Podcast appearances and mentions of Dave Holland

In this episode, James welcomes back Dave Holland, a U. S. Marine veteran and independent scholar who has spent much of his life studying the Guadalcanal Campaign of the Second World War, including several years walking the battlefields themselves. In his new book Guadalcanal's Longest Fight, Dave provides in-depth accounts of the oft-forgotten but critical Battles of the Matanikau River, which together comprise the campaign's longest and bloodiest ground fight.See omnystudio.com/listener for privacy information.

Episode 098 brings a double dose of low end theory, welcoming a pioneering pair of underground bass legends percolating on opposite coasts, both cats deep in the streets and boasting decades in the game, with the catalogues and collaborators to prove it. 0:00 - ep.098 preview 3:30 - High Sierra Music Festival 2026  6:30 - The Upful Update 12:00 - intro: Club d'Elf's MIKE RIVARD [aka Micro] 15:00 - INTERVIEW w/ MICRO [83m] 1:38:00 - introducing LONNIE MARSHALL 1:42:00 - INTERVIEW w/ LONNIE [43m] 2:24:30 - afterglow x ViBE Junkie Jamz   First up Mike Rivard [aka Micro] - bass/sintir/founder/visionary of Boston's jazz-trance-dub-hop institution known as Club d'Elf. Twas an honor and privilege to finally tap in with Micro after a quarter century of fandom and awe. We chop it up at length about his group's unicorn career, magnificent co-conspirators like the late Mark Sandman, John Medeski, Brahim Fribgane (RIP), Joe and Mat Maneri, Dave Tronzo, and (Friends Of The Pod) Mister Rourke, Adam Deitch, Ryan Zoidis, Jonny G, among several others. We learn about Moroccan sintir; the healing powers of Gnawa trance music; plant medicines and Terrence McKenna; Micro's personal trials and tribulations along the way; his perspective on the integral role of independent music venues; interpolating NOLA Second Line rhythms in tandem with Morrocan traditions; and revisiting his embryonic journeys with the Grateful Dead as a wide-eared, curious youngster. In April 2026, Club d'Elf unveiled their latest full-length LP Loon & Thrush, a positively magnificent affair in a deep, eclectic d'Elf canon brimming with brilliant configurations and bold adventuring. We chase that inspired dialog with another informative chat featuring LA-based bassist/badass Lonnie Marshall from pioneering underground funk/hip-hop squadron Weapon of Choice. Lonnie was kind enough to hop on the line and discuss his life of Nutmeg Music, his bombastic and eclectic history and colorful persona, lineage from the P-Funk family tree and his teenage era rolling with Bootsy Collins' Boot Camp, storytelling and dope collabs, daKAH hip-hop orchestra, recording/gigging with Joe Strummer's debut solo LP/group, reflections on his brother Arik Marshall's brief, chaotic moment with the Red Hot Chili Peppers and long-term run backing Macy Gray. Plus a whole lot more in this educational inspirational get down with the most mega-nutt mug to ever bless these podwaves! Bassist/sintir sorcerer Mike Rivard [aka MicroVard] defies any sort of rigid genre-specifics or generic categorization. The cat finds himself at home in a bewildering array of musical/cultural settings: from the good ol' Grateful Dead to the melancholic-rock of his late friend Mark Sandman and Morphine, to the mountains of Morocco with local Berber musicians, plus side trips into the Broadway pits, and tantric trance sessions with John Medeski and Joe Maneri. A "military brat" coming of adolescence in the wide expanses of Minnesota, he took in the local sounds of Prince, Husker Du, and the free-jazz coming out of the University of Minnesota milieu. Eventually a young Rivard would find himself while hitchiking on Dead tour, further opening up  nascent doors of perception. Later, Micro set about embarking on Boston's prestigious Berklee College of Music in 1981. After graduating, he studied with jazz legend Dave Holland. Inspired by North African gnawa music, he picked up a Moroccan sintir (three-stringed bass lute) and with guidance from Hassan Hakmoun and Maalem Mahmoud Gania, he has become one of a handful of Western musicians proficient on the instrument. He puts all of the shared sacred teachings and wisdom to good use in Club d'Elf, the jazz-world-dub-electronica squad he formed in 1998. Club d'Elf can be heard across more than 15 albums over the past 25 years; an eclectic, pioneering collective with a vast array of co-conspirators from around the world. Club d'Elf website  Instagram new album Loon & Thrush After years grinding it out on the LA scene with his brother Arik in Marshall Law, Lonnie Marshall founded Weapon of Choice in 1992, holding down bass and lead vocals. After a video directed by Geoff Moore for their song "Uppity, Yuppity Doolittle" came to the attention of Pearl Jam's Stone Gossard, the band was signed to Gossard‘s record label Loosegroove. They released three albums with Loosegroove before the company folded in 2000: "Nut-meg says Bozo the Town" (1994), Highperspice (1996), and Nutmeg Phantasy (1998). In 2001, the band dropped Illoominutty on Fishbone's Nuttsactor 5 record label, and in 2003, they released Color Me Funky. Since 1997, Lonnie has performed alongside members of P Funk and Fishbone, among others, as part of Trulio Disgracias - a constantly mutating funk-rock-jazz collective headed by by Norwood Fisher. Lonnie was an emcee, composer, and performer for daKAH, a 65 piece hip-hop orchestra which coalesced periodically in the Los Angeles area for many years. Before that, Marshall wrote, recorded and toured with the legendary Joe Strummer of The Clash, behind Strummer's dynamic 1989 solo debut Earthquake Weather. Lonnie has contributed/collaborated with Macy Gray, Snoop Dogg, Tone Loc, Ice Cube, George Clinton, Funkadelic, Perry Farrell, Les Claypool, Stone Gossard and his brother Arik Marshall. Lonnie Marshall Instagram Weapon of Choice on Bandcamp     recent B.Getz appearances: In Search of D'Angelo - Delta Bravo Observation Team w/BG [2/26]  Peace & Lovecast - Ode to Genius [D'Angelo ep w/ BG segment [2/26] Behind the Dopey - BG talks RHCP on Dopey Podcast - 4/26 CHECK OUT OUR SPONSORS High Sierra Music Festival 2026 BISS LIST  AARON SCHWARTZ ART LAZYMOON DESIGN for promo/poster art needs Bub and Pop Podcast Support the Upful LIFE Send B.G. a coupla' dollas 4 makin U holla! Upful LIFE Patreon EMAIL the SHOW PLEASE LEAVE A REVIEW on Apple Podcasts Listen/Comment on Spotify Theme Song: "Mazel Tov"- CALVIN VALENTINE

Dave Holland, author of Guadalcanal: The Pivotal Battles of the Matanikau Front, comes on to get us started on Operation Watchtower. Why was Guadalcanal chosen by the U.S. as a starting point to take on the Japanese. Learn more about your ad choices. Visit megaphone.fm/adchoices

Life can change in an instant. One phone call, one betrayal, one painful season can leave everything you once depended on shattered. In those moments, many people wonder: “Where is God now?”In this deeply honest and hope-filled conversation, John Martin sits down with Pastor Dave Holland to share a testimony of heartbreak, restoration, and discovering the overwhelming grace of God.Dave opens up about growing up in East Los Angeles in a rough environment after his parents divorced when he was young. At sixteen years old, he encountered Jesus through a church youth group, beginning a lifelong journey of faith and ministry. God eventually called him into pastoral ministry, leading him across the country to plant churches and serve communities for over 25 years.But even after years of ministry, Dave found himself walking through one of the darkest seasons of his life.After decades of marriage, his wife unexpectedly left, and within months, Dave lost not only his marriage but also his ministry position, career, and home. Everything he had built seemed to collapse at once. He describes it as a season of devastating grief, confusion, and deep emotional pain.Yet it was there—in the middle of brokenness—that Dave encountered the grace of God in a way he never had before.He shares how God met him in his lowest moments, reminding him that no failure, sin, or heartbreak can separate us from His presence. Even when Dave wrestled with anger, shame, and temptation, God remained faithful. Through surrender and honesty before the Lord, healing slowly began to take place.Dave's message is simple but powerful:Jesus is still enough.Not religion.Not performance.Not perfection.Just Jesus.Throughout the conversation, Dave emphasizes that Christianity is not about pretending to have it all together. Churches are filled with imperfect people learning how to love God and love one another. Healing happens when we stop hiding, become honest about our struggles, and walk in authentic community.He encourages believers to:Stay grounded in God's Word.Get connected to a Bible-believing church.Find accountability and community through small groups.And most importantly—keep coming back to Jesus.Dave also speaks directly to those carrying guilt, shame, addiction, or past mistakes, reminding them that they are never too far gone for God's mercy. No matter how broken life may feel, God's grace reaches deeper still.Your failures do not define you.Your pain is not the end of your story.And God's love is bigger than your worst mistake.What's one area of your life where you need to stop hiding and invite Jesus into the healing process today?Contact Pastor Dave Holland:

I brani della Fosforo settimanale: Wave Pictures - The House Painted Blue; Bloto - Let`s Grow; Fauna - Dunans torka; MEMORIALS - Dropped Down the Well; Crooked Fingers feat. Sharon Van Etten - Haunted; Untethered - Shiny Squirrel Floats in Your Eye; Odes - O Look; Caterina Barbieri and Bendik Giske - Persistence, Buds; Iron and Wine - In Your Ocean; Style Council - Mick`s Up; Janel Leppin - Mk1; Dave Holland, Norma Winstone, Kenny Wheeler and London Vocal P - Will You Walk A Little Faster; Puoi ascoltare le sequenze musicali di Rufus T. Firefly sulla frequenza di Radio Tandem, 98.400FM, o in streaming e anche in podcast.Per info: https://www.radiotandem.it/fosforo

On a recent wintry afternoon in Manhattan, Stephan Crump was doing what he has done countless times in the city—toting his upright bass, clad in a heavy black bag, along the sidewalk, as if he had a baby that was also a bear.  Finding his car, Crump shimmied the instrument through the minivan's side, climbed into the front seat, exhaled, and then grinned. In less than 24 hours, he would fly to Portland to teach “On Magnetism,” a long-accreting class on connecting more deeply with yourself and others through your instrument, and to play solo at the city's jazz festival. But he knew he first needed to make the 40-minute trek from Brooklyn to Finlay + Gage, the legendary bass shop in Tribeca, to have his bass adjusted, so that he could make that connection himself. The sound post—that stout wooden dowel inside the bass that keeps it from collapsing on itself, and that the French call l'âme, or the soul—wasn't sitting quite right. “It's so personal, elusive, and mysterious. Yes, it's a mechanical thing, but it has so much mojo to it. That's why it's called ‘the soul,'” Crump explained several days later from Portland, noting that the hassle of the errand had been worth it. The bass felt good in his hands again. “It's this combination of sound and feel.” For a quarter-century now, pairing sound and feel have become Crump's ambit and expertise. A bassist and composer, collaborator and bandleader, Crump has become one of New York's most steadfast and experienced instrumentalists. He was the anchor of Vijay Iyer's foundational trio for 20 years, even as he developed a slew of imaginative ensembles of his own—the two-guitar Rosetta Trio, the Borderlands Trio alongside Kris Davis and Eric McPherson, the Secret Keeper duo with Mary Halvorson, just to sample. In all of these contexts, the act of bringing the rest of his life to the bass—the trauma and hope, the frustration and delight—remains Crump's primary motivation. It is, if you will, the soul of his playing. “All art is an expression of the artist's presence in that moment. Musicians need our evolving physical capabilities on the instrument and technical knowledge—how notes interact harmonically and melodically, transcribing our heroes, learning all that,” Crump said. “But in the act of making music, we need to allow that stuff to fall away, to not impose it on the music, to relinquish our defenses. We are sculpting energy as we make music, shaping magnetism.” In some ways, Crump's career is the fulfillment of his father's own youthful ambition. His dad toyed with turning pro as a jazz drummer, but he pursued architecture instead. (That's also how he met Crump's mother, who comes from a long line of French architects.) His devotion to jazz, though, didn't waver, and he would constantly play jazz classics—Monk, Miles, Coltrane, MJQ—in the family's Memphis home. Crump thinks that's where he fell for the bass, especially when the low-end would creep through old wooden walls at night. At his mother's behest, though, Crump's training started with piano, the Suzuki Method leading him through the classics and eventually to his all-time musical hero, Stevie Wonder. But at 13, Crump finally got his first bass, a MapleGlo Rickenbacker 4001 like that of another hero, Yes' Chris Squire. He joined a crackling power trio with his brother, later enlisted in a larger band, and then started his own group; they all gigged hard. Backpacking through Spain by himself after high school, however, he encountered an epiphany by the name of Dave Holland, playing in his mighty and future-facing quartet. The upright bass: That was Crump's future. His first was a dilapidated plywood model, collecting dust in a corner of Amherst College, where he'd in part gone to escape family turmoil down south. He'd intended to study physics and music, but he soon realized that his energy and enthusiasm belonged with the latter. That was helped along by a guitarist pal Crump met during his first few weeks at Amherst. He had connections in the West Village. Crump had the car. (“The bassist,” he half-joked, “always has the car.”) Most every week, they would drive the four hours south, link with high-caliber New York pros they'd hired, play until 2 a.m. or so, and head back to school. “That was really powerful and clarifying. It was thrilling to be 18 and gigging in New York. I got a taste for that level of musicianship, and I was doing more than just cutting it,” he said, smiling. “By the end of my first semester, I knew I was moving to New York as soon as I graduated.” That is precisely what Crump did. He used his paycheck from a month-long, fresh-out-of-college stint with the Tommy Dorsey Orchestra to rent his first Brooklyn apartment in 1994. He dove right in, roving the West Village with his bass, listening, and joining late-night jams that ended with the sun's arrival. He'd seal his shades with tape, sleep, and repeat.  Crump, though, bristled at the scene's pervasive machismo, how some of the city's most vaunted players would put up walls to prevent revealing too much of themselves through their music. That's actually what he craved. Crump found others who shared his ardor, earnestness, and a belief in what jazz could show of and to a person. Those people, like saxophonists Chris Cheek and Miguel Zenón, helped shape his first albums. There was film score work and sessions and stages alongside singer-songwriters. In these concentric creative circles, he met a young singer, Jen Chapin, and fell in love. They got married in September 1999.  After five years, the existence Crump had imagined for himself as a New York musician was happening. “My goal from the start was to come to New York and make a life in music—to make music that I loved, to learn and grow with amazing musicians,” said Crump. “I never set out to be a rock star, a jazz star. I just wanted to make music—real, deep, honest shit, you know?” Actually, Crump flirted with something at least like “jazz stardom” during a 20-year stint in Vijay Iyer's trio. Iyer cold-called Crump soon after moving to New York in 1999, on a friend's recommendation. They spent the next 20 years building the band into one of modern jazz's most successful units. It was a tremendous trip, of course, but it was again clarifying for Crump, revealing the sorts of bands he wanted to build outside of the Iyer orbit. He steadily realized that traditional jazz ensembles were not his preferred vehicle. The bass could get lost, its role restricted. And the power dynamics with such a clear and visible leader created an environment of dominance (again, often masculine) that he hoped to avoid. “Control and bravado keep you from deeper layers of experience and expression,” he said. “When you find yourself with a group of people who are willing to at least attempt ego dissolution and real communion, you have the opportunity for transcendence. You open a portal for each other and the audience—that's a service to society.” Crump has found those connections in so many contexts, emptying his feelings into his diverse ensembles. Rosetta Trio's bittersweet groove, for instance, emerged from little Fender Rhodes fragments he compiled in the months after watching 9/11 unfold with Jen from their Brooklyn roof. Open Wide, his 2002 set of duets with her, are intimate and entangled portraits of marriage's first few difficult, delightful years.  The music of Rhombal—his celebrated quartet with Tyshawn Sorey, Adam O'Farrill, Ellery Eskelin—unfolded after the death of his brother, Patrick, the one who first brought him into a band back in Memphis. And Slow Water, his latest project built with a drum-less sextet of fascinating New York artists, hinges on the Memphis native's experiences with bodies of water around the world, his lifelong love of nature, and his worry about and hope for our collective future.    “The acoustic bass is almost infinite as an instrument, sonically and expressively, but so much of that can get covered up in a traditional ensemble,” he said, turning toward his duos with saxophonist Steve Lehman and guitarist Mary Halvorson. “Those experiences gave me so much more room to explore the terrain of the instrument, its possibilities. That pushes you. It's the kind of scary environment you want to put yourself in.” When Crump talks about and teaches music, he doesn't discuss notes. Or rather, they are only the beginning, the technical basis for something that can and should be something much richer. Notes are vessels that the player then fills with their experiences, their ideas, their emotions, their essence.  These are gestures, at least as he has put it for many years now, the basis of the music he wants to put into and get out of the world. In some significant ways, this echoes his childhood in Memphis, where his Southern grandmother instilled the value of a story well told, and where he worked alongside his uncle building furniture—really, sculptures of wood—that they would sand until the material seemed somehow to shimmer. (Crump's music stand was made by his uncle, Stephen.) It wasn't just an object or a story; it was a piece of work you invested yourself in until it became art. “A note is an abstract notion, meaningless without all of the human, spiritual stuff you can channel into it,” Crump said. “A gesture has the physical element, a sense of offering, a reflection of our presence through each unfolding moment.” 

If you're lining up for Record Store Day 2026, this episode focuses on the one name that matters most: Zev Feldman, known as The Jazz Detective. Best known for his first-release live recordings of Bill Evans on Resonance and Elemental, Feldman has already delivered 14 Evans RSD titles, with a 15th arriving April 18.For Record Store Day 2026, he goes further than ever with 11 new jazz releases (including the Evans) across Resonance, Elemental, and Time Traveler Recordings, the label he co founded to bring back rare and hard to find 1970s jazz albums from the Muse catalog. This is not filler for collectors. It is a serious expansion of what Record Store Day can deliver.Join Eric Pye and Mitch Anderson as they break down the full slate, the continued demand for the Bill Evans RSD series, and the reality of tracking down and restoring lost recordings. At the center is Feldman's latest discovery, a deep archive from legendary Chicago club owner Joe Segal, now driving an ongoing series of never before heard live albums, with five debuting for RSD 2026. If you care about jazz, vinyl, and making smart choices before the lines form, this conversation gives you a real advantage.RESONANCE RECORDS• Joe Henderson  – Consonance: Live at the Jazz Showcase  3-LP set featuring saxophone titan Joe Henderson and his quartet with pianist Joanne Brackeen, bassist Steve Rodby and drummer Danny Spencer captured in February of 1978. Liners by John Koenig, reflections by Brackeen, Rodby and Spencer, but Joe Segal's son Wayne.• Ahmad Jamal – At The Jazz Showcase: Live in Chicago 2-LP set featuring the iconic pianist with bassist John Heard and drummer Frank Gant on March 20-21, 1976. Newly curated liner notes by Jamal scholar Eugene Holley, Jr. with memories from Jamal's daughter Sumayah and appreciations from pianists Joe Alterman and Fred Hersch. • Yusef Lateef – Alight Upon The Lake: Live at the Jazz Showcase 3-LP set featuring Lateef with pianist Kenny Barron, bassist Bob Cunningham and drummer Albert "Tootie" Heath captured live in June of 1975. Liner notes by Lateef biographer Herb Boyd, plus interviews with Bennie Maupin, Wayne Segal and more.• Mal Waldron – Stardust & Starlight: At The Jazz Showcase2-LP set featuring Waldron with bassist Steve Rodby, drummer Wilbur “the Chief” Campbell, and saxophonist Sonny Stitt captured in August 1979. Newly curated liner notes by Howard Mandel, interviews with pianist Lafayette Gilchrist, bassist Steve Rodby, Wayne Segal and more.TIME TRAVELER RECORDINGS • Terry Callier – At The Earl of Old Town2-LP set featuring the influential singer/songwriter at just 22-years-old.  A compelling never-before-released 1967 solo performance, recorded by NEA Jazz Master Joe Segal. The package includes comprehensive liner notes by Callier's longtime friend, Real Jazz Sirius/XM program director Mark Ruffin and comments by daughter Sunny Callier. • Roy Hargrove – BERNRecorded at the International Jazzfestival Bern, Switzerland in May 2000, the album captures a vital, previously unissued Roy Hargrove date showcasing the then 30-year-old trumpeter/bandleader at the height of his powers. The package features extensive liner notes by noted jazz journalist/author Nate Chinen.• Buster Williams – PinnacleWilliams' celebrated 1975 debut album will be reissued for the first time by Time Traveler Recordings' Muse Master Edition Series. Package includes original 1975 notes by Elliot Meadow, new liners by noted journalist Mike Flynn and a rare period photo by Raymond Ross. ELEMENTAL RECORDS• Michel Petrucciani – Kuumbwa (Europe only)2-LP set capturing a fiery 1987 performance at Kuumbwa Jazz Center in Santa Cruz, California. The first Petrucciani release among the label's many jazz treasures, the recording features the legendary pianist with bassist Dave Holland and drummer Eliot Zigmund. The thoughtfully annotated set includes reflections by pianist's son Alexandre Petrucciani, drummer Eliot Zigmund, Italian pianist Enrico Pieranunzi, journalist Thierry Pérémarti, and Kuumbwa Co-Founder Tim Jackson.• Bill Evans at the BBC2-LP set featuring spellbinding, intimate music from a 1965 performance showcasing the legendary pianist's trio with bassist Chuck Israels and drummer Larry Bunker which aired on the British TV program Jazz 625, hosted by English trumpet player Humphrey Lyttelton. The comprehensive package includes notes by Evans scholar Marc Myers, appreciations by Jamie Cullum and James Pearson, and an interview with Israels who told Marc Myers, “Yes, we were damn near perfect at the BBC."• Cecil Taylor Unit – Fragments, The Complete 1969 Salle Pleyel Concerts 3-LP set featuring two explosive never-before released Cecil Taylor Unit performances featuring the avant-jazz pianist's 1969 Unit with saxophonist Jimmy Lyons, saxophonist/flutist Sam Rivers and drummer Andrew Cyrille at their creative peak. The expansive package includes notes by Taylor biographer Philip Freeman, memories from drummer Andrew Cyrille and appreciations from Karen Borca, Matthew Shipp, Jack DeJohnette and more.• Freddie King – Feeling Alright: The Complete 1975 Nancy Jazz Pulsation Concerts3-LP set featuring the blues legend Freddie King live before more than 50,000 fans in October 1975, the final full year of his life. Joining King are organist Alvin Hemphill, guitarist Ed Lively, pianist Lewis Stephens, bassist Benny Turner and drummer Calep Emphrey. The deluxe package features appreciations from his daughter, Wanda King, as well as ZZ Top's Billy Gibbons, plus liner notes by author Cary Baker. The set documents an essential blues artist whose ferocious guitar tone, commanding singing, and genre-bridging vision helped reshape modern blues and rock.hank you to our sponsor SVS for supporting this episode!https://www.svsound.comIn the Episode:Zev Feldman, Elemental, Time Traveler, and Resonance RecordsEric Pye, Vintage Audio ColumnistMitch Anderson, ProducerCredits:Original intro music by The Arc of All.Voice Over Provided by Todd Harrell of SSP Unlimited.Production by Mitch Anderson, Black Circle Studios.Keep up-to-date with all the latest Hi-Fi, Music, Home Theater, and Headphone news by visiting:https://www.ecoustics.com#hifi #audiophile #vintageaudio #RSD2026 #RecordStoreDay #vinylcommunity #analogreissue #podcast #ecoustics #blackcircleradio #audioloveyyc #instavinyl #vinylcommunity #resonancerecords #elementalrecords #timetravelerrecordings #musicindustrynews

Here is the playlist for the 04/12 episode of Crosswinds. EnjoyStan Kenton Orchestra- Intermission RiffDuke Ellington and Count Basie Orchestras- Jumpin' at the WoodsideDuke Ellington and Count Basie Orchestras- Corner PocketJazz at Lincoln Center Orchestra- Exposition SwingJazz at Lincoln Center Orchestra- Rent Party BluesBuddy Rich Big Band- Channel One SuiteBirdland Big Band- StorybookWDR Big Band w/Darol Anger and Mike Marshall- In the Lion's DenDon Ellis Orchestra- Turkish BathAngine de Poitrine- SarniezzTerence Trent D'Arby- Wishing WellBootsy Collins- Wishing WellPat Metheny Group- Spring Ain't HereBill Evans Trio- You Must Believe in SpringJohn Coltrane- Lazy BirdMiles Davis- FootprintsGary Burton, Chick Corea, Pat Metheny, Dave Holland and Roy Haynes- Country RoadShawn Colvin, Billy Childs and Chris Botti- Save the CountryRobert Glasper Trio- I'm Country and That's OKJamiroqui- Space CowboyBrad Mehldau- Old ManRickie Lee Jones- Don't Let the Sun Catch You CryingBeth Hart and Joe Bonamassa- Black CoffeeHerbie Hancock and John Mayer- Stitched UpBruce Hornsby w/Bob Weir- Might as Well be Me, FlorindaBilly Cobham- Solarization

Musicians Corner met gast: gitarist Olaf Tarenskeen Olaf Tarenskeen, Den Haag 1960, kreeg zijn opleiding aan het Haags Conservatorium bij Antonio Pereira Arias-klassiekgitaar (Cum Laude) and Peter Nieuwerf-jazzgitaar. Hij volgde seminars bij oa gitarist Kevin Eubanks, bassist Dave Holland en andere musici zoals Steve Coleman en Kenny Wheeler. Naast klassieke muziek en jazz speelt hij […]

Every now and then the boys bring vocal albums into the mix, but vocal group albums - now those are rarities. This time they take on two, at as opposite ends of the soul spectrum as it's possible to get. There's still room for releases led by instrumentalists, this time by a somewhat "out" bassist and a vibraphonist playing with how "in" he can get. Mario Pavone – TOULON DAYS; Andy Bey and the Bey Sisters – ROUND MIDNIGHT; Warren Wolf – SMOOVE VIBES; Dave Holland and Norma Winstone – VITAL SPARK.

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Carl Clements and the Real Jazz Trio: Retrospective | Paul Scheugenpflug: Who I am | Edgar Knecht: Colours of Europe | Charlie Wood: Your love is my home | Alternativ Guitar Summit: Don't forget your guitar | Dave Holland, Norma Winstone: Vital Spark | Evi Filippou & Robert Lucaciu: Love at last sight (Sendung vom 19.3.)

Suuria tunteita, suurta musiikkia… Tony Iommin ja Black Sabbathin vaiheisiin mahtuu monenlaista mutkaa ja käännettä. Laulaja Tony Martin ja rumpali Cozy Powell lähtivät ja palasivat, Dio tuli, lähti ja palasi lopulta jälleen. Hämärien vuosien toisessa osassa Sami Ruokangas ja Reidar Palmgren käyvät läpi mm. levyt Tyr, Dehumanizer, Cross Purposes, Forbidden ja The Devil You Know. Kolme ja puolituntisen jymyspektaakkelin toinen osa sisältää hienon hevin hehkutusta, kauniita muistoja ja hauskoja tarinoita. Kuuntele, viihdy ja sivisty. Jakson soittolista: https://open.spotify.com/playlist/28u4yQlAFD6KnAfEpDGAZD?si=c1ac466195fc4a13 Menossa ovat mukana Tony Iommi, Cozy Powell, Nirvana, Guns N´Roses, Rainbow, Neil Murray, Whitesnake, Tony Martin, Manowar, Metallica, Ozzy Osbourne, Ronnie James Dio, Vinny Appice, Geezer Butler, Miles Copeland, I.R.S. Records, Vivian Campbell, Mack, Queen, Carl Sentence, Persian Risk, Phil Campbell, Motörhead, NWOBHM, Don Airey, Whitesnake, Gary Moore, Deep Purple, Jimi Bell, House of Lords, Ghost, UFO, Paul Chapman, Free, Simon Kirke, Phil Soussan, Pantera, Iron Maiden, Heaven & Hell, Garry Sharpe-Young, Sharon Osbourne, Live Aid, Rob Halford, Judas Priest, Fight, Bobby Rondinelli, Blue Öyster Cult, Ray Gillen, Rondinelli, Geoff Nicholls, Eddie Van Halen, Brian May, Michael Jackson, Rat Salad, David Lee Roth, Van Halen, Alax Van Halen, John Bonzo Bonham, Glenn Hughes, Joe Lynn Turner, Foreigner, Ian Gillan, Paul Rodgers, Guns N´Roses, Soundgarden, Alice In Chains, Smashing Pumpkins, Cathedral, Type O Negative, Biohazard, Therapy?, Bill Ward, Bullring Brummies, Wino, St. Vitus, The Obsessed, Body Count, Ice-T, Kova laki: Erikoisyksikkö, Dio, Bob Daisley, Zakk Wylde, Donald Trump, The Osbournes, Lee Kerslake, Jake E. Lee, Uriah Heep, Mick Box, Steve Morse, Joe Satriani, Rick Rubin, Tullikamarin Pakkahuone, Yngwie Malmsteen, Gibson, Jimmy Page, Wendy Dio, Sebastian Bach, Skid Row, Led Zeppelin, Firm, Chris Slade, AC/DC; Manfred Mann´s Earth Band, Tony Franklin, Blue Murder, Bad Company, Coverdale / Page, John Kalodner, Messiah Marcolin, Sorcerer, Lion's Share, Monsters of Millennium, Blackmore´s Night, Tuska, Pekka Pietiläinen, Keep It True Rising, Running Wild, Saxon, Lordi, Dave Holland, Pantera, Ian Astbury, The Cult, Billy Idol, Skin, Dave Grohl, Fear Factory, Deen Castronovo, Journey, Dario Mollo, M3, Micky Moody, Drain STH, Tammerfest, Bernie Marsden, Slash, Michael Schenker Fest, Graham Bonnet, Gary Barden, Leif Sundin, Doogie White, Helloween, ja Avantasia. www.facebook.com/RockAroundTheBlogFinland www.instagram.com/samiruokangas

This time we celebrate 75 years of Bill Frisell through his own music and the wide creative wake it has left across today's scene. This episode also spotlights newly unearthed choral works by Kenny Wheeler and several recent projects involving Italian saxophonist and clarinetist Francesco Bigoni, tracing a thread between enduring influence, rediscovery, and contemporary exploration. The playlist features Bill Frisell; The Westerlies; Zeno De Rossi; Billy Mohler, Hermon Mehari, Francesco Bigoni, Nate Wood; Pierpaolo Zenni; Dave Holland, Norma Winstone, London Vocal Project, Kenny Wheeler. Detailed playlist at https://spinitron.com/RFB/pl/22033617/Mondo-Jazz [from "In My Dreams" to "Infant Joy"] Happy listening!

Der britisch-kanadische Trompeter Kenny Wheeler zählte zu den prägenden Stimmen des europäischen Jazz. Zum einen als Instrumentalist, der die virtuosen wie die lyrischen Töne beherrschte. Zum anderen als Komponist schillernder Klangfarben. Drei alte Wegbegleiter des 2014 verstorbenen Ausnahmemusikers haben kürzlich „Vital Spark“ veröffentlicht – ein Album mit Stücken und Gedichtvertonungen aus seinem Nachlass. Die Sängerin Norma Winstone, der Bassist Dave Holland und der Chorleiter Pete Churchill mit seinem London Vocal Project haben dieses ungewöhnliche Archivprojekt verwirklicht. „Vital Spark” ist ein Album, das das berührende Wechselspiel zwischen Jazzensemble, Solostimme und Chor wunderbar transparent eingefangen hat – meint unser Jazzkritiker Nilkas Wandt.

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Maria Schneider Jazz Orchestra: American Crow | Dave Holland, Norma Winstone & London Vocal Project (cond. Pete Churchill): Vital Spark - Music of Kenny Wheeler | John Vanore & Abstract Truth: Easter Island Suite (Sendung vom 21.2.)

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Kris Davis is a Grammy award-winning pianist and composer described by The New York Times as a beacon for “deciding where to hear jazz [in New York] on a given night.” Davis has released 24 recordings as a leader or co-leader and collaborated with artists such as Terri Lyne Carrington, Dave Holland, John Zorn, Craig Taborn, Ingrid Laubrock, Tyshawn Sorey and Esperanza Spalding.  She was named a 2021 Doris Duke Artist alongside Wayne Shorter and Danilo Perez, Pianist of the Year by DownBeat magazine in 2022 and 2020, and Pianist and Composer of the Year by the Jazz Journalists Association in 2021.  In 2019, Kris Davis' “Diatom Ribbons” was named jazz album of the year by both the New York Times and the NPR Music Jazz Critics Poll. Today Kris joins the show to share her newest music, The Solastalgia Suite. Support the show

1. 45 Trio - Nebulosa single (Jazz Room) 2. Broken Brass - NCC - Dancing Critters, Random Shivers & Snap Decisions (Brass Ninja) 3. Alliyah's Band - Funk de Salinas - Tribu y Pulso (self-released) 4. Jimmy Farace - DST - Big Shoulders, Big Sounds (Shifting Paradigm Records) 5. Afro Cuban Combo Sedajazz - King Jacob - Herencia En Clave (Seda Jazz) 6. Convergence - Preludio - Moon (Hammer Recordings) 7. Octeta - Ciclo “In” Ciclo - Circular (YB Music) 8. Neves E Silva - Fendas Vocais - Ladeiras De Santa Teresa (Far Out Recordings) 9. Echoes of a New Dawn Orchestra - Impulsive Procession - single (KJM) 10. Jonny Liebeck Group - Sunset Islands - single (Terrasolare) 11. Nat Birchall - Red, Gold & Green - Path of Enlightenment (Ancient Archive of Sound) 12. Atlantis Jazz Ensemble - Damocles - Mystic Suite (Marlow) 13. Work Money Death - A Dance For The Spirits - A Portal to Here (ATA Records) 14. Plop - Buffalo Unas - Nahka-aurinko (Flasko) 15. Shabaka Hutchings - Marwa The Mountain - Of The Earth (Shabaka) 16. Dave Holland, Norma Winstone, Kenny Wheeler - Will You Walk A Little Faster - Vital Spark (Edition) 17. Max Kochetov Quartet - R. Dance - Foolin' Myself (A.MA Edizioni) 18. Ulysses Owens Jr. and Generation Y - Prodigal Son - Around The World With U (Cellar Music Group) 19. Grupo Um - Absurdo Mundo - Nineteen Seventy-Seven (Far Out Recordings)

On the 72nd Episode of the Album Review Crew of Shout It Out Loudcast, Tom, Zeus welcome back special guest Steve Wright, the podcast host of Podder Than Hell, to review the 1986 polarizing album "Turbo," by Judas Priest. Heavy Metal Gods Judas Priest make their first appearance on the Album Review Crew with their most controversial album. This is Judas Priest with their classic lineup, led by charismatic frontman with his legendary vocals, Rob Halford. The dual guitar attack by Glenn Tipton and K.K. Downing is amongst the best in heavy metal. Ian Hill on bass and Dave Holland on drums complete the rhythm section. Turbo made it to #17 on Billboard album charts and eventually went platinum. Their videos for Turbo Lover, Locked In & Parental Guidance were in the MTV rotation . Turbo was a vast departure from what Judas Priest fans were used to and caused quite a stir. Their image and sound, especially the use of synthesizers was shocking to many. This was the Patreons' pick (especially Frank Anzalone). So tune in to find out if you are my Game Show Lovaaaa! To Purchase Judas Priest's “Turbo” On Amazon Click Below:   ⁠Judas Priest "Turbo"⁠   To Purchase Shout It Out Loudcast's KISS Book “Raise Your Glasses: A Celebration Of 50 Years of KISS Songs By Celebrities, Musicians & Fans Please Click Below:   ⁠Raise Your Glasses Book⁠   For all things Shout It Out Loudcast the #1 KISS Podcast check out our amazing website by clicking below:   ⁠www.ShoutItOutLoudcast.com⁠   Interested in more Shout It Out Loudcast content?  Care to help us out?  Come join us on Patreon by clicking below:   ⁠SIOL Patreon⁠   Get all your Shout It Out Loudcast Merchandise by clicking below:   ⁠Shout It Out Loudcast Merch At Printify⁠   Shop At Our Amazon Store by clicking below: ⁠Shout It Out Loudcast Amazon Store⁠   Please Email us comments or suggestions by clicking below: ⁠ShoutItOutLoudcast@Gmail.com⁠   Please subscribe to us and give us a 5 Star (Child) review on the following places below: ⁠iTunes⁠ ⁠Podchaser⁠ ⁠Stitcher⁠ ⁠iHeart Radio⁠ ⁠Spotify ⁠   Please follow us and like our social media pages clicking below: ⁠Twitter⁠ ⁠Facebook Page⁠ ⁠Facebook Group Page Shout It Out Loudcasters⁠ ⁠Instagram⁠ ⁠YouTube⁠   Proud Member of the Pantheon Podcast click below to see the website: ⁠Pantheon Podcast Network⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

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On the 72nd Episode of the Album Review Crew of Shout It Out Loudcast, Tom, Zeus welcome back special guest Steve Wright, the podcast host of Podder Than Hell, to review the 1986 polarizing album "Turbo," by Judas Priest. Heavy Metal Gods Judas Priest make their first appearance on the Album Review Crew with their most controversial album. This is Judas Priest with their classic lineup, led by charismatic frontman with his legendary vocals, Rob Halford. The dual guitar attack by Glenn Tipton and K.K. Downing is amongst the best in heavy metal. Ian Hill on bass and Dave Holland on drums complete the rhythm section. Turbo made it to #17 on Billboard album charts and eventually went platinum. Their videos for Turbo Lover, Locked In & Parental Guidance were in the MTV rotation . Turbo was a vast departure from what Judas Priest fans were used to and caused quite a stir. Their image and sound, especially the use of synthesizers was shocking to many. This was the Patreons' pick (especially Frank Anzalone). So tune in to find out if you are my Game Show Lovaaaa! To Purchase Judas Priest's “Turbo” On Amazon Click Below:   Judas Priest "Turbo"   To Purchase Shout It Out Loudcast's KISS Book “Raise Your Glasses: A Celebration Of 50 Years of KISS Songs By Celebrities, Musicians & Fans Please Click Below:   Raise Your Glasses Book   For all things Shout It Out Loudcast the #1 KISS Podcast check out our amazing website by clicking below:   www.ShoutItOutLoudcast.com   Interested in more Shout It Out Loudcast content?  Care to help us out?  Come join us on Patreon by clicking below:   SIOL Patreon   Get all your Shout It Out Loudcast Merchandise by clicking below:   Shout It Out Loudcast Merch At Printify   Shop At Our Amazon Store by clicking below: Shout It Out Loudcast Amazon Store   Please Email us comments or suggestions by clicking below: ShoutItOutLoudcast@Gmail.com   Please subscribe to us and give us a 5 Star (Child) review on the following places below: iTunes Podchaser Stitcher iHeart Radio Spotify   Please follow us and like our social media pages clicking below: Twitter Facebook Page Facebook Group Page Shout It Out Loudcasters Instagram YouTube   Proud Member of the Pantheon Podcast click below to see the website: Pantheon Podcast Network Learn more about your ad choices. Visit megaphone.fm/adchoices

This week Seth Paridon and Jon Parshall talk with their good buddy, Guadalcanal historian, Dave Holland. The guys get Dave to dig into his new book, Guadalcanal's Longest Fight: The Pivotal Battles on the Matinikau Front. Dave goes into just what made the Matinikau river the single most fought over section of territory on Guadalcanal and why Tenaru, Edson's Ridge, and the Battle of Henderson Field WERE NOT the main fights of the six-month-long campaign. Tune in for this fascinating talk, and buy Dave's book! #wwiihistory #ww2 #usnavy #usa #usarmy #medalofhonor #enterprise #aircraft #aircraftcarrier #cv6 #midway #wwii #wwiihistory #ww2 #worldwar2 #usnavy #usnavyseals #usmc #usmarines #saipan #usa #usarmy #aircraft #aircraftcarrier #battleship #battleships #ussenterprise #aircraftcarriers #museum #essex #halsey #taskforce38 #wwii #wwiihistory #ww2 #usnavy #usa #usarmy #medalofhonor #enterprise #aircraft #aircraftcarrier #cv6 #midway #wwii #wwiihistory #ww2 #worldwar2 #usnavy #usnavyseals #usmc #usmarines #saipan #usa #usarmy #aircraft #aircraftcarrier #battleship #battleships #ussenterprise #aircraftcarriers #museum #hollywood #movie #movies #books #mastersoftheair #8thairforce #mightyeighth #100thbombgroup #bloodyhundredth #b17 #boeing #airforce wwii #wwiihistory #ww2 #usnavy #usa #usarmy #medalofhonor #enterprise #aircraft #aircraftcarrier #cv6 #midway #wwii #wwiihistory #ww2 #worldwar2 #usnavy #usnavyseals #usmc #usmarines #saipan #usa #usarmy #aircraft #aircraftcarrier #battleship #battleships #ussenterprise #aircraftcarriers #museum #hollywood #movie #movies #books #oldbreed #1stMarineDivision #thepacific #Peleliu #army #marines #marinecorps #worldwar2 #worldwar #worldwarii #leytegulf #battleofleytegulf #rodserling #twilightzone #liberation #blacksheep #power #prisoner #prisonerofwar #typhoon #hurricane #weather #iwojima#bullhalsey #ace #p47 #p38 #fighter #fighterpilot #b29 #strategicstudying #tokyo #boeing #incendiary #usa #franklin #okinawa #yamato #kamikaze #Q&A #questions #questionsandanswers #history #jaws #atomicbomb #nuclear #nationalarchives #nara #johnford #hollywood #fdr #president #roosevelt #doolittle #doolittleraid #pearlharborattack #salvaged #medalofhonor #tarawa #malayalam #singapore #guadalcanal

durée : 00:59:00 - John Scofield & Dave Holland "Memories of Home" - par : Nicolas Pommaret - Parution chez ECM de “Memories of Home” de John Scofield & Dave Holland. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

In the 60th episode of the ECM podcast we're joined by two of jazz contemporary masters: guitarist John Scofield and bassist Dave Hollandi, to talk about the release of “Memories of Home”, their first duo album. 

Odeal. Snarky Puppy. The return of Tobias Jesso Jr. Stephen Thompson from NPR Music is joined by Justus Sanchez from KNKX in Seattle and Tacoma to chat about their favorite new albums out Friday, Nov. 21.The Starting 5:- Tobias Jesso Jr., 's h i n e'- Haley Heynderickx and Max Garcia Conover, 'What of Our Nature'- SHOLTO, 'The Sirens'- Snarky Puppy with Metropole Orkest, 'Somni'- Odeal, 'The Fall That Saved Us'The Lightning Round:- Keaton Henson, 'Parader'- John Scofield and Dave Holland, 'Memories of Home'- Fabiano do Nascimento, 'Cavejaz'- Magic Fig, 'Valerian Tea'- Max Richter, 'Hamnet (OST)'See the long list of albums out Nov. 21 and sample dozens of them via our New Music Friday playlist on NPR.org.Credits:Host: Stephen ThompsonGuest: Justus Sanchez, KNKXAudio Producer: Noah CaldwellDigital Producer: Elle MannionEditor: Otis Hart Executive Producer: Suraya MohamedLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Exclusive Video Podcast: Jazz Guitar Today's Bob Bakert talks to John Scofield about his new album with bassist Dave Holland.Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

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Welcome back to our weekly dispatch of recent and upcoming releases—where recent and upcoming isn't a marketing catchphrase but living proof that jazz keeps surpassing expectations, along with our sheer ability to keep up. The playlist features Luca Curcio [pictured]; Alison Shearer; Steiger; David Binney, Tommy Crane; Dave Harrington, Jay Bellerose, Billy Mohler; John Scofield, Dave Holland; and Marcus Gilmore. Detailed playlist at https://spinitron.com/RFB/pl/21447060/Mondo-Jazz [up to "Journey to the New"]. Happy listening! Photo: Juliane Schütz.

Episode 92: Joe Lovano. Joe Lovano is one of the greatest musicians of all time. A Grammy-winning saxophonist who's been on the cover of DownBeat magazine multiple times (as well as many others), a Blue Note Records legend with 25 releases, a Berklee alum, and he holds the Gary Burton Chair in Jazz Performance at Berklee College of Music, which he's had since 2001. He also happens to be my cousin and one of the biggest inspirations and mentors in my life. This was our first time ever doing something like this together. A 3-hour deep dive interview that covers (nearly) his entire career. We go into our family history, growing up in Cleveland, our Sicilian roots, his father Tony “Big T” Lovano, and how that shaped his sound and spirit. We talk about his time with Elvin Jones, Jack DeJohnette, John Scofield, Charlie Haden, Esperanza Spalding, Michael Brecker, McCoy Tyner, Paul Motian, Bill Frisell, Hank Jones, Dave Holland, Joshua Redman, Al Foster, and many more. Joe shares lessons from decades of leading bands, developing tone, mentoring young players, and living a full creative life with his wife of 50 years, Judi Silvano. Joe is one of the greatest musicians alive, a music historian, and an incredible educator and mentor. Here is my interview with one of my favorite people, Joe Lovano.The Music Settlement Scholarship Donation: https://www.themusicsettlement.org/donate?utm_source=Master+List&utm_campaign=a5cff9ca09-EMAIL_CAMPAIGN_JoeLovano2025&utm_medium=email&utm_term=0_1bd2f9c4a7-a5cff9ca09-434756824 ‘Go with Elmo Lovano' is a weekly podcast where Elmo interviews creatives and entrepreneurs in music on HOW they push forward every day, got where they are in their careers, manage their personal lives, and share lessons learned and their most important insights. Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated! https://www.patreon.com/gowithelmo Become a Patreon Member to stay in the loop as we post Patreon-only exclusive content, Zoom hangs, invite only events, and discussions about music and music careers. Listen to the audio form of this podcast wherever you get your podcasts: https://elmolovano.komi.io/ Follow Joe: https://www.instagram.com/joelovanojazz/ Follow Go With Elmo: https://www.instagram.com/gowithelmo/ https://www.tiktok.com/@gowithelmo https://x.com/gowithelmopod Follow Elmo Lovano: https://Instagram.com/elmolovano https://x.com/elmolovano Follow Jammcard: https://www.youtube.com/@jammcard jammcard.com Learn more about your ad choices. Visit megaphone.fm/adchoices

They helped create the genre of heavy metal, and then Satan and the censors tried to destroy them. Judas Priest defended the metal faithful on stage and in the courts, and became icons in the process. For a full list of contributors, visit ⁠⁠⁠⁠⁠⁠⁠⁠disgracelandpod.com⁠⁠⁠⁠⁠⁠⁠⁠ This episode contains themes that may be disturbing to some listeners, including suicide. If you're thinking about suicide, or are worried about a friend or loved one, call the Suicide Prevention Lifeline at 800-273-8255. To listen to Disgraceland ad free and hear an exclusive mini-episode about Judas Priest' drummer Dave Holland's notorious crime, become a Disgraceland All Access member at ⁠⁠⁠⁠⁠⁠⁠⁠disgracelandpod.com/membership⁠⁠⁠⁠⁠⁠⁠⁠. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - ⁠⁠⁠⁠⁠⁠⁠⁠GET THE NEWSLETTER⁠⁠⁠⁠⁠⁠⁠⁠ Follow Jake and DISGRACELAND: ⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠ (formerly Twitter)  ⁠⁠⁠⁠⁠⁠⁠⁠Facebook Fan Group⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoicesSee omnystudio.com/listener for privacy information.

They helped create the genre of heavy metal, and then Satan and the censors tried to destroy them. Judas Priest defended the metal faithful on stage and in the courts, and became icons in the process. For a full list of contributors, visit ⁠⁠⁠⁠⁠⁠⁠⁠disgracelandpod.com⁠⁠⁠⁠⁠⁠⁠⁠ This episode contains themes that may be disturbing to some listeners, including suicide. If you're thinking about suicide, or are worried about a friend or loved one, call the Suicide Prevention Lifeline at 800-273-8255. To listen to Disgraceland ad free and hear an exclusive mini-episode about Judas Priest' drummer Dave Holland's notorious crime, become a Disgraceland All Access member at ⁠⁠⁠⁠⁠⁠⁠⁠disgracelandpod.com/membership⁠⁠⁠⁠⁠⁠⁠⁠. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - ⁠⁠⁠⁠⁠⁠⁠⁠GET THE NEWSLETTER⁠⁠⁠⁠⁠⁠⁠⁠ Follow Jake and DISGRACELAND: ⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠ (formerly Twitter)  ⁠⁠⁠⁠⁠⁠⁠⁠Facebook Fan Group⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

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Drummer, composer and bandleader Nate Smith joins me on the show this week. While many people have come to know of Nate's work through his recent collaborations with Vulfpeck, Brittany Howard, and as a member of the Fearless Flyers, Nate has been playing, touring and honing his craft for decades. His early experience with legendary jazz vocalist Betty Carter led to him being a full-time member of Dave Holland's group for many years, and carved out a reputation as one of New York's great up and coming jazz drummers. Nate's wide range of skills and musical tastes led him to start his own group, Kinfolk, which has recorded 2 spectacular albums. A somewhat random invite led him to become a member of The Fearless Flyers, which exploded on youtube, and has paved the way for Nate's own set of solo and collaborative videos that are highly original, exciting, and musical. His collaborations with musicians like Charlie Hunter, Cory Wong, Victor Wooten, Carrtoons, and Lionel Loueke are well documented on both album and youtube videos. Nate's latest project is under his own name, entitled “Live-Action” and is an incredible collection of compositions, improvisations and collaborations with many of his musical partners. Nate will be touring quite a bit over the next while with his band, so be sure to catch them when you can!You can get all the latest info on Nate and all his projects, records and amazing set of videos at natesmithdrums.comEnjoy my conversation with Nate Smith!This season is brought to you by our main sponsors Larivée Guitars, Audeze, Izotope, FabFilter, and Chase Bliss. Hosted on Acast. See acast.com/privacy for more information.

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MARTY EHRLICH “THIS TIME” c. 2024Sometimes this time, Twelve for Black Arthur, Variations on a vampMarty Ehrlich (as,ts) John Hebert (b) Nasheet Waits (d) HANK JONES “THE ORACLE” New York, March, 1989Blood count, Maya's dance, Trane connectionsHank Jones (p) Dave Holland (b) Billy Higgins (d) TEDDY EDWARDS “THE INIMITABLE TEDDY EDWARDS” New York, June 25, 1976Mean to me, Imagination, One by oneTeddy Edwards (ts) Duke Jordan (p) Larry Ridley (b) Freddie Waits (d) Continue reading Puro Jazz 11 de junio, 2025 at PuroJazz.

This year's revamped San Francisco Jazz Festival, curated by SFJAZZ Executive Artistic Director Terence Blanchard, takes place on June 13-15, 2025. It features 35 concerts over 3 days in various venues in San Francisco's Hayes Valley art district. Performances include Stanley Clarke, Charles Lloyd, Patrice Rushen, Cimafunk, The Soul Rebels, Lakecia Benjamin, Ambrose Akinmusire, Dave Holland, Lisa Fischer, Theo Croker, Brandon Woody's Upendo, Tyreek McDole, Idris Ackamoor, and many more. This three-day bash will also include DJs, food trucks, a beer garden, local wine vendors, art, and a vinyl record swap. 3-Day and Daily Ticket Passes are now available.

The venerable bastards have made it to their twelfth anniversary, so time to dress us in silk and pearls (if you weren't already in your fantasies).  While you attempt to scrub that hideous image from your minds, we'll mention that today's episode looks back to 2013, the origin year of the podcast, covering five releases from that epochal year we missed.  Can you guess who appears for the first time on the 'cast and exactly which ways he's oriented?  Dave Holland – PRISM; Robbie Williams – SWINGS BOTH WAYS; Alex Cline – FOR PEOPLE IN SORROW; Christine McBride – PEOPLE MUSIC; Rene Marie – I WANNA BE EVIL.

By 1980, Judas Priest were ready to take on all the world! Fresh off their classic live album Unleashed In The East, Priest were ready to conquer America and the world with a more pop sound. Priest hit the charts with songs like Living After Midnight and Breaking The Law and offered new anthems to the teenage set with United and Metal Gods. But they stayed true to their heavy metal roots with songs like Rapid Fire and Steeler. Rob Halford shows off his chops and range on songs like The Rage as Ian Hill offers up a fun and memorable bass line. While we don't see much of the dueling solos between KK Downing and Glenn Tipton as would come to be familiar with on most of their 80s and latter day albums, they each show off their individual styles here while doing what's best for the songs. And the addition of Dave Holland on the drums solidified the classic 80s Priest lineup that would help them conquer the US and the world. They also forayed into making videos with the help of Julien Temple, much to the delight of Beavis & Butthead. This album helped propel Judas Priest and heavy metal onto a bigger stage and laid the foundation for the band's success in the 1980s and beyond. Check out our new website: Ugly American Werewolf in London Website Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

By 1980, Judas Priest were ready to take on all the world! Fresh off their classic live album Unleashed In The East, Priest were ready to conquer America and the world with a more pop sound. Priest hit the charts with songs like Living After Midnight and Breaking The Law and offered new anthems to the teenage set with United and Metal Gods. But they stayed true to their heavy metal roots with songs like Rapid Fire and Steeler. Rob Halford shows off his chops and range on songs like The Rage as Ian Hill offers up a fun and memorable bass line. While we don't see much of the dueling solos between KK Downing and Glenn Tipton as would come to be familiar with on most of their 80s and latter day albums, they each show off their individual styles here while doing what's best for the songs. And the addition of Dave Holland on the drums solidified the classic 80s Priest lineup that would help them conquer the US and the world. They also forayed into making videos with the help of Julien Temple, much to the delight of Beavis & Butthead. This album helped propel Judas Priest and heavy metal onto a bigger stage and laid the foundation for the band's success in the 1980s and beyond. Check out our new website: Ugly American Werewolf in London Website Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices