Podcast appearances and mentions of elton dean

Between the village of Anwick and the town of Sleaford in Lincolnshire, England, lies a farmhouse.It is at this farmhouse that our journey begins.Robert is a stockman on a farm. Daphne is his wife. Their little boy, Bernie, is born in that little farmhouse by lantern light because the house is much older than electricity.When Bernie is five years old, his father is promoted to farm manager, and they are moved into a house with electric lights.Bernie thinks, “Now we are living the good life.”He leaves school at 15, but his mother has given him a love for literature and her father “Poppy” has injected him with a love for nature and narrative poetry.Bernie sends a few of his poems to a music publisher in London who is looking for song lyrics.That same publisher is talking to a young man named Reggie who is looking for a way to leave “Bluesology,” a mediocre local band that plays songs while the patrons of local restaurants eat fish and chips. Reggie says to the publisher, “I'm very good with music, but I can't write lyrics. I'm hopeless.”The publisher responds by handing Reggie an unopened envelope that he snatches from the top of the pile on his desk. He says to Reggie, “See what you can do with that and get back to me.”Neither Bernie nor Reggie are accepted by the music publisher, but they are accepted by each other. Bernie mails poems to Reggie in London, and Reggie writes the music that turns Bernie's poems into songs.You have heard many of these songs, I'm sure.According to Jordan Runtagh,“‘Rocket Man,' ‘Honky Cat,' ‘Crocodile Rock' and ‘Daniel' all immediately shot into the Top 10 in rapid succession. By 1975, they were responsible for 2 percent of all records sold on the entire planet. That same year they released Captain Fantastic and the Brown Dirt Cowboy, which became the first LP in history to debut at the top of the Billboard chart.”Reggie is Captain Fantastic and his farmboy friend Bernie is the Brown Dirt Cowboy.Reggie knows, of course, that he is unlikely to become famous as Reggie Dwight, so he creates a new name from the names of his former bandmates, Elton Dean and John Baldry.As “Elton John,” Reggie writes the tunes that make Bernie's poems famous around the world. Some of those tunes are “Your Song,” “Levon,” “Tiny Dancer,” “Candle in the Wind,” “Saturday Night's Alright for Fighting,” “Bennie and the Jets,” “Don't Let the Sun Go Down on Me,” “The Bitch is Back,” “I'm Still Standing,” and “I Guess That's Why They Call It The Blues.”In 1973, Bernie was traveling to concerts with always high, out-of-control Elton, doing the job each day of all the king's horses and all the king's men by “putting Humpty Dumpty back together again.”When the Brown Dirt Cowboy decided that he didn't want to do it anymore, he wrote his brother a letter of departure:“When are you gonna come down? When are you going to land? I should have stayed on the farm. I should have listened to my old man. You know you can't hold me forever. I didn't sign up with you. I'm not a present for your friends to open. This boy's too young to be singing the blues. So goodbye yellow brick road where the dogs of society howl. You can't plant me in your penthouse. I'm going back to my plow. Back to the howling old owl in the woods hunting the horny back toad. I've finally decided my future lies beyond the yellow brick road.”“What do you think you'll do then? I bet they'll shoot down the plane. It'll take you a couple of vodka and tonics to set you on your feet again. Maybe you'll get a replacement. There's plenty like me to be found, mongrels who ain't got a penny sniffing for tidbits like you on the ground.”Reggie Dwight did what he always did. He wrote a tune and sang what Bernie had written.In the days when an album that sold a million copies was a “Gold Record,” Reggie and Bernie's album, “Goodbye Yellow Brick Road” sold 30 million copies.A few years ago, Bernie Taupin spoke of the “inseverable bond” of brotherhood that he and Elton have shared for 60 years.“In the insanity of our lives, there's nothing better than the times when we get to sit down, just together. Like those moments in the dressing room, about a half an hour before he goes on, when I'll go in and see him and there's nobody else in there, and it's just he and I. The calm before the storm. It all comes back. When we're just alone with each other, it seems like a frozen capsule of time that everything we've ever done together inhabits. That's magical to me.”Bernie, I think I speak for a lot of other people when I say that your partnership is magical for us, as well.Roy H. Williams

Esta semana, en una nueva sesión de Rebelión Sónica, destacamos tres discos remasterizados y lanzados este año por el sello MoonJune Records: “Drop” y “Floating World Live” de Soft Machine y “Abracadabra” de Soft Works. “Drop” fue editado originalmente en 2009 y muestra a la banda en una fecha en Alemania en el contexto de la gira europea de 1971, con Mike Ratledge en varios teclados, Elton Dean en vientos y teclado, Hugh Hopper en bajo y el baterista australiano Phil Howard, quien estuvo en Soft Machine en un pequeño período entre la salida de Robert Wyatt y la llegada del baterista definitivo del grupo, John Marshall. Un registro que exhibe el eslabón perdido de la banda. Por su parte, “Floating World Live”, publicado antes de esta remasterización en 2006, también fue grabado en Alemania, específicamente en la ciudad de Bremen, el 29 de enero de 1975 y tiene la importancia de mostrar la potencia en vivo de la banda con la entrada del guitarrista Allan Holdsworth a su formación de quinteto de esa época, con Karl Jenkins en vientos y teclados, Mike Ratledge en teclados, Roy Babbington en bajo y John Marshall en batería. Finalmente, “Abracadabra” es el disco en estudio que Soft Works editó en 2002 y que reunió a cuatro importantísimos músicos de Soft Machine: Elton Dean, Allan Holdsworth, Hugh Hopper y John Marshall, actualmente todos fallecidos. En esta reedición remasterizada y editada el 13 de junio pasado, se incluyen dos tracks en vivo como bonus tracks. Semana a semana, Rebelión Sónica se transmite por radio Rockaxis, los jueves a las 10 y 22 horas, con la conducción de Héctor Aravena.

Esta semana, dedicamos un nuevo capítulo de Rebelión Sónica, al rescate patrimonial en vivo que el sello Cuneiform hizo de la legendaria banda británica, Soft Machine. Titulado “Høvikodden 1971”, el disco incluye dos shows grabados por el ingeniero Meny Bloch en el Centro de Arte Henie-Onstad, ubicado en la colina noruega de Høvikodden -a 10 kilómetros de Oslo-, los días 27 y 28 de febrero de 1971. En ese momento, la siempre cambiante alineación de la banda, estaba integrada por Elton Dean en saxo alto, saxello y Hohner pianet, Hugh Hopper en bajo, Mike Ratledge en Hohner pianet, órgano Lowrey Holiday Deluxe y Fender Rhodes y Robert Wyatt en batería y voces. Cuneiform explica que, si bien los dos sets interpretados la segunda noche se habían lanzado antes, esta es la primera vez que se edita la estadía de completa de dos noches en el promontorio de Noruega, por lo que la mitad del registro nunca se había escuchado antes. El sello agrega que se trata de “una excelente grabación estéreo de la banda tocando en una sala relativamente pequeña. Los equilibrios entre los instrumentos no están perfectamente balanceados, pero no hay otra grabación de Soft Machine que suene tanto como si la banda estuviera tocando *justo* frente a ti”. Cuneiform remata señalando que “además, pudimos mejorar de una manera modesta pero definitivamente notable el equilibrio no perfecto entre los instrumentos en esta edición”. En la parte final del programa, nos quedamos en el mismo año 1971 pero en la faceta en estudio de la banda, para escucharlos con música del fundamental álbum “Fourth”. Pueden escuchar Rebelión Sónica por radio Rockaxis todos los jueves a las 10 y 22 horas, como siempre, con la conducción de Héctor Aravena.

KEITH TIPPETT GROUP – DEDICATED TO YOU, BUT YOU WEREN'T LISTENING London, September, 1970This is what happens, Five after dawn, Black horseMark Charig (cnt) Nick Evans (tb) Elton Dean (as,saxello) Keith Tippett (p,el-p) Gary Boyle (g) Roy Babbington (b,el-b) Neville Whitehead (b) Robert Wyatt, Bryan Spring, Phil Howard (d) Tony Utah (cga,cowbell) PAUL MOTIAN TRIO – DANCE Ludwigsburg, Germany, September, 1977Waltz song, Dance, KalypsoCharles Brackeen (sop,ts) David Izenzon (b) Paul Motian (d,perc y comp.) TRANSATLANTIC FIVE – TRANSITIONS Loft, Cologne, Germany, August 27, 2022Transition I, Transition II, En attenteNate Wooley (tp) Ken Vandermark (ts,cl) Christopher Dell (vib) Christian Ramond (b) Klaus Kugel (d) Continue reading Puro Jazz 22 diciembre 2023 at PuroJazz.

Abrimos la entrega de La Ruleta Rusa con nuestro recuerdo al inolvidable batería John Marshall, miembro permanente durante décadas de los Soft Machine y que participó en bandas y álbumes claves del Rock progresivo y del jazz Rock y la Fusión, al lado de luminarias como Allan Holdsworth, Arthur Brown, Keith Tippett, Jack Bruce, Hugh Hopper, Elton Dean y un largo etcétera. Nos ha dejado recientemente y para recordarlo, hemos escuchado de nuevo el que puede ser uno de sus últimos trabajos, Other Doors de Soft Machine, publicado recientemente este 2023. Continue reading La Ruleta Rusa 38.2023. Recuerdo a John Marshall. Whale Nado. Sugar. Robin Trower Band at La Ruleta Rusa Radio Rock.

Durante el año 2022 se ha publicado una gran cantidad de música de archivo de décadas pasadas de una enorme calidad. Poder disfrutar de este material que, en la mayoría de los casos, no sabíamos de su existencia es un gran placer del que nos hemos visto obligados a compartir algo en este programa. Repertorio: 1. John Taylor Sextet - Interfusion (Fragment) 2. plastic People Of The Universe - Majova (Leading Horses - Live 1981) 3. Elton Dean, Steve Miller & Pip Pyle - Crack Le Whip ( Home Brewed) 4. The Muffins - The Ugly Buttling (Baker's Dozen) 5. Karl Jenkins - Third Movement (Penumbra II) 6. Frank Zappa/George Duke - Psychosomatic Dung (Waka/Wazoo) 7. If - Sunday Sad (Live At The BBC) 8. Henry Lowther's Quarternity - Start Right (Never Never Land)

Esta semana, dedicamos una nueva sesión de Rebelión Sónica, al nuevo disco en vivo de Soft Machine lanzado por Cuneiform Records, “Facelift France & Holland”. Editado el 25 de marzo de 2022, se trata de un rescate patrimonial que incluye dos conciertos de la banda realizados a principios de 1970: el 02 de marzo en el Théâtre de la Musique de París, Francia y el 17 de enero en el Concertgebouw de Ámsterdam, Países Bajos. De acuerdo a la información entregada a la prensa: “Desde sus inicios como banda de rock psicodélico en 1966, compartiendo escenarios con Pink Floyd y Jimi Hendrix Experience, hasta ser uno de los fundadores del jazz/rock eléctrico a principios de 1969, Soft Machine fue un grupo incansablemente creativo”. La declaración agrega que ““Facelift France & Holland” captura a la banda en un momento crucial en el primer trimestre de 1970, cuando fueron un quinteto de corta duración, justo antes de que grabaran y lanzaran su revolucionario álbum “Third””. La alineación cuenta con Mike Ratledge en órgano, Robert Wyatt en batería y voz, Hugh Hopper en bajo, Elton Dean en saxo alto y saxelo y Lyn Dobson en saxo soprano y tenor, flauta, armónica y voz. Recordemos además que la actual formación de Soft Machine, con John Marshall en batería, John Etheridge en guitarra, Theo Travis en viento y Fred Thelonious Baker en bajo, se presentarán el 27 de agosto en el Teatro Caupolicán.

Paula interviews world-renowned jazz guitarist and bassist, Fred Thelonius Baker.  Fred was a student at Birmingham School of Music (now Royal Birmingham Conservatoire) from 1979, and studied composition with Andrew Downes. Andrew went on to invite Fred to teach at Birmingham Conservatoire in 1989, which led to Fred being a major part of Andrew's new School of Composition and Creative Studies from the early 90s. Fred has been a permanent teacher/lecturer in accoustic and bass guitar there ever since. In the mid 90s, Andrew composed his Concerto for Guitar, Electric Bass Guitar and Strings for Fred playing Electric Bass with Simon Dinnigan playing Acoustic Guitar. They recorded it for CD in 1999 with string players from the City of Birmingham Symphony Orchestra. Fred and Simon also arranged Downes' Piano Sonatina, Movement 2 for Electric Bass and Acoustic Guitar and also recorded this for the CD. All of these works are played throughout the episode. More information on the works and the CD can be found here: https://www.andrewdownes.com/Soloists-with-Orchestra.html#GUITARSTRINGS Fred Thelonious Baker is a Jazz guitarist and bassist from the English village of Tibshelf, Derbyshire. Born in 1960, Fred was given a ukulele when he was four by his father. Indeed, Fred's parents were a major influence in the beginning of his musical journey. A year later, he was given his first guitar and went on to learn the Classical guitar. During his mid-teens, Fred also began an interest in the bass guitar, an instrument with which he has since become synonymous. After studying at Chesterfield College, Fred went on to study at Birmingham School of Music (now Conservatoire) where he gained a GBSM and ABSM in teaching and performance. Around this time, at the invitation of Sir John Dankworth and Cleo Laine, Fred began teaching at Wavendon All Music Summer School. Since then, Fred has taught and given masterclasses at many universities, music colleges and music Summer schools including Guildhall School of Music & Drama, Berkeley College of Music, USA, St Petersburg Conservatory, Russia, London Brunel, Huddersfield, Sheffield, and Derby Universities. Since 1989, he has been a permanent teacher/lecturer in acoustic and bass guitar at Birmingham Conservatoire. Fred has performed all over the world as a session musician and soloist with a variety of musicians and ensembles including Courtney Pine, Nigel Kennedy, Billy Cobham, the CBSO, Fairport Convention, Robert Wyatt, Harry Beckett, Horace Parlan, Soft Machine, John Etheridge, Pip Pyle, Ric Sanders, Karen Street, Joe Sachse, Tony Levin, Phil Bates, Clive Bunker, Elton Dean, Simon Dinnigan, Geoff Eales, Liam Genocky and Phil Miller. As both a jazz guitarist and bassist, Fred has appeared extensively on many recordings. "Spinal Tap" from his solo accoustic guitar CD, Life Suite, will be played on this episode. Fred is currently working on the legacy of the late Phil Miller: https://philmillerthelegacy.com  

5e émission de la 49e session... Cette semaine, postbop, freebop et free-jazz! En musique: George Coleman sur l'album The George Coleman Quintet in Baltimore  (Reel to Real, 2020, enr. 1971); Ken McIntyre sur l'album Hindsight  (SteepleChase, 1974); Group Sounds Four & Five sur l'album Black & White Raga  (Jazz in Britain, 2020, enr. 1965-66); Elton Dean sur l'album Just Us  (Cuneiform, 1998, enr. 1972); Francisco Mela sur l'album MPT Trio Volume 1  (577, 2021); Peter Urpeth Quartet sur l'album Live at Cafe Oto  (Indépendant, 2021)...

5e émission de la 49e session... Cette semaine, postbop, freebop et free-jazz! En musique: George Coleman sur l'album The George Coleman Quintet in Baltimore  (Reel to Real, 2020, enr. 1971); Ken McIntyre sur l'album Hindsight  (SteepleChase, 1974); Group Sounds Four & Five sur l'album Black & White Raga  (Jazz in Britain, 2020, enr. 1965-66); Elton Dean sur l'album Just Us  (Cuneiform, 1998, enr. 1972); Francisco Mela sur l'album MPT Trio Volume 1  (577, 2021); Peter Urpeth Quartet sur l'album Live at Cafe Oto  (Indépendant, 2021)...

a cura di Alessandro Achilli. Musiche di Keith Tippett, Shelagh McDonald, Hopper-Dean-Tippett-Gallivan, Working Week, PP Arnold, Nostalgia 77, Keith & Julie Tippett, Centipede (seconda parte)

a cura di Alessandro Achilli. Musiche di Keith Tippett, Shelagh McDonald, Hopper-Dean-Tippett-Gallivan, Working Week, PP Arnold, Nostalgia 77, Keith & Julie Tippett, Centipede (seconda parte)

a cura di Alessandro Achilli. Musiche di Kevin Ayers, Who, Beatles, King Crimson, Soft Machine, Delivery (seconda parte)

a cura di Alessandro Achilli. Musiche di Aimee Mann, Dmitrij Šostakovič, Soft Machine, Nava (prima parte)

a cura di Alessandro Achilli. Musiche di Aimee Mann, Dmitrij Šostakovič, Soft Machine, Nava (prima parte)

a cura di Alessandro Achilli. Musiche di Kevin Ayers, Who, Beatles, King Crimson, Soft Machine, Delivery (seconda parte)

This epic episode is comprised of two music icons… Boston and Elton John! Joe & Toby explore the sounds of “More Than A Feeling” and the original sample taken from Elton’s 1973 hit song.  What we geek out over in this episode: Everything Elton John (a.k.a. Reg), bandmates Elton Dean and Long John Baldry (1966 Bluesology), Dr. Robotnik, lyricist Bernie Taupin, Tom Scholz & iconic band Boston, Polaroids & Hey Ya!, Mixolydian mode, and Samantha vs. Amanda. 

a cura di Alessandro Achilli. Musiche di Joe Harriott & Amancio D'Silva, Henry Cow, Elton Dean's Ninesense, The Science Group, Nadia Ratsimandresy & Jacques Charpentier

a cura di Alessandro Achilli. Musiche di Joe Harriott & Amancio D'Silva, Henry Cow, Elton Dean's Ninesense, The Science Group, Nadia Ratsimandresy & Jacques Charpentier (seconda parte)

a cura di Alessandro Achilli. Musiche di Joe Harriott & Amancio D'Silva, Henry Cow, Elton Dean's Ninesense, The Science Group, Nadia Ratsimandresy & Jacques Charpentier (seconda parte)

PROGRAM SUMMARY Today in Part TWO of Jazz Fusion, we look at FIVE more Jazz Fusion artists on …VINYL VIBRATIONS ! M1 Miles Davis and his "Bitches Brew" album 1970 Columbia. Miles Davis experiments with electric instruments like electric piano and electric guitar. Also we see more of an improvisational style with a rock rhythm. a double album - a studio album.  We listen to the song titled "John McLaughlin" on Bitches Brew.  This is an all-star cast--Chick Corea and Joe Zawinul on two electric pianos, John McLaughlin on electric guitar, Jack DeJohnette and Don Alias on two drum sets, Dave Holland and Harbey Brooks on two electric basses and of course on trumpet, Miles Davis. M2  Return to Forever,  featuring Chick Corea. The recording and title song is "Hymn of the Seventh Galaxy". A phenomenal set of musicians --- guitarist Bill Connors, Stan Clarke on Bass, Lenny White on Drums. This song provides examples of time changes, which Chick Corea thrives in, providing a high energy framework for Bill Connors to play lead guitar. A very mechanical song, with enough melodic component to to be interesting and tell a story about THE SEVENTH GALAXY ---- The band is Return to Forever and the title song is "Hymn of the Seventh Galaxy"featuring Chick Corea, 1973, Polydor Records. M3 Soft Machine and we listen to the album simply named "5". On this 1972 CBS album, part 2 of the 2-part song "L.B.O., by John Marshall, the drummer.  The musicians are Elton Dean on Alto Sax, Saxello and Electric Piano, Hugh Hopper on Bass, Mike Ratlidge on Organ and Electric Piano, and John Marshall on Drums. Note the time changes, the improvisation, the use of electric saxello, electric piano, in a jazz format, with the rock beat. M4 Pat Metheny and his 1976 album BRIGHT SIZE LIFE. We listened to UNQUITY ROAD, composed by Pat Metheny.  I remember seeing the very young Metheny back in 1977 at a small venue named Amazingrace, then  locatedat 845 Chicago Ave in Evanston IL. There, up on stage stood this white kid from Missouri, then 21, with huge a afro and and a very large hollow body electric guitar. This kid is really different. The guitar playing is like nothing I had heard before. Great technique, the scales, wide intervals, the melodic character of this music, the little excursions each of the songs take. And a very NEW sound with jazz "improvisation"  The bass sound is also new, because it is fretless and electric, that's Jaco Pastorius on bass. Bob Moses Drums. Recorded in 1976, not in the US… but in Ludwigsburg, Germany, for ECM Records. M5 SPACES. Next, we hear from the Band, Album, and title Song . . . all titled "SPACES". Another all-star cast, featuring Larry Coryell and John McLaughlin on guitars, Billy Cobham on drums, Chick Corea electric piano, and Miroslav Vitous on bass….. Vitous playing a bowed bass, in this case, an electrified, acoustic bass. And the Coryell-McLaughlin guitar combination, works well … it's surprising, as they have such different styles (Coryell's fury and power vs McLaughlin's texture and finesse). Much improvisation, much power in the guitar solo parts. This is a great instrumental album. The song SPACES was composed by Julie Coryell. This was originally recorded in 1971, and this release is 1974 from VANGUARD APOSTOLIC records. M6 The Mahavishnu Orchestra with John McLaughlin and the album "The Inner Mounting Flame" and the most laid back song on that album, if you will, a track named "Dawn" with John McLaughlin on Guitar, Jerry Goodman on Violin, Jan Hammer on Piano, Rick Laird Bass and Billy Cobham on Drums. Original composition of John McLaughlin. This first studio album, released in 1971, by Columbia Records.

a cura di Alessandro Achilli. Musiche di Rudd-Lacy-Mengelberg-Carter-Bennink, Carla Bley Band, Roswell Rudd & Archie Shepp, ZnR, Bruford, Peter Blegvad (seconda parte)

a cura di Alessandro Achilli. Musiche di Rudd-Lacy-Mengelberg-Carter-Bennink, Carla Bley Band, Roswell Rudd & Archie Shepp, ZnR, Bruford, Peter Blegvad (seconda parte)

a cura di Alessandro Achilli. Musiche di Hugh Hopper, Dudu Pukwana, Alexander Hawkins - Elaine Mitchener Quartet, Hopper-Dean-Tippett-Gallivan, Elton Dean's Ninesense, Omri Ziegele Where's Africa, Deep Tide Quartet, Orfeo 5

a cura di Alessandro Achilli. Musiche di Hugh Hopper, Dudu Pukwana, Alexander Hawkins - Elaine Mitchener Quartet, Hopper-Dean-Tippett-Gallivan, Elton Dean’s Ninesense, Omri Ziegele Where's Africa, Deep Tide Quartet, Orfeo 5 (seconda parte)

a cura di Alessandro Achilli. Musiche di Hugh Hopper, Dudu Pukwana, Alexander Hawkins - Elaine Mitchener Quartet, Hopper-Dean-Tippett-Gallivan, Elton Dean’s Ninesense, Omri Ziegele Where's Africa, Deep Tide Quartet, Orfeo 5 (seconda parte)

Reginald Dwight, nació el 25 de marzo de 1947, en la localidad inglesa de Pinner. Sus padres fueron Stanley Dwight , fallecido en 1991 a los 66 años y Sheila Eileen Dwight. Cierto día, la madre encontró al pequeño Elton interpretando en el piano de la casa una melodía que acababa de escuchar en la radio. Desde entonces fue incentivado por su abuela para que tocara el piano y fuera músico; con cuatro años ya podía interpretar melodías simples, y a los 7 tocaba música en fiestas familiares. Por aquellos años admiraba a Elvis Presley, Bill Haley & His Comets, Little Richard oJerry Lee Lewis. Educado en la Royal Academy of Music gracias a una beca que consiguió en 1958 a la edad de 11 años, a partir de entonces comenzó a frecuentar dicha escuela, para dar clase los sábados y actuar en el coro. Con el tiempo se dio cuenta de que lo suyo no era la música clásica, por lo que, 6 años después, en 1964, decidió abandonar esta institución para dedicarse a la música rock. A los 15 años trabajaba como pianista en un pub cercano donde le llamaban Reggie. Allí interpretaba canciones de Ray Charles y Jim Reeves. En 1964 Reggie y unos amigos formaron la banda Bluesology, donde conoció al cantante Long John Baldry. Como homenaje a él y al saxofonista Elton Dean adoptó el nombre artístico de Elton John. En 1969 formó parte de la banda Argosy. La única grabación del grupo fueron dos canciones, «Mr. Boyd» e «Imagine».

Dopo la morte di Mogezi Feza, i Blue Notes quando si riuniscono sono adesso in quattro: e cioè Chris McGregor al piano, Dudu Pukwana al sax alto, Johnny Dyani al contrabbasso e Louis Moholo alla batteria. Nell'aprile del '77 vengono registrati dal vivo all'100 Club a Londra, e la Ogun ne trae un album, Blue Notes in Concert, che viene pubblicato nel '78, e più tardi riproposto, con materiale supplementare, in Cd. La formidabile coppia ritmica Harry Miller/Louis Moholo lavora fra l'altro nei picoli gruppi di Elton Dean e nel Ninesense del sassofonista, una delle più eccitanti formazioni della scena inglese dell'epoca: una straordinaria testimonianza del livello del Ninesense di Dean col contributo di Miller e Moholo la offre una registrazione amatoriale del '79, diventata nel 2012 un doppio Cd, anche questa effettuata all'100 Club, da cui prendiamo un ampio brano. Stellare, la formazione oltre a Dean, Miller e Moholo allinea Alan Skidmore, Marc Charig, Harry Beckett, Nick Evans, Radu Malfatti, Keith Tippett.

Learn more about New York-based MoonJune Records from its owner, Leonardo Pavkovic.