Podcasts about Tomaso Albinoni

This Day in Legal History:  Miranda v. ArizonaOn June 13, 1966, the U.S. Supreme Court issued its landmark decision in Miranda v. Arizona, fundamentally reshaping American criminal procedure. The case centered on Ernesto Miranda, who had confessed to kidnapping and rape during a police interrogation without being informed of his constitutional rights. In a narrow 5–4 ruling, the Court held that the Fifth Amendment's protection against self-incrimination and the Sixth Amendment's right to counsel require law enforcement officers to inform suspects of their rights before custodial interrogation begins.The decision mandated that suspects be told they have the right to remain silent, that anything they say can be used against them in court, and that they have the right to an attorney—either retained or appointed. These now-standard warnings, known as "Miranda rights," became a required part of police procedure across the United States.Chief Justice Earl Warren, writing for the majority, emphasized that custodial interrogation is inherently coercive and that procedural safeguards were necessary to preserve the individual's privilege against self-incrimination. The dissenters, led by Justice Harlan, argued the decision imposed an impractical burden on law enforcement and that traditional voluntariness tests were sufficient.Miranda sparked immediate controversy, with critics warning it would hamper police efforts and allow guilty individuals to go free. Nonetheless, it has endured as a cornerstone of American constitutional law, embodying the principle that the government must respect individual rights even in the pursuit of justice. Over the years, the ruling has been refined but not overturned, and Miranda warnings are now deeply embedded in both law enforcement training and popular culture.Tesla has filed a trade secret lawsuit in California federal court against former engineer Jay Li and his startup, Proception, alleging that Li stole confidential information to accelerate the development of robotic hands. According to the complaint, Li worked on Tesla's Optimus humanoid robot project from 2022 to 2024 and allegedly downloaded sensitive files related to robotic hand movements before departing the company. Tesla claims Li used this proprietary data to give Proception an unfair edge, enabling the startup to make rapid technological gains that had taken Tesla years and significant investment to achieve.The suit points out that Proception was founded just six days after Li left Tesla and began showcasing its robotic hands five months later—devices Tesla says bear a “striking similarity” to its own designs. Tesla is seeking monetary damages and a court order to prevent further use of its alleged trade secrets. Legal representation for Tesla includes attorneys from Gibson Dunn & Crutcher, while counsel for Proception and Li has not yet been disclosed.Tesla lawsuit says former engineer stole secrets for robotics startup | ReutersA federal district court and a federal appeals court issued conflicting rulings over President Donald Trump's deployment of National Guard troops in Los Angeles amid protests over aggressive immigration enforcement.U.S. District Judge Charles Breyer ruled earlier in the day that Trump's order to deploy the Guard was unlawful. He found that the protests did not meet the legal threshold of a “rebellion,” which would be necessary for the president to override state control of the Guard under the Insurrection Act or related powers. Breyer concluded the deployment inflamed tensions and stripped California of the ability to use its own Guard for other state needs. His 36-page opinion ordered that control of the National Guard be returned to California Governor Gavin Newsom.However, about two and a half hours later, the 9th U.S. Circuit Court of Appeals granted an administrative stay, temporarily pausing Breyer's ruling and allowing Trump to retain command of the Guard for now. The three-judge panel—two appointed by Trump and one by President Biden—stressed that their order was not a final decision and set a hearing for the following Tuesday to evaluate the full merits of the lower court's decision.Meanwhile, a battalion of 700 U.S. Marines was scheduled to arrive to support the Guard, further escalating the federal presence. Critics, including L.A. Mayor Karen Bass and Senator Alex Padilla—who was forcibly removed from a press event—argued that the military response was excessive and politically motivated. Supporters of the deployment, including Trump and DHS Secretary Kristi Noem, defended it as necessary to restore order. A Reuters/Ipsos poll showed public opinion split, with 48% supporting military use to quell violent protests and 41% opposed.Appeals court allows Trump to keep National Guard in L.A. with Marines on the way | ReutersIn a pattern that surprises few, the conservative-dominated U.S. Supreme Court has granted President Donald Trump a series of victories through its emergency—or "shadow"—docket, continuing a trend of fast-tracking his policy goals without full hearings. Since returning to office in January, Trump's administration has filed 19 emergency applications to the Court, with decisions in 13 cases so far. Of those, nine rulings went fully in Trump's favor, one partially, and only two against him. These rapid interventions have enabled Trump to enforce controversial policies—including ending humanitarian legal status for migrants, banning transgender military service, and initiating sweeping federal layoffs—despite lower court injunctions.District court challenges to these actions often cite constitutional overreach or procedural shortcuts, but the Supreme Court has repeatedly overruled or paused these lower court decisions with minimal explanation. The emergency docket, once used sparingly, has become a regular tool for the Trump administration, matching the total number of applications filed during Biden's entire presidency in under five months. Critics argue that the Court's increasing reliance on this docket lacks transparency, with rulings frequently unsigned and unexplained. Liberal justices have voiced strong objections, warning that rushed decisions with limited briefing risk significant legal error.The Court's 6-3 conservative majority, including three Trump appointees, has given the president a judicial green light to implement divisive policies while litigation plays out. Some legal scholars argue these outcomes reflect strategic case selection rather than simple ideological bias. Still, in light of the Court's current composition and its repeated willingness to empower executive action, the results are hardly shocking.Trump finds victories at the Supreme Court in rush of emergency cases | ReutersThis week's closing theme is by Tomaso Albinoni.This week's closing theme is Sinfonia in G minor, T.Si 7 by Tomaso Albinoni, a composer whose elegant, expressive works have often been overshadowed by his more famous contemporaries. Born on June 14, 1671, in Venice, Albinoni was one of the early Baroque era's leading figures in instrumental music and opera. Though he trained for a career in commerce, he chose instead to live independently as a composer, unusual for his time. He wrote extensively for the violin and oboe, and was among the first to treat the oboe as a serious solo instrument in concert music.Albinoni's style is marked by a graceful clarity and balanced formal structure, qualities well represented in this week's featured piece. The Sinfonia in G minor, T.Si 7 is a compact, three-movement work likely composed for a theatrical performance or ceremonial function. It opens with a dramatic Grave, setting a solemn tone that gives way to a lively Allegro and a brief yet expressive final movement.The G minor tonality gives the piece an emotional intensity, without tipping into melodrama—typical of Albinoni's refined dramatic sensibility. While his best-known composition today may be the Adagio in G minor—ironically, a piece reconstructed long after his death—Albinoni's authentic works, like this sinfonia, display a deft hand at combining lyricism with architectural clarity.His music enjoyed wide dissemination in his lifetime and was admired by J.S. Bach, who used Albinoni's bass lines as models for his own compositions. As we close out this week, Albinoni's Sinfonia in G minor offers a reminder of the beauty in restraint and the enduring resonance of Baroque form.Without further ado, Tomaso Albinoni's Sinfonia in G minor, T.Si 7. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

SynopsisFor some composers, what made them popular in their own day is not always what makes them popular today. Take, for example, Italian Baroque composer Tomaso Albinoni, who was born in Venice on today's date in 1671.Albinoni was the son of a wealthy paper merchant, so he was sufficiently well-off, not to have to land a job with the church or some noble patron. He was most famous as an opera composer and travelled outside Italy to lead productions. Unfortunately, his opera scores were never published and so were lost to posterity. He did, however, publish several collections of instrumental works, and it is on these that his fame rests today.By a quirk of fate, nowadays Albinoni's best known work, his famous Adagio in g minor, was not one those works published in the 18th century. Rather, it was a 20th century recreation by musicologist Remo Giazotto based on a rather skimpy surviving sketch. No matter that there are scads of other Albinoni Adagios equally ravishing and straight from his own quill pen. In 1996 the Erato label even issued an album consisting of nothing but 22 original and legitimate Albinoni Adagios and slow movements — plus the famous Adagio that was cooked up by Remo Giazotto tossed in for good measure!Music Played in Today's ProgramTomaso Albinoni (1671-1751): Adagio, from Concerto No. 12; I Solisti Veneti; Claudio Scimone, conductor; Erato 0630-15681-2

Aujourd'hui nous sommes le mercredi 14 mai et nous fêtons saint Matthias, apôtre.Saint Matthias est l'apôtre choisi pour remplacer Judas. La tradition nous dit qu'il partit évangéliser l'Éthiopie et y mourut martyr. Par son intercession, je demande à Jésus cette audace qui habitait les apôtres, qui les a lancés sur les routes... Chaque jour, retrouvez 12 minutes une méditation guidée pour prier avec un texte de la messe ! A retrouver sur l'application et le site www.prieenchemin.org. Musiques : The Spirit and the Bride say: "COME, LORD JESUS!" de Harpa Dei interprété par Harpa Dei - Ven Señor Jesús, ¡Maranathá! © Creative Commons Youtube Audio Library ; Adagio “La prière” de Tomaso Albinoni interprété par Marion Fromonteil et Cesar Velev - Méditation violon & harpe Vol. 1 © ADF-Bayard Musique.

Avui hem sentit: "Stelle ingrate",

Avui hem sentit: Concert per a dos obo

Avui hem sentit: "Sonata a cinque" op. 2/5; Concert per a obo

Avui hem sentit: Sonata a trio op. 1/2; "Trattenimenti armonici" op. 6/1; "Sonata a cinque" op. 2/2; "Cantata da camera" op. 4/6; Concert per a obo

Avui hem sentit: Adagio per a cordes en sol menor; Concert per a obo

Una melodía melancólica, profunda e inmortal. El Adagio en Sol Menor, atribuido a Tomaso Albinoni, ha conmovido a generaciones con su belleza etérea y su capacidad para evocar emociones intensas. Pero, ¿realmente fue Albinoni su creador? ¿O nos encontramos ante una de las mayores controversias de la música clásica? En este vídeo exploramos la historia oculta detrás de esta obra icónica, cuya partitura fue supuestamente reconstruida en medio de los escombros de la Segunda Guerra Mundial. Su origen está envuelto en el misterio, y las pistas nos llevan hasta un hombre en la sombra: Remo Giazotto, el musicólogo que afirmó haber encontrado fragmentos de una composición perdida de Albinoni y que, a partir de ellos, habría dado forma al célebre Adagio. ¿Hasta qué punto es cierto este relato? ¿Existieron realmente esos manuscritos originales? ¿O fue todo un ingenioso artificio que terminó convirtiéndose en una de las piezas más interpretadas de la música barroca? Acompáñanos en este fascinante recorrido por el enigma del Adagio en Sol Menor, donde la historia, el arte y la música se entrelazan en una intriga que sigue sin resolverse del todo. La verdad puede ser más sorprendente de lo que imaginas. https://www.edenex.es

Deze week bij Kalm met Klassiek staan de voornemens van luisteraars centraal! Vandaag geeft Ab het woord aan luisteraar Wolly, die regelmatig wil uitblazen als door een rietje. Haar bericht is een mooie aanleiding om zo'n ademhalingsoefening eens met alle luisteraars te proberen. En daarbij hoort natuurlijk ontspannende muziek voor een rietblazer: deel twee uit een 'Hoboconcert' van Tomaso Albinoni. Wil je meer Kalm met Klassiek? Ga naar npoklassiek.nl/kalmmetklassiek (https://www.npoklassiek.nl/kalmmetklassiek). Alle muziek uit de podcast vind je terug in de bijbehorende speellijst (https://open.spotify.com/playlist/6YgSfm1Sux7CroiJvzeUdx?si=f0f254ee8f4048e7). 

Aujourd'hui nous sommes le Lundi 25 novembre et nous fêtons Sainte Catherine d'Alexandrie, vierge et martyre. En ce début de semaine je demande au Seigneur d'ouvrir mon cœur à sa parole et ainsi de me laisser toucher par ce qu'elle... Chaque jour, retrouvez 12 minutes une méditation guidée pour prier avec un texte de la messe ! A retrouver sur l'application et le site www.prieenchemin.org. Musiques : Adagio “La prière” de Tomaso Albinoni interprété par Marion Fromonteil et Cesar Velev - Méditation violon & harpe Vol. 1 © ADF-Bayard Musique ; En esprit et en vérité de Dei Amoris Cantores (DAC) interprété par Communauté Saint Jean - Vers la lumière © Creative Commons Youtube Audio Library.

Aujourd'hui nous sommes le lundi 11 novembre et nous fêtons saint Martin de Tours. Évêque, appelé aussi Martin le miséricordieux, il est célèbre pour avoir partagé son manteau avec un déshérité pris par le froid. Il introduit cette semaine en nous ouvrant au plus pauvre. Cette même semaine se conclura par la 8ème journée du Pauvre dimanche prochain.Les prières de cette semaine sont guidées par le Secours catholique de la Loire et la diaconie de Saint Etienne. Je me présente à Dieu et me confie à sa présence. Je dispose mon corps et mon cœur afin de mieux l'accueillir et me laisser guider. Je lui demande ce matin de reconnaître la foi dont il me comble... Chaque jour, retrouvez 12 minutes une méditation guidée pour prier avec un texte de la messe ! A retrouver sur l'application et le site www.prieenchemin.org. Musiques : Vous serez vraiment grands de Père Marie-Joseph / Jean-Baptiste Du Jonchay interprété par Jeunesse franciscaine de Bitche - Chantons en Église - 50 chants pour prier avec saint François © ADF-Bayard Musique ; Adagio “La prière” de Tomaso Albinoni interprété par Marion Fromonteil et Cesar Velev - Méditation violon & harpe Vol. 1 © ADF-Bayard Musique.

Aujourd'hui, nous sommes le lundi 9 septembre. Nous fêtons saint Pierre Claver, jésuite espagnol du 17e siècle, missionnaire en Colombie. Nous fêtons également le bienheureux Fréderic Ozanam, laïc français du 19e siècle, co-fondateur de la Société Saint-Vincent de Paul. L'Eglise commémore la mémoire du bienheureux père Jacques-Désiré Laval, vénérée par toute la population de l'île Maurice.Je prends le temps de me disposer intérieurement et je fais mienne la louange du psalmiste : « le Seigneur redresse les accablés ». Je confie au Seigneur ce temps de prière au cœur de mon quotidien. Je lui demande la grâce de voir clair dans mes pensées et d'y accorder... Chaque jour, retrouvez 12 minutes une méditation guidée pour prier avec un texte de la messe ! A retrouver sur l'application et le site www.prieenchemin.org. Musiques : Pli gran lamour de Laurent Rivet & Zezi United interprété par Laurent Rivet & Zezi United - Lor to Larout © Père Laurent Rivet & Zezi United ; Adagio “La prière” de Tomaso Albinoni interprété par Marion Fromonteil et Cesar Velev - Méditation violon & harpe Vol. 1 © ADF-Bayard Musique.

Aujourd'hui nous sommes vendredi 9 août et nous fêtons Edith Stein, également nommée Sainte Thérèse-Bénédicte de la Croix.Seigneur Jésus, me voici devant Toi tel que je suis : désir et crainte, envie et lassitude. En ce jour, je remets ma vie dans tes mains, je renouvelle mon désir de Te suivre. Unifie ma vie, Seigneur ! Rends-moi disponible pour Te servir dans la vie de mes frères... Chaque jour, retrouvez 12 minutes une méditation guidée pour prier avec un texte de la messe ! A retrouver sur l'application et le site www.prieenchemin.org. Musiques : Adagio “La prière” de Tomaso Albinoni interprété par Marion Fromonteil et Cesar Velev - Méditation violon & harpe Vol. 1 © ADF-Bayard Musique.

Præludium: Johann Gottfried Walther: Nu velan, vær frisk til mode Fra det G.T.: 2.Mosebog 1, 15-20 Salme: 749 "I østen stiger solen op" Fra det N.T.: Matthæusevangeliet 12, 22-29 Korvers: Rued Langgaard: Ophøj dig, Gud (tekst: Efter Salme 57, 108) Salme: 166, vers 1-2 "Så skal dog Satans rige" Postludium: Johann Gottfried Walther: Allegro F-dur efter Tomaso Albinoni

Polifonia teatral i cor orgànic. Crítica teatral de l'obra «Paradise», de Kae Tempest. Dramatúrgia: Moreno Bernardi. Traducció: Sadurní Vergés. Composició musical: Moreno Bernardi. Música original: Moreno Bernardi feat. David Flores. Cançons: Moreno Ensemble project. Extractes musicals: T. Albinoni i G. Mahler. Intèrprets: Zúbel Arana, Maria Estela, Núria Dalmau, Uri Guillem, Sara Palomo, Roger Sahuquillo, Aina Serena i Albert Muntané. Violí: David Flores. Multimèdia: Martín Elena. Disseny d’il·luminació: Lluís Serra. Disseny de so: Rocco.fx. Disseny de vestuari: Josep Abril. Caracterització: Alexis Ferrer. Joies: Valentina Falchi. Ajudant de direcció: Rubén Homar. Ajudant de direcció de laboratori: Núria Dalmau. Contingut fotogràfic multimèdia: Luca Catalano. Fotografies d'escena: Felipe Mena. Fotografies promocionals: Edo García. Direcció de producció: Meri Notario i Gemma Sala. Ajudant de producció: Nil Mas. Assistent de vestuari: Alessia Zoppis. Assistent de vestuari en pràctiques: Allegra Abril. Projecte: Lo Spazio + Moreno Ensemble project. Equip Teatre Akadèmia: Direcció artística: Guido Torlonia. Gerència i Cap de producció: Meri Notario. Cap de comunicació i màrqueting: Míriam Font. Cap de premsa i assistència a la direcció artística: Fernando Solla. Comunicació: Vinyet Vila. Cap tècnic: Lluís Serra. Tècnic auxiliar: Víctor Castro. Cap de sala: Núria Farrús. Gestió de públics: Rubén Salinas. Community Manager: Eladi Bonastre. Una coproducció del Teatre Akadèmia i Lo Spazio. Direcció de l'espectacle: Moreno Bernardi. Teatre Akadèmia, Barcelona, 19 juny 2024. Veu: Andreu Sotorra. Música: Adagio. Interpretació: Angèle Dubeau i Rachèle Laurin. Composició: Tomaso Albinoni. Àlbum: Immortalis, 2006.

Aujourd'hui nous sommes le dimanche 9 juin, dixième dimanche du temps ordinaire.Nous vivons dans un monde où le vrai et le faux ne se distinguent plus qu'avec peine. Nous sommes alors comme des brebis sans berger, ou comme une barque dans la tempête, livrés à toute parole se présentant avec autorité. Demandons la grâce de savoir distinguer ce qui est juste, et de... Chaque jour, retrouvez 12 minutes une méditation guidée pour prier avec un texte de la messe ! A retrouver sur l'application et le site www.prieenchemin.org. Musiques : Adagio “La prière” de Tomaso Albinoni interprété par Marion Fromonteil et Cesar Velev - Méditation violon & harpe Vol. 1 © ADF-Bayard Musique.

Aujourd'hui nous sommes le vendredi 5 avril, dans l'octave de Pâques.Je me prépare à prier en descendant en moi dans le calme, pour y rejoindre Dieu. Je demande au Seigneur la grâce de lui confier mes lieux de désespoir et d'espérance... Chaque jour, retrouvez 12 minutes une méditation guidée pour prier avec un texte de la messe ! A retrouver sur l'application et le site www.prieenchemin.org. Musiques : Adagio “La prière” de Tomaso Albinoni interprété par Marion Fromonteil et Cesar Velev - Méditation violon & harpe Vol. 1 © ADF-Bayard Musique.

Northern California kind of sucks, getting naked at Disneyland and the Oscars, a dismal attempt at soccer with Blonde Redhead, some other sports-related failures, weird ass supplements, Mads Mikkelsen, smoking and drinking and chewing tobacco and generally being an idiot, worst college experience ever, a couple of great Los Angeles movies, and a dearly missed Irish bar. Stuff mentioned: Leonard Bernstein (music), Betty Comden and Adolph Green (lyrics) "New York, New York" (1944), On the Town (1949), New York, New York (1977), Sammy Fain, Irving Kahal, and Pierre Norman "You Brought a New Kind of Love to Me (1930), Another Round (2020), Scarlet Pleasure "What A Life" (2020), Riders of Justice (2020), Wild at Heart (1990), Jim Morrison and The Doors "A Feast of Friends" (1978), Tomaso Albinoni's "Adagio in G Minor" (1708, perhaps), In Country (1989), Protomartyr "Polacrilex Kid" (2023), Protomartyr Formal Growth in the Desert (2023), Protomartyr "A Private Understanding" (2017), Protomartyr Relatives in Descent (2017), From Hollywood to Deadwood (1988), The Late Show (1977), and Married...with Children (1987-1997).

Estilos e formas italianas estão presentes na obra para teclado, nos concertos e até nas cantatas do compositor

Un día como hoy, 8 de junio: Nace: 1671: Tomaso Albinoni, compositor italiano (f. 1751). 1810: Robert Schumann, compositor clásico alemán (f. 1856). 1867: Frank Lloyd Wright, arquitecto estadounidense. 1903: Marguerite Yourcenar, escritora y traductora francesa (f. 1987). Fallece: 1612: Hans Leo Hassler, compositor alemán (n. 1562). 1876: George Sand, escritora francesa (n. 1804). 1993: Severo Sarduy, escritor cubano (n. 1937). Conducido por Joel Almaguer. Una producción de Sala Prisma Podcast. 2023

 Maestra Dominique Beaulieu - My Favorite Works by Tomaso AlbinoniHelp support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber and Apple Classical. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com       

I was recently asked to explain chromaticism, so I thought I'd give it a try here. Bach's fugue based on a theme by Tomaso Albinoni in B minor, BWVs 951, and 951a: the subject itself contains a chromatic descent (B, A#, A, G#, G, F#) and though Albinoni himself wrote it, it was Bach who brought the ideas behind such chromaticism to the next level.  HERE is the recording which I was not able to credit. If you know whose recording this is, please write me, I'll fix it! and HERE is the version (BWV 951, not BWV951a) which I played on the MIDI harpsichord, highlighting the chromatic lines on one of my favorite youtube channels.  As always, thank you for your support, your feedback, your passion! -es Support us: https://www.patreon.com/wtfbach https://www.paypal.me/wtfbach https://venmo.com/wtfbach https://cash.app/$wtfbach   Ideas? Kvetches? Write us: bach (at) wtfbach (dot) com

Un día como hoy, 17 de enero: Nacen: 1814, Ellen Wood. 1885, Emmy Hennings. 1943, Elsa López. 1962, Jim Carrey. 1962, Luis Estrada. Fallecen: 1751, Tomaso Albinoni. 1863, Horace Vernet. 1889, Juan Montalvo. Conducido por Joel Almaguer Una producción de Sala Prisma Podcast. 2023.

Præludium: Louis James Alfred Lefébure-Wély: Verset F-dur. Fra det G.T.: Esajas 26, 4-9a. Salme: 410, vers 1-4 "Som tørstige hjort monne skrige". Fra det N.T.: Romerbrevet 3, 21-30. Korvers: Anders Bond: Bered en vej for Herren! (tekst: Esajas/Svensk salmebog, dansk Hanne Kuhlmann). Salme: 487 vers 1 + 5-7 "Nu fryde sig hver kristen mand". Postludium: Joh. Gotfried Walther: III. sats fra Concerto F-dur efter Tomaso Albinoni. www.dr.dk/P2/Morgenandagten

Oudemuziekkenner Kees Koudstaal schotelt u de mooiste en recentste CD’s met oude en klassieke muziek voor. Dit keer presenteert hij de albums van L'armonia delle Cetre, Ronald Brautigam en Il Pomo d'Oro.   1. Tomaso Albinoni (1671-1751) – Sonate voor 2 violen, cello en basso continuo, Opus III, nr. 8 Uitvoerenden: L'armonia delle Cetre (CD: […]

Nesta edição do Clássicos CBN, o Maestro Helder Trefzger apresenta a obra do compositor do barroco de Veneza Tomaso Albinoni, inclusive a sua composição mais conhecida - Adágio. O tema é pedido de ouvinte! Ouça a conversa completa!

Donald Macleod and guest Sarah Willis explore some of the greatest “one-hit wonders” in classical music - Johann Pachelbel, Engelbert Humperdinck, Paul Dukas, Gregorio Allegri, Henryk Górecki, Tomaso Albinoni, Giovanni Pergolesi, Pietro Mascagni, Carl Orff and Julius Fučík. Classical music is littered with composers who are famous for just a single piece of music. In a special week of Composer of the Week programmes, Donald Macleod is joined by Berlin Philharmonic horn player Sarah Willis to explore ten of these composers and examine episodes from their lives, alongside their compositions – both their popular hits and some of their less familiar music. They also try to isolate why certain works have captured the popular imagination of audiences around the world. Music Featured: Pachelbel: Canon & Gigue for 3 violins and continuo in D major Pachelbel: Christ lag in Todesbanden Humperdinck: Erinnerung Humperdinck: Hansel and Gretel (excerpts) Humperdinck: Königskinder, "Verdorben! Gestorben!..Ihr Kindlein, sie sind gefunden" Dukas: La Peri Fanfare Dukas: L'apprenti sorcier Dukas: Ariane et Barbe-bleu, Act III: Adieu Allegri: Canzone Scamfortina Allegri: Missa ‘Che fa oggi il mio sole': Agnus Dei Allegri: Miserere Górecki: Symphony No 3 (Symphony of Sorrowful Songs),1st Mvt. Górecki: Little Requiem for a Certain Polka, Op 66, 3rd Mvt. Górecki: Symphony No 3 (Symphony of Sorrowful Songs), 2nd Mvt. Górecki: Miserere Albinoni: Overture to Zenobia Albinoni (compl. Giazotto): Adagio in G minor Albinoni: Concerto in B flat major for oboe and strings Albinoni: Concerto in F major for oboe and strings Pergolesi: Stabat Mater (excerpt) Pergolesi: Conversione di San Guglielmo (Sinfonia) Pergolesi: Dixit Dominus, Opening chorus Pergolesi: Stabat Mater (excerpt) Mascagni: Cavalleria Rusticana (Easter Hymn, Inneggiamo & Intermezzo) Mascagni: Rapsodia Satanica, Prologue Orff: Camina Burana, 'O Fortuna' Orff/Keetman: Schulwerk (excerpts) Orff: De temporum fine comoedia Orff: Carmina Burana (excerpt) Fučík: Entry of the Gladiators Fučík: Miramare Fučík: Triglav Presented by Donald Macleod Produced by Sam Phillips For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for One Hit Wonders https://www.bbc.co.uk/programmes/m001695t And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Welkom bij weer een nieuwe aflevering van Kalm met Klassiek. Het is nu even tijd voor jezelf! Deze week zocht Ab muziek voor je uit om dit nieuwe begin te vieren. Vandaag neemt hij je mee in een prachtig werk voor orgel en strijkers. Het Adagio in g mineur van Tomaso Albinoni. Of toch niet? Dit stuk werd vele jaren ná Albinoni's dood samengesteld door de musicoloog Remo Giazotto op basis van een handschrift van Albinoni. Deze muziek kreeg vele jaren ná Albinonis dood ook een nieuw begin! Luister je mee?

Giovedi 14 ottobre prima rappresentazione moderna dell'opera di Tomaso Albinoni

Famoso por suas óperas, músico de Veneza foi uma das inspirações italianas para o compositor alemão

Oggi parliamo dell'Adagio in Sol Minore di Tomaso Albinoni e Remo Giazotto. Tomaso Albinoni è un musicista italiano nato nel 1671 e morto nel 1751, a Venezia. Le sue opere originali sono conservate nella Libreria di Stato di Dresda, in Germania.Nella notte tra il 13 e il 14 febbraio 1945, la città di Dresda viene bombardata e completamente distrutta. Tra gli edifici distrutti c'è anche la Biblioteca di Stato.Qualche anno dopo un musicologo italiano, Remo Giazotto, trova un frammento di una misteriosa composizione di Albinoni.Contenuti⏱️ 00:57 Prima parola: avvolgere (verbo)⏱️ 01:50 Seconda parola: sbiadire (verbo)⏱️ 02:48 Terza parola: ipotizzare (verbo)⏱️ 03:30 L'Adagio in Sol Minore di Albinoni⏱️ 05:07 Chi era Tomaso Albinoni?⏱️ 07:30 Il bombardamento di Dresda del 1945⏱️ 08:53 Remo Giazotto va a Dresda⏱️ 11:02 Alcuni dubbi⏱️ 12:10 Le 3 parole in contestoAudio

Letzter Teil des Kriminalroman NARBEN mit einigen Überraschungen für Barbara Mannott & Sylvia Klammer. ZUSAMMENSCHNITT im KrimiKiosk-Shop. Musik: Adagio for Organ & Strings in g minor von Tomaso Albinoni unter Public Domain bei musopen.org Wenn Sie unseren Podcast gut finden und uns unterstützen möchten ->  https://www.paypal.me/krimikiosk. Nächste Sendung am 02.09.2021. Impressum der Sendung ->https://krimikiosk.de/impressum-2/

Vorletzte Episode: Was hat Norbert Wolfram mit dem Chiccolino zu tun? Sylvia "trifft sich" mit Nils Wiesinger.  Musik: Adagio for Organ & Strings in g minor von Tomaso Albinoni unter Public Domain bei musopen.org Wenn Sie unseren Podcast gut finden und uns unterstützen möchten ->  https://www.paypal.me/krimikiosk. Nächste Sendung am 08.07.2021. Impressum der Sendung ->https://krimikiosk.de/impressum-2/

Barbara fliegt auf und Bruno wird überrascht. Musik: Adagio for Organ & Strings in g minor von Tomaso Albinoni unter Public Domain bei musopen.org Wenn Sie unseren Podcast gut finden und uns unterstützen möchten ->  https://www.paypal.me/krimikiosk. Nächste Sendung am 01.07.2021. Impressum der Sendung ->https://krimikiosk.de/impressum-2/

Seltsame Vorgänge im Chiccolino und ein verärgerter Niederländer. Unser Hinweis heute bezieht sich auf https://www.probeweis.de/ . Die Seite ist in mehreren Sprachen bedienbar. Musik: Adagio for Organ & Strings in g minor von Tomaso Albinoni unter Public Domain bei musopen.org Wenn Sie unseren Podcast gut finden und uns unterstützen möchten ->  https://www.paypal.me/krimikiosk. Nächste Sendung am 24.06.2021. Impressum der Sendung ->https://krimikiosk.de/impressum-2/    

Sylvia geht dem Schokoladengeheimnis nach, während Caroline Wiesinger Abschied von ihrem Zuhause nimmt. Musik: Adagio for Organ & Strings in g minor von Tomaso Albinoni unter Public Domain bei musopen.org Wenn Sie unseren Podcast gut finden und uns unterstützen möchten -> https://www.paypal.me/krimikiosk. Nächste Sendung am 17.06.2021. Impressum der Sendung ->https://krimikiosk.de/impressum-2/

Un día como hoy, 8 de junio: Nace: 1671: Tomaso Albinoni, compositor italiano (f. 1751). 1810: Robert Schumann, compositor clásico alemán (f. 1856). 1867: Frank Lloyd Wright, arquitecto estadounidense. 1903: Marguerite Yourcenar, escritora y traductora francesa (f. 1987). Fallece: 1612: Hans Leo Hassler, compositor alemán (n. 1562). 1876: George Sand, escritora francesa (n. 1804). 1993: Severo Sarduy, escritor cubano (n. 1937). Una producción de Sala Prisma Podcast. 2021

durée : 00:16:52 - Disques de légende du mardi 08 juin 2021 - On consacre notre légende du jour à Tomaso Albinoni à l'occasion du 350ème anniversaire de sa naissance, le 8 juin 1671. Enregistré par la violoniste et cheffe de l'Ensemble 415 Chiara Banchi en 2008, ce très bel album paru chez Zig Zag réunit des pièces de jeunesse du célèbre compositeur vénitien.

Melas, veidmainystė, blaškymasis po pasaulį, vedybos, neištikimybė ir homoseksualūs santykiai, šlovė, dar didesnė šlovė ir pinigai, baisi nelaimė, trauma ir depresija, alkoholis ir nuskausminamieji. Ir talentas, talentas, talentas, kurio neatimsi. Skamba kaip tikro poeto, tikro menininko biografija – bohemiškai, tragiškai. Visa tai apie vieną didžiausių dainarašių, apie tą, kuriam taip lengvai pasiduodavo labiausiai įsimenančios melodijos ir tekstai, apie tą, kuris iki II pasaulinio karo taip ryškiai spindėjo Brodvėjuje ir Holivude, apie tą, kurio dainynas – 800 autorinių kūrinių – saugomas JAV kaip šalies kultūrinė vertybė. Apie Cole‘ą Porterį, kuriam „Kitame laike“ sukanka 130. Laidoje jis turės kolegą. 350 sueitų ir italų Baroko kompozitoriui Tomaso Albinoni. Jis labiausiai žinomas kūriniu, kurio... nesukūrė!Ved. Domantas Razauskas

Ana Her celebrates the life and work of Italian composer Tomaso Albinoni, known for his operas and instrumental music, marking the 350th anniversary of his birth on 8 June 1671. It is thought that Albinoni wrote at least 50 operas, although few of them survive. His oboe concertos were the first of their type by an Italian composer to be published, and his instrumental music was admired by Bach, who wrote fugues based on Albinoni's works and also used them in his teaching.

Sind Brunos Schoko-Papiere von seinen Nachbarn? Barbara trifft Caroline Wiesinger und findet etwas Besorgniserregendes. Musik: Adagio for Organ & Strings in g minor von Tomaso Albinoni unter Public Domain bei musopen.org Wenn Sie unseren Podcast gut finden und uns unterstützen möchten -> https://www.paypal.me/krimikiosk. Nächste Sendung am 10.06.2021. Impressum der Sendung ->https://krimikiosk.de/impressum-2/

Wie Barbara an einen neuen Job kommt & Sylvia an hohen Mauern scheitert. Musik: Adagio for Organ & Strings in g minor von Tomaso Albinoni unter Public Domain bei musopen.org Wenn Sie unseren Podcast gut finden und uns unterstützen möchten-> https://www.paypal.me/krimikiosk. Nächste Sendung am 03.06.2021. Impressum der Sendung ->https://krimikiosk.de/impressum-2/

Præludium: Friedrich Wilhelm Zachau: Kom, Helligånd, Gud Herre from Fra det G.T.: Salme 30. Salme: 305 "Kom, Gud Helligånd, kom brat!". Fra det N.T.: Johannesevangeliet 16, 16-22. Korvers: Bendt Fabricius: Kom, Sandheds Ånd! (Thomas Kingo, N.F.S. Grundtvig). Salme: 38, vers 1-3 "På alle dine veje". Postludium: Johann Gottfried Walther: Allegro f-dur (transkription af musik af Tomaso Albinoni) www.dr.dk/P2/Morgenandagten

Ein Haus des Grauens & ein unlösbares Rätsel. Musik: Adagio for Organ & Strings in g minor von Tomaso Albinoni unter Public Domain bei musopen.org Wenn Sie unseren Podcast gut finden und uns unterstützen möchten-> https://www.paypal.me/krimikiosk. Nächste Sendung am 27.05.2021. Impressum der Sendung ->https://krimikiosk.de/impressum-2/

Heute: Eine Leiche, viel Schokoladenpapier & ein trauriger "Besuch". Musik: Adagio for Organ & Strings in g minor von Tomaso Albinoni unter Public Domain bei musopen.org Wenn Sie unseren Podcast gut finden und uns unterstützen möchten-> https://www.paypal.me/krimikiosk. Nächste Sendung am 20.05.2021. Impressum der Sendung ->https://krimikiosk.de/impressum-2/

Eine neue Klientin, Marlene Amelung, verschafft Barbara Mannott & Sylvia Klammer einen dringend benötigten, aber ungewöhnlichen Auftrag. Musik: Adagio for Organ & Strings in g minor von Tomaso Albinoni unter Public Domain bei musopen.org Wenn Sie unseren Podcast gut finden und uns unterstützen möchten-> https://www.paypal.me/krimikiosk. Nächste Sendung am 13.05.2021. Impressum der Sendung ->https://krimikiosk.de/impressum-2/

Eine kurze Sendung mit einer kleinen Überraschung. Weil's uns im Augenblick gut tut. Musik: Adagio for Organ & Strings in g minor von Tomaso Albinoni unter Public Domain bei musopen.org Wenn Sie unseren Podcast gut finden und uns unterstützen möchten-> https://www.paypal.me/krimikiosk. Nächste Sendung am 06.05.2021. Impressum der Sendung ->https://krimikiosk.de/impressum-2/

Voici l'épisode 7 (Fr) de Moment Musicaux, la baladodiffusion de Concerts Lachine http://www.concertslachine.ca SOMMAIRE DE l'ÉMISSION: - Premier mouvement: Allegro du troisième concerto brandebourgeois de Bach interprété par l'Ensemble Caprice dirigé par Matthias Maute. - Entrevue avec Matthias Maute, fondateur et codirecteur artistique de l'ensemble Caprice. - L'Ensemble Caprice dirigé par Matthias Maute interprète une courte et délicieuse pièce, Xàcara, tirée de la collection Flores de Mùsica, des pièces principalement espagnoles composées entre 1706 et 1709. Suivra le mythique Adagio attribué à Tomaso Albinoni. - Stéphane Tétreault au violoncelle et Marie-Ève Scarfone au piano dans un extrait tiré du Divertimento en ré majeur de Joseph Haydn. - Entrevue avec Stéphane Tétreault, violoncelliste. - Stéphane Tétreault joue l'arrangement de Ewen Tsai pour trois violoncelles de la deuxième Valse de la suite jazz de Dmitri Shostakovich. Suivi du Cygne de Camille Saint-Saëns avec la superbe harpiste québécoise, Valérie Milot. - Le thème de cette balado est interprété par la pianiste Élisabeth Pion. https://vimeo.com/486955885

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Temp (II) Primero y antes de todo, quisiera agradecer a INMA BLANCO MUÑOZ su colaboración con el programa, habiéndome dejado su voz para enriquecer el Podcast, habiendo aportado de esta forma tan bonita a nuestra Biblioteca. Gracias Inma… Segundo, pedir perdón a los actores… por el “valor” que le he tenido… Mis disculpas a los profesionales… pero se me apetecía hacerlo. Dicho esto… El relato de hoy se titula… FUE UN SUEÑO? La verdad, es cierta… según quien la cuenta… Incluso, quien sabe que miente, a veces, se cree su propia mentira. Hermanos, padres, pareja… nos sorprendería saber las veces que nos han mentido de forma consciente o piadosa. Estamos en época vacacionales y como tal, hoy miramos, EN LA ESTANTERIA. El relato de hoy, tiene Drama, Amor, Nostalgia y Terror… todo ello en muy pocas palabras. El Autor del libro es, René Albert Guy de Maupassant, fue un escritor francés. Considerado por muchos como el Padre de los Cuentos Modernos. Se codeó con escritores y famosos de su época como Victor Hugo, Gustave Flaubert, Louise Révoil o Louise Colet, Iván Turgénev, Émile Zola o los hermanos Goncourt. Paul Bourget, Chéjov, León Tolstói, Horacio Quiroga, entre otros. Algunas de sus obras: Los domingos de un burgués en París Todas las mujeres Cuentos completos de terror, locura y muerte La vida errante Cuentos esenciales El miedo La máscara y otros cuentos sobrenaturales La bella desconocida y otros cuentos libertinos La Vendetta y otros cuentos de horror La mano desollada Magnetismo y otros cuentos Un día de campo y otros cuentos galantes Fuerte como la muerte El Horla Mont-Oriol Pierre y Jean Bel Ami Bola de sebo CONTACTA: MAIL- llamadadelaluna@gmail.com TWITTER- @llamadadelaluna FACEBOOK- La Llamada De La Luna HAZTE MECENAS. A día de hoy, aunque no lo creas, me cuesta el dinero mantener LLDLL. Me gustaría invertir más tiempo en este Podcast. Me gustaría que creciéramos…dedicarle todo mi tiempo… Me gustaría tener mejor equipo de sonido y poder yo donar a las páginas que me dejan la música y los bancos de sonido. Muchos me habláis de Contratos de Radio, pero la realidad es otra…ellos están en otra cosa o simplemente ni me conocen. Una cuota mensual al mes, la que puedas y obtendrás ventajas. Recuerda, que lo primero que hacen para el olvido…siempre fue quemar libros… No dejes que la Cultura Muera… No dejes que nuestra Biblioteca Arda. MUSICA: ARUM, WOLFGANG AMADEUS MOZART (https: // wolfgang- amadeusmozart.com/), TOMASO ALBINONI, ALVAROCV, MATTIA VLAD MORLEO, ALEXANDER STEIN, TAYLOR HAYWARD, THE GLASS CHILS. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

So you want to live like the common people? In the first part of a two part series about scent and class, we explore social structures through perfumery.Host Saskia Wilson-Brown is joined by fashion designer Jake Treddenick, perfume historian and museum professional Jessica Murphy (Perfume Professor), fragrance reviewer Miya Porubcan (Fab Smells by Miya), academic Nuri McBride (Death and Scent), PhD candidate Robyn Price (UCLA Cotson Institute), and perfumer/artist Sarah Baker (Sarah Baker Perfumes). Airing on Los Angeles' Lookout FM on the second and fourth Thursday of every month and as a podcast thereafter, Perfume on the Radio is a radio show about scent culture, perfumery and olfactory art produced by the Institute for Art and Olfaction. Learn more at perfumeontheradio.com-EPISODE CREDITSPerfume in the Radio is produced by The Institute for Art and Olfaction. Special thanks to Cameron at Lookout.fm, Ale at dublab and Minetta Rogers at IAO. Songs: Eric Satie, Gymnopédies, Courtesy of MusOpen; Edvard Grieg, 25 Norwegian Folk Songs and Dances, Op. 17, Courtesy of MusOpen; Tomaso Albinoni, The Concertos a cinque, Op. 7 , Orchestra Gli Armonici, Courtesy of MusOpen; Marc Ogeret, Ça Ira, Courtesy of Library of Congress, Fair Use; Johann Pachelbel, Canon and Gigue in D Major, Chamber Music Society of Lincoln Center, Courtesy MusOpen; Frederic Chopin, Etudes, Op. 10, Courtesy of MusOpen; Girbiat Medieval Dance Tunes Sequence, Paul Arden-Taylor, Elizabeth Wright & Malcolm Peake, Courtesy of MusOpen; Perfume on the Radio title song composed by Maxwell Williams.Sound Effects: LS_34265_HK_StanleyVillageStreet.wav, by Kevin Luce at Freesound.org; Desert Simple.wav, by Proxima4 at Freesound.org; LS_34133_SA_JeddahAirport.mp3 by Kevin Luce at Freesound.org; Crowd/Mob/Riot Noise (Voices Only) - 14 people, 2 minutes HENRY VI, by FillMat at Freesound.org; terrasse-de-cafe.wav by FlorenceArt at Freesound.org

Entrado ya el nuevo año 2021, hoy vamos a recordar algunas de las efemérides que tendremos a lo largo del año. Y será recordando a algunos maestros de los que se cumplirán diversos aniversarios. Como Philippe de Monte, Jan Pieterszoon Sweelinck, Alfonso X el Sabio, Michael Praetorius, Tomaso Albinoni o el gran Josquin Desprez. Escuchar audio

Un día como hoy, 17 de enero: Nacen: 1814, Ellen Wood. 1885, Emmy Hennings. 1943, Elsa López. 1962, Jim Carrey. 1962, Luis Estrada. Fallecen: 1751, Tomaso Albinoni. 1863, Horace Vernet. 1889, Juan Montalvo. Una producción de Sala Prisma Podcast. 2021.

Illugi Jökulsson les valda kafla úr bókinni Á hreindýraslóðum eftir Helga Valtýsson. Lokalag þáttarins er leikið í fullri lengd en það er Adagio í g-moll fyrir strengi og orgel eftir 18. aldar tónskáldið Tomaso Albinoni. Að vísu er þetta verk efti 20. aldar tónskáldið Remo Giazotto, sem notaði líkast til brot úr verki eftir Albioni.

Illugi Jökulsson les valda kafla úr bókinni Á hreindýraslóðum eftir Helga Valtýsson. Lokalag þáttarins er leikið í fullri lengd en það er Adagio í g-moll fyrir strengi og orgel eftir 18. aldar tónskáldið Tomaso Albinoni. Að vísu er þetta verk efti 20. aldar tónskáldið Remo Giazotto, sem notaði líkast til brot úr verki eftir Albioni.

Producción: Raúl W. Capistrán GraciaDirección: Dra. Irma Susana Carbajal VacaGuion: Equipo Vida y obra de Tomaso AlbinoniSelección Musical: Locución: Jimena López López, José Ramón Armas Chávez, José Alfredo Deras Sánchez, y Karla Concepción Espino Ruiz EsparzaEdición: Karla LedezmaOperador Técnico: Alejandra de los Ríos en Radio UAA, Karla Ledezma en plataformas digitales.Género: Programa tipo documental sobre: La vida y obra de Tomaso AlbinoniAño de Producción: 2020

Illugi Jökulsson les valda kafla úr bókinni Á hreindýraslóðum eftir Helga Valtýsson. Lokalag þáttarins er leikið í fullri lengd en það er Adagio í g-moll fyrir strengi og orgel eftir 18. aldar tónskáldið Tomaso Albinoni. Að vísu er þetta verk efti 20. aldar tónskáldið Remo Giazotto, sem notaði líkast til brot úr verki eftir Albioni.

Illugi Jökulsson les valda kafla úr bókinni Á hreindýraslóðum eftir Helga Valtýsson. Lokalag þáttarins er leikið í fullri lengd en það er Adagio í g-moll fyrir strengi og orgel eftir 18. aldar tónskáldið Tomaso Albinoni. Að vísu er þetta verk efti 20. aldar tónskáldið Remo Giazotto, sem notaði líkast til brot úr verki eftir Albioni.

Neste programa, o maestro João Mauricio Galindo responde perguntas sobre Tomaso Albinoni, Ravel e seu Bolero, o acodeon na orquestra, a Habanera de Carmen de Bizet e Minuetos em tom menor.

Celebrate Bryce's 32nd birthday as he asks just who is funding all these rioters and looters across the country, and why no one seems to be asking. Take a dive into the total and blatant hypocrisy of our elected officials across the country, as they go full Marie Antionette and leave the rest of us to eat cake, prompting the serious need to vote beyond republicans and democrats. Finally, round back to the rioters and examine just how dangerous of an idea letting them loose the way the left has really is and why.Today's Music:12 Concertos à cinque, Op. 9 - Concerto for Oboe & Strings in d minor No. 2 composed by Tomaso Albinoni and performed by The Modena Chamber Orchestra is licensed under a Public Domain License (http://bit.ly/PublicDomain1-0) https://musopen.org Music promoted by Royalty Free Music Library: https://youtu.be/hdyHOuIvaxoBrandenburg Concerto No4-1 BWV1049 - Classical Whimsical by Kevin MacLeod is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/...) Source: http://incompetech.com/music/royalty-... Artist: http://incompetech.com/1812 Overture (by Tchaikosvky) by Tchaikovsky Creative Commons — Attribution 3.0 Unported— CC BY 3.0 https://creativecommons.org/licenses/... Music provided by FreeMusic109 https://youtube.com/FreeMusic109

Más de 3,5 horas de las grabaciones de música clásica más famosas y reconocibles. ¡Lo mejor de la música clásica para estudiar, leer, relajarse y (sobre todo) disfrutar! Temas: 0:00 P.I. Tchaikovsky – Swan Lake, Act II: No.10 Scene (Moderato) 02:42 Edvard Grieg – Morning Mood 06:22 Ludwig van Beethoven – Für Elise (Bagatelle No.25 in A minor) 08:51 Frederic Chopin - Nocturne in C-sharp minor 12:56 Georges Bizet - Habanera ("L'amour est un oiseau rebelle") 14:58 W.A. Mozart - Rondo alla Turca ("Turkish March") 18:33 Ludwig van Beethoven - Moonlight Sonata (The Piano Sonata No. 14 in C♯ minor "Quasi una fantasia", Op. 27, No. 2) 23:47 Antonio Vivaldi – The Four Seasons “Summer” (III: Presto) 26:24 P.I. Tchaikovsky – Dance Of The Sugar Plum Fairy 28:10 Federic Chopin – Prelude Op.28, no.4 30:44 Gioachino Rossini – Overture to “The Barber of Seville” 36:29 Jahannes Brahms – Hungarian Dance no.5 in F-sharp minor (fragment) 37:06 W.A Mozart – Eine kleine Nachtmusik (Serenade No. 13 for strings in G major) 42:54 J.S.Bach – Air on the G string (from Orchestral Suite No.3, BWV 1068) 45:47 W.A. Mozart – Symphony No.40 in G minor (1. Molto allegro) 51:44 Erik Satie – Gymnopedie no.1 54:56 Johann Strauss II – “Frühlingsstimmen”, Op. 410 ("Voices of Spring") 1:01:31 Frederic Chopin – Nocturne in B-flat minor, Op. 9, no.1 1:07:07 P.I. Tchaikovsky – The Nutcracker: Act I, No.4 Russian Dance 1:08:08 J.S.Bach – Orchestral Suite no.2 in B minor (7.Badinerie) 1:09:07 Gioachino Rossini – William Tell Overture 1:14:55 Antonin Dvorak – Symphony no. 9 in E minor ("From the New world": IV. Allegro con fuoco) 1:26:39 P.I. Tchaikovsky – The Nutcracker: Act I, No. 8 Waltz of the Flowers 1:31:47 Richard Wagner – Ride of the Valkyries 1:37:08 Ludwig van Beethoven - Sonata No. 8 in C Minor Pathetique, Op. 13 (II. Adagio cantabile) 1:42:08 Johann Strauss II – "An der schönen blauen Donau" (The Blue Danube),Op.314 1:49:19 Erik Satie – Gnossienne No.1 1:52:42 Edvard Grieg – In the Hall of the Mountain King 1:54:58 Frederic Chopin – Nocturne in E-flat major, Op. 9, No. 2 1:59:30 Antonio Vivaldi – The Four Seasons “Autumn” (1. Allegro) 2:04:30 Franz Liszt – Liebestraume no. 3 in A flat major 2:09:00 W.A. Mozart – Piano Concerto no.21 in C major (II. Movement) 2:13:19 Ludwig van Beethoven – The Symphony No.5 in C minor (fragment) 2:20:10 Claude Debussy – Clair de lune (from "Suite bergamasque") 2:25:12 N.Rimsky-Korsakov – Flight of the Bumblebee (from “The Tale of Tsar Saltan) 2:26:28 P.I. Tchaikovsky – The Nutcracker: Act I, No. 2 (March) 2:28:25 Edvard Grieg - Notturno, Op.54, No.4 2:32:45 Felix Mendelssohn – Wedding March (from “A Midsumer Night’s Dream”) 2:37:46 Georges Bizet – Prelude to Act 1 for “Carmen” 2:40:02 Antonio Vivaldi – The Four Seasons “Spring” (1.Allegro) 2:43:36 Erik Satie – Gnossienne No.3 2:46:17 Johann Strauss II – Künstlerleben ("Artist's Life"), op.316 2:49:08 Frederic Chopin – “Revolutionary Etude” (Etude Op.10, No.12) 2:51:51 Luigi Boccherini – Minuet from String Quintet in E, Op. 11, No.5 (G 275) 2:54:00 Ludwig van Beethoven – Ode to Joy (from Symphony no. 9 in D minor) 2:57:53 Richard Strauss – Also sprach Zarathustra 2:59:14 Frederic Chopin – Waltz in D-flat major, Op 64, No 1 ("Minute Waltz") 3:01:00 Tomaso Albinoni - Adagio in G minor (attributed to Tomaso Albinoni, but actually proabably composed by Remo Giazotto). 3:04:29 Modest Mussorgsky – Night on Bald Mountain 3:11:49 Johann Strauss II – “Wiener Blut”, Op. 354 3:13:24 J.S.Bach – Toccata and Fugue in D minor, BWV 565 3:16:29 Jacques Offenbach – Overture to “Orpheus in the Underworld” (can-can section) 3:18:14 Leo Delibes – Pizzicato (from “Sylvia”) 3:20:09 Frederic Chopin – Funeral March (Piano Sonata No.2 in B flat minor Op 35: III. Marche Funebre) 3:29:33 W.A. Mozart – Requiem in D minor 3:33:01 J.S.Bach – Prelude in C major

Bach en de muziek uit Venetië, het blijft een heerlijk onderwerp. In deze aflevering de op 8 juni 1671 geboren Tomaso Albinoni, wiens elegante vakmanschap Bach inspireerde.

Bach en de muziek uit Venetië, het blijft een heerlijk onderwerp. In deze aflevering de op 8 juni 1671 geboren Tomaso Albinoni, wiens elegante vakmanschap Bach inspireerde.

con Luca Damiani

This is part 1 of 3, in which we focus on how the VFL was effected by World War Two. We discuss the Attitude of the public and government to football being played while war raged! we go through some of the notable players that served and then we tell some anecdotes about players and the war. Finally we go through a bit of a timeline of events in the VFL relating to football not just in Melbourne but around the world.   The Kick to Kick Podcast aims to go through each year of the VFL/AFL season and bring out the stories, highlights, winner and losers of days gone by.  If you enjoy our podcast please give us a rating or leave a comment. Also refer us to friends and let other people know about our podcast. We use a range of resources when working on our show, to see a list of this constantly growing list click on the following link https://www.kicktokickpodcast.com/resources Specific for this episode.. Audio of Don Poyner refleting on the role football played in new Guinea during World War 2, Published April 23 2014 https://www.afl.com.au/video/22151/a-veteran-s-footy-memories?videoId=22151&modal=true&type=video&publishFrom=1398286800001 The "Royal Air Force March Past", original score was completed by Walford Davies in 1918  music Waltzing Matilda - A.B. 'Banjo ADAGIO IN G MINOR FOR STRINGS & ORGAN, Composed by Tomaso Albinoni, Performed by Orchestre de Chambre Jean-François Paillard, R.C.A. Records V For Victory by Peter Dawson 1941 The "Royal Air Force March Past", original score was completed by Walford Davies in 1918   Thanks also to A yank on the footy! for some ideas and links as well!    References The spirit of ANZAC, how four football heroes helped shape a nation, Greg Hobbs, Page 12, Footy Record, Round 5, 1997 Knight of the air by Jim Main,page 22,  footy record round 5 2010 War and  peace, Jim mean, page 30 , footy record round 5, 2010 The bravest Digger of all, Glen McFarlane, page 17, footy record round 5, 2013 Stars at your service, Ian Granland, page 29, footy record round 5, 2013 Heroes of the skies, Jim Main, page 66, footy record, round 6, 2008 Gone but never forgotten, the other Coventry, Glenn McFarlane page 66, footy record round 5, 2012 Pilgrimage to Tobruk honours a fallen father, Ro Barassi, page 75 , footy record round 5, 2012 How football help win the war, Michael Roberts, page 9, footy record 19, 1995 Remembering, in the shadow of Anzac Day, Peter Ryan, page 51 footy record, round 5, 1999 Footy behind the wire, Maurice Gaul, page 9, footy record round 5 2003 Spirits Past, Lynda Carroll, page 69, footy record round 5, 2005 The Kakoda Experience, John Murray, page 74, footy record round 4, 2006 Heroes all, their courage was unquestioned, Jim Main & David Allen, page 67, Footy record, round 5, 2007 Proud Servants in tough times, Ben Collins, Page 15, footy record, round 6, 2014 Fallen Heroes, Maurice Gaul, page 28 Footy record round 5, 2002 Football and War, an unsavoury Mix, Glenn McFarlane, Page 148-153 AFl Grand FInal Record, 2012 Websites https://www.afl.com.au/news/72890/hawks-to-honour-kokoda https://www.afl.com.au/news/133659/the-carlton-hopeful-who-survived-wwii-by-clinging-to-a-football https://www.afl.com.au/news/196778/frank-checker-hughes-a-war-hero-and-giant-of-two-clubs https://www.athletesvoice.com.au/luke-hodge-kokoda-trip-that-changed-hawthorn/ https://trove.nla.gov.au/newspaper/article/189782484 https://trove.nla.gov.au/newspaper/article/189782462 https://www.abc.net.au/radionational/programs/breakfast/the-changi-brownlow/2987552 https://www.tigerlandarchive.org/tiki-index.php?page=Bill+Cosgrove https://www.topendsports.com/sport/extinct/austus.htm Books Harder than football : league players at war / Barbara Cullen, 2015 The Changi Brownlow / Roland Perry, 2010 Jack Dyer's the greatest : the most sensational players of the century / by Brian Hansen with Jack Dyer, 1996, page 499-502 Play on! : the hidden history of Women's Australian Rules Football / Brunette Lenkić & Rob Hess, Chapter 5, Charity begins at home, 2016, Cazaly : the legend / Robert Allen, 2017, page 210 Our Game, Classic Australian Rules Stories, Jim Main, page 161-184 The Bloodbath: The 1945 VFL Grand FInal - Ian W Shaw, Chapter 4 - Playing the greater game 1939-1945 Carn - Andrew Mueller, Mueller, Andrew, 2019, Chapters 14 & 15 The hard way : the story of Hawthorn Football Club / by Harry Gordon, 1990, page 73    

durée : 00:06:07 - L'Adagio d'Albinoni : vrai ou faux ? (faux.) - par : Christophe Dilys - Pourquoi sont-ils nombreux ceux qui ne connaissent de Tomaso Albinoni que son Adagio... quand même celui-ci n'est pas de lui ? (mais d'un musicologue italien : Remo Giazotto)

Top 10 Incredible Smells That Will Blow Your MindWhat do drugs smell like? How about the Titanic or mysterious Ancient Egypt?  Listen to this podcast to hear the answers and more! Prepare to have your mind blown.Narrator, Author & Script Writer: Jamie Frater, http://bit.ly/jfrater— Listverse Official —Visit The Listverse Website: http://bit.ly/lv-home Buy Our Awesome Books: http://bit.ly/lv-books Earn Up To $150 Writing For Us: http://bit.ly/lv-earn— Social Media —Facebook: https://facebook.com/top10lists Instagram: https://instagram.com/listverseofficial Twitter: https://twitter.com/listverse Discord: https://discord.gg/XxE6ZRf [ Credits ]Script Source: https://listverse.com/2019/11/23/incr...— Music —10. The Titanic Nearer My God To Thee (Bethany edition) - Lowell Mason 9. The Holocaust Gymnopedie No. 3 by Erik Satie - Wahneta Meixsell, https://youtu.be/6RevYn8Mhkw 7. The Smell Of Death Adagio in G minor by Tomaso Albinoni 4. Animals of Perfumery Swan Lake, Act I Finale by Tchaikovsky 2. Versailles Anthem of the French Monarchy: “Vive Henri IV”— Photography —7. The Smell of Death Title Image: Claudio Sieber 1. The Odor Of Sanctity Archival footage of stigmatist St Pio of Pietrelcina’s last Mass

Beroemd om de foute reden: Tomaso Albinoni

In this edition of the Mailbag, we answer a couple of questions, tell you what we've been up to, and talk about the toys we missed out on as kids! Monster Kid Projects Hamish's horror movie review blog For Dying Out Loud James D's (@jamesd7004) short film "The Monster" Mia's (@superspecs) podcast We Know What You Did on Fear Street Pete's band The Smart Folk Andrew Tibbs - My Horror Anonymous Gamer's RWBY/Neon Genesis Evangelion crossover story Listen to @DJBadHombre spin metal on Thursdays at 6PM Eastern - The Stress Factor on 91.5 WUML Brightburn Trailer Sonata in A major for Strings & Basso, Op 2, No 3 by Tomaso Albinoni

Temp (II) Hace 2 años, no imaginaba la trayectoria que iba a conseguir un Podcast que comencé como un mero placer por comunicar. 50 programas después… Oyentes, siempre fieles hoy estarán en nuestra Biblioteca, pero además tendremos la visita de Directores y Locutores de importantes podcast del mundo del misterio, principalmente. Carlos Bustos (CENTINELA DEL MISTERIO) David Skinner (ESCRITOR) Gerald Dean (CLAVE 45) Walter Sarabia (NARRACIONES DE UN BURRO Y MAS) María Martínez Diosdado (ESCRITORA) Alex (LUCES EN LA NOCHE) Antonio Moran (EXPRESO DE MEDIA NOCHE) Jesús López Mingo (EL CENTINELA DEL MISTERIO) Don Luis Luis (TODO NOS DA IGUAL) Mick Lazar (ESCRITOR) Carlos Dueñas (TODO NOS DA IGUAL) Angel (LA CRIPTA DE ANGEL) CONTACTA: MAIL- llamadadelaluna@gmail.com TWITTER- @llamadadelaluna FACEBOOK- La Llamada De La Luna HAZTE MECENAS. A día de hoy, aunque no lo creas, me cuesta el dinero mantener LLDLL. Me gustaría invertir más tiempo en este Podcast. Me gustaría que creciéramos…dedicarle todo mi tiempo… Me gustaría tener mejor equipo de sonido y poder yo donar a las páginas que me dejan la música y los bancos de sonido. Muchos me habláis de Contratos de Radio, pero la realidad es otra…ellos están en otra cosa o simplemente ni me conocen. Una cuota mensual al mes, la que puedas y obtendrás ventajas. Recuerda, que lo primero que hacen para el olvido…siempre fue quemar libros… No dejes que la Cultura Muera… No dejes que nuestra Biblioteca Arda. MUSICA: ARUM, BORRTEX, ALERIONS, LE CHOIX D'ATROPOS, NANOWAR, PETITE VIKING, TOMASO ALBINONI, LAWRENCE BEAMEN, IVAN TREGUB, NiGiD, AMITY IN FAME, ALEXANDRIA, SIRAS, BRADY HARRIS, ROEAUDIONEWS, BRO, KEITH HEIMERICKS, OFFENBACH PROJECT, OLD STAGE ROAD, GREGOIRE LOURME, DAVE IMBERNON, GHOST B.C. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Tomaso Albinoni: Adagio in G Minor by Carlos Márquez

Två norska världsstjärnor i veckans Musikrevyn - vi har träffat violinisten Vilde Frang och lyssnat på gossopranen Aksel Rykkvins sista skiva innan målbrottet. Veckans skivor: WALTON, SYMPHONIES 1 & 2 Symfonier 1 & 2 av William Walton Bournemouth symfoniorkester Kirill Karabits, dirigent Onyx ONYX4168 LIGHT DIVINE Musik av G F Händel, Tomaso Albinoni och Jean-Philippe Rameau Ensemblen MIN Aksel Rykkvin, gossopran Mark Bennett, trumpet Lazar Miletic, ensembleledare Signum Classics SIGCD526 RAUTAVAARA Musik för cello och piano av Einojuhani Rautavaara Tanja Tetzlaff, cello Gunilla Süssman, piano Ondine ODE1310-2 THE GERSHWIN MOMENT Musik av George Gershwin, Rhapsody in Blue och Pianokonsert i F Kirill Gerstein, piano St Louis symfoniorkester David Robertson, dirigent Myrios Classics MYR022 Sofia möter: Vilde Frang. I veckan gjorde den norska stjärnviolinisten Vilde Frang en bejublad insats i Bartoks första violinkonsert i Stockholms konserthus. Sex år efter sitt stora internationella genombrott med Wienerfilharmonikerna känns varje konsert fortfarande som den första, säger hon. Med Musikrevyns Sofia Nyblom pratar hon om hur trött hon är på indelningen i manliga och kvinnliga violinister och varför hon inte gillar att vara för uppklädd på scen. Referensen: Nutid vs dåtid Panelen jämför Kirill Karabits och Bournemouth symfoniorkesters inspelning av William Waltons symfonier med premiärinspelningen av andra symfonin från 1964 med Cleveland-orkestern, dirigerad av George Szell. Och så ställs pianisten Kirill Gersteins aktuella inspelning av George Gershwins Rhapsody in blue mot pianosolisten Peter Donohues inspelning med London Sinfonietta från 1986. Andra i programmet nämnda och rekommenderade inspelningar: William Waltons två symfonier med BBC:s symfoniorkester under ledning av Edward Gardner, utgivna på Chandos. William Waltons första symfoni med London symfoniorkester, dirigerad av Andre Previn eller Sir Colin Davis.

El XIX Encuentro Internacional de Música Antigua presenta conciertos de música barroca de los siglos XVI al XVIII, interpretando a compositores como Carl Bach, Monteverdi, Benedetto Marcello, Tomaso Albinoni y Antonio Vivaldi. Con obras de Purcel, Haendel, Jerusalem y Porpora, La Fontegara, con sus invitados especiales (Jake Arditti y Rebeca Hubber) muestran diferentes manifestaciones del arte barroco. Festival grabado en mayo de 2014, en el auditorio Blas Galindo, CENART, México.

El XIX Encuentro Internacional de Música Antigua presenta conciertos de música barroca de los siglos XVI al XVIII, interpretando a compositores como Carl Bach, Monteverdi, Benedetto Marcello, Tomaso Albinoni y Antonio Vivaldi. Con obras de Purcel, Haendel, Jerusalem y Porpora, La Fontegara, con sus invitados especiales (Jake Arditti y Rebeca Hubber) muestran diferentes manifestaciones del arte barroco. Festival grabado en mayo de 2014, en el auditorio Blas Galindo, CENART, México.

El XIX Encuentro Internacional de Música Antigua presenta conciertos de música barroca de los siglos XVI al XVIII, interpretando a compositores como Carl Bach, Monteverdi, Benedetto Marcello, Tomaso Albinoni y Antonio Vivaldi. Coromell Ensaemble (Estados Unidos-México) es una agrupación que concentra sus esfuerzos en seguir la huella artística de la familia Bach. Una oportunidad para conocer o reconocer obras de dos generaciones diferentes de una familia muy importante en la música y en el arte. Coromell Ensaemble son: Jazmín Rincón (traverso), Stephanie Hunt (violoncello), Santiago Álvarez (clavecín). Concierto grabado el 15 de mayo de 2014, en el Auditorio Blas Galindo del Centro Nacional de las Artes, CENART, Ciudad de México.

El XIX Encuentro Internacional de Música Antigua presenta conciertos de música barroca de los siglos XVI al XVIII, interpretando a compositores como Carl Bach, Monteverdi, Benedetto Marcello, Tomaso Albinoni y Antonio Vivaldi. En esta ocasión el ensamble Il Gardellino, una de las agrupaciones más importantes de Europa ejecuta obras de Bach, Marcelo, Vivaldi y Albinoni. Concierto grabado el 17 de mayo de 2014 en el Auditorio Blas Galindo del CENART.

El XIX Encuentro Internacional de Música Antigua nos presenta conciertos de música barroca de los siglos XVI al XVIII, interpretando a compositores como Carl Bach, Monteverdi, Benedetto Marcello, Tomaso Albinoni y Antonio Vivaldi. En esta ocasión la Orquesta barroca La Partenope presenta un recorrido musical por el barroco francés, las características únicas de su música y su impronta artística. Concierto grabado el 24 de mayo de 2014 en el Auditorio Blas Galindo del CENART.

El XIX Encuentro Internacional de Música Antigua nos presenta conciertos de música barroca de los siglos XVI al XVIII, interpretando a compositores como Carl Bach, Monteverdi, Benedetto Marcello, Tomaso Albinoni y Antonio Vivaldi. En esta ocasión el ensamble Favola in Música, México, ofrece el concierto "Incendium Amoris, obras de los siglos XVI, XVII y XVIII" en el que interpretan un repertorio vocal antiguo. Voces que recurren a los esquemas estilísticos barrocos. Concierto grabado el 09 de mayo de 2014 en el Auditorio Blas Galindo del CENART.

El XIX Encuentro Internacional de Música Antigua nos presenta conciertos de música barroca de los siglos XVI al XVIII, interpretando a compositores como Carl Bach, Monteverdi, Benedetto Marcello, Tomaso Albinoni y Antonio Vivaldi. En esta ocasión el grupo Capella Barroca de México interpreta en el concierto "Cantos de Amor y Guerra, Madrigales de Claudio Monteverdi" un repertorio antiguo y barroco. Una exploración por los caminos de la música de concierto de la antigüedad. Concierto grabado el 09 de mayo de 2014 en el Auditorio Blas Galindo del CENART.

El XIX Encuentro Internacional de Música Antigua nos presenta conciertos de música barroca de los siglos XVI al XVIII, interpretando a compositores como Carl Bach, Monteverdi, Benedetto Marcello, Tomaso Albinoni y Antonio Vivaldi. En esta ocasión el grupo Capella Barroca de México interpreta en el concierto "Cantos de Amor y Guerra, Madrigales de Claudio Monteverdi" un repertorio antiguo y barroco. Una exploración por los caminos de la música de concierto de la antigüedad. Concierto grabado el 09 de mayo de 2014 en el Auditorio Blas Galindo del CENART.

Ana Quintans (Sopran) | Concerto de' Cavalieri | Leitung: Marcello Di Lisa

Arien von Georg Friedrich Händel, Wolfgang Amadeus Mozart, Giovanni Paisiello, Tomaso Albinoni u.a. | Mandolinenkonzerte von Johann Adolf Hasse und Carlo Arrigoni | Nuria Rial (Sopran) | Ensemble Artemandoline

The castaway in Desert Island Discs this week is one of the country's most successful lyricists, Don Black.Songs like Born Free and Diamonds are Forever, and musicals like Sunset Boulevard, Billy and Aspects of Love have made him a rich man. But he'll be talking to Sue Lawley of his early memories of his poor but happy Jewish family in the East End of London and how an apprenticeship on the New Musical Express led him into the world of popular music. [Taken from the original programme material for this archive edition of Desert Island Discs] Favourite track: Adagio in G Minor for Organ & Strings by Tomaso Albinoni & Remo Giazotto Book: 14,000 Things To Be Happy About by Barbara Ann Kipfer Luxury: Snooker table