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Ahhhh, spring at last. Or is it? Our most anticipated season has a habit of arriving in fits and starts: a few days of temperate glory...and then a chilled rerun of late winter; a sweet day of sunshine and birdsong...and then, a nasty day of cold rain and hail. It breeds a kind of disorientation you feel in your body...and makes you question where you are. When ambient musicians focus on spring, they're thinking of brighter timbres, more energetic rhythms, and warmer harmonies. Will the weather take the hint? It's a toss-up, but the psychological effect, at least, can be comforting. On this transmission of Hearts of Space...ambient electronics to summon and celebrate spring, on a program called WARMING TREND. Music by ERIK WØLLO, RUDY ADRIAN, STEVE ROACH, ANDREW LAHIFF, AMONGST MYSELVES, TOM EATON, and PATRICK O'HEARN. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]
On this edition, we've got lots of stuff including new and old material alike. We're definitely on the prowl and this program is extended a bit. Enjoy!On this episode, we'll highlight Steve Roach's album The Desert Collection, volume 1 as it is new to us. Steve sent an email and we decided to preview it and buy it. We play three of the tracks to start, and we'll see how things go.Set 1:Steve Roach Ghost Train 07:04Steve Roach The Eternal Expanse 17:29Steve Roach The Slow Turning 06:39Steve Roach Structures from Silence 28:18Set 2:m00m Aoraki 03:27m00m Patagonia Blue 06:10m00m Pale Glacier on the Flanks of Mont Blanc 05:29m00m Shore of a Rocky Mountain Lake 07:18m00m Stand Up For The Very First Time 18:48Set 3:Scott Lawlor For Whom the Bells Toll on Christmas Day 06:10Scott Lawlor Angels We Have Heard While High 15:06Scott Lawlor Cold Frost 04:07Scott Lawlor Reflections of Snow 09:46Set 4:This will be our last set, and it'll put the show a bit over, but the tracks will be played in full. Thanks for listening!Scott Lawlor The First Snow Angel 08:04Scott Lawlor Echoes of a Winter Night 08:00Scott Lawlor The Ascension of the Last Snow Angel 17:15This will complete the program. Thanks so much for listening!
Welcome to program 356 of the independent spotlight. Starting with this program, we're going to be able to continue the duel feed. We'll talk about it and we'll play two new albums. The first is by Steve Roach, and this album isn't necessarily new but its about 10 years old with a tape that was released. The second is a new piano release by Whitelabelx and we'll talk about it too. We hope to have the duel feed around a long time now. If you want particular programs that you don't see on the feed, please contact me. I'll be sure to give out contact info on the podcast. Set 1:Crowander At the Hospital 09:48Crowander In the Matrix 08:31Curl Beauty Earth 05:04Galliarda En Belen Tocan a Fuego 01:47Steve Roach The Skeleton Key - 2005 08:41Steve Roach The Right Membrane - 2005 03:03Steve Roach Something For Now - 2015 12:17Steve Roach The Joy Of Sequence - 2015 12:10Set 2:Jolanda Moletta To The Deep 03:59Jolanda Moletta Witchstone 03:26Jolanda Moletta Red, White And Black 07:33Jolanda Moletta Through This Darkness Again 03:29Zero 7 Out Of Town 04:38Zero 7 End Theme 03:37SUZANNE LANSFORD; Crystal Powers Casper's Cove 03:34SUZANNE LANSFORD; Crystal Powers The Good Witch 04:39Ships Have Sailed Rise 03:28Regina Music Box Spinn! Spinn! 02:39Regina Music Box Come Hither, Ye Children (O Come Little Children) 01:44Regina Music Box The Holy City 01:44Regina Music Box Am Weihnachtsbaum Die Lichter Brennen (On the Tree the Lights Are Burning) 02:35Regina Music Box O Sanctissima 01:44Steve Roach Structures From Silence - NYC 08:25Set 3:Scott Lawlor The Stillness Begins 09:49Scott Lawlor Each Cold Star 12:56Scott Lawlor a Clear Sky 15:28
We're at the nadir of winter in the Northern Hemisphere...a time when the yearly journey around our native star seems arbitrary and endless. Battered by storms, challenged by cold, starved for light, we have no choice but to wait...for the return of the sun and the bright promise of spring. It's a trial we repeat in miniature each long winter night, as we turn away from the sun into the cosmic darkness. But while we can escape most of the night in sleep, winter...must be endured. It's a test of fortitude and patience, a confrontation with our own desires for ease and comfort. On this transmission of Hearts of Space, a nocturnal winter journey called "THE LONG NIGHT." Music is by JEFF GREINKE, ROBERT RICH, A PRODUCE, STEVE ROACH & KELLY DAVID, SEAN WASHBURN, and NUNC STANS & MYSTIFIED. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]
Michelle Ford talks to Steve Roach, Operations Director at Painshill Park about the entertainment coming up this summer at the park
The 649th of a series of weekly radio programmes created by :zoviet*france: First broadcast 14 December 2024 by Resonance 104.4 FM and CJMP 90.1 FM Thanks to the artists and sound recordist included here for their fine work. track list … :zoviet*france: - A Duck in a Tree Link 649 00 Bad Poet - Intro 01 Schall und Stille - Elude 02 Aron Porteleki - Smearing 03 Reverse Image - Transparent Timelessness 04 Kate Carr and Matt Atkins - Mitochondria 05 Hiroshimabend & Zoe DeWitt - Benedictus fornicatus! [extract] 06 Norah Lorway - Dream World 07 [unknown sound recordist / BBC] - Telephone – Push Button Type: Handset Lifted, 7 Digits Keyed 08 Sevenism - Depressive Self 09 Symphony Orchestra of the National Philhamonic, Warsaw; conducted by Andrzej Markowski - Krzysztof Penderecki: 'De Natura Sonoris II' 10 Julie Berry / SE Trains - stb_pmp 11 Steve Roach, Vidna Obmana - Spirit Dome – Part 01 12 Jeff Duke - Fatal Arrythmia 13 Building Castles out of Matchsticks - Sky [extract] ++ Bad Poet - Outro … :zoviet*france: - A Duck in a Tree Link 649
Baz Richards chats with Steve Roach about updates to Painshill Park dates and we are chatting to Ricky Parfitt Jnr performing next summer at Painshill Park.
01. Drummachinemike - Proof of Life 02. Adiel - To Bryn 03. Hammock - Ultrasound 04. Steve Roach & Byron Metcalf - Osmosis 05. Coil - Love's Secret Domain 06. Dub Squad - Blown Fruit 07. Carbon Based Lifeforms - Held together by gravity 08. Fred again. - Chest 09. Brother Saturn - A Terraform 10. taennya - anemone 11. Ambient 7 - Escape 12. Moonbooter - Theia (Stutter Mix) (Schwarzmond) 13. Hammock - She Likes the Stormy Weather 14. Akio _ Okihide - Phoenix At Desert 15. Launaea - Del Mar 16. Drummachinemike - Going Nowhere Fast 17. Steve Roach - One Day 18. 58MII - Пассажир (Желтая стрела Виктор Пелевин) 19. Katsuya Hironaka - Pause 20. Hammock - Arms Around Your Sorrow 21. THE FUTURE SOUND OF LONDON - Being Human 22. Mark Templeton - Highway_Hypnosis 23. AGF - Ixchel 24. AGF - Macha 25. Fixate - Conundrum 26. Adiel - (What You Want) Is Music 27. Philipp Otterbach - Constant Diet Of Flattery 28. One Million Eyes - Landscape 29. Kmru - MR3 30. AGF - Matsu 31. CJ Noks - Sad Flute in the Rain 32. Sinead O'Connor - Jealous 33. Смоки Мо - Пиковая Дама (скит) 34. Serj Steinbach - Origami
Even in these days of extreme and unpredictable weather, our astronomical position in the Northern Hemisphere of a tilted planet all but guarantees that October is the month we finally descend into autumn. The Fall Equinox has come and gone, the days grow ever shorter, the light grows ever dimmer. In the natural world, it's a time of withering flora and busy fauna preparing for winter's chilled embrace. For ambient musicians, it's a time for dark drones, descending progressions, and minor key harmonies, a realm of muted colors, bittersweet melodies, and a bit of melancholy for the lost days of summer. On this transmission of Hearts of Space, we follow the dimming light to a realm of quiet acceptance, on a program called DESCENDING DARK 4. Music is by RUDY ADRIAN, DRIFTING IN SILENCE & TINEIDAE, ROBERT RICH & LUCA FORMENTINI, STEVE ROACH & LINDA KOHANOV, JEFF PEARCE, ANDREW LAHIFF, CHRIS RUSSELL, and SERENA GABRIEL. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]
Episode 135 An Electronic Music Mixed-Bag Playlist Time Track Time Start Introduction –Thom Holmes 06:28 00:00 John Bischoff, “The League Of Automatic Music Composers: Recording, December 17, 1978” from Lovely Little Records (1980 Lovely Music Ltd.). Tracks from this six-EP collection of new music from a variety of Lovely Music artists. Computer, David Behrman, Jim Horton, John Bischoff, Rich Gold; Mixing, "Blue" Gene Tyranny. “The League Of Automatic Music Composers makes music collaboratively by forming microcomputer networks. … For this performance, “each composer independently created a music program for his own microcomputer; we then mutually designed ways to internconnect our computers, and modified our programs to enable them to send data back and forth.” 08:40 06:58 Frankie Mann, “I Was a Hero” from “The Mayan Debutante Revue” (1979) from Lovely Little Records (1980 Lovely Music Ltd.). Tracks from this six-EP collection of new music from a variety of Lovely Music artists. Organ, bass guitar, voice, composed by Frankie Mann. “The Mayan Debutante Revue” is a reinterpretation of religious history. The work is a performance piece involving tape, slides, and one female performer.” 09:22 15:38 Frankie Mann, “How to be Very Very Popular” (1978) (excerpt) from Lovely Little Records (1980 Lovely Music Ltd.). Tracks from this six-EP collection of new music from a variety of Lovely Music artists. Tape editing, organ, synthesizer, voice, composed by Frankie Mann; voices, Julie Lifton, Ellen Welser, and unknown others. “How to be Very Very Popular” began as a letter-tape to my best friend. … Later I began composing electronic music, initially using homemade circuits and later using expensive synthesizers in college electronic music studios. My friend and I continued to send each other letters cross-country in tape form.” 08:49 24:58 Maggi Payne, “Lunar Dusk” from Lovely Little Records (1980 Lovely Music Ltd.). Recorded at the Center for Contemporary Music, Mills College, February 4, 1979. Composed, electronic music by Maggi Payne. This piece was “composed using the Moog and Aries synthesizers and the twelve-track recording studio at” Mills College. “Major concerns … are spatial location of sounds and complex timbral changes.” 07:59 33:46 The Commodores, “Machine Gun” from Machine Gun/There's a Song in My Heart (1974 Motown). Single release featuring the early Commodores on this instrumental with Lionel Richie wailing along on the ARP Odyssey. 02:42 41:42 Billy Preston, “Space Race” from Space Race/We're Gonna Make It (1973 A&M). Single release. Preston was best known for his piano, Hammond, and Fender Rhodes work on Beatles' records and his early solo work. By this time, he had picked-up on the unique sounds that synthesizers could conjure. He was inspired to create this song while experimenting with the ARP Pro-Soloist synthesizer. 03:26 44:24 George Duke, “Part 1 - The Alien Challenges The Stick / Part 2 - The Alien Succumbs To The Macho Intergalactic Funkativity Of The Funkblasters” from Master Of The Game (1979 Epic). Written by Byron Miller, David Myles, Ricky Lawson; Producer, Acoustic Guitar, Arranged By, Bells, Clavinet, Composed By, Fender Rhodes, Keyboards, Organ, ARP Odyssey, ARP String Ensemble, Minimoog, Oberheim, Prophet-5 and Crumar synthesizers, written by and vocals, George Duke; Bass, Byron Miller; Drums, Ricky Lawson; Guitar, David Myles. 09:21 47:46 Steve Roach, Side 2, “T.B.C.” (5:06); Canyon Sound (2:58); Time For Time (3:33); Reflector (6:50) from Traveler (1983 Domino). All music composed and performed on synthesizers by Steve Roach. American Roach has such a great legacy of electronic music that is clearly distinguishable from the German wave of the 1970s. This is from his first, official album released in 1983. 17:56 57:02 Reynold Weidenaar, “Twilight Flight” (6:56) (1977), “Close Harmony” (4:44) (1977), and “Imprint: Footfalls to Return” (5:04) (1981) from Reynold Weidenaar / Richard Brooks Music Visions (1986 Capstone Records). Weidenaar was formerly the editor of Bob Moog's Electronic Music Review journal (1968-70) and an early user of the Moog Modular synthesizer. He was director of the electronic music studio at the Cleveland Institute of Music and at the time of this recording was on the faculty of the NYU films and television department. Twilight Flight” for electronic sounds was composed in 1977. “Close Harmony” for electronic sounds was composed in 1977. “Imprint: Footfalls to Return” for soprano voice and electronically modified sounds of the bare feet of Bharata-natyam Indian dancer was composed in 1981. 16:50 01:14:58 Eric Siday, three short works, “Night Tide” (2:56), “Communications No. 2” (0:24); and “Threat Attack” (2:05) from Musique Electronique (1960 Impress). Hard to find original disc by Siday, before he ventured into commercial recording using the Moog Modular synthesizer. His intereste in electronic music was deep, and he was one of the first customers of Robert Moog when his synth became available. 05:28 01:31:58 Hans Wurman, “Etude In C Minor, Op. 10, No. 12” (1:54) and “Waltz In D-Flat OP, 64, No. 1 (1:24) from Hans Wurman – Etude In C Minor, Op. 10, No. 12 (1970 RCA). Arranged and performed on the Moog Modular synthesizer by Hans Wurman. Brilliant interpretations of two classical pieces. 03:22 01:37:14 Opening background music: Einstürzende Neubauten [ein-sturt-zen-deh noy-bau-ten], “Der Tod Ist Ein Dandy” from Halber Mensch (1985 Some Bizarre). Noise metal from this dependable source of industrial music. (06:39) Introduction to the podcast voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.
Inspired by Radhanath Swami, Robert Svoboda, and the Catholic Church. Audiobook. Mature listeners only (18+). Music is "Structures of Silence," by Steve Roach.
SOLENOÏDE, émission de 'musiques imaginogènes' diffusée sur 30 radios dans le monde
Solénoïde (14.10.2024) - La Solénosphère 31 vous invite à découvrir six albums récents (2023-2024) qui illustrent la richesse et la diversité de l'ambient. Chaque morceau, soigneusement sélectionné, vous transportera dans des paysages sonores à la fois intimes et sophistiqués, parfaits pour une écoute méditative.
We continue our journey through Abraham's life by learning some principles for seeking God's guidance in life.
The primal sound of prehistoric hand drums, brought to the present by space-defining ambient electronics. In the 1980s, elements of ancient indigenous music were embraced by electronic musicians searching for an earthy, vital sound to balance the dematerialized tones of electronic instruments, ground the atmospheric soundscapes of ambient, and gain the power of ritual experience. The new genre was originally called "Techno-Tribal," but as the Techno label became associated with electronic dance music, it was renamed "Tribal Ambient." Today, the period of discovery is long past, but a dedicated group of electro-acoustic artists with a taste for rhythm-powered trance continue to explore the sound and release new music. On this transmission of Hearts of Space, another ethno-tronic journey on psychoactive rhythms, on a program called TRIBAL AMBIENT 2. Music is by STEVE ROACH & ROBERT RICH, BYRON METCALF + ARI URBAN & MARK SEELIG, FRORE & SHANE MORRIS, SERENA GABRIEL, SOLITAIRE, and STEVE ROACH solo. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]
Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Manfred Eicher, fundador del sello alemán ECM, decidió definir la música que editaba en su sello diciendo que era el sonido más bello después del silencio. Hans Zimmer también dijo algo parecido no hace mucho y en una entrevista Steve Roach confesó que acudía al desierto cada día para escuchar el silencio, que allí era capaz de sentir los latidos de su corazón. Así que no es extraño que el silencio forme una parte importante de determinados tipos de música o que resulte fuente de inspiración para componer esos determinados tipos de música. Hoy, en las próximas dos horas, escucharemos ese tipo especial de música que podríamos denominar música silenciosa. Matt Emery, Andrew Land, Yu Su, Alex Roe, darungara, The Secession, Tom Adams, Deuter, Michael Neil, Pedro Hurtado, Liam Boyle, Christine Ott, Marc Enfroy, Tony Anderson, Helsinki Project. El playlist detallado: lostfrontier.org/t28.html#1028.Escucha este episodio completo y accede a todo el contenido exclusivo de lostfrontier.org. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/26825
Welcome to Aquarium Drunkard Transmissions. This week on the show, direct from his desert studio on the US/Mexico border south of Tucson: synth music pioneer Steve Roach. As a kid in Costa Mesa, he became entranced with motorsports, prog rock, and kosmische musik by Klaus Schulze, Tangerine Dream, and other Berlin school fusionists. In 1984, he released his landmark third album, Structures from Silence. Record stores filed it in the new age section, where it sold like hotcakes. But as far as Roach was concerned, it was simply his take on the electronic music that fascinated him, with a humanistic touch: it's pace mimicked the pulse of human breath. Roach has maintained a steady flow of music ever since. This year, Roach and his longtime label Projekt released a 40th anniversary version of Structures. It was quickly followed by Reflections in Repose, a live set performed, composed and recorded in Baja Arizona in late 2023. Add to that production on Serena Gabriel's The Saffron Sky and a three-night stint at Hotel Congress in Tucson, May 29th, 30th, and 31st, where he'll be joined by fellow synth lifers Robert Rich and Michael Stearns, and you can see why it's a miracle he time to join us for this episode, dedicated to discussing his creative process, learning to go with your own flow, and his lifelong sonic journey. Transmissions is a part of the Talkhouse Podcast Network. Visit the Talkhouse for more interviews, fascinating reads, and podcasts. For heads, by heads. Aquarium Drunkard is powered by our members. Keep the servers humming and help us continue doing it by subscribing to our online music magazine. This episode is brought to you by DistroKid. DistroKid makes music distribution fun and easy with unlimited uploads and artists keep 100% of their royalties and earnings. To learn more and get 30% off your first year's membership, visit: distrokid.com/vip/aquariumdrunkard Join us next week for a conversation with Jeff Tweedy of Wilco, who joins to discuss the Solid Sound festival, his literary work, and his vast songbook.
Electronic music has come a long way in the last 50 years. Beginning in the 1960s, the arrival of affordable mass-produced analog and digital synthesizers liberated electronic music from the rigidity of academic laboratories, the iconoclasm of avant-garde theories, and the dogmas of experimental music. Equipped with powerful instruments and their own recording studios, electronic musicians were free to take ideas and influences from all kinds of popular and historical music, leading to a fruitful period of cross-fertilization, invention, and collaboration. Early electronic instruments were notably lacking in musical expression, but they proved to be exceptionally good at creating the impression of flying and floating in vast virtual spaces. On this transmission of Hearts of Space, we fly on electronic winds and float on electronic clouds, on a program called ELECTRON FLOW. Music is by GEORGE WALLACE, CHRONOTOPE PROJECT, COPAL RIVER, ROBERT SCOTT THOMPSON, STEVE ROACH, ANDREW LAHIFF, STEVE BRAND, and ADHAM SHAIKH. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]
Welcome back to Aquarium Drunkard Transmissions. This week on the show, we're sitting down with Damon McMahon, best known as the man behind the mysterious and compelling Amen Dunes musical project. Transmissions host Jason P. Woodbury first spoke to McMahon way back in 2012, when he was touring in support of the second Amen Dunes album, 2011's Through Donkey Jaw. Then, they checked in again in 2018, when he released the tremendous Freedom. Amen Dunes' sound has shifted and morphed all along the way, though some constants have remained—particularly, his mantra-like vocals. Even when it's hard to clearly understand exactly what he's saying, McMahon has a way of making his lyrics felt, as if the shape and sound of the words in and of themselves has some occulted meaning. McMahon's latest is called Death Jokes. It was released on May 10th by Sub Pop Records and it's a dense, layered gem. Built on beats, piano—a new instrument for McMahon—and stacked with samples of artists like Lenny Bruce and J Dilla, it's a difficult record to grok at first. It doesn't reveal itself quickly. In a media landscape that often asks us to rush through our experience of music, Death Jokes asks us to stop, to listen again, and to listen deeper. It reveals more as you sit with it. In that way it's a profoundly counter cultural album; it bucks against the mode of our day. This conversation follows suit, examining the way the digital age has tried to reduce human experience down to clean binaries. It's a conversation about spirituality, about the root of music, about the subconscious, and much more. Transmissions is a part of the Talkhouse Podcast Network. Visit the Talkhouse for more interviews, fascinating reads, and podcasts. Next week on Transmissions? Synth legend Steve Roach. For heads, by heads. Aquarium Drunkard is powered by our members. Keep the servers humming and help us continue doing it by subscribing to our online music magazine. This episode is brought to you by DistroKid. DistroKid makes music distribution fun and easy with unlimited uploads and artists keep 100% of their royalties and earnings. To learn more and get 30% off your first year's membership, visit: distrokid.com/vip/aquariumdrunkard
Born in Belgium, Dirk Serries is a musician who has explored various genres such as avant-garde, experimental, industrial, and ambient. He gained worldwide recognition under the pseudonym Vidna Obmana, with a prolific output from 1984 to 2007, creating an extensive discography and collaborating with notable artists like Steven Wilson, Steve Roach, and Justin K. Broadrick. Serries continues to explore atmospheric soundscapes, keeping alive the legacy of Vidna Obmana. This year marks the 40th anniversary of his musical journey, and we celebrate this landmark by having the artist in person on our show.
It's being called the "astronomical event of the decade." If you live in the middle third or the northeastern quarter of the United States—on a line from Texas to Maine—there's a good chance that a total solar eclipse of the sun will be visible on the afternoon of April 8th, 2024. Depending on the exact location, the darkening and cooling within the moon's shadow or "umbra" only lasts from two to seven and a half minutes, because the umbra moves across the earth's surface at over 1100 miles per hour. Surprisingly, solar eclipses are not that rare. There are at least two, and up to five, somewhere on earth each year. For millennia, solar eclipses were attributed to supernatural causes or regarded as evil omens. Modern astronomers have taken most of the mystery and superstition—but not the strangeness and thrill—out of eclipses. They can now be accurately predicted hundreds of years into the future, but they still have a cosmic appeal that attracts millions of viewers and a worldwide community of "umbraphiles." On this transmission of Hearts of Space, music for a total eclipse of the sun, on a program called TOTALITY. Music is by CHRONOTOPE PROJECT, SUBDREAM, STELLARIUM, LONEWARD, ZENON MARKO, ROBERT RICH, and STEVE ROACH. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]
The current boom in "immersive media" includes computer-assisted VR or Virtual Reality, AR or Augmented Reality, AR and VR glasses and headsets, immersive video games and films, panoramic projections, spatial audio systems, and specially designed theaters and concert venues, like The Sphere in Las Vegas. Regardless of size or complexity, they all have a similar purpose: to augment our existing world, or transport us to fantastic new synthetic worlds. Interactivity and connectivity are the focus of these new technologies, but there's an older, simpler, more passive technology that can transport listeners to virtual worlds just by listening—electronic music. It's been over a hundred years since the invention of practical electronic instruments, and the power of electronic sound to take us to exotic tonal and even cosmic environments is well-known to both musicians and listeners. On Hearts of Space, we've been documenting it for over 40 years, with hundreds of programs dedicated to the art of virtual travel on electronic waves. On this transmission of Hearts of Space, it's another journey in our electronic touring series, on a program called ELECTRON TRAVELER 6. Music is by THIERRY DAVID, MARTIN STÜRTZER, DREAMSTATE LOGIC, SUBDREAM, CHRONOTOPE PROJECT, STEVE ROACH, and ALPHA WAVE MOVEMENT. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]
The BSB Team cover all the big news in sport plus chat with Steve Roach
THERE'S NOTHING QUITE LIKE THE STILLNESS of a frigid winter night. Sensible humans retreat to their heated homes and warm beds, while the normal hyperactivity of the natural world is reduced to almost nothing by cold and dark. Even busy nocturnal creatures and insects take some time off, while flowing water turns to silent ice. It's an environment that finds expression in a rarified genre of electronic music, which runs the gamut from cool, to chilled, to frozen. On this transmission of Hearts of Space, Ambient electronic music for quiet winter nights, on a program called NORTHSCAPES. Music is by SOUNDS & SILENCE, SIMON LOMAX, CONNECT.OHM, MEG BOWLES, STEVE ROACH, MARK BANNING, JAJA, and BLISS. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]
Hi everyone, we have another array of musical gems to entertain you. It seems we have collected many ambient styles and symphonic excursions in this edition. It's good to see we are represented by several new female musicians. The stillness and vulnerability of Lyndsie Alguire's music, the re-release of Danielle Boutet's 1985 album Pieces, which borders Chanson spoken-word jazz noir and minimalism, with Claire Deak's solo work is heightened by her experiences building unique sonic worlds and swaying atmosphere. Steve Roach's ambient classic Structures Of Silence is celebrating its now 40th anniversary with a beautiful remastered limited edition LP, 1CD & two bonus discs created in 2013 on the 3CD deluxe edition. Wayfarer Records has a sampler introducing artists from this US-based company specialising in electronic and ambient music genres. We begin with the superb new album Sacred Places by Hollan Holmes. Playlist NO 247 02.41 Hollan Holmes 'An Elevated Life' (album Sacred Places) https://hollan-holmes.bandcamp.com 08.20 Hollan Holmes ‘The Divine Connection' 14.36 Hollan Holmes ‘Sacred Places' *** 20.00 Evening Ocean ‘Believe In Good Things' (album The Great Love) https://eveningocean.bandcamp.com/album/believe-in-good-things 23.22 Evening Ocean ‘Keepsake' 26.32 Evening Ocean ‘Fire Burns Bright' 29.15 Evening Ocean ‘Treasures Past' 30.37 ELEON feat: Nacre And John Gregorius ‘Serenity'(album Wayfarer Artist Sampler Vol. 1) https://wayfarerrecords.bandcamp.com/ 34.36 Lane, Gregorious, Smith ‘Lost Desert Highway' 38.04 Dave Luxton ‘Ascendant Sign' 43.58 Robert Rich ‘Filaments' (album Waves Of Now) https://robertrich.bandcamp.com/album/waves-of-now 47.55 Steve Roach & Robert Rich ‘Soma Waves' 55.44 Steve Roach ‘Before We Leave' 01.00.30 Steve Roach ‘Reflections In Suspension/Suspension' (album Structures Of Silence: 40th Anniversary Remastered) https://projektrecords.bandcamp.com *** 01.13.56 Claire Deak ‘Dampen The Waves'( album Sotto Voce) https://clairedeak.bandcamp.com 01.16.51 Claire Deak ‘A Million Cloaked Ghosts' 01.20.20 Lyndsie Alguire the night is in my mouth' (album the night is in my mouth) https://lyndsiealguire.bandcamp.com/album/the-night-is-in-my-mouth 01.23.58 Lyndsie Alguire ‘Centuries Of Grief' 01.28.21 Romerium ‘Moonmadness' (album Space Impressions 2: Space-Cinematic-Atmospheric) https://romerium.bandcamp.com 01'35.58 Danielle Boutet ‘P.216' (album Pieces) https://freedomtospend.bandcamp.com/album/pi-ces 01.42.00 Astral Magic with Shane Beck ‘Rewind The Sonic View' (album The Hidden Way- Rare and Unreleased) https://astralmagic.bandcamp.com 01.46.21 Astral Magic with Shane Beck 'Shiva's Daydream' 01.49.26 Von Haulshoven ‘Absorbing The Green' (album Ambiland Trilogy Part 1/2/3) https://vonhaulshoven.bandcamp.com 00.00.42 Dino Pacifici ‘A Clock Without Hands' (album A Boat Without Oars) https://dinopacifici.bandcamp.com 02.11.26 Vamadeva ‘Cosmic Dream' (album Various Secret and Mystery II) https://www.bscmusic.com/en/home.htm 02.15.13 Gleisberg ‘Flying Over Clouds' (album Various Secret and Mystery II) 02.19.35 Deep Imagination ‘Awake From A Dream' (album Various Secret and Mystery II) 02.24.37 Syndromeda ‘Three' (album Liftoff To Infinity) https://syndromeda-syngate.bandcamp.com 02.33.57 Taist ‘Entropy' (album Celestial Displacement) https://winter-light.bandcamp.com 02.39.44 Taist 'Proximity' 02.44.36 Claudio Casanueva ‘Chula Lady Of The Skies' (album All My Best Songs) https://claudiocasanureva2.bandcamp.com 02.50.39 Claudio Casanueva 'Astral Universe' 02.54.30 Mind Over MIDI ‘overflaten' (album Sensitiv) https://lontanoseries.bandcamp.com/album/sensitiv 02.56.34 Mind Over MIDI ‘veien ut 2' 02.58.31 Christain Wittman ‘Tropic of Capricorn/Equinoctial' (album Sphaera Armillaris) https://christianwittman.bandcamp.com 02.06.21 City Of Dawn: Sherry Finzer: Karasvana ‘On Seashores Of Endless Worlds' (EP The Journeying Sun) www.heartdancerecords.com Edit***
This time on Hearts of Space, we're back to the floating worlds of ambient-electronic music. It's an open-ended medium—almost unlimited in its ability to invent new sounds and use them to create virtual soundscapes. Despite epic changes in the business of recorded music over the last twenty years, the ambient-electronic genre is healthy and slowly expanding as a studio-based art. Composers on five continents hone their craft in personal studios, create albums, and release them on independent platforms like BANDCAMP.com and the major streaming services. They're "unsigned artists" and they like it that way. They collaborate with kindred ambient artists, and even work with independent record labels whose taste they like. Many of them have families and a skilled day job and their music is a serious avocation; others have found a way to survive on their music and related activity. Right now, everybody wins on the important thing: there's something at the heart of the ambient experience that feeds both the musicians and the audience, with a rich stream of serious new releases and a growing catalog of classics. On this transmission of Hearts of Space...another ambient electronic journey, on a program called INFINITE HORIZONS. Music is by ILUITEQ, ERIK WØLLO, IAN BODDY & ERIK WØLLO, JUHA-MATTI RAUTIAINEN, and STEVE ROACH. [ view program page ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]
As someone who enjoys the process of putting together mixes- specifically more conceptual ambient leaning mixes- I often think about how I would approach playing an event designed for sleep. I'm yet to play a set like this live, but I did tackle something similar in the Portals series by roughly mixing styles that aligned to specific sleep stages (eg, REM, deep etc). But in person, sleep is never as predictable as hypothetical sleep stages for a recorded mix, let alone the idea of a room full of people mirroring these stages at the same time. To approach an in-person set for sleep would be a daunting undertaking, but an extremely rewarding experience for both DJ and listener - the career highlight for an ambient DJ, maybe... They say the warm-up set is the hardest test for a DJ and I would tend to agree. But I'd love to see some of the world's best DJs execute 3.5 hours of music for a room full of people looking to do the exact opposite of dancing, or even listening for the entire duration… Sa Pa has executed this concept flawlessly.No stranger to the minutia and atmosphere needed to transport someone from a horizontal state into an elevated lucid dream, I can hardly think of anyone better to take control of such a situation than Berlin-based artist, Sa Pa. His latest release for Astral Industries (the undisputed label kings of lucid states no doubt) is the perfect example of transportive and psychedelic ambient music down to the finest grain of sound and texture. AI-33: Atmospheric Fragments by Sa Pa If Sa Pa's productions weren't enough to demonstrate his transportive power and worldbuilding tendencies, then his recent captures from his own Absurb Lustre events, or his mix for one of our 9128.live takeovers, may provide an additional glimpse of what to expect when he was given the reigns for an all-night sleep in event recently, in Leipzig.“For years I've kept a mental cache of what music would I'd love to play at a sleep in, but was never really sure if there'd be a chance, so small some dreams came true that night for me too - it was a pretty rare experience I'd say especially with everyone there really taking part in the concept”.It's not often we get the chance to host a set from an event that by its very nature, is designed to be experienced in person, but after several trials of this mix (on a plane, going to sleep, and waking up from sleep - and all states in between), the concept translates to an outstanding headphone session and the perfect concept for a defining moment in the isolatedmix series of sounds. “I think it was one of the deepest and most solitary DJing experiences I have ever been part of, and driving a three and half hour cloud through the pitch darkness was a beautifully liminal journey, caring for the dreams of those in the room, some 100-200 people or so”.A 3.5hr liminal state available in your own time and place, in the gentle hands and ears of Sa Pa, displaying the very essence of horizontal ambient music designed to immerse, weave and transport. Featuring tracks from, Luc Ferrari, Zenxen, Pinkcourtesyphone, cv313, Jason Lescalleet, Yann Novak, BJ Nilsen, Robert Henke, Rod Modell, Ryoji Ikeda, Steve Roach and Sa Pa, himself. Words from Sa Pa - ‘Diary of a Lonely DJ':There's something about gazing out of a train window or being 30-thousand feet high up in the troposphere, that evokes a feeling of what we try best to describe as liminality. With this in mind, Deutsche Bahn had me scuttling toward Leipzig from Berlin on a typically stark and windy day that could of been taken right out of a Wim Wenders classic; the treetops lining Urbanstraße on the way to Hauptbahnhoff looking as stripped and brittle as burnt skeletons in the snow.Some 8-to-10 degrees warmer in Saxony, I arrived at a city shrouded in mist, with the darkness of the early afternoon somehow made a touch warmer by that first Friday-feeling of the year. Onwards to Leipziger Baumwollspinnerei - a converted cotton mill where this evening's ‘Sleep In' would take place - the 14 tram would rumble past the pink and lilac glow of the city's opera house. Sleep Ins are no new thing, and to be in the arms of the proverbial morpheus with some 200 people in an industrial estate does have its abstract appeal, and I'd be lying if I said I wasn't a fan of the concept.At something like 6PM, it was encouraging to see so many people arrive dragging their mattresses with them, some eight-hours before the witching hour. Tuning in to the event, and finding a little respite backstage, I drifted in and out of consciousness, occasionally breaking REM sleep to acknowledge the sounds of “Simple Headphone Mind” and Zoviet France's remix of Panasonic, reverberating in the hall.With a medley of lullabies soundtracking the evening so far, preparing selections too deep even for my own Absurd Lustre event, provided a much needed boost of waking life before taking to the couch in the DJ booth. Over the course of the next three-and-a-half hours, in near pitch-darkness, I was able to draw from a rare cache of non-music and atmosphere, embraced at large by a small flotilla of sleeping souls, leaving port to navigate themselves through the inner landscapes of a technicolour head trip.With only the dimmed lights of my equipment and an exit sign illuminating the room, safe to say, it was a resolutely profound DJing experience and deep journey into the estranged fields of time and space. There were moments at the helm where I felt like a small craft adrift in a sea of voluminous black, while paradoxically part of a delicate collective sub-consciousness, sailing through a dream-like abyss. As if bridging a void between the physical world and something beyond the imagination, it was truly a strangely isolated place.Listen on Soundcloud the ASIP Podcast or the 9128.live iOS and Android appDownload MP3 astrangelyisolatedplace · isolatedmix 125 - Sa Pa (Sleep In) The start of the event, as attendees bring in mattresses ready for the night and Sa Pa' set. Sa Pa | Absurb Lustre | Soundcloud (Sa Pa) | Soundcloud (Absurb Lustre) | Instagram
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Roach's boundless creativity and ever-evolving mastery are a challenge to all who try to keep up with his work, even his most devoted fans. And yet, that's what I aimed for in this new interview with the Grammy-nominated American ambient/ electronic music pioneer.In this episode, you can listen to Steve Roach discussing his collaboration with Tangerine Dream, the new double album Sanctuary of Desire, and even upcoming projects, plus a music mix that completes our show.
As we continue our Under Pressure series, Steve Roach shows us the keys to conquering conflict out of James 4.
Of all the seasons, fall is the one that comes with the most mixed emotions: relief at the return of moderate temperatures, pleasure at nature's autumn color show, and a feeling of melancholy at the darkening of the light. Technical interventions like Daylight Saving Time can't hide the fact that the amount of daylight is decreasing. In the northern hemisphere, we're counting down to the Winter Solstice—the shortest day of the year, around December 21st. For ambient musicians, fall offers a darker palette, more somber harmonies, and a call to explore deeper feelings. On this transmission of HEARTS of SPACE, we descend into the dimming light of fall, on a program called AUTUMN TWILIGHT. Music is by TOM EATON, BOB HOLROYD, SUBDREAM, DEEPSPACE, STEVE ROACH, and RUSSEL WALDER. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]
On this episode of the podcast an archive interview with "Hearts of Space" host and producer Stephen Hill. The interview originally aired on KVLU on November 9th, 2012. excerpts fron the song "Quiet Friend" by Steve Roach from the album: "Hearts of Space Radio Program Series: Starflight 1" were used in this episode for educational purposes only. KVLU has no claim on copyright or publishing rights to the music.
Mid Era: new Arjen Schat (Holland), a re-issue of Steve Roach & Vir Unis (USA) plus some older classics. IDM: new Defset (England), Plaid (England), Surface 10 (USA), Room of Wires (England) & Liebknecht (Germany). TIME ARTIST TRACK RELEASE 0:00:00 ***Intro*** [Mid Era] 0:00:00 Peak encounter+nightmist Ebondàzzar 0:13:55 Kit Watkins the harbinger Circle 0:19:26 Keller+Schönwälder firewalker 432: The Reason Why… 0:40:30 MoonSatellite sleep awake part#5 Sleep Awake 0:47:35 Arjen Schat alpha persei Extragalactic Sessions 4 0:55:58 Roach & Vir Unis dissolving the code Blood Machine 1:01:00 ***break*** [IDM] 1:03:15 Morphology horta proxima Horta Proxima 1:09:21 Olivier Orand robot H+ 1:13:14 Nereid undertow Selected Works 2 1:21:18 Defset signals Cycles 1:24:38 Kill Ref renax r-iii Oἰκία 1:30:15 Plaid nightcrawler Feorm Falorx 1:34:01 Surface 10 DT5 united A Stray Ending 1:38:00 Seph symbol Tierra del Fuego 1:44:42 Room Of Wires ocean's light Welcome To The End Game 1:50:43 Liebknecht klinic michels v2 Fabrikat 1:55:39 Lapith Girl the ferns are greener still I Promise That I Won't Die… 2:00:35 ***Outro*** Keywords: International electronic music internet electronic artists unsigned electronic artists Low Orbit Satellite Ambient Symphonic Rock Progressive Rock Art Rock Tribal Trance PsyTrance Ethno/PsyTrance IDM Nonima Dub Step Mid Era Berlin School
One of my favorite ambient albums from the first half of 2023 is "Intrapersonal Experience" by Saphileaum. It's a great combination of atmospherics and percussion, reminiscent of 90s Steve Roach tribal ambient. After hearing this album I needed to do a drum/percussion-based mix and "Summoning The Spirits" is the result. Another recent discovery makes its way into this mix - The Rain Dogs. So far I only have one of their albums but I plan on buying many more. I have To pace myself though. Their album, From Abydos To Dendera, has shades of Jon Hassell and other 4th world styles I love. The tracks fit perfectly in this mix. I hope you enjoy the atmosphere and the rhythms. Cheers! T R A C K L I S T : 00:00 The Rain Dogs - Market Day (From Abydos To Dendera 2021) 05:33 Saphileaum - Dear (Intrapersonal Experience 2023) 09:45 The Chi Factory - Part One (Travel In Pece 2020) 14:40 Benjy Wertheimer & John de Kadt - Underwater (One River 2012) 21:08 Byron Metcalf - As Clouds Dance (Inner Rhythm Meditations 2016) 29:50 Chi - Before The Mountain (The Original Recordings 2016) 36:50 The Rain Dogs - Dawn Over Qurna (From Abydos To Dendera 2021) 40:54 Eli Keszler - Barcelona Part VI (LIVE 2023) 44:40 D.K. - Summoning the Spirits (The Goddess Is Dancing 2019) 50:00 Saphileaum - Remote (Intrapersonal Experience 2023) 54:40 The Chi Factory - Part Two (The Kallikatsou Recordings 2017) 57:43 Night Sky Pulse - Luminescence (These Possible Lives 2021) 61:03 end
Host and American Family Farmer, Doug Stephan www.eastleighfarm.com introduces us to Steve Roach, Safe & Healthy Food Program Director and Senior Analyst for Keep Antibiotics Working. https://www.foodanimalconcernstrust.org/ Steve's work at Food Animal Concerns Trust focuses on reducing the human health risks that result from the production of food animals including risks from foodborne illness, dangerous drug residues, and antibiotic resistance. He says that partnering with and investing in humane farmers is one of the best ways to make a difference in the lives of food-producing animals and in reducing antibiotic overuse.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/3010081/advertisement
Steve Roach and Matty Johns discuss the team selections for State Of Origin 2023 Game 3, Plus the week that was in the NRL .See omnystudio.com/listener for privacy information.
The musical panorama connecting the electronic rhythms of our hyperactive culture to the nourishing waves of contemplative space...is long, but always worth the journey. Along the way, the slowing tempo reveals new perspectives at every vista. And at the destination, subtle worlds of infinite dimension and unpredictable insight await. On this transmission of Hearts of Space, we flow with the electronic rhythms and sonic currents, on a journey to the threshold of silence called DYNAMIC STILLNESS. Music is by ATOMIC SKUNK, ERIK WØLLO, FRANK VAN BOGAERT, CRAIG PADILLA + ZERO OHMS & SKIP MURPHY, and STEVE ROACH. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]
Drifting In Silence • Erik Wøllo • Steve Roach • 1st Base Runner • The Slightest • Tangerine Dream • Edley ODowd • Clang Quartet • Mouth Wound • Object As Subject • The Mon • Aarktica Music On This Mixtape: Drifting In Silence: "I Wish You Were Here" taken from the album "Timeless" Erik Wøllo: "Serenity" taken from the single "The Le Paysage" Steve Roach: "Future Informing" taken from the album "Rest of Life" 1st Base Runner: "Dark Drive Through The Canyon" taken from the album "Night Stalker" The Slightest: "Touching the Ghost" taken from the album "Fragments" Tangerine Dream: "Circulation Of Events" taken from the album "Atem" Edley ODowd: "GalactricImmersion" taken from the album "F(OUR)WARD" Clang Quartet: "Sufficient Grace (sounds based on my December 2022 MRI)(2 Corinthians 12:9)" taken from the album "A Slow Death For The Peacemaker" Mouth Wound: "You Won't Let Leaving Come Between Us" taken from the album "Nothing Will Belong To Us" Object As Subject: "Dig Unearth" taken from the album "Heretic" The Mon: "To The Ones" taken from the album "Eye" Aarktica: "Arcturan Transmission" taken from the album "Paeans"
With many recent releases, this edition gives us more ambient electro-acoustic & downtempo music, including two pioneering musicians from the 80s to the present day. Steve Roach with the 20th anniversary of ‘Mystic Chords & Sacred Spaces, where the label Projekt collects all four parts into a single release — close to five hours of electronic ambient music, which allows the listener blissful hours on the high frontier between deep listening music and the spirituality of pure sound. The musical alchemist Robert Scott Thompson combines his mastery of the electroacoustic, acousmatic, contemporary instrumental and avant-garde genres on Placid. Our modular track comes from the album Myuthafoo, based on creative sequencing processes that playfully unravel Caterina Barbieri's deep-rooted interest in time, space, memory and emotion. Following lengthy negotiations upon the release of her 2022 debut, Nova Cat (yes, a cat), reluctantly agreed to Projekt Sam Rosenthal's addition of ambient music to two tracks on her sophomore effort, Stellar purr. Playlist no 233 02.57 DELREI ‘Into The Wasteland' (album Desolation and Radiation) ww.projekt.com 06.11 DELREI ‘Dusk' 09.24 Deep Imagination ‘Make The Moon Appear' (album Children Of The Moon) www.bscmusic.com 14.06 Deep Imagination ‘The Silence Of Hinterland' 17.55 Eagle ‘Generation Z' (synth Music) (EP Daft muzak for radio stations: vol2) https://eagle5.bandcamp.com 25.22 Lyonel Bauchet ‘L'ordre a des choses' (album Tractatus Lyra-Organismus) https://dinrecords.bandcamp.com 32.25 Caterina Barbieri 'Swirls Of You' (album Myuthafoo) https://caterinabarbieri.bandcamp.com/album/myuthafoo 37.44 Howard Armitage ‘No Single Moment' (album Disruptive Element Unreleased) 44.37 Gleisberg ‘Beautiful Nature' (album Floating In Your Soul) www.bscmusic.com 47.07 Gleisberg ‘Heaven In Mind' 50.53 Dino Pacifici ‘Longing As' (album Longing) https://dinopacifici.bandcamp.com 55.11 Dino Pacifici ‘Home Star Coordinates Confirmed- Homeward Bound' (album Spaceman's Lament) 01.0.08 Dino Pacifici ‘Voices From The Nebula' (album Celestial Anomalies) 01.07.35 Steve Roach ‘Presence' (album Mystic Chords & Sacred Spaces: complete edition) ***www.projekt.com 01.15.30 Steve Roach 'Shift Dimension' 01.18.51 Steve Roach 'Essence Of Phaedra' 01.21.22 Robert Scott Thompson ‘Translucence' (album Placid) https://robert-scott-thompson.bandcamp.com 01.27.49 Robert Scott Thompson 'Skysill' 01.32.04 Stellarpurr ‘Stellar Purr' (with Ambient Music)' (album Nova Cat Purring Sounds) *** www.projekt.com 01.40.56 Deborah Martin & Jill Haley ‘Into The Quiet' (album Into The Quiet) https://ambientelectronic.bandcamp.com 01.49.04 E-Clark Cornell ‘Crystal' (album Powers) https://latome22.bandcamp.com 01.57.13 Murcof & Vanessa Wagner ‘In a Landscape (John Cage)' (album Statea) https://infine-rec.bandcamp.com 02.07.43 Deuter ‘Back To A Planet' (album Ecstasy) https://www.cgdeuter.com 02.14.06 Deuter ‘Blue Waves Gold' 02.16.54 Andy Pickford ‘Forbidden Spheres' (Forbidden Spheres) https://andypickford1.bandcamp.com 02.28.12 Andy Pickford ‘Pareidolia Pt 3' 02.39.21 John 3.16 ‘And the Dust Returns to The Earth as it Was, and The Spirit Returns to God Who Gave it' (single) https://john316.bandcamp.com 02.47.28 Patrick 9000 ‘Interstellar' (album Endless Journey) https://syngate.bandcamp.com 02.52.11 Patrick 9000 ‘Apollo Landing' Edit***
Portland-based PROJEKT RECORDS home to Thanatos, Steve Roach, Aurelio Voltaire, Black Tape For A Blue Girl, Lycia, Erik Wøllo and many more, celebrates PROJEKT RECORDS' 40TH ANNIVERSARY. Over the years, a two-genre approach has consistently covered both the electronic/ambient and goth/darkwave realms. Projekt's noteworthy and boundary-pushing darkwave acts established the label in the 90's as the American counterpart to England's famed 4AD. Lycia, Love Spirals Downwards, Lovesliescrushing and the aforementioned Black Tape For A Blue Girl each pioneered their own unique Darkwave sound. During the label's heyday in the dark genres from 1992-1997, Lycia toured withType O Negative, counting Peter Steele as one of the label's biggest fans. Voltaire's 1998 Projekt debut, The Devil's Bris remains a classic of the genre. Projekt released more than 75 Steve Roach titles (two were even Grammy-nominated), is reissuing Michael Stearns' classic catalog, and released an LP of 1995's beloved dark Christmas album Excelsis which warranted multiple sequels, Unto Ashes & Thanatos continue to release new music as well. With over 67 million tracks streamed in 2022, their roster grows with a biweekly schedule of new and classic titles adding to the 650+ albums. I spoke to musician, composer and founder SAM ROSENTHAL and SHEA HOVEY (Projekt's dedicated and long time Promotion Assistant )who also has helped Projekt thrive throughout the decades where so many other labels have perished. To this day Projekt continues to nurture the careers of its highly select roster of artists. Congratulations Projekt Records 40th Anniversary and many more !https://www.projekt.comYou can also watch the interview on my YouTube channel : "Interview With DJ Nocturna : https://www.youtube.com/c/DJNocturnaPlaylist and podcast: https://djnocturna.comListen weekly every Saturday : http://modsnapradio.comQUEEN OF WANDS with DJ Nocturna Every Saturday on Modsnap Radio KMOD: San Antonio2pm (HST), 5pm (PST), 6pm (MST), 7pm (CST), 8pm (EST)#samrosenthal, #sheahovey, #ProjektRecords
Hello, and welcome to the Sound Chaser Progressive Rock Podcast, hosted on PodOmatic. I am The Professor, your personal tutor for progressive rock and related music. On the show this time we have seven pieces of new music, a record number for a Sound Chaser episode. The new music comes from Sproingg, Jaymz Dare, Head Spin, Isbjörg, Animatone, Peter Lawson, and Attercopus. The Sproingg song is a Sound Chaser exclusive, the first on air performance of a song from the forthcoming Sproingg album, Hirnkäse. The song is located around minute 67 of the show. We have an In Memoriam segment in honor of keyboardist Robin Lumley. We have the Symphonic Zone. We also have plenty of music from around the globe and the many decades of prog. Featured artists include Magenta, Saga, The Enid, Steve Roach, Deep Purple, and more. All that, plus news of tours and releases on Sound Chaser. I got the show started with a song from long long ago. Playlist1. Deep Purple - Shield, from The Book of TaliesynIN MEMORIAM ROBIN LUMLEY2. Brand X - Disco Suicide, from TimelineEND IN MEMORIAM3. Roxy Music - She Sells, from Siren4. Attercopus - Canvas, from Last Utterance5. Peter Lawson - 10 of Swords, from 10 of Swords6. The Neutrons - Mermaid and Chips, from Black Hole Star7. Saga - (Goodbye) Once Upon a Time, from Defining Moments (Volume One)8. Frank Zappa - The Deathless Horsie, from Shut Up 'n' Play Yer Guitar Some More9. Animatone - From the Moon to the Earth, from Who Saw Us10. Manoel Macia - Véspero, from Pétalos11. Isbjörg - Ornament, from https://www.youtube.com/watch?v=1_lsJBd2iUo12. Jaymz Dare - Midnight Excursions, from Improvisations for Piano13. Sproingg - Tschuwak Tschubak, Hirnkäse14. Tasavallan Presidentti - Celebration of the Saved Nine / The Bargain, from Live in LambertlandTHE SYMPHONIC ZONE15. Magenta - Sunshine Saviour, from The Singles Complete16. Esthetic Pale - The Seeds, from Hope17. Kotebel - Amphisbaena, from Live at Prog-Résiste 201318. Jan Akkerman - Britannia, form Tabernakel19. Eloy - Decay of Logos, from Reincarnation on Stage20. Eloy - Atlantis' Agony at June 5th - 8498, 13 P.M. Gregorian Earthtime , from Reincarnation on Stage21. The Enid - Fand, from Aerie Faerie Nonsense [1987 edition]LEAVING THE SYMPHONIC ZONE22. Head Spin - Moai Re-imagined [single]23. Steve Roach - Possible Passage, from Storm Surge24. Steve Roach - NEARstorm, from Storm Surge 25. Steve Roach - End Portal, from Storm Surge26. Steve Roach - Holding the Pearl, from Storm Surge27. Steve Roach - Darktime, from Storm Surge28. Tangerine Dream - Atem, from Atem29. Enchant - Ultimate Gift, from Blink of an Eye30. Landberk - You Are, from One Man Tell's Another31. John Demarkis - Singing Beach, from Wacky World32. The Albion Band - Wooden O, from Happy Accident
This content is for Members only. Come and join us by subscribing here In the meantime, here's some more details about the show: It's a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he'll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Twitter. Enjoy! The Creative Source 16th March 2023 Artist - Track - Album - Year Vince Ector Organatomy Trio+ South Philly Groove Live @ The Side Door 2023 Dave Stryker Trio Deep Prime 2022 Tammy McCann Canaan Island Do I Move You? 2023 Diane Marino Moonray I Hear Music 2022 Sue Palmer and Her Motel Swing Orchestra Last Call Movin' Along 2022 Eric Hoffman & Ken Hatfield See You Tomorrow (À Demain) Stirrings Still 2022 Hailey Brinnel Walk Between Raindrops Beautiful Tomorrow 2023 Michael Dease Shorty's Tune The Other Shoe: The Music of Gregg Hill 2023 Vince Mendoza & Metropole Orkest Esperanto Olympians 2023 Anthony Branker & Imagine Sunken Place What Place Can Be For Us? 2023 Swiss Jazz Orchestra & Christoph Irniger Point of View The Music of Pilgrim 2022 Anat Fort Trio First Dance The Berlin Sessions 2023 Andrew Moorhead A Key in a Pool Interleaved 2023 Jivko Petrov Trio (JP3) Hotel Zurich On the Way 2022 Brad Goode Pentacles The Unknown 2023 Mr. Chair Fuschia Better Days 2023 Ian Dogole Sun Song Quinta Essencia 2022 Mark Lockett G&T Swings & Roundabouts 2023 Don Aliquo Salt and Light Growth 2022 Shawn Maxwell Appointment With Story at Eleven 2023 Slavo Rican Assembly Intro Elevation Intercosmic 2022 Ingrid Laubrock Afterglow The Last Quiet Place 2023 Steve Roach The Continent Ambient Church NYC 2022 Hub Hildenbrand DVAL Athem 2022 The post The Creative Source (#CreativeSource) – 16th March 2023 appeared first on SoulandJazz.com | Stereo, not stereotypical ®.
As with all past ‘Reflection' year-end mixes, I start with a collection of music I have enjoyed over the past year. Through the process of compiling a mix, songs are whittled down and selected from this collection. This means many of my favorite tracks and albums are often omitted in this process, due to the need for them to fit in a mix that comes together as organically as possible. As I say every year, this isn't a definitive ‘best-of' list, but a selection of just *some* of my favorite music from the year in one easily listenable format. It's the most enjoyable way for me to boil down the music I've loved from the year using these self-imposed restrictions, for you to then enjoy and hopefully discover more. I encourage you to use the mix to jump off and explore each artist, listen to the album in full and see what else is on the label (and check the Buy Music Club list at the bottom). Of course, releases or aliases that are a part of our own label/s are not considered for this mix (head over here for our label-specific 2022 showcase!), and if you want to see the majority of what I've been supporting, head over to my Bandcamp collection.~Mixes paint a memory, and in many ways better than a photo. That's half the reason I do these year-end mixes. Listening back to some of the past ten ‘Reflection on' editions, each one still does the job of invoking specific memories for me. From the time I made the mix or tracks that trigger a time and place, maybe a gig I went to, an album that soundtracked a special moment, or just a record that didn't leave my turntable. All of these things influence what tracks go into my year-end mix. It makes it challenging to try and capture, but also rewarding when I come out of the other side with something to listen back to that really shaped my year in listening. Despite this feature taking many, many hours, it's much easier than doing a list, because not only do I dislike ranking music, but I really enjoy putting together mixes (so any excuse really!).I haven't written in-depth track notes for the past few Reflection mixes, mostly due to the sheer high number of track inclusions, but I want to go into depth on the inclusions this time around. I miss writing about music here, and it's been a few years now since I've even posted a review. So hit play below, keep scrolling for the track notes, and link to a BuyMusicClub list to support all the featured music. astrangelyisolatedplace · ASIP - Reflection on 2022 Listen on Soundcloud, or the ASIP Podcast.Download MP3~Firstly, let's sweep it under the rug; I've broken the biggest rule of the mix and included a track that wasn't from 2022 (in fact, a couple aren't strictly, but more on that later). The first track (and album), by maarja nut and ruum was such a lovely discovery for me this year that I missed in 2018, it accidentally slipped into my 2022 playlist due to being on high rotation. Of course, it was the very first track in the mix that set the tone- a hard one to undo when you've completed the set. So, because I have no one to answer to but myself, it stays! And I doubt you will regret this decision either if this album is new to you. Malibu made an appearance in 2020's mix, and she's perhaps a good reason for igniting a stronghold in female vocal led-ambient music recently. But few attempts are as ethereal as Malibu's latest, going full-on Salt Tank (as a fellow Trance lover nicely put it once).Ecovillage have made some gorgeous music over the years, and their latest album was a work of collaborations with some impressive producers such as Fennesz and harpist Nailah Hunter. My favorite track of the bunch was Memories of Spring featuring Japanese vibraphone player Masayoshi Fujita (the Erased Tapes stalwart). Raum, a collaborative project by Jefre Cantu-Ledesma and Liz Harris (Grouper) released a long-awaited follow-up to their 2013 album, and it didn't disappoint. Whilst used more as a texture/segue in this mix, I encourage you to explore the full album. And, in a nod to Liz Harris' involvement in the artwork for one of our releases this year, it felt fitting to include her project in this mix (thanks Liz!).I've admired GiGi FM's DJ'ing abilities for a few years now (check out her isolatedmix) but only last year did she debut her production chops with Kiwi Synthesis Diary 21k. I didn't get around to listening to the album until this year (along with her latest, Magnetite EP) and so it didn't make last year's mix which was already out in the world. So here's another little cheat, albeit a very short inclusion. You can't say "In Every Dream Home A Heartache” without reading it like the Roxy Music intro, and Romance and Dean Hurley's similarly named album is just as memorable for me in many ways. Whilst this track is not my favorite from the album, it reminds me of the church bells and distant music playing from across the farm fields in my hometown back in England.Fallen, aka Lorenzo Bracaloni seems to have released quite a few albums this year, but I was introduced to Moonlight Romance by Noah M (who creates many of our own artworks and was behind the art for this one). It's like a new-new-age album, full of life and color, and a really pleasant listen from front to back.One thing I find hard with this annual mix is whether to include tracks that have appeared in some other mixes of mine this year. Ultimately, I want to try and present new listening experiences with each mix, but then again, I am sure it's very few of you who actually listen to all of them!… . Steve Roach's What Remains appeared in a previous mix of mine this year, but this track is him at his very best. Refined, patient, bellowing, and glistening - a master of the style.Pretty sure nthng has appeared in the last two Reflection mixes, but what can I say… whether he is releasing pounding atmospheric techno or soaring trance-inducing textures like this one, he somehow manages to draw me in with each of his releases. (I think, secretly, he's a trance head and there's a subconscious/ telepathic attraction going on between us).At this point I got lost in the bellows of the last few tracks, so decided to find a way out of this musical chapter, and IKSRE provided a nice euphoric bridge with her vocals. Released on the ‘Healing Together' compilation curated by Cynthia Bernard / Marine Eyes, plenty of tracks from this comp could've made it onto this mix, so you know what to do after...There was no doubt I was going to try and include a Norm Chambers track in here somewhere, both due to his unfortunate passing this year and his undeniable contribution to the ambient and experimental community. I seeked out a jolt in the mix at this point, so his music didn't go unnoticed. As someone I follow recently said, you could make five mixes from his library of music and each one would sound different. Thank you for the music Norm - RIP.Chicago artists Purelink seems to be at the front of this new 'jungle/beat infused choppy ambience™, that I've seen becoming quite popular lately (how old do I sound). And one member of this trio features a bit later under a different alias. There is lots to explore in this world - whether it be following each of the member artists, their labels, or some of their own self-released music on Bandcamp. This track fits my dreamy chill-out world perfectly and was a much-needed segue into a more beat-driven chapter of the mix. Spoiler alert, Mikkel Rev will be making an appearance in the ASIP fam in 2023, so until he does, he's OK to be included in this mix (!) As part of the Ute Collective hailing from Norway, it's another rabbit hole of amazing young talent should you be into the more trance-infused sound of ambient music (or indeed, full-on trance music - plenty of that there). He makes some superb atmospheric chugging downtempo that ranges from the delicate to the beat-driven.Whenever a new Biosphere album drops, it's met with slight trepidation on my end. Not least because his albums take forever to reach the US on vinyl, but, how do you live up to the classics you created that helped define a genre? But that feeling is always short-lived and none so short as 2022's effort. In what is a direct throwback to some of his earlier electronic styles, Shortwave Memories is one of his best in the past 10 years - at least. The N-Plants vibe in this particular track is the show-stopper. ReKaB was a new discovery for me this year, and the Móatún 7 label that homes this release, is a goldmine for electro-leaning music (even featuring a Yagya 10” recently). I think I played this ReKaB album front to back more than five times in the car one day. It's such an enjoyable listen - not too pretentious, just enough old-school vibe, and energy to keep things present as opposed to wallpaper. OK, a couple more records were not strictly new in 2022 but I've always debated including reissues in this mix, and finally come around to the idea given the proliferation recently. After all, there was never a Reflection on 1993 was there?! Spacetime Continuum and the always-on-point Musique Por La Danse label provide the 90's throwback. (The similar-era Detroit Escalator reissue would have also made it in here, but I had to stop somewhere). Daniel Avery's album is a monolith. Throwbacks to Aphex on a SAW tip, mixed in with wall-shuddering bass and cave-mentality breakdowns. Any electronic fan that spent time in a dimly lit rave is going to enjoy his latest, just as much as the IDM/Electronica fan in all of us. I'm not sure if the track in the mix is my fave of the album yet, but the bigger tracks on the album would have sent this mix into a whole new dimension. Seeing James Devane pop up this year was weird. Back in my blog days (they still exist today but this specific instance was 13 years ago), I uploaded a cover of Aphex Twin's Rhubarb by James Devane to Soundcloud to host on the blog (remember those days) - it has 26k plays and the majority of us I'm sure really had no idea who he was until this year. With just one prior release on Discogs, I thought he dropped off radar. I guess he kind of did. This album was therefore a surprise to see, and its Gas-like fringed-techno a pleasant reintroduction. Prior to Covid, I was due to DJ at an Astral Industries gig in London, and Transcendence Orchestra was on the bill for the second night I was there (when I'd get to relax and enjoy the full night!) It didn't happen, unfortunately, but I always keep an ear out for their output and regret not being able to see them live. Back to the mix though, I didn't go too hard on the modular synth-heavy tracks this year, but as with all Reflection mixes, I try and cover the variety of music I've been listening to. Whilst the full Transcendence Orchestra album ‘Dreams, Waking Thoughts and Incidents' is a dark trance-inducing affair that might have felt like a rabbit hole at this point in the mix, this track formed a nice segue into the next with a similar sound…This was the year Abul Mogard no longer hid behind his “old man steel factory worker” story and came out of the shadows on Houndstooth alongside COH (Gone is my idea for an “I AM THEREFORE I AM (ABUL MOGARD)” t-shirt). I've always wondered what Abul Mogard's (real name Guido Zen) music would sound like if you added some fizz and more obvious structure, and this track can still be found bouncing around in my head somewhere. Another track not ‘new' in 2022, but once again, there are no rules when you're documenting someone so profound. And to lose Low's Mimi Parker was a shock to everyone this year. I was late to the Low party given how long they have been around, but Mimi's vocals on this track from one of their most recent albums (Double Negative) are purely angelic. I took liberties with the layering in the mix here, respectfully, so I hope it pays off in the listen as a moment of true reflection. It's not often you get treated to some of this early 90's music for the very first time, but stumbling across Bowery Electric is like finding a long-lost favorite. Originally released in 1996, this is an example of why Kranky is so legendary all those years later, playing host to gems like this. Nosaj Thing isn't normally the type of music that stays in my periphery, but my colleagues were sharing the news of this new album, existing on the fringes of hip-hop and electronica, and when Julianna Barwick is involved, I tend to put it at the top of the pile. Whilst the beat closely reminded me of Massive Attack's Teardrop, there's no hiding the track's beauty in totality. Add to this, I took a friend to see Nosaj Thing at The Greek Theater in LA, and we drank way too many Caipirinha's before stumbling up the hill to the venue and missed Nosaj playing altogether… We did catch Toro Y Moi after though, so it's a perfect memory captured for 2022. I'm glad Synkro returned with music this year, and it's an amazing little EP on R&S to boot. Maybe even more atmospheric than his previous work, the beats are a little more smudged across this EP, but everything he touches has a considered, unique touch that can be heard strongly throughout his work and within collaborations (such as Kiyoko). There's a substantial amount of music to discover from Neglect on Bandcamp, someone I've admired from afar for a while now. This track, taken from his latest album is amongst a beautiful bunch of nostalgic electronica that cries quality. It's always hard to single out an Astral Industries release. The consistency of releases are faultless, so my shortlist this year with AI releases to include, was, well… not very short. Mystic AM, however, is the first release by Astral label boss Ario, alongside none other than Rod Modell, so it quickly became top of the pile by reason of a special moment in 2022, not least because of the beauty found in its original Iranian field recordings. Perhaps one of the most extensive releases of the year comes from the always intriguing Stroom label, and Voice Actor. 109 pieces of music and a surprising quality found throughout. It's more collage than music when listened to as one, but you'll find some lovely moments hidden amongst the 8(?) hours. “Will it be available on vinyl” I hear you jest? I've seen this popping up in lots of EOY lists already too. There's talk within my small circles that Music For Animals is Nils Frahm's best album yet. I'm not sticking by that just yet, as Spaces is probably in my top 10 of all time so far, but it certainly represents a stunning (d)evolution? Not a piano in sight you say? I immediately disbelieved it. But alas. It's like Nils kept getting put into Ambient playlists on Spotify and was like "OK, I'll give you what you really want…”.I'm not quite sure how I stumbled across Ben Bondy. I think a friend might've recommended an album of his (Hadi, was that you?!) but It was enough for me to stalk his many Bandcamp releases and find some lovey instances. This track reminds me of a classic chill-out room track in its swirling laid-back mystery and vocal. I wouldn't have come across the All India Radio track if it wasn't for the great compilation it was presented on this year by Mystic and Quantum (a label responsible for some lovely releases over the years). New to me, it looks like they have quite the discography I'm yet to dig into, but this was a lovely moment that flowed nicely after the previous. Time to do some digging.Concave Reflection (see Purelink reference above) is another artist in the fringes of my frequent listens but one I'm fully dipping my toes in right now. The full-length album 'The Best People Are Like Water' is a really interesting listen - kind of metallic, chopped-up ambiance that the Spheric label are becoming known for (and seems to be all the hype right now). Whilst the next track was originally from an album released a few years back, you've probably learned by now I'm bending the rules a little. However, this version of Hania Rani's track Leaving, is a live recording released in 2022. After watching her live performance on KEXP, (shout to Alex Ruder!) I was truly mind-blown at her talent. It's easy to make comparisons to Nils of course, but Hania has that vocal element which adds a whole new dimension. If I had to be pushed, my favorite non-ambient album this year might have come from Mike Paradinas / µ-Ziq. Magic Pony Ride is just pure fun. And you need that in your listening repertoire nowadays, right? The bank of melodies and creativity this guy has amassed over the years must be unbelievable. To think, only some of it makes itself out into the world as a record. He followed this album up with another similar stunner too - spoiled!I've already given Wardown his superlatives for the year in his isolatedmix feature, but in summary, Wardown II followed up his nostalgic DnB/Jungle debut under this alias in style. Will there be a third that can keep the standard this high??I could've launched into a complete Jungle/DnB hour at this point, but being 2hrs in, I really had to start winding this beast down and get all the end-of-the-night feels going. Bot1500's latest EP stepped in nicely here - a lovely collection of melodic IDM and the track Chartreuse 8 felt rather emotional. Royksopp really don't do things by halves, and whether the entirety of their music is enjoyed or not when it crosses into the Pop realm, they still manage to conjure up some magic moments. I wanted to try and include a track out of the 3(!) albums they released this year but really couldn't find one that fit outside of this weird sample here. It worked on a few levels for me here though, “Press R to continue” …Rose Riebl…With three compilations curated by Headphone Commute, the quality found amongst the ‘For Ukraine' comps should go down as monumental and unmissable. I knew I had to get a track in this mix from the many on display, and this one felt like a perfect near-conclusion to the mix. Don't miss out on supporting a great cause and listening to some of the best artists creating modern classical music right now. The final track of the mix comes from EXM. While I normally try and end these mixes with a closer that is potentially surprising or off-genre (maybe a glance at other weird music I listen to) this one just somehow felt right. Uplifting and melodic, you can't help but mirror its gradual progression with your volume-up button. ~The art for this mix might feel a little unflattering at first, but I wanted to capture the mass AI hysteria as part of this year's memory and mix. So, fittingly, this is what I got back with the creative input of ‘A Strangely Isolated Place'. Why so literal, bot?Tracklist + Buy Music Club:01. maarja nuut & ruum - Mahe (Fat Cat Records)02. Malibu - Iliad (UNO NYC)03. Ecovillage - Memories of Spring feat. Masayoshi Fujita (LAAPS)04. Raum - Daughter (Self)05. GiGi FM - Rosé (Louise) (Self)06. Romance & Dean Hurley - The Flesh Is Weak (Ecstatic)07. Fallen - Under A Glass Moon Of Wonder (Aural Canyon)08. Steve Roach - What Remains (Self)09. nthng - Some Clouds Are Destined To Break (Transatlantic)10. IKSRE - You Will Find (PITP)11. Norm Chambers - Resonant Foam (Self)12. Purelink - Butterfly Jam (uWu Dust Bath)13. Mikkel Rev - Ende (Translusid)14. Biosphere - Night Shift (Biophon Records)15. ReKaB - The Lightest Touch (Móatún 7)16. Spacetime Continuum - Drift (Musique Pour La Danse)17. Daniel Avery - Lone Swordsman (Mute)18. James Devane - Orange and Tan (Umeboshi)19. Transcendence Orchestra - The Hills Are Alive (Old Technology)20. COH meets Abul Mogard - Traverse Within (Houndstooth)21. Low - Fly (Subpop)22. Bowery Electric - Postscript (Kranky)23. Nosaj Thing feat. Julianna Barwick - Blue Hour (Lucky Me)24. Synkro - Last Breath (R&S Records)25. Neglect - In The Bondage of Your Identity (Unsilent Desert Press)26. Mystic AM - This Spoke Zarathustra (Astral Industries)27. Voice Actor - Hurt With Me (STROOM)28. Nils Frahm - Right Right Right (Leiter)29. Ben Bondy - Spring (Self)30. All India Radio - Ancient Invocations (Mystic & Quantum)31. Concave Reflection -Daylight Portrait (Theory Therapy)32. Hania Rani - Leaving (Live from Studio S2) (Gondwana)33. µ-Ziq - Turquoise Hyperfizz (Planet Mu)34. Wardown - Stimulus Progression Pattern (Blu Mar Ten)35. Bot1500 - Chartreuse 8 (Lith Dolina)36. Royksopp - Press (Self)37. Rose Riebl - Near Dark (Headphone Commute)38. EXM - Autumn is Coming (Dyadik) ~Buy Music Club list >>
photo by Paul Asbury Seaman This is the perfect mix to offset the hustle & bustle of the holiday season. Skip the shopping and make some tea and chill the f*** out to this wonderful meditation mix from Paul Asbury Seaman. Here's what Paul says: "Native American flutes. A bit of Ireland, a bit of acoustic guitar (with echoes of India), interspersed with Tibetan bells, wind chimes, and a recent track by Steve Roach that is his most sublime composition since “Structures From Silence.” So, a bit of variety, but all with a consistent tone of serenity—my most soothing mix yet.” Here links to all the music used in this mix: https://mysticjourney.net https://www.amazon.com/Baraka-Deluxe-Michael-Stearns/dp/B008MZPW4O https://sherryfinzer.bandcamp.com/album/synesthesia https://jeffjohnsonarkmusic.bandcamp.com/album/coming-going https://projektrecords.bandcamp.com/album/prospettive-animiche https://whiteswanrecords.bandcamp.com/album/om-guitar https://projektrecords.bandcamp.com/album/the-book-of-wanderers https://whiteswanrecords.bandcamp.com/album/dhyana-aman-meditation-of-no-mind https://projektrecords.bandcamp.com/album/projekt2022-name-your-price https://whaleloryb.bandcamp.com/album/blue-moon-meditation Thanks Paul for another great mix! Cheers! T R A C K L I S T : 00:00 Suzanne Teng & Gilbert Levy - Sounding the Bell (Shimmer 2022) 05:25 Michael Stearns - Monk with Bell (Baraka 1993) 07:42 Sherry Finzer - Obsidian Shadows (Synesthesia 2022) 10:55 Jeff Johnson & Brian Dunning - Shepherding the Wind (Coming, Going 2022) 13:55 Jarguna - Garden of the Mantras (Prospective Animiche 2019) 21:35 Stevin McNamara - Aubade (Om Guitar 2020) 29:00 Forrest Fang - Song of the Wanderer (The Bok of Wanderers 2020) 34:15 Manrose - Tengpoche Monastery (Dhyana Aman 2010) 40:43 Suzanne Teng & Gilbert Levy - Mother and Child (Shimmer 2022) 45:55 Steve Roach - What Remains(excerpt) (Projekt2022 2022) 53:01 Calm Whale - Blue Moon Wind (Blue Moon Meditation 2017) 60:00 end
The Sound Chaser Progressive Rock Podcast is on the air. Henry Cow goes to war, Stick Men embrace the sun, and Frank Zappa gets out the black napkins. It's a return to the usual blend of progressive music styles and eras, including new music from Silver Nightmares and Massimo Pieretti. All that, plus news of tours and releases on Sound Chaser. Playlist1. Styx - Castle Walls, from The Grand Illusion2. Jethro Tull - ... And the Mouse Police Never Sleeps, from Heavy Horses3. Davide Rossotto - Altre Riflessioni, from Molecule [compilation]4. Novalis - Vielleicht bin ich ein Clown?, from Vielleicht bis du ein Clown?5. Henry Cow - War, from In Praise of Learning6. Peter Hammill - Nadir's Big Chance, from Nadir's Big Chance7. Stick Men - Embracing the Sun (ambient mix), from Prog Noir8. Frank Zappa - Black Napkins, from Philly '769. Focus - Maximum, from Live at the BBC10. Utopia - Heavy Metal Kids, from Another LiveTHE SYMPHONIC ZONE11. Zello - Overture, from Zello12. Canvas - The Spectacle, from Digital Pigeon13. The Psychedelic Ensemble - Strange Days, from The Dream of the Magic Jongleur14. The Psychedelic Ensemble - End of Days - Epilogue, from The Dream of the Magic Jongleur 15. Julverne - Clementine, from Ne Parlons pas de Mahleur16. Pekka Pohjola - Relief, from Everyman17. Pekka Pohjola - Agnus Dei, from Everyman18. Antony Kalugin - Marshmallow, from Marshmallow MoondustLEAVING THE SYMPHONIC ZONE19. Vangelis - Sex Power Movement 3, from Sex Power20. Malcolm Clarke - Requiem, from Earthshock [compilation]21. Steve Roach, Byron Metcalf, Mark Seelig - Mantram 6, from Mantram22. Steve Roach, Byron Metcalf, Mark Seelig - Mantram 7, from Mantram23. Steve Roach, Byron Metcalf, Mark Seelig - Mantram 8, from Mantram24. Silver Nightmares - Scorns of Time, from Apocalypsis25. Massimo Pieretti - Growing Old, from A New Beginning26. Ginji Ogawa - Flame, from Inner-Wind II27. Kate Bush - You're the One, from The Red Shoes28. Bob James - Fireball, from Foxie29. Didier Lockwood - Space Travel - Stakau - Do What you Want, from Surya30. Supertramp - Don't Leave Me Now, from "...Famous Last Words..."
RECORDED BY HYPERION (EDDY GUTIERREZ) & ORIGINALLY AIRED 03 / 23 / 2009 Show Highlights: Pathworking to meet the Light Goddess in the Upperworld. White candles or flowers recommended for tools. Wear white or light-colored clothing. Music for the pathworking by Steve Roach & Vidna Obmana "The Memory Pool 2."
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