Podcast appearances and mentions of hugh hopper

Esta semana, dedicamos un nuevo capítulo de Rebelión Sónica, al rescate patrimonial en vivo que el sello Cuneiform hizo de la legendaria banda británica, Soft Machine. Titulado “Høvikodden 1971”, el disco incluye dos shows grabados por el ingeniero Meny Bloch en el Centro de Arte Henie-Onstad, ubicado en la colina noruega de Høvikodden -a 10 kilómetros de Oslo-, los días 27 y 28 de febrero de 1971. En ese momento, la siempre cambiante alineación de la banda, estaba integrada por Elton Dean en saxo alto, saxello y Hohner pianet, Hugh Hopper en bajo, Mike Ratledge en Hohner pianet, órgano Lowrey Holiday Deluxe y Fender Rhodes y Robert Wyatt en batería y voces. Cuneiform explica que, si bien los dos sets interpretados la segunda noche se habían lanzado antes, esta es la primera vez que se edita la estadía de completa de dos noches en el promontorio de Noruega, por lo que la mitad del registro nunca se había escuchado antes. El sello agrega que se trata de “una excelente grabación estéreo de la banda tocando en una sala relativamente pequeña. Los equilibrios entre los instrumentos no están perfectamente balanceados, pero no hay otra grabación de Soft Machine que suene tanto como si la banda estuviera tocando *justo* frente a ti”. Cuneiform remata señalando que “además, pudimos mejorar de una manera modesta pero definitivamente notable el equilibrio no perfecto entre los instrumentos en esta edición”. En la parte final del programa, nos quedamos en el mismo año 1971 pero en la faceta en estudio de la banda, para escucharlos con música del fundamental álbum “Fourth”. Pueden escuchar Rebelión Sónica por radio Rockaxis todos los jueves a las 10 y 22 horas, como siempre, con la conducción de Héctor Aravena.

Abrimos la entrega de La Ruleta Rusa con nuestro recuerdo al inolvidable batería John Marshall, miembro permanente durante décadas de los Soft Machine y que participó en bandas y álbumes claves del Rock progresivo y del jazz Rock y la Fusión, al lado de luminarias como Allan Holdsworth, Arthur Brown, Keith Tippett, Jack Bruce, Hugh Hopper, Elton Dean y un largo etcétera. Nos ha dejado recientemente y para recordarlo, hemos escuchado de nuevo el que puede ser uno de sus últimos trabajos, Other Doors de Soft Machine, publicado recientemente este 2023. Continue reading La Ruleta Rusa 38.2023. Recuerdo a John Marshall. Whale Nado. Sugar. Robin Trower Band at La Ruleta Rusa Radio Rock.

When should guitar teachers start working on composition and creativity with students and how can you teach it? How can you get published and market your business or book? These are just some of the interesting questions that Gilbert Isbin, guitarist and composer, answers in this week's podcast. If you're looking to get published or just wanting to learn how you can teach composition and creativity to your students, listen to this episode and find out what Gilbert's tips are for guitar teachers like you. Gilbert gives us a rundown on his story so far, from performing and creativity and composition, right up to what he's doing now in the education space. How he got published by one of the biggest publishers, Malbay. The advantage of publishing with Kindle and selling on Amazon. He shares what a loot is and how it differs to a classical guitar. Tips for marketing your music and business. Gilbert tells us more about his book, The Composing Guitarist: An Easy Approach. His thoughts on creativity and when teachers should start working on composition and creativity with their students. Sample activities and exercises teachers can do to start nurturing creativity within their students. Why singing with your guitar is important. Guest Links Mentioned Gilbert Isbin Website Gilbert Isbin Facebook Page YouTube Channel Guitar Teaching Resources Mentioned Free Guitar E-book Resources Today's Guest ‘Belgian guitarist Gilbert Isbin is one of the most interesting, dynamic and poetic composers writing for the guitar today.' (Mel Bay) Isbin's compositional and performing style defies genre, blending elements of contemporary classical, jazz, early music, world music and improvisation. In favorable comparisons with the likes of Ralph Towner and Egberto Gismonti, his music has been described as “oblique, subtle, and hauntingly beautiful.” His compositions, more than 400, for guitar, lute, ukulele, theorbo, renaissance guitar, baroque guitar, bass and ensemble, songs, are published by Mel Bay, Edizioni Curci (Berben), The UK Lute Society, Lantro Music, Golden River Music, Kameleon Editions  Auurk Ed, VRT Publishing.   He has performed on festivals and major venues throughout Europe and the US with Cameron Brown, Joe Fonda, Scott Walton, Hugh Hopper, Jeff Gauthier, Vinny Golia, Ernst Reijseger, Michel Godard, Sandro Di Stefano Bruce Arnold, Jie Ma, Alex Cline, Wolfgang Reisinger. Thank you for tuning in! Consider implementing the ideas from this podcast by writing several actionable steps for your teaching practice if it's inspired you. If you enjoyed today's show, please leave us a review on Apple Podcasts, which helps other teachers find our show. Stay updated by subscribing to this show, and get automatic delivery to your device every time a new episode goes live! We publish on Fridays weekly.   Click here to find out more about TopMusicGuitar Membership

The Sound Chaser Progressive Rock Podcast is on the web again. On the show this time, I have a mix of classic-period and contemporary prog rock and fusion, a suite of electronic prog from Steve Roach, new music from Head Spin and Numen, and the Symphonic Zone. All that, plus news of tours and releases on Sound Chaser. Playlist1. Roger Waters - Welcome to the Machine, from Pros & Cons of New York2. Steve Hillage - Sea Nature, from Green3. Steve Hillage - Ether Ships, from Green4. Fumiyo Miyashita - Myô'onten, from Asuka5. Pierre Moerlen's Gong - Ard na Greine, from Time Is the Key6. Pierre Moerlen's Gong - Earthrise, from Time Is the Key7. Pierre Moerlen's Gong - Supermarket, from Time Is the Key8. Pierre Moerlen's Gong - Faerie Steps, from Time Is the Key9. Head Spin - Live and Learn, from Escape Velocity10. Ken Watson - Red Sky, from A Little Chin Music11. Peter Gabriel - No Self Control, from Peter Gabriel (3)12. Hugh Hopper & Alan Gowen - Soon to Fly [cd bonus track], from Two Rainbows Daily13. George Winston - Muliwai, from Plains14. Eberhard Weber Colours - Left Lane, from Yellow FieldsTHE SYMPHONIC ZONE15. XII Alfonso - Mysterious Illness, from Charles Darwin16. Ivory - In Hora Ultima, from Sad Cypress17. Numen - Toys, from The Outsider18. Moon Safari - Mega Moon, from Live in Mexico19. Glass Hammer - Third Floor, from Double Live20. Jeff Green Project - A Long Time from Now, from Elder CreekLEAVING THE SYMPHONIC ZONE21. Steve Roach - Oakland (Setting Course), from All Is Now22. Steve Roach - Portland 1, from All Is Now23. Steve Roach - Portland 2, from All Is Now24. Steve Roach - Portland 3 (Life Meditation), from All Is Now25. Steve Roach - SFMOMA 1, from All Is Now26. Steve Roach - San Francisco, from All Is Now27. Steve Roach - Oakland 2, from All Is Now28. Steve Roach - San Francisco 2 (Infinite Heart), from All Is Now29. Steve Roach - SFMOMA 2, from All Is Now30. Rick Wakeman - The Breathalyser, from Rick Wakeman's Criminal Record

Esta semana, dedicamos una nueva sesión de Rebelión Sónica, al nuevo disco en vivo de Soft Machine lanzado por Cuneiform Records, “Facelift France & Holland”. Editado el 25 de marzo de 2022, se trata de un rescate patrimonial que incluye dos conciertos de la banda realizados a principios de 1970: el 02 de marzo en el Théâtre de la Musique de París, Francia y el 17 de enero en el Concertgebouw de Ámsterdam, Países Bajos. De acuerdo a la información entregada a la prensa: “Desde sus inicios como banda de rock psicodélico en 1966, compartiendo escenarios con Pink Floyd y Jimi Hendrix Experience, hasta ser uno de los fundadores del jazz/rock eléctrico a principios de 1969, Soft Machine fue un grupo incansablemente creativo”. La declaración agrega que ““Facelift France & Holland” captura a la banda en un momento crucial en el primer trimestre de 1970, cuando fueron un quinteto de corta duración, justo antes de que grabaran y lanzaran su revolucionario álbum “Third””. La alineación cuenta con Mike Ratledge en órgano, Robert Wyatt en batería y voz, Hugh Hopper en bajo, Elton Dean en saxo alto y saxelo y Lyn Dobson en saxo soprano y tenor, flauta, armónica y voz. Recordemos además que la actual formación de Soft Machine, con John Marshall en batería, John Etheridge en guitarra, Theo Travis en viento y Fred Thelonious Baker en bajo, se presentarán el 27 de agosto en el Teatro Caupolicán.

Casey and Stephen recap The Gathering from this past Sunday which featured a message from our very own Hugh Hopper for the very first time! As usual, they were captivated by the wisdom of Hugh as he led the congregation into the next action on our discipleship pathway.

As a wise, faithful, and very loved leader of Multiply Church, Hugh Hopper shares the importance of examining ourselves honestly in order to truly experience freedom as part of the abundant life made possible by Christ. To know Hugh is to love Hugh and you will be blessed by this challenging, but encouraging, message in which he shares his own experience of this critical disciple.See more at https://multiplychurch.com

And now for something completely different. This mix is a collection of instrumental tunes from the progressive rock sub-genre known as The Canterbury Scene. According to Wikipedia:   The Canterbury scene (or Canterbury sound) was a musical scene centered around the city of Canterbury, Kent, England during the late 1960s and early 1970s. Associated with progressive rock, the term describes a loosely-defined, improvisational style that blended elements of jazz, rock, and psychedelia. The Canterbury scene is largely defined by a set of musicians and bands with intertwined members. "The real essence of 'Canterbury Sound' is the tension between complicated harmonies, extended improvisations, and the sincere desire to write catchy pop songs."  "In the very best Canterbury music...the musically silly and the musically serious are juxtaposed in an amusing and endearing way." The bands most often associated with this sound are Soft Machine, Caravan, Gong, Hatfield & the North, Egg, & National Health. And some of the artists include Robert Wyatt, Kevin Ayers, Allan Holdsworth, Steve Hillage, Phil Miller, Hugh Hopper, Richard Sinclair, Fred Frith and Dave Stewart. I am not a fan of Canterbury tunes that have vocals, which eliminates a lot of stuff by Caravan and some Soft Machine. So that's why this mix sticks with instrumental tracks. Listening to this set it's easy to hear the similarities between the bands. I discovered the Canterbury Scene when I was in college, listening to Bill Bruford(drummer for Yes & King Crimson) solo material. His keyboardist was Dave Stewart who played with Egg, Hatfield & The North, and National Health. I loved Bruford's solo stuff, especially "One of a Kind" so that lead me to listen to anything that Stewart was involved in. This mix opens and closes with two tracks featuring Dave Stewart and two of my favorites in the genre. I hope you enjoy this little diversion from the usual ambient mixes. It sure was fun digging up all these 1970s classics. Cheers!   T R A C K L I S T : 00:00    National Health - The Bryden 2-Step(For Amphibians)Part 1 (Of Queues And Cures 1978) 08:15    Matching Mole - Smoke Signal (Little Red Record 1972) 11:30    Cos - Nog Verder (Viva Boma 1976) 13:40    Supersister - Dreaming Wheelwhile (Present From Nancy 1970) 15:55    Gong - The Isle of Everywhere (you 1974) 23:39    Soft Machine - Song Of Aeolus (Softs 1976) 27:33    Quiet Sun - r.f.d. (Mainstream 1975) 30:37    Gong - Three Blind Mice (Expresso II 1978) 35:23    Egg - Part 2 (The Polite Force 1971) 40:00    Henry Cow - Solemn Music (Unrest 1974) 41:02    Quiet Sun - Trot (Mainstream 1975) 44:29    Caravan - Waffle(Chance of a Lifetime) (For Girls Who Grow Plump in the Night 1973) 47:58    Gilgamesh - We Are All / Someone Else's Food / Jamo And Other Boating Disasters - From The Holiday Of The Same Name (Gilgamesh 1975) 55:39    Steve Hillage - Meditation Of The Snake (Fish Rising 1975) 58:32    Bruford - The Sahara Of Snow Parts 1 & 2 (One Of A Kind 1979) 66:03    end

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Subterranea Rarities indaga en las estanterías charlines en busca de Canterbury, Jazz-Rock, Psicodelia, RIO… Maravilla de clásicos populares y muy raros. Carlos Romeo hará un rarities bizarro en su término y concepto, una revisión de lo más peculiar en la que revisará distintas versiones de Was A Friend, incluyendo Was A Friend Memories de 1969, un justo homenaje a la figura de Hugh Hopper. Carles Pinós nos hablará de cuatro bandas muy desconocidas, Iguana, Day of Phoenix, Myrbein y Duello Madre. No te lo pierdas, otro gran programa, otro gran Rarities. www.subterranea.eu Escucha este episodio completo y accede a todo el contenido exclusivo de Subterranea Podcast. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/17710

a cura di Alessandro Achilli. Musiche di Brian Wilson, Gershwin, Dolphy, Mothers of Invention, Hopper-Gowen, Graham Collier, Feed-Back, Morricone-Zorn, New York Gong, Pierre Moerlen’s Gong, Scaramella, Alessandro Fabbri, Francesco Cigana

a cura di Alessandro Achilli. Musiche di Brian Wilson, Gershwin, Dolphy, Mothers of Invention, Hopper-Gowen, Graham Collier, Feed-Back, Morricone-Zorn, New York Gong, Pierre Moerlen’s Gong, Scaramella, Alessandro Fabbri, Francesco Cigana

a cura di Alessandro Achilli. Musiche di Keith Tippett, Shelagh McDonald, Hopper-Dean-Tippett-Gallivan, Working Week, PP Arnold, Nostalgia 77, Keith & Julie Tippett, Centipede (seconda parte)

a cura di Alessandro Achilli. Musiche di Keith Tippett, Shelagh McDonald, Hopper-Dean-Tippett-Gallivan, Working Week, PP Arnold, Nostalgia 77, Keith & Julie Tippett, Centipede (seconda parte)

a cura di Alessandro Achilli. Musiche di Aimee Mann, Dmitrij Šostakovič, Soft Machine, Nava (prima parte)

a cura di Alessandro Achilli. Musiche di Aimee Mann, Dmitrij Šostakovič, Soft Machine, Nava (prima parte)

a cura di Alessandro Achilli. Musiche di Anna Karina & Serge Gainsbourg, Joseph Racaille, Hughscore, Westbrook Blake (prima parte)

a cura di Alessandro Achilli. Musiche di Anna Karina & Serge Gainsbourg, Joseph Racaille, Hughscore, Westbrook Blake (prima parte)

a cura di Alessandro Achilli. Musiche di This Heat, Laura Nyro, Burt Bacharach, Beatles, Soft Machine, Slits (seconda parte)

a cura di Alessandro Achilli. Musiche di This Heat, Laura Nyro, Burt Bacharach, Beatles, Soft Machine, Slits (seconda parte)

Vandaag veel Progrock, tegenwoordig vaak Prosrock genoemd, dit ivm met de prostaatstaat van veel oudere muzikanten en luisteraars. We horen o.a.: Hatfield & The North, Daevid Allen, Caravan, Hugh Hopper, Soft Machine, Egg, Robert Wyatt, Billy Bottle and the Mulpiple en The Muffins.

a cura di Alessandro Achilli. Musiche dei Fairport Convention, John McLaughlin, Joe Byrd and The Field Hippies, Willem Breuker, Popol Vuh, Soft Machine, Jimi Tenor & KabuKabu (seconda parte)

a cura di Alessandro Achilli. Musiche dei Fairport Convention, John McLaughlin, Joe Byrd and The Field Hippies, Willem Breuker, Popol Vuh, Soft Machine, Jimi Tenor & KabuKabu (seconda parte)

a cura di Alessandro Achilli. Musiche di Annette Peacock, Gilgamesh, Mezz Gacano & Self Standing Ovation Boskàuz Ensemble, Mike Westbrook & Lou Gare, Louis Moholo-Moholo’s Five Blokes, Dave Gisler Trio, Igor’ Stravinskij, Art Zoyd (seconda parte)

a cura di Alessandro Achilli. Musiche di Annette Peacock, Gilgamesh, Mezz Gacano & Self Standing Ovation Boskàuz Ensemble, Mike Westbrook & Lou Gare, Louis Moholo-Moholo’s Five Blokes, Dave Gisler Trio, Igor’ Stravinskij, Art Zoyd (seconda parte)

PROGRAM SUMMARY Today in Part TWO of Jazz Fusion, we look at FIVE more Jazz Fusion artists on …VINYL VIBRATIONS ! M1 Miles Davis and his "Bitches Brew" album 1970 Columbia. Miles Davis experiments with electric instruments like electric piano and electric guitar. Also we see more of an improvisational style with a rock rhythm. a double album - a studio album.  We listen to the song titled "John McLaughlin" on Bitches Brew.  This is an all-star cast--Chick Corea and Joe Zawinul on two electric pianos, John McLaughlin on electric guitar, Jack DeJohnette and Don Alias on two drum sets, Dave Holland and Harbey Brooks on two electric basses and of course on trumpet, Miles Davis. M2  Return to Forever,  featuring Chick Corea. The recording and title song is "Hymn of the Seventh Galaxy". A phenomenal set of musicians --- guitarist Bill Connors, Stan Clarke on Bass, Lenny White on Drums. This song provides examples of time changes, which Chick Corea thrives in, providing a high energy framework for Bill Connors to play lead guitar. A very mechanical song, with enough melodic component to to be interesting and tell a story about THE SEVENTH GALAXY ---- The band is Return to Forever and the title song is "Hymn of the Seventh Galaxy"featuring Chick Corea, 1973, Polydor Records. M3 Soft Machine and we listen to the album simply named "5". On this 1972 CBS album, part 2 of the 2-part song "L.B.O., by John Marshall, the drummer.  The musicians are Elton Dean on Alto Sax, Saxello and Electric Piano, Hugh Hopper on Bass, Mike Ratlidge on Organ and Electric Piano, and John Marshall on Drums. Note the time changes, the improvisation, the use of electric saxello, electric piano, in a jazz format, with the rock beat. M4 Pat Metheny and his 1976 album BRIGHT SIZE LIFE. We listened to UNQUITY ROAD, composed by Pat Metheny.  I remember seeing the very young Metheny back in 1977 at a small venue named Amazingrace, then  locatedat 845 Chicago Ave in Evanston IL. There, up on stage stood this white kid from Missouri, then 21, with huge a afro and and a very large hollow body electric guitar. This kid is really different. The guitar playing is like nothing I had heard before. Great technique, the scales, wide intervals, the melodic character of this music, the little excursions each of the songs take. And a very NEW sound with jazz "improvisation"  The bass sound is also new, because it is fretless and electric, that's Jaco Pastorius on bass. Bob Moses Drums. Recorded in 1976, not in the US… but in Ludwigsburg, Germany, for ECM Records. M5 SPACES. Next, we hear from the Band, Album, and title Song . . . all titled "SPACES". Another all-star cast, featuring Larry Coryell and John McLaughlin on guitars, Billy Cobham on drums, Chick Corea electric piano, and Miroslav Vitous on bass….. Vitous playing a bowed bass, in this case, an electrified, acoustic bass. And the Coryell-McLaughlin guitar combination, works well … it's surprising, as they have such different styles (Coryell's fury and power vs McLaughlin's texture and finesse). Much improvisation, much power in the guitar solo parts. This is a great instrumental album. The song SPACES was composed by Julie Coryell. This was originally recorded in 1971, and this release is 1974 from VANGUARD APOSTOLIC records. M6 The Mahavishnu Orchestra with John McLaughlin and the album "The Inner Mounting Flame" and the most laid back song on that album, if you will, a track named "Dawn" with John McLaughlin on Guitar, Jerry Goodman on Violin, Jan Hammer on Piano, Rick Laird Bass and Billy Cobham on Drums. Original composition of John McLaughlin. This first studio album, released in 1971, by Columbia Records.

a cura di Alessandro Achilli. Musiche di Prince, Sly & the Family Stone, Spirogyra, Slapp Happy, Brainville 3, Stevan Kovacs Tickmayer, Sergej Prokof'ev (prima parte)

a cura di Alessandro Achilli. Musiche di Prince, Sly & the Family Stone, Spirogyra, Slapp Happy, Brainville 3, Stevan Kovacs Tickmayer, Sergej Prokof'ev (prima parte)

a cura di Alessandro Achilli. Musiche di Byrds (con Hugh Masekela), Jazz Epistles, Crewdson, Sylvie Courvoisier, Red Balune, Sarah Buechi, Clear Frame, Camembert (seconda parte)

a cura di Alessandro Achilli. Musiche di Byrds (con Hugh Masekela), Jazz Epistles, Crewdson, Sylvie Courvoisier, Red Balune, Sarah Buechi, Clear Frame, Camembert (seconda parte)

a cura di Alessandro Achilli. Musiche di Rudd-Lacy-Mengelberg-Carter-Bennink, Carla Bley Band, Roswell Rudd & Archie Shepp, ZnR, Bruford, Peter Blegvad (seconda parte)

a cura di Alessandro Achilli. Musiche di Rudd-Lacy-Mengelberg-Carter-Bennink, Carla Bley Band, Roswell Rudd & Archie Shepp, ZnR, Bruford, Peter Blegvad (seconda parte)

a cura di Alessandro Achilli. Musiche di Hugh Hopper, Dudu Pukwana, Alexander Hawkins - Elaine Mitchener Quartet, Hopper-Dean-Tippett-Gallivan, Elton Dean's Ninesense, Omri Ziegele Where's Africa, Deep Tide Quartet, Orfeo 5

a cura di Alessandro Achilli. Musiche di Hugh Hopper, Dudu Pukwana, Alexander Hawkins - Elaine Mitchener Quartet, Hopper-Dean-Tippett-Gallivan, Elton Dean’s Ninesense, Omri Ziegele Where's Africa, Deep Tide Quartet, Orfeo 5 (seconda parte)

a cura di Alessandro Achilli. Musiche di Hugh Hopper, Dudu Pukwana, Alexander Hawkins - Elaine Mitchener Quartet, Hopper-Dean-Tippett-Gallivan, Elton Dean’s Ninesense, Omri Ziegele Where's Africa, Deep Tide Quartet, Orfeo 5 (seconda parte)

Learn more about New York-based MoonJune Records from its owner, Leonardo Pavkovic.

http://www.melbournedeepcast.net/portfolio/050-tornado-wallace/ Artists featured: 1. John Sangster 2. Noel Pointer 3. Soft Machine 4. Roy Budd 5. Bobby Caldwell 6. Robert Plant 7. Soft Machine 8. David Crosby 9. England Dan & John Ford Coley 10. John Martyn 11. Azymuth 12. Ray Barretto 13. Bobbi Humphrey 14. George Duke 15. Gordon's War 16. Howard Wales 17. Hugh Hopper & Alan Gowen 18. The Cyrkle 19. Martin Denny 20. Milton Nascimento