Podcast appearances and mentions of Shabaka Hutchings

Charli xcx les traspasó la corona de reyes del verano y el gesto da una imagen bastante concreta de lo que Turnstile son hoy: una banda de hardcore-punk en el centro de la conversación musical por un álbum que no es hardcore. Expandieron sus fronteras en 'Glow On' y no han ido mucho más lejos en 'Never Enough', pero se han mantenido con coherencia. En su nuevo trabajo se acercan a The Smiths y a The Police, retoman el camino jazzy del EP con Badbadnotgood, continúan colaborando con Dev Hynes y se atreven con nuevos aliados como Shabaka Hutchings y AG Cook (el otro gran cómplice de Charli xcx). Este es el relato del asalto al mainstream de Turnstile, pero también un signo del presente: un tiempo en el que no hay límites para la mezcla entre géneros, escenas e ideas.Playlist:Turnstile - LOOK OUT FOR MEReal Lies - Down & Out (Where E-Girls Dare)HAAi, Jon Hopkins, Obi Franky, ILA, Trans Voices - SatelliteBICEP - CHROMA 010 BRILLOPanda Bear - Virginia TechLittle Simz, Lydia Kitto - OnlyLoaded Honey - OverThandii - Broken RecordKali Uchis - Sugar! Honey! Love!Cate Le Bon - Heaven Is No FeelingSharon Van Etten - TroubleMatt Berninger - Inland OceanBig Thief - Incomprehensiblepablopablo - Vida NuevaEscuchar audio

Will is a recording engineer, mixer, and producer based at RAK Studios in London, UK. He has worked across a diverse range of projects and genres, from recording a #1 album with Liam Gallagher to capturing the intricate jazz of Shabaka Hutchings. No matter the session, Will's priority is always the song and its emotion, using technology not just to document sound, but to shape it with character and intention. He believes in committing sounds to tape and embracing the creative possibilities of recording to deliver the most compelling experience for the artist.IN THIS EPISODE, YOU'LL LEARN:Focusing on being a recording engineer instead of a mixerMastering the art of making great recordings before focusing on mixingImposter syndrome and the fear of messing up other people's musicHis scariest engineering experienceHow to best capture room ambienceWhy you should commit to sounds during trackingHow to make mixing easier and faster through decisions made in recordingThe hierarchy of your signal chainDrum overheads: why you should use dark-sounding micsCymbal selectionMix translation: how to create consistency when working in various studiosHow to trust that your mixes will sound good outside of your roomTo learn more about Will Purton, visit: https://www.willpurton.com/Looking for 1-on-1 feedback and training to help you create pro-quality mixes?Check out my coaching program Amplitude and apply to join:https://masteryourmix.com/amplitude/ Want additional help with your music productions?For tips on how to improve your mixes, visit: https://masteryourmix.com/ Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/ Get your copy of my Amazon #1 bestselling books:The Recording Mindset: A Step-By-Step Guide to Creating Pro Recordings From Your Home Studio: https://therecordingmindset.com The Mixing Mindset: The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/ Check out our Sponsors:Want more Mixing or Mastering clients? Communicate your true value with MixFlip: https://mixflip.io/?affiliate=mym Download Waves Plugins here: https://waves.alzt.net/EK3G2K Subscribe to the show:Apple Podcasts: https://podcasts.apple.com/us/podcast/master-your-mix-podcast/id1240842781 Spotify: https://open.spotify.com/show/5V4xtrWSnpA5e9L67QcJej Youtube: http://www.youtube.com/@MasterYourMix Have questions you'd like answered on the show?Send them to questions@masteryourmix.comPlease leave a...

M

Repaso a las recientes grabaciones de los flautistas Jorge Pardo (con Alexis Alonso), Marta Masilla, Fernando Brox (con Álvaro Ocón), Shabaka Hutchings, Naïssam Jalal, Nicole Mitchell, Jamie Baum, Lori Bell, Mark Lotz, Nicolas Navarrete y Mike Filice (con Artie Roth). Temas que suenan en el programa: 01 2024 Alexis Alonso Jorge Pardo - Maires 04 Sonidos de tu meditar (5' 13'') 02 2024 MM Project - Mutatis Mutandis 10 Perpetual - Marta Masilla David Sancho (1' 23'') 03 2024 Álvaro Ocón - Life Dissconance - IW - Fernando Brox Iannis Obiols Nadav Erlich Iago Fernández (6' 45'') 04 2024 Shabaka Hutchings - Perceive Its Beauty, Acknowledge Its Grace 01 End Of Innocence - Jason Moran Carlos Niño Nasheet Waits (2' 23'') 05 2023 Naïssam Jalal Healing Rituals 06 Rituel de la forêt Clément Petit Claude Tchamitchian Zaza Desiderio (3' 43'') 06 2023 Nicole Mitchell's Black Earth Sway 10 There (5' 36'') 07 2024 Jamie Baum Septet What Times Are These 01 In The Light of Day Jonathan Finlayson Sam Sadigursky Chris Komer Brad Shepik Luis Perdomo Ricky Rodriguez Jeff Hirshfield (5' 51'') 08 2024 Lori Bell Recorda me 01 Isotope Josh Nelson David Robaire Dan Schnelle (4' 38'') 09 2023 Mark Lotz Freshta 01 Freshta Claudio Puntin Jörg Brinkmann Jeroen van Vliet Dirk-Peter Kölsch (2' 42'') 10 2021 Nicolas Navarrete - Evocaciones 06 Negro - Juan Pablo Salvo José Moraga Hugo Naranjo Milton Russell Félix Lecaros (4' 55'') 11 2023 Artie Roth - Resonants 05 Flies with Butterflies - Mike Filice Sam Dickinson Anthony Michelli Drums (5' 23'') Y os recomiendo, como siempre, la web jazzaragon para estar al día del jazz en Aragón.

Space is the place_jazz e dintorni Seconda puntata di febbraio, dedicata alla musica afro-americana e della diaspora in occasione del Black History Month. Con José Arimatéa, Roy Hargrove, William Parker, Shabaka Hutchings, Meshel Ndegeocello, Steve Coleman. Per diffondere questa puntata: https://www.radiotandem.it/space-is-the-place-del-18-febbraio-2025 Tutti i podcast di Space is the place: https://www.radiotandem.it/space-is-the-place

Shabaka Hutchings, now known simply as Shabaka, is one of the most important jazz artists of his generation, a brilliant saxophone and clarinet player who turned his attention to the flute on his fantastic debut album, Perceive Its Beauty, Acknowledge Its Grace. I spoke to him ahead of his Barcelona gig, about two years of change, switching instruments, emotional strain and the power of an intro. Line Noise comes to you with the support of Cupra.

Shabaka Hutchings, now known simply as Shabaka, is one of the most important jazz artists of his generation, a brilliant saxophone and clarinet player who turned his attention to the flute on his fantastic debut album, Perceive Its Beauty, Acknowledge Its Grace. I spoke to him ahead of his Barcelona gig, about two years of change, switching instruments, emotional strain and the power of an intro.

Hear favorite live performances from the WNYC studios this year including Georgia singer, musician, and record label founder Lizz Wright; the soulful mambo of Cuban big band Orquesta Akokán; and the roots music for everyone performer - American singer-songwriter Fantastic Negrito. Also, Brooklyn-based Zelenaya with their Eastern European folk songs set to heavy metal; and the multi-reed instrumentalist Shabaka (Hutchings), with his trio of harp and percussion, and his arsenal of wood flutes.  Best of Soundcheck 2024, Part 1 Playlist: ARTIST: Lizz Wright WORK: Sparrow [1:01] RECORDING: Live on Soundcheck, April 2024 SOURCE: This performance not commercially available.  INFO: https://www.lizzwright.net    ARTIST: Orquesta Akokán WORK: Con Licensia [5:12] RECORDING:  Live on Soundcheck, July 2024 SOURCE: This performance not commercially available.  INFO:  https://www.orquestaakokan.com/ ARTIST: Lizz WrightWORK: Sparrow [6:31]RECORDING: Live on Soundcheck, April 2024SOURCE: This performance not commercially available. INFO: https://www.lizzwright.net    ARTIST: Fantastic Negrito WORK: Son of a Broken Man [5:02] RECORDING: Live on Soundcheck, Oct. 2024 SOURCE: This performance not commercially available. INFO: https://www.fantasticnegrito.com/ ARTIST: Zelenaya WORK: Okro Mch'edelo [4:58] RECORDING:  Live on Soundcheck, June 2024 SOURCE: This performance is not commercially available INFO: https://zelenaya.bandcamp.com/album/folk-songs ARTIST:  Shabaka WORK: I'll Do Whatever You Want [4:46] RECORDING: Live on Soundcheck, May 2024 SOURCE: This performance not commercially available.  INFO: https://www.shabakahutchings.com/#/

Send us your thoughts! Winner of the 2018 BBC Young Jazz Musician of the year, Xhosa Cole is an embodiment of the success of numerous community arts programmes in Birmingham including the Midland Youth Jazz Orchestra, Jazzlines Ensemble, and Birmingham Music Service. Having grown up in Handsworth and first played the Tenor at Andy Hamilton's Ladywood Community Music School, he's now among a long legacy of Birmingham Saxophonists including Soweto Kinch and Shabaka Hutchings. Xhosa has performed twice at the BBC Proms, composed music for the Ripieno Players - a Birmingham-based string orchestra, recorded saxophone for Mahalia's debut album ‘Love and Compromise', and completed a 22 date UK tour. Xhosa Also received the Parliamentary Jazz Award for ‘Best Newcomer' in 2019 and Jazz FM 'Breakthrough Act of the Year'. Crown Lane StudioDiscover South London's hidden gem for musicians. Crown Lane Studio is a stunning multiroom complex.Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show

MIXOLOGIE : mardi, jeudi et samedi de 19h à 20h. Playlist créée et animée par Serge Mariani sur Art District Radio composée de l'actualité des sorties d'albums de jazz. Dix extraits d'albums récents ou à venir, de la musique pour un été qui rime avec tranquillité car de musique, d'été et de tranquillité, nous en avons besoin toutes et tous. La musique sera celle de la pianiste Mamiko Watanabe, de Shabaka Hutchings qui délaisse un moment le saxophone pour les flûtes, du duo piano-voix de Julia Perminova et Tatiana Nova et celui, saxophone-guitare, de Francesco Bearzati et Federico Casagrande, de formations à géométrie variable comme le trio made in USA de Tarbaby, le 4tet made in Gennevilliers de Louise Jallu qui taquine Ravel avec son bandoneon, le trio de David Leon entre Cuba et la Corée, le 5tet de Chris Jennings impeccable à la barre de sa contrebasse, celle de l'émotion retenue de Sarah Lenka et celle des énergies chamaniques de Senem Diyici, tel est le programme de cette Mixologie, 34ème édition. 1.Shabaka Hutchings / Body to Inhabit / album Perceive Its Beauty Acknowledge Its Grace (Impulse!) 2.Julia Perminova / Leti / album Echoes of Home 3.Senem Diyici / Nara / album Senem Diyici Paris 2023 (Pias) 4.Chris Jennings / Casbah Radio / album Boy She is the Dandy (Eden River Records) 5.Sarah Lenka / Betty / album Isha (Caramba Records) 6.Louise Jallu / Mon Bolero / album Jeu (Klarthe) 7.Tarbaby / Tree Tops / album You Think This America (Giant Step Arts) 8.David Leon / Ay-ya / album Bird's Eye (Pyroclastic Records) 9.Francesco Bearzatti, Federico Casagrande / 3007 / album And Winter Came Again (CAM Jazz) 10.Mamiko Watanabe / Nigeria / album Being Guided by the Light (Jojo Records)Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Der 40jährige Klarinettist, Saxofonist und Flötist ist ein spirituell Suchender. Ob in hypnotischen Afrobeats oder der meditativen Reduktion: Shabakas Musik hat immer auch eine politische Botschaft. Black Pride, Ausbeutung des Globalen Südens, Klimaveränderung: Shabaka Hutchings verarbeitet in seiner Musik grosse Themen. Der Londoner mit karibischen Wurzeln spricht ein junges, tanzaffines Clubpublikum an. Denn immer ist der Rhythmus treibende Kraft seiner Bands. Bei «Sons of Kemet» sind es gleich zwei Schlagzeuger, die Hutchings anfeuern. Auch in «Shabaka and The Ancestors» zusammen mit südafrikanischen Musiker:innen steht der Groove im Zentrum. Und in «The Comet ist Coming» lässt sich der Londoner von elektronischen Dancebeats vorantreiben. Fiebrige Musik unter Hochdruck – bis jetzt: Im aktuellen Soloalbum schlägt Shabaka überraschend introspektive Töne an. Dafür gibt er das Saxofon ganz auf, spielt nur noch indigene Flöten. Luftig, weich: ein Paradigmenwechsel. Tapiwa Svosve ist 16, als er in einem Londoner Jazzclub jobbt. Dort hört er Shabaka Hutchings immer wieder live. Über diese musikalischen Schlüsselerlebnisse, Shabakas Sinnsuche und den Reiz der Flöte diskutiert der Zürcher Saxofonist mit Annina Salis. Die gespielten Titel: Interpret:in: Titel (Album / Label) - Sons of Kemet: Beware (Burn - 10th Anniversary Remaster / Naim Jazz 2013) - ZED-U: Breaking the News (Night Time on the Middle Passage / Babel 2009) - The Comet is Coming: Journey Through the Asteroid Belt (Channel the Spirits / The Flea Label 2016) - Sons of Kemet: My Queen is Anna Julia Cooper (Your Queen is a Reptile / Impulse! 2018) - Shabaka and the Ancestors: The Observer (Wisdom of Elders / Brownswood Recordings 2016) - Shabka: The Wounded Need to Be Replenished - Body to Inhabit (Perceive its Beauty, Acknowledge its Grace / Impulse! 2024)

Пока не придумали инструмент лучше человеческого голоса. На новом альбоме Milton + esperanza основных голосов два. Это Milton Nascimento (81) и Esperanza Spalding (39). Плюс здесь мы слышим голоса: Guinga (74), Dianne Reeves (67), Lianne La Havas (34), Maria Gadu (37), Tim Bernardes (33), Paul Simon (82) и Carolina Shorter (жена Wayne Shorter). Голос Каролины звучит на треке Уэйна Шортера When You Dream. А также на Wings For The Thought Bird, где она поет мантру буддизма. Шестнадцать треков альбома включают аранжировки пяти классических произведений Милтона Насименто, недавно написанные оригиналы Эсперансы Спалдинг, песни Битлз, Майкла Джексона и Уэйна Шортера. Среди множества приглашенных музыкантов стоит отметить тенор-саксофон и флейту Shabaka Hutchings на трех треках, гитару (+ вокал) великого Guinga на двух треках, а также струнный бразильский оркестр Ouro Preto. Эсперанса Сполдинг также играет на басу и все аранжировки принадлежат ей. Большая часть композиций звучит на португальском языке с множеством латинского скета. Nascimento — обладатель четырех премий Latin Grammy и одной премии Grammy, он сотрудничал с Paul Simon, Quincy Jones, Herbie Hancock, Peter Gabriel, James Taylor, Wayne Shorter, и это лишь некоторые из них. Насименто - это бразильское национальное достояние, но правда в том, что его дар не знает границ, установленных человеком. Он — сокровище мира, и его музыку постоянно заново открывают для себя как молодые музыканты, так и бывалые. Я могу петь на португальском и при этом общаться с людьми, которые не знают языка, — сказал он однажды. Я работаю от сердца, и сердце говорит само за себя. СЛУШАТЬ АЛЬБОМ - https://album.link/i/1742067922 BruMa - https://t.me/discor/5640 Лучший трек альбома в плей-листе JAZZ по-русски 8 на AppleMusic и Spotify Поставь лайк ❤️ и подпишись на канал JAZZ по-русски https://t.me/discor #vocaljazz #latinjazz

Pulitzer Prize-winning composer Ellen Reid’s work spans opera, film scoring, avant-pop, and more. A new album, Big Majestic, collects work from Ellen Reid SOUNDWALK, a famed public art project reimagining urban parks as interactive soundscapes that not only travel through ambient, jazz, and minimalism, but has been featured in legendary places like New York’s Central Park, LA’s Griffith Park, as well as Tokyo’s Ueno Park. Let’s check out the heady sound of “Spiritual Sun,” featuring a star of the jazz scene, Shabaka Hutchings, on the shakuhachi flute. 

JAZZ FEED lundi, mercredi et vendredi à 17h30. Serge Mariani présente régulièrement un choix d'albums sortis récemment ou sur le point de l'être, des extraits de leur musique, des informations, des commentaires, des impressions, des émotions, c'est la nouvelle émission de Serge Mariani sur Art District Radio: JAZZFEED ! Bonjour ! Serge Mariani pour un nouvel épisode, enfin, de Jazz Feed et à son générique des noms qui font plaisir : Senem Diyici, Shabaka Hutchings et Julia Perminova. Commençons avec un nouvel album de la pianiste et compositrice Julia Perminova, un album en duo piano / voix, intitulé Echoes of Home. Multipliant les contributions aux albums d'autres musiciens tout en parachevant en Suisse, à Bâle, une formation jazz pointue débutée dans sa Sibérie natale, puis à Moscou, Berlin, Amsterdam et Paris, Julia Perminova n'en oublie pour autant pas sa première passion, celle d'écrire et jouer sa musique. Depuis son 1er opus, Revival, sorti en 2018, Julia Perminova a produit 4 autres albums, toujours inspirés par les expériences de sa vie quotidienne, ses voyages, ses rencontres, et une vision poétique, lyrique, nimbée d'une spiritualité toute personnelle: en 2021, Imagination, en 2022, Way to my Star, celui-ci conçu avec sa soeur Elisabeth, illustratrice ; en 2023 Freedom, enfin en 2024, Echoes of Home, enregistré en Allemagne au studio Bauer, avec la chanteuse Tatiana Nova. Le duo Nova / Perminova y libère des thèmes puissants, la voix au long cours de l'une peut compter sur le jeu de piano rompu à bien des tempêtes de l'autre. Il en résulte un album intimiste mais gorgé d'une énergie enthousiasmante, comme dans cet extrait du titre Akhmatova. Un titre qui pourrait être celui d'un poème, d'un tableau ou d'un film et donc de tout cela à la fois sous la forme d'un album de musique, voici Perceive Its Beauty, Aknowledge Its Grace, de Shabaka Hutchings. C'est sans doute le lien entre les différentes métamorphoses artistiques du musicien, connu et reconnu pour ses groupes Sons of Kemet, The Comet is Coming et Shabaka and the Ancestors. Les albums et les compositions sur ces albums émanent d'un projet clair de faire d'un poème une musique et de la musique un poème. On n'est cependant pas dans une énième opération de recyclage d'un romantisme converti et baptisé dans les eaux d'un jazz à la fois très contemporain et résolument attentif à la défense et illustration de ses racines. L'horizon vers lequel Shabaka Hutchings a mis le cap date de ces années d'apprentissage de la musique, quand son professeur lui affirma que « la musique ça n'a rien de si compliqué, travaille et puis laisse ton âme rayonner ». Laissant le saxophone de côté pour souffler dans de multiples flûtes principalement issues des traditions instrumentales sud-américaines, Shabaka Hutchings s'est aussi entouré de plusieurs partenaires émérites, Esperanza Spalding et Lianne La Havas pour ne citer qu'elles. Il résulte de toute cette alchimie une suite de pièces irradiantes où la déclamation scandée, le flow, la balade intemporelle et la référence directe à l'Afrique tissent un répertoire aussi captivant qu'un lit de braise dans la nuit. Le fait que l'album ait été enregistré dans des conditions de live sans séparation des musiciens les uns des autres ni casques et le tout dans le fameux studio de Rudy van Gelder, n'est pas étranger à son atmosphère unique. En voici un extrait, tout simplement intitulé Living, « Vivre ». Et oui, ainsi que vient de l'annoncer Senem Diyici, pour cette 5ème édition de Jazz Feed aussi c'est la fin du voyage, un voyage en 3 albums-escales, la 3ème étant donc le tout récent opus de la chanteuse-auteure-compositrice-percussionniste et chamane Senem Diyici, un album sur lequel on peut découvrir la version live entre folk progressif onirique...Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

JAZZ FEED lundi, mercredi et vendredi à 17h30. Serge Mariani présente régulièrement un choix d'albums sortis récemment ou sur le point de l'être, des extraits de leur musique, des informations, des commentaires, des impressions, des émotions, c'est la nouvelle émission de Serge Mariani sur Art District Radio: JAZZFEED ! Bonjour ! Serge Mariani pour un nouvel épisode, enfin, de Jazz Feed et à son générique des noms qui font plaisir : Senem Diyici, Shabaka Hutchings et Julia Perminova. Commençons avec un nouvel album de la pianiste et compositrice Julia Perminova, un album en duo piano / voix, intitulé Echoes of Home. Multipliant les contributions aux albums d'autres musiciens tout en parachevant en Suisse, à Bâle, une formation jazz pointue débutée dans sa Sibérie natale, puis à Moscou, Berlin, Amsterdam et Paris, Julia Perminova n'en oublie pour autant pas sa première passion, celle d'écrire et jouer sa musique. Depuis son 1er opus, Revival, sorti en 2018, Julia Perminova a produit 4 autres albums, toujours inspirés par les expériences de sa vie quotidienne, ses voyages, ses rencontres, et une vision poétique, lyrique, nimbée d'une spiritualité toute personnelle: en 2021, Imagination, en 2022, Way to my Star, celui-ci conçu avec sa soeur Elisabeth, illustratrice ; en 2023 Freedom, enfin en 2024, Echoes of Home, enregistré en Allemagne au studio Bauer, avec la chanteuse Tatiana Nova. Le duo Nova / Perminova y libère des thèmes puissants, la voix au long cours de l'une peut compter sur le jeu de piano rompu à bien des tempêtes de l'autre. Il en résulte un album intimiste mais gorgé d'une énergie enthousiasmante, comme dans cet extrait du titre Akhmatova. Un titre qui pourrait être celui d'un poème, d'un tableau ou d'un film et donc de tout cela à la fois sous la forme d'un album de musique, voici Perceive Its Beauty, Aknowledge Its Grace, de Shabaka Hutchings. C'est sans doute le lien entre les différentes métamorphoses artistiques du musicien, connu et reconnu pour ses groupes Sons of Kemet, The Comet is Coming et Shabaka and the Ancestors. Les albums et les compositions sur ces albums émanent d'un projet clair de faire d'un poème une musique et de la musique un poème. On n'est cependant pas dans une énième opération de recyclage d'un romantisme converti et baptisé dans les eaux d'un jazz à la fois très contemporain et résolument attentif à la défense et illustration de ses racines. L'horizon vers lequel Shabaka Hutchings a mis le cap date de ces années d'apprentissage de la musique, quand son professeur lui affirma que « la musique ça n'a rien de si compliqué, travaille et puis laisse ton âme rayonner ». Laissant le saxophone de côté pour souffler dans de multiples flûtes principalement issues des traditions instrumentales sud-américaines, Shabaka Hutchings s'est aussi entouré de plusieurs partenaires émérites, Esperanza Spalding et Lianne La Havas pour ne citer qu'elles. Il résulte de toute cette alchimie une suite de pièces irradiantes où la déclamation scandée, le flow, la balade intemporelle et la référence directe à l'Afrique tissent un répertoire aussi captivant qu'un lit de braise dans la nuit. Le fait que l'album ait été enregistré dans des conditions de live sans séparation des musiciens les uns des autres ni casques et le tout dans le fameux studio de Rudy van Gelder, n'est pas étranger à son atmosphère unique. En voici un extrait, tout simplement intitulé Living, « Vivre ». Et oui, ainsi que vient de l'annoncer Senem Diyici, pour cette 5ème édition de Jazz Feed aussi c'est la fin du voyage, un voyage en 3 albums-escales, la 3ème étant donc le tout récent opus de la chanteuse-auteure-compositrice-percussionniste et chamane Senem Diyici, un album sur lequel on peut découvrir la version live entre folk progressif onirique...Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Jason Singh is a sound artist, producer and performer. His creative output is an exploration of the natural world, voice and a wide range of music technologies. Works include live performance, immersive installations, studio recordings, broadcasts and sound walks. In this show he talks about how he makes music using the MIDI Sprout interface, a device that senses the electrical voltage of plants and converts it into MIDI information. He then uses the notes to control Ableton to produce the sounds he used in his recordings and immersive installations.Chapters00:00 - Introduction01:48 - Getting Started in Audio06:17 - Collaborating With Other Creatives09:46 - Studio Toys12:48 - Custom Built Instruments And Interfaces14:08 - Live Performances19:41 - Collaborating With Nature Using Biofeedback25:07 - Using The MIDI Sprout and PlantWave29:47 - Experiencing Nature Sounds In Real-Time31:44 - Creating An Immersive Installation For Womad40:54 - Opening Your Ears To Everyday SoundsAudio Credits:Afternoon - a commission by National Trust to create an entirely vocal piece which mimics the sounds of a woodland area in Tatton Park in Cheshire.Passing Light - an Ambient Jazz piece featuring trumpet player Yazz Ahmed.Rhubarb  - is a biosonfication track from the latest release "The Hidden Music of Plants and Trees", created in collaboration with a Rhubarb plant.MIDI Sprout - https://www.midisprout.com/PlantWave - https://plantwave.com/en-gbJason Singh BiogJason Singh is sound artist, nature beatboxer, producer, dj, curator, facilitator and performer. Jason's life and work is rooted in listening - he follows a multi-sensory and cross-species approach to sound and music. His creative output is an exploration of the natural world, voice and a wide range of music technologies. Works includes live performance, immersive installations, studio recordings, music for film and theatre, deep listening and well being experiences, sound walks, broadcasts, music workshops, podcasts, soundtapes and immersive DJ sets. Collaborations and commissions include a diverse range of organisations and artists including BBC, Yorkshire Sculpture Park, V&A Museum, Earthshot Prize, WOMAD, Kew Gardens, Chester Zoo, SONOS, Luke Jerram, BFI, Celtic Connections, RNLI, National Trust, Tate Britain, Nitin Sawhney, George Ezra, Big Narstie, Yazz Ahmed, Shabaka Hutchings, Sebastian Rochford, Leafcutter John, Graham Massey (808 State), Natacha Atlas, Sarathy Korwar, Talvin Singh and Rokia Traore to name just a few. Jason is an associate Soundscape artist with D&B audiotechnik.https://jasonsinghthing.com/Credits:Afternoon - was a commission by National Trust to create an entirely vocal piece which mimics the sounds of a woodland area in Tatton Park in Cheshire, England. Passing Light - Ambient Jazz piece featuring trumpet player Yazz Ahmed Rhubarb  - is a biosonfication track from the release "The Hidden Music of Plants and Trees" created in collaboration with a Rhubarb plant.Caro C BiogCaro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album 'Electric Mountain' is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This 'sonic enchantress' (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.URL: http://carocsound.com/Twitter: @carocsoundInst: @carocsoundFB: https://www.facebook.com/carocsound/

Shabaka Hutchings is a celebrated saxophone player and a major figure in London's contemporary jazz scene. He was the bandleader for Sons of Kemet and Shabaka and the Ancestors, and part of the electronic jazz group The Comet Is Coming. But on New Year's Day of 2023, he announced he'd be putting down the saxophone for good and focusing on a new instrument: the flute. Starting with the Japanese shakuhachi and expanding to a variety of traditional flutes, he's now out with his first full-length album under his solo moniker of Shabaka. The album is called 'Perceive Its Beauty, Acknowledge Its Grace,' and features collaborations with Carlos Niño, Laraaji, Andre 3000, Floating Points, Esperanza Spalding, Moses Sumney, and more. Shabaka talks with KEXP's Isabel Khalili about his transition from saxophone to flute and how it's helped him learn to release tension and relax into playing. He also discusses his thoughts on the term "Afrofuturism," how he's embraced Octavia Butler's ideas on the inevitability of change, what it means to heal through music, and his search for meaning outside of a Western colonial paradigm.Support the show: https://www.kexp.org/sound/See omnystudio.com/listener for privacy information.

M

M

Hip hop and jazz music have an intimate relationship. That's been true since the beginning. Our next guest is Shabaka Hutchings and while he might be a jazz musician, he is also a hip hop head who thoughtfully integrates his preferences into his most recent project “Perceive Its Beauty, Acknowledge Its Grace”. The album is also his first as a flute player, an instrument he went to exceptional lengths to become familiar with. He is joined on the project by incredible artists such as Saul Williams, Carlos Niño, Laraaji, Esperanza Spalding, Brandee Younger and Floating Points. It's also the only place where you'll find both Andre 3000 and E L U C I D as featured guests. We talked with Shabaka about all of the above and we discussed his album pick for this episode - “Doris” by Earl Sweatshirt. Purchase "Perceive Its Beauty, Acknowledge Its Grace" directly from Impulse Records

Shabaka Hutchings, now Shabaka, has been a crucial and connected London-based musician for years, leading arena dance-jazz band Sons of Kemet, cosmic psych-dub-funk trio The Comet Is Coming, and the collaborative band Shabaka & the Ancestors. He began incorporating layered flutes on the last Sons of Kemet record Black to the Future, and kept on picking up more and other woodwinds, first on his 2022 ambient meditation, Afrikan Culture, and now on his new full-length, Perceive Its Beauty, Acknowledge Its Grace. On it, Shabaka plays flutes: the Slavic woodwind called svirel, Japanese shakuhachi, Andean quena, and even clarinet. Plus, rapper and flutist André 3000 contributes flute to “I'll Do Whatever You Want”. This time, in his visit to our studio, Shabaka, together with Charles Overton on harp and Austin Williamson on drums, play some of the songs from Perceive Its Beauty, Acknowledge Its Grace. Plus, Shabaka talks us through the different flutes in his bow case, including a clay turtle ocarina and a non-student shakuhachi. Read more on Shabaka's Shakuhachi journey via SoundAmerican. – Caryn Havlik Set list: 1. Insecurities / As the Planets and the Stars Collapse 2. Living 3. I'll Do Whatever You Want

durée : 01:03:48 - Club Jazzafip - Nous recevons en session live le compositeur et pianiste brésilien, qui présente son quatrième album "Y'Y", une fresque jazz spirituelle rendant hommage à l'Amazonie sur laquelle il invite Shabaka Hutchings, Brandee Younger, Aniel Someillan ou Jeff Parker.

Carlos Niño is from Los Angeles, and has been a vital part of that city's music scene for almost 30 years. He started out as a radio DJ when he was still a teenager, and expanded from that into putting on shows, releasing records, producing sessions for artists, performing and doing just about everything else that a life in music will eventually drop in someone's lap. He's developed really long creative relationships with two other people who've been on this podcast in the past, vocalist Dwight Trible and percussionist Adam Rudolph, both of whom work at least part of the time in the area that's currently governed by the term spiritual jazz.If you look around, you'll see Carlos's name on a lot of really fascinating projects. He makes records as Carlos Niño and Friends, which is a good way of summarizing his methods and his aesthetic — he gets together with people who he considers friends and kindred spirits, they make music together, and he assembles it all. But the people he calls friends are some of the most fascinating musicians around right now. He's worked with Shabaka Hutchings, with Kamasi Washington, with Makaya McCraven, with Laraaji, and right now he's very involved with André 3000's New Blue Sun project. He was one of the leaders of the sessions that produced the album, and he's also part of Andre's live band.Carlos has a new album coming out later this month called Placenta. It's his third release for International Anthem, following a previous Carlos Niño and Friends album and a duo release with South African pianist Thandi Ntuli, and it features a ton of guests, including frequent collaborators like Nate Mercereau and Surya Botofasina, as well as saxophonist Sam Gendel, drummer Deantoni Parks, Adam Rudolph, André 3000, and many, many others. It's a mix of live recordings and studio sessions, some of which go as far back as 2018, and they've all been reconstituted and overdubbed and collaged with vocals, field recordings, and all kinds of sound design into something really unique and kaleidoscopic. Although it's got elements of jazz and elements of New Age music, it's really hard to describe or categorize and it's not the kind of thing you can just put on in the background and chill with. It demands your attention. When it comes out, I recommend you sit with it and see what you get out of it. I think you'll find it very rewarding.I'm really glad I had the chance to talk to Carlos Niño. He's a really interesting guy with a very open and optimistic creative philosophy that I think will be inspiring to those of you who make art yourselves, whether it's music or something else, and even to those of you who are just interested in art and creativity generally. Thanks as always for listening.

Andrew Male and John Mulvey dig into a couple of their favourite new releases from Shabaka Hutchings and Myriam Gendron. For all your ambient jazz flute needs – and more… Tracklist: 1. I'll Do Whatever You Want, featuring André 3000, Floating Points and Laraaji, written by Shabaka Hutchings and released on Impulse! Records2. Long Way Home, written by Miriam Gendron and released on Thrill Jockey in the UK

Though he's known for his fiery, raging performances with groups like Sons of Kemet, The Comet Is Coming, and Shabaka and The Ancestors, Shabaka Hutchings eases into a contemplative zone with his debut solo album, Perceive Its Beauty, Acknowledge Its Grace.  Released on Impulse! Records and recorded at the legendary Van Gelder Studio in New Jersey—where John Coltrane cut A Love Supreme and many other jazz classics were committed to tape—the album finds Hutchings setting down his sax in favor of a variety of flutes and pondering questions about what it means to be, what it means to do, and how one gives themselves over to energizing forces. Joined by guests including Saul Williams, Euclid, Esperanza Spalding, Floating Points, Laraaji, poet Anum Iyapo, Carlos Nino, and fellow flute devotee André 3000, Hutchings drifts into a gentle, new age-inspired zone, blending spiritual jazz expression with ambient sensibilities.  “What does it mean to have music of spiritual substance?“What does it mean to be spiritual? What is spirit?” This week on Transmissions, Shabaka Hutchings joins us to discuss that force, his shift toward the flute, the influence of Outkast, and connecting with his father on a creative level.  Transmissions is a part of the Talkhouse Podcast Network. Visit the Talkhouse for more interviews, fascinating reads, and podcasts. Next week on Transmissions? Shabaka Hutchings. For heads, by heads. Aquarium Drunkard is powered by our members. Keep the servers humming and help us continue doing it by subscribing to our online music magazine. This episode is brought to you by DistroKid. DistroKid makes music distribution fun and easy with unlimited uploads and artists keep 100% of their royalties and earnings. To learn more and get 30% off your first year's membership, visit: distrokid.com/vip/aquariumdrunkard

Hello, welcome back to Aquarium Drunkard Transmissions.  On Saturday, April 20th, Aquarium Drunkard Transmissions returned to the esoteric grounds of the Philosophical Research Society in Los Angeles for a living taping with guest host Will Sheff (Okkervil River) in conversation author Sean Howe, discussing Agents of Chaos: Thomas King Forçade, High Times, and the Paranoid End of the 1970s, book on High Times founder, provocateur, and trickster Thomas King Forçade as part of PRS' Earth Day celebration Plantstock. I am such a big fan of PRS, where we recorded a live talk with Matt Marble on the esoteric influences of Arthur Russell last fall. It's a place that invites inquiry, rewards curiosity, and enjoys the beauty of the unknown.  Which makes it a perfect setting for this talk. Howe's Agents of Chaos is a time machine that transports the reader directly to the chaotic, funky-smelling center of the paranoid 1970s. The result of almost a decade of sleuthing, Howe's fascinating book details the true story of Thomas King Forçade, mysterious founder of High Times Magazine, cannabis kingpin, el supremo of the Underground Press Syndicate, Yippie agitator, known drug smuggler, and possible CIA spook. Transmissions is a part of the Talkhouse Podcast Network. Visit the Talkhouse for more interviews, fascinating reads, and podcasts. Next week on Transmissions? Shabaka Hutchings. For heads, by heads. Aquarium Drunkard is powered by our members. Keep the servers humming and help us continue doing it by subscribing to our online music magazine. This episode is brought to you by DistroKid. DistroKid makes music distribution fun and easy with unlimited uploads and artists keep 100% of their royalties and earnings. To learn more and get 30% off your first year's membership, visit: distrokid.com/vip/aquariumdrunkard

When Shabaka hung up his tenor saxophone in favor of bamboo flutes, the world reacted with a mix of admiration and puzzlement. Over the last decade, as Shabaka Hutchings, he had steadily built a reputation for rampaging fervor on tenor, fueling the fires of a new-breed London jazz scene. His remarkable new album, Perceive Its Beauty, Acknowledge Its Grace, drifts in another direction — more contemplative and interior, suffused with flickering calm. During this year's Winter Jazz Fest, we caught up with Shabaka at Public Records in Brooklyn, and had a far-reaching conversation about this new direction, his motivations, and the challenge of making such a decisive pivot. Naturally we also talked about André 3000, another high-profile flute obsessive, and an eager new collaborator. You'll also hear Greg and Nate reflect on this soothing new turn in the music often branded “spiritual jazz,” and what it says about our present moment. Breathe In: New Music Friday for April 12, from NPR Music Album review in Pitchfork, by Hank Shteamer NY Times profile, by Hugh Morris Support WRTI: https://bit.ly/2yAkaJsSee omnystudio.com/listener for privacy information.

Shabaka Hutchings grew up between the UK and Barbados. He started playing clarinet as a young boy in Barbados and eventually moved back to England to go to music school in the early 2000s.  After college he began a period of working furiously on a kaleidoscopic range of projects and became an icon of the new sound of London jazz, which integrated African rhythms and modes, Caribbean and Middle eastern sounds and was largely danceable. Shabaka himself has never fully embraced the jazz label. While the music is highly improvised, and it owes much to the American jazz tradition, his influences are very broad. Over the course of the past decade, the majority of his touring and recorded work has been with three bands: Sons of Kemet, The Comet is Coming and Shabaka and the Ancestors. In these formations he displayed a fundamental approach to creative practice in different contexts spanning Afro-Caribbean fusion, London dance music club culture and the South African jazz tradition.   Part of his signature on the saxophone has been inspired by rappers, and his sound is often evocative of the human voice, conversational, expressive, and rhythmic. A somewhat chance encounter with a flute maker in Japan several years ago led him to develop an interest in the Shakuhachi flute tradition, and during covid he committed himself to the flute. Last year he announced that he would be putting away his saxophone and ending all of his bands to dedicate himself almost exclusively to playing wooden flutes. His latest release Perceive its beauty, Acknowledge its Grace (Impulse!) is his first full length album since making that transition. It's more meditative, contemplative and introspective than his earlier work. But it's still clearly Shabaka. The album features appearances by pianist Jason Moran, drummer Nasheet Waits, harpists Brandee Younger and Charles Overton, vocalists Lianne La Havas, Moses Sumney and Saul Williams, string wizard Miguel Atwood Ferguson and percussionist Carlos Niño. I talked to Shabaka earlier this year at Winter Jazzfest as he was embarking on a new adventure, both personally and musically. It was an absolutely fascinating conversation about his own creative development and philosophy, his new record, and why this historical moment is “showing the importance of slowing down, of patience, of contemplation.”   www.third-story.com www.leosidran.substack.com/ www.wbgo.org/podcast/the-third-story  

Featuring the latest classic by NYC songwriting legend Jesse Harris; a stellar cut from Jerksin Fendrix' brilliant ‘Poor Things' soundtrack; fresh sounds from UK reedsman Shabaka Hutchings; a tranquil soundscape courtesy of Italian composer Olivia Belli; two brilliant re-releases of 70s ECM classics: Azimuth and the Jan Garbarek Quartet; and finally, rock n roll, new and old, from The Black Crowes and Patti Smith.

NPR Music's Sheldon Pearce and WRTI's Nate Chinen take you through the biggest new releases of the week, including Maggie Rogers, Shabaka Hutchings and more.Featured albums:- Shabaka, 'Perceive Its Beauty, Acknowledge Its Grace'- Maggie Rogers, 'Don't Forget Me'- Lizz Wright, 'Shadow'- Leyla McCalla, 'Sun Without the Heat'Other notable albums out April 5:- METZ, 'Up On Gravity Hill'- Caroline Davis & Wendy Eisenberg, 'Accept When'- girl in red, 'I'M DOING IT AGAIN BABY!'- Future & Metro Boomin, 'We Still Don't Trust You'- V/A, 'My Black Country - The Songs of Alice Randall'- Still House Plants, 'If I don​'​t make it, I love u'- Clarissa Connelly, 'World of Work'- Meshell Ndegeocello, 'Red Hot and Ra: The Magic City'- Bad Bad Hats, 'Bad Bad Hats'- Dave Douglas, 'GIFTS'- BODEGA, 'Our Brand Could Be Yr Life'- English Teacher, 'This Could Be Texas'- James Elkington & Nathan Salsburg, 'All Gist'- Mark Knopfler, 'One Deep River'- The Ophelias, 'Ribbon' EP- Tusks, 'Gold'- Raphael Schön, 'Heart Times'- Sunburned Hand of the Man, 'Nimbus'- Rejoicer, 'This Is Reasonable'- Aaron Lee Tasjan, 'Stellar Evolution'- Dolo Percussion, 'DOLO 6'- Baby Blue, 'Of My Window'- The Reds, Pinks & Purples, 'Unwishing Well'- Water Damage, 'In E'- Will Hoge, 'Tenderhearted Boys'- Jess Ribeiro, 'Summer of Love'- Sunbeam Sound Machine, 'Soft Signal' EPLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Steven and Ian open by talking about J. Cole's botched diss track targeted at Kendrick Lamar (0:26). Is it lame to record a diss track and immediately apologize? Or is this actually a sign of personal growth? From there, the guys talk about the slumping ticket sales for Coachella (12:43). Is this a temporary bump or is the festival headed for a permanent downturn?The guys also check in with the Fantasy Album Draft, with the release of new records by Maggie Rogers, Shabaka Hutchings, and Nia Archives (24:01). They also talk about early contenders for Album Of The Year from Q1-ish of 2024, including Waxahatchee, Vampire Weekend, and Mannequin Pussy (30:21). In the mailbag, there are two yay-or-nay questions on two very different bands: Khruangbin and Our Lady Peace (48:17).In Recommendation Corner, Ian talks about the screamo band Heavenly Blue and Steven recommends the new documentary Lost Angel: The Genius Of Judee Sill (56:28).New episodes of Indiecast drop every Friday. Listen to Episode 184 here and subscribe wherever you get your podcasts. You can submit questions for Steve and Ian at indiecastmailbag@gmail.com, and make sure to follow us on Instagram and Twitter for all the latest news.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

durée : 00:59:29 - Shabaka Hutchings - par : Alex Dutilh - “Perceive its Beauty, Acknowledge its Grace” de Shabaka illustre, très différemment de ses disques précédents, l'esprit d'exploration que le musicien incarne. Parution chez Impulse !

durée : 00:59:29 - Shabaka Hutchings - par : Alex Dutilh - “Perceive its Beauty, Acknowledge its Grace” de Shabaka illustre, très différemment de ses disques précédents, l'esprit d'exploration que le musicien incarne. Parution chez Impulse !

M

M

Shabaka Hutchings makes brilliant, beautiful genre blending songs. His music is vivid, complex and hypnotic. He recently hung up his saxophone and is playing the flute these days. When Shabaka joined the show back in 2021, his band Sons of Kemet had just put out a record called Black to the Future. He talked with us about making the new record during quarantine. He also discussed being an only child, the first instrument he learned to play and his love of old school gangster rap.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

While Bonnaroo and Big Ears Festival take place three months and 150 miles apart, both events were created by Knoxville native Ashley Capps. Plus, both festivals have become known for their diverse lineups and their unofficial status as music discovery festivals.  Knox News journalists Ryan Wilusz and Brianna Paciorka, who have regularly attended both festivals over the years, dive into the respective lineups to share their top picks from both bills. Listen as they discuss why each of their most anticipated artists are must-sees and why anyone on the fence about purchasing tickets should plan to attend.   "The Scruffy Stuff" is presented by knoxnews.com. Want more downtown analysis? Sign up for the free weekly Urban Knoxville newsletter by clicking here, and join the downtown discussion by becoming part of the Urban Knoxville group on Facebook.

Ahead of the release of Maestro, Bradley Cooper's long-awaited film about Leonard Bernstein, Sara Mohr-Pietsch talks to the conductor and composer's daughters - Jamie and Nina - about their parents' relationship, listening to music with their father as children, and how it feels to see their lives recreated on screen. Sara is joined by critics Jessica Duchen and Lillian Crawford who share their thoughts, among other things, about Bradley Cooper's conducting of Mahler's Second Symphony in Ely Cathedral - a central scene in the film. Sara talks to American/Canadian composer Linda Catlin Smith about a new recording of her chamber works by long-time collaborators Thin Edge New Music Collective. Linda has become a leading voice in Canadian musical culture and she tells Sara about her love of spacious and sparse music, and how stepping away from her composition to weed or wash-up can inspire new ideas. Tomorrow's Warriors is an organisation which has supported and nurtured young musicians in jazz for over 30 years, including artists such as Soweto Kinch, Nubya Garcia, Moses Boyd, Shabaka Hutchings and recent Mercury Prize winners Ezra Collective. Sara meets its co-founders, Gary Crosby and Janine Irons, to talk about how Tomorrow's Warriors began, how they've gone on to have such a big impact on the UK jazz scene, and the vital need for young people to have access to musical experiences.

Listen every Friday from 21 till 22 (Moscow time) Jazz FM (radiojazzfm.ru) Subscribe in iTunes: https://itunes.apple.com/ru/podcast/funk-and-beyond-weekly/id1063844118?mt=2 for more details please visit beyondfunk.ru 1. Matthew Halsall - Triangles In The Sky 2. Yussef Dayes - Raisins Under the Sun (feat. Shabaka Hutchings) 3. The Faithful Brothers - (Let's Break) The Curfew 4. The Drawbars - J‘s Pocket 5. Jalen Ngonda - Rapture 6. The Kevin Fingier Collective - So I Can Free Myself 7. The Du-Rites - Horse Pills 8. The Jazz Defenders - Rolling On A High 9. Dan Berkson - Blues for Bristol 10. SoulTune Allstars - Chicken Chase 11. P.Unity - Dead Roe 12. Joseph Malik - Adult Contemporary 13. Lettuce - House of Lett 14. TheEEs, Arema Arega and Regis Molina - Con Sentimiento 15. Nick Holder - Hustlers Groove 16. Manu Dibango - Bayam Sellam (Delfonic and Kapote's Yam Sallam Remix) 17. Cool Affair - Revolution 18. Cody Currie, Jitwam, Ziggy Zeitgeist - Red Hot 19. Ben White - Would Have To Be A Fool

This week on the show, we're joined by Sam Shepherd, AKA Floating Points. His discography is full of beautiful and strange electronic music—bubbling Buchalas, skittering beats, washes of synthesized sound, and even moody, spacious post-rock. But underneath it all, his love of jazz is clear. In 2021, he teamed with an actual jazz legend: the late Pharoah Sanders, as well as the London Symphony Orchestra for Promises, a single 46-minute composition broken into nine movements.  Though the artists were separated by decades in age, their approach is simpatico. Just as Shepherd has moved between genres and styles, so did Pharoah. His early work with John and Alice Coltrane established him as a dynamic, sometimes frighteningly intense sideman, and his first run of records, including 1969's Karma, featuring “The Creator Has a Master Plan,” helped set the stage for what we now call “spiritual jazz.”  But Sanders, who passed away in 2022 at the age of 81, cared very little about what genre you filed his records under. “I just play whatever I feel like playing,” he told The New Yorker. Sanders stayed restless and creative—listen to his playing on Sonny Sharrock's masterful Ask the Ages or his works with Bill Laswell, and you'll hear what we mean. In 1977, he waded into deeply personal waters with the self-titled Pharoah, which will be reissued by Luaka Bop on September 15th. Exploring new age adjacent sounds, funk, and passionate ballads, it's a radical departure from his early work, but perfectly in keeping with Sanders' unpredictable ethos.  Likewise, Promises is hardly the “back to basics” late career album you might expect an 80-year-old artist to make. It's its own thing, a meditative sojourn that relies on silence as much as sound. And next week, on September 20th, Floating Points will be joined by past Transmissions guest Shabaka Hutchings, as well as Caribou, Four Tet, the Sun Ra Arkestra, and others for the first-ever staging of Promises live at the Hollywood Bowl. Ahead of that show, Shepherd joined us from his studio to discuss his his years collecting records, making Promises—and we even got him to reveal Pharoah's favorite place to eat in LA.  Transmissions is a part of the Talkhouse Podcast Network. Visit the Talkhouse for more interviews, fascinating reads, and podcasts, like Drifter's Sympathy, with Emil Amos of Grails, Om, Holy Sons, who will be our guest next week on Transmissions. And of course No Way Out: An Oral History of Sunburned Hand of the Man, curated and produced by J Kelly Davis and presented by Aquarium Drunkard and Talkhouse. Back soon. Next week on the show, Jarvis Taveniere of Woods.

After a couple of weeks focusing on some of our favorite tunes from the first half of the year here we are back on our night road to some of the most exciting new and upcoming releases, many of them with a cinematic and nocturnal vibe. The playlist features Erik Truffaz; Hernan Cassibba; The Vampires feat. Chris Abrahams; Rob Mazurek; London Brew; Yussef Dayes, Shabaka Hutchings; Matthieu Donarier, Eve Risser, Karsten Hochapfel, Toma Gouband; Eleonora Strino [pictured], Greg Cohen, Joey Baron; Christina Galisatus; and Jeff Coffin. Detailed playlist at https://spinitron.com/RFB/pl/17641622/Mondo-Jazz [up to "Luminosity"]. Happy listening!

The music festival Long Play returns this weekend in venues across Brooklyn. Organized by the boundary-pushing contemporary classical organization Bang on a Can, the 2023 edition of the festival features more than 50 concerts from artists of various backgrounds. Joining us with a preview is composer and Bang on a Can co-founder Michael Gordon, whose outdoor installation "Field of Vision" will be performed at a free concert in Fort Greene Park on Saturday. Also joining is singer and bass player Ganavya, who will perform alongside London-based jazz musician Shabaka Hutchings at BRIC Ballroom on Saturday.  

A 50th anniversary concert for Miles Davis's seminal album Bitches Brew was meant to take place in London in 2020, but the pandemic ultimately scrapped those plans. Three years later, the collective of musicians behind the cancelled concert have released the album London Brew, an improvisatory record inspired by Davis's original and recorded over three days. Saxophonist Shabaka Hutchings and producer Martin Terefe join us for a Listening Party.

Presentamos el festival Dum Dum Jazz de Zaragoza al que vienen Noa Lur con su Jazz for Children, Dani Ferruz con su piano y Marta Mansilla con su flauta; y aprovechamos la ocasión para acordarnos del Pedro Iturralde flautista, y repasar la actualidad de la flauta jazz con Jorge Pardo, Perico Sambeat, Fernando Wilhelmi, Andrés Belmonte y Shabaka Hutchings. Temas que suenan en el programa: 01 2021 MM Project - Pacemaker 08 Silverhead - Marta Mansilla Virginia Alves At One Pablo Martín David Sancho Jesús Caparrós Alberto Brenes (6' 39'') 02 1968 Pedro Iturralde Quartet Featuring Hampton Hawes 02 Black Forest Blues (Hampton Hawes Blues) Eric Peter Peer Wyboris (6' 57'') 03 2021 Atlantic Bridge Jazz Project - Portus Apostoli 04 Arena Bulería - Jorge Pardo (5' 25'') 04 2022 Perico Sambeat - Atlantis 03 El Rastro de Hiva - Fabián Almazán Pablo Menares Rodrigo Recabarren (7' 57'') 05 2023 Fernando Wilhelmi y la Orquesta de Ida y Vuelta - Gotas de Luz 07 De Aire - Lara Bello (5' 26'') 06 2018 Andrés Belmonte - Tariq 01 El Henna - Efrén López Ales Cesarini David Gadea (4' 55'') 07 2022 Shabaka Hutchings - Afrikan Culture 02 Call it a European paradox - Alina Bzhezhinska (3' 32'') 08 2022 Dani Ferruz Quartet - Miradas 04 Medina Albaida - Joan Mas David Mengual Adrià Claramunt (4' 52'') Para estar al día de todo lo que sucede en el jazz en Aragón os recomiendo, como siempre, la web jazzaragon de Daniel Zamora.

MIXOLOGIE, mardi, jeudi et samedi de 19h à 20h. Serge Mariani nous fait partager sa playlist Mixologie.    Le Trio du contrebassiste Jean-Philippe Viret, le 5tet Extended (ex « Go To The Dogs »), la chanteuse multi-instrumentiste Senem Diyici, le trio The Comet is Coming avec Shabaka Hutchings, le batteur Gard Nilsen & Acoustic Unity et le trio du pianiste Avi Adrian ont été les ingrédients de la première partie de cette nouvelle Mixologie sur Art District radio... Je vous propose à présent d'y ajouter d'autres saveurs: le guitariste multi-instrumentiste Steve Tibetts, le batteur Antonio Sanchez avec Becca Stevens, le trio Xolo, le pianiste Alessandro Sgobbio, la batteuse Melanie Centenero, le duo trompette-accordéon d'Eric Vloeimans et Will Holshouser qui seront suivis du batteur Simone Prattico avec Vincent Peirani... Et basta ! 1/ TRIO VIRET / A Plus D'Un Titre / album In Vivo (2022) /05.25 2/ EXTENDED / Tempest / album Without Notice (2022) /05.35 3/ SENEM DIYICI / Karaburun'da Dolunay / album Nara (2022) / 04.20 4/ THE COMET IS COMING / Mystik / album Hyper-dimensional Expansion Beam (2022) /04.08 5/ GARD NILSSEN & ACOUSTIC UNITY / The Other Village / album Elastic Wave (2022) / 03.30 6/ AVI ADRIAN TRIO / It's Hard To Be A Donkey / album Songs From A Dream II (2022) / 06.20 7/ STEVE TIBETTS / Black Mountain Side / album Hellbound Train (2022) / 02.50 8/ ANTONIO SANCHEZ / The Bucket (feat. Becca Stevens)/ album Shift - Bad Hombre Vol. II (2022) / 05.40 9/ TRIO XOLO / Cropsey / album In Flower, In Song (2022) / 02.10 10/ ALESSANDRO SGOBBIO / Ghaza / album Piano Music (2022) / 03.40 11/ MELANIE CENTENERO / Empty Space / album Théorie de l'Ensemble (2022) / 05.50 12/ ERIC VLOEIMANS & WILL HOLSHOUSER / Innermission 9 / album Two For The Road (2022) / 05.15 13/ SIMONE PRATTICO / E Basta (avec Vincent Peirani) / album Oriundo (2022) / 03.10

Tributes to Abdul Wadud, Paul Motian, Albert Mangelsdorff and Johnny Hodges, the power of post-production, the music meditations of Surya Botofasina and more, in this wide-ranging edition of Mondo Jazz. The playlist features Tom Skinner; Chelsea Carmichael, Shabaka Hutchings; Petter Eldh, Savannah Harris; Esbjörn Svensson; Jakob Bro, Joe Lovano; Brûlez Les Meubles; Owen Broder; Agnas, Ståhl, Flaten, Texas; More Better; Surya Botofasina. Detailed playlist at https://spinitron.com/RFB/pl/16663757/Mondo-Jazz (from "The Journey" onward). Happy listening!

This week on the show, Danalogue (Dan Leavers), Betamax (Max Hallett) and Shabaka Hutchings, known collectively as the improvisational crew The Comet is Coming. You might know Dan and Max from Soccer96, and Hutchings from his many projects, including Shabaka and the Ancestors and Sons of Kemet. Their new album is called Hyper-Dimensional Expansion Beam. Recorded at Peter Gabriel's Real World Studios, it's a blur of electronic music, funk ferocity, and free jazz squall. As that title likely suggests, this conversation goes all over the map, digging into concepts like apocalyptic imagination, the dynamics of improv, and artificial intelligence.  Thanks for checking out Transmissions. If you dig the show, please consider leaving a five star rating or a review—or just forwarding your favorite episodes to a friend. We're a part of the Talkhouse Podcast Network. Next week on the show: Clem Burke of Blondie.

Shabaka Hutchings joins Dave Douglas to discuss his recent solo album. How shocked he was to even … The post ANFTD #105: Shabaka Hutchings first appeared on Greenleaf Music by Dave Douglas.

Today on Transmissions, London-based jazz and beat artist Ben Marc. He's known for his work with Ethiopian jazz legend Mulatu Astatke and with Jonny Greenwood of Radiohead and Shabaka Hutchings of Sons of Kemet. His new album is called Glass Effect and it blends classical, electronic music, and deeply felt spiritual jazz. He joined us to discuss his work with the Sun Ra Arkestra, Astake, working with Jonny Greenwood and his bandmate Tom Skinner's work in Radiohead side project The Smile. You can support this podcast by checking out our Patreon page. Transmissions is written and produced by Jason P. Woodbury. Our audio is edited by Andrew Horton. Our show is executive produced by Justin Gage, Aquarium Drunkard founder. AD Transmissions is part of the Talkhouse Podcast Network. Rate, review, subscribe, and spread the word if you dig the show.