Podcasts about Anna Karina

Katarina Wikars ser filmen Vad döljer du för mig? där alla mess ska läsas kollektivt under parmiddagen, och tänker på några gamla sällskapslekar under ännu mer disharmoniska familjesittningar. Lyssna på alla avsnitt i Sveriges Radio Play. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna. Ursprungligen publicerad 2017-06-07.När jag och mina väninnor var si så där elva år blev vi ibland bjudna på party hos några större barn i de tidiga tonåren, såna som satt under filtar och hånglade, och då skulle det förr eller senare alltid lekas Sanning och konsekvens – om man sa "sanning" tvingades man berätta vem man var hemligt förälskad i, och om man sa "konsekvens" skulle man alltid pussa nån annan lika blyg på munnen. Uppriktigt sagt så minns jag inte riktigt, och nu så här mer än fyrtio år senare år senare skulle jag nog känna mig lika obekväm om någon föreslog att vi skulle återuppta leken.I den italienska kioskvältarfilmen "Vad döljer du för mig?" har några medelålders gifta urbana medelklasspar middag. Efter den vanliga tiraden om att vi har hela vårt liv i mobilen kommer värdinnan på idén att nu lägger vi alla mobilerna påslagna på bordet och läser varje mess kollektivt, och om någon ringer så ska högtalarfunktionen aktiveras. Vi har väl ingenting att dölja eller? Det hela är en sorts sanning och konsekvens för vuxna par utan både skyddsnät och fallskärm.Det går dessvärre inte att berätta handlingen mer utförligt utan att spoilra handlingen men filmen har några extra existentiella dramaturgiska falluckor, och det hela utspelar sig under en kväll då man kan se parallella månar på himlen, då verkligheten och illusionen liksom blandas samman. Som alla förstår skulle under en vanlig tretimmarsmiddag inte sju liv hinna gå sönder eller få en nystart, själva filmens format, ett rum, en kväll kräver en händelsernas acceleration, där en härva av otroheter, hemlighållna operationer, nätfantasier och allmänt familjesmussel uppdagas.Så här har det väl alltid sett ut i tvåsamheten kan man tänka sig men innan mobiltelefonerna fanns som någon sorts hemlighetsmanicker eller sanningsserum var det krångligare att få till ett sådant sällskapsspel som de ägnar sig åt i "Vad döljer du för mig?". Vuxna människor i har haft lång tid på sig att lära sig ljuga, så en vanlig omgång Sanning och konsekvens utan mobiltelefoner skulle de flesta av oss antagligen tråckla oss ur. Det är de digitala spårens förbannelse. En gammal väninna tog ut skilsmässa när hon upptäckte att hennes man i åratal hade porrsurfat nätterna igenom. Han hade helt enkelt glömt att radera sina sökningar.Hur såg sällskapspelen då ut förr? Man kan alltid återupptäcka filmen "Kinesisk roulett" av Werner Rainer Fassbinder från sent sjuttiotal. Här har vi det uttråkade överklassparet som lyckas sammanstråla på ärvt familjegods en weekend då de båda ljugit och tagit dit sina respektive älskare och älskarinnor. En dotter på kryckor är också där med sin stumma guvernant, hon är den filmens sanningsserum. Anna Karina, Margit Carstensen, Ulli Lommel, alla Fassbinders favoriter är med. Alla skrattar när de blir avslöjade. Alla är vackra. De rör sig tysta. Med möblerna bakom sig. Kärlek är att vänja sig, säger älskaren. Falska sanningar får den som tjuvlyssnar, säger nån annan. Tänk om det fanns ett spel där den som förlorar får tala om sin ängslan?Man förstår att det spelats Kinesisk roulett förr i den här familjen. De barnet hatar i det ena av två lag. Man bestämmer sig för en person i det andra laget och sedan ska de ställa frågor. Om den person var en bil, ett djur, ett mynt? Ett mynt med hål i mitten. Ål. Bisamråtta. Maskätet äpple på målning. Den här person är redan död. Död. Vad hade den varit i tredje riket? Kommendant i Bergen-Belsen. Andra halvan av filmen är detta krafsande, kretsande, det är en person nästan alla avskyr, förstår man. En anekdot förtäljer att även teamet instängda på slottet spelade detta spel med varandra efter tagningarna, klockan fyra på morgonen, att Fassbinders älskare sprang gråtande ut i regnet.Men det riktiga radardramat, alla dysfunktionella parmiddagars moderplanta, är Edward Albees "Vem är rädd för Virginia Woolf?" Pjäsen sätts upp på nytt och på nytt, och har precis återutgetts i bokform på svenska men jag tänker monomant uppehålla mig vid filmversionen med Elisabeth Taylor och Richard Burton som minsann också var ett outtröttligt par i verkligheten, som gifte sig två gånger och inte en sekund var i medieskugga under sjuttiotalet. Taylor fick en Oscar för sin roll som den alkoholiserade rektorsdottern Martha gift med den misslyckade läraren George, spelad av Burton i noppig kofta. En sen natt bjuder de hem den nye gymnastik- eller var det fysikläraren och hans bleka fru på en eftersläckning, som fullständigt urartar, blir scenen där George och Martha spelar upp sitt slitna men outtröttliga äktenskapsdrama ännu en gång.I tjugofem år eller så har jag hatälskat denna film, och jag tror den dessvärre formade min syn på syftet medparmiddagar. I huvudet kan jag när som helst höra Burton knäppa med fingrarna, "snap, snap", höra Taylor hojta: "What a dump", citerande en annan gammal stjärna; Bettie Davies i en annan gammal film. Sanning eller lögn, spelar det ingen roll för dig, George?Tre sällskapslekar har han uppfunnit George, varav en heter: Get the guests, gissla gästerna. Ett sorts uppriktigt spelat intresse med inslag av egna strödda förtroenden får de unga gästerna att öppna sig och avslöja sina hemligheter vilket alldeles omedelbart vänds emot dem i nästa fas av leken. Ligga med värdinnan kan också vara en lek. Sällan har makt och maktlöshet så snabbt bytt plats, som när George och Martha med vant handlag i gryningen formerar om trupperna. Och plötsligt är på samma sida igen. Men vem är det då som är rädd för Virginia Woolf? Och vad betyder det? Efter alla lekar, efter alla alkoholindränkta tillställningar och nyckelpartyn som ska symbolisera uttråkade villapar som ska gå hem med fel partner på sjuttiotalet så kommer det en morgon, och då snubblar gästerna ut, något mera kantstötta och berövade sina skydd eller med hemligheterna intakta, fortsatt smusslande. Och kvar är läkaren som vänder sig till frun psykologen och frågar: är de nya de där örhängena? De hon i en annan dimension precis slet av sig och kastade på den otrogne älskaren, kvar är några som ska städa slottet, kvar är George och Martha i gryningsljuset. Är det bara vi två nu? Ja, nu är det bara vi två, innan de ska gå upp för den slitna trappan till sovrummet ännu en gång.Det finns en scen, fryst i mitt medvetande, där Burton, tung och trött lägger sin hand på Taylors axel, den bara ligger där helt stilla, handen, och då är det liksom slut på alla sällskapsspelen, det här är början på det stora efteråt.Katarina Wikars, Sveriges radios kulturredaktion FilmerVad döljer du för mig? Regi: Paolo Genovese. Italien, 2016. Svensk bio 2017.Kinesisk roulette. Rainer Werner Fassbinder. Västtyskland/Frankrike, 1976.Vem är rädd för Virgina Woolf? Regissör: Mike Nichols. USA, 1966.

Balanço da 1ª Mostra de Robótica na 11ª Semana Nacional de Ciências e Tecnológica, Laboratórios de tecnologia na rede municipal de ensino Estação Educação Sistema de vídeo aulas no portal PAE

Jean-Luc Godard had Anna Karina. Alfred Hitchcock had Tippi Hedren. Steven Soderbergh had George Clooney and Matt Damon...and now he's got Channing Tatum, too! Join Keir and Mike for a discussion of Hollywood's love affair with strippers and Soderbergh's 2012 hit, “Magic Mike." Social media Instagram @thefilmographers Twitter/X @filmographerpod Letterboxd @filmographers YouTube @TheFilmographersPodcast Website: https://filmographerspodcast.com/ Credits Keir Graff & Michael Moreci, hosts Kevin Lau, producer Gompson, theme music Cosmo Graff, graphic design

149 - La Religieuse aka The Nun (1966) / L'altro Inferno aka The Other Hell (1981) This week we're taking our vows and entering convent life as we descend into madness with Bruno Mattei and try to escape with Jacques Rivette and Anna Karina

Une femme est une femme, un film est un film et Godard est Godard. Cʹest le troisième long-métrage du réalisateur franco-suisse, une comédie musicale expérimentale, Une femme est une femme, sorti en 1961. Jean-Luc Godard, après le Petit soldat, interdit de sortie en salle, censuré, met à nouveau en scène celle qui deviendra son épouse à la ville, la mariée de la Nouvelle Vague, Anna Karina. Film léger, filmé à la manière dʹun roman-photo, une femme est une femme raconte une histoire toute simple : une femme veut un enfant dans les 24 heures, son compagnon rechigne, elle ira le faire avec un autre qui se dit amoureux dʹelle. Une maternité voulue, qui sert de prétexte à un jeu de chassé-croisé entre trois personnages interprétés par Anna Karina, Jean-Claude Brialy et Jean-Paul Belmondo. Cʹétait le temps où Paris chantait, où Godard avait le cœur à la comédie. Amoureux de sa comédienne, il lui offre le premier film en couleur et en scope de la Nouvelle Vague. " Cʹest un film sur la nostalgie de la comédie musicale, dit Jean-Luc Godard. Alors dans ce ton-là, jʹai écrit les dialogues, et après, avec Michel Legrand, on a fait une musique qui donnait lʹimpression que les gens chantaient souvent dans leur vie, placée sous les paroles banales pour donner au film un ton dʹopéra. Ce nʹest pas de la comédie musicale au sens strict, mais ce nʹest pas non plus un simple film parlé. Cʹest un regret que la vie ne soit pas en musique…cʹétait le sentiment quʹon avait en tournant. " Cʹest léger, trop peut-être, le film est un échec commercial très vite retiré de lʹaffiche. Godard ne fera plus de comédie. Le couple Karina-Godard se marie à lʹissue du tournage. EFERENCES De Baecque, Antoine, Godard, Biographie, Editions Grasset, 2010 Claude Mauriac, Le Figaro littéraire, Editions Le Figaro, Paris, 16 septembre 1961 Marcel Martin, " Une femme est une femme ", Cinéma 61 N°60, Fédération Française des Ciné-Clubs (FFCC), Paris, octobre 1961, (ISSN 0045-6926)

Jackie and Greg bust out the blue paint and dynamite for Jean-Luc Godard's PIERROT LE FOU from 1965. Topics of discussion include the film's radical structure, its many references to art and cinema, whether it works as a film or a museum piece, and a debate on the validity of Godard's filmmaking.#43 on Sight & Sound's 2012 "The 100 Greatest Films of All Time" list.https://www.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time-2012#85 on Sight & Sound's 2022 "The Greatest Films of All Time" list.  https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out on Instagram: https://www.instagram.com/sceneandheardpodCheck us out at our official website: https://www.sceneandheardpod.comJP Instagram/X (Twitter): jacpostajGK Instagram: gkleinschmidtGraphic Design: Molly PintoMusic: Andrew CoxEditing: Greg KleinschmidtGet in touch at hello@sceneandheardpod.comSupport the Show.Support the show on Patreon: patreon.com/SceneandHeardPodorSubscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe

La Nouvelle Vague to ruch, który zrewolucjonizował film i modę. Kino absolutnie buntownicze, eksperymentalne, artystyczne, zrywające ze wszystkimi panującymi dotychczas regułami. Stworzone na przełomie lat 50. i 60. XX wieku przez i dla młodych ludzi. – Fotografia jest prawdą, film jest nią 24 razy na sekundę – podkreślali Jean-Luc Godard, François Truffaut, Agnès Varda czy Claude Chabrol, którzy stali się mentorami dla reżyserów z całego świata, w tym dla Martina Scorsesego, Quentina Tarantino czy Wesa Andersona. Przed ich kamerami ikony – Catherine Deneuve, Jean Seberg, Anna Karina czy Brigitte Bardot – współtworzyły nowatorski język artystyczny, ale też styl, nazywany paryskimi szykiem. Ale może świat nie poznałby ich, gdyby nie zbuntowani twórcy Nowej Fali, którzy wywrócili świat kina do góry nogami?

All episodes are made available to Patreon subscribers, the most determined and unsparing of all audiences, one week before their general release. {www.patreon.com/thepinksmoke} The Cannes Film Festival, May 1994. Two independent American crime films featuring guns, gangsters, torture, redemption, stylized artificial dialogue, quirky comedy, a cool soundtrack, a main character who dies and is resurrected and a criminal's kept woman with an Anna Karina haircut made their debut at the southern tip of France. One of them went on to conquer the world and become one of the most beloved and imitated films of the ensuing 30 years. The other faded into obscurity and is barely brought up three decades later. The films are Quentin Tarantino's Pulp Fiction and Hal Hartley's Amateur, and their divergent paths clearly shifted the cultural space of American independent cinema moving forward. We welcome back Pinnland Empire guru Marcus Pinn (like us, a teenage budding cinephile in the mid-90's) to talk about these two films, how they were shaped by the climate of late 80's/early 90's indie cinema, their impact and their legacy. Despite Hartley's deep meaningful contemplations proving no match for Tarantino's sheer exuberance, these are two films that were meaningful to all three of us, so we also get pretty heavily into some formative personal history and lament the slow death of a truly specific kind of American movie. Who's the real amateur here? Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com Marcus Pinn on Twitter: twitter.com/PINNLAND_EMPIRE The Pink Smoke on Twitter: twitter.com/thepinksmoke John Cribbs on Twitter: twitter.com/TheLastMachine Christopher Funderburg on Twitter: twitter.com/cfunderburg Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

As the world prepares to enter an ultra charged Super Bowl weekend, we kick off the festivities with the most special of appetizers, a pair of French New Wave classics from the late Jean-Luc Godard with Contempt and Pierrot le Fou! But before we explore the auteur's signature brand of cinematic nihilism, we preview the upcoming big game, try and make sense of the WWE's #WeWantCody phenomenon, get excited about the prospects of a contemporary-set Paul Thomas Anderson movie, and cautiously sort through our thought on the latest Jonathan Glazer film, The Zone of Interest. Have no fear though, we give Jean-Luc plenty of time and attention: listen as we celebrate his at once beautiful yet apocalyptic cinema, one that remains every but as vibrant as it did six decades ago. As always, please like, subscribe, rate, and review us on all of our channels, which include Apple Podcasts, Spotify, and YouTube! Contact us at huffmanbrothersproductions@gmail.com with your questions, comments, and requests.

Meet ceramicist Anna Karina Elias, known as Karina to her friends. In our Soft and Curious conversation, this multifaceted artist shares how a breakdown became a breakthrough, leading to an unexpected sea change in Byron Bay. Ferociously curious and endlessly versatile, Karina weaves her rich cultural heritage, fascination with mythology, and self-exploration into evocative works. Her sculptures, beautifully deceptive yet layered with symbolism like claws and horns, capture the duality of the human experience. With a sensitivity to emotion and a passion for eternal truths, Karina invites you into a world of transformative art.Follw more from Karina here:https://www.instagram.com/annakarinae/?hl=en Follow more from The Soft and Curious here:https://www.instagram.com/soft.and.curious/?hl=en 

This week, Charlie and Antonio tackle the first of four films directed by cinema's enfant terrible of the French New Wave: Jean-Luc Godard's PIERROT LE FOU. Featuring French superstars Jean-Paul Belmondo and Anna Karina, this film follows the familiar story of lovers on the run, though Godard's direction makes this anything but familiar. Join Charlie and Antonio in tackling this challenging film and the controversial man who made it. Pass it on! Intro/outro music: 'Battle of Algiers' composed by Ennio Morricone, covered by John Zorn PIERROT LE FOU (1965), France, written and directed by Jean-Luc Godard, cinematography by Raoul Coutard, featuring Jean-Paul Belmondo and Anna Karina.

durée : 00:59:26 - Certains l'aiment Fip - À l'occasion de la sortie au cinéma, d'"Anna" de Gainsbourg dont Fip est partenaire, on se balade autour de l'univers de l'égérie de Godard, Visconti, Rivette, Fassbinder ou Jonathan Demme, chanteuse pour Rezvani, Gainsbourg ou Philippe Katerine.

ZS de Negócios - 01/12/2023 - Fabiano C. E Anna Karina R., Proprietários Da Match Café & Bistrô by Rádio Gaúcha

[HORS-SÉRIE D'UN HOMME EN RETARD] climat aime météo 1/2 Je vous ai parlé pendant des mois de ce mémoire qui m'a stressé, mis sous pression et à la fois passionné et le voici enfin dans vos oreilles !!! J'ai décidé de publier en deux épisodes mon enquête sur l'évolution de la météo à la télévision en hors-série, alors bonne écoute !!! :) - La météo, segment audiovisuel bien souvent mésestimé, renaît de ses cendres : depuis fin 2022 de nouveaux formats voient le jour pour accompagner les Français dans leur quotidien, mais aussi parler de climat. Si les médias évoluent en même temps que le public qui les consomme, je me questionne : est-ce que la météo pourrait devenir une béquille à la sensibilisation écologique ? Avec les témoignages de Karine Durand, journaliste et présentatrice météo pour le groupe Canal+ et Pascal Boureau, météorologiste retraité. Enquête réalisée par Marcus Keyjay Bellonne. - Musiques : In Motion de Trent Reznor et Atticus Ross, Sous le Soleil de Anna Karina. - Restons connectés !! Instagram : @1hommeenretard Twitter : @m_bellonne Tiktok : @unhommeenretard --- Send in a voice message: https://podcasters.spotify.com/pod/show/unhommeenretard/message

Qual sua posição sobre o Novo Ensino Médio (NEM)? Chamamos ao debate a Anna Karina e o Alex Sousa pra gente entender sobre o que se trata essa reforma, entender suas propostas e dificuldades e é claro, discutirmos sobre implementação e revogação. Financiamento Coletivo: ⁠⁠⁠⁠apoia.se/perdidosnafilosofia⁠⁠⁠⁠ Chave Pix: perdidosnaparalaxe@gmail.com Indicações do Episódio: https://pparalaxe.com.br/80-o-velho-novo-ensino-medio/ Contatos: perdidosnaparalaxe@gmail.com twitter.com/ppparalaxe instagram.com/perdidosnaparalaxe

Körperorientiertes Glücks & Resilienz Training / Interview mit Anna Karina Cassinelli Vulcano #glück #resilienz #positivepsychologie #lachyoga #podcast Mit unaufhaltsamer Kraft in die Erfüllung. So geht Anna Karina Cassinelli Vulcano durch die Welt. Ihre Grundenergie hat ihr geholfen tiefste Tiefen zu überstehen und gestärkt weiter zu gehen. Sie sagt von sich: "Ich überlebte als Kind die Militärdiktatur in Südamerika. Ich überlebte Verrat, Schmerz und Trauer in der Familie. Ich überlebte …….Bis ich mich entschlossen habe, nicht mehr zu überleben. Ich möchte leben. Nur zu überleben reicht mir nicht, ich möchte glücklich leben und das tue ich jetzt.“ Ihre Lebenserfahrung und Erkenntnisse aus vielen unterschiedlichen Ausbildungen hat sie zu ihrem Körperorientierten Glücks & Resilienz-Training zusammenfließen lassen. Lass dich inspirieren von Annas kraftvoller Präsenz und ihrer optimistischen Sichtweise. Sonne im Herzen-diese starke Verbindung-ein großer Anker. Buch-Tipp und Karten-Set Das Lachen – Ein theoretischer und praktischer Überblick, Michael Titze und Silkvia Rößler, HCDA-Verlag Karten-Set: Lachyoga-Helpies, Helmi-Verlag Lachyoga Übungen (LYÜ) Löwe-Lachen, Kotz-Übung (Gorilla), Seife, Huhn-Ente-Adler; Lachmöwe; Kraft des Wassers schöpfen; Quelle des Lächelns und Lachens; Begrüßungs-Lachen (Hände schütteln); Inneres Lächeln; Diskussion-Lachen; Du spinnst wohl Kontakte www.anna-karina-cassinelli-vulcano.de https://www.schwarzwald-panoramastrasse.de/Media/Touren/Lach-Yoga-Weg-Freudenstadt https://www.bad-peterstal-griesbach.de/de/touren/bad-peterstal-griesbach/touren-in-bad-peterstal-griesbach/15901248/ https://www.namaste-fds.de/tag/wuwaiwasserweg/ https://www.lachyoga-silvia-roessler.de https://helima-verlag.de/lachyoga Meinen Podcast kannst du kostenfrei auf allen Podcast-Plattformen hören und abonnieren. Ich freue mich auf dein Feed Back. Heiter weiter. Lach's gut, deine Silvia 00:00 Intro 00:33 Thema-Einstieg, mit Text: Ich will nicht überleben – ich will leben. 01:58 Begrüßung 02:21 Anna Karina stellt sich vor 05:57 turbulenter Lebensweg, quirlige Persönlichkeit, halbseitige Lähmung überwunden; Sicherheitswunsch; sich nicht mehr belügen; Sonne im Herzen – tiefe Verbindung zu Ressourcen; nicht reden - Handeln 10:00 emotionaler Schock – Krankheit – Gradwanderung - Lebenswunsch 10:58 raus aus der Opferrolle; was wesentlich ist, um glücklich zu sein 12:22 Frequenz; innere Haltung; Sonne im Herzen; Entscheidung zum Lachen 13:30 dauerhafter guter Zustand 14:11 wie gelingt das? Transaktionsanalyse; Du bist ok. 16:31 Sonne im Herzen; Glückseligkeit ist ein Zustand; Gehirn-Erfahrungen 18:09 Training notwendig, wegen Überlagerungen; Lachen üben; Lösungsorientiert; Kreativität – Psychodrama -J.L.Moreno 20:12 Sonne - Inneres Lächeln - Anker 21:17 Gehirn-Gefühl-entscheiden was ich denke und fühle 23:10 Übung: Aus der Opferrolle springen 23:46 Ausbildung beschrieben 26:25 Erfahrung über den Körper sehr wichtig 27:27 Übung-Supervision: Adler – Huhn – Ente; Lachmöwe 31:21 unausgerichtete Liebe 33:09 Kotz-Übung (Gorilla), Löwe 35:01 Übung entwickelt: Baum hinter Mauern 38:34 Transformations-Übungen 38:58 LYÜ: Seife 40:29 LYÜ: Mentalseide; Entscheidung und Erlaubnis 41:49 Schmutzig und inneres Leuchten 42:21 unseren inneren Anker nehmen wir überall mit hin 42:43 Glück – Glückseligkeit – Kraft 43:52 LY als Brücke 44:33 Nachhaltige Kombi – Verbindung 45:43 1. LY-Weg in Deutschland in Freudenstadt Schwarzwald 50:42 WuWai-Wasserweg in Bad Peterstal Griesbach 52.08 LYÜ: Hände schütteln 52:32 in der Stille: die Natur bitten den Wal betreten zu dürfen 55:03 WuWai: nicht so viel tun - fließen 56:00 Übung: Wasserkraft aufnehmen 56:58 LYÜ: Quelle des Lächelns und Lachens 57:44 Karten-Set: Lachyoga-Helpies 59:46 zwei Lieblings-LYÜ von Anna: Diskussion-Lachen, Du spinnst wohl 01:01:23 Körpersprache – versch. Kulturen 01:03:20 Lachen verbindet – zus. lachen 01:04:05 Lieblingswitz? Situationswitz; Das Leben ist ein Witz 01:06:05 Botschaft von Anna Karina 01:08:56 Meine Botschaft 01:09:12 Dankeschön 01:09:26 Zusammen lachen 01:09:47 Verabschiedung 01:30:40 Autro #podcastfabrik #annakarinacassinellivulcano #silviaroessler #gesundheit #lachenistgesund #lachenverbindet #persönlichkeitsentwicklung #perspektivenwechsel #transformation #freudenstadt #badpeterstalgriesbach #liebe #körperarbeit #lachwanderweg #wuwaiwasserweg #liebedeinleben #lebedeinlachen #lachentrotzundalledem #selbstbestimmt #wohlstand #erfolg #lachyogaübungen #resilienztraining #glückstraining #psychodrama #jacoblevymoreno #ritual #symbole #transformationstraining #interkulturell #mindset #neurobiologie #transaktionsanalyse #schwarzwald

What do you do after adversity to manage the challenge and build reserves for the future? Geoff and Cindi talk through strategies for deploying resilient responses and decreasing the incidence of adverse events becoming trauma. In this episode, Cindi and Geoff discuss cooling our emotions, how to reflect and not ruminate on adversity, and finding meaning in the hand life deals us. Episode Highlights: CRM = three strategies for building resilience: Cool the emotions, Reframe adversity as an opportunity for growth, and find Meaning in the challenge. Cindi shares a story about escalating emotions and how she cooled things down in a tense situation. Finding meaning in adversity is essential to lower the odds that it becomes traumatic. We can do this by identifying a purpose or mission that helps make sense of our difficult experiences and therefore provides value to adversity. Having a growth mindset and an internal locus of control (that is, feeling like we have a hand in our fate) help build resilience. Tendency is not destiny. We can intentionally cultivate a more resilient mindset even if it doesn't come naturally. Homework for building resilience: practice reframing adversity as an opportunity for growth and identify a sense of purpose or meaning in a challenging experience. Quotes: "When faced with adversity, we can decide that we're going to look for where we can make a difference." – Cindi Baldi "Sometimes the manager's job is just to help people ID – what am I actually feeling? And get the right label on it." – Geoffrey Tumlin "The science is pretty clear. An internal locus of control, where we say things to ourselves like I can work through this and There are things I can do help generate more resilient responses." – Geoffrey Tumlin Resources: • Dweck, C. S. (2008). Mindset. Ballantine Books. • Duckworth, A. (2016). Grit: The power of passion and perseverance. Scribner/Simon & Schuster. • Anna Karina (?) How to be more resilient • Diane Coutu- How Resilience Works https://hbr.org/2002/05/how-resilience-works • Bessel van der Kolk M.D. - The Body Knows the Score • Martin Seligman- Learned Optimism www.culsure.com www.ondemandleadership.com www.managementmuse.com Key words: Resilience, Adversity, Locus of Control, Growth Mindset, Reframe

Alix et Alex, deux jeunes membres du collectif du cinéma La clef Revival, nous racontent leur expérience de faire revivre un cinéma associatif parisien.  Un an après l'expulsion du cinéma, le collectif organisait un week-end sur le thème « filmer collectif ». On retrouve ici Christian Corouge, du groupe Medvedkine de Sochaux… on cause aussi de Jean-Luc Godard, Anna Karina et même de Brigitte Bardot.   Un podcast tourné au DOC! par Olivier Azam, le 4 mars 2023.  https://laclefrevival.org https://www.cinemutins.com  Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Immiussami uani Anna Karina, Mia Lynge kiisalu Arnanguak immiussipput. Arnanguak nittartakkakkut attavigigatsigu nipaa allaalaarsinnaavoq. Silaannarmi timmisut suussusersineqarnikuunngitsut sammineqarput. Tusarnaarluarisi. Nipilersuusiortoq: Hans Ole Amossen Killuisoq: Anna Karina Lyberth

Shots fired: Jackie and Greg are at their most aggressive when it comes to their wildly differing opinions of Jean-Luc Godard's French New Wave staple, CONTEMPT, from 1963. Topics of discussion include Godard's self-referential style, the allusion of gods and men, how the film is an apology to Anna Karina, and the cyclical nature of arguments. Will the show survive this episode?#21 on Sight & Sound's 2012 "The 100 Greatest Films of All Time" list.https://www.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time-2012#54 on Sight & Sound's 2022 "The 100 Greatest Films of All Time" list.  https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out on Instagram: https://www.instagram.com/sceneandheardpodCheck us out at our official website: https://www.sceneandheardpod.comJoin our weekly film club: https://www.instagram.com/arroyofilmclubJP Instagram/Twitter: jacpostajGK Instagram: gkleinschmidtPhotography: Matt AraquistainMusic: Andrew CoxGet in touch at hello@sceneandheardpod.com

durée : 00:07:50 - Les Nuits de France Culture - par : Philippe Garbit - Jean-Luc Godard répond à la question "Où en est le cinéma ?" dans l'émission "Comme il vous plaira" sur France Culture, en 1966, à l'occasion de la sortie de son dixième long-métrage "Pierrot le Fou" avec Jean-Paul Belmondo et Anna Karina. - invités : Jean-Luc Godard Réalisateur

Que nʹavons-nous pas dit de Godard ? Peut-être rien ? Peut-être tout ? Car sʹil un cinéaste qui a marqué lʹhistoire, cʹest lui. Pour ses films, ses révolutions esthétiques, pour sa tête de lard, pour ses propos, pour son œuvre. Jean-Luc Godard est à la fois palpable et immatériel. Cʹest un personnage autant quʹune personnalité. Un créateur, un inventeur, un réalisateur. On lʹaime, on le déteste, mais il ne laisse personne indifférent. Aujourdʹhui dans Travelling, ce nʹest pas un portrait à proprement parler du cinéaste que nous allons faire, mais celui dʹun de ses films, Bande à part, sorti en 1964. Un film qui sʹamuse des romans policiers, des romans dʹamour, des romans dʹaventure. Un film qui met en scène Anna Karina, Sami Frey et Claude Brasseur. Bande à part, cʹest Godard après le Mépris. Cʹest la fin de sa relation avec Anna Karina. Cʹest une période de créativité intense, frénétique. Mais nous allons raconter tout ça. Il ne nous reste plus quʹà trouver trois jeunes gens ayant trop lu de romans policiers pour livrer une parodie narquoise du genre. REFERENCES Claude Brasseur dans Spécial Cinéma en 1986 https://www.youtube.com/watch?v=bKV0JP-x-lE Pardonnez-moi Lʹinterview de Godard https://www.youtube.com/watch?v=OWGofFcM_dA Jean-Luc Godard, invité de Bernard Pivot dans "Bouillon de culture" | Archive INA https://www.youtube.com/watch?v=2JSVPT8L4K0 Raoul Coutard sur Bande à part https://www.youtube.com/watch?v=lidJYFkjWLw Antoine de Baecque, Godard, biographie, Grasset François Nemer, Godard (Le cinéma), Découverte Gallimard

On today's episode of Gaybros Keep Surfing the New Wave, we talk about the 1964 classic, Band of Outsiders, by Jean-Luc Godard with Anna Karina

Ten odcinek zaczyna się od wikingów. I wikingami się kończy. Dlaczego? Bo wybieramy się na północ, do krajów skandynawskich, których kultura, wzornictwo i moda oszałamiają.Czym jest skandynawski design? I czym różni się od nordyckiego?Jak to się stało, że każda praca Skandynawów od zawsze humanizowała formę?Dlaczego ojciec reżysera Ingmara Bergmana zamykał go za karę w szafie? Skąd wziął się surowy styl jego kina?Jak to się stało, że Ingrid Bergman, Greta Garbo, Anita Ekberg czy Anna Karina podbiły przemysł filmowy?Jakimi surowcami Związek Radziecki płacił rządowi Szwecji za koncerty Abby i co zespół ma wspólnego z wydzielaniem się prolaktyny – a więc hormonu wpływającego na nasz nastrój, a wydzielającego się najczęściej u matek karmiących?Jakich pisarzy warto czytać, żeby nie skończyć na kryminałach?Te wszystkie pytania prowadzą nas prosto na wybiegi Marimekko, Jackpot by Carli Gry, ACNE, Cecilie Bahnsen, Samsøe Samsøe, Rotate, Rains czy GANNI.Dlatego, na zaproszenie MODIVO, jedziemy na kopenhaski Fashion Week, żeby prosto z serca Danii zdać Wam relacje z najlepszych pokazów mody. I tego, jak wygląda idealna skandynawska ulica.O styl skandynawski, który od jakiegoś czasu ma więcej wspólnego z maksymalizmem niż minimalizmem, pytamy Aleksandrę Szol – dyrektor Kreatywną, E-Commerce i Marketingu MODIVO oraz Karolinę Ochocką – Global Head of PR Fashion MODIVO.To będzie niezapomniana podróż. Chodźcie z nami! Odcinek powstał we współpracy z platformą MODIVO.studio26podcast@gmail.com Produkcja: Piotr HaraźnyGrafika: Karolina Żmijewska

The Brothers light a cigarette and open a bottle of Coca-Cola in remembrance of Jean-Luc Godard, the iconoclastic filmmaker who died recently at the age of 91. The Brothers discuss some of their favourite Godard films before wrestling with his confrontational relationship with his audience and debating the merits of his critical cinematic approach.0:00 - Intro0:11 - Keynote: Remembering Jean-Luc Godard2:17 - The Current: The Films of Jean-Luc Godard23:34 - OutroEditor's Note:- The Brothers incorrectly stated that Anna Karina starred in “Masculin Féminin.” The film actually starred Chantal Goya.Clips:- “Alphaville” (1965) Athos Films- “The Dick Cavett Show” (1980) PBS- “Two or Three Things I Know About Her” (1967) UGC

"Life may be sad, but it's always beautiful" Today we pay tribute to one of the greats of modern cinema, the late Jean-Luc Godard. We recorded this conversation before the recent announcement of his passing, so we've brought our discussion of Pierrot le Fou forward on our release schedule. Godard is a filmmaker who means a lot to us all at Autism Through Cinema. His unfailingly maverick approach to the cinematic art form serves as a profound expression of what can be possible in this medium with an outlook alternative to the mainstream. Lillian, David and Ethan fall in love again with Godard's technicolour masterpiece. Pierrot le Fou is a meandering road movie about love, freedom, and disconnection, based on Lionel White's 1962 novel Obsession. We reflect on the neurodivergent sensibilities of the two protagonists, particularly Anna Karina's mesmerising performance as Marianne, while also considering how the techniques and directions of the French New Wave align with autistic ways of thinking. This episode features a specially-recorded introduction by Lillian Crawford paying tribute to Jean-Luc Godard and Anna Karina. Do you have any thoughts or tributes to Godard? Send them to us on cinemautism@gmail.com and we'll happily read them out on a future episode. 

The kinetic, experimental style of films like "Breathless" and "Pierrot le Fou" saw Jean-Luc Godard crowned among the leading lights of the French New Wave. Following the Franco-Swiss filmmaker's death at 91, Lisa Nesselson tells us how Godard's formal innovations revolutionised European cinema, bringing Jean-Paul Belmondo, Jean Seberg, Anna Karina and even the streets of 1960s Paris to a global audience.

Et vemodig sammentreff: Filmfrelst-episoden nedenfor ble spilt inn i går, og temaet er Jean-Luc Godards nybølgeklassiker En kvinne er en kvinne («Une femme est une femme», 1961). Like før vi skulle publisere podkasten i dag, kom nyheten om at Godard har gått bort, 91 år gammel. Etter gjennombruddet med debuten Til siste åndedrag (1960) og den franske nybølgens umiddelbare popularitet i filmkulturen, eksploderte Jean-Luc Godards kreativitet; han signerte 15 spillefilmer i løpet av perioden 1960-1967. Blant dem finner vi En kvinne er en kvinne, en leken og selvbevisst komedie som denne høsten vises i nyrestaurert utgave på Cinematekene rundt om i landet. Filmen var hans andre samarbeid med skuespiller Anna Karina, som han også var gift med fra 1961 til 1965, og i episoden nedenfor ser vi bl.a. nærmere på betydningen av Anna Karinas nærvær i Godards filmer. Vi diskuterer også hvordan En kvinne er en kvinne skiller seg fra Godards enda mer eksperimenterende (og politiske) filmer utover på 1960-tallet, og mot slutten av podkasten trekker vi frem gode tips til lyttere som ønsker å dykke videre ned i regissørens omfangsrike filmografi. Ved mikrofonene sitter Montages-redaktør Karsten Meinich og filmansvarlig for Kosmorama (Trondheim internasjonale filmfestival), Mads Outzen. God lytting!

Anna Karina et Godard nous parlent d'amour et de cinéma, c'était sur nos ondes en 1987 et c'est très émouvant. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Le cinéaste franco-suisse Jean-Luc Godard est mort ce mardi 13 septembre 2022, à l'âge de 91 ans. Il a incarné le mouvement de la Nouvelle Vague. Il a offert aux cinéphiles du monde entier certaines des scènes les plus marquantes du 7è Art. Avec ses grosses lunettes, ses cheveux blancs hirsutes et son clope au bec, il avait un sourire un peu enfantin, malin. Sa voix souvent traînante et nasillarde restera longtemps dans les oreilles. Mais, ce sont évidemment des images, celles de ses films, qui resteront dans les mémoires. Jean-Luc Godard, le Maître de la Nouvelle Vague, est mort ce matin en Suisse, à l'âge de 91 ans. Il laisse des scènes cultes : Jean Seberg vendant le NY Herald Tribune sur les Champs-Élysées, Anna Karina sautillant dans l'eau pour rejoindre Jean-Paul Belmondo, Brigitte Bardot demandant à Michel Piccoli s'il aimait ses fesses… Une filmographie aussi immense que singulière, parfois provocatrice, souvent encensée, souvent décriée aussi comme peut l'être celle des immenses artistes qui osent renverser la table, expérimenter, et suivre leur propre chemin. En toute liberté… Nos invités :  Antoine de Baecque, historien et critique de cinéma, notamment aux Cahiers du cinéma, spécialiste du cinéma de Jean-Luc Godard. Le réalisateur Cyril Leuthy, son film Godard, seul le cinéma a été sélectionné à la 79è Mostra de Venise dans la catégorie « Venice Classics », une co-production ARTE et 10point7. Inser : La comédienne Macha Méril raconte au micro de Baptiste Antoine sa rencontre avec Jean-Luc Godard et ses souvenirs de tournage du film Une femme mariée.

Anna Karina (1940-2019) was the actress known as “the face of French New Wave cinema.” Her work with director Jean-Luc Godard shaped the evolution of film in the late 20th century. However, she wasn't just an icon of the silver screen. She was also a director, hit singer, novelist, and model.This month, we're talking about muses–women who were drivers of creativity and inspiration. Once again, we're proud to partner with Mercedes-Benz (whose famous namesake was inspired by a young muse named Mercedes). Tune in daily for stories of women whose lives inspired work that has shaped our culture.History classes can get a bad rap, and sometimes for good reason. When we were students, we couldn't help wondering... where were all the ladies at? Why were so many incredible stories missing from the typical curriculum? Enter, Womanica. On this Wonder Media Network podcast we explore the lives of inspiring women in history you may not know about, but definitely should.Every weekday, listeners explore the trials, tragedies, and triumphs of groundbreaking women throughout history who have dramatically shaped the world around us. In each 5 minute episode, we'll dive into the story behind one woman listeners may or may not know–but definitely should. These diverse women from across space and time are grouped into easily accessible and engaging monthly themes like Educators, Villains, Indigenous Storytellers, Activists, and many more.  Womanica is hosted by WMN co-founder and award-winning journalist Jenny Kaplan. The bite-sized episodes pack painstakingly researched content into fun, entertaining, and addictive daily adventures. Womanica was created by Liz Kaplan and Jenny Kaplan, executive produced by Jenny Kaplan, and produced by Liz Smith, Grace Lynch, Maddy Foley, Brittany Martinez, Edie Allard, Lindsey Kratochwill, Adesuwa Agbonile, Carmen Borca-Carrillo, Taylor Williamson, Ale Tejeda, Sara Schleede, and Alex Jhamb Burns. Special thanks to Shira Atkins. Original theme music composed by Miles Moran.We are offering free ad space on Wonder Media Network shows to organizations working towards social justice. For more information, please email Jenny at pod@wondermedianetwork.com.Follow Wonder Media Network:WebsiteInstagramTwitter

durée : 00:57:49 - Actrices et Chanteuses (2/2) - par : Thierry Jousse - Pour ce deuxième Ciné Tempo dédiée aux actrices-chanteuses, honneur aux stars françaises et italiennes. De Danielle Darrieux à Monica Vitti, en passant par Catherine Deneuve, Brigitte Bardot, Anna Karina, Sophia Loren ou Jeanne Moreau, elles sont venues, elles sont toutes là… - réalisé par : Lionel Quantin

Episodemi uani Anna Karina aamma Arnanguak tusarnaartartut oqaluttuaannik atuaapput. Ilaatigut panigiit ukioqatigiillutik assigiimmik misigisimasaat pillugu tusagaqassaagut, Japanimi oqimangersimasoq tusarfigissavarput allallu. Aamma sumanitaavaana Anna Karinap illuaqqaminni suna misigisimagaa? Episodemi uanittaaq anersaarsiortoq Fay Center For Clairvoyancemeersoq, Clairvoyant Marianne Larsen ukiamut tikittussaq eqqaaneqarpoq. Tassunga saaffiginninniaraanni uunga sms-ersinnaapput: +45 61683334, taava Mariannep sianerfigissavaasi. Aamma uunga mailerfigineqarsinnaavoq: mariannelarsen33@gmail.com. Immiussisut: Arnanguak Lyberth aamma Anna Karina Kajangmat Lyberth Killuisoq: Arnanguak Lyberth Nipilersuusiortoq: Hans Ole Amossen

In the seventeenth episode of Season 6 (Heists, Cons, & Grifters) Kyle is joined by fellow podcaster Ben Thelen (of the Dead Reckoner podcast) and screenwriter David Gutierrez to discuss the cinema formalism of Jean-Luc Godard and how it applies to a cultural critique of nostalgia and B-movie identities in Band of Outsiders (1964).

Mit Anna Karina Casinelli Vulkano der Yoga, Lachyogalehrerin und Autorin der "Lachyoga Helpies für innere Stärke" geht es glücklich durch diese Podcast. Sie verbindet in dieser außergewöhnlichen Publikation Lachyoga mit der Positiven Psychologie. Die Karten laden zum Lachen ein, und zum Stärken des Immunsystems. Höre doch Mal rein!

Uani episodemi Anna Karina aamma Arnanguak imiussipput. Illussaarsuit eqqartorneqarput, tassami tusaamaneqartaramik aliortortartut. Danmarkimi illussaarsuit aallaavigalugit eqqartuineq pivoq. Immiussisoq: Anna Karina K. Lyberth Killuisoq: Arnanguak Lyberth Nipilersuusiortoq: Hans Ole Amossen

Folge 14 mit Anna Karina Cassinelli Vulcano - Wie geht Glück? Anna Karina hat die Sonne im Herzen und ist eine absolute POWER Frau. Alleine hat sie fünf Kinder grossgezogen . Ein sehr bewegtes Leben mit vielen höhen und tiefen hat sie durchlebt. Trotzdem ist Anna Karina so Positiv , voller Energie, Lebensfreude , wunderschön und strahlt wie die Sonne persönlich…. Wir haben über so viele spannende Themen gesprochen: Was ist Resilienz? Wie geht Glück? Wie kann ich wirklich glücklich sein? Darf ich überhaupt glücklich sein in düsteren Zeiten? Was hat Aerial Yoga mit einem Flugzeugabsturz zu tun….? Aber hört selbst…….viel Spass Mehr über Anna Karina findest du hier: Website: http://www.anna-karina-cassinelli-vulcano.de Facebook: https://www.facebook.com/profile.php?id=100005169134034 Instagram: https://www.instagram.com/livingnamasteyogapilatesstudio/ ___________ Wenn auch du auf Mallorca lebst und deine Mallorca Geschichte mit mir und meinen Zuhörern teilen möchtest, dann nimm Kontakt mit mir auf. WhatsApp: 0034-601987259 Du findest mich auch auf Instagram https://www.instagram.com/sarah_immerschoen/ Unsere WELLNESSFINCA: https://www.instagram.com/wellnessfinca.de/ Unsere TRAUMFINCA: https://www.instagram.com/traumfinca_son_terrassa/ Facebook: WELLNESSFINCA: https://www.facebook.com/wellnessfinca.mallorca Website: www.wellnessfinca.de Mein Name ist Sarah Schönrogg , ich freue mich auf dich

Episodemi uani Arnanguak aamma Anna Karina, Emaanu peqatigalugu Inuk Hostelsimi oqaluttuaqattaatsitsipput. Una episode unnut taanna immissani immikkoortut aapparaat. Qulliit qamillugit, naneruutaannarnik ikummatilerluni immiussaavoq, oqaluttuaqattaartullu tulleriiginnavillutik oqaluttuaqattaarput. Taartumiuna suut oqaluttuarineqartut? Kinaana meeqqap allanik inoqanngitsumi kuukoortoraa? Eeq! Tusarnaarluarisi! Immiussisut Anna Karina Kâjangmat Lyberth aamma Arnanguak Lyberth Nipilerisoq: Emanuel Hansen Frederiksen Ikiorti: Arnatsiaq Amossen Nipilersuusiortoq: Hans Ole Amossen

Episodemi uani Arnanguak aamma Anna Karina, Emaanu peqatigalugu Inuk Hostelsimi oqaluttuaqattaartitsipput. Una episode unnuk taanna immiussani immikkoortut siulleraat. Qulliit qamillugit, naneruutaannarnik ikummatilerluni immiussaavoq, oqaluttuaqattaartullu tulleriiginnavillutik oqaluttuaqattaarput. Taartumiuna suut oqaluttuarineqartut?  Tusarnaarluarisi! Immiussisut: Anna Karina Kâjangmat Lyberth aamma Arnanguak Lyberth Nipilerisoq: Emanuel Hansen Frederiksen Ikiorti: Arnatsiaq Amossen Nipilersuusiortoq: Hans Ole Amossen

8ème épisode, déjà ! Le temps file comme une balle de baseball frappée par Babe Ruth. Comme vous le savez, ou pas, dans ce podcast on tire des articles wikipedia au sort et on chronique des oeuvres culturelles qui s'y rapportent. L'article du jour est : L'ère de la balle morte, qui correspond à une période importante de l'histoire du baseball US.  Comme on y connait rien, nous sommes allés chercher un vrai spécialiste pour expliquer tout ça ! Et donc on remercie chaleureusement Gaétan Alibert  qui a accepté d'expliquer aux béotiens de quoi il s'agit. Vous l'entendrez en début d'épisode et c'est passionant ! Et ensuite, on parle musique et ciné ! Jusqu'au bout du rêve (Fields of dream) avec Kevin Costner qui n'est ni Robin de bois ni le père de superman ni un poisson Anna, la comédie musicale pop de 1967 qui convoque Anna Karina, Eddy Mitchell, Serge Gainsbourg, Michel Colombier, et bien plus encore Jugatsu, deuxième film de Takeshi Kitano, qui contient beaucoup de baseball Comme toujours, retrouvez la playlist spotify  qui accompagne l'épisode ! Enjoy !

Episodemi uani Anna Karina aamma Arnanguak tarrarsuutit pillugit eqqartuipput. Tarrarsuutit pillugit upperisatoqqat misigisartakkallu assigiinngitsut eqqartorneqarput.  Immiussisut:Anna Karina K. Lyberth aamma Arnanguak Lyberth Killuisoq: Anna Karina Lyberth Nipilersuusiortoq: Hans Ole Amossen

Episodemi uani Anna Karina, Arnanguak Evillu kussuk eqqartulaarpaat. Ukiumilli ataatsimik nalliuttorsiorneq aamma iserfigineqarpoq - aqqusaarsimasagullu eqqartulaarlutigit.  Immiussisoq: Arnanguak Lyberth Killuisoq: Anna Karina Lyberth Nipilersuusiortoq: Hans Ole Amossen

In the mid 1960's Jean-Luc Godard was going through a lot: his politics were changing, his marriage to Anna Karina was ending, and he was becoming more and more disillusioned with US cultural hegemony. So he made a lot of movies about it, and this is the most scattershot one: Made in USA .

Do Studia26 wpadła dziennikarka muzyczna i popkulturowa Anna Gacek, która właśnie wydała swoją pierwszą książkę "Ekstaza. Lata 90. Początek". Jeżeli szukaliście prowokacyjnego i kompletnego kompendium wiedzy na temat popkultury, właśnie się ukazało. I jest wyjątkowo gorące. Ania nie ogranicza się też w swojej opowieści, więc tym bardziej warto...Gorąco było też we Francji w latach 50. i 60. – czasach nowej fali, która zmieniła zupełnie postrzeganie kina. Brigitte Bardot, Jean Seberg, Anna Karina to tylko kilka z super hot nazwisk. Jest jeszcze to jedno, tak ważne – Jean-Paul Belmondo, którego odejście wstrząsnęło światem.Gorąco jest nadal na południu Francji, w Marsylii. W mieście ilość przestępstw z kilku miesięcy przewyższa roczne statystyki z całego kraju. Strefy no-go, do których zakazuje się wjazdu nawet patrolom policyjnym, przemyt, narkotyki, seks, korupcja – to wszystko w filmie "Północny bastion".Chitro i Becker rozmawiają też o ostatniej w karierze płycie 95-letniego Tony'ego Bennetta, którą nagrał z Lady Gagą. To piękny hołd dla kompozytora musicali Cole'a Portera. Bennett zmaga się z chorobą Alzheimera, a Gaga jest jedną z niewielu osób, które zawsze rozpoznaje. Wzruszająca muzyka i historia. Duszno robi się znowu, gdy pojawia się temat serialu "American Crime Story: Impeachment", w którego produkcję zaangażowana jest sama Monica Lewinsky. Tzw. "afera rozporkowa" była w latach 90. na ustach całego świata. Dziewczyny wspominają, jak bardzo media upokorzyły wtedy młodą kobietę, jak bardzo nikt jej nie wierzył i jak bardzo nikt nie stanął po jej stronie. Dziś, po ponad dwóch dekadach, wraca silniejsza. A serial? Oj, musi być bardzo niewygodny dla byłego prezydenta Billa Clintona.Upalnie nie do zniesienia było również podczas Woodstocku 99, co pokazuje świetny dokument produkcji HBO "Music Box: Woodstock '99". Zaczyna Maja nakreślając historię najważniejszego festiwalu – Woodstocku z 1969 roku. Wtedy lało. Zamiast 200 tysięcy ludzi, do Bethel przybyło ich trzy razy tyle. Między 15 a 18 sierpnia na terenie festiwalu urodziła się dwójka dzieci. Zabrakło za to jedzenia i wody, które musiało dowozić wojsko. Ale mit Woodstocku 69 powstał m.in. dlatego, że nie doszło tam do ani jednego aktu agresji. Agresja i przemoc seksualna naznaczyły za to festiwal, który odbył się dokładnie trzy dekady później. Dlaczego? O tym w Studio26.Literatura? "Polki na Montparnassie" Sylwii Zientek (wyd. Agora), której fragmenty czyta Kara.Dokument? Maja wspomina mistrza Formuły1, Michaela Schumachera po seansie dokumentu "Schumacher".Na koniec Wstrząśnięte, Nie Zmieszane i pytanie o... randkę z samą sobą. Dziewczyny czekają na kolejne pytania, które wysyłać możecie na adres: studio26@gmail.comNagrody czekają!To co? Zaczynamy?Muzyka i produkcja: Piotr HaraźnyGrafika: Karolina ŻmijewskaUtwór wykorzystany w podcaście: Universal Music Polska

Socrates Podcasts ve FilmLoverss işbirliğiyle hazırlanan Sinema Var'ın 18. bölümünde Aras Keser ve Güvenç Atsüren, son olarak AH GÖZEL İSTANBUL'da kamera karşısına geçen Aykut Sezgi Mengi'yle oyunculuk etrafına kurulu kolektif bir seçki oluşturuyorlar. Sizin sinemaya bakışınızı değiştiren oyuncu performanslarını, Twitter'da @SocratesPods hesabından bizimle paylaşabilirsiniz. Uyarı: Bu sohbet, konuşulan filmlere dair can alıcı detayları veya sahneleri açık eden bölümler içerebilir. Aşağıdaki zaman kodlarını kullanarak ileri sarabilirsiniz… (10:20) Robert De Niro, RAGING BULL (Scorsese, 1980) (18:25) Adam Sandler, UNCUT GEMS (Safdies, 2019) (27:00) Gena Rowlands, A WOMAN UNDER THE INFLUENCE (Cassavetes, 1974) (33:45) Cate Blanchett, CAROL (Haynes, 2015) (39:20) Anna Karina, VIVRE SA VIE (Godard, 1962) (45:20) River Phoenix, MY OWN PRIVATE IDAHO (Van Sant, 1991) (49:15) Nina Hoss, PHOENIX (Petzold, 2014) (54:35) Macit Koper, ANAYURT OTELİ (Kavur, 1987) (58:20) Dirk Bogarde, THE SERVANT (Losey, 1963)

This time, we're diving into French cinema and reviewing the 1965 neo-noir, thriller Alphaville and along the way we ask, is this film just ripping off the works of George Orwell and Aldous Huxley, who exactly is Lemmy Caution, why does he look so haggard, and is there hope for an English language remake? Let's dig in…. Alphaville Movie Cast and Crew Directed by Jean-Luc Godard: If that name doesn't sound familiar to you, don't worry since it wasn't familiar to us either, but after doing some digging into his career, we discovered he's one of the most influential filmmakers in French cinema and pioneered the New Wave style of film making during the 1960's and 1970's. While he exclusively made films in France, directors like Martin Scorsese, Quentin Tarantino, Brian De Palma and Steven Soderbergh have cited Godard as an influence on their respective styles of directing. He was also awarded an Honorary Oscar in 2010 due to his contributions to the world of cinema. Eddie Constantine as Lemmy Caution: You may be noticing a trend of naming people you may not have heard of before, but Constantine is considered one of the legends of French cinema. Constantine was a well-traveled individual before he wound up in France - born in Los Angeles and emigrating to Vienna in order to jump start a singing career, but returned to America when that career path didn't yield results. He then returned to Europe when the only acting parts he could get in Hollywood were minor roles and began performing in cabarets where he was discovered by legendary French singer, Edith Piaf and he helped her break into English markets. The character of Lemmy Caution became his signature role after this discovery, but more on that later. Anna Karina as Natacha Von Braun: At the time Alphaville was being filmed, Karina and Goddard were married and they continued to work together even after they divorced. Karina is also a legend of French cinema and continued appearing in films as recently as 2008. She also became known as a director, model, singer and writer during her iconic career. Who is Lemmy Caution? Alphaville doesn't address this question until almost 50 minutes into the story, but as our podcast show hosts point out, the film really begins to move after this revelation. We're introduced to Caution as a journalist named Ivan Johnson, but it's not clear if he's there looking for a story or just on holiday. It becomes obvious that he's not really a journalist when he pulls out a handgun and begins shooting at an intruder in his hotel room. Lemmy's real mission is to investigate the city of Alphaville and either destroy the malevolent computer that controls the city, Alpha 60 or to assassinate the creator of Alpha 60, Professor von Braun. The Alpha 60 entity does appear in the film, but as a disembodied gravelly voice that offers vague philosophy as it tries to control its population. Caution's pursuit of Professor von Braun becomes complicated when he falls in love with von Braun's daughter, Natacha, and his mission gains additional objectives as he now has to save her from Alphaville's imminent destruction. The character of Lemmy Caution was created by a British author named Peter Cheney who started his career as a FBI agent, but later became a private detective (starting to sound eerily similar to James Bond). Despite Caution being an American agent created by a British author, he has yet to appear in an English language adaptation. Following World War II, American culture was heavily promoted in France and the population formed an attachment to the American liberators from Nazi occupation. French film producers began to mine for material that would appeal to audiences - Caution became an obvious answer to adapt for the big screen. Constantine would go on to appear as the character in many films beginning in the mid 1950's to the late 1980's, but Alphaville was a polarizing film at the time of release as fans had associated the...

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Noirvember continues as we look at Jean-Luc Godard's 1965 sci-fi philosophical Noir starring Eddie Constantine and Anna Karina, Alphaville.Learn more about your ad choices. Visit megaphone.fm/adchoices