Podcast appearances and mentions of Bill Bruford

Adelantada a su tiempo, visionaria, inclasificable y libre, pionera de la música electrónica y alquimista de la fusión entre jazz, rock y poesia surreal... En este episodio escucharemos la música de Annette Peacock, la auténtica diva oculta de la vanguardia musical del siglo XX, musa inalcanzable de David Bowie e inspiración subterránea de Salvador Dalí. Su carrera discográfica, errática pero fascinante, cautivó por igual a músicos de jazz como sus ex maridos Gary Peacock y Paul Bley, y a luminarias del rock progresivo como el poderoso batería Bill Bruford o el torrencial guitarrista Allan Holdsworth. Interpretaron su enigmáticas composiciones estrellas del calibre de Pat Metheny, Jaco Pastorius, Al Kooper o Mick Ronson. Bautizó uno de sus últimos discos como “El corazón de una acróbata”, acertado título, perfectamente descriptivo de la carrera musical de una funambulista que caminó siempre por el alambre entre la belleza y el riesgo, entre la placidez y el peligro.

One of the more underrated - some might say virtually lost - bands of the early rock era is Delaney & Bonnie.  This singer-songwriter duo is made of session guitarist/vocalist Delaney Bramlett and his wife and former Ikette Bonnie Bramlett.  Just as important as this founding couple is the number of talented musicians they brought into their recordings, with albums often being referenced as recorded by "Delaney & Bonnie and friends."  These "friends" included luminaries such as Leon Russell, Eric Clapton, George Harrison, Duane Allman, Greg Allman, Steve Howe, and Rita Coolidge.  D&B Together is the sixth and final album from Delaney & Bonnie.  Originally entitled "Country Life," the album was delivered to Atco/Atlantic Records behind schedule and rushed into distribution.  Although Atlantic executive Jerry Wexler was a friend of the duo, he didn't think the quality was where it needed to be and withdrew it from the market.  He later sold the contract and the album's master tapes to CBS, who reordered the running sequence and re-released it in March 1972.  In addition to frequent collaborators Eric Clapton, Leon Russell, and Duane Allman, this album also contains the work of "friends" like Dave Mason, Billy Preston, and Tina Turner. Despite the title, Delaney and Bonnie would divorce shortly after the album came out.  Drugs were taking their toll on the couple and their relationship could not survive it.  However, they did have a daughter named Bekka Bramlett, who was a member of Fleetwood Mac from 1993-1995 and had a long career as a backing vocalist in the music industry.Bruce presents this underrated rock/soul album for this week's podcast.Comin' HomeThis song was released in December 1969 by Atco Records (US) and Atlantic Records (international).  It was co-written by Bonnie Bramlett and Eric Clapton, and features Eric Clapton.  It went to number 84 on the US pop charts.  The lyrics are about being on the road and getting ready to come home to the one the singer loves.  Only You Know and I KnowDave Mason originally wrote and recorded this song in 1970, and it became his first charting single, going to number 42 on the Billboard Hot 100.  Delaney & Bonnie re-recorded it and took it to number 20 on the same chart.  This single was released in 1971, another single that came out before the album.  I Know Something Good About YouThis is a deeper cut on the album with an upbeat, funky sound.  It was written by Delaney Bramlett and Joe Hicks.  Groupie (Superstar)Most people recognize this as a hit from the Carpenters, but this is the original.  Rita Coolidge came up with the idea after observing female groupies with rock starts in the late 60's, and the song was written by Bonnie Bramlett and Leon Russell.  It was the B-side to "Comin' Home."  Richard Carpenter picked it up for the Carpenters, and changed some of the lyrics to be less risqué.   ENTERTAINMENT TRACK:Main theme from the television series The RookiesThis police action series debuted in October 1972. STAFF PICKS:And You and I by YesWayne leads off the staff picks with an excerpt of the 10+ minute work written by Jon Anderson, Bill Bruford, Steve Howe, and Chris Squire. The entire song consists of four parts, but the first two were released as a single edit which hovered just outside the top 40 on the Billboard charts.   You Wear It Well by Rod StewartRob brings us the first single from Stewart's fourth studio album, "Never a Dull Moment."  It went to number 13 on the Billboard Hot 100, and number 1 on the UK singles chart.  Many consider this an arrangement of Stewarts hit "Maggie May."  As with his previous album, members of the Faces join in as musicians on "Never a Dull Moment."Lean On Me by Bill WithersLynch features a song written and performed by Withers.  It was inspired by his experience growing up in a mining town in West Virginia. The community ethic of that town was something Withers missed when he moved to Los Angeles.  It was the first single from Withers' second album, "Still Bill." Turn to Stone by BarnstormBruce brings us a song inspired by frustration over the Vietnam War, the Nixon Administration, and the protesting that was going on at the time.  Joe Walsh left the James Gang and formed a group called Barnstorm.  The group put out three albums including one with the wonderful title "The Smoker You Drink, the Player You Get."  This song is off the group's self-titled debut album.  COMEDY TRACK:My Ding-a-Ling by Chuck BerryWe close out this week's podcast with Berry's double entendre masterpiece, on the charts in this month.   Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Une boucle en 1972...Cette année les londoniens URIAH HEEP sortent l'un de leurs meilleurs opus (faut dire que c'est l'age d'or du groupe) : "Demons And Wizards" en extrait dans ce 428ème épisode d'Amarok en direct, tandis que la formation poursuit une longue tournée d'adieu... Découverte d'un artiste bordelais dont on sent bien l'inspiration d' illustres musiciens anglais des 60's mais qui sait faire preuve de créativité et d'originalité : ARTHUR SATAN vient de publier son 2ème album solo : "A Journey That Never Was". Plus d'une heure de bonheur ! Un album  chaleureusement recommandé, comme ce titre diffusé ici pour notre plus grand plaisir !  Retour outre-manche avec l'ombre de SYD BARRETT à travers le groupe SLOWDIVE et une reprise de son "Golden Air" dans le pur style shoegaze des années 90's. Musique composée par le fondateur sacrifié de Pink Floyd mais qui n'en avait pour une fois pas rédigé le texte, préférant mettre en musique les vers du poète irlandais James Joyce. Dites donc ça fait beaucoup de talent en 4 minutes !  Direction l'Italie avec une artiste découverte assez récemment par l'animateur de cette émission que le monde entier nous envie (enfin l'émission !)  grâce à Louis De Ny, LE spécialiste du rock progressif italien. Il s'agit d' ELISA MONTALDO avec ici un extrait du somptueux "Fistful Of Planets Pt II", publié en 2021 dans une édition multisensorielle (parfum, livret, dessins et bien sur la musique d'Elisa). Alors évidemment seul le son est accessible en radio mais quel Son...Unique !  En 1995, KING CRIMSON publie un nouvel opus après la 2ème rupture de sa carrière. Sauf que cette fois-ci la formation de Mr Fripp reste la même que la précédente, mais avec deux musiciens en plus. Ce qui en fait un groupe singulier à double guitare, double basse et double batterie (dont celle de Bill Bruford qu'on retrouvera plus tard...) Inspirés pas des mastodontes tels que Rush ou Pink Floyd, les membres de THE AURORA PROJECT n'ont pas à rougir avec leur nouvel opus qui ne déroge pas à la règle de produire des albums concepts depuis leurs débuts en 1998. Un univers d'anticipation mis en son par ces talentueux musiciens des Pays-bas. Connaissez-vous EDINBURGH OF THE SEVEN SEAS ? Si vous êtes Docteur en Géographie, vous savez déjà qu'il s'agit d'une toute petite et unique localité d'une ile britannique perdue en plein océan atlantique sud...Mais si vous êtes passionnés de musique et nantais, alors vous savez peut-être qu'il s'agit aussi d'une formation issue de la Cité des Ducs, qui vient de sortir un nouvel EP au son des 90's, plutôt introspectif, voire shoegaze à l'instar de Slowdive évoqué plus haut. Un extrait à découvrir dans cette émission, voire à redécouvrir si vous avez eu la sagesse d'écouter ou de regarder le SUN MUSIC ADDICT, numéro du 16 mai où la formation avait défendu avec brio "Childhood Ghost" dans nos studios nantais !  Retour pour un 2ème extrait ici depuis sa sortie du nouvel album de LIA HIDE. L'artiste hellénique revient avec "Aristophobia Nervosa", qui relève du génie !! Audacieux, avant-gardiste,inspirant et courageux car chanté en dans sa langue maternelle, ce disque une une des belles surprises de la saison !  Revoici donc Bill Buford, mais cette fois au sein de YES. Ces dernières années le groupe publie pour la plus grande joie des fans (mais peut-être pas de leurs banquiers) des versions remastérisées, remixées, augmentées, alliant vinyles, CD et Blu-Ray 5.1 des grandes productions de leur age d'or. Ici un extrait remixé par le "saittoutfaire" Steven Wilson de l'album "Fragile" qui a donc bénéficié de cette cure de jouvence l'année dernière. Autre groupe expérimenté : les écossais LONG EARTH avec une quarantaine d'années au compteur mais forcément moins exposé que leurs compatriotes précédemment cités puisqu'ils n'ont sorti leur 3ème album  qu'en 2024 ! Les musiciens jouaient ensemble depuis toutes ses années, mais se sont enfin mis (pour le plus grand bien de nos cages à miel) à publier leur musique sur galettes depuis seulement quelques années. Bouclons la boucle avec l'an 1972, mais cette fois de l'autre côté de l'Europe (géographiquement mais aussi musicalement) avec l'une des figures de prou de ce mouvement allemand appelé Krautrock : AMON DÜÜL II.  Ici pour un extrait de leur album "Wolf City". Vive LES rocks progressifs !  Page Facebook de l'émission : AMAROK44

The Jazz Session No.414 from RaidersBroadcast.com as aired in May 2025, featuring the magical and atmospheric 2024 modern jazz album “Entity” from the Neil Cowley Trio. TRACK LISTING: Roundabout - Keef Hartley; "Iss" Lanseï Doïa - Magma; Five O'clock Whistle - Ella Fitzgerald; Let's Fall in Love - Diana Krall; Lemon Meringue - Neil Cowley Trio; Marble - Neil Cowley Trio; Silk 'N' Satin - Sonny Rollins; Mandrake - Eric Dolphy; Q.E.D. - Bill Bruford; Dunes that Move - Billy Cobham; Omen - Emma Rawicz; No Service - Empirical; That's Like It Ought to Be - Jelly Roll Morton & His Red Hot Peppers; Alligator Crawl - Louis Armstrong & His Hot Seven; V&A - Neil Cowley Trio; Entity - Neil Cowley Trio; Vartha - Joel Ross; Straight No Chaser - Bill Evans; L's Bop - Clarke, Corea, Joe Henderson, Hubbard, White; Bop Be - Keith Jarrett.

Dynamic drummer talks about his work in the studio with Ralph Towner and how language often misconstrues the significance and magic of music.

English drummer talks about time displacement and how he created seminal beats for psych rock outfits like Yes and King Crimson.

This Yesshift News Desk Edition begins with an acknowledgement of Oliver Wakeman's Birthday, new work he's alluded to, and an article about his time with Yes. There's also a unique project Adam Wakeman has taken part in, press interviews with Bill Bruford and Steve Howe (separately) containing interesting info, an upcoming Trevor Horn conversation tour, and more.

Treize minutes d'images inédites de Led Zeppelin en concert, tournées au Falkoner Centre de Copenhague (Danemark) en juillet 1979, ont été retrouvées près d'un demi-siècle plus tard. Le percussionniste de King Crimson, Jamie Muir, qui avait quitté le groupe pour devenir moine bouddhiste en 1973, est décédé à l'âge de 82 ans. Rick Buckler, batteur du groupe britannique The Jam, s'est éteint à l'âge de 69 ans. Surprise et belle nouvelle pour les fans de Paul Simon : 7 ans après avoir bouclé sa tournée d'adieu, et malgré ses sévères problèmes d'audition, il reprend la route pour une longue tournée nord-américaine. Mumford and Sons est de retour avec un nouvel album, ‘'RUSHMERE'', leur premier depuis Delta en 2018, sortie prévue pour le 28 mars 2025, on découvre le single "Malibu". Grâce à ses initiatives, FireAid a réussi à collecter un total impressionnant de plus de 100 millions de dollars dont la moitié a été allouée sous forme de subventions destinées aux organisations en première ligne de l'aide aux victimes des incendies. Mots-Clés : lives, Royaume-Uni, Knebworth, Lennart Strom, fan, images, extrait, Black Dog, Since I've Been Loving You, No Quarter, Kashmir, Stairway To Heaven, Whole Lotta Love, solo, guitare, Jimmy Page, batteur, Bill Bruford, page Facebook, Cornouailles, Royaume-Uni, frère, George, album, Larks' Tongues in Aspic, 1973, famille, Woking, maladie, Paul Weller, Bruce Foxton, hommage, Flushing Meadows Corona Park, Queens, New York, décision, communiqué de presse, Los Angeles, processus, enregistrement, Dave Cobb, capté, disque, bénéficiaire, subventions, fonds collectés, concerts, Los Angeles. --- Classic 21 vous informe des dernières actualités du rock, en Belgique et partout ailleurs. Le Journal du Rock, en direct chaque jour à 7h30 et 18h30 sur votre radio rock'n'pop. Merci pour votre écoute Plus de contenus de Classic 21 sur www.rtbf.be/classic21 Ecoutez-nous en live ici: https://www.rtbf.be/radio/liveradio/classic21 ou sur l'app Radioplayer BelgiqueRetrouvez l'ensemble des contenus de la RTBF sur notre plateforme Auvio.be Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Découvrez nos autres podcasts : Le journal du Rock : https://audmns.com/VCRYfsPComic Street (BD) https://audmns.com/oIcpwibLa chronique économique : https://audmns.com/NXWNCrAHey Teacher : https://audmns.com/CIeSInQHistoires sombres du rock : https://audmns.com/ebcGgvkCollection 21 : https://audmns.com/AUdgDqHMystères et Rock'n Roll : https://audmns.com/pCrZihuLa mauvaise oreille de Freddy Tougaux : https://audmns.com/PlXQOEJRock&Sciences : https://audmns.com/lQLdKWRCook as You Are: https://audmns.com/MrmqALPNobody Knows : https://audmns.com/pnuJUlDPlein Ecran : https://audmns.com/gEmXiKzRadio Caroline : https://audmns.com/WccemSkAinsi que nos séries :Rock Icons : https://audmns.com/pcmKXZHRock'n Roll Heroes: https://audmns.com/bXtHJucFever (Erotique) : https://audmns.com/MEWEOLpEt découvrez nos animateurs dans cette série Close to You : https://audmns.com/QfFankx

    Back in the 70s I was a huge prog rock fan and an offshoot of that fandom was discovering jazz fusion. I think Jean-Luc Ponty was the first proper fusion record I ever owned. I believe I was a fusion fan before getting into jazz in general.    I've been planning on creating a fusion mix for months but just haven't gotten around to it. Then last month I was sipping coffee on a cold morning, listening to a fusion playlist, when a couple of laid back tunes came up. I immediately started a new playlist for quiet fusion tracks. And this mix is the result.   It's got some of my all time favorite jazz fusion artists - Alan Holdsworth, Brand X, Pat Metheny, Herbie Hancock & Miles Davis. But surprisingly, not my fav fusion artist - Bill Bruford. He just didn't have anything quiet enough that worked with the mix. But at least his guitarist, Alan Holdsworth made the cut.   I hope you enjoy listening to this little diversion as much as I did creating it.   Cheers!     T R A C K L I S T : 00:00   Herbie Hancock - Vein Melter (Head Hunters 1973) 08:50   Allan Holdsworth - Distance vs Desire (Sand 1987) 13:56   John Abercrombie - Timeless (Timeless 1974) 21:38   Pat Metheny & Lyle Mays - September Fifteenth (As Falls Wichita, So Falls Wichita Falls 1981) 29:06   Jaco Pastorius - Continuum (Jaco Pastorius 1976) 33:30   Soft Machine  - Between (Six 1973) 35:33   Joe Zawinul - In A Silent Way (Zawinul 1971) 40:11   Gong Emotions (Downwind 1979) 44:50   Jean-Luc Ponty - I Only Feel Good With You (Cosmic Messenger 1978) 47:38   Brand X - Black Moon (Masques 1978) 51:55   Miles Davis - It's About Time (The Complete In a Silent Way Sessions 2001) 60:49   e n d

Produced by Wayne Hall, Joseph Cottrell, Jeffrey Crecelius and Ken Fuller Mark was back this week and we welcomed YMP listener and Patron Jon Pickles onto the show to talk about the time he was a 'tea boy' at Trident Studios in London. You'll need to listen to the interview to hear all about it but Trident was the world-renowned studio where, amongst unnumbered highlights of rock music, Yes recorded overdubs for their first album, Queen recorded their first two albums and The Beatles recorded Let It Be and other seminal songs. Listen out for stories about Rick Wakeman, Bill Bruford, Trevor Horn and many more! A screenshot from the video below showing Trident Studios - note the control room above and the Bechstein Grand piano used by Rick Wakeman, Paul McCartney etc. What did Jon have to do as a 'tea boy'? Who did he meet and work with? What was it like being in Soho in those days? Let us know if you agree with us! Yes fans outside Trident Studios during Dave Watkinson's Yes 50th Anniversary Convention in 2018 https://youtu.be/c3OHmZ-5HQM?si=HcYFzRfl0b-wynRr https://youtu.be/rBX2n5HqQeg?si=YgquYin7Bvr22HRH I MADE IT TO ANTHEM 52! MY Other podcast - https://anthem52.com/ Yes - The Tormato Story Available now! YesMusicBooks.com YMP Patrons: Producers: Joseph Cottrell Wayne Hall Ken Fuller Jeffrey Crecelius Patrons: Aaron SteelmanLindAl Dell'AngeloLobate ScarpBarry GorskyMark BaggsBill WhittakerMark James LangBob MartilottaMark SlaterBrian HarrisMartin KjellbergBrian SullivanMichael HanderhanChris BandiniMichael O'ConnorCraig EstenesMiguel FalcãoDave OwenPaul HailesDavidPaul TomeiDavid HeydenRachel HadawayDavid PannellRobert NasirDavid WatkinsonRobert VandiverDeclan LogueRonnie NeeleyDemScott ColomboDoug CurranSimon BarrowFergus CubbageStephen LambeFred BarringerSteve DillGary BettsSteve LuziettiGeoff BailieSteve PerryGeoffrey MasonSteve RodeGuy DeRomeSteve ScottHenrik AntonssonSteven RoehrHogne Bø PettersenTerence SadlerTodd DudleyJohn CowanJohn ThomsonJohn HoldenJohn ViolaJamie McQuinnTim Stannard Become a Patron! Our Facebook YMP Discussion Group is open to anyone to join. One of the advantages of the new format is that all members of the group have the same ability to post content, so it's a bit more egalitarian, or somesuch. Please do search for the group and join in. https://www.facebook.com/groups/3216603008606331/ Please follow/subscribe! If you are still listening to the podcast on the website, please consider subscribing so you don't risk missing anything: Theme music The music I use is the last movement of Stravinsky's Firebird Suite. This has been used as introduction music at many Yes concerts.

Yes had achieved chart success in the U.S. beginning with their third LP, The Yes Album. Original keyboard player Tony Kaye would be let go after that album, with former Strawbs keyboard player Rick Wakeman joining in mid-1971. Both the albums Fragile and Close to the Edge would be considered both fan and critical favorites, with a successful tour a triple-album live album and concert film in Yessongs. However, during that tour drummer Bill Bruford left for King Crimson and was replaced by Alan White, and Jon Anderson and Steve Howe began working on new music that would become one of the band's most controversial albums - Tales from Topographic Oceans.

Voilà une émission dont certains titres ne sont pas du tout formatés pour passer sur des radios commerciales. Tant mieux et bienvenue.s sur SUN !

References Signal Transduct Target Ther. 2024 Mar 15;9:60. Nature Reviews Molecular Cell Biology2022 23,:715–731 Kierkegaard, S. 1846. The Present Age. Jon Anderson, Chris Squire, and Bill Bruford 1971. "Heart of the Sunrise" on Fragile [lp] Tartini, G. 1730. Concerto for Clarinet and Strings https://open.spotify.com/track/07ZIuFZe7LCkOsAZURkRqs?si=eb4c096081854068 --- Support this podcast: https://podcasters.spotify.com/pod/show/dr-daniel-j-guerra/support

The Jazz Session No.384 from RaidersBroadcast.com as aired in October 2024, featuring the superb and atmospheric album “Suspended Night” from 2004, by the Tomasz Stanko Quartet. TRACK LISTING: Honiara - Snarky Puppy; Search for Peace - Ishmael Ensemble; New York State of Mind - Billy Joel; You're Sensational - Frank Sinatra; II (Suspended Variations) - Tomasz Stanko Quartet; IX (Suspended Variations) - Tomasz Stanko Quartet; Without a Song - Duke Ellington; Stardust - Artie Shaw; Q.E.D. - Bill Bruford; Mercy Street - Herbie Hancock; Las Vegas Tango - Gil Evans; Be-Bop Tango - Frank Zappa; Birth of the Blues - Stephane Grappelli; Hijaz - Hassan Erraji & Arabesque; I (Suspended Variations) - Tomasz Stanko Quartet; VIII (Suspended Variations) - Tomasz Stanko Quartet; Locomotion - John Coltrane; Somethin' Else - Cannonball Adderley ; Hell Amongst the Yearlings / Goaway Bird - Norman Wilmore; Feedback - Henry Franklin, w. Adrian Younge, Ali Shaheed Muhammad.

We've developed our On First Listen series to give us a chance to explore albums that we didn't know but had heard about for years. Maybe a friend recommended it, perhaps it was popular at a time in our lives when it slipped past us or maybe we'd seen in on all-time lists. King Crimson's debut fit into the third category as many progressive rock fans hold In The Court Of The Crimson King in very high regard. And with many talented line-ups over the years including Greg Lake on bass & vocals, Ian McDonald on keys and many other things, and Robert Fripp on guitar on this album (with future versions featuring John Wetton, Boz Burrell, Bill Bruford, Tony Levin, Adrian Belew, Mel Collins and many, many more) we figured we'd give it a go. However, while the musicianship is off the charts and they experiment with many keys, times and toys (the new mellotron was driving much of their experimental sound), sometimes it's not terribly listenable. 21st Century Schitzoid Man is abrupt and in your face as a protest to the Vietnam War but isn't a toe tapper. The wistful I Listen To The Wind is 180 degree turn as a lovely ballad but is more than 6 minutes long. And Epitaph, Moonchild (nothing like the Iron Maiden song) and The Court Of The Crimson King though they have moments of beauty and style fail to land in the fun zone. While many will appreciate the music for it's complexity and degree of difficulty, it's not an album you put on in the background of a party. Perhaps our blues based rock brains aren't mature enough to understand but we find 70s era Yes and Genesis far easier to digest and enjoy. Note: We recorded this a year before releasing it as we planned for it to be our first On First Listen but scheduling necessities caused us to leave it on the shelf. We mention that it's 54th anniversary is coming up but as we release this it's the 55th anniversary of original release. And it was before we interviewed director Toby Amies about his fabulous documentary King Crimson: In The Court Of The Crimson King for episode 158. Ugly American Werewolf in London Website Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

We've developed our On First Listen series to give us a chance to explore albums that we didn't know but had heard about for years. Maybe a friend recommended it, perhaps it was popular at a time in our lives when it slipped past us or maybe we'd seen in on all-time lists. King Crimson's debut fit into the third category as many progressive rock fans hold In The Court Of The Crimson King in very high regard. And with many talented line-ups over the years including Greg Lake on bass & vocals, Ian McDonald on keys and many other things, and Robert Fripp on guitar on this album (with future versions featuring John Wetton, Boz Burrell, Bill Bruford, Tony Levin, Adrian Belew, Mel Collins and many, many more) we figured we'd give it a go. However, while the musicianship is off the charts and they experiment with many keys, times and toys (the new mellotron was driving much of their experimental sound), sometimes it's not terribly listenable. 21st Century Schitzoid Man is abrupt and in your face as a protest to the Vietnam War but isn't a toe tapper. The wistful I Listen To The Wind is 180 degree turn as a lovely ballad but is more than 6 minutes long. And Epitaph, Moonchild (nothing like the Iron Maiden song) and The Court Of The Crimson King though they have moments of beauty and style fail to land in the fun zone. While many will appreciate the music for it's complexity and degree of difficulty, it's not an album you put on in the background of a party. Perhaps our blues based rock brains aren't mature enough to understand but we find 70s era Yes and Genesis far easier to digest and enjoy. Note: We recorded this a year before releasing it as we planned for it to be our first On First Listen but scheduling necessities caused us to leave it on the shelf. We mention that it's 54th anniversary is coming up but as we release this it's the 55th anniversary of original release. And it was before we interviewed director Toby Amies about his fabulous documentary King Crimson: In The Court Of The Crimson King for episode 158. Ugly American Werewolf in London Website Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In Production: Tales from Topographic OceansListening guide Sign up to the e-newsletter updates for exclusive access to the PRESALE! TormatoBook.com Produced by Wayne Hall, Joseph Cottrell, Jeffrey Crecelius and Ken Fuller This week Mark and I listened to the edited audio of the main ‘location reports' I made last Saturday during my trip to London to tell some Tales from Topographic Locations. I had a great time discovering what those important places look like today and their surrounding areas. Please tell us your experiences of The Rainbow Theatre by leaving a comment below. Is Morgan Studios still in operation? Where did the band rehearse Tales? Where did Yes play 5 consecutive nights on the Tales Tour in the UK? Let us know if you agree with us! Tales from Topographic Locations compilation video: https://youtu.be/6kwtpO4glhQ?si=D5QUgftcVsxulYm7 Yes 50th Anniversary plaque unveiled by Dr. Bill Bruford: https://youtu.be/HEGTNj-WyCU?si=tq-qZx68PiHZFD3H There are only 100 of these packs available, so buy yours now! (Opens in a new window) Check out the progress on my other podcast - https://anthem52.com/ Yes - The Tormato Story Available now! TormatoBook.com YMP Patrons: Producers: Joseph Cottrell Wayne Hall Ken Fuller Jeffrey Crecelius Patrons: Jim Morrison Jon Pickles Declan Logue Gary Betts Aaron SteelmanMichael Handerhan Barry Gorsky Steve Perry Doug Curran Martin Kjellberg Todd Dudley Rachel Hadaway Lind  Paul Hailes Craig Estenes Mark James Lang Steve Rode David Bob Martilotta John Holden Stephen LambeDem Fred Barringer Scott Colombo Chris Bandini David Heyden John Thomson Mark Baggs John Cowan John Parry Dave Owen Simon Barrow Steve Scott Terence Sadler Steve Dill Robert Nasir  Fergus Cubbage William Hayes Geoff Bailie Steven Roehr Lobate Scarp Geoffrey Mason David Watkinson Tim Stannard Robert VandiverBrian Sullivan David Pannell Jamie McQuinnMiguel Falcão Paul Tomei Michael O'ConnorBrian HarrisHogne Bø PettersenGuy DeRomeMark Slater Become a Patron! Our Facebook YMP Discussion Group is open to anyone to join. One of the advantages of the new format is that all members of the group have the same ability to post content, so it's a bit more egalitarian, or somesuch. Please do search for the group and join in. https://www.facebook.com/groups/3216603008606331/ Please follow/subscribe! If you are still listening to the podcast on the website, please consider subscribing so you don't risk missing anything: Theme music The music I use is the last movement of Stravinsky's Firebird Suite. This has been used as introduction music at many Yes concerts. My theme music is not take from a live concert – I put it together from: archive.org

NEW FOR SEPTEMBER 15, 2024 Think a thought of music . . . Cognitive Dissonance - The Best Radio You Have Never Heard Vol. 492 1. Goodnight Saigon - Billy Joel 2. Release / Won't Back Down (live) - Pearl Jam 3. Hey Joe (live) - Patti Smith 4. Physical (Your So) - Nine Inch Nails 5. Boogies (Hamburger Hell) - Todd Rundgren 6. Once Upon A Dream - Jon Anderson w/ The Band Geeks 7. Cosmik Debris (live) - Frank Zappa 8. The Staircase - Maxx McGathey 9. Voodoo Child (live) - Eric Clapton and Steve Winwood 
10. Green Onions (live) - Buddy Guy and Junior Wells 11. Sahara - Devon Allman 12. Are You Going With Me (live) - Pat Metheny Group 13. Downtown (live) - Bill Bruford's Earthworks 14. Kissing the Ring of Potus - The The 15. Helplessly Hoping (live) - Crosby, Stills, Nash and Young 16. Have You Ever Seen The Rain (live) - R.E.M. The Best Radio You Have Never Heard. Deep musical thoughts since 2004. Accept No Substitute Click to leave comments on the Facebook page.

Steven goes live for a news round-up (including info on a Relayer 50th anniversary pressing, a Bill Bruford box set, Rick's Yessonata, and more) before talking about his vinyl copies of Earthside's Let the Truth Speak and Ruth Radelet's The Other Side. Plus, a little bit of info on a couple of the episodes one can expect this month! (Also may have (AGAIN) mispronounced at least one name and didn't realize while recording. Sorry!) --- Support this podcast: https://podcasters.spotify.com/pod/show/yesshift/support

The Sound Chaser Progressive Rock Podcast is on the air. The show this time is the second edition of the broadcast releases special. The first was way back in November, 2016. It is time to do it again with a new batch of previously broadcast goodies. Every piece of music on this show was originally broadcast on radio or television, and then subsequently released on cd or video. Because there were two major outlets for such broadcasts, the BBC in the UK and The King Biscuit Flower Hour syndicated broadcast in the US, those will be the major sources for the music here. However, the show does feature broadcasts from other sources including an internet only source. Most, but not all, of the music here is performed live. So get set for that old-time feel of the radio broadcast event on Sound Chaser. Playlist1. Porcupine Tree - Where We Would Be [Radio III Poland 6/4/01], from Warszawa2. The Pentangle - Bruton Town [BBC Radio Top Gear 12/5/69], from The Lost Broadcasts 1968-19723. Strawbs - Out in the Cold [BBC Radio Sight and Sound 2/78], from Live in America4. Strawbs - Round and Round [BBC Radio Sight and Sound 2/78], from Live in America5. Steve Hackett - Depth Charge [Central TV Bedrock 1990], from Time Lapse6. Nucleus - The Pretty Redhead [BBC Radio 3 Jazz in Britain 6/10/82]. from The Pretty Redhead7. Hatfield and the North - Shipwrecked [Central TV Bedrock 1990], from Live 19908. Bill Bruford's Earthworks - Bridge of Inhibition [BBC Radio 3 12/9/92], from Stamping GroundTHE SYMPHONIC ZONE9. Anderson Bruford Wakeman Howe - And You And I [King Biscuit Flower Hour 9/9/89], from An Evening of Yes Music Plus10. King Crimson - Epitaph [BBC Radio Top Gear 7/9/69], from Epitaph11. Peter Panka's Jane - Windows / Spain [WDR Germany 3/1/05], from Live at Rockpalast: Bonn 200412. Barclay James Harvest - Mocking Bird [US Radio Syndication 1972], from BBC in Concert 197213. Renaissance - Can You Hear Me [King Biscuit Flower Hour 14/10/77], from King Biscuit Flower Hour Part 114. Caravan - For Richard [BBC John Peel 14/2/74], from Songs for Oblivion FishermenLEAVING THE SYMPHONIC ZONE15. Pink Floyd - Set the Controls for the Heart of the Sun [French TV Forums Musiques 22/1/69], from Transmissions + 196916. The Who - Anyway, Anyhow, Anywhere [Rediffusion TV Ready Steady Go! 7/1/65], from The Kids Are Alright17. Maneige - Bullfrog Dance [CKVL-FM Quebec 22/11/75], from Live à L'éveché18. Hawkwind - Ejection [Central TV Bedrock 1990], from Live 199019. Gong - Outer Vision [Central TV Bedrock 1990], from Live in Nottingham20. Gong - Outer Vision [Central TV Bedrock 1990], from Live in Nottingham21. Mike Oldfield - Family Man [Polish Radio 25/7/99], from Live Then & Now22. The Moody Blues - The Morning: Another Morning [BBC Radio The Tom Jones Show 31/5/68], from Live at the BBC 1967-197023. Focus - Virtuous Woman [BBC Radio 1 In Concert 21/3/76], from Live at the BBC24. Roger Waters - 4:37 AM (Arabs with Knives and West German Skies) [US Radio Syndication 28/10/85], from The Pros & Cons of New York25. Roger Waters - 4:39 AM (For the First Time Today, Part 2) [US Radio Syndication 28/10/85], from The Pros & Cons of New York26. Roger Waters - 4:41 AM (Sexual Revolution) [US Radio Syndication 28/10/85], from The Pros & Cons of New York27. SAWCE - Good Set [Audiotree 3/7/19], from Adiotree Live28. Elephant Gym - Head & Body [Audiotree 8/4/19], from Audiotree Live29. Gentle Giant - Free Hand [BBC TV 21/1/78], from Out of the Fire: The BBC Concerts30. Dixie Dregs - Take It off the Top [King Biscuit Flower Hour 17/6/79], from King Biscuit Flower Hour

Steven talks about some news again! The Jon Anderson & The Band Geeks single "Shine On" is out now! But before going into that, Steven touch on other news topics. There's a surprising addition to the Cruise to the Edge lineup, for example, and Bill Bruford will be involved in a conversation in conjunction with the upcoming Progject tour. Steven will even review the Jazz Sabbath Show he attended last night at the Catalina Jazz Club, which featured Adam Wakeman, Tim Landers, and Tal Bergman playing jazz versions of Black Sabbath songs. He acquired both albums on vinyl, so will also do a Steven's Vinyl Adventures segment here. --- Support this podcast: https://podcasters.spotify.com/pod/show/yesshift/support

References Nature Immunology 2018. volume 19, pages:871–884 Jon Anderson, Chris Squire, and Bill Bruford 1971. "Heart of the Sunrise". Yes. https://youtu.be/0vNcgL9Fi4w?si=DkXqwHwIEuQcTiMt --- Send in a voice message: https://podcasters.spotify.com/pod/show/dr-daniel-j-guerra/message Support this podcast: https://podcasters.spotify.com/pod/show/dr-daniel-j-guerra/support

In 1974, in the wake of the release of their magnum opus, Red, Robert Fripp made the decree "King Crimson is completely over. For ever and ever." And he meant it... for a time. For the next few years, he left the music industry completely to focus on himself and his spirituality, but he wouldn't be out for long. In the late 70s into 1980, Fripp was pulled back into the fold, laying down guitar work for legends such as David Bowie, Peter Gabriel, and Daryl Hall. Finally, the need to be in a group resurfaced, and he enlisted Adrien Belew (who had just come off the "Remain in Light" tour) and Tony Levin (a master of the Chapman Stick) to join himself and Bill Bruford in a New Wave band calling itself Discipline. It wasn't very long before it became apparent that this grouping was the next incarnation of King Crimson, and in 1981, they wowed the rock world with a completely new sound for the band. It was New Wave, but still with all the Prog polyrhythms that defined them in the past. Whatever you think of this point in their discography, it's clear they were masters of reinvention. Today we're joined once again by Adam Elk from The Mommyheads!!! They are finally touring the midwest THIS WEEKEND and you should come out and see them! Tour dates linked belew. The Mommyheads midwest tour dates!: https://twitter.com/TheMommyheads/status/1790120603048984586 Beato interviews Belew, Vai, Levin, and Carey about upcoming "Beat" tour: https://youtu.be/AbQM09t5E2c?si=ZKtczYDMiFEqJBiE The Mommyheads perform "Frame by Frame": https://youtu.be/1Gqz8NWSMyA?si=kCpkez19t7DlKnVR OUR DISCORD: ⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/2stA2P7pTC⁠⁠⁠⁠⁠⁠⁠⁠ Flyover State Hotline - 1 608 HIT-NERD (608-448-6373) ⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/flyoverstatepark⁠⁠⁠⁠⁠⁠⁠⁠ EVERYTHING ELSE: ⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/FlyoverStatePark⁠⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/albumconcepthour/support

Introducing the Band:Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) are with guest Brad Birzer. Brad is the Russell Amos Kirk Chair in American Studies and Professor of History at Hillsdale College. He is also the co-founder of and Senior Contributor at The Imaginative Conservative, and the author of a number of books, including Neil Peart: Cultural (Re)Percussions. Find him online at bradbirzer.com or @bradleybirzer on Twitter.Brad's Music Pick: YesTell the moon dog, tell the march hare! We take you close to the edge of the south side of the sky this week as we discuss the early adventures of Britain's answer to all the questions raised by hippies during the Seventies, the New Age of Atlantic: Yes. Yes were one of the pillars of British progressive rock music, but also (perhaps surprisingly) a major commercial success in America long before their peers. They were also a truly singular band during their lengthy heyday; the band underwent endless lineup changes as personalities clashed and artistic visions ran amok, and yet they have always sounded like themselves and nobody else successfully has.Starting with local janitor Jon Anderson on countertenor vocals, Pete Banks on Hendrixian guitar, Tony Kaye on groovy late-Sixties B3 organ, fussily precise jazz drummer Bill Bruford keeping time, and Chris Squire playing a bass so aggressive it intimidates people into crossing to the other side of the street, Yes exploded out of London's club-gigging scene after drawing inspiration from watching a newly born King Crimson play the circuit. Their early style mixed originals -- first halting, then increasingly assured -- with spectacularly imaginative covers of everything from West Side Story to Buffalo Springfield and Simon & Garfunkel. But as Banks was jettisoned for Steve Howe, and then Tony Kaye traded in for Rick Wakeman, Yes ascended from a series of records beginning with The Yes Album and Fragile (1971) to superstardom, with all that entailed: sidelong songs, triple live albums, and extended soaks in the topographic oceans. All set to some of the most inscrutable lyrics but gorgeous music written during the decade.So turn on your lava lamp and get ready to call over valleys of endless seas as you and I climb crossing the shape of the morning -- it's time to sink into a elevated musical fantasy world created by Yes during this, the first part of their career. We take the story up through Tales from Topographic Oceans (1973); next time around, we'll get a relayer to go for the one without too much drama, but for now click play and enjoy the sound of perpetual change. 

Join us as we celebrate the birthdays of Bill Bruford, Rick Wakeman, and Jay Schellen (all in one go given our schedules) and talk about stuff related to them, including news of the upcoming Fragile and King Crimson USA rereleases coming from Burning Shed, the Songs from Tsongas concert turning 20 this week, and Mirror to the Sky turning a year old! --- Support this podcast: https://podcasters.spotify.com/pod/show/yesshift/support

This is a focus on King Crimson. This is one of the essential Progressive Rock bands of all time, and the band have incorporated many music styles from jazz rock, psychedelia and then updated their sound again for the 1980s. This is Robert Fripp's creative genius expressed thru the varying lineups of the band. Please have a look at these special interest sites.If you would, please make a donation of love and hope to St. Jude Children's HospitalMake an impact on the lives of St. Jude kids - St. Jude Children's Research Hospital (stjude.org)Get your Vegan Collagen Gummies from Earth & Elle, available thru Amazon at this link.Amazon.com: Earth & Elle Vegan Collagen Gummies - Non-GMO Biotin Gummies, Vitamin A, E, C - Plant Based Collagen Supplements for Healthier Hair, Skin, Nails - 60 Chews of Orange Flavored Gummies, Made in USA : Health & HouseholdKathy Bushnell Website for Emily Muff bandHome | Kathy Bushnell | Em & MooListen to previous shows at the main webpage at:https://www.buzzsprout.com/1329053Pamela Des Barres Home page for books, autographs, clothing and online writing classes.Pamela Des Barres | The Official Website of the Legendary Groupie and Author (pameladesbarresofficial.com)Listen to more music by Laurie Larson at:Home | Shashké Music and Art (laurielarson.net)View the most amazing paintings by Marijke Koger-Dunham (Formally of the 1960's artists collective, "The Fool").Psychedelic, Visionary and Fantasy Art by Marijke Koger (marijkekogerart.com)For unique Candles have a look at Stardust Lady's Etsy shopWhere art and armor become one where gods are by TwistedByStardust (etsy.com)For your astrological chart reading, contact Astrologer Tisch Aitken at:https://www.facebook.com/AstrologerTisch/For booking Children's parties and character parties in the Los Angeles area contact Kalinda Gray at:https://www.facebook.com/wishingwellparties/I'm listed in Feedspot's "Top 10 Psychedelic Podcasts You Must Follow". https://blog.feedspot.com/psychedelic_podcasts/Please feel free to donate or Tip Jar the show at sonictyme@yahoo.com

Produced by Joseph Cottrell, Jeffrey Crecelius and Ken Fuller Mark and I had a great time this week thinking about interesting or unusual Yes musical textures. We both came up with 3 examples that we thought were surprising or different so do have a look below to hear the clips we are referring to and add your own examples to the comments section. You may be surprised with some of our suggestions - that's somewhat the idea, after all. What interesting textures can you think of in Yes music? Is it down to instrumentation, arrangement or a combination? Do Mark and I choose the same things again? https://youtu.be/2NhfSgV81Lk?si=79bCEUyQJCmKZTWr&t=294 Kevin - Church bell texture! https://youtu.be/I4EPABbDdCQ?si=30GQZ5lPIDGnwJ4t&t=859 Mark - Weird electronic sounds in the drum solo https://youtu.be/pkrz5PBhhtM?si=tSYyLMSK4mc83k1w Unable to embed this one - Mark - Tom Brislin playing the electronic sounds in perfect synch with Alan White - Ritual https://youtu.be/BBb5mcz8nik?si=TtKnrjBtDgo3dbMQ Kevin - the orchestral and band textures throughout Dreamtime, especially when the orchestra takes over towards the end https://youtu.be/GGaai0AII3E?si=9q3q2-cCLxfvaeLT&t=479 Mark - Steve Howe's Coral Sitar guitar sounds in the mix https://youtu.be/ydAANC7sl0Y?si=O-cJYtQmIts8XFNq&t=182 Mark - The Coral Sitar again in Siberian Khatru https://youtu.be/Z-cEyiM9adE?si=R0E5Ax3cvoWH-i6F Mark - Sitar in the introduction https://youtu.be/3W36uAXOMxw?si=PPvCLC1X3keofDof Mark - A real Sitar this time played by Deepak Khazanchi on It Can Happen from 90125 https://youtu.be/xN68e-ZVaqM?si=r90MkBuV72Mks9dC Mark - this is the Danelectro Coral Sitar guitar as used by Steve Howe https://youtu.be/L7ccHlqQ1M8?si=0uRPU5w5GLojtDZI Kevin - the amazing texture of Tony Levin's Chapman Stick and Bill Bruford's electronic drums https://youtu.be/YWZKAadMJiQ?si=_BIuk4_QlJb6OPy0&t=59 Mark - Alan White's amazing electronic drum sounds https://youtu.be/Hrowi4hHz8A?si=hWM5FIizubQ7GXcR&t=212 Mark - Chris Squire's harmonica solo! Let us know if you agree with us! There are only 100 of these packs available, so buy yours now! (Opens in a new window) Dave Watkinson's latest article for Yesworld.com: https://www.yesworld.com/yes-the-long-lost-roger-dean-stages/ Check out the progress on my other podcast - https://anthem52.com/ Yes - The Tormato Story Available now! TormatoBook.com YMP Patrons: Producers: Joseph Cottrell Ken Fuller Jeffrey Crecelius Patrons: Jim Morrison Jon Pickles Declan Logue Gary Betts Aaron SteelmanMichael Handerhan Barry Gorsky Steve Perry Doug Curran Martin Kjellberg Todd Dudley Rachel Hadaway Lind  Paul Hailes Craig Estenes Mark James Lang Steve Rode David Bob Martilotta John Holden Stephen LambeDem Fred Barringer Scott Colombo Chris Bandini David Heyden John Thomson Mark Baggs John Cowan John Parry Dave Owen Simon Barrow Steve Scott Terence Sadler Steve Dill Robert Nasir  Fergus Cubbage William Hayes Geoff Bailie Steven Roehr Lobate Scarp Geoffrey Mason David Watkinson Tim Stannard Robert VandiverBrian Sullivan David Pannell Jamie McQuinnMiguel Falcão Paul Tomei Michael O'ConnorBrian HarrisHogne Bø PettersenGuy DeRome Become a Patron! Our Facebook YMP Discussion Group is open to anyone to join. One of the advantages of the new format is that all members of the group have the same ability to post content, so it's a bit more egalitarian, or somesuch. Please do search for the group and join in. https://www.facebook.com/groups/3216603008606331/ Please follow/subscribe! If you are still listening to the podcast on the website, please consider subscribing so you don't risk missing anything: Theme music The music I use is the last movement of Stravinsky's Firebird Suite. This has been used as introduction music at many Yes concerts.

As a band leader and co-leader he is responsible for much of the output of the groups; Lammas, The Underground Orchestra, Storms / Nocturnes (feat. Joe Locke and Geoffrey Keezer), Acoustic Triangle, the last few years of Bill Bruford's Earthworks, and The Lighthouse Trio, (feat; Gwilym Simcock and Asaf Sirkis). This final group makes a 20th anniversary come-back tour and release during 2024! Today we chat to Tim about his new album, Moment of Departure. Support the show

When the history of late 70s punk music is discussed, a point often raised is that bands like The Sex Pistols and the Damned and The Saints were reacting to the over complexity of prog bands. Certainly, it makes for a good quote, but Steve Jones is on the record as being a fan of Fleetwood Mac and Queen and other “dinosaur” bands punk was supposed to sweep away. I can't recall for sure, but I THINK I read somewhere that Yes was some punk guitarist's favourite band. Really, if so much of that early era of British punk was about great pop songs with buzzsaw guitars, I believe I can make a case that Yes was a band (unlike, say, early Genesis) that also played around with standard pop structure…..just for considerably longer than 2 minutes at a time. There's the link between punk and prog (at least Yes' approach to it). Welcome to episode 174 of Love That Album podcast. For the first LTA of 2024, I am joined once again by Bondi Cigars' guitarist Shane Pacey to talk about what is often considered the pinnacle of prog rock, Yes' 1972 album Close To The Edge. We talk about rock music's progression to....ummm...prog rock, the Bill Bruford vs Alan White debate, and we also bring up Bach, King Crimson, AC/DC and Cossack Funk (you read that right!!!). …..and Shane tells a first hand account of an unexpected musician who was a big fan of Yes (and was Shane's first guitar teacher.....you gotta tune in to find out....) We had a lot of fun with this one You can find Shane's music on line at https://shanepaceytrio.com.au/ or https://bondicigars.com/ or https://shanepacey.bandcamp.com/album/the-gardener. Download this episode of LTA from your podcast app of choice. The wider back catalogue of episodes can also be found at http://lovethatalbumpodcast.blogspot.com Love That Album is proudly part of the Pantheon Podcast network. Go to http://pantheonpodcasts.com to check out all their great shows. You can send me feedback at rrrkitchen@yahoo.com.au (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum Proudly Pantheon. Learn more about your ad choices. Visit megaphone.fm/adchoices

Joining the Music History Project podcast team for a special episode dedicated to the band Yes with our guest longtime musician, arranger and our friend Mr. Bill Kilpatrick! Together we will explore the incredible talents of those in the band we have interviewed over the years including Jon Anderson, Bill Bruford, Rick Wakeman and Trevor Rabin!

When the history of late 70s punk music is discussed, a point often raised is that bands like The Sex Pistols and the Damned and The Saints were reacting to the over complexity of prog bands. Certainly, it makes for a good quote, but Steve Jones is on the record as being a fan of Fleetwood Mac and Queen and other “dinosaur” bands punk was supposed to sweep away. I can't recall for sure, but I THINK I read somewhere that Yes was some punk guitarist's favourite band. Really, if so much of that early era of British punk was about great pop songs with buzzsaw guitars, I believe I can make a case that Yes was a band (unlike, say, early Genesis) that also played around with standard pop structure…..just for considerably longer than 2 minutes at a time. There's the link between punk and prog (at least Yes' approach to it). Welcome to episode 174 of Love That Album podcast. For the first LTA of 2024, I am joined once again by Bondi Cigars' guitarist Shane Pacey to talk about what is often considered the pinnacle of prog rock, Yes' 1972 album Close To The Edge. We talk about rock music's progression to....ummm...prog rock, the Bill Bruford vs Alan White debate, and we also bring up Bach, King Crimson, AC/DC and Cossack Funk (you read that right!!!). …..and Shane tells a first hand account of an unexpected musician who was a big fan of Yes (and was Shane's first guitar teacher.....you gotta tune in to find out....) We had a lot of fun with this one You can find Shane's music on line at https://shanepaceytrio.com.au/ or https://bondicigars.com/ or https://shanepacey.bandcamp.com/album/the-gardener. Download this episode of LTA from your podcast app of choice. The wider back catalogue of episodes can also be found at http://lovethatalbumpodcast.blogspot.com Love That Album is proudly part of the Pantheon Podcast network. Go to http://pantheonpodcasts.com to check out all their great shows. You can send me feedback at rrrkitchen@yahoo.com.au (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum Proudly Pantheon. Learn more about your ad choices. Visit megaphone.fm/adchoices

Join Denny as he shares a comprehensive look at the early years of the #1 progressive rock band, taken from his extensive collection of vintage audio. You'll hear Chris Squire, Jon Anderson, Rick Wakeman, Tony Kaye, Peter Banks, Bill Bruford, Alan White, Steve Howe, Trevor Rabin, Patrick Moraz, Geoff Downes, and more. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week's guest is THE Bill Bruford. Bill is a legendary drummer whose illustrious career spans over five decades, marked by pioneering contributions to progressive rock, jazz fusion, and beyond. Emerging onto the music scene in the late 1960s, Bruford gained prominence as the drummer for progressive rock icons Yes, where his intricate rhythms and dynamic playing style helped define the band's sound. His tenure with Yes produced several critically acclaimed albums, including "Close to the Edge" and "Fragile," solidifying his reputation as one of the foremost drummers of his generation. In addition to his work with Yes, Bruford became a founding member of the seminal progressive rock band King Crimson, where his innovative drumming continued to captivate audiences and influence generations of musicians. Over the years, Bruford's musical journey evolved, leading him to explore jazz fusion with his own band, Earthworks, and delve into experimental projects that pushed the boundaries of musical expression. A prolific recording artist, respected educator, and insightful author, Bill Bruford's multifaceted career is a testament to his unwavering dedication to pushing the limits of creativity and leaving an indelible mark on the world of music. Check out "Bill Bruford: Inspirations" playlist HERE BILL'S BIG FAT FIVE - Album - Drums Unlimited Artist - Max Roach Release Year - 1966 Key Track(s) - For Big Sid Drummer - Max Roach - Album - Live Sesh and Extra Songs Artist - Louis Cole Release Year - 2019 Key Track(s) - F it Up - Live Sesh Drummer - Louis Cole - Album - Caravan Artist - Art Blakey & Jazz Messenger Release Year - 1963 Key Track(s) - Caravan Drummer - Art Blakey - Album - Blackstar Artist - David Bowie Release Year - 2016 Key Track(s) - Blackstar Drummer - Mark Guiliana - Album - Fresh Cream Artist - Cream Release Year - 1966 Key Track(s) - I Feel Free Drummer - Ginger Baker - HONORABLE MENTION: - Artist: John Taverner Track: The Lamb Release Year: 1982 For more information on Big Fat Snare Drum, check out www.bigfatsnaredrum.com and follow us on Instagram, Facebook, Twitter, and TikTok.

References Biochimica et Biophysica Acta (BBA) - Biomembranes2015. Volume 1848, Issue 3, Pages 805-812 Soft Matter 21-Jan-2021 Am J Rhinol Allergy. 2015 Jan-Feb; 29(1): 35–40. Scientific Reports 2017. volume 7, Article number: 39661. Antioxid Redox Signal. 2011 Aug 15;15(4): 1043–1083. Journal of Immunotoxicology. 2008. 5:4, 347-352 Mozart, W. A. 1773, October.Symphony No. 25 in G minor K.183. https://youtu.be/707oHEGF6l8?si=J_WI-BhX0cvI9caQ Jon Anderson, Chris Squire, Bill Bruford, and Steve Howe, 1972. "And You and I". https://youtu.be/IwpB6b6mhUM?si=MF15_eWTCPVaqeEO --- Send in a voice message: https://podcasters.spotify.com/pod/show/dr-daniel-j-guerra/message Support this podcast: https://podcasters.spotify.com/pod/show/dr-daniel-j-guerra/support

No tienen información alguna y la poca que parecen conseguir la malinterpretan miserablemente. No sé si se tratará de escasa comprensión auditiva, de prejuicios que les hacen escuchar lo que no es o, simplemente, de ineptitud profesional congénita. En cualquier caso, lo que nos intentan vender como información, no es sino su propia opinión, sus sensaciones, sus elucubraciones y apuestas, sus imaginaciones y especulaciones. Cualquier cosa menos periodismo. Becario: @virsorma Min. 01 Seg. 45 - Intro Min. 10 Seg. 50 - Los insultos racistas son sólo gilipolleces Min. 17 Seg. 55 - Lo confieso, tengo prejuicios Min. 25 Seg. 16 - No se puede fallar tanto Min. 33 Seg. 07 - Lo que nadie esperaba y las apuestas de futuro Min. 44 Seg. 27 - Cambia todo pero todo sigue igual de bien Min. 52 Seg. 43 - ¿Rapist or rubbish? Min. 58 Seg. 33 - La radio que de verdad les gusta Min. 64 Seg. 43 - Despedida Jefferson Airplane - White Rabbit (San Francisco 08/11/1975) Bill Bruford's Earthworks (Philadelphia 11/03/1992) Downtown Pigalle Libreville Bridge Od Inhibition A Stones Throw Dancing On Frith Street My Heart Declares A Holyday Molly Tuttle & Golden Highway - White Rabbit (Portsmouth, NH 25/05/2023)

Now on YouTube is the live music video of Joe Deninzon & Stratospheerius' cover of King Crimson's “Frame By Frame.”View it at https://youtu.be/3niTH8OlkFEJoe says, the song always spoke to him with its simple lyrics and dramatic theme. Co-written by Robert Fripp, Bill Bruford, Tony Levin, and Adrian Belew, whose voice, Joe says, “is right in my range and we've been playing this live a lot. I also thought I'd inject it with a lot of staccato violins to give it more of an edge and put my own spin on it.” A studio version will appear on Joe's upcoming album, “Imposter,” slated for late spring 2024 on Melodic Revolution Records.“Frame by Frame” appears on the boxset (2 CDs/DVD/Blu-Ray) “Behind the Curtain (Live at ProgStock)” on Melodic Revolution Records/Amplified Distribution. The box set is three years in the making; the collection is made up of Joe Deninzon & Stratospheerius' 2019 and 2021 live performances at the ultimate Northeast progressive rock festival, ProgStock. Joe is the new violinist with legendary rockers Kansas, now on tour celebrating their 50th anniversary. He has played violin for the Who, Bruce Springsteen, 50Cent, Sheryl Crow, and as the concertmaster for Renaissance. The other Stratospheerius bandmembers have a great heritage, as well: Jason Gianni-drums (The Ultimate Queen Celebration, Trans-Siberian Orchestra, Rock of Ages, Neal Morse Band), Michelangelo Quirinale-guitar (Thrilldriver), and Paul Ranieri-bass (Mark Wood, Riot Act).

Bill Bruford spent a working life as an internationally-known musician with Yes, King Crimson, Bruford, and Earthworks before stepping out of practice to investigate aspects of creativity in popular music performance. Having earned his PhD from the University of Surrey in 2016, he now writes and lectures on the topic, travelling extensively to multiple European and North American institutions. His latest book Uncharted: Creativity and the Expert Drummer, University of Michigan Press (2018),  guides the reader through the many dimensions of creative performance, and offers fresh insights into in-the-moment interactional processes in music.  Bill lives in the Surrey Hills in the UK with his wife, Carolyn. His life's work as a musician is well documented on CD and DVD at Summerfold and Winterfold Records and at www.billbruford.com . He was inducted into the Rock and Roll Hall of Fame as a member of the group ‘Yes' in 2017. Bill Bruford spent a working life as an internationally-known musician with Yes, King Crimson, Bruford, and Earthworks before stepping out of practice to investigate aspects of creativity in popular music performance. Having earned his PhD from the University of Surrey in 2016, he now writes and lectures on the topic, travelling extensively to multiple European and North American institutions. His latest book Uncharted: Creativity and the Expert Drummer, University of Michigan Press (2018),  guides the reader through the many dimensions of creative performance, and offers fresh insights into in-the-moment interactional processes in music.  Bill lives in the Surrey Hills in the UK with his wife, Carolyn. His life's work as a musician is well documented on CD and DVD at Summerfold and Winterfold Records and at www.billbruford.com . He was inducted into the Rock and Roll Hall of Fame as a member of the group ‘Yes' in 2017. YouTube Facebook https://billbruford.com        

Mastering the Bass with Jeff Berlin Explore the world of bass mastery with Jeff Berlin, a highly acclaimed electric bassist since the 1970s. In this insightful interview, Richard delves into Jeff's collaborations with notable artists like Gary Burton, Bill Bruford, Alan Holdsworth, Gary Husband, and Dennis Chambers. Gain valuable insights into Jeff's concepts of achieving "Bass Mastery" and the art of being a creative artist.   Jeff Berlin Interview Part 2 Watch this episode in video HERE #BassMastery #BassGuitar #MusicCreativity #JeffBerlin #BassTechniques #MusicEducation #CreativeBassPlaying #MusicInspiration #BassLessons #ArtisticExpression #BassMasterclass #MusicTheory Please Like, Share, and Subscribe to our YouTube channel HERE Buy Richard's acclaimed books HERE Buy Richard's astounding music HERE  Check our channel's official online shop for great & exclusive memorabilia HERE Send me enough for a cup of coffee at The Ritz to keep our Radio Richard growing: Via PayPal Via Patreon "Richard Niles On The Radio" ©2023 Niles Smiles Music (BMI) "Radio Richard Theme Vox" ©2023 Niles Smiles Music (BMI)  

David Cross joins us for an interview! The David Cross Band has an album out titled Ice Blue, Silver Sky, which contains new tracks along with new versions of King Crimson classics "Exiles" and "Starless." And as far as Yes connections go, Cross worked with Bill Bruford in King Crimson and also collaborated with Peter Banks on recordings later released as an album titled Crossover, which also featured Geoff Downes, Tony Kaye, Jay Schellen, Billy Sherwood, and Oliver Wakeman! Find Cross' music here: https://www.cherryred.co.uk/artist/david-cross/ Cruise to the Edge snippets from here: https://youtu.be/6pN-9WPnt7g https://youtu.be/JUBykahveTc 00:00 - Intro 00:45 - Ice Blue, Silver Sky 04:30 - Choosing the title 08:45 - Are albums a collaboration between musicians and listeners? 12:25 - Cruise to the Edge memories 15:18 - Cruise to the Edge clip 17:15 - 50 years of King Crimson music 22:15 - Equipment on '74 Crimson tours 23:58 - Any Robert Fripp anecdotes? 27:16 - What KC work are you most fond/proud of? 30:15 - John Wetton 32:45 - Crossover with Peter Banks 35:50 - Working with these Yes musicians 37:33 - Cruise to the Edge clip 38:30 - Favorite piece to work on for Ice Blue, Silver Sky? 47:06 - Touring 47:43 - Outro --- Support this podcast: https://podcasters.spotify.com/pod/show/yesshift/support

Jeff Berlin has been one of the most acclaimed electric bassists since the 1970s. In another informative interview, Richard asks him about the artists he's worked with ( Gary Burton, Bill Bruford, Alan Holdsworth, Gary Husband, Dennis Chambers) and his concepts about achieving “Bass Mastery” and being a creative artist. Don't miss Part 2 from a master of the bass! Jeff Berlin Interview Part 1 Watch this episode in video HERE #BassMastery #BassGuitar #MusicCreativity #JeffBerlin #BassTechniques #MusicEducation #CreativeBassPlaying #MusicInspiration #BassLessons #ArtisticExpression #BassMasterclass #MusicTheory Please Like, Share, and Subscribe to our YouTube channel HERE Buy Richard's acclaimed books HERE Buy Richard's astounding music HERE  Check our channel's official online shop for great & exclusive memorabilia HERE Send me enough for a cup of coffee at The Ritz to keep our Radio Richard growing: Via PayPal Via Patreon "Richard Niles On The Radio" ©2023 Niles Smiles Music (BMI) "Radio Richard Theme Vox" ©2023 Niles Smiles Music (BMI)  

Welcome to another Yesshift News Desk Edition! There was a LOT to talk about, listed as chapters below: 00:00 - Intro and Classic Tales of Yes Tour 03:00 - John Lodge's Days of Future Passed - My Sojourn 14:07 - Steve Hackett's Foxtrot at 50 + Hackett Highlights: Live in Brighton 25:02 - Kansas Concert at Orpheum Theatre in Los Angeles 37:00 - The Flower Kings' Look at You Now 39:05 - Meddle Reimagined 41:12 - Coming soon: The Fusion Syndicate's Speedway on Saturn's Rings 42:00 - Yesterday's A Moonlit Night in Budapest 47:47 - Flash on Midnight Special and Claiming Peter Banks documentary 45:00 - Roger Dean & Freyja Dean doing conversation videos again 46:24 - Bill Bruford activities and uploads 48:28 - Keith Emerson: Variations 49:40 - Patrick Moraz at ProgStock 50:15 - Rick Wakeman activities 51:23 - Oliver Wakeman's band at Winter's End 53:00 - Yes on Track revised edition 55:27 - Jon Anderson activities 1:04:47 - Trevor Horn YouTube uploads 1:05:43 - Tease for next episode & closing --- Support this podcast: https://podcasters.spotify.com/pod/show/yesshift/support

Produced by Joseph Cottrell, Jeffrey Crecelius and Ken Fuller The hugely knowledgeable Sid Smith joined us again this week to chat about the context of Tales from Topographic Oceans. Sid wrote the sleeve notes for the Steven Wilson remix of Tales which was released by Panegyric in 2016. He also wrote the remarkable book, 'In the Court of King Crimson - An Observation over Fifty Years', so we were delighted to be able to ask him about the relationship between Crimson main man, Robert Fripp, and Bill Bruford. Why did Fripp want Bruford? Why did Yes decide to push the boundaries even further with Tales? How influential was the album? Let us know if you agree with us! Sid in his happy place Buy Sid's brilliant book - you really should Yes - The Tormato Story Available now! TormatoBook.com YMP Patrons: Producers: Joseph Cottrell Ken Fuller Jeffrey Crecelius Patrons: Jim Morrison Jon Pickles Declan Logue Gary Betts Alan Begg Michael Handerhan Barry Gorsky Steve Perry Doug Curran Martin Kjellberg Todd Dudley Rachel Hadaway Lind  Paul Hailes Craig Estenes Mark James Lang Steve Rode David Bob Martilotta John Holden Stephen LambeDem Fred Barringer Scott Colombo Chris Bandini David Heyden John Thomson Mark Baggs John Cowan John Parry Dave Owen Simon Barrow Steve Scott Terence Sadler Steve Dill Robert Nasir  Fergus Cubbage William Hayes Geoff Bailie Steven Roehr Lobate Scarp Geoffrey Mason David Watkinson Tim Stannard Robert VandiverBrian Sullivan David Pannell Jamie McQuinnMiguel Falcão Paul Tomei Michael O'ConnorBrian HarrisHogne Bø Pettersen Become a Patron! Our (not really) new Facebook YMP Discussion Group is open to anyone to join but I'll be adding rules and joining requirements when I have time (one day…). One of the advantages of the new format is that all members of the group have the same ability to post content, so it's a bit more egalitarian, or somesuch. Please do search for the group and join in. https://www.facebook.com/groups/3216603008606331/ Please follow/subscribe! If you are still listening to the podcast on the website, please consider subscribing so you don't risk missing anything: Theme music The music I use is the last movement of Stravinsky's Firebird Suite. This has been used as introduction music at many Yes concerts. My theme music is not take from a live concert – I put it together from: archive.org

Join us for a very special episode with 2 of our favorite guests, as well as 2 of Atlanta's greatest drummers: Rob Hammersmith (Skid Row) and Kent Aberle (Blackberry Smoke). We talk about all things that go bang, boom, thump, and crash! Poor Robert must suffer while 3 drummers in one room chat about the greatest of all time and the brightest of the unsung heroes of the rock n' punk n' metal drumming community. We get some awesome stories from the road as these 2 are always touring the world with Skid Row and Blackberry Smoke. You don't want to miss this one! Plus, drummer jokes by Bakko from Cobras & Fire!What's this InObscuria thing? We're a podcast that exhumes obscure Rock n' Punk n' Metal and puts them in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. This week we discuss all 3 with 2 of our favorite drummers in the world that both hosts have had the pleasure of sharing the stage with in the past. Kent and Rob come across like scholars and gentlemen… even though they're drummers!Songs this week include:Poster Children – “Tommyhaus” from Tool Of The Man (1993)Chain Poets – “Little Tin Toys” from Chain Poets (2000)Death – “Let The World Turn” from Survival Of The Fittest (2023)Our Lady Peace – “One Man Army” from Happiness… Is Not A Fish That You Can Catch (1999)…And You Will Know Us By The Trail Of Dead – “Weight Of The Sun (Or The Post - Modern Prometheus)” from Tao Of The Dead (2011)Alice In Chains – “No Excuses” from Live At Rock Am Ring 2006 (2006)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/inobscuria/og-shopCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

Makin' it fit into a compact podcast for you: -RIPs: The Band's Robbie Robertson, Sex Pistols' artist Jamie Reid, The Kinks' John Gosling! -David Bowie's Ziggy Stardust finale headed to the big screen! -Freddie Mercury personal items to be displayed before auction! -Nicko McBrain talks stroke recovery and his future in Iron Maiden! -Motley Crue gives details on their 40th anniversary box set! -Bill Bruford's surprise appearance & more! The Bent News Update is here every Friday to help keep you in the know about Rock & Roll! Catch all of our episodes, any time, right here! Learn more about your ad choices. Visit megaphone.fm/adchoices

Makin' it fit into a compact podcast for you: -RIPs: The Band's Robbie Robertson, Sex Pistols' artist Jamie Reid, The Kinks' John Gosling! -David Bowie's Ziggy Stardust finale headed to the big screen! -Freddie Mercury personal items to be displayed before auction! -Nicko McBrain talks stroke recovery and his future in Iron Maiden! -Motley Crue gives details on their 40th anniversary box set! -Bill Bruford's surprise appearance & more! The Bent News Update is here every Friday to help keep you in the know about Rock & Roll! Catch all of our episodes, any time, right here! Learn more about your ad choices. Visit megaphone.fm/adchoices

Stay For The Ending... #newmusic #progrock #avantgardemusic #district97 #jonathanschang #drummer #stayfortheending Brand new album from District 97: Stay For The EndingStay For The Ending traverses a vast array of themes with songs exploring the human condition: unity, division, deceit, obsession, detachment, resilience and transcendence. Drummer and Percussionist JONATHAN SCHANG said, “After 15 years of leading District 97, I'm thrilled that we continue to push ourselves to new heights in every realm of our music making. This is the strongest collection of songs we've ever assembled.”The album has been recorded, mixed and mastered by NOAM WALLENBERG (ALAN PARSONS, MAC MILLER)DISTRICT 97 ARE:Vocals: Leslie HuntKeyboards: Andrew LawrenceGuitars, Vocals: Jim TashjianBass Guitar: Tim SeisserDrums & Percussion: Jonathan SchangThe album can be pre-ordered from Cherry Red Records here:https://www.cherryred.co.uk/product/district-97-stay-for-the-ending-cd/Website: http://www.district97.net/http://district97.bandcamp.com/ (Exclusive Music Available for Download)Facebook: https://www.facebook.com/District97Instagram: https://www.instagram.com/district.97/X: http://twitter.com/District97Thanks for tuning in, please be sure to click that subscribe button and give this a thumbs up!!Email: thevibesbroadcast@gmail.comInstagram: https://www.instagram.com/listen_to_the_vibes_/Facebook: https://www.facebook.com/thevibesbroadcastnetworkLinktree: https://linktr.ee/the_vibes_broadcastTikTok: https://vm.tiktok.com/ZMeuTVRv2/Twitter: https://twitter.com/TheVibesBrdcstTruth: https://truthsocial.com/@KoyoteFor all our social media and other links, go to: Linktree: https://linktr.ee/the_vibes_broadcastPlease subscribe, like, and share!

It's only talk! This week, Mike rounds out our fifth-anniversary triad of King Crimson discussions with some dialogue, duologue, diatribe, dissension, and declamation about the band's 1981 album Discipline. On this album, bassist Tony Levin and guitarist and vocalist Adrian Belew joined Crimson veterans Robert Fripp and Bill Bruford to produce some of the most complicated music in the Crimson oeuvre, with every musician devoted to making their instrument produce sounds you've never heard. But paradoxically, it's also one of their catchiest albums, dabbling in new wave and world beat in the same musical sphere as Talking Heads, who were part of the same New York scene as Fripp in the late ‘70s. Discipline may sound like a sharp, disorienting left turn for King Crimson on first listen, but the album did a lot to cement the band's music as a living document to be iterated upon. Join us as we break it down, frame by frame!Cohosts: Mike DeFabio, Rich Bunnell, Phil Maddox, John McFerrin Complete show notes: https://discordpod.com/listen/122-king-crimson-discipline-1981Discord & Rhyme's merch store: http://tee.pub/lic/discordpodSupport the podcast! https://www.patreon.com/discordpod

On this 41 & Done! flashback John takes us back to the Zoo days when Jon Anderson and Bill Bruford of YES were live in Atlantic City. Anderson did not know that they were actually live on the air until right before he started singing.

“Being on tour with King Crimson,” in the words of their film director, “is like being with the school rugby team and, at the last minute, the games teacher falls ill so they send them out with the maths master. But the team starts winning ...” Is there another band remotely like them? Their leader believes in discipline and cold showers in the morning. He practices four hours a day. Life in the group was “wretched” from 1969 to 2013. Adrian Belew says it made his hair fall out. The running gag among its 22 one-time members is “you're irreplaceable, just like the last bloke”. With great bravery and patience, Toby Amies has made a documentary about them, ‘In The Court Of The Crimson King: King Crimson at 50', and talks to us here about what he discovered. There's much to be enjoyed, not least… … the fact that Robert Fripp commissioned the film and for months refused to take part in it. … the encounter with Sister Dana, the prog rock nun from Norway. … the film's reflections upon “the metronome of mortality”. .. the thoughts and perspectives of current and former band members, particularly Bill Bruford, Bill Reiflin, Jakko Jakszyk and Ian McDonald who “broke Robert's heart” in 1969 and is still touchingly apologetic. … the religious ecstasy pursued by their audience. … how King Crimson's music feels like a deep-body tissue massage. … and the extraordinary two-minute pause that a motionless Fripp leaves before answering one of the film's questions. It's very entertaining, not least because it was made by someone who wasn't a fan but simply curious and had questions he wanted answered. This original and idiosyncratic film suits them perfectly. Screenings here …https://www.itcotck.com/screenings @TobyAmieshttps://linktr.ee/tobyamies@itcotckdoc@ITCOTCKfilmhttps://linktr.ee/itcotckTickets for Word In The Park, in London on Saturday June 3rd, available here!: https://www.eventbrite.com/e/the-happy-return-of-word-in-the-park-tickets-576193870377Subscribe to Word In Your Ear on Patreon to receive early and ad-free access to all of our content!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

On this Jeff Berlin interview: his early childhood trauma and how it impacted him, “falling apart” from years of emotional pain and his subsequent recovery… his awkward first meeting with Eddie Van Halen, early lessons learned playing jingles in NYC after Berklee… great story how he hooked up with Bill Bruford and the doors that opened up for him as a result, his Top 3 Musical experiences (VERY cool), funniest things that happened to him in the studio and on stage, backstories to some of the tracks on his new Jack Songs LP & hard-earned lessons he learned from making this record… best decision he ever made, great advice for musicians, and LOADS of stories. Awesome interview, very courageous and sincere Cool Guitar, Music & ELG T-Shirts!: http://www.GuitarMerch.com  Originally from NYC, Jeff is one of the most highly-regarded jazz and fusion bassists of the modern era, and a well-respected bass educator. He's known for his tone and technique, and has been one of the major figures in firmly establishing the electric bass as a solo instrument. His career took off in 1977 when Yes founding drummer Bill Bruford handpicked him to play in his band. Jeff's other recording and performance credits include a who's who of jazz and rock: Larry Coryell, Pat Martino, John McLaughlin, Yes, Eddie Van Halen, Frank Zappa & many more. Just to address this up front, Jeff's done dozens of interviews on the controversial comments he's made about bass players learning by academic teaching vs being self- taught. We're not going to address this issue, because Jeff's owned a lot of his mistakes here and has made public apologies to the people he needed to. But what we will talk about today is the genesis of what prompted the fairly dramatic shift in his position, and his ongoing emotional recovery from the things that contributed to this situation in the first place.  Subscribe & Website:  https://www.everyonelovesguitar.com/subscribe Support this show:  http://www.everyonelovesguitar.com/support