Podcasts about masahiko

今年は15人も収録に参加していただき、ありがとうございます！初の春開催となった鈴鹿サーキットでのF1日本GP、土曜日のFP3の後に収録しました。リスナーからミヤケさんとDNFさんにリクエストもいただきましたので、それはエンディングにて。鈴鹿の雰囲気をお楽しみください。 F1ファンのインタビュー（登場順、敬称略） ・たか（F1logジャケット画像提供）「そろそろジャケット画像、変えますか」 ・さたけ（初）　「箱推しです」 ・ゆりか（初）　「ベッテルが推しです」 ・Shinya.S（車中泊）とご友人（3年連続）　「春の車中泊はお勧めしません」 ・もう一度Z32に乗りたい（3年連続） 「来れないはずがこれちゃいました」 （ジングル） ・Masahiko（初） 「昨年コロナで来れず、ウェアを久々に新調しました」 ・まちゃひこ（初）「角田のシールがダブったので見知らぬ少年にあげました」 ・ラルフ（3年連続）　「今年こそ鈴鹿のオススメを」 ・I love Honda（初）　「もう見つからないかと思いましたよ！！！！」 ・矢島（初） 「今世の活躍は、昨年の鈴鹿でじいふさんに聞いて驚愕で」 （ジングル） ・森本薫（2年ぶり）　「2022年の分（大雨）を春の鈴鹿に取り戻しにきました」 ・も〜りた（初）　「友人が自作の編笠グッズで国際映像デビューしました」 ・なつむ（初）　「山田養蜂場のベッテルのイベントで」 ・3歳（初） 「好きなF1カーはスーパーGTとメディカルカーです」 ・ヒロキ（初）　「2021年からF1を見始めたにわかです」 引き続き、番組宛のメッセージ受付中です。 ——— キリノート（ブログ） https://fognote.hatenablog.com F1ファンになる方法　番組ホームページ https://unracer.com/f1/ 番組宛メッセージフォーム https://forms.gle/qePmHJasUxHPhrga9 桐野のブルースカイ https://bsky.app/profile/lhr385.bsky.social 桐野のマストドン https://mastodon.social/@lhr385 桐野宛のマシュマロ https://marshmallow-qa.com/drkirino ——— 【正式結果】2024年F1第4戦日本GP 決勝 https://www.as-web.jp/f1/1063352?all 【F1第4戦日本GP決勝の要点】麗かな陽気とレース展開、春の鈴鹿に翻弄されたマクラーレンとメルセデス https://www.as-web.jp/f1/1063444?all

Originariamente pubblicato solo in Giappone, grazie ad una meritoria ristampa dell'etichetta francese Wewantsounds è tornato da poco disponibile, in vinile e cd, l'album Song of Soil, intestato al batterista giapponese Masahiko Togashi e registrato a Parigi nel '79 in trio con Don Cherry e Charlie Haden. All'epoca Cherry e Haden erano nella capitale francese e suonavano alla Chapelle des Lombards; negli anni sessanta enfant prodige della batteria e fra i pionieri del free jazz nipponico, poi vittima di un incidente che lo lasciò paralizzato dalla vita in giù ma che non fermò la sua carriera, Togashi riuscì ad avere l'ok per l'incisione da Martin Meissonier, all'epoca agente/tuttofare di Don Cherry, e arrivò appositamente a Parigi dal Giappone. Oltre che per la qualità della musica, questa ristampa di Song of Soil si distingue anche per il libretto di accompagnamento, che oltre ad un profilo di Togashi, comprende un testo con passaggi di intervista a Meissonier. Già animatore di programmi radiofonici e giornalista a Libération, Meissonier, che sarebbe poi stato una figura chiave della fase di lancio della musica africana e della world music negli anni ottanta, lavorò per Don Cherry dalla seconda metà degli anni settanta all'81, e offre un ritratto di prima mano, molto interessante e delizioso, del Don Cherry che in quegli anni era un assiduo frequentatore della capitale francese: ""Già ai tempi di France Musique avevo preso il gusto per una mentalità aperta: ma con Don ero passato alla pratica".

La historia sigue a un hombre llamado Masahiko Ichinose, quien es un padre de familia común y corriente que trabaja en una tienda de instrumentos musicales. Un día, descubre que su hija adolescente, Futaba, está en una relación abusiva con su novio. Preocupado por la seguridad de su hija, Masahiko decide tomar medidas drásticas para protegerla. Para ello, Masahiko se convierte en un asesino a sueldo y comienza a eliminar a los hombres violentos que acechan a su hija y a otras mujeres en la ciudad. A pesar de que sus acciones son ilegales y peligrosas, Masahiko cree que está haciendo lo correcto y sigue adelante con su plan, incluso cuando su familia comienza a sospechar de él. A lo largo de la serie, vemos a Masahiko lidiar con las consecuencias de sus acciones y tratar de equilibrar su vida como asesino a sueldo con su papel como padre y esposo. También hay otros personajes interesantes que entran en juego, como un detective que investiga los asesinatos y una mujer que se convierte en el interés amoroso de Masahiko. En resumen, "My Home Hero" es un anime emocionante y dramático sobre un padre dispuesto a hacer cualquier cosa para proteger a su hija de la violencia. La serie explora temas como la familia, la justicia y el sacrificio personal, y ofrece una visión única y conmovedora de lo que significa ser un héroe en el hogar Síguenos en ==> TWITCH (Livestreams) & DISCORD (Nuestra comunidad ♥)Escucha también nuestros programas CINENTRADA y PODCARTOONDonaciones via YAPE o PLIN a 961892597

Our guest this week is a Trail Blazer and Pioneer in the Japanese Surf Culture, opening a Surf Shop in 1971. With a passion in Filming and Photography he was able to Capture some of Surfing's most Historic Moments! But, it was until meeting and sponsoring Tom Curren that really put Himself and The Surf Shop on the world stage by opening a Location in Huntington Beach in the 1980's. He not only created a very successful Surf Shop Business, but he was also a huge influence and was instrumental in the development and successes of Tom Curren. We are beyond stoked and privileged to sit down and hear his story. We welcome The Sensei - Mr.Masahiko “KITO-SAN" Kito!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

durée : 00:54:20 - Masahiko Togashi, Don Cherry, Charlie Haden - par : Alex Dutilh - Wewantsounds réédite l‘album culte du batteur Masahiko Togashi, “Song of Soil”, enregistré à Paris en 1979 avec Don Cherry et Charlie Haden et sorti sur le label japonais Paddle Wheel. Parution le 25 novembre.

durée : 00:54:20 - Masahiko Togashi, Don Cherry, Charlie Haden - par : Alex Dutilh - Wewantsounds réédite l‘album culte du batteur Masahiko Togashi, “Song of Soil”, enregistré à Paris en 1979 avec Don Cherry et Charlie Haden et sorti sur le label japonais Paddle Wheel. Parution le 25 novembre.

Today I discuss the various groups and influences that led to the creation of the Japanese Communist Party, and its first theorist, Katayama Sen. I discuss his life, the 1922 Comintern Conference, and track the functional end of the Japanese anarchist movement, leading us to discuss Masahiko Amakasu. I talk about Amakasu's role in Manchuria, the Manchukuo Film Association, and his production of China Nights aka Shanghai Nights (1940), and hate on another academic for a bit. Luckily, the story of Masahiko Amakasu as a good ending. Song: The Internationale (in Japanese)

If you had to pick a project to retire after, it's hard for me to think of a better send-off than Star Wars. Me? No, I'm speaking about Masahiko Ôtsuka, going out with a strong message for the young after many years as a creator of anime. The episode wasn't a long one, just 15 minutes from first shot to the start of credits (the Filmmaker's Focus episode that goes with it lasts less than 7 minutes). It felt even shorter because of the long pauses, the determined nature of the moral of the story, and a three act play that's direct and refreshing. Studio Trigger should be proud to have their name associated with it. It's just the host's opinion, of course, but this was a fine example of how Star Wars can both entertain and serve a purpose. Was it Steve's favorite? You'll have to listen to find out, but there's no point in pretending this episode ranked anywhere NEAR the bottom of the seven seen so far. Just two episodes remain in season one coverage that started way back in September. At the time, The Book of Boba Fett loomed in the coming months. In less than two weeks, we'll start covering the Obi-wan Kenobi series. Steve recaps "The Elder", reminds you once again that if you're watching these shows you should also give the Filmmaker Focus featurette a look as well, and requests you follow our updated links at Linktree. Please consider following This is the Way Podcast on Twitter (@ThisistheWayPod) and email us at thisisthewaypodcast@gmail.com and share our podcast with your friends. Thanks for listening! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/thisistheway/message Support this podcast: https://anchor.fm/thisistheway/support

On beauty being a common language, cosmetics in emerging countries, Tani on the golf course, culture and the fear of failure, embracing diversity, the “Ei-Ei-Oh” shout, the younger generation Go Global.   In the last episode of my conversation with “Tani,” we start off with the concept of beauty.  After all, Shiseido is a beauty products company, and the world is a beautiful place.  Yet, there are global issues that are troublesome, and we touch upon some concerns.  There are cultural differences in different parts of the world, yet culture serves as base for everything that we do.  We both agreed that the younger generation has an important big role to play in our world, and we get a glimpse of what Tani would personally like to be doing in the future.

On unleashing the people, changing the culture, “ichigan” organizational structure, being a global leader with a Japanese heritage, unpleasant business decisions, S-Park, diversity and inclusion.   In this Part 2 of my conversation with “Tani,” we went back to the topic of people.  As a long-term investor, I believe the most valuable intangible value of the company for their ongoing sustainable growth is the people.  All companies say that people are their most valuable asset, but people don't show up as an “asset” on the balance sheet.  It shows up as a “cost” on the P/L.  And, many Japanese corporations don't really do good job in showing the value of their people, since many of them are still in the “Showa” mode of sectionalism silos, seniority system.  So, let's see how Tani's people focus strategy was able to change that culture.   Representative Director, President and CEO Shiseido Company, Limited

On the perception of beauty, how an outsider became CEO, not recreating the company but unleashing the people, uplifting with waku-waku, and fundamentals of corporate governance.     Known as “Tani” to his friends abroad, Masahiko Uotani is my hero.  Shiseido was one of our initial investments in January 2009, when I launched with my partners the Commons 30 Fund, a “cross generational” long term investment fund in Japanese companies.  We had made the investment based on the thesis that Shiseido's sense of beauty would have appeal and thus growth potential in Asia.  However, the first several years were a very slow painful decline.  That is when Tani appeared out of the blue and saved the day.  Because of the spectacular turnaround of a traditional Japanese company, Tani is one of the most recognized CEOs in Japan, and the world.   Representative Director, President and CEO Shiseido Company, Limited  

„Mirušie" ir šveiciešu rakstnieka Kristiana Krahta romāns, kurā darbība notiek vairākās paralēlās pasaulēs. Pavisam noteikti divās - Rietumu un japāņu. Romānā ir divi galvenie varoņi – šveiciešu kinorežisors Emīls Nēgeli un Masahiko Amakasu. Ilze Jansone recenzijā par romānu „Mirušie” uzskaita tikai dažus no bagātīgajiem grāmatas iespaidiem „Nēgeli filma, Idas sapņi, Čaplina un Masahiko golfa spēle uz kuģa, Japānas un Šveices ainavas, varoņu pār-un neizdzīvotais. Šo privāto kinofilmu ar nosaukumu „Mirušie” vērts lasīt ļoti lēni un, iespējams, pat vairākas reizes.” Kristiana Krahta romānu „Mirušie"no vācu valodas tulkojis Dens Dimiņs, izdevis „Mansards". Radio mazajā lasītavā par Kristiana Krahta romānu stāsta tulkotājs, framentus no lasa Gundars Āboliņš.   Raidījumu atbalsta:

GREATEST PERFORMANCES #83: MASAHIKO “FIGHTING” HARADA HARADA VS EDER JOFRE I 5/18/65 https://youtu.be/hClsXFXGpiQ HARADA VS EDER JOFRE II 5/31/66 https://youtu.be/NZbMWg9-0kQ HARADA VS JOSE MEDEL II https://youtu.be/8pHFSu3dkxE

For the month of May, Shea and Derek discuss two books that, at first glance, seem quite different, but whose similarities become more apparent upon closer examination. They begin with Masahiko Matsumoto's Cigarette Girl (Top Shelf Productions), a collection of eleven short comics originally published between 1972 and 1974. This is one of the few books by Matsumoto available in English -- another translation, The Man Next Door, was published by Breakdown Press in 2014 -- and the guys strongly advocate for more attention on this mangaka. Shea and Derek recall their earlier discussion of Yoshihiro Tatsumi's A Drifting Life, where the figure of Matsumoto is central to Tatsumi's autobiographical narrative. The stories in Cigarette Girl demonstrate the artist's style storytelling, which he referred to as "komaga" (or "panel pictures" in English), with its emphasis on a cinema-influenced panel breakdown and a more adult subject matter. Along with this, all of the stories end ambiguously or "obscurely," without any neat resolution or closure, underscoring the mature and real-life tone found in Matsumoto's work. About all of the pieces in this collection have something to do with , complicated, compromised, or unrequited relationships, with Matsumoto writing from both male and female perspectives.  And it is this theme where Derek and Shea find the common ground with the other book they discuss this month, Riichi Ueshiba's Mysterious Girlfriend X, Vol. 1 (Vertical Comics). This story has everything to do with relationships, but, as the guys point out, it has perhaps the weirdest premise they've encountered on the manga series so far. The narrative's 17-year-old protagonist and focalizer, Akira Tsubaki, becomes addicted to his new love interest -- literally! -- after tasting some of her drool. He gets sick if he goes without a dose of her saliva every day or so. His drool-defined heartthrob, Mikoto Urabe, is a complete enigma, a mystery made all the more confounding by her hobby of scissor play. Urabe has an uncanny ability to cut quickly and precisely almost any material with her scissors, which she carries holster-like in her panties. In fact, it's the "panty part" of this book that receives much of the guys' attention. Shea and Derek aren't exactly sure what to make of Ueshiba's fascination with older teenage girls' bodies, or the fact that he finds certain "cute" acts so alluring. As the artist summarizes at the end of this first volume, "Don't you think a girl who drools when she falls asleep is cute? Well, this is a comic about that sort of girl." Still, the guys never suggest that Ueshiba is any sort of creepy pedophile, and, in fact, they even see the benefits of setting his particular story within a high school milieu. Be that as it may, Mysterious Girlfriend X has to be one of the most head-scratching stories Shea and Derek have encounter in some time, and, along with Cigarette Girl, provides them with much discussion fodder for this month's episode.

On the February manga show, Shea and Derek look at a new title and an older title. They begin with a discussion of School Judgment 1, recently released by VIZ Media. Written by Nobuaki Enoki and with art by Takeshi Obata -- perhaps best known for his work on Death Note -- this is the first book in a series that has a unique premise. In fact, the guys comment several times on the wacky setup of School Judgment: a legal arbitration system established in Japan's elementary schools, where the students themselves try criminal cases serving as judge, prosecution, and defense. In this first installment, the protagonists Abaku Inugami (for the defense) and Pine Hanzuki (prosecution) battle over three strange cases, with the book ending by setting up a fourth. Shea and Derek discuss the weirdness and the social pertinence of the storylines, including arbitration concerning both drug use and pedophilic voyeurism. After that, they look at at Yoshihiro Tatsumi's A Drifting Life (Drawn & Quarterly). With an original English publication of 2009, this is Tatsumi's slightly veiled autobiography and a look at his growth as a manga artist. In fact, Derek points out that the book can best be read as a künstlerroman, a narrative about an artist's growth to personal and creative maturity. This is a hefty book of over 830 pages, a marked difference from the kind of short-form manga that Tatsumi is best known for. Indeed, both Shea and Derek contrast reading A Drifting Life to their experiences with his short-story collections, such as The Push Man and Other Stories, Abandon the Old in Tokyo, Good-Bye, and Fallen Worlds (also published in English by Drawn & Quarterly). While the shorter slice-of-life narratives are clear examples of gekiga, an alternative manga form advocated by Tatsumi himself, this autobiographical work is more conventional. And being a retrospective look back at his early life, Tatsumi brings into his story the real-life artists that inspired him and served as his companions and competitors, including Osamu Tezuka, Masahiko Matsumoto, Takao Saito, and Susumu Yamamori. As the guys conclude, this is an outstanding book and the perfect introduction to the world of Yoshihiro Tatsumi.

CrossOver #01 : Ryu Final Standalone de la chronique "CrossOver" extrait de l'émission Toasty!#85 (Retour en fanfare !) où vous pouvez également y entendre Neithan, Akik, Izeniel, Livid, monsieurGlagh et WellcooK. Aujourd'hui on parle du manga Ryu Final de Masahiko Nakahira. Durée : 11:30 | Publié le : 04/11/13 | Réalisation : Tmdjc Musique de fin : "Theme of Evil Ryu" (Hideyuki Fukasawa).

Durée : 11:30 | Publié le : 04/11/13

INTERVIEWS:  Two views across the Pacific on homeporting issues for the USS Ronald Reagan, which sailed into the worst of the Fukushima Daiichi radiation plume beginning the day after the earthquake and tsunami set off the nuclear disaster.  Is the ship still radioactive?  What happened to the debris from the purported “clean-up?”  And why would...

【記憶14】田村正彦さん/Memories14_Tamura Masahiko sensou-tamurasan_20140325.mp3

【記憶14】田村正彦さん/Memories14_Tamura Masahiko sensou-tamurasan_20140325.mp3

Join us as we talk about some combat and progression conversations with 2 great members of the CU community. Masahiko and SmudgePudge make their first appearance on the show and bring some great insight! -- www.twitch.tv/oppositionpodcast See acast.com/privacy for privacy and opt-out information.

Masahiko Yamada, President of Technical Computing Solutions Unit and Marc Silvester, Senior Vice President and Global Chief Technology Officer, Fujitsu, discuss their thoughts on Innovation at the Global Leadership Summit 2012. The Global Leadership Summit is the London Business School's flagship event for its global community. http://www.london.edu

Masahiko Yamada, President of Technical Computing Solutions Unit and Marc Silvester, Senior Vice President and Global Chief Technology Officer, Fujitsu, discuss their thoughts on Innovation at the Global Leadership Summit 2012. The Global Leadership Summit is the London Business School's flagship event for its global community. http://www.london.edu

Masahiko Yamada, President of Technical Computing Solutions Unit and Marc Silvester, Senior Vice President and Global Chief Technology Officer, Fujitsu, discuss their thoughts on Innovation at the Global Leadership Summit 2011

Podcast manga review of Momogumi Plus Senki Volume 1 by Eri Sakondo. Translated by Aimi Tokutake. Adapted by Rachel Brown. Originally published in Japan by Kadokawa Shoten. Published in US by Tokyopop, $10.99, Rated 13+. From the back cover: The deadline is his eighteenth birthday... After transferring to a new school, Yuuki, a disaster-attracting young student, is told that he is actually the reincarnation of Momotaro from Japanese folklore. What's worse, he was cursed by demons to die on the day he turns eighteen. Luckily for Yuuki he won't have to battle these demons alone- his three mystical minions, Yukishiro, Masahiko, and Sawa will be there to instruct and protect him every step of the way! My Grade: D Read the first chapter below for free:

Manga Review for Street Fighter: Sakura Ganbaru! Volume 1 by Masahiko Nakahira. Translated by Michelle Hayashi and Rie Shibazaki. Adapted by Jim Zubkavich and Matt Moylan. Published by Udon for $12.95, size: 8.1 x 5.8 inches. Originally published in Japan by Shinseisha. 15-year-old Sakura Kasugane has a secret life outside of school that she doesn't want her parents to know about. She is a street fighter being trained by a martial artist from Hong Kong named Dan Hibiki. He  originally came to Japan to study martial arts but he has become more and more intrigued by Sakura's natural talent when it comes to studying fighting techniques. All he has to do is show her a move and she can not only mimic it but incorporate her own personal styles to compliment it. Another student at her school, the heir to the vast Kazuki business empire, Karin Kazuki, is also a street fighter. Her ancestors were great warriors who lived by the motto "In all things, be victorious!" She has translated this belief into becoming the greatest street fighter in the city. She has no equal until she encounters Sakura, and then she sets all her energy into defeating her. I was never a big fan of the Street Fighter videogames, even though I remember when it was strictly a stand up arcade game. There was a time when Street Fighter 2 coming to the Sega Genesis was the biggest news this side of Halo 3. I bought the game and was decidedly underwhelmed by the experience, perhaps because my best friend could beat me easily. But I like the IDEA of the videogames and the design of its characters and I like a bit of fighting manga so I decided to give Sakura Ganbaru a shot. First up, the art is awful. Nakahira's characters all look a bit plump and the two main female leads look the opposite of feminine. Even when there's a panty shot, it feels like you're looking at a guy in his underwear because of Nakahira's lack of knowledge or total denial of the female body. I would even call the art a bit primitive. While the fights should have plenty of money shots, they mostly consist of blurred drawings with what look like small explosions signifying impacts. You really shouldn't have an artist that does poor fight panels doing a manga like Sakura. The personalities of the characters were interesting, if a bit colorless, but the art was just way too ugly. Has six color plates and some bonus pages taken from the Street Fighter Alpha manga showing how Sakura met Ryu. My Rating: C