alcune collaborazioni ormai stabili, come quella con i Cantori della Resurrezione di Porto Torres e con l'Associazione Corale Rossini di Sassari, rafforzando la rete della coralità sarda e aprendo nuove opportunità per ospitare artisti di rilievo internazionale. Tradizione e innovazione: il futuro della coralità Uno degli obiettivi del festival è rinnovare la musica corale, sperimentando nuovi linguaggi e unendo stili differenti. Spaziando, quindi, da repertori che vanno dal Rinascimento alla musica pop riarrangiata, come nel concerto pianistico realizzato dal maestro Genny Basso che unisce Scarlatti, Liszt e canzoni napoletane. Particolarmente toccante sarà l'esibizione con il Coro delle Mani Bianche Musicalis diretto dalla maestra Stefania Coccoda, formato principalmente da persone sorde, che porterà a una visibilità del canto attraverso la lingua dei segni, offrendo una nuova dimensione visiva e inclusiva del canto. Artisti internazionali e giovani talenti: da Cantoria a Euphonios Il festival ospita ensemble di livello europeo, come il gruppo spagnolo Cantoria, specializzato nella polifonia rinascimentale iberica. La scelta degli artisti nasce da un'attenta riflessione sul tema dell'edizione e da una rete di relazioni costruita nel tempo, puntando su giovani musicisti, già affermati o emergenti, molti dei quali legati alle federazioni Fersaco e Feniarco. Un programma ricchissimo per ogni tipo di pubblico Con oltre 10 appuntamenti distribuiti in sette mesi, il Festival Musikaleidos propone un'offerta musicale ricchissima e variegata. Dal concerto rinascimentale al laboratorio per bambini nei giardini pubblici, ogni evento è pensato per coinvolgere pubblici diversi, rendendo la musica accessibile e viva. “Ogni appuntamento ha la sua bellezza – racconta il maestro Tuveri – e ognuno può trovare qualcosa che lo emozioni, qualunque sia la sua età o il suo gusto musicale”. Per scoprire il programma completo e non perdere nessuno degli eventi, potete visitare il sito ufficiale del Festival Musikaleidos che vi aspetta a Cagliari con le sue mille voci.

"En música amo a Mozart, obviamente. Aquel Et Incarnatus est de su Misa en Do es insuperable: ¡te lleva a Dios!", dijo el papa Francisco en una entrevista con el director de La Civiltà Cattolica en 2013. Al pontífice también le gustaba Bach, como a su predecesor, Benedicto XVI, en cuyo funeral sonaron la música del compositor alemán y el Réquiem de Giovanni Pierluigi da Palestrina, compositor italiano considerado el salvador de la polifonía, nacido hace 500 años.Informa Íñigo PicabeaEscuchar audio

Giovanni Pierluigi da Paletrina - Lesson I for Maundy ThursdayOxford CamerataJeremy Summerly, conductorMore info about today's track: Naxos 8.550827Courtesy of Naxos of America Inc. SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Happy Birthday, Palestrina! 500 Jahre alt wäre der Komponist dieses Jahr geworden, und noch immer kann er sich als Boss der Kirchenmusik feiern lassen. Seine Musik hilft auf jeden Fall noch heute beim Runterkommen. Doch neben einem talentierten Musiker war Giovanni Pierluigi da Palestrina so viel mehr: Marketing-Experte und Immobilienmakler beispielsweise - und ins Pelzgeschäft ist er auch noch eingestiegen. In dieser Folge spülen Euch Laury und Uli ins (musikalische) Rom des 16. Jahrhunderts.

Kuschelt euch an die Boomerhüfte im Kino-Doppelsitz, jetzt wird mal ausführlich über Konrad Adenauer gesprochen! Giulia hat sich bei REWE filmen lassen, Chris hat erfahren, dass er mal ein großer Star war. Das alles (und noch ein bisschen mehr) könnt ihr jetzt im extrem nischigen Giovanni Pierluigi da Palestrina Fanpodcast hören. O Magnum Mysterium!Tickets für Giulias Lesereise GIULIA BECKER WORLD TOUR: https://loveyourartist.com/de/profiles/giulia-becker-BA58KR/eventsBesuche Giulia und Chris auf Instagram: @giuliabeckerdasoriginal und @chris.sommerHier findest du alle Infos und Rabatte unserer Werbepartner: linktr.ee/drinnies Hosted on Acast. See acast.com/privacy for more information.

In this fifth installment of the Catholic Heritage Hour's series honoring the 500th anniversary of Giovanni Pierluigi da Palestrina, the Prince of Music, we explore the intersection of Lent and Palestrina's compositions. L'articolo Catholic Heritage Hour – Lent with Palestrina proviene da Radio Maria.

DOMRADIO.DE hat am sechsten Sonntag im Jahreskreis das Pontifikalamt aus dem Kölner Dom mit Weihbischof Rolf Steinhäuser übertragen. Die Domkantorei Köln sang unter der Leitung von Joachim Geibel die Missa brevis von Giovanni Pierluigi da Palestrina sowie "Os justi" von Anton Bruckner und "Ubi caritas" von Maurice Duruflé. An der Orgel: Winfried Bönig.

Giovanni Pierluigi da Palestrina - Super Flumina BabylonisVoices of AscensionDennis Keene, conductorDennis Keene, conductorMore info about today's track: Delos DE3210Courtesy of Naxos of America Inc. SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Oudemuziekkenner Kees Koudstaal presenteert de mooiste en recentste CD’s met oude en klassieke muziek. De nieuwe uitgaven van Choir of Clare College Cambridge, Orchestre de l'Opéra Royal, Théotime Langlois de Swarte en Reinoud Van Mechelen verdienen vandaag zijn aandacht. 1. Giovanni Pierluigi da Palestrina (ca. 1525-1594) – ‘Missa Emendemus in melius' a 4 Uitvoerenden: Choir […]

Giovanni Pierluigi da Palestrina (1525 – 594) - Canticum Canticorum 1. Osculetur me 2. Trahe me post te 3. Nigra sum sed formosa 4. Vineam meam non custodivi 5. Si ignoras te 6. Pulchrae sunt genae tuae 7. Fasciculus myrrhae 8. Ecce tu pulcher es 9. Tota pulchra es 10. Vulnerasti cor meum 11. Sicut lilium inter spinas 12. Introduxit me rex 13. Laeva eius 14.  Vox dilecti mei 15. Surge, propera, amica mea16. Surge, amica mea 17. Dilectus meus mihi 18. Surgam et circuibo civitatem 19. Adiuro vos filae Jerusalem 20. Caput eius 21. Dilectus meus descendit 22. Pulchra es 23. Quae est ista 24. Descendi in hortum nucum 25. Quam pulchri sunt 26. Duo ubera tua 27. Quam pulchra es et quam decora 28. Guttur tuum 29. Veni, dilecte mi  Gruppo vocale -  Hilliard Ensemble

Interpreten: Choir of Clare College, Cambridge; Graham Ross Label: harmonia mundi EAN: 3149020951934 Nach der quirligen Eröffnung des CD der Woche Jahres 2025 mit Lisette Oropesa vergangene Woche, geht es diesmal ein wenig gediegener zu. Der Choir of Clare College, also jener Chor, dessen Hauptaufgabe es ist, die Gottesdienste in der Kapelle des Clare College, Cambridge, zu leiten, hat sich mit Weltersteinspielungen von Palestrina'schen Werken beschäftigt und diese mit Kompositionen einiger englischer Zeitgenossen kombiniert. Ganz nach dem Geschmack von Michael Gmasz. Langjährige Hörerinnen und Hörer von radio klassik Stephansdom wissen mittlerweile schon über meine Leidenschaft und Liebe zur Vokalpolyphonie der Renaissancezeit Bescheid. Immer wieder habe ich an dieser Stelle herausragende Neuveröffentlichungen alter Sangeskunst empfohlen. Und wenn dann eine CD erscheint, auf der so schön gesungen wird, mit absoluter Intonationsreinheit, deutlicher Artikulation und Variantenreichtum in Agogik und Dynamik, dann kann ich an einer solchen CD als CD der Woche nicht vorbei. Der Chor des Clare College in Cambridge ist, mit seiner Gründung im Jahr 1972, vergleichsweise jung. Er hat sich jedoch schnell einen internationalen Ruf als eine der führenden Hochschulchorgruppen der Welt erworben. Die Stimmen fügen sich, auch durch die Akustik des geistlichen Kirchenraums, wunderbar zusammen und ergeben ein Klang Bad, in das man sich gerne hineinlegt. Geleitet wird der Chor ausschließlich von ehemaligen Chorknaben, seit 15 Jahren ist das nun höchst erfolgreich Graham Ross. Für dieses Album hat er bisher kaum bekannte Vokalwerke von Giovanni Pierluigi da Palestrina, zwei Messen, ein Magnificat sowie zwei weitere Motetten, ausgewählt. Kombiniert hat er diese mit Vertonungen derselben Texte von drei englischen Zeitgenossen Palestrinas: William Byrd, Robert White und William Mundy. Ein erstes ausgesprochen gelungenes Geburtstagsgeschenk zum 500er des römischen Meisters! (mg)

Die Musikwelt feiert in diesem Jahr den 500. Geburtstag des wohl berühmtesten Komponisten der Renaissance: Giovanni Pierluigi da Palestrina. BR-KLASSIK-Redakteur Thorsten Preuß hat dem berühmten Jubilar einen persönlichen Geburtstagsbrief geschrieben.

Cheryl Hughes tells us about her latest book, “Archbishop Fulton J, Sheen: Convert Maker.” Michael Anderson with Schola Antiqua talks about composer Giovanni Pierluigi da Palestrina and a special performance for the 500th anniversary of his birth.

Cheryl Hughes tells us about her latest book, “Archbishop Fulton J, Sheen: Convert Maker.” Michael Anderson with Schola Antiqua talks about composer Giovanni Pierluigi da Palestrina and a special performance for the 500th anniversary of his birth.

In this episode of Catholic Heritage Hour, we delve into the works of Giovanni Pierluigi da Palestrina, particularly focusing on his compositions dedicated to Saint John the Apostle and Evangelist. As we celebrate his feast day, we explore Palestrina's profound devotion through his motets, reflecting on his mastery of polyphonic music and his commitment to […] L'articolo Catholic Heritage Hour – A Musical Tribute to Saint John the Apostle and Evangelist proviene da Radio Maria.

言及している作曲家 ダンスタブル=John Dunstable(1390？-1453) オケゲム=Johannes Ockeghem(1410-1497) ジョスカン・デ・プレ=Josquin Des Prez(1450/1455-1521) パレストリーナ=Giovanni Pierluigi da Palestrina( 1525?-1594) 他にもルネサンス時代にはVictoriaだとかLassusだとかいろいろ #収録の日2412

In this special episode of The Catholic Heritage Hour, we explore the feast day of Saint Lucy and the Advent season through the timeless music of Giovanni Pierluigi da Palestrina, marking the centenary of his birth. The show highlights Palestrina's sacred compositions, including settings for Advent hymns and offertories, as the host reflects on their […] L'articolo Catholic Heritage Hour – Advent with Palestrina: A Celebration of Saint Lucy and Saint Cecilia proviene da Radio Maria.

Merriam-Webster's Word of the Day for November 6, 2024 is: a cappella • ah-kuh-PEL-uh • adverb or adjective When a song is performed a cappella, it is sung unaccompanied by instrumental music. // A hush fell over the audience as a voice from offstage began singing a cappella. // Several a cappella groups are slated to perform during the celebration. See the entry > Examples: "In a video posted to Twitter ... H.E.R. delivers a hauntingly beautiful cover of Coldplay's classic 'Fix You,' which peaked at No. 59 on the Billboard Hot 100 in 2005. Backed by four of her background singers, H.E.R. belts out the 2005 hit completely a cappella." — Kyle Denis, Billboard, 14 July 2022 Did you know? A cappella arrived in English in the 18th century via the Italian phrase a cappella, meaning "in chapel or choir style." (Medieval Latin capella, meaning "chapel," is the source of English chapel.) The a cappella style reached preeminence in the late 16th century in the music that composer Giovanni Pierluigi da Palestrina wrote for the Sistine Chapel of the Vatican. Because no independent instrumental parts were written down, scholars once thought that the choir sang unaccompanied, but current evidence makes clear that an organ or other instruments doubled some or several of the vocal parts. Regardless, today a cappella describes a purely vocal performance.

Thank you for listening to our show this season!!Here are the favorite choral pieces from our guests in the fourth season:St. John Passion, Johann Sebastian BachSt. Matthew Passion, Johann Sebastian BachAve Maria, Franz BieblRequiem, Johannes Brahms“Wie lieblich sind deine Wohnungen” from Requiem, Johannes BrahmsNo Time, Susan BrumfieldI Sing Because I'm Happy, Rollo DilworthRequiem,Gabriel FauréAfrican American Requiem, Damien GeterGloucester Service, Herbert HowellsLa Guerre, Clément JanequinSweet Rivers, Shawn KirchnerO Magnum Mysterium, Morten Lauridsen (x2)Le Cantique des cantiques, Daniel-LesurCoenantibus autem illis, Juan de LienasI Am Harvey Milk, Andrew LippaMiserere, James MacMillanMass for Double Choir, Frank MartinTerza Messa, Marianna MartinesLight of the East, Byung-Hee OhSicut Cervus, Giovanni Pierluigi da PalestrinaTu Es Petrus, Giovanni Pierluigi da PalestrinaThe Road Home, Stephen PaulusLet My Love Be Heard, Jake RunestadAbendfeier in Venedig, Clara SchumannAnd the Swallow, Caroline ShawFiddler's Hymn, Pete SutherlandAlleluia, Randall ThompsonEarth Song, Frank TicheliThe Sacred Veil, Eric WhitacreSerenade to Music, Ralph Vaughan WilliamsHere are the composers that our guests suggested you check out:Johann Sebastian BachMichael Barrett, see Choir Fam Episode 97Amy BernonSherry BlevinsMargaret BondsJohannes BrahmsSamuel Coleridge-TaylorChiara Margarita CozzolaniMaurice DurufléGabriel FauréDan ForrestJ.D. Frizzell, see Choir Fam Episode 91Katerina GimonLaura HawleyFranz Joseph HaydnDarius LimAndrew LippaCecilia MacDowallJoanna MarshFrank MartinSelga MenceKyle PedersonFlorence PriceZanaida Robles (x2)Marie-Claire SaindonCaroline ShawKen Steven (x2), see Choir Fam Episode 98Peteris VasksTracy Wong (x3), see Choir FamEpisode 58Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson from Pexels

En l'Artg musical spezial per il venderdi sontg datti musica vocala ed instrumentala adattada per quest di da la paina e da la suffrientscha da Jesus Cristus: ses truament, sia via cun la crusch fin al crest, nua ch'el vegn crucifitgà e nua ch'el mora la finala. Questa via da dolur ha Alvin Muoth mess en maletgs musicals e creà cun «La Veia dalla crousch» l'emprim oratori rumantsch insumma. Ils onns 1992/93 ha il musicist oriund da Razén scrit l'oratori «La Veia dalla crousch» per chor viril, mezsopran ed orgla. Il text è da Peder Cadotsch.  Er auters cumponists èn s'occupads cun il venderdi sontg. Giovanni Pierluigi di Palestrina per exempel ha scrit l'ovra per chor a capella «Improperi del Venerdi Santo». En la liturgia catolica èn ils «improperi» ina retscha da responsoris, ina part da la passiun dal Segner il venderdi sontg.

It's been a whole year since the Liturgical Looking Glass began, and what fun it's been. Nick and Tim begin with a celebratory and upbeat piece from the Hillbilly Thomists, here's the playlist. 1. Wake up and Shake up by the Hillbilly Thomists 2. Parce Domine sung by the Monks of the Desert 3. Invocabit me by Fulvio Rampi and the Cantori Gregoriani on their album Dominus Redemptor 4. Ensemble Gilles Binchois with the Kyrie from Guillaume de Machaut's Mass of Notre Dame from "Messe de Nostre Dame" 5. Qui habitat in adjutorio altissimi by Josquin Des Prez performed by Philippine Madrigal Singers 6. Offertoria by Palestrina, is the Choir of Trinity College, Cambridge · Richard Marlow 7. Missa Aeterna Christi Munera by Giovanni Pierluigi da Palestrina 8. Ave Regina Caelorum by the nuns of St Cecilia's Abbey

Thank you for listening to our show this season!!Here are the favorite choral pieces from our guests in the second season:Sommerpsalm, Waldemar ÅhlénChristmas Oratorio, Johann Sebastian BachKomm, Jesu, Komm; Johann Sebastian BachAgnus Dei, Samuel BarberBluegrass Mass, Carol BarnettAfternoon on a Hill, Eric BarnumMissa Solemnis, Ludwig van BeethovenThe Eyes of All Wait Upon Thee, Jean BergerChichester Psalms, Leonard Bernstein(x2)Ave Maria, Franz BieblBallad of the Brown King, Margaret BondsCredo, Margaret BondsSchicksalslied, Johannes BrahmsThe New Colossus, Saunder ChoiUnderneath My Foot, Jennifer Lucy CookPrayer of St. Francis, Robert DelgadoRequiem, Maurice Duruflé (x2)When the Violin, Reena EsmailImagine Me, Kirk FranklinDone Made My Vow, Adolphus HailstorkI Will Lift Up Mine Eyes, Adolphus HailstorkMessiah, George Frideric HandelZadok the Priest, George Frideric HandelSong of Democracy, Howard HansonBring Us, O Lord God; William HarrisLux Aeterna, Morten Lauridsen (x3)Sure on This Shining Night, Morten Lauridsen Fire Dance of Luna, Darius LimSymphony No. 2 "Resurrection," Gustav Mahler (x2)The Awakening, Joseph M. MartinStabat Mater, Giovanni Pierluigi da PalestrinaAnd So I Go On, Jake RunestadSelig Sind die Toten, Heinrich SchützCurse Upon Iron, Veljo TormisEternity, Alvin TrotmanIn the Middle, Dale Trumbore(x2)Requiem, Giuseppe VerdiO Quam Gloriosum, Tomás Luís de VictoriaHere are the composers that our guests suggested you check out:Amy BeachBrittney BentonArron BrattStephen ChatmanSamuel Coleridge TaylorEleanor DaleyWilliam DawsonR. Nathaniel DettMelissa Dunphy (see Choir Fam Episode 72)Maurice DurufléLeon FirštJosé Maurício Nunes GarciaCarlo GesualdoEdie HillShabaka HutchingsJuliette LaiGuillaume de MachautJoanne MetcalfRosephanye PowellFlorence PriceMarie-Claire SaindonValerie Showers CrescenzHeather SorensonBilly StrayhornGerald ThompsonAlvin TrotmanRalph Vaughan WilliamsBrandon WaddlesRuth Watson HendersonMary Lou WilliamsEmail choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson from PexelsChoir Fam wants to hear from you! Check out the Minisode Intro Part 3 episode from February 16, 2024, to hear how to share your story with us. Email choirfampodcast@gmail.com to contact our hosts.

Today, on the Christian History Almanac, we remember the “savior of church music,” Giovanni Pierluigi da Palestrina. Show Notes: Support 1517 1517 Podcasts The 1517 Podcast Network on Apple Podcasts 1517 on Youtube What's New from 1517: Bible in One Year with Chad Bird Freedom Lessons Album Your God is too Glorious, 2nd Edition by Chad Bird Schweitzer's Psychoanalysis of Jesus Christ: & Other Essays in Christian Psychotherapy by John Warwick Montgomery NWA Conference May 3rd-4th More from the hosts: Dan van Voorhis SHOW TRANSCRIPTS are available: https://www.1517.org/podcasts/the-christian-history-almanac CONTACT: CHA@1517.org SUBSCRIBE: Apple Podcasts Spotify Stitcher Overcast Google Play FOLLOW US: Facebook Twitter Audio production by Christopher Gillespie (gillespie.media).

In this episode of On Mission, Kate Fowler, Chris Pierno, and Fr. Frank Donio, S.A.C. are joined by Emily Lomnitzer, a professional vocalist and diocesan youth choir director, to discuss the role of Sacred Music in Liturgy and personal prayer.Sacred music, or religious music, is music that is set apart from daily use and is used in the various rites and liturgies in the Church, such as Mass. It has been used in the Church's liturgical celebration for centuries. It is an integral part of the worship and sacrifice taken place during the Mass. It has been said, "he who sings, prays twice." Some examples of sacred music may include: the Ave Maria, the Magnificat, Te Deum, the Gloria, Salve Regina, among others. Giovanni Pierluigi da Palestrina is a famous composer of sacred music from the late Renaissance period and the Missa Papae Marcelli is one of his most renowned pieces.Read Catholic Apostolate Center Blogs about music. Follow us:The Catholic Apostolate CenterThe Center's podcast websiteInstagramFacebookApple PodcastsSpotify On Mission is produced by the Catholic Apostolate Center. Follow the Center on Facebook, Instagram, Twitter, and YouTube to remain up-to-date on the latest Center resources and podcasts. Listen to Fr. Frank's weekly reflections and recent blogcasts.

Giovanni Pierluigi da Palestrina - Canticum Canticorum1. Osculetur me2. Trahe me post te3. Nigra sum sed formosa4. Vineam meam non custodivi5. Si ignoras te6. Pulchrae sunt genae tuae7. Fasciculus myrrhae8. Ecce tu pulcher es9. Tota pulchra es10. Vulnerasti cor meum11. Sicut lilium inter spinas12. Introduxit me rex13. Laeva eius14.  Vox dilecti mei15. Surge, propera, amica mea 16. Surge, amica mea17. Dilectus meus mihi18. Surgam et circuibo civitatem19. Adiuro vos filae Jerusalem20. Caput eius21. Dilectus meus descendit22. Pulchra es23. Quae est ista24. Descendi in hortum nucum25. Quam pulchri sunt26. Duo ubera tua27. Quam pulchra es et quam decora28. Guttur tuum29. Veni, dilecte miGruppo vocale -  Hilliard Ensemble

This service of Choral Eucharist for the Seventeenth Sunday after Trinity, 1st October 2023, has been collated from archive live music recordings together with prayers, sermon and readings for the appointed day specially recorded in church and in people's homes. This service is sung by our professional St Bride's Choir. Setting: Missa “Nasce la gioja mia” – Giovanni Pierluigi da Palestrina Canticle: Jubilate – John Rutter Sermon: The Revd Steve Morris, Associate Priest of St Bride's Anthem: Call to remembrance, O Lord – Richard Farrant Organ Voluntary: Prelude in B minor BWV 544 – Johann Sebastian Bach If you enjoy listening, please leave a comment below or subscribe to our channel. It is great to get your feedback. We are hugely grateful for people's generosity which we rely on to continue our work, maintain our wonderful architectural heritage and support world-class music. If you would like to make a donation, you can do so at https://www.justgiving.com/stbrideschurchfleetstreet Alternatively, in the UK, text 5STBRIDES or 10STBRIDES or 20STBRIDES to 70470 to donate £5, £10 or £20. Find out what's happening at St Bride's at https://www.stbrides.com/whats-on

Kathryn Parker & Olivia Lloyd are owners of The Veiled Mirror, an online store of antique jewelry & curiosities with a penchant for the romantic, dark and macabre based out of Richmond, Virginia. To start this tour of Victorian culture [1837-1901], we begin with a crafting fad, ornate floral wreaths made of human hair. From there we touch on mourning etiquette; the comical paraphernalia of secret society initiations; The Aesthetic Movement; showing off with a pineapple; & the accessories of women's fashion as eccentric as live insects. Switching to the personal, the ladies share a handful of haunting anecdotes; one about researching a man's calling card found in a bin of 1920's clothing; another about unwittingly removing a "witch bottle" from an abandoned farm house. We end on further memories of urban exploration.  Follow The Veiled Mirror on Instagram & check out their website's current collection at theveiledmirror.com.Music Provided by The Library of Congress"The Strife is O'er, the Battle Done"Performed by Giovanni Pierluigi da Palestrina & Trinity Quartet"War Song of the Normans"Crusades HymnPerformed by Reinald Werrenrath & Victor Male Chorus"Black-Eyed Blues"Composed by Don KendallPerformed by Roy Bargy & Benson Orchestra of Chicago"The Green Fields of Virginia"Ford, Ward H., performerCowell, Sidney Robertson, 1903-1995, collector."Nina Gitana"Composed by Reginald De KovenPerformed by Reed MillerSupport Our Numinous Nature on Patreon.Follow Our Numinous Nature & my naturalist illustrations on InstagramCheck out my shop of shirts, prints, and books featuring my artContact: herbaceoushuman@gmail.com

L'ironia nell'evangelo di Giovanni è al servizio della verità: smonta pregiudizi, denuncia gli stereotipi. La rubrica dedicata a Bibbia e ironia, tenuta dalla pastora Lidia Maggi, si occupa questa domenica dell'evangelo di Giovanni, evidenziandone alcuni passaggi focali, come il racconto della passione di Cristo.La rubrica estiva “Note di Spiritualità”, curata da Chiara Bertoglio, presenta le principali festività cristiane, abbinandole ad altrettanti brani di musica sacra. Questa settimana si parla della festa dell'Ascensione, accostandola ad un brano di Giovanni Pierluigi da Palestrina.Prosegue il percorso sul tema islam e preghiera, curato da Marisa Iannucci, studiosa della storia e dei fenomeni sociali legati all'islam.

Compline by Candlelight provides peace and stillness as one week ends and another begins. Set in the tranquility of St. Paul's Chapel, one of the oldest buildings in New York City, guests find a seat and hold a candle, while 30 minutes of improvised music by The Choir of Trinity Wall Street fill the space. There's nothing to do but listen. Giovanni Pierluigi da Palestrina – Sicut cervus        

The Ninth Sunday after Pentecost ORISON:  Blessed spirits, loving angels – Shaker song by Eldress Mary Ann Gillespie (1829-1887) PSALM 126 – Peter R. Hallock (1924-2014), arr. Jeff Reynolds HYMN: Mothering God  – Janet Peachey (b. 1953), arr. Gregory Bloch NUNC DIMITTIS –  Giovanni Pierluigi da Palestrina (c. 1525-1594) ANTHEM: Grace Before Sleep – Susan LaBarr (b. 1981) The Women’s Compline […]

The Eighth Sunday after Pentecost ORISON: ‘Phos hilaron,' from Music for Compline – Kevin Siegfried (b. 1969) PSALM 65 – Plainsong, Tone VII.1 OFFICE HYMN: ‘Te lucis ante terminum,' from Music for Compline – Siegfried NUNC DIMITTIS – Dana Marsh (b. 1965) ANTHEM: Sicut cervus desiderat – Giovanni Pierluigi da Palestrina (1525-1594) William Turnipseed, director • Joel Matter, reader • Fred McIlroy, cantor

Compline by Candlelight provides peace and stillness as one week ends and another begins. Set in the tranquility of St. Paul's Chapel, one of the oldest buildings in New York City, guests find a seat and hold a candle, while 30 minutes of improvised music by The Choir of Trinity Wall Street fill the space. There's nothing to do but listen. Giovanni Pierluigi da Palestrina – Benedicta sit Sancta Trinitas    

1.       Gregoriano - Pueri Hebraeorum Portantes (Antífona) Coro De Monjes Del Monasterio De Silos 2.       Giovanni Pierluigi da Palestrina - Pueri Hebraeorum (Motectorum liber secundus, 4vv, 1584) The Cardinall's MusickCecilia Osmond, Rebecca Outram – sopranoPatrick Craig - alto Julian Stocker - tenor Andrew Carwood, conductor  3.       Tomás Luis de Victoria - Pueri Hebraeorum Ensemble Plus Ultra Michael Noone  4.       Gregoriano – Hymnus Gloria laus et honor tibi sitChœur des moines de l'Abbaye de SolesmesDom Joseph Gajard, conductor 5.       Christopher Tye (1505 – 1573) - Gloria lausCambridge University Chamber ChoirTimothy Brown, conductor 6.       F. Schubert (1797 – 1828) – Sei antifone per la Domenica delle Palme1 Hosanna Filio David2 In Monte Oliveti3 Sanctus4 Pueri Hebraeorum5 Cum Angelis Et Pueris6 Ingrediente DominoChor des Bayerischen RundfunksWolfgang Sawallisch, conductor

Un día como hoy, 2 de febrero. Nace: 1502: Damião de Góis, filósofo portugués. 1650: Nell Gwyn, actriz de teatro británica. 1852: José Guadalupe Posada, grabador e ilustrador mexicano. 1882: James Joyce, escritor irlandés. 1883: Candelario Huízar, compositor mexicano. 1901: Jascha Heifetz, violinista lituano. 1901: Jascha Heifetz, violinista lituano. 1963: Eva Cassidy, cantante y guitarrista estadounidense. Fallece: 1594: Giovanni Pierluigi da Palestrina, compositor italiano. 1921: Luigi Mancinelli, director de orquesta y compositor italiano. 1921: Luigi Mancinelli, director de orquesta y compositor italiano. 1970: Bertrand Russell, matemático y filósofo británico, premio nobel de literatura en 1950. 1970: Bertrand Russell, matemático y filósofo británico, premio nobel de literatura en 1950. 1996: Gene Kelly, bailarín y actor estadounidense. 2014: Philip Seymour Hoffman, actor estadounidense. Conducido por Joel Almaguer Un producción de Sala Prisma Podcast. 2023

Bienvenida y bienvenido a La música desde el atril, el espacio que te ofrece la mejor música de concierto de diversos compositores, bajo la compañía de Magda Rey. Te esperamos cada domingo de 17:00 a 20:00 horas. En esta emisión disfruta de piezas musicales de compositores como John Dowland; Claudio Monteverdi; Henry Purcell; Giacomo Carissimi; Johann Sebastian Bach; Antonio Lucio Vivaldi; Georg Friedrich Händel; Franz Joseph Haydn; Johannes Chrysostomus Wolfgangus Theophilus Mozart​; Ludwig van Beethoven​; Gioachino Rossini; Franz Peter Schubert; Vincenzo Bellini; Frédéric François Chopin; Louis Hector Berlioz; Wilhelm Richard Wagner; Georges Bizet; Piotr Ilich Chaikovski; Serguéi Vasílievich Rajmáninov​; Gustav Holst; Manuel M. Ponce; Silvestre Revueltas; entre otros. Giovanni Pierluigi da Palestrina fue un compositor italiano del periodo renacentista, cuyas obras son de carácter sacro, y quien salvó a la música polifónica de ser prohibida por las autoridades eclesiásticas. Además, en el Glosario, aprende en qué momentos debes aplaudir al acudir a una gala de ópera.

In this episode Lauryn and Nicholas discuss the 2022 game Pentiment from Obsidian Entertainment. We look at how the game functions as a form of productive historical revisionism and how attention to historical circumstances works itself out in terms of game mechanics and systems. We also discuss the mystery plot structure and the many ways in which Pentiment subverts it. Opening Music: "Sicut cervus" by Giovanni Pierluigi da Palestrina, performed by The Cambridge Singers Patreon: https://www.patreon.com/furidashi Twitter: https://twitter.com/furidashipod Lauryn: https://twitter.com/thelaurynash Nicholas: https://twitter.com/academicality

This service of Choral Eucharist for the Second Sunday of Epiphany, 15th January 2023, has been collated from archive live music recordings together with prayers, sermon and readings for the appointed day specially recorded in church and in people's homes. This service is sung by our professional St Bride's Choir. Setting: Missa Aeterna Christi munera – Giovanni Pierluigi da Palestrina Psalm: 40: 1-13 Sermon: The Revd Canon Dr Alison Joyce, Rector of St Bride's Anthem: Videntes stellam Magi – Giovanni Pierluigi da Palestrina Organ Voluntary: Les Mages, La Nativité du Seigneur – Olivier Messiaen If you enjoy listening, please leave a comment below or subscribe to our channel. It is great to get your feedback. We are hugely grateful for people's generosity which we rely on to continue our work, maintain our wonderful architectural heritage and support world-class music. If you would like to make a donation, you can do so at https://www.justgiving.com/stbrideschurchfleetstreet Alternatively, in the UK, text 5STBRIDES or 10STBRIDES or 20STBRIDES to 70470 to donate £5, £10 or £20.

Giovanni Pierluigi da Palestrina, Grzegorz Wielki, Jan Sebastian Bach… trzej mężczyźni jedna muza. Muzyka!!! Dyskretna towarzyszka w modlitwie, dzięki której człowiek pełniej wyraża się przed Bogiem? A może zbędny, irytujący wręcz element Eucharystii? Czym jest i jaka jest rola muzyki liturgicznej, a także o tym co robić kiedy dusza by śpiewała ale ucho nie słyszy - opowie mój dominikański gość Tomasz Samulnik. linki wzmiankowane w nagraniu:styl palestrinowski: Giovanni Pierluigi da Palestrina - Missa Papae Marcellihttps://www.youtube.com/watch?v=BRfF7W4El60 chorał: Salve Regina - OP Waszyngton https://www.youtube.com/watch?v=xSct3kcVMckśpiew wielogłosowy: Ula Rogala, Stała Matka Boleściwahttps://www.youtube.com/watch?v=gZWHykLIys0&t=268sJames MacMillan, O Radiant Dawn (O Wschodzie poranny)https://www.youtube.com/watch?v=G2-Pf8NCgXE

This service of Choral Eucharist for the Tenth Sunday after Trinity, 21st August 2022, has been collated from archive live music recordings together with prayers, sermon and readings for the appointed day specially recorded in church and in people's homes. This service is sung by our professional St Bride's Choir. Setting: Missa Vinum bonum – Giovanni Pierluigi da Palestrina Psalm: 116 Sermon: The Revd Dr Jeff Lake, Associate Priest of St Bride's Anthem: Like as the hart – Herbert Howells Organ Voluntary: Fugue in G BWV 541 – Johann Sebastian Bach If you enjoy listening, please leave a comment below or subscribe to our channel. It is great to get your feedback. We are hugely grateful for people's generosity which we rely on to continue our work, maintain our wonderful architectural heritage and support world-class music. If you would like to make a donation, you can do so at https://www.justgiving.com/stbrideschurchfleetstreet Alternatively, in the UK, text 5STBRIDES or 10STBRIDES or 20STBRIDES to 70470 to donate £5, £10 or £20.

This service of Choral Eucharist for the Feast of Thomas the Apostle, Sunday 3rd July, 2022, has been collated from archive live music recordings together with prayers, sermon and readings for the appointed day specially recorded in church and in people's homes. This service is sung by our professional St Bride's Choir. Download Order of Service (pdf) → https://bit.ly/3I5yagz Setting: Missa ‘Nasce la gioja mia' – Giovanni Pierluigi da Palestrina Canticle: Jubilate – John Gardner Sermon: The Revd Canon Dr Alison Joyce, Rector of St Bride's Anthem: How beautiful upon the mountains – John Stainer Organ Voluntary: Allegro from Organ Symphony No 6 in G minor, Op 42, No 2 – Charles-Marie Widor If you enjoy listening, please leave a comment below or subscribe to our channel. It is great to get your feedback. We are hugely grateful for people's generosity which we rely on to continue our work, maintain our wonderful architectural heritage and support world-class music. If you would like to make a donation, you can do so at https://www.justgiving.com/stbrideschurchfleetstreet Alternatively, in the UK, text 5STBRIDES or 10STBRIDES or 20STBRIDES to 70470 to donate £5, £10 or £20.

This service of Choral Evensong on Pentecost Sunday, 5th June, has been collated from archive live music recordings together with prayers, sermon and readings for the appointed day specially recorded in church and in people's homes. This service is sung by our professional St Bride's Choir. Responses: William Byrd Psalm: 33: 1-12 Canticles: Fifth Evening Service – Thomas Tomkins Anthem: Dum complerentur – Giovanni Pierluigi da Palestrina Sermon: The Revd Canon Dr Alison Joyce, Rector of St Bride's Organ Voluntary: Fantasia super: Komm, heiliger Geist, Herre Gott BWV 651 – Johann Sebastian Bach Download Order of Service (pdf) → https://bit.ly/3NNF8bD If you enjoy listening, please leave a comment below or subscribe to our channel. It is great to get your feedback. We are hugely grateful for people's generosity which we rely on to continue our work, maintain our wonderful architectural heritage and support world-class music. If you would like to make a donation, you can do so at https://www.justgiving.com/stbrideschurchfleetstreet Alternatively, in the UK, text 5STBRIDES or 10STBRIDES or 20STBRIDES to 70470 to donate £5, £10 or £20.

Compline by Candlelight provides peace and stillness as one week ends and another begins. Set in the tranquility of St. Paul's Chapel, one of the oldest buildings in New York City, guests find a seat and hold a candle, while 30 minutes of mantra-like, chant-based improvised music by The Choir of Trinity Wall Street fill the space. There's nothing to do but listen. Giovanni Pierluigi da Palestrina – Sicut cervus

Giovanni Pierluigi da Palestrina (c. 1525 – 2 February 1594) was an Italian Renaissance composer of sacred music and the best-known 16th-century representative of the Roman School of musical composition. He had a long-lasting influence on the development of church and secular music in Europe, especially on the development of counterpoint, and his work is considered the culmination of Renaissance polyphony.Purchase the music (without talk) at:Palestrina: Missa Papae Marcelli (classicalsavings.com)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com

This service of Choral Eucharist for Epiphany Sunday, 2nd January 2021, has been collated from archive live music recordings together with prayers, sermon and readings for the appointed day specially recorded in church and in people's homes. This service is sung by our professional St Bride's Choir. Setting: Missa brevis – Giovanni Pierluigi da Palestrina Canticle: Jubilate from The Second Service – Orlando Gibbons Sermon: The Revd Dr Jeff Lake, Assistant Priest of St Bride's Anthem: Videntes stellam – Giovanni Pierluigi da Palestrina Organ Voluntary: Epilogue on ‘Dix' – William Harris If you enjoy listening, please leave a comment below or subscribe to our channel. It is great to get your feedback. We are hugely grateful for people's generosity which we rely on to continue our work, maintain our wonderful architectural heritage and support world-class music. If you would like to make a donation, you can do so at https://www.justgiving.com/stbrideschurchfleetstreet Alternatively, in the UK, text 5STBRIDES or 10STBRIDES or 20STBRIDES to 70470 to donate £5, £10 or £20.

In wych corruption is reveal'd, whilst chaos & confusion reigne.   A THREE-part Hallowe'en special from the Apocalypse Players, using the Dee Sanction RPG system.   The Apocalypse Players are: Dominic Allen @DomJAllen Joseph Chance @JosephChance2 Danann McAleer @DanannMcAleer Dan Wheeler @DanWheelerUK   For more information and to get in touch, visit www.apocalypseplayers.com   CW: This podcast contains mature themes and strong language.   Music: Teller of the Tales by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4467-teller-of-the-tales License: https://filmmusic.io/standard-license   Minstrel Guild by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4056-minstrel-guild License: https://filmmusic.io/standard-license   Private Reflection by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4241-private-reflection License: https://filmmusic.io/standard-license   Suonatore di Liuto by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4440-suonatore-di-liuto License: https://filmmusic.io/standard-license   Service of Compline, sung 29 May 2016 at Trinity Church Boston Nunc dimittis: Giovanni Pierluigi da Palestrina (c.1525–1594) Wikicommons License   Additional SFX and music from Zapsplat.com and Epidemicsound.com

Bishop Umbers and Silvana Scarfe chat with guest, Thomas Wilson, the Director of Music for St Mary's Cathedral, Sydney. In this episode, Thomas speaks about the importance of Sacred Music and it's place in the Liturgy, what the day-to-day life of a Director of Music for the Mother Church in Australia looks like, and some tips for those not familiar with sacred music. Thomas's suggested composers to check-out: Giovanni Pierluigi da Palestrina Thomas Tallis William Byrd Listen to Thomas' podcast https://podcasts.apple.com/au/podcast/staved-off/id1324416175 (Staved Off). For more information on St Mary's Cathedral Choir, including hearing recordings, https://cathedralchoir.sydney/ (click here). To view online livestreams of Holy Mass and other Liturgical celebrations from St Mary's Cathedral, check out their https://www.youtube.com/channel/UCZxfrykD8iSWExFBdM7fpRg (YouTube page here).

In Part II of their discussion Stephen Blackwood and Alexander Stoddart speak about the transhistorical community of past, present, and future. Stoddart explicates his Schopenhauerian view of art as life-denying and thus paradoxically able to help us relinquish our own will to power. He contrasts this view with that of a shallow presentism, a self-absorbed modernist outlook that views the present as inherently superior to both past and future, cutting off its own vital resources and neglecting its fundamental obligations. Stoddart shows another way. Artists, Art, and Writings Mentioned in this Episode: Homer; Palmyra; Br'er Rabbit and the Tar-Baby; Arthur Schopenhauer; Jean-Paul Sartre; Michel Foucault; Friedrich Nietzsche; Walter Scott; Richard Wagner; Giovanni Pierluigi da Palestrina; Charles Dickens; Walter Pater; Gian Lorenzo Bernini; Buddhas of Bamiyan; Trajan's Forum; The Colosseum; Bartolomeo Colleoni Monument; The Shard of London; Albert Speer's Volkshalle ("People's Hall"); T. S. Eliot: “Four Quartets”; Gone with the Wind, House of Tara (Antebellum architecture); Richard James Wyatt; Lincoln Memorial; John Flaxman: Am I Not a Man; Thomas Banks profile of Thomas Muir of Huntershill (https://www.nationalgalleries.org/art-and-artists/artists/thomas-banks); Edgar Degas; Paul Cézanne; Pierre-Auguste Renoir; The Acropolis; Tyche; Statue of Tyche and Plutus in Istanbul; Statue of Liberty; Christ the Redeemer in Rio de Janeiro; Mount Rushmore

Music Mondays featuring Seraphic Fire and Founder and Artistic Director Patrick Dupré Quigley. “Sicut Cervus”, composed by Giovanni Pierluigi da Palestrina, recorded and produced at home by Seraphic Fire. Sopranos; Sara Guttenberg (IL), Sarah Moyer (MA), Molly Quinn (NC & UK) and Nola Richardson (NY) Altos; Luthien Brackett (UK), Doug Dodson (MA) and Andrew Rader (IN) Tenors; Brad Diamond (AL), Patrick Muehleise (NY) and Steven Soph (PA) Basses; James K. Bass (CA), Kyle Ferrill (KY) and John Buffett (CA)

Esta semana exploramos algo de teoría y los increíbles cambios que trajo el renacimiento. Invitada especial: Sachiko Sakuma Búscame en Twitter: @MaricaMalcriado DISCLAIMER OF FAIR USE Este es un podcast educativo, de comentario musical, no monetizado y todo material registrado esta cubierto bajo la figura de "Fair Use" Educativo. FUENTES Libros: "Smithsonia Music - The definite visual history" "All of music" "The Complete Idiots Guide to Music History" - Michael Miller "Diccionario Harvard de Música! - Don Michael Randel “Howard Goodall's Story of Music” - Howard Goodall “Piety and Polyphony in Sixteenth-Century Holland” - Eric Jas MATERIAL USADO [“Hall Of The Mountain King on 27 string Medley Guitar” - Edvard Grieg · Keith Medley] [“Je ne vis oncques - Guillaume Dufay · La Capella Reial De Catalunya · Hespèrion XXI · Jordi Savall] [Saltarello - Guillaume Dufay · La Capella Reial De Catalunya · Hespèrion XXI · Jordi Savall] [Credo i - Anónimo · Nova Schola Gregoriana] [Kyrie - Anónimo · Grupo Traballo] [Gaudete, Christus est natus - Anónimo · Choir of The Queen's College] [Quam pulchra es - John Dunstaple · Choir of Gonville & Caius College Cambridge] [Pobres almas en desgracias - Serena Olvido] [Rehab - Amy Winehouse] [Alma redemptoris mater - John Dunstaple · Hilliard Ensemble] [Morning Has Broken - Cat Stevens] [Minuetto - Luigi Bocherini] [Psycho Shower Scene Theme - Bernard Herrmann] [Amazing Grace - John Newton · Jason Liles] [Breton Medley - Azam Ali] [The Wager - Dante Ferrara] [In dulci Jubilo - Hieronymus Praetorius · Early music New York] [In dulci Jubilo - Hieronymus Praetorius · Choir if Trinity College Cambridge] [What is a youth - Nino Rota · Glen Weston] [Kanine Krunchies Theme - Mel Leven] [Ave Maria - Josquin Desprez · Westminster Choir College of Rider University] [Miserere mei, Deus - Josquin Desprez · Cappella Amsterdam] [Pass'e mezzo della Paganina- Giorgio Mainerio · Ricercare-Ensemble Für Alte Musik Zürich ] [Kyrie - Anónimo · Choralschola der Wiener Hofburgkapelle] [Ein feste Burg ist unser Gott - Martin Luther · Rodney Jantzi] [Ein feste Burg ist unser Gott - Martin Luther · Dresdner Kreuzchor · Leipzig Capella] [Missa Marcelli Agnus dei - Giovanni Pierluigi da Palestrina · The Tallis Scholars] [O dolce mio tesoro - Carlo Gesualdo · Ensemble Métamorphoses] [ Il bianco e dolce cigno - Jaques Arcadelt · The King's Singers] [Margot labourez les vignes - Jacques Arcadelt · Doulce mémoire · Denis Raisin Dadre] [Yo me soy la morenica - Villancico Tradicional · Monteserrat Figueras] [Vagh' amorosi augelli -Maddalena Casulana · Ensemble Laus Concentus · Silvia Piccolo · Massimo Lonardi] [Chacona a la Vida Bona - Juand e Arañes · La Capella Reial De Catalunya · Hespèrion XXI · Jordi Savall] [Now o now - John Dowland · Frog Galliard] [Flow my tears - John Dowland · Barbara Bonney] [Come again - John Dowland · Sting · Edin Karamazov]